Michaela Jae Rodriguez Archives

Review: ‘Skincare,’ starring Elizabeth Banks

September 15, 2024

by Carla Hay

Elizabeth Banks and Lewis Pullman in “Skincare” (Photo courtesy of IFC Films)

Directed by Elizabeth Banks

Culture Representation: Taking place in Los Angeles, the comedy/drama film “Skincare” features a predominantly white cast of characters (with a few African Americans, Latin people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: An esthetician’s life spirals out of control after she is targeted by a mysterious harasser who seems to want to put her out of business.

Culture Audience: “Skincare” will appeal mainly to people who are fans of star Elizabeth Banks and dark satires about blind ambition.

Luis Gerardo Méndez in “Skincare” (Photo courtesy of IFC Films)

“Skincare” is more of a dark comedy about ambition than a mystery thriller about harassment. Elizabeth Banks carries this uneven but interesting movie with her performance as an increasingly unhinged esthetician. “Skincare” is best appreciated if viewers don’t have expectations that it’s a horror movie.

Directed by Austin Peters, “Skincare” was co-written by Peters, Sam Freilich and Deering Regans. It might have been better off as short film, because the plot is very simple, and the middle section of the film tends to drag with repetition. The movie, which takes place and was filmed in Los Angeles, has some biting commentary on the fickleness of celebrity worship culture, but it doesn’t bite hard enough. “Skincare” is loosely based on the real-life case of Los Angeles-area aesthetician Dawn DaLuise, who was accused in 2014 of a murder-for-hire plot against a rival.

“Skincare” begins by showing esthetician Hope Goldman (played by Banks) in a TV studio dressing room, as she’s about to get ready for a interview that will be recorded for a talk show called “The Brett & Kylie Show,” hosted by sleazy Brett Wright (played by Nathan Fillion) and perky Kylie Curson (played by Julie Chang). Hope is doing her own makeup, which is the first sign that she’s probably an image-obsessed control freak. It’s likely she refused to have the show’s makeup artist do Hope’s makeup because Hope wants to prove she’s the best skincare expert.

Hope is the owner of Hope Goldman Skincare, which has some celebrity clients, including a starlet named Jessica (played by Ella Balinska), whom Hope considers to be one of her most important customers. Hope is doing this TV interview mainly to promote a new Hope Goldman Skincare product line that’s she launching in the near future. Hope brags that her high-end products are made in Italy. In the interview, she says: “I took everything I learned from 20 years in this business and bottled it.”

Hope (who is a bachelorette with no children) might appear to be successful and living out her dreams, but behind the scenes, her life is kind of a mess. She’s overdue on her rent at the small boutique-styled space that she uses for her skincare business. And her new skincare product business has been costing her money that she can’t afford. As she explains to her landlord Jeff (played by John Billingsley), when he mildly scolds her for not paying her overdue rent: Hope’s chief investor has suddenly disappeared, and she’s had to pay for the expenses that the investor was supposed to cover, but she promises Jeff she will pay the rent in the coming days.

Hope has only one employee who is shown in the movie. Her name is Marine (played Michaela Jaé Rodriguez), who has various duties, including being a receptionist, administrative assistant and public relations manager. It’s one of the noticeable flaws in “Skincare” that Hope’s employee situation looks unrealistic. Anyone launching this type of skincare business on such a wide scale would have more than one employee. Marine is competent, hard-working and very loyal to Hope. Marine also seems to be the closest thing that loner Hope has to being a friend.

One day, Hope finds out that another esthetician has opened a business across the street from her business. Jeff is also the landlord for that retail space. Hope’s new rival is Angel Vergara (played by Luis Gerardo Méndez), the ambitious owner of Shimmer by Angel, which has a flashier and trendier aesthetic than Hope Goldman Skincare. At first, Hope is cordial to Angel because she thinks that they have different clientele. But their competition becomes bitter when Angel tells her not to park in the space that’s reserved for his customers, and Jessica ends up becoming Angel’s customer.

Hope complains to Jeff about Angel and asks Jeff to evict him, but Jeff’s business-minded response is that he doesn’t evict tenants who pay their rent on time. To make matters worse for Hope, someone hacked into Hope’s email database and sent an embarrassing message from her email address to her nearly 5,000 email contacts. The messages had a rambling confession saying that Hope is lonely, horny, and financially broke. Some the recipients of this message are Hope’s clients, who cancel appointments with her because they now think that she’s mentally ill.

Hope is convinced that Angel is responsible for the hacking, even though she has no proof. She is also getting harassing phone calls where the caller breathes heavily and then hangs up. Hope thinks Angel is also the cause of this phone harassment because he’s the only person she can think of who would have a motive to sabotage her business. It sets her on a path to stop the harassment by any means necessary.

The fake email message goes viral and damages Hope’s reputation. As a result, her prerecorded interview on “The Brett & Kylie Show” gets cancelled. And what a coincidence: “The Brett & Kylie Show” replaces Hope’s interview with an interview that the show did with Angel. A tire on Hope’s car is later slashed.

While all of this turmoil is going on, Hope meets Jordan Weaver (played by Lewis Pullman), a 26-year-old who has recently moved to Los Angeles. Jordan is having a casual fling with elderly and affluent Colleen (played by Wendie Malick), one of Hope’s customers. Colleen, who is old enough to be Jordan’s grandmother, is the one who introduces Jordan to Hope. Jordan says he’s an aspiring actor, but in the meantime, he’s a “life coach” who teaches martial arts and spiritual healing.

Jordan and Hope eventually become friendly with each other, in the way that people become close when they think they can use each other for personal benefits. Angel’s business starts to experience even more success as Hope’s business goes on a steep decline, which enrages Hope and fuels her jealous quest to get revenge before her skincare product line officially launches. There’s a shady character named Armen (played by Erik Palladino) who comes into the picture and has a pivotal role in the story.

The plot of “Skincare” goes off into some tangents that could have been explored better but are just left to dangle without any meaningful follow-up. For example, there’s a scene where Brett (who is married but tells Hope that he’s on the brink of divorce) makes sexual advances on Hope after the “Brett & Kylie Show” cancelled her interview to be televised. Brett hints that he could put her back on his TV show if she gives him what he wants sexually.

Hope handles this sexual harassment in an astute way, but there’s really no purpose to this scene except to show that Brett is corrupt, and Hope has ways to get out of this type of tricky situation. It also seems odd that the movie makes it look like “The Brett & Kylie Show” is the only possible TV show that would be interested in interviewing Hope, before her scandal happened. Brett ends up being a character who is barely in the movie, which gives the impression that perhaps there were more scenes in the film that didn’t make the final cut.

This sexual harassment scene seems to be part of the movie’s larger commentary on the shallowness of transactional “quid pro quo” relationships, particularly in a celebrity-oriented city such as Los Angeles. A recurring “joke” in the movie is that Hope offers free samples of her skincare products as a way to ingratiate herself to people whom she thinks can do her favors later on. Hope also chases fame for herself just as much as some of the celebrities whom she wants as clients.

“Skincare” might leave some viewers confused about the intended tone of the film. The movie starts off looking like a drama but then it becomes more darkly comical as it goes along. Some of the characters seem more like caricatures the more time that they spend on screen. Thanks to Banks’ “go for broke” performance, “Skincare” blurs the lines between victims and villains, which will make some viewers more uncomfortable than others.

IFC Films released “Skincare” in U.S. cinemas on August 16, 2024.

Review: ‘Transformers: Rise of the Beasts,’ starring Anthony Ramos, Dominique Fishback, Dean Scott Vazquez and the voices of Peter Cullen, Peter Dinklage, Pete Davidson and Ron Perlman

June 6, 2023

by Carla Hay

“Transformers: Rise of the Beasts”

Directed by Steven Caple Jr.

Culture Representation: Taking place in 1994, in New York City, Peru, and other parts of the universe, the sci-fi action flick “Transformers: Rise of the Beasts” features a racially diverse cast of characters (Latino, white, African American, Asian) portraying alien robots and working-class and middle-class humans.

Culture Clash: A former U.S. Army private/comms tech and a museum researcher team up with alien robots called the Transformers and Maximals to save the world from villain robots Terrorcons and Predacons.

Culture Audience: Besides appealing to the obvious audience of “Transformers” franchise fans, “Transformers: Rise of the Beasts” will appeal primarily to people who are interested in crowd-pleasing sci-fi action films that are low on surprises but high on big-spectacle fight scenes and engaging comedy and drama.

Nightbird (voiced by Michaela Jaé Rodriguez), Scourge (voiced by Peter Dinklage) and Battletrap (voiced by David Sobolov) in “Transformers: Rise of the Beasts” (Image courtesy of Paramount Pictures)

“Transformers: Rise of the Beasts” is a triumphant sci-fi action spectacle that is chock full of memorable characters and engaging storylines. It strikes the right balance between evoking nostalgia and creating excitement for new aspects to the “Transformers” franchise. It’s also by far the most diverse “Transformers” movie so far, but it’s diversity that looks natural, not forced. Even people who know nothing about the “Transformers” franchise (which is based on Hasbro toys that spawned multiple animated TV series) will be charmed by “Transformers: Rise of the Beasts,” as long as they’re up for eye-popping ride of robot mayhem. For people who don’t know, Transformers are about alien robots that can transform into various things to disguise themselves.

“Transformers: Rise of the Beasts” is directed by Steven Caple Jr. , a self-professed “Transformers” fan. This love of the “Transformers” franchise shows in how well Caple is able to pay homage to the original spirit of the 1996 to 1999 animated TV series “Beast Wars: Transformers” (also known as “Beasties: Transformers”) and make “Transformers: Rise of the Beasts” a standout “Transformers” cinematic experience. The movie follows the 2018 spinoff film “Bumblebee,” which took place in 1987, and told the origin story of a popular Transformer named Bumblebee, who transforms into a black and yellow 1977 Chevrolet Camaro. “Bumblebee,” directed by Travis Knight, was a hit with audiences and critics.

It’s a welcome turnaround from the 10-year downward spiral of quality for the “Transformers” movie series under the direction of Michael Bay, who helmed the first five live-action “Transformers” movies, starting with 2007’s pleasantly mediocre “Transformers” and ending with 2017’s atrocious “Transformers: The Last Knight.” Each movie was more ridiculous than its predecessor, with Bay making many of these “Transformers” movies into overly long, bloated endurance tests for viewers.

Clocking in at a just-right total running time of 127 minutes, “Transformers: Rise of the Beasts” is an example of how to do a highly entertaining “Transformers” movie without it being more than 150 minutes long. “Transformers: Rise of the Beasts” has five screenwriters (Joby Harold, Erich Hoeber, Jon Hoeber, Darnell Metayer and Josh Peters), but the story doesn’t feel like there were “too many cooks in the kitchen.” The movie also gets rid of Bay’s tired “Transformers” movie cliché of the lead actress being just a sex-symbol sidekick for the lead actor. In “Transformers: Rise of the Beasts,” the chief human heroine has intelligence as well as good looks.

“Transformers: Rise of the Beasts” mostly takes place in 1994, but the beginning of the movie shows a scene that took place centuries earlier in outer space. In this scene, a massive evil entity called Unicron (voiced by Colman Domingo) dispatches his underlings to destroy the jungle-like homeland of Maximals, a group of intelligent robots that can disguise themselves as wild animals. Unicron literally eats planets in order to survive.

Unicron’s main enforcers are zombie robots calls Terrorcons, led by the ruthless Scourge (voiced by Peter Dinklage), who can transform into a 1994 Peterbilt 359. Scourge has two main sidekicks: Nightbird (voiced by Michaela Jaé Rodriguez, formerly known as Mj Rodriguez) is a ninja assassin who can transform into a black Nissan Skyline GTR R33. Battletrap (voiced by David Sobolov) is a scout who can transform into an orange and black GMC. Predacons, a race of ancient Cybertronian beasts, are another group of antagonists in the movie. If these descriptions sound unappealing, then “Transformers: Rise of the Beasts” is not the movie for you.

The refugee Maximals, whose planet was destroyed in the beginning of the movie, fled to many parts of the universe. Many of the Maximals ended up on Earth in Peru, including Maximal leader Optimus Primal (voiced by Ron Perlman), who transforms into a 13-foot-tall metallic silverback gorilla. The other Maximals in the movie are Airazor (voiced by Michelle Yeoh), who transforms into a peregrine falcon; Cheetor (voiced by Tongayi Chirisa), who transforms into a cheetah that’s the size of a small truck; and Rhinox (voiced by Sobolov), who transforms into a rhino that weighs 8,000 pounds.

Returning to the “Transformers” movie series are the heroic robots called the Autobots, led by Optimus Prime (voiced by Peter Cullen), who transforms into a red 1987 Freightliner FLA truck. Bumblee also makes his return. And having a more prominent presence than in previous “Transformers” movies is Arcee (voiced by Liza Koshy), a sharpshooter who transforms into a dark pink and white Ducati 916 motorcycle.

All of these Autobots don’t get as much screen time in the movie as an Autobot making his first live-action “Transformers” movie appearance: the wisecracking Mirage (voiced by Pete Davidson), who transforms into special edition silver 1993 Porsche 911 Carrera RS 3.8. It’s through Mirage that the human heroes of the story get involved in the battle to save Earth from being destroyed.

And let’s not forget the humans in this movie. The main human protagonist is Noah Diaz (played by Anthony Ramos), a former U.S. Army private who worked as a comms tech. Viewers find out that Noah was discharged from the Army and is back living in his hometown of New York City’s Brooklyn borough with his mother Breanna Diaz (played by Luna Lauren Velez, formerly known as Lauren Velez) and his 11-year-old brother Kristopher “Kris” Diaz (played by Dean Scott Vazquez), who happens to have sickle cell anemia. Noah has been struggling to find a job. I the beginning of the movie, he’s rejected for an interview for a job as a security guard because a former manager described Noah as unreliable.

Kris’ increasing medical bills are causing a lot of financial stress on the family. And so, a desperate Noah reluctantly accepts an offer from a friend named Reek (played by Tobe Nwigwe) to steal a Porsche. Noah finds out that the Porsche is really a giant robot named Mirage, who takes Noah to a warehouse, where Noah meets Optimus Prime, Bumblebee and Arcee. Optimus Prime is furious with Mirage about this introduction to Noah, becaue Optimus Prime and most Autobots don’t really trust humans.

Meanwhile, a museum researcher named Elena Wallace (played by Dominique Fishback), who is an enthusiast of ancient Egyptian mythology, is intrigued by a wooden owl statuette that has arrived at the museum where she works. When she opens the statuette, laser beams come out and trigger a signal to Unicron. And you know what that means. It’s only a matter of time before Scourge and his crew will be descending on Earth so that Unicron can destroy the planet for Unicron’s consumption.

Through a series of events, Noah and Elena cross paths and have some conflicts. But they have to learn to work together when they find out what the owl statuette is part of a solution to the mystery of how to find a key that opens a portal that can help the Maximals escape. The key has been split into two. It all leads to a high-stakes, adrenaline-packed “race against time” to find the missing key parts while fighting off the villains. (“Transformers: Rise of the Beasts” was filmed in New York City, Montreal and Peru.)

The visual effects in “Transformers: Rise of the Beasts” are some of the best in the “Transformers” franchise. But more importantly, although there are several new and returning characters in the movie, “Transformers: Rise of the Beasts” doesn’t look overstuffed, thanks to writing and film editing that do a good job of distinguishing the characters by giving each character enough room to be memorable. The movie is heavy on nostalgia for the “Transformers” animated TV series (which was on the air from 1984 to 1987), because the designs of Optimus Prime and Bumblebee adhere to how they looked in the TV series instead of previous “Transformers” movies.

The additions of Ramos and Fishback are definite improvements to the “Transformers” franchise, because both of these cast members have genuine acting talent. The characters of Noah and Elena are written and performed as realistic people, not generic and fake-looking action heroes. For all of the exciting battles and elaborate fight scenes in “Transformers: Rise of the Beasts,” the charismatic rapport between the humans is the real secret weapon for why this movie succeeds and why viewers will want to come back for more.

Paramount Pictures will release “Transformers: Rise of the Beasts” in U.S. cinemas on June 9, 2023.