Review: ‘Hard Truths’ (2024), starring Marianne Jean-Baptiste, Michele Austin, David Webber, Tuwaine Barrett, Ani Nelson, Sophia Brown and Jonathan Livingstone

December 7, 2024

by Carla Hay

David Webber, Marianne Jean-Baptiste and Tuwaine Barrett in “Hard Truths” (Photo courtesy of Bleecker Street)

“Hard Truths” (2024)

Directed by Mike Leigh

Culture Representation: Taking place in London in 2023, the dramatic film “Hard Truths” features a predominantly black cast of characters (with some white people and Asians) representing the working-class and middle-class.

Culture Clash: Two sisters with opposite personalities deal with various conflicts caused by the volatile sister.

Culture Audience: “Hard Truths” will appeal primarily to fans of filmmaker Mike Leigh, the movie’s headliners, and dramas that have uncomfortable but realistic portrayals of dysfunction in families.

Ani Nelson, Michele Austin, Marianne Jean-Baptiste, David Webber, Sophia Brown and Tuwaine Barrett  in “Hard Truths” (Photo courtesy of Bleecker Street)

“Hard Truths” is a raw and realistic portrayal of how toxic anger and untreated mental illness can affect a family. Marianne Jean-Baptiste gives a fierce and complex performance in this drama filled with verbal abuse and co-dependency. “Hard Truths” shows in authentic ways how family members often don’t know how to cope when someone in the family is mentally ill and is the type of person who would refuse treatment for this mental illness.

Written and directed by Mike Leigh, “Hard Truths” had its world premiere at the 2024 Toronto International Film Festival and screened at other festivals in 2024, such as the New York Film Festval. The movie takes place in London in 2023 and was filmed on location. “Hard Truths” is the second movie collaboration between Leigh and Jean-Baptiste, who previously worked together in 1996’s “Secrets & Lies,” which received five Oscar nominations: Best Director and Best Original Screenplay for Leigh; Best Supporting Actress for Jean-Baptiste; Best Actress for Brenda Blethyn; and Best Picture.

“Hard Truths” tells the story of two sisters with opposite personalities, but the more troubled sister gets the most screen time. Pansy Deacon (played by Jean-Baptiste), a homemaker, is constantly pessimistic, angry and argumentative. Her younger sister Chantelle (played by Michele Austin), who works as a hair stylist, is optimistic, cheerful and generally a peacemaker. Pansy and Chantelle were raised by a single mother named Pearl, who died in 2018.

Pansy lives with her husband Curtley (played by David Webber) and their 22-year-old son Moses (played by Tuwaine Barrett) in a middle-class house that Pansy likes to keep as clean and tidy as possible. It’s shown throughout the movie that Pansy has a lot of rage and paranoia. She starts arguments with almost everyone she comes into contact with, but then she makes it sound like the people she’s arguing with are the ones who are out to get her.

Pansy is also fearful of animals. Even the thought of a fly or other small insect getting into her house will make Pansy very upset, and she will most likely go into a rant about it. It’s one of the reasons why Pansy doesn’t like going into the house’s small backyard: She doesn’t even want to see any insects or other small animals. And she doesn’t like the thought of anyone walking on the backyard grass because she thinks they could possibly bring grass and dirt on the bottom of their shoes into the house.

Curtley is the owner of a small business called C.J. Plumbing. Moses is unemployed. Patsy deeply resents that Curtley has not trained Moses to work in Curtley’s business. Instead, Curtley works with an assistant named Virgil (played by Jonathan Livingstone), whom Pansy despises. Patsy constantly berates and insults Curtley and Moses, who don’t talk much and have all the indications of being worn down by her verbal abuse.

It’s in stark contrast to Chantelle, a single mother, who has a happy and healthy relationship with her two bachelorette daughters, who are both in their 20s: Kayla (played by Ani Nelson) works in marketing at a beauty company, while Aleisha (played by Sophia Brown) works as a paralegal. Chantelle has the type of open relationship with her daughters that Kayla and Aleisha talk about their nightlife activities and their love interests with Chantelle, who is content to have her life revolve around her work and her daughters. Kayla and Aleisha have upbeat and friendly personalities, which are no doubt influenced by the fact that they grew up in a happy household with a loving parent.

“Hard Truths” is a “slice of life” movie that shows all of these characters (except for Virgil) inside and outside ther homes. During the course of the movie, bits and pieces of information are revealed about Pansy that are explanations for why she is the way that she is. And a portrait emerges of someone who is actually depressed but uses anger to lash out at people. It’s open to interpretation how long Pansy has had these issues with anger and mental health.

Pansy constantly complains of aches and pains in various parts of her body. But scenes of her during a doctor’s appointment and during a dentist’s appointment show that these aches and pains are probably in her imagination because they seem accustomed to Pansy being a difficult complainer. At the end of the doctor’s appointment, Pansy is miffed that they didn’t even do a blood test or X-ray test for her. It’s an indication that the medical professionals who deal with Pansy know that there’s nothing wrong with her physically, which is why they didn’t bother doing the medical tests that she expected to get.

In addition to apparently having hypochondria, Pansy often sleeps during the day, which is an obvious sign that she’s depressed. And multiple scenes in the movie show that Pansy is easily frightened when she’s awakened by someone. When she’s startled out of sleep by someone, she acts as if that person was about to attack her. An early scene in the movie shows Pansy suddenly waking up and looking as if she just had a nightmare.

A lot of Pansy’s vicious rants might get laughs from viewers, even though someone like Pansy in real life wouldn’t be considered amusing. It’s eventually revealed that Pansy has had a lot of feelings of inferiority and resentment, going back to her childhood, when her father abandoned the family. Her mother Pearl often left Pansy in charge of taking care of Chantelle because Pearl was busy working.

Pansy is the type of person who wants people to be as miserable as she is. “Hard Truths” doesn’t really judge Pansy, but the movie shows in subtle and not-so-subtle ways that bullies such as Pansy are often insecure cowards, and there are reasons why they are so emotionally damaged. And if a person with these anger issues is mentally ill, will that person get professional help (therapy) for these issues?

A turning point in the story happens on Mother’s Day, when Pansy and Chantelle visit their mother’s grave and then go back to Chantelle’s place for a Mother’s Day lunch with Curtley, Moses, Kayla and Aleisha. It’s in these scenes that Pansy shows a vulnerable side that doesn’t erase all the awful things she’s said and done, but it provides a deeper understanding of who Pansy really is when she isn’t scolding people or causing arguments.

Jean-Baptiste gives an intense performance that grabs viewers by the throat and doesn’t let go. Pansy is like an emotional arsonist who causes damage but then would be the type of person to blame whoever sold her the things that she used to start the fire. Jean-Baptiste’s performance does not make Pansy a one-dimensional villain but someone who is very complicated and hurts people because Pansy is deeply hurt herself.

As showy as Jean-Baptiste’s performance is, also effective are the performances of Webber and Barrett, who have the challenge of portraying people (Curtley and Moses), who are living lives of quiet misery. Webber is particularly skillful at showing the emotional pain in Curtley’s eyes in depicting someone who is trapped in an unhappy marriage. Moses is tall and overweight, but Barrett does an excellent job of showing that despite Moses’ large size, Moses feels very small when it comes to his self-esteem. It’s implied that Moses uses food to cope with his insecurities and the stresses he has from living with Pansy.

There are signs of co-dependence in this family. Curtley’s identity is wrapped up in being the “saintly spouse,” which is why he is so entrenched in the co-dependence that he has with domineering Pansy. If Pansy got help for her mental health problems and actually treated people with respect, where would that leave Curtley, who’s gotten used to being the morally superior spouse?

Chantelle is someone who doesn’t like to see the family in turmoil, but she’s not equipped or doesn’t want to deal with what can be done to help solve these problems. There are a lot of things that remain unspoken in “Hard Truths,” including how some families consider psychiatric therapy to be a stigma or taboo. No one dares to suggest to Pansy that she get help for her obvious mental illness because Pansy is the type of person who doesn’t think she’s mentally ill.

“Hard Truths” is not a preachy movie that suggests religion is the answer to the family’s problems. Nor is “Hard Truths” a “wish fulfillment” movie where the main character has a moment of clarity and suddenly decides to change her ways. “Hard Truths,” like the title says, takes a hard look at what can happen when anger and resentment are left to fester and can cause damage if not dealt with properly. It’s damage that all too often affects people in the worst ways, but “Hard Truths” shows in brutally honest ways that there is no magical and perfect solution.

Bleecker Street released “Hard Truths” in select U.S. cinemas on December 6, 2024, with an expansion to more U.S. cinemas on January 10, 2025.

Review: ‘The Book of Clarence’ (2024), starring LaKeith Stanfield, Omar Sy, RJ Cyler, Anna Diop, David Oyelowo, Micheal Ward, Alfre Woodard and James McAvoy

January 13, 2024

by Carla Hay

James McAvoy (far left) and LaKeith Stanfield (second from right) in “The Book of Clarence” (Photo by Moris Puccio/Legendary Entertainment/TriStar Pictures)

“The Book of Clarence” (2024)

Directed by Jeymes Samuel

Culture Representation: Taking place in 33 .A.D., in an alternate version of Jerusalem, the comedy film “The Book of Clarence” features a predominantly black cast of characters (with some white people) representing the working-class, middle-class and wealthy.

Culture Clash: An atheist rogue, who is heavily in debt, pretends to a miracle worker to con people out of money, much to the chagrin of his identical twin brother, who is a follower of Jesus Christ.

Culture Audience: “The Book of Clarence” will appeal primarily to fans of the movie’s headliners and people expecting a witty satire of Christianity and racism, but they won’t get much wit in this movie.

LaKeith Stanfield, Omar Sy and R.J. Cyler in “The Book of Clarence” (Photo by Moris Puccio/Legendary Entertainment/TriStar Pictures)

“The Book of Clarence” is writer/director Jeymes Samuel’s attempt to make a religious satire like classics from Monty Python or Mel Brooks. But it’s a muddled mess where the best jokes aren’t very amusing. A talented cast cannot save this dull flop. “The Book of Clarence” also lazily panders to unnecessary negative and over-used stereotypes that do nothing substantial for the story.

The best religious satires are those where audience members don’t have to know much about religion to enjoy the satire, because the story and the characters speak to larger issues about humanity and social structures. That’s one of the failings of “The Book of Clarence,” which relies too heavily on comedy where viewers need to have better-than-average knowledge of Judeo-Christian teachings to understand some of these movie’s intended messages.

Another big problem with “The Book of Clarence” is that it goes back and forth between lampooning Christianity and skewering racial oppression of black people, but the movie often loses focus and ends up not saying much at all. There are chase scenes in the movie that are meaningless. Major characters from the Bible are reduced to making shallow appearances, when their characters could have been developed in an impactful way.

In “The Book of Clarence” (which takes place in 33 A.D. in Jerusalem), Clarence (played by LaKeith Stanfield) is an unemployed loser who doesn’t do much with his life but commit petty theft, gamble, and sell and smoke marijuana with his best friend Elijah (played by RJ Cyler), who is a stereotypical stoner sidekick. Black men who use drugs and are involved in criminal activities? What a stupid, unoriginal and overused stereotype in movies.

The movie opens by showing several men in with their hands and feet nailed to crucifixes. Clarence is one of the men. A man who looks like the usual portrayal of Jesus Christ is another one. “The Book of Clarence” circles back to this scene toward the end of the movie, after it’s been shown how Clarence ended up on this crucifix. It’s a long and disjointed slog to get to that point, filled with cringeworthy dialogue and unfunny “jokes” that make everyone look like idiots.

In one of the movie’s early scenes Clarence and Elijah are in a chariot, and they are racing against Mary Magdalene (played by Teyana Taylor) in another chariot. Clarence and Elijah both get shot with darts and fall out of their chariots. Mary Magdalene then races off and isn’t seen again until after a long time-wasting stretch of the movie. It’s an example of some of many pointless scenes in “The Book of Clarence.”

Clarence is heavily in debt to a local thug named Jedediah the Terrible (played by Eric Kofi-Abrefa), who has given Clarence a deadline of 30 days to pay his debt. Meanwhile, atheist Clarence is bothered by the fact that his estranged identical twin Thomas (also played by Stanfield) has become a follower of a self-proclaimed Son of God named Jesus Christ (played by Nicholas Pinnock), who has amassed a growing number of followers but also detractors. Jesus keeps his face hidden under a hood until a “face reveal” that’s supposed to be suspenseful but is anti-climactic.

Clarence still lives with his loving and compassionate mother Amina (played by Marianne Jean-Baptiste), because he is too financially broke to afford his own place. Amina is heartbroken that her only children are feuding with each other. Meanwhile, Clarence is dealing with his own heartbreak issues, because he’s pining for a beautiful woman named Varinia (played by Anna Diop), whom Clarence thinks is out of his league. Varinia also happens to be the sister of Jedediah.

Roman Empire officials are the story’s racist oppressors in “The Book of Clarence,” which has scenes that are obvious parallels to how racist modern-day police treat black men. Clarence and Elijah are minding their own business on a street when they get stopped and harassed by Roman law enforcement saying that Clarence and Elijah “fit the description” of two wanted criminals. Clarence and Elijah have multiple run-ins with a sadistic Roman named Decimus (played by Tom Glynn-Carney), who takes pleasure in targeting people who aren’t white.

When he’s not being racially profiled by white Romans, Clarence is being hunted by Jedediah and his goons, with Elijah as his drug-addled wing man. Clarence thinks up a scheme to get the money that he owes to Jedidiah: He pretends to be a Jesus disciple who can perform miracles, in order to con people out of money. “The Book of Clarence” is basically a ripoff of the 1995 stoner comedy “Friday” (starring Ice Cube and Chris Tucker), wrapped in the guise of a religious satire.

John the Baptist (played by David Oyelowo) sees through Clarence’s fake religiousness when Clarence asks John to baptize him. Other characters in the movie that are based on biblical characters are the Virgin Mary (played by Alfre Woodard); Judas Iscariot (played by Micheal Ward); Barabbas (played by Omar Sy); and Pontius Pilate (played by James McAvoy). One of the few white people in the movie who isn’t portrayed as evil is Benjamin (played by Benedict Cumberbatch), a dirty homeless beggar, who gets a makeover that is supposed to be a symbol of “whitewashed” rewriting of history.

“The Book of Clarence” isn’t a cohesive story. It’s just a bunch of poorly conceived sketches that are strung together with bibilical references. Many of the plot developments go nowhere. The acting performances are mostly mediocre or just plain awful. Clarence’s relationships, such as those with his twin Thomas and his would-be love interest Varinia, are boring and hollow, when they should be among the most interesting aspects of the story. Here’s an example of the movie’s moronic dialogue: Clarence says to Varinia: “I am spirit over sandals in love with you.”

The movie is capable of maybe eliciting some mild chuckles from viewers, but mostly the plot just goes around in circles, and then tries to wrap things up in a sentimental way that is unearned and phony, considering how cutting-edge this comedy want to be. Worst of all, “The Book of Clarence” is pretending to be a provocative and clever satire, when it’s really just a witless stoner movie. In that sense, this disappointing dud is just like the movie’s namesake Clarence: a sham wanting more respect and glory than what is deserved.

TriStar Pictures released “The Book of Clarence” in U.S. cinemas on January 12, 2024.

Copyright 2017-2025 Culture Mix
CULTURE MIX