Review: ‘Beast of War,’ starring Mark Coles Smith, Joel Nankervis, Maximillian Johnson, Lee Tiger Halley, Sam Parsonson, Tristan McKinnon and Sam Delich

January 10, 2026

by Carla Hay

Pictured clockwise, from left: Lee Tiger Halley, Mark Coles Smith, Maximillian Johnson and Joel Nankervis in “Beast of War” (Photo courtesy of Well Go USA)

“Beast of War”

Directed by Kiah Roache-Turner

Culture Representation: Taking place in Australia and in the Indian Ocean’s Timor Sea, in 1942, the horror film “Beast of War” features a predominantly white cast of characters (with a few Asian and indigenous people) representing the working-class and middle-class.

Culture Clash: After their ship crashes and overturns, seven World War II Australian soldiers get stranded in the Indian Ocean’s Timor Sea, where they are attacked by a great white shark. 

Culture Audience: “Beast of War” will appeal primarily to people who are interested in watching faking-looking monster movies that are derivative and have laughably bad dialogue.

Mark Coles Smith in “Beast of War” (Photo courtesy of Well Go USA)

“Beast of War” is a poorly staged and sloppily edited movie about World War II soldiers attacked by a great white shark while stranded at sea. The acting is as terrible as the idiotic dialogue and awful visual effects. None of it looks believable.

Written and directed by Kiah Roache-Turner, “Beast of War” is supposed to take place mostly in the Indian Ocean’s Timor Sea. But all the scenes that are supposed to be in large bodies of water look like they were filmed in a very controlled studio. The movie is also lighted unnaturally, with glowing hues that wouldn’t be found in this environment in real life. This moody lighting is something you might see in a nightclub, not in shark-infested open waters. This phoniness is why “Beast of War” relentlessly insults viewers’ intelligence.

“Beast of War” (which takes place in 1942) begins by showing the soldiers during boot camp in an unnamed wooded area in Australia. The main protagonist is Leo (played by Mark Coles Smith), a heroic type, who immediately clashes with arrogant sleazeball Des Kelly (played by Sam Delich), which leads to a rivalry that affects what happens later in the movie. As shown in the movie, Des has a grudge against Leo because Leo ambushed Des and defeated Des during a boot camp combat training exercise.

The movie wastes some time showing mostly small talk and other activities that reveal nothing about these soldiers’ personal backgrounds or personalities. Leo is portrayed as a stereotypical “good guy,” while Des is portrayed as a stereotypical “bad guy.” All the other soldiers in the movie have generic personalities, except for an eccentric loner named Thompson (played by Sam Parsonson), whose nickname is Tommy.

“Beast of War” has a few scenes where Leo and his boot camp pal Will (played by Joel Nankervis) flirt with two nurses named Susan, nicknamed Susie (played by Laura Brogan Browne), and Hazel (played by Lauren Grimson), who slow dances with Will when Leo and Will sneak off to the nurses’ camp to meet up with Susie and Hazel. These nurses are never seen again in the movie.

That’s because after this rendezvous, the soldiers go on a ship somewhere in the Timor Sea. An explosion (presumably a bomb) causes the ship to crash and sink in the ocean. Most of the people on the ship do not survive this explosion.

However, seven of the soldiers end up on a wooden raft as they fight for survival: Leo, Des, Will, Thompson, Bobby (played by Tristan McKinnon), Teddy (played by Lee Tiger Halley) and Stan (played by Maximillian Johnson). They’ve got one gun, three grenades, a tin of peaches, a can of gas, a knife, two rescue flares and no fresh water. It’s also very foggy during the beginning of their ordeal.

The raft is not too far from a small motorboat that could be their way to get to shore safely. They don’t know if the motorboat will work, but someone has to swim to the motorboat to find out. The stranded soldiers are also at risk of being attacked by Japanese military that’s monitoring the area. And there’s another big problem: Soon after the stranded soldiers end up on the raft, a great white shark attacks.

The first time the shark attacks, it leaps out of the water to bite someone on the raft. And even though the shark is large, there’s no mistaking what it is, someone still screams: “What the fuck was that?” Leo answers, “Shark. A big one.” This is the type of brain-dead dialogue that pollutes the film. Some of the dialogue is also too modern for 1942.

Leo knows a lot about sharks because his younger brother Archie (played by Aswan Reid) was killed by a shark, as seen in flashbacks. Leo witnessed this brutal death, and he is still haunted by it. That’s the only backstory that’s given to Leo, who gets more background information in the movie than the other characters get.

In every shark attack movie, at least someone seems to lose a limb. In this movie, it’s Stan who has this unlucky fate first. His left leg is bitten off by the shark. There are some unrealistic “shark versus man” scenes underwater. And the movie gets more ridiculous as it goes along.

“Beast of War” has a lot of shouting and bloody scenes, but it’s just gory noise that has no creativity or real suspense. It’s a horror movie that’s never very scary, especially because the shark looks like a throwaway animatronic from an amusement park. It’s also very easy to predict who will die in this movie. A caption in the beginning of “Beast of War” says that the movie is “inspired by true events,” but this low-quality abomination looks as realistic as a shark assembling a gas station toilet.

Well Go USA released “Beast of War” in select U.S. cinemas, on digital and on VOD on October 10, 2025. Shudder and AMC+ will premiere the movie on January 16, 2026.

Review: ‘We Bury the Dead’ (2026), starring Daisy Ridley

January 2, 2026

by Carla Hay

Daisy Ridley in “We Bury the Dead” (Photo by Nic Duncan/Vertical)

“We Bury the Dead” (2026)

Directed by Zak Hilditch

Culture Representation: Taking place in Australia, the horror film “We Bury the Dead” features a predominantly white cast of characters (with a few indigenous people and black people) representing the working-class and middle-class.

Culture Clash: After a nuclear accident in Australia’s island state of Tasmania leaves about 500,000 people dead and turns other people into zombies, a physical therapist travels to Tasmania to find her husband and has unexpected encounters. 

Culture Audience: “We Bury the Dead” will appeal primarily to people who are fans of star Daisy Ridley and zombie movies that are less about gore and more about the psychological impact of a zombie apocalypse.

Daisy Ridley in “We Bury the Dead” (Photo courtesy of Vertical)

“We Bury the Dead” is a different type of zombie apocalypse movie that is more about psychological effects for uninfected survivors than on gory action scenes. The movie has unanswered questions but interesting performances. “We Bury the Dead” will frustrate viewers who are expecting to see a lot of battle scenes between uninfected zombies and uninfected human survivors. The movie has some zombie/human fight scenes, but they are mostly one-on-one fights, and they don’t get a lot of screen time in “We Bury the Dead.”

Written and directed by Zak Hilditch, “We Bury the Dead” had its world premiere at the 2024 Adelaide Film Festival and its North American premiere at the 2025 SXSW Film & TV Festival. The movie takes place mostly in Australia’s island state of Tasmania. “We Bury the Dead” was filmed in Australia’s Great Southern Region, particularly in the city of Albany.

“We Bury the Dead” begins by showing a flashback to the wedding of physical therapist Ava (played by Daisy Ridley) and renewable energy executive Mitch (played by Matt Whelan), who are both in their 30s. Ava is American. Mitch is Australian. Their wedding is a happy occasion, but these wedding scenes are interrupted by a present-day voiceover of Ava frantically leaving voice messages for Mitch.

“Tell me you’re okay,” Ava says while breathing heavily, as if she’s panicking. “I’m scared. I need you. I love you. I’ll keep trying.” It’s later revealed that Mitch and Ava do not have children, but they have been trying to start a family, with no luck.

News reports on TV show that Australia has recently experienced a disastrous tragedy: The U.S. military accidentally deployed an experimental weapon off of the coast of Tasmania the week before. About 500,000 people across Tasmania died as a result of this catastrophe. The city of Hobart was completely decimated. An untold number of other people are “undead” zombies.

Mitch had traveled to Tasmania for a business conference/retreat and was staying at a place called Enso Resort when the disaster happened. The resort, much like most of Tasmania, is now considered a disaster area, where there is no communication available through technology. Mitch is considered a missing person.

Ava is determined to find Mitch. And so, she travels by airplane to Tasmania, on a flight where many other loved ones of missing people are also taking this trip for similar reasons. The Australian government has a volunteer “body retrieval” program, where adult civilians go to Tasmania and get bodies that need to be buried or cremated. Ava has signed up for this volunteer program because it’s the best way to get access to areas that are otherwise off-limits to the general public.

When she gets to the check-in area for the body retrieval job, Ava mentions to a briefing colonel (played Kim Fleming) that Ava’s husband is missing in Tasmania. The colonel warns Ava that if Ava uses her work time to find Ava’s husband instead of retrieving bodies, then Ava will be sent home. Ava says she understands, but you can tell Ava doesn’t care about this warning because her main goal will still be to find Mitch.

Ava attends a very short orientation session with other new volunteers. A military official named Captain Vance (played by Dan Paris) informs the group that the stories that they might have heard are true: There are survivors in Tasmania who are walking around as if “the lights are on but nobody’s home.” He doesn’t use the word “zombie,” but his message is clear: Be on the lookout for these zombies. Ava also finds out that the longer these survivors are in a zombie state, the more aggressive and violent they get.

“We Bury the Dead” has a few flimsy plot holes that are not adequately addressed. The volunteers are given no real training on how to do body disposals and are not required to wear any safety gear (such as hazmat suits) and are not supplied with any weapons. It’s a very irresponsible for a government to put civilians (most of whom are untrained rescue workers) in this type of danger, when it’s still unknown what the hazards and side effects will be of disaster caused by a weapon of mass destruction. You don’t have to be scientist to know that the existence of zombies is proof that people have been infected.

In the beginning of the movie, “We Bury the Dead” makes a brief mention of the international political fallout of this disaster. A TV news report says that protests in Washington, D.C., have escalated. Pressure has reached a “fever pitch” from the United Nations and the Australian prime minister to hold the U.S. president accountable for this disaster. Therefore, it doesn’t make sense that the Australian government would put Australian residents in more jeopardy by starting a volunteer “body retrieval” program without giving the volunteer workers any common-sense protections.

Questionable government decisions aside, “We Bury the Dead” is mostly an intimate portrait of how this work affects Ava. The volunteer body retrievers are supposed to work with at least one partner. Ava’s first partner (played by Deanna Cooney), who doesn’t have a name in the movie, ends up quitting immediately because the job is more traumatic than she thought it would be, and she wants to go back home to her daughters.

Ava’s next partner is a roguish type named Clay (played by Brenton Thwaites), who takes a hardened and cynical approach to this type of work. Ava is more emotional and is more concerned about following safety protocol than Clay is. At first, Ava wears an optional gas mask on the job, but Clay mocks her for it. Ava, just like Clay, ends up wearing no safety gear. As for weapons to fight the violent zombies, Ava’s weapon of choice is an axe, which she finds on her own. Just like in other zombie movies, “We Bury the Dead” shows that zombies can be killed by blows to their heads.

It takes a while, but Clay and Ava eventually open up to each other about their closest relationships and why they decided to volunteer for this body retrieval job. But another shortcoming of the movie is reveals nothing about the families of Ava and Mitch. It’s possible that Ava and Mitch could be estranged from their families, but the movie doesn’t say either way.

“We Bury the Dead” does reveal some more information about what Ava and Mitch’s marriage was like before Mitch went on the business trip. The movie also shows if Clay agrees to help Ava find Mitch. During their time together, Ava and Clay encounter a lone military official named Riley Harris (played by Mark Coles Smith), who has an agenda of his own. Something to do with Riley’s personal life ends up being a factor in the movie’s climactic scene. This low-budget film has believable visual effects, as well as convincing makeup and hairstyling for the zombies.

“We Bury the Dead” is somewhat of a “buddy movie” that shows how two people with differences in their personalities and backgrounds can meet under unusual circumstances and learn to trust each other while working together. Thwaites is believable in his role as rebellious Clay. Ridley gives a fairly adequate performance that is slightly marred by her inconsistent speaking accent for this role. Ava is American, but Ridley (who is British in real life) sounds American or British in her portrayal of Ava. It’s a minor flaw that doesn’t ruin the movie, but it’s a distraction that could’ve been prevented with better direction.

One of the best aspects of “We Bury the Dead” is the visually artistic cinematography by Steve Annis. The movie skillfully conveys the dichotomy of being in an area with wide open spaces but still feel doom and claustrophobia of being stuck in this area because zombies can suddenly appear and attack. “We Bury the Dead” will bore or annoy people who expect the movie to be a more typical zombie film that has epic chases and fight scenes. But for people who are open to a more introspective look at surviving a zombie apocalypse, “We Bury the Dead” can be a satisfying movie experience.

Vertical released “We Bury the Dead” in U.S. cinemas on January 2, 2026. A sneak preview of the movie was shown in U.S. cinemas on December 22, 2025. The movie will be released on digital and VOD on February 3, 2026.

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