January 17, 2020
by Carla Hay
Directed by Stephen Gaghan
Culture Representation: Set primarily in the United Kingdom, this dramatic adventure movie’s live-action characters are nearly all white; the voice actors portraying the animated animals are a racially mixed cast; and the social classes range from working-class to royalty.
Culture Clash: A reclusive doctor with the special power to talk to animals reluctantly goes on a journey to find a rare medical cure, and faces obstacles that include more than one villain.
Culture Audience: “Dolittle” will appeal primarily to fans of children-oriented entertainment who don’t mind if the visuals are much better than the storytelling.
It’s not really a good sign when a major-studio film headlined by an A-list movie star is released in January, the month that’s a notorious dumping ground for bad movies. Universal Pictures must have known that “Dolittle” was going to be a dud, even with star Robert Downey Jr. coming off his major hot streak in the blockbuster superhero “Avengers” and “Iron Man” movies. (“Avengers: Endgame,” Downey’s 2019 movie that was released before “Dolittle,” now holds the record as the world’s biggest box-office movie hit of all time, ending the 10-year reign at the top held by “Avatar.”) “Dolittle” isn’t a terrible film. It’s just a terribly generic film in an era when we’ve been bombarded with kids-oriented movies that have talking animals.
By making “Dolittle” an action-adventure film, “Dolittle” director Stephen Gaghan, who wrote the screenplay with Dan Gregor and Doug Mand, tried to do something different from previous “Dolittle” movies. The original 1967 “Dr. Dolittle” film, starring Rex Harrison and a cast of other Brits, was a musical adapted from Hugh Lofting’s “Dr. Dolittle” book series. The three “Dr. Dolittle” movies from 1998, 2000 and 2006 were slapstick American comedies—the first two starred Eddie Murphy as the title character, and a third film was an ill-conceived flop starring Kyla Pratt, who played Dolittle’s daughter in the first two Murphy-starring films.
Gaghan’s “Dolittle” goes back to the original United Kingdom location, during the mid-1800s era of a young Queen Victoria (played by Jessie Buckley), who has come down with a mysterious illness. During the film’s animated opening sequence, viewers see that veterinarian John Dolittle once led a happy life taking care of animals with his beloved wife Lily (played by Kasia Smutniak), who died tragically.
Fast forward seven years later, and Dr. Dolittle has become a cranky hermit who has neglected his hygiene (he’s so unkempt that a mouse has been living in his beard), as he lives with his animals on his estate that’s essentially an animal sanctuary. The filmmakers have made Dolittle a Welshman, so it might take a while for some viewers to getting used to hearing Downey speak in a Welsh accent that sounds a little too pretentious for a movie where most of his co-stars are animated talking animals. This is a kids’ movie, not Shakespeare.
Tommy Stubbins (played by Harry Collett), a boy from the small village of Puddleby-on-the-Marsh, is an orphaned misfit who lives with his aunt and uncle. Tommy loves animals, and is therefore uncomfortable when he’s forced to go hunting with his uncle. When Tommy accidentally shoots a squirrel while hunting, he decides to take the injured animal to the mysterious Dr. Dolittle, even though the doctor has a reputation for being a curmudgeon. Instead of being afraid of Dolittle’s menagerie of wild animals, Tommy is fascinated and finds out that he has a knack for communicating with animals too. Affected by Tommy’s presence, Dolittle cleans himself up, as he notices that Tommy sees him as a role model and possible mentor.
It isn’t long before Dolittle gets another visitor: Queen Victoria’s attendant Lady Rose (played Carmel Laniado), who arrives with orders to bring Dolittle to Buckingham Palace to give medical aid to the queen. Dolittle has a big incentive to save the queen’s life, because his property has been loaned to him by the queen, and if she dies, he will lose the property.
While at the palace, Dolittle has an awkward reunion with a former school rival: royal physician Dr. Blair Müdfly (played by Michael Sheen), who is jealous of Dolittle’s talent and acclaim. Müdfly is such an over-the-top villain that he practically twirls his moustache and gnashes his teeth. And there’s another antagonist in the story: the ambitious Lord Thomas Badgley (played by Jim Broadbent), who will inherit the throne if Queen Victoria dies. (At this point in her life, Victoria is not married and has no children.)
Dolittle determines that the best cure for the queen’s life-threatening illness is fruit from the Eden Tree on Eden Tree Island, because this fruit is said to have magical powers. (How biblical.) Tommy has essentially decided that he doesn’t really want to go home, so he tags along on Dolittle’s voyage, with Dolittle’s numerous animals in tow as they set sail on a ship called the Water Lily.
Now, about the animals. The problem with “Dolittle” is that there are too many of them in this film. If you’re someone with a short attention span, good luck trying to keep track of all the talking animals. The “Madagascar” movies (another animated series with a variety of wild animals that talk) worked so well because the animals were in a relatively small group and their personalities were so distinct. In “Dolittle,” the personalities of most of the animals tend to blend together in a crowded mush, with the notable exception of the parrot Polynesia (voiced by Emma Thompson), a dutifully efficient assistant/caretaker with a whip-smart attitude. Polynesia holds a special place in Dolittle’s heart because the parrot used to be owned by Dolittle’s late wife Lily.
The other animals in this mixed-bag menagerie are Chee-Chee (voiced by Rami Malek), an insecure gorilla; Dab-Dab (voiced by Octavia Spencer), a maternal, scatterbrained American Pekin duck; Plimpton, a nervous osctrich (voiced by Kumail Nanjiani); Yoshi (voiced by John Cena), a polar bear who hates the cold, loves adventure, and often bickers with Plimpton; Betsy (voiced by Selena Gomez), a kind giraffe; Kevin (voiced by Crag Robinson), the injured squirrel that was accidentally shot by Tommy and who has a cheeky sense of humor; Tutu (voiced by Marion Cotillard), a fearless fox with leadership qualities; and Mini (voiced by Nick A. Fisher), a baby sugar glider that’s constantly curious.
Meanwhile, other talking animals include brainy dog Jip (voiced by Tom Holland), a long-haired Lurcher tasked with guarding the queen; Humphrey (voiced by Tim Treloar), a whale that helps navigate the Water Lily; James (voiced by Jason Mantzoukas), a nervous dragonfly; Barry (voiced by Ralph Fiennes), a Bengal tiger with mommy issues and a grudge against Dolittle; Don Carpenterino (voiced by David Sheinkopf), the leader of an ant colony; Army Ant (voiced by Matthew Wolfe), Don’s sidekick; and Dragon (voiced by Frances de la Tour), guardian of the Eden Tree.
As for other human characters, there’s also Pirate King Rassouli (played by Antonio Banderas), who lives on Monteverde Island, one of the stops along the way to Eden Tree Island. Banderas hams it up as yet another adversary to Dolittle and his crew. Large ensembles can work for well-written, live-action films geared to adults. But when it’s a mostly animated film geared to kids, the movie can come across as too cluttered for its own good.
“Dolittle” certainly has an impressive cast of acting talent. It’s too bad that so many of the characters are bland. Furthermore, Chee-Chee (the gorilla that’s a visual standout) is a missed opportunity, since the character was miscast for its voice. Malek sounds more like the minature “Frozen” snowman Olaf than a massive gorilla. The Chee-Chee character needed an actor with a deeper voice to better reflect the gorilla’s intimidating physical presence. Former wrestling champ Cena, who’s the voice of Yoshi the polar bear, would have been better in the role of Chee-Chee.
Although the characters in this movie are very underdeveloped, the compelling visual effects (overseen by visual effects supervisors Nicolas Aithadi and John Dykstra) are the most entertaining aspect of the film. Young children who are dazzled by visuals should enjoy “Dolittle” for the movie’s colorful ambiance, even if they won’t remember most of the movie’s animal characters weeks after seeing this film. (Don’t expect there to be a high demand for “Dolittle” toys.) More mature viewers might get easily bored with this movie, because it wallows in a lot of mediocrity that wastes this talented cast.
Simply put: “Dolittle” is not the kind of movie that people looking for high-quality entertainment will rush to see multiple times while it’s in theaters. We all know how this movie is going to end anyway.
Universal Pictures released “Dolittle” in U.S. cinemas on January 17, 2020.