Review: ‘Son of Sardaar 2,’ starring Ajay Devgn, Mrunal Thakur, Ravi Kishan and Sanjay Mishra

August 3, 2025

by Carla Hay

Vindu Dara Singh, Ajay Devgn, Mukul Dev and Ravi Kishan in “Son of Sardaar 2” (Photo courtesy of Panorama Studios)

“Son of Sardaar 2”

Directed by Vijay Kumar Arora

Hindi with subtitles

Culture Representation: Taking place in India, in London, and in Edinburgh, Scotland, the comedy film “Son of Sardaar 2” (a sequel to the 2012 film “Son of Sardaar”) features an Indian and Pakistani cast of characters (with some white people) representing the working-class, middle-class and wealthy.

Culture Clash: After their respective spouses leave them, a chicken farmer and female entertainer pretend to be married and hide her family’s Pakistani heritage so that the entertainer’s stepdaughter can be accepted by the wealthy Indian family of the stepdaughter’s boyfriend.  

Culture Audience: “Son of Sardaar 2” will appeal primarily to people who are fans of the movie’s headliners, the first “Son of Sardaar” movie, and overly long silly comedies.

Pictured clockwise, from left: Ajay Devgn, Roshni Walia, Mrunal Thakur, Ashwini Kalsekar, Ravi Kishan, Sahil Mehta, Mukul Dev, Vindu Dara Singh, Deepak Dobriyal and Kubbra Sait in “Son of Sardaar 2” (Photo courtesy of Panorama Studios)

“Son of Sardaar 2” collapses under the weight of its stupidity and bloated runtime of 147 minutes. This comedy sequel stretches its main concept (parodying tense India–Pakistan relations) to the breaking point with stale and unfunny ethnic jokes. “Son of Sardaar 2” also has a questionable depiction of a gender-non-conforming person, whose gender identity is mocked in an insensitive way.

Directed by Vijay Kumar Arora, “Son of Sardaar 2” was written by Jagdeep Singh Sidhu
and Mohit Jain. The movie is a stand-alone sequel to 2012’s “Son of Sardaar,” which was a remake of the 2010 Telugu film “Maryada Ramanna.” The first “Son of Sardaar” movie was terrible, and this sequel is not an improvement.

In “Son of Sardaar 2,” Ajay Devgn reprises his staring role as Jaswinder “Jassi” Singh Randhawa. In the first “Son of Sardaar” movie, he was set to marry Sukhmeet “Sukh” Kaur Sandhu (played by Sonakshi Sinha), but that relationship is not mentioned in “Son of Sardaar 2.” Instead, Jassi is married to a woman named Dimple (played by Neeru Bajwa), who is in their native India, while chicken farmer Jassi is in Scotland and trying to get a permanent resident visa for Dimple to live with him in Scotland. Jassi has been trying for 11 years to get this visa.

Jassi and Dimple do not have any children together. Jassi lives with his overprotective and religious Hindu mother Bebe (played by Dolly Ahluwalia), who calls him frequently when she’s not with him. And then, one day, Jassi’s wish comes true: Dimple’s visa gets approved.

When Jassi meets Dimple at the airport, Dimple is accompanied by two people: a man named Robin (played by Mohan Singh Randhawa) and a woman named Disha, whom Dimple introduces as a couple who are her friends. Jassi gets the shock of his life when Dimple tells Jassi that Robin is actually Dimple’s lover, and she doesn’t want to be married to Jassi anymore. Jassi takes the breakup very hard and is reluctant to get divorced.

Meanwhile, a Pakistani Muslim family of musical entertainers in Scotland also experience a bad breakup. Danish (played by Chunky Panday), the family patriarch, is a probable alcoholic who suddenly abandons the family: Danish’s wife Rabia (played by Mrunal Thakur); Rabia’s siblings Gul (played by Deepak Dobriyal) and Mehwish (played by Kubbra Sait); and Danish’s young-adult daughter Saba (played by Roshni Walia), who was born from Danish’s previous marriage. Saba’s biological mother is deceased.

The “meet cute” moment for Jassi and Rabia happens when Jassi is scheduled to have a lunch meeting at a restaurant with a female divorce lawyer who was recommended to him. Jassi doesn’t know what this attorney looks like, so when Rabia walks by, he wrongly assumes that Rabia is the attorney. Rabia is at the restaurant for a blind date, and she thinks that Jassi is her blind date.

When Jassi begins talking to Rabia about how much she charges for her services, Rabia slaps him in anger because she thinks that Jassi mistakenly believes that she’s a sex worker. The matter is resolved when the real divorce lawyer (played by Nav Ghotra) shows up. Jassi and Rabia develop a predictable attraction to each other. Jassi eventually meets the rest of Rabia’s boisterous family.

Saba and her boyfriend Goggi (played by Sahil Mehta) are madly in love with each other. However, Goggi’s wealthy Indian family—especially his father Raja (played by Ravi Kishan)—is very conservative and prejudiced against Pakistani people. Goggi’s family always has armed security guards nearby. Through a series of circumstances, Jassi and Rabia hatch a plan to pretend to be a married Indian couple, in order for Saba to be accepted into Goggi’s family. Many ridiculous hijinks then pollute the movie.

The other members of Goggi’s family are Raja’s meddling and judgmental brothers Tony (played by Mukul Dev, in his last film role before he died in May 2025) and Tittu (played by Vindu Dara Singh), who had the same roles in the first “Son of Sardaar” movie; Raja’s wife/Goggi’s mother Premlata (played by Ashwini Kalsekar); Raja’s father Ranjit Singh (played by Sharat Saxena); and Ranjit’s wife Kim (played by Emma Kate Vansittart), who barely says anything in the movie.

Goggi’s elderly grandmother Kim used to be a pole dancer when she was young. As already revealed in the “Son of Sadaar” trailer, Kim does a pole-dancing performance that goes horribly wrong because she falls and dies. (Mia Lacey Redmond is the pole-dancing body double in this scene.) Jassi is the only witness to this accident. And he’s terrified of being blamed for Kim’s death, so there are more lies and cover-ups.

The Singh family has a buffoonish longtime neighbor named Bantu Pandey (played by Sanjay Mishra), a milk delivery person, who shows up fairly late in the movie, when wedding preparations have been made for Goggi and Saba. Bantu is part of a plot twist in the movie. This plot twist is a desperate attempt to salvage a misguided story.

“Son of Sardaar 2” has fairly good cinematography, but the movie’s production design is garish. A few of the not-funny-at-all gags involve a certain tea that has intoxicating/hallucinatory effects on anyone who drinks it. (You can easily guess that Jassi will be one of the people who drinks this tea.) The movie has some cartoonish animation to portray little aliens taking over brain cells when this tea is consumed. It all looks so tacky.

The rest of “Son of Sardaar 2” is a repeat loop of mind-numbing slapstick and scenarios where Jassi has to pretend that he was a jingoistic military colonel who fought against Pakistanis because it’s one of many lies that he nervously tells hard-to-please Raja. Meanwhile, Rabia and her family pretend to be Indians who are xenophobic against Pakistanis. Gul is either a transgender woman or gender-fluid (the movie never says which), but is not a drag queen. The movie makes Gul’s gender identity a joke when Gul says things such as Gul is a woman on the outside but a man on the inside.

The exaggerated performances in “Son of Sardaar 2” can best be described as “trying too hard to be funny in an embarrassingly horrible movie.” “Son of Sardaar 2” is an endurance test of bad comedy and bombastic song-and-dance numbers with unimpressive songs, including a horrendous scene where several ghosts come out of a graveyard to sing and dance with the main characters. Avoid this irritating film, unless you enjoy having a movie insult your intelligence for nearly two-and-a-half hours.

Panorama Studios released “Son of Sardaar 2” in select U.S. cinemas and in India on August 1, 2025.

Review: ‘Anth the End,’ starring Divya Dutta, Mukul Dev, Dev Sharma, Samikssha Batnagar, Deepraj Rana, Arun Bakshi and Aman Dhaliwal

January 11, 2023

by Carla Hay

Divya Dutta and Mukul Dev in “Anth the End” (Photo courtesy of Holy Basil Films)

“Anth the End”

Directed by K.S. Malhotra

Hindi with subtitles

Culture Representation: Taking place in India, the dramatic film “Anth the End” features an all-Indian cast of characters representing the working-class and middle-class.

Culture Clash: A serial killer escapes from prison and goes on a revenge mission against the person who got him arrested. 

Culture Audience: “Anth the End” will appeal primarily to people who are interested in watching ridiculous crime dramas where there is no suspense.

Dev Sharma and Samikssha Batnagar in “Anth the End” (Photo courtesy of Holy Basil Films)

As a mystery thriller, “Anth the End” is a shoddy mess with a “master of disguises” gimmick that fails to be convincing. The performances in the movie are also very substandard. The tone for “Anth the End” is too erratic to be taken seriously: Menacing murder scenes segue into giddy musical numbers, and vice versa. Bollywood movies are often known for putting song-and-dance scenes in all types of films, but these musical scenes look especially out-of-place in “Anth the End.”

Directed by K.S. Malhotra (who co-wrote the “Anth the End” screenplay with Hardev Singh), “Anth the End” (which takes place in an unnamed city in India) begins with serial killer Ranjeet (played by Deepraj Rana) escaping from prison by impersonating a doctor and killing the police security guard in a hospital room. Viewers find out early on in the movie that Ranjeet is a “master of disguises,” who can not only change his face but he can also change his height and body size to look like completely different people. He can turn himself into a tall, hulking brute named Vicky Sandhu (played by Mukul Dev), who uses at least one other alias.

It’s all just so unrealistic, but “Anth the End” does not have an explanation that is based in science-fiction or the supernatural as the reason why Ranjeet can go through these extreme chameleon-like transformations. Viewers are supposed to believe that Ranjeet is just a one-man visual effects team who can morph into these different physical appearances through unexplained skills. And when a vengeful serial killer breaks out of prison in an unimaginative movie like “Anth the End,” that can only mean one thing: The killer is going after the person who was chiefly responsible for his putting him in prison.

The person who is the main target of this vendetta is a fashion model named Simran (played by Samikssha Batnagar), who was a key witness in the case that sent Ranjeet to prison. Simran’s colleague is fashion photographer named Sumeet (played by Dev Sharma), also known as Samit, who is a formulaic “hero.” Simran and Sumeet also work with a model named Tarry (played by Aman Dhaliwal), who becomes a target by association. A generic, no-nonsense cop named Anarjeet Singh (played by Arun Bakshi) is the chief police investigator who’s lead the hunt to capture Ranjeet.

The news has gotten out about Ranjeet’s escape. Simran is already suspicious that somethig terrible is about to happen, because she tells Sumeet that a strange man recently barged into her home, but he ran off before he could be caught. Tarry is portrayed as a vain airhead who spends a lot of time bodybuilding in a gym.

To celebrate Simran’s birthday, Sumeet arranges a party for her at a nightclub. (It’s just this movie’s excuse to have a big song-and-dance numbers.) The festive mood is ruined when Ranjeet suddenly shows up at the party (in disguise, of course) and attacks Sumeet, who manages to fight off Ranjeet. As already shown in the movie’s trailer, Ranjeet gets away again, but not before Sumeet rips off Ranjeet’s disguise on his face to find out that Ranjeet is this mystery attacker. Everything this scene looks so fake, it’s almost laughable.

But the worst of the movie is yet to come. Ranjeet is looking for $100 million, he kidnaps someone for ransom, and something goes very wrong with the kidnapping. Ranjeet, in disguise as Vicky, then pretends to be a motorist who is stranded because of car trouble. As shown in the trailer for “Anth the End,” Ranjeet/Vicky sweet-talks his way into Sumeet’s house, where Sumeet’s wife Divya (played by Divya Dutta) is with their daughter Khushi, who’s about 5 or 6 years old.

You can easily guess what happens next: “Anth the End” turns into a stupid home-invasion movie. Everything is so badly staged and sloppily paced in “Anth the End,” absolutely none of it looks believable. Thankfully, this forgettable flop doesn’t make the mistake of dragging on for more than two hours (the movie’s total runtime is 106 minutes), but viewers looking for quality entertainment are better off looking anywhere other than at “Anth the End.”

Holy Basil Films released “Anth the End” in select U.S. cinemas on December 9, 2022. The movie was released in India on November 11, 2022.

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