Review: ‘Cocaine Bear,’ starring Keri Russell, O’Shea Jackson Jr., Alden Ehrenreich, Isiah Whitlock Jr., Margo Martindale, Jesse Tyler Ferguson and Ray Liotta

February 23, 2023

by Carla Hay

Keri Russell in “Cocaine Bear” (Photo by Pat Redmond/Universal Pictures)

“Cocaine Bear”

Directed by Elizabeth Banks

Culture Representation: Taking place in 1985, in Georgia (and briefly in Tennessee and in Missouri), the comedic action film “Cocaine Bear” (based loosely on a true story) features a predominantly white cast of characters (with some African Americans and Asians) representing the middle-class, working-class and criminal underground.

Culture Clash: After a drug smuggler dies while parachuting from a plane with large quantities of cocaine, a black bear in a forest area goes on a rampage after ingesting a lot of the cocaine.

Culture Audience: “Cocaine Bear” will appeal primarily to people who are interested in watching dark and violent action comedies that are intentionally absurdist.

O’Shea Jackson Jr., Ayoola Smart, Alden Ehrenreich and Ray Liotta in “Cocaine Bear” (Photo by Pat Redmond/Universal Pictures)

Just like the bear that’s on a cocaine-fueled rampage, the erratic and unpredictable “Cocaine Bear” aims to shake up people’s sensibilities. It’s a wild and uneven ride, where the movie’s surreal comedy works well, more often than not. If you’re easily offended by the thought of children and animals ingesting cocaine, then it’s best to avoid watching “Cocaine Bear.” If you’re open to watching an adult-oriented comedy that doesn’t take itself too seriously, then “Cocaine Bear” might be enjoyable, in a way that’s similar to how people enjoy going on amusement park rides that bring some terror to the entertainment.

Directed by Elizabeth Banks and written by Jimmy Warden, “Cocaine Bear” (which takes place in 1985) is very loosely based on true events. The majority of the movie is fiction. The basic facts that the movie keeps true are that a drug smuggler in his early 40s named Andrew Thornton II (played by Matthew Rhys), who used to be a narcotics police officer in Kentucky, died in Knoxville, Tennessee, after he jumped out of a small private plane with 70 to 75 pounds (or 31 to 34 kilograms) of cocaine, and his parachute malfunctioned. (It’s the opening scene of “Cocaine Bear.”)

Before jumping out of the plane, he had dumped duffel bags filled with several bricks of cocaine in the Chattahoochee–Oconee National Forest in Georgia. The most common theory is that Thornton had brought too much cocaine on the plane and unloaded some of his stash in the forest, with a plan to go back later and get the cocaine. However, in real life, a black bear got to the cocaine first and was found dead of an overdose. In the movie, the bear doesn’t die of an overdose but instead goes on a killing spree where humans are the main targets. All of the characters in “Cocaine Bear” except Thornton are fabricated for the movie. The “cocaine” seen in the movie is actually sugar or artificial sweetener.

An introduction statement in the movie explains that black bears usually don’t attack people unless it’s for reasons related to food, self-defense or invasion of a bear’s territory. “Cocaine Bear” doesn’t waste much time before the mayhem starts. At Chattahoochee–Oconee National Forest, two German-speaking tourists named Elsa (played by Hannah Hoekstra) and Olaf (played by Kristofer Hivju), who also goes by the name Kristoffer, are hiking and taking photos. They see a bear acting strangely, such as dry-humping a tree.

Elsa and Olaf/Kristoffer are intrigued and want to take photos of this bear, although he is more hesitant because he heard that black bears can be deadly. According to the “Cocaine Bear” production notes, the movie’s coke-fueled bear (which the cast and crew nicknamed Cokey) is actually a combination of visual effects and motion caption imagery with stunt performer Allan Henry. In the movie, tourists Elsa and Olaf/Kristoffer are the first people who have a very unlucky encounter with the bear. Only one of these tourists makes it out alive.

The first 20 minutes of “Cocaine Bear” jump around a lot from scene to scene, by quickly showing the other characters in the movie who will encounter the bear. In St. Louis, Missouri, an international drug smuggler named Syd (played by Ray Liotta) was responsible for getting the cocaine shipment that Thornton was supposed to deliver. In real life, the deceased Thornton was found with cocaine that was worth $15 million at the time. In the movie, it’s mentioned that the missing cocaine in the forest is worth about $7 million.

Syd comically has his headquartes at Four Pines Mall, where he likes to hang out with his small crew at O’Shaughnessy’s Burger Time restaurant. Syd’s two main henchmen are his son Eddie (played by Alden Ehrenreich) and Eddie’s best friend Daveed (played by O’Shea Jackson Jr.), who is the more risk-taking and tougher of the two pals. Thornton’s death has made the national news. Syd knows that he’ll be held responsible for any of the cocaine that’s still missing—and he’ll do whatever it takes to find this stash. Somehow, Syd knows that Thornton had dumped the rest of the stash in the Chattahoochee–Oconee National Forest.

Eddie is first seen literally crying over his drinks in a dive bar in St. Louis, because he’s grieving over the death of a friend/colleague named John. Eddie is babbling about how the person conducting the funeral service mistakenly called John the name Joan. It’s a rambling scene that didn’t really need to be in the movie, especially since Ehrenreich over-acts in this scene. Daveed comforts Eddie, but they won’t have much time to drown any more of their sorrows in a St. Louis bar, because Syd has ordered Eddie and Daveed to go to Georgia to find the missing cocaine in the Chattahoochee–Oconee National Forest.

Meanwhile, the Chattahoochee–Oconee National Forest is under the jurisdiction of a local police detective named Bob Springs (played by Isiah Whitlock Jr.), who knows that the forest is being used as a drug-smuggling hiding place for Syd and Syd’s “crime family.” Bob is determined to find a way to bust Syd and Syd’s cronies. Bob correctly assumes that there might be some of some of Thornton’s missing cocaine in the forest, and people in Syd’s crew will come looking for this drug stash.

“Cocaine Bear” gets a little sidetracked with some comedic details that don’t become very clear until later in the movie. For example, there are several minutes of screen time showing that Bob, who wants to adopt a dog, had a Maltese delivered to him instead of the Labrador Retriever that Bob originally wanted. Bob asks his police officer colleague Reba (played by Ayoola Smart) to temporarily look after the Maltese, which is a dog with long white fur that he thinks looks too high-maintenance and “fancy” for Bob. Viewers have to watch an epilogue scene in “Cocaine Bear” to see the reason why the movie keeps showing this Maltese.

Also in the Chattahoochee–Oconee National Forest area is a hospital nurse named Sari (played by Keri Russell), who is financially struggling and has to work extra shifts to help make ends meet. Sari is the mother of 13-year-old Dee Dee (played by Brooklynn Prince), who has dreams of becoming a painter artist. Dee Dee’s best friend is a slightly younger child named Henry (played by Christian Convery), who has a crush on Dee Dee and spends a lot of time trying to impress her.

Dee Dee and Henry are both playful and a little rebellious. They skip school one day so that Dee Dee can go to a place in the forest’s Blood Mountain, where there is a nearby waterfall that Dee Dee wants to paint so that she can use this painting to get accepted into a prestigious art camp. A big part of the movie is about Sari trying to find “missing” Dee Dee and Henry in the forest. Because Dee Dee and Henry have gone missing on the same day that the cocaine bear goes on a rampage, you can easily predict what might happen with these two kids.

The Chattahoochee–Oconee National Forest has a visitor center, where a no-nonsense park ranger named Liz Winters (played by Margo Martindale) works as a manager of sorts. (She’s the only employee of the visitor center who’s seen in the movie.) Liz tries to come across as being tough as nails, but she’s got a soft spot for an animal-rights activist named Peter (played by Jesse Tyler Ferguson, in a very fake-looking wig), who calls himself a “life inspection representative.” Peter is a regular visitor to make sure that no animals are being harmed in the forest.

Peter might be aware that Liz has a crush on him. The movie drops in some adult-oriented double entendre jokes. For example, Peter comments to bachelorette Liz about one of the taxidermy animals on display in the visitor center: “You’ve got a dusty beaver here, rancher.” Liz smirks and replies, “I’m working on it.” Later in the movie, two paramedics named Beth (played by Kahyun Kim) and Tom (played by Scott Seiss) arrive by ambulance to the visitor center in one of the movie’s most memorable scenes.

A group of troublemakers in their late teens and early 20s, who call themselves the Duchamps, have been robbing and assaulting people in the forest area. Only three of these gang members are shown in “Cocaine Bear,” and they only have nicknames in the movie. Kid (played by Aaron Holliday), also known as Stache, is the youngest and most likely to talk himself out of tough situations with an opponent. Ponytail (played by Leo Hanna) is the biggest bully in the group. Vest (played by J.B. Moore) is the most likely to get scared when things go wrong.

All of these characters encounter each other in one way or another during “Cocaine Bear.” There’s a lot of gruesome violence that looks straight out of a horror movie. However, “Cocaine Bear” is never really a horror movie because it stays consistently true to its intention of being an action comedy. The bear does some unrealistic stunts and has some human-like facial expressions that seem to be the filmmakers’ way of winking at the audience to show that “Cocaine Bear” is an absurdist fictional film.

In one of his last movie roles, Liotta (who died in his sleep in 2022, at the age of 67) seems to be having fun as the “Cocaine Bear” Syd character, which is a spoof of all the callous criminals that Liotta portrayed in his long acting career. Martindale, Ferguson and Jackson also have great comedic timing and understood that “Cocaine Bear” is meant to have a dark-but-wacky satirical tone in this story about humans versus a wild animal. The rest of the cast members are serviceable in their roles. The bear, without question, is the star of the show.

For a movie about a cocaine-fueled killer bear on the loose, “Cocaine Bear” occasionally disappoints when the movie becomes less suspenseful about when the bear is going to attack next. The adrenaline-packed momentum drags when the movie gets sidetracked with the some of the shenanigan-like conflicts between people who know about the bear.

“Cocaine Bear” also requires a huge suspension of disbelief that the local fire department (which is usually in charge of handling wild animals) wasn’t called as soon as it was known that a wild bear was killing people. Police detective Bob is the main government official on the scene for most of the movie. And there is no mention of the area being evacuated for safety after it’s known that a killer bear is on the loose, and more people get killed by the bear.

However, no one should be going to see “Cocaine Bear” for realism. Banks’ direction is solid but sometimes a little too busy and unfocused. The movie is hit-and-miss when it comes to the storytelling part of the narrative. And some of the main characters (such as Eddie and Sari) are not very interesting. But “Cocaine Bear” delivers the goods when it comes to viewer anticipation to see what this unhinged bear will do next. The movie is destined to become a cult classic for viewers who like this type of entertainment.

Universal Pictures will release “Cocaine Bear” in U.S. cinemas on February 24, 2023.

Review: ‘Family Squares,’ starring Ann Dowd, Judy Greer, Billy Magnussen, Margo Martindale, June Squibb, Casey Wilson and Henry Winkler

April 7, 2022

by Carla Hay

“Family Squares” cast members. Pictured in top row, from left to right: Judy Greer, Margo Martindale and Henry Winkler. Pictured in bottom row, from left to right: Sam Richardson, Timothy Simons and Billy Magnussen (Photo courtesy of Screen Media Films)

“Family Squares”

Directed by Stephanie Laing

Culture Representation: Taking place in 2020, in North Carolina, New York City, Connecticut and other parts of the world, the comedy/drama film “Family Squares” features a cast of predominantly white characters (with one Asian and one African American) representing the working-class and middle-class.

Culture Clash: Before and after an American family’s matriarch dies, various members of the family meet on videoconference calls to talk about the clan’s frequently difficult relationships and some family secrets that cause conflicts. 

Culture Audience: “Family Squares” will appeal primarily to people who are fans of the movie’s cast members and stories about bickering family members who still love each other despite their differences.

June Squibb in “Family Squares” (Photo courtesy of Screen Media Films)

Neither terrible nor great, “Family Squares” is a flawed comedy/drama that’s elevated by the talent of the movie’s cast members. It’s an uneven but well-acted movie about a family gathering on videoconference calls. Directed by Stephanie Laing, “Family Squares” has a title that refers to how the family members appear on screen in squares because of the videoconference format. It’s another movie about people being unable to interact in person because of the COVID-19 pandemic. “Family Squares” (which Laing co-wrote with Brad Morris) won’t be considered a classic COVID-19 pandemic movie, but it might interest people who are curious to see a scripted story about how large families stayed in touch during the pre-vaccine lockdowns of the pandemic.

The movie, which takes place and was filmed in 2020, has the expected squabbles between these relatives, but there are enough tender moments and comedy to make the emotions well-rounded. Where the movie falters is in some of the dialogue, which can sometimes be too corny or too contrived. However, the cast members’ performances make the movie’s characters believable. You might see parts of yourself or people you know in some of these family members, even if what some these characters say occasionally sounds like an overly calculated movie script.

“Family Squares,” which centers on the fictional Worth family, could have done a better job of explaining in the beginning how each family member is related to each other. Unless you have an excellent memory or are taking notes, it might be very easy to get confused by the first 10 to 15 minutes of the movie, which is kind of a jumbled mess, where the characters show up on screen and then babble on about various things.

Here are the characters of the Worth family who participate in these videoconference calls:

  • Mabel (played by June Squibb) is the family’s feisty matriarch, who is in her 90s and dying in a hospice/nursing home somewhere in New York state. Mabel passes away during the first videoconference call that’s seen in the movie. Mabel divorced her husband (who is now deceased) many years ago and has been married to a much-younger woman for the past four years. Mabel’s two children from her marriage to her ex-husband are son Bobby and daughter Diane.
  • Judith Joyner (played by Ann Dowd), Mabel’s soft-spoken wife, lives in New York City, and has been unable to visit Mabel in person during Mabel’s final days because of the COVID-19 pandemic lockdowns.
  • Bobby (played by Henry Winkler), Mabel’s bachelor son, has a rebellious past and a tense relationship with his younger sister Diane, who were both raised on a farm in Spring Hope, North Carolina.
  • Diane (played by Margo Martindale), Mabel’s strong-willed younger child, doesn’t think highly of Bobby because she thinks he’s irresponsible and flaky. Diane, who lives in Connecticut, is a widow and a mother of five adult children: son Bret, daughter Dorsey, son Chad, son Robert and daughter Katie.
  • Bret (played by Timothy Simons) is a widower and a failed business entrepreneur who is raising his daughter Cassie (who’s about 15 or 16 years old) on his own.
  • Dorsey (played by Judy Greer) is a neurotic single mother who is currently on a road trip (in a recreational vehicle camper) with her reluctant 17-year-old son Max. Dorsey has a longtime love/hate relationship with her younger sister Katie. Max’s father, who is described as a deadbeat dad who abandoned Dorsey and Max, is not a part of Max’s life.
  • Chad (played by Scott MacArthur), a bachelor with no children, is a fairly successful self-help guru and author, who thinks that he’s the one who has a life that is the most enviable out of all of his siblings.
  • Robert (played by Billy Magnussen) is a ne’er-do-well bachelor with no children. Robert jumps from job to job and has a younger brother inferiority complex with Chad, who bullied Robert when they were children. Robert claims to be calling from Russia, where he says he is hiding out for top-secret reasons that have to do with Robert’s computer hacking.
  • Katie (played by Casey Wilson) is the youngest of Diane’s children and the only one of her siblings to still live in their North Carolina hometown of Spring Hope. Katie is very image-conscious and has a bad habit of being tardy. Katie and her husband Kevin have three underage kids together, but Katie is the only one in their household who participates in the videoconference calls.
  • Max (played by Maclaren Laing), Dorsey’s marijuana-smoking son, loves his mother, but he doesn’t want to spend a lot of time with her. Max was never close to his great-grandmother Mabel, so he is emotionally unaffected when Mabel dies.
  • Cassie (played by Elsie Fisher), Bret’s quiet and introverted teenage daughter, was emotionally attached to her great-grandmother Mabel, so she is devastated when Mabel dies.

The movie’s unseen narrator is someone named Bill (voiced by Rob Reiner), whose identity is revealed toward the end of the movie. It might be easy to figure out who Bill is, based on his comments and observations. Some viewers might think the narration is unnecessary and annoying, while other viewers might think the narration is necessary and charming.

Someone who pops in occasionally during these videoconference calls is Kelly (played by Zoë Chao), the hospice nurse who was taking care of Mabel before Mabel passed away. Kelly is the one who sets up the videoconference call for Mabel, who is computer-illiterate and too sick to do it herself. After Mabel dies, Kelly plays video messages that Mabel left for her surviving family members.

Kelly has an awkward moment with Judith when, after Mabel dies, Judith wants to arrange to get Mabel’s personal items that were at the hospice, but Judith is not allowed to claim Mabel’s items. Kelly has to tell Judith that it’s because the hospice doesn’t have Judith listed as a family member, even though Judith and Mabel were legally married. This scene is a depiction of what LGBTQ people often have to go through when their spouses or partners die, and the spouses or partners who are left behind are impeded by homophobic policies and laws that deprive them of their rights. All of the members of the Worth family love and accept Judith, but the movie never bothers to explain why Mabel—who knew she was dying and was living openly as a queer married woman—never made the proper spousal arrangements for Judith at this hospice.

Another person who is part of these videoconference calls is a funeral director/attorney named Alex (played by Sam Richardson), who is put in an uncomfortable position when the Worth family members disagree over whether or not to have a virtual/online funeral for Mabel. Judith is a part of these funeral arrangements. And the decision about the funeral isn’t the only conflict in this family.

Mabel drops two bombshells in her farewell videos that are shown after her death: First, she announces that somewhere on the family farm property is something valuable. “We are really, filthy, stinking, fucking rich,” Mabel says in the video. Some of the family members immediately want to go to the property to hunt for what they think might be hidden treasure and possibly find it before the other family members. Bill can be heard in a voiceover saying, “Nothing like an inheritance to get the family greed boiling.”

Mabel’s other shocking revelation is that she says one of the family members who is a sibling is actually not a biological sibling. Mabel refuses to go into any further details and tells her family members that they have to figure out this secret on their own. This family secret actually makes “Family Squares” more interesting than it could have been, so it’s one of the main reasons why the movie can hold people’s attention.

There are other family secrets that are revealed during these calls, but they are somewhat mild in comparison to the one about who are the real biological parents of the person who’s “not a sibling.” There’s also the matter of who else in the family knew about this secret, which could threaten to destroy relationships in this family. Judith admits she knows the secret, but she tells everyone: “It’s not for me to say.”

In a movie with very talented cast members, it’s hard to go wrong with their performances. Greer and Martindale stand out the most because not only do their characters of Dorsey and Diane have outspoken personalities, but they also have the most emotional depth. All of the other cast members perform well in their character roles, which at times can get a little two-dimensional and can reduce them to stereotypes.

Laing gives mostly solid direction to “Family Squares,” which could have done without some of the slapstick shenanigans between Chad and Robert that cheapen the quality of the film. A few of the characters, such as Cassie and Bret, are a bit underdeveloped. Because there are so many family members and so many conflicts, at times “Family Squares” seems a little overstuffed. The first third of the movie tends to drag, the middle of the movie is a little scattered and unfocused, but the last third of the movie makes up for the story’s shortcomings.

Screen Media Films released “Family Squares” in select U.S. cinemas, on digital and VOD on February 25, 2022. The movie was released on Blu-ray and DVD on April 5, 2022.

2019 Tribeca Film Festival movie review: ‘Blow the Man Down’

April 27, 2019

by Carla Hay

Morgan Saylor and Sophie Lowe in “Blow the Man Down” (Photo by Jeong “JP” Park)

“Blow the Man Down”

Directed by Bridget Savage Cole and Danielle Krudy

World premiere at the Tribeca Film Festival in New York City on April 26, 2019.

How many times have we seen this in a movie or a TV show? A person accidentally kills someone in self-defense, but instead of doing the logical thing (calling the police or an attorney), the person gets rid of the body, which makes things worse because now the cover-up makes the death looks like a murder. That plot device of throwing logic out the window in order to create suspense is done repeatedly in “Blow the Man Down,” a film that has good intentions and solid performances, but so many illogical actions that you won’t feel much sympathy for the people who keep digging themselves further into criminal (plot) holes.

The movie begins with a scene showing a family gathering taking place right after a funeral. The deceased person is Mary Margaret Connolly, the mother of sisters Priscilla Connolly (played by Sophie Lowe) and Mary Beth Connolly (played by Morgan Saylor). The two sisters are very different from each other: Priscilla is the older, more sensible sister, while Mary Beth is the younger, wilder sister. With their mother’s death, the Connolly sisters now bear the responsibility of running the family business, Connolly Fishing, in their small village of Easter Cove, Maine. Mary Beth has a restless spirit. She wants to sell the business and use the money to get out of town and start a new life. Priscilla vehemently disagrees and thinks the best thing to do is to keep the business going.

Meanwhile, the town has a bed-and-breakfast inn called Ocean View, which is run by Enid Nora Devlin, who also goes by the name Mrs. Devlin (played by Margo Martindale), who’s known the Connolly family for years. The other matriarchs in town—Doreen Burke (played by Marceline Hugot), Gail Maguire (played by Annette O’Toole) and Susie Gallagher (played by June Squibb)—are busybodies who make a point of knowing what’s going on with everyone in the community. It all sounds so quaint and small-town folksy—except it’s not.

Ocean View is really a brothel, and Mrs. Devlin is a madam who has a steely attitude underneath her friendly façade. Without giving away any spoilers, more than one person ends up dead, plus there’s a missing bag of $50,000 cash, blackmail and cover-ups of crimes. Mary Beth and Priscilla are involved in covering up the death of one of the people—a thug named Gorski (played by Ebon Moss-Bachrach). They dismember his body and hide it in an ice box. Another dead person’s body washes up at sea, and the cause of death might be an accident or a murder.

A young police officer named Justin Brennan (played by Will Brittain) is the main person investigating the death of the person found at sea. Justin takes a liking to Priscilla, whose guilty conscience makes her even more nervous when he makes excuses to come over and visit her. At first, Officer Brennan appears to be a somewhat dimwitted neophyte who can be easily fooled, but he slowly begins to suspect that the sisters know more than they are telling him.

Because Easter Cove is such a small town, it’s easy to believe that only one cop would be doing most of the investigating. However, with all the small-town gossips who are in everybody else’s business, it’s hard to believe that word wouldn’t get out quicker about some of the suspicious activities that were done in plain view. As for that bag of $50,000 in cash that changes possession throughout the film, spending that kind of money wouldn’t go unnoticed in this small town, so it defies logic that certain characters go to a lot of trouble to get the cash in order to spend it in a way that the town would take notice.

“Blow the Man Down” has the benefit of a talented cast that adds layers of depth to a script that isn’t particularly original. Saylor and Martindale stand out as the most compelling to watch because their morally dubious characters in the movie have impulsive tendencies, so their actions aren’t always predictable. “Blow the Man Down”—written and directed by Bridget Savage Cole and Danielle Krudy—also cleverly shows local fisherman characters singing well-known sailor songs (including the film’s namesake), as this movie’s version of a Greek chorus. The movie’s last 15 minutes are a flurry of activities that look like desperately written scenes aimed at trying to tie up some loose strings in the plot. If you’re willing to overlook the screenplay’s flaws, you might enjoy “Blow the Man Down” for the movie’s best assets: the cast’s performances and the way the film convincingly captures the mood of a small town with some very big, dirty secrets.

UPDATE: Amazon Prime Video will premiere “Blow the Man Down” on March 20, 2020.

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