Review: ‘Sometimes I Think About Dying’ (2024), starring Daisy Ridley, Dave Merheje, Parvesh Cheena and Marcia DeBonis

January 26, 2024

by Carla Hay

Daisy Ridley in “Sometimes I Think About Dying” (Photo courtesy of Oscilloscope Laboratories)

“Sometimes I Think About Dying” (2024)

Directed by Rachel Lambert

Culture Representation: Taking place in Oregon, the dramatic film “Sometimes I Thing About Dying” features a predominantly white cast of characters (with a few African Americans and Asians) representing the working-class and middle-class.

Culture Clash: A very introverted woman with an almost non-existent social life has to decide how much she will open herself up to love when a co-worker begins courting her.

Culture Audience: “Sometimes I Think About Dying” will appeal primarily to people who are fans of star Daisy Ridley and low-key, independent films that have observations about loneliness and personality disorders.

Dave Merheje and Daisy Ridley in “Sometimes I Think About Dying” (Photo courtesy of Oscilloscope Laboratories)

“Sometimes I Think About Dying” is a unique portrait of social anxiety and depression. This quiet and slow-paced drama won’t appeal to everyone. However, viewers with the patience to watch the entire movie will see an interesting awakening in the painfully shy protagonist, who has to learn to get out of her head and experience more of life.

Directed by Rachel Lambert, “Sometimes I Think About Dying” is based on the 2019 short film of the same name. Stefanie Abel Horowitz, Kevin Armento and Katy Wright-Mead wrote the screenplays for both movies, but Horowitz directed the short film. The feature-length version of “Sometimes I Think About Dying” had its world premiere at the 2023 Sundance Film Festival. The movie was filmed in Oregon and the city of Longview, Washington.

In the feature-length “Sometimes I Think About Dying” (which takes place in an unnamed city in Oregon), the central character is Fran Larsen (played by Daisy Ridley), a depressed introvert whose life is a bland routine. Fran, who is in her late 20s, works at her office for a small business called CB Port Authority. Fran does administrative work (whatever she does in her job, she uses a lot of spreadsheets) in a non-descript cubicle. There are less than 15 people who work in this office. After her work shift, Fran usually just goes home to her modest house and doesn’t communicate with anyone.

Fran has a secret interior life where she thinks about scenarios in which she is dying or is already dead. The movie is punctuated with glimpses of these morbid fantasies. In one scenario, a snake is on the floor in the office, with Fran’s back to the snake, as if she’s unaware that the snake could pounce at any moment. In another scenario, Fran is a corpse on a beach. In another scenario, she’s dead in a wooded area.

Fran is very shy and keeps mostly to herself at work. In the beginning of the movie, a co-worker named Carol (played by Marcia DeBonis) is retiring, so the co-workers have gathered in the break room for Carol’s going-away party. Carol gives away some of her office supplies and says in a gloating voice, “I’m going on a cruise!” In a retirement greeting card signed by all the co-workers, Fran’s written message inside the card is a very basic “Happy retirement.”

Other people who work in the office are cheerful supervisor Isobel (played by Megan Stalter), nerdy Sean (played by Sean Tarjyoto), eccentric Doug (played by Jeb Berrier), self-assured Garrett (played by Parvesh Cheena) and eager intern Sophie (played by Brittany O’Grady). After Carol now longer works at the company, the dynamics in the office change with the arrival of Robert (played by Dave Merheje), who is Carol’s replacement.

Robert, who is in his late 30s or early 40s, seems to be almost immediately attracted to Fran, who is slow to pick up the social cues that Robert wants to start a conversation to get to know her better. In text messages, Robert asks Fran some questions about office supplies. He confesses that he’s never had a job before. Most people would be curious to know why, but Fran doesn’t ask.

Eventually, Robert establishes a little bit of rapport with Fran when they find out that they both like cottage cheese. Fran shows she can be nitpicky when she corrects Robert and says that cottage cheese is technically not cheese. “It’s a curd. I Googled it,” she states matter-of-factly.

Robert asks Fran out on a date. She says yes. Robert and Fran see a movie and then have dinner on this first date. Over dinner at a restaurant, Robert says he’s a big fan of movies, and he liked the film that they saw. Fran admits she didn’t like the film.

The waitress who serves them at the restaurant is named Amelia. She invites Robert and Fran to a small get-together that she has on Saturdays. It turns out to be a murder mystery game, which is somewhat ironic because Fran spends a lot of time thinking about herself dying in gruesome ways.

It’s very difficult for Fran to open up about herself to anyone. The most that she will tell Robert is that she grew up in Hawaii, she likes to cook, and she’s never been in love. Meanwhile, Robert tells her that he’s been divorced twice and that he hasn’t figured out marriage yet.

“Sometimes I Think About Dying” doesn’t have a big, sweeping plot. There are several scenes in the movie that show how isolated Fran is when she’s at home. And even when she’s with people (such as in her office job), she still seems very alone because she’s lost in her thoughts and not sociable. She’s not rude, but she doesn’t seek out people’s company, and she rarely initiates conversations with other people.

“Sometimes I Think About Dying” does not follow a predictable formula that’s usually in movies about lonely single people, so this film will simply be too boring for some viewers. However, Ridley gives a very good depiction of how people who feel invisible (by choice or by circumstance) often behave. This is not a typical story where someone is going to swoop in and “rescue” Fran from her social anxiety. Instead, the movie excels at showing in nuanced ways how human connections can be terrifying to people who are also afraid to confront their own insecurities.

Oscilloscope Laboratories released “Sometimes I Think About Dying” in select U.S. cinemas on January 26, 2024.

Review: ‘Funny Pages,’ starring Daniel Zolghadri, Matthew Maher, Miles Emanuel, Josh Pais, Maria Dizzia, Stephen Adly Guirgis and Ron Rifkin

September 1, 2022

by Carla Hay

Matthew Maher and Daniel Zolghadri in “Funny Pages” (Photo courtesy of A24)

“Funny Pages”

Directed by Owen Kline

Culture Representation: Taking place in New Jersey, the comedy/drama film “Funny Pages” features an all-white cast of characters representing the working-class and middle-class.

Culture Clash: A teenager defies his parents’ wishes by dropping out of high school and moving out of the family home to become a professional comic-book illustrator, and he meets a very eccentric would-be mentor along the way.

Culture Audience: “Funny Pages” will appeal mainly to people who are interested in low-key, quirky comedy/drama movies about comic book enthusiasts.

Daniel Zolghadri, Michael Townsend Wright and Miles Emanuel in “Funny Pages” (Photo courtesy of A24)

The comedy/drama “Funny Pages” is a very offbeat love letter to comic book fanatics and the extreme decisions some artists will make to pursue their dreams. The movie’s tone is inspired more by Charlie Kaufman than by Kevin Smith. “Funny Pages” had its world premiere at the 2022 Cannes Film Festival in Cannes, France.

“Funny Pages” is the feature-film directorial debut of writer/director Owen Kline, who is also known as an actor who had roles in 2001’s “The Anniversary Party” and 2005’s “The Squid and the Whale,” when Kline was a child. These experiences as a child actor no doubt informed the creation of “Funny Pages” protagonist Robert Bleichner (played by Daniel Zolghadri), an eccentric teen who wants to grow up fast and become an illustrator of comic books and comic strips that have sexually explicit, raunchy comedy.

Robert, who’s about 16 or 17 years old, lives with his parents Lewis (played by Josh Pais) and Jennifer (played by Maria Dizzia) in a typical middle-class home in Princeton, New Jersey. The beginning of “Funny Pages” is an indication of some of the weirdness throughout the movie. Robert is in a private meeting at the home of his art teacher Mr. Katano (played by Stephen Adly Guirgis), who is a fan of the type of rude and raunchy illustrations that Robert wants to draw.

Robert confides in Mr. Katano that he plans to drop out of high school, because Robert thinks that the places where he wants to work will only care about his talent and portfolio, not if he has a high school diploma. However, Mr. Katano doesn’t think that Robert has a strong-enough identity that comes through in Robert’s drawings. Mr. Katano tells Robert: “Everything in your portfolio needs to be clearly coming from who you are … Who do you draw for?”

Robert doesn’t have a definite answer to that question. Mr. Katano knows that Robert likes to draw pictures of naked people. The meeting takes a very unorthodox turn when Mr. Katano asks Robert if he wants to draw Mr. Katano. Robert says yes, and without hesitation, Mr. Katano taks off all of his clothes, except for a pair of socks. He stands up on his desk and tells Robert to do a nude sketch of him. Robert is a little surprised, but he does the sketch with a little discomfort.

Even though there was nothing sexual about Mr. Katano’s offer, it’s still extremely inappropriate for a teacher to get naked in front of an underage child who’s a student of the teacher’s. Mr. Katano knows it, and he has second thoughts about what he just did, especially after Robert finishes the sketch and quickly leaves because Robert says that he has to be home by a certain time. While Robert is walking home on a street near an expressway, Robert sees that Mr. Katano is following Robert in Mr. Katano’s car.

With the car window rolled down on the driver’s side, Mr. Katano tells Robert that he wants to make sure that what happened with the nude sketch session wasn’t something that made Robert feel threatened or embarrassed. Robert assures Mr. Katano that he thinks everything is just fine, and that what happened won’t change their student/teacher relationship. And then, out of nowhere, Mr. Katano’s car gets hit by another car speeding in the opposite direction. Mr. Katano is killed instantly.

After the funeral, Robert breaks into Mr. Katano’s home to steal some personal items that he’s sure that Mr. Katano (who lived alone and had no known relatives) would want him to have. A house alarm goes off, and Robert is arrested for the break-in. He has a public defender named Cheryl (played by Marcia DeBonis), who thinks Robert is an adorable and misunderstood kid, even though Robert is not as meek and nice as Cheryl initially thinks he is. She is able to get the charges dismissed by arguing to the court that Robert did the break-in out of grief, and he only took items that he thought were rightfully his. (Apparently, Mr. Katano didn’t leave a will.)

Mr. Katano’s death, Robert’s legal problems and the dismissal of Robert’s criminal case all happen in the first 20 minutes of “Funny Pages” and shown with some choppy editing. By the end of those 20 minutes, viewers will either be turned off from seeing the rest of this movie or curious to see what will happen next with this very unusual teenager. Many people in Robert’s life are skeptical that he will “make it” as a professional illustrator, but he is unwavering in trying to make his dream come true.

Much to his parents’ disapproval, Robert is so eager to get started on this career, he drops out of high school, moves out of the family home, and gets his own place: a rented room in a dirty and dumpy house in Trenton, New Jersey. Robert’s creepy and disheveled landlord Barry (played by Michael Townsend Wright), who also lives in the house, knows that Robert is underage, but Barry doesn’t care as long as Robert pays the rent. Robert shares the room with another weirdo tenant named Steven (played by Cleveland Thomas Jr.), who doesn’t talk much, but when Steven does talk, it’s often out loud to himself.

In his quest to become a comic book illustrator and in order to pay his bills, Robert takes a part-time job working at a comic book store. Robert also gets a part-time job working as an administrative assistant to Cheryl, who is highly amused when she finds out that Robert expresses his naughty side in his illustrations. Robert’s best friend (and only friend) is a former classmate named Miles (played by Miles Emanuel), a mild-mannered nerd who is in awe of Robert being able to have so much independence at a young age.

It’s through Robert’s job with Cheryl that Robert soon meets a hot-tempered, mentally ill man named Wallace Schearer (played by Matthew Maher), who was an assistant colorist at Image Comics. Wallace, who is one of Cheryl’s clients, got into trouble for having an emotional meltdown at a pharmacy and committing vandalism on the property. Robert meets Wallace when Wallace arrives at Cheryl’s office for an appointment.

Even though Wallace clearly has mental health problems, Robert is immediately intrigued when he finds out that Wallace used to work for Image Comics. It’s at this point in the movie that you know Wallace and Robert will go back to the pharmacy where Wallace committed his crime. Former “Mary Hartman, Mary Hartman” star Louise Lasser makes a disturbing cameo as a drugged-out and drooling pharmacy customer named Linda, who demands that Robert give her a Percocet. Ron Rifkin also makes a brief appearance in “Funny Pages,” as Robert’s unnamed grandfather.

Because of Wallace’s experience working at a well-known comic book publishing company, Robert becomes fixated on getting Wallace to mentor Robert. The rest of “Funny Pages” involves Robert’s strange encounters with people in the Trenton area and his desperate attempts to become Wallace’s student/protégé. Although none of the acting is terrible in “Funny Pages,” don’t expect to see a lot of pleasant characters in this movie.

There’s some violence, nudity and very dark comedy in this odd little film, but for people who are open to this type of movie-watching experience, “Funny Pages” has enough to hold viewers’ interest. “Funny Pages” is both a satire and a tribute to the single-minded passion that can consume artists to express themselves in their art. The movie has several mentions about whether or not an artist’s work has “soul.” In provocative and peculiar ways, “Funny Pages” examines if artists who pour their souls into their work might also lose their souls in the process.

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