Review: ‘We’re All Going to the World’s Fair,’ starring Anna Cobb and Michael J Rogers

May 3, 2024

by Carla Hay

Anna Cobb in “We’re All Going to the World’s Fair” (Photo courtesy of Utopia)

“We’re All Going to the World’s Fair”

Directed by Jane Schoenbrun

Culture Representation: Taking place in an unnamed U.S. state, the supernatural drama film “We’re All Going to the World’s Fair” features a predominantly an all-white cast of characters representing the middle-class.

Culture Clash: A teenage girl participates in a mysterious online game that seems to change people who play the game. 

Culture Audience: “We’re All Going to the World’s Fair” will appeal primarily to people who are interested in watching a low-budget psychological thriller with good acting.

Anna Cobb in “We’re All Going to the World’s Fair” (Photo courtesy of Utopia)

The first thing that people should know about “We’re All Going to the World’s Fair” is that even though it’s advertised as a horror movie, it’s not a movie with jump scares. It’s not really a horror movie but more like a psychological drama about the effects of a mysterious online video challenge. Anna Cobb gives a compelling performance in this slow-paced movie.

“We’re All Going to the World’s Fair” is the feature-film debut of writer/director Jane Schoenbrun. It’s not a movie like 2002’s “Fear Dot Com” or 2014’s “Unfriended,” which are horror films about people who experience terror because they logged onto a website and made contact with an evil force. “We’re All Going to the World’s Fair” has some elements of that concept, but don’t expect to see serial killing in this movie.

The protagonist of “We’re All Going to the World’s Fair” is a teenage girl named Casey (played by Cobb), who lives in an unnamed U.S. state where it snows. (“We’re All Going to the World’s Fair” was actually filmed in New York state.) Casey has her own YouTube channel and appears to be a very lonely and isolated person who mostly interacts with people online. She is not shown interacting with anyone in person.

“We’re All Going to the World’s Fair” has a very small number of people in the movie’s cast: Only four or five people actually speak on screen. And none of them is ever in the same room as Casey, whose bedroom is in the attic of the house where she lives. The movie takes place during the winter season, because there is snow on the ground where Casey lives, which is in a remote wooded area.

Casey’s family life is vague. Viewers of “We’re All Going to the World’s Fair” will find out that Casey lives with her father, who is never seen in the movie. He is only heard yelling at her once, late at night when she is playing something too loudly on her laptop computer. Casey’s mother is not seen or mentioned in the film. If Casey has any relatives, they aren’t mentioned either.

“We’re All Going to the World’s Fair” begins by showing Casey doing a livestream for her YouTube channel, where she announces a little nervously to her audience that she’s going to take the World’s Fair Challenge. She logs onto an unseen website and says three times in a row: “I want to go to the World’s Fair.”

Then, she takes a pin button with a drawing of a skull and pricks the index finger on her left hand until a small amount of blood comes out. She smears the blood on the computer screen and plays a video that cannot be seen by viewers watching the movie. However, pulsating noises can be heard from the video that is being played.

The rest of “We’re All Going to the World’s Fair” consists of Casey becoming aware that many things about her are changing. Is it real or all in her imagination? That’s for viewers of the movie to decide. However, Casey sees videos on the Internet that show other people who took the World’s Fair Challenge have had things happen to them too.

“We’re All Going to the World’s Fair” is a “mood movie” that doesn’t have much of a plot but is very effective at creating a certain atmosphere and getting people curious about what will happen next. There’s one scene in the movie that can definitely be considered something from a traditional horror movie, but this scene comes and goes with no further explanation.

Casey has an ardent YouTube subscriber named JLB (played by Michael J Rogers), a middle-aged man who can be described as an obsessive fan of Casey. JLB (who uses a skull illustration as his online avatar) frequently checks in on Casey and expects her to communicate with him. JLB becomes increasingly worried about Casey when he notices changes in her.

Just like Casey, JLB also appears to be a lonely and isolated person, even though he doesn’t live alone either. There’s a scene in “We’re All Going to the World’s Fair” where a woman is briefly seen in the background of JLB’s home. It’s implied that this woman is JLB’s wife or live-in partner, but he never mentions her, and she is not shown speaking to him.

“We’re All Going to the World’s Fair” is a portrait of a slow descent into madness. It’s not the type of movie that will be enjoyed by viewers who are expecting a lot of action. But this very low-budget film has some striking visuals and a creepy tone that might be enough to unsettle some viewers, which seems to be the main intention.

Utopia released “We’re All Going the World’s Fair” in select U.S. cinemas on April 15, 2024. The movie was released on digital and VOD on April 22, 2024. “We’re All Going the World’s Fair” is available for streaming on Max.

Review: ‘Demonic’ (2021), starring Carly Pope, Nathalie Boltt, Chris William Martin, Michael J. Rogers, Terry Chen and Kandyse McClure

September 10, 2021

by Carla Hay

Carly Pope in “Demonic” (Photo courtesy of IFC Films/IFC Midnight)

Demonic” (2021)

Directed by Neill Blomkamp

Culture Representation: Taking place in an unnamed Canadian city, the supernatural horror film “Demonic” features a predominantly white cast of characters (with one Asian and one black person) representing the middle-class.

Culture Clash: A woman undergoes scientific experiments that could uncover secrets of her estranged mother, a convicted serial killer who might be possessed by a demon. 

Culture Audience: “Demonic” will appeal primarily to people who don’t mind watching horror films that are poorly constructed with a flimsy plot.

Nathalie Boltt in “Demonic” (Photo courtesy of IFC Films/IFC Midnight)

“Demonic” is one of these terrible horror movies where hallucinations and nightmares are over-used to try and distract viewers from the badly conceived story. Expect to see a lot of boring, repetitive scenes that just lead to a ridiculous ending. The movie’s plot had the potential to be a lot better, but “Demonic” writer/director Neill Blomkamp didn’t take enough time to craft a well-honed screenplay. Some of the movie’s visuals are compelling, but they can’t make up for the weak storyline.

In “Demonic,” which takes place in an unnamed Canadian city (the movie was actually filmed in British Columbia), Carly Spencer (played by Carly Pope) is a bitter loner in her 30s. Carly spends the entire story obsessing over how much she hates her mother, a convicted serial killer who has been living in a psychiatric institution instead of a prison. Carly is written as such an incomplete character that viewers never find out anything about what she does for a living or anything else about her family. The movie makes it look like Carly has nothing going on in her life except to participate in mind-travel experiments and have nightmares/hallucinations about her mother.

Carly hates her mother Angela (played by Nathalie Boltt) because of the heinous crimes that Angela has committed. In 1998, Angela went on a murder spree where she set fire to a senior citizen care facility where Angela used to work. The fire killed 21 people. It was also discovered that over a period of time, before she committed this deadly arson, Angela had poisoned five people at her church, including Angela’s mother. Carly’s father is never seen or mentioned in the movie. It’s implied that Carly, who is an only child, was raised in a single-parent household.

Carly has one person in her life whom she turns to for emotional support: her best friend Sam (played by Kandyse McClure), an architect who is staying at a client’s remote house near a lake. It’s yet another horror movie that uses the “isolated lake house” cliché. Sam and Carly have almost opposite personalities. Sam is a bubbly and talkative extrovert. Carly is a moody and repressed introvert.

The movie’s opening scene shows that Carly keeps having nightmares of hearing her mother calling out to her in different houses, such as her childhood home. In her nightmares, when Carly finds her mother in a room, her mother is alone and usually has blood on herself. And then sometimes, the room gets set on fire.

Carly’s mother Angela barely looks older than Carly in these nightmares. It’s later explained that it’s because Angela appears to Carly in these nightmares looking like Angela did back in the late 1990s, when she committed her horrific crimes. In real life, actress Boltt is only a few years older than her “Demonic” co-star Pope, but the movie put aging makeup on Boltt for Angela’s present-day scenes.

Someone who knows Carly and Angela is a guy in his 40s named Martin (played by Chris William Martin), who has been trying to keep in touch with Carly, but she’s mostly refused to be in contact with him. It’s never really explained how Martin knows Carly and Angela and what he does for a living, even though he ends up being a crucial part of this story. You know a movie is poorly written when it doesn’t bother to mention basic elements of an important character’s life. The reason why Carly avoids being in contact with Martin is because she thinks he’s kind of crazy.

In a conversation between Carly and Sam, Carly apprehensively says that she recently got a text from Martin, even though she hasn’t been in contact with him for six or seven years. Sam tells Carly not to bother responding to Martin: “No one needs to hear his insane theories after what happened to your mother.” What are these “insane theories”? Carly is about to find out for herself if these theories might be true.

Carly ends up replying to Martin’s message. She agrees to meet with him in person to hear what he has to say. Martin tells her that Angela is currently in a coma and is a patient in a medical research facility. The facility is called Therapol. Soon after her conversation with Martin, Carly gets a phone call from a Therapol scientist named Michael (played by Michael J. Rogers), who asks Carly to come to the facility because Angela “isn’t doing so well.”

Carly is reluctant at first, but curiosity gets the better of her. When she goes to Therapol, she meets Michael and his assistant researcher Daniel (played by Terry Chen), who both are conducting top-secret mind experiments. Michael explains to Carly: “A lot of our technology is so new, it doesn’t exist outside of this building yet.” And they want Carly to participate in the main experiment that they’re conducting.

In this experiment, someone puts on a headset with electrodes linking to the brain. The participant can then enter the mind of someone else who’s wearing a matching headset. The participant entering the other person’s mind has an experience of being in a simulation or in a virtual reality world. The visuals for these “mind travel” scenes look like a pixelated video game, but they’re still striking to look at, even if these scenes end up being a lot of filler in “Demonic.”

Before Carly enters her mother Angela’s mind, Michael and Daniel show Carly what her mother looks like in a coma, which the scientists called “locked-in syndrome” or LIS. Angela is in terrible shape, with her veins bulging on her face and matted hair. It looks like she’s on her deathbed. Michael and Daniel want Carly to enter Angela’s mind to find out why Angela committed the murders. After some reluctance, Carly agrees to this experiment.

Daniel explains the technology in this mind simulation headset: “We redirect these [brain] impulses to a digital version of your mind. And in that virtual space, you will meet your mother. But you have to think of it as stepping into someone’s mind—her mind. It can be very confusing to the outsider, because a piece of one space can be inserted into another, kind of like a dream … We can hear and see you, but you cannot hear us. If you ask, we will pull you right out immediately.”

When Carly enters Angela’s mind for the first time, there’s a scene where, once again, Carly enters a house and sees Angela sitting on a bed. But in this mind simulation’s initial encounter, Angela’s back is turned to Carly and she won’t look at her daughter when Carly unleashes the pent-up animosity that she’s had for her mother for all these years: “I never got a chance to tell you how much I hate you! I’m here to tell you how fucking disgusting you are!”

Angela remains calm and accepting. She replies, “Carly, I know that. Now, I need you to leave. You have to go.” At first, Carly thinks she did what she needed to do and has gotten her anger out of her system. But she agrees to do more mind simulations, at the urging of Michael and Daniel. The movie than drags on with more mind simulations where Carly continues to confront her mother. It becomes very tedious after a while.

It’s not spoiler information to say that Martin believes that Angela has been possessed by a demon that caused her to commit the murders. The question then becomes, “Will Carly be cursed by this demon too?” The trailer for “Demonic” reveals way too much information about the movie, including what the demon looks like. The demon (played by Quinton Boisclair) can best be described as resembling the movie monster known as The Predator, but with a wild bird’s head.

There’s absolutely nothing surprising that happens in “Demonic,” which is just a series of half-baked scenes strung together with unremarkable acting from the cast members. The movie’s ending is embarrassingly bad, like a ripoff of other derivative horror flicks. It’s all such a letdown, considering that Blomkamp is the same writer/director behind the highly acclaimed 2009 sci-fi film “District 9,” which was his feature-film directorial debut. His subsequent feature films have been on a steep decline of quality. “Demonic” is nothing more than a disappointing and forgettable horror flick that doesn’t bring any interesting or original ideas to the genre.

IFC Films/IFC Midnight released “Demonic” in select U.S. cinemas, on digital and VOD on August 20, 2021.

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