Review: ‘Alarum’ (2025), starring Scott Eastwood, Sylvester Stallone, Willa Fitzgerald, Mike Colter, Isis Valverde and Joel Cohen

February 1, 2025

by Carla Hay

Scott Eastwood and Sylvester Stallone in “Alarum” (Photo courtesy of Lionsgate)

“Alarum” (2024)

Directed by Michael Polish

Culture Representation: Taking place in Poland, Slovakia, and the Czech Republic, the action film “Alarum” features a predominantly white cast of characters (with a few black people) representing the working-class, middle-class and wealthy.

Culture Clash: Two married assassin spies, who used to be opponents, are targeted by an intelligence network of criminal anarchists, who want to gain possession of a valuable flash drive.

Culture Audience: “Alarum” will appeal mainly to fans of the movie’s headliners and people who don’t mind watching bottom-of-the-barrel action flicks.

Mike Colter in “Alarum” (Photo courtesy of Lionsgate)

Creatively bankrupt on every level, “Alarum” is a mindless mess of an action film that goes through the motions until its very lazy and abrupt ending. The performances are never believable in this moronic story about spies fighting over a flash drive. That’s essentially the entire limp plot of “Alarum,” which is time-wasting junk, even though some well-known actors are in the movie’s cast.

Directed by Michael Polish and written by Alexander Vesha, “Alarum” takes place mostly in Gdańsk, Poland, and briefly in Prague, Czech Republic, and in Prešov, Slovakia. The movie was actually filmed in Oxford, Ohio. “Alarum” has characters that you won’t care about because they are so hollow, and most of the acting in the film is terrible.

The protagonists of “Alarum” are two American spouses who are assassin spies: Joe Travers (played by Scott Eastwood) and Lara Travers (played by Willa Fitzgerald), whose maiden name was Larissa Moss. As shown in the movie’s opening scene, Joe and Lara met in Prague, in 2019, when she was assigned to kill him when he worked for the CIA. They crashed out of a high-rise hotel window during this life-or-death fight.

The movie then fast-forwards to 2024 in Gdańsk. Joe and Lara are now married. (Their courtship is never shown in the movie.) It’s soon revealed that Joe (whose code name was Archibald) went rogue and abandoned the CIA in 2019, which is why Joe and Lara have gone into hiding. It’s implied that Joe and Lara make money by being low-level con artists.

Joe and Lara are in a hotel room as they get ready for a dinner double date with a married couple named Roland Rousseau (played by Joel Cohen, who is one of the producers of “Alarum”) and Bridgette Rousseau (played by Isis Valverde), who don’t know that Joe and Lara are spies. Before going to this dinner at a restaurant, Joe and Lara are in their hotel room and have a petty disagreement over what lies they will tell the Rousseaus.

Joe wants Lara to pretend that she has obsessive compulsive disorder (OCD), while Lara wants Joe to be the one to pretend he has OCD. Lara agrees to be the one to pretend to have OCD, but then Lara blurts out during the dinner that Joe has OCD. Back in their hotel room, Joe tells Lara that he’s irritated that Lara didn’t go along with the original plan. It’s one of several pointless sequences in “Alarum.”

Not long after this awkward dinner, Joe and Bridgette are part of a tourist group that witnesses the crash of a small plane, which was shot down from behind by snipers in another plane. At the crash site, Joe sees that this plane (which has no survivors) is from the Drug Enforcement Agency. The only two people on the plane were the pilot and a co-worker passenger.

Joe somehow knows that he needs to get a flash drive (which he calls a “flight pill”) from the dead pilot’s stomach. Joe retrieves this flash drive in a gruesome manner. And somehow, there’s a secret surveillance device on the plane that picks up the sound of Joe talking and transmits this audio surveillance to the CIA. That’s how the CIA finds out that Joe is in Poland.

It’s later revealed that this flash drive has something to do with Alarum, a secretive group that “wants to tear down the tyranny” of the government intelligence network. Now that Joe has the flash drive, he and Lara are targets of people who want to kill Joe and Lara and get the flash drive. Various chase scenes and violent fights ensue. All of them look phony and badly choreographed, with tacky visual effects.

Other characters in this cinematic garbage dump are a corrupt operative named Orlin (played by Mike Colter, an American actor doing a terrible African accent), whose African nationality is vague and who has a team of henchman; CIA deputy director Roland Burbridge (played by D.W. Moffett), who just talks on a phone while he’s sitting at a desk; CIA agent Kirby (played Mark Polish), a generic subordinate who’s eager to impress Roland; and a rebellious mercenary named Chester (played by Sylvester Stallone), who is hired by the CIA to find and kill Joe because Roland thinks Joe has joined Alarum. Everything about “Alarum” is so mind-numbingly horrible, it’s an embarrassment for anyone involved in this junkpile film.

Lionsgate released “Alarum” in select U.S. cinemas, on digital and on VOD on January 17, 2025.

Review: ‘Force of Nature’ (2020), starring Emile Hirsch, Kate Bosworth, Mel Gibson, David Zayas and Stephanie Cayo

July 1, 2020

Mel Gibson, Emile Hirsch, Kate Bosworth and Stephanie Cayo in “Force of Nature” (Photo courtesy of Lionsgate)

“Force of Nature” (2020) 

Directed by Michael Polish

Culture Representation: Taking place in San Juan, Puerto Rico, the action flick “Force of Nature” has a racially diverse cast (white people, Latinos and one African American) portraying middle-class citizens and criminals.

Culture Clash: During a hurricane, two police officers and four other people in an apartment building try to fight off a gang of ruthless thieves who’ve invaded the mostly evacuated building to steal a safe full of valuables worth $55 million.

Culture Audience: “Force of Nature” will appeal primarily to people who like movies with a lot of gun violence but very little substance.

Emile Hirsch and William Catlett in “Force of Nature” (Photo courtesy of Lionsgate)

Let’s say you’re in a gang of thieves who want to pull off the perfect heist in a building when there won’t be hardly anyone in the building. When do you want to commit this crime? During a hurricane, of course. That’s the premise behind the laughably bad action movie “Force of Nature,” whose stupidity is as relentless as the fake torrential rain that’s supposed to pass for a Category 5 hurricane in this mess of a story.

Directed by Michael Polish and written by Cory Miller, “Force of Nature” can’t even get basic elements right when it comes to portraying a hurricane in the movie. In “Force of Nature,” the Category 5 hurricane just looks like a heavy rain storm on the Category 2 level, since the wind gusts in the outside fight scenes are very mild compared to what a real Category 5 hurricane looks like.

But people who make these kinds of mindless movies aren’t really too concerned about realism or having a believable story. Their main concern is to stage as much violence and stunt shots to fill up the story with as much action as possible and distract from the flimsy plot. However, even the action scenes in “Force of Nature” are unimaginative and very repetitive.

In “Force of Nature” (which takes place in San Juan, Puerto Rico), viewers are introduced to the main protagonist: A police officer whose last name is Cardillo (his first name is never mentioned; he’s portrayed by Emile Hirsh), who is shown in the beginning of the film by himself in a bathtub with a gun pointed in his mouth. Cardillo doesn’t go through with shooting himself, and when he gets dressed, viewers see that he’s a police officer. Why is he suicidal? It’s revealed later in the movie.

Now that we know that this cop is suicidal, you have to wonder if it’s deliberate or a coincidence that this “gun in mouth” scene is similar to the “gun in mouth” scene in 1987’s “Lethal Weapon,” which had Mel Gibson also portraying a suicidal cop. It’s worth mentioning this comparison, since Gibson plays an angry retired cop in “Force of Nature.” We’ll get to that in a moment.

When Cardillo goes to work, he’s less than thrilled to find out that he’s supposed to train a new partner that day: Jess Peña (played by Stephanie Cayo), who has a fairly upbeat personality, but is no pushover when a cranky Cardillo makes it obvious that he doesn’t want to work with her.

Puerto Rico is about to go on lockdown because of an impending Category 5 hurricane, so Jess has been assigned to work with Cardillo to train on how to evacuate residents. They’ve been called to assist in an apartment building where two of the residents stubbornly refuse to evacuate.

Meanwhile, a crime boss named John, nicknamed John the Baptist (played by David Zayas), and one of his henchmen have taken an elderly lady named Mrs. Gradisher (played by Leslee Emmett) to a bank, where they force her by gunpoint to open a safe-deposit box in a private room. There’s cash in the box (which the thugs take), but what they’re really more interested in is a painting in the box.

As they start to leave the bank, John coldly executes the lady in the head in the bank lobby. Several horrified people in the bank have witnessed the shooting. Therefore, not only are these criminals ruthless, they also don’t care about being seen committing murder without any disguises, in full view of witnesses and security cameras.

Meanwhile, at a grocery store, a man named Jason Griffin (played by William Catlett) has stocked up on a cartload of meat. He’s taken so much meat that there’s no more left for other customers. Griffin gets into a dispute with another man who asks Jason for one packet of meat, but Griffin refuses.

The angry customer than gets a store manager and falsely claims that Griffin stole a package of meat right out of the hands of the other customer’s son. Even though Griffin denies it, the manager sides with the other customer and asks Griffin to leave the store. (There are some racial undertones to this scene, since Griffin is African American and the other customer is not.)

Before he leaves, Griffin lunges at the other customer in anger. And the next thing you know, the police are called. Guess who are the cops who show up to respond to this incident? Cardillo and Jess, of course.

The customer who started the dispute declines to press charges on Griffin, who is released from police custody. When Cardillo asks Griffin why he was trying to buy all that meat, Griffin explains that he wanted to feed his cat Janet before the hurricane arrived.

And it just so happens that Griffin lives in the same apartment building where Cardillo and Jess were headed to assist in an evacuation. Cardillo and Jess agree to let Griffin back into this apartment to feed his cat, on the condition that Griffin immediately evacuate after the cat is fed.

It’s easy to figure out, based on the type of meat and the large quantities that Griffin was going to buy, that he does not have a regular domestic cat. But apparently, these two cops are too dumb to notice these clues, and they’re shocked when they find out what type of cat Griffin has. This animal is the reason for a subplot to the movie that won’t be revealed in this review.

Meanwhile, the two residents of the building who refuse to evacuate are retired cop Ray (played by Gibson) and another retirement-age man named Paul Bergkamp (played by Jorge Luis Ramos), who is originally from Germany. Bergkamp has no one else in his apartment, but Ray’s daughter Troy (played by Kate Bosworth, who’s married in real life to “Force of Nature” director Polish) is in the apartment with Ray, because she’s been unsuccessfully trying get him to evacuate.

Troy is a doctor (her medical skills come in handy later in the story), but she tells Jess, “He doesn’t exactly respond to female authority,” which is why Ray won’t listen to her. (We might never know if Gibson’s own reputation for making sexist comments had anything to do with why he got cast in this role.)

At any rate, Ray is an ill-tempered curmudgeon who immediately says when the cops arrive to evacuate him: “The current PD [police department] is full of pussies who care more about liberties and politics. I’m staying here.”

The only other known person at the apartment building is the superintendent, who is outside boarding up and securing windows. Not long after Cardillo and Jess have the displeasure of meeting Ray, Cardillo witnesses the superintendent getting gunned down by John and his small gang of thugs. Why are these criminals at this apartment? To get to a safe that has $55 million worth of valuables.

The rest of the movie’s action is a showdown between the bad guys and the people at the apartment. And just to make it harder for anyone to escape, the apartment elevator just happens to be not working. And did we mention that Ray has an arsenal of weapons at his disposal?

Gibson seems to be very self-aware of his controversial reputation, because he plays Ray to the hilt as an anti-hero, so there’s almost an element of camp to his acting. The rest of the cast members play it straight in this very formulaic, cheaply made action flick. The visual effects are tacky, and the director does a sloppy job with the action sequences, where it’s obvious to see who the stunt doubles are.

Much of the dialogue in “Force of Nature” is also very cringeworthy. At one point in the movie, Jess says, “Let’s go. Rock me like hurricane.” “Force of Nature” is supposed to take place during a hurricane, but the movie itself is another kind of disaster.

Lionsgate released “Force of Nature” on digital and VOD on June 30, 2020.

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