Review: ‘Knights of the Zodiac’ (2023), starring Mackenyu, Famke Janssen, Madison Iseman, Diego Tinoco, Mark Dacascos, Nick Stahl and Sean Bean

May 11, 2023

by Carla Hay

Mackenyu in “Knights of the Zodiac” (Photo by David Lukacs/ Stage 6 Films and Toei Animation)

“Knights of the Zodiac” (2023)

Directed by Tomek Baginski

Culture Representation: Taking place in various parts of the world, the fantasy action flick “Knights of the Zodiac” (based on Masami Kurumada’s manga series “Saint Seiya”) features a predominantly white cast of characters (with a few Asians) portraying humans and beings with mystical powers.

Culture Clash: A teenage street fighter, who is looking for his missing sister, finds out that he has mystical superpowers, and he gets caught up in a war between saints while he is assigned to protect Greek goddess Athena, who has been reincarnated as an American teenager named Sienna.

Culture Audience: Besides the obvious target audience of people who are fans of the “Knights of the Zodiac” franchise, this live-action “Knights of the Zodiac” movie will appeal primarily to people who don’t mind seeing boring and poorly made fantasy action films.

Famke Janssen and Diego Tinoco in “Knights of the Zodiac” (Photo by David Lukacs/ Stage 6 Films and Toei Animation)

“Knights of the Zodiac” is an example of everything wrong when a manga-based anime TV series turns into a horribly acted live-action movie that will make even die-hard fans cringe. The action scenes are sloppily staged and dull. The non-action scenes are even more tedious. There are bad video games that are more entertaining than this boring flop.

Directed by Tomek Baginski, “Knights of the Zodiac” is based on Masami Kurumada’s manga series “Saint Seiya,” which has been turned into the short-lived 1986 anime TV series “Knights of the Zodiac” and the spinoff series “Knights of the Zodiac: Saint Seiya,” which launched in 2019. Josh Campbell, Matt Stuecken and Kiel Murray wrote this live-action movie version of “Knights of the Zodiac,” which was changed to be centered on Western culture.

Unfortunately, everything about this “Knights of the Zodiac” movie looks like it was given to filmmakers who cared more about the visual effects than crafting a good story. Even the visual effects look cheap and tacky, even though it’s obvious that these effects were a major part of the movie’s multimillion-dollar production budget. But no money in the world can buy natural charisma, which is lacking among the most of cast members in this shoddily made film.

In the “Knights of the Zodiac” movie, a street fighter named Seiya (played by Mackenyu) , who’s in his late teens, makes money by participating in illegal, underground fights in an unnamed part of the United States. During one of these fights with a thug named Cassios (played by Nick Stahl), Seiya finds out that he has mystical powers, and he defeats a humiliated Cassios. “This ain’t over,” snarls Cassios.

During this “mystical power” discovery scene, Seiya is shown with glowing angel wings sprouting out of his back. It’s one of many tacky-looking visual effects in the movie. The action scenes also have choppy editing that make the movie look even more disjointed than it needed to be.

After this fight, Seiya is abducted by a wealthy retired businessman named Alman Kido (played by Sean Bean) and Alman’s most trusted henchman Mylock (played by Mark Dacascos), who bring Seiya on a private jet to Alman’s home. It’s where Seiya meets Alman’s adopted daughter Sienna (played by Madison Iseman), who is 18 years old and the reincarnation of Athena, the Greek goddess of war and wisdom.

Alman has kidnapped Seiya because he found out about Seiya’s special powers. After the fight, Cassios also called someone and said, “I think I found one of your cosmos.” Get used to hearing the words “cosmo” and “cosmos” repeated many times in the movie. In the world of “Knights of the Zodiac,” a cosmo is the life force that gives power to gods, goddesses and warriors. Alman is looking for a special person to protect Sienna.

Alman’s ex-wife owns a recruitment operation to have her own private army. Her name is Vander Guraad (played by Famke Janssen), who goes by the name Guraad, and she’s the chief villain of the story. Seiya obviously doesn’t want to be held captive by Alman, who tells Seiya that Seiya is a safer with Alman than with Guraad. “She’s already killed many kids,” Alman tells Seiya. Guraad’s sidekick is a smirking pretty boy named Nero (played by Diego Tinoco), who always looks like he’s on his way to a modeling shoot instead of a shoot-out with enemies.

Seiya is told that it’s his destiny to protect Sienna, who explains to Seiya that she has not turned into the goddess Athena yet because Sienna still hasn’t found her cosmo. Seiya is reluctant to be involved in this unusual and dysfunctional family feud because he’s got his own family to worry about: specifically, his younger sister Patricia, also known as Pat, who has gone missing. Seiya believes that Patricia has been kidnapped.

The rest of “Knights of the Zodiac” is a mind-numbing slog of awkward acting, bad jokes and unimaginative action scenes. Seiya receives training from a masked Silver Knight named Marin (played by Caitlin Hutson and Katie Moy), a red-haired warrior who wears a creepy full-face mask that looks like something out of a “Purge” horror movie. “Knights of the Zodiac” also has a weird, disconnected-sounding voice for Marin that makes her sound like a faraway robot.

Everything about “Knights of the Zodiac” looks fake and unconvincing, including the budding romance between Seiya and Sienna. The more experienced cast members fare a little better in trying to make the horrible screenplay into something entertaining, but the less-experienced cast members (who are also the least-talented members of the cast) get most of the screen time. Mackenyu’s acting is especially wooden and is very hard to watch. He definitely needs more acting lessons before he can be considered a worthy headliner for other big-budget films.

The ending of “Knights of the Zodiac” makes it obvious that the movie studio plans to continue this live-action movie series. But this “Knights of the Zodiac” movie is such a colossal flop, any more sequels with the same filmmaking team and cast members would be like repeating the same foolish mistakes. Only a complete overhaul for a rebooted remake could redeem how this “Knights of the Zodiac” abomination is such an embarrassing flop in the franchise.

Stage 6 Films will release “Knights of the Zodiac” in select U.S. cinemas on May 12, 2023.

Review: ‘Hunter Hunter,’ starring Camille Sullivan, Devon Sawa, Summer H. Howell and Nick Stahl

January 24, 2021

by Carla Hay

Camille Sullivan in “Hunter Hunter” (Photo courtesy of IFC Films/IFC Midnight)

“Hunter Hunter”

Directed by Shawn Linden

Culture Representation: Taking place in unnamed rural area of Canada, the horror flick “Hunter Hunter” features a predominantly white cast of characters (and one indigenous person) representing the middle-class and working-class.

Culture Clash: A husband, wife and their 12-year-old daughter, who live together in a remote area, have to deal with a suspected killer wolf and encounter some surprises.

Culture Audience: “Hunter Hunter” will appeal primarily to people who are interested in “slow burn” horror films that have unexpected twists.

Devon Sawa and Summer H. Howell in “Hunter Hunter” (Photo courtesy of IFC Films/IFC Midnight)

The horror flick “Hunter Hunter” has a relatively small cast, but the movie is big on gradually building suspense, which culminates in a shocking and very gruesome ending. This is not a movie for people who get easily squeamish at the sight of blood. But if you can tolerate blood-drenched scenes in a movie, then “Hunter Hunter” might make you curious enough to see what’s going to happen in the movie’s much-talked-about ending.

Written and directed by Shawn Linden, “Hunter Hunter” starts off as more of a psychological thriller before it turns into a gorefest. And it takes a long time (the first third of the movie) before any real action takes place. It’s a “slow burn” movie that might trick viewers into thinking that it’s going to be a predictable horror flick. It’s not a typical horror film, but the ending of the movie has such an abrupt switch in tone that it’s a climax that will no doubt confuse or anger some viewers.

“Hunter Hunter” takes place in an unnamed remote, wooded area of Canada, where a family of three people live in a modest wood house and get most of their food from hunting or growing food on their land. (The movie was actually filmed in the Canadian provinces of Manitoba and Alberta.) Joseph “Joe” Mersault (played by Devon Sawa) and his wife Anne (played by Camille Sullivan) live as quiet recluses with their homeschooled 12-year-old daughter Renee (played by Summer H. Howell), who is a very inquisitive and perceptive child. The family has also has a male dog named Tova.

Although the Mersaults live in a very primitive way (they don’t have electricity or phone service), they aren’t completely cut off from the world. They have a truck, which is the main way that they can make money for their fur trappings or get any needed help. Joe and Anne mostly have contact with the nearest general store, where they drive to get supplies and sell fur or other animal products.

This farming season hasn’t been a good one for the family. The harsh winter weather has yielded a smaller number of crops than usual. And money is tight. When Anne goes to the general store, she doesn’t have enough cash to buy what she needs. She offers to do a trade deal with the store’s manager, but it’s still not enough to get all the items that she wants.

To make matters worse, there are signs that there’s a wolf on the loose that’s been eating the rabbits, racoons and other animals that the family depends on for meat. While out hunting, Joe and Renee find a racoon’s paw in a trap, with the paw showing signs that the rest of the body was chewed off.

When Anne is at the general store, she notices a real-estate flyer on the bulletin board. The flyer is advertising a house for sale in the suburban city of Kearney. Anne takes the flyer. Astute viewers will also notice that the bulletin board also has a missing-person flyer for a brunette woman in her 30s named Lynne Petit.

While the family is having dinner, the topic of the nuisance wolf comes up. Anne and Joe suspect it’s the same elusive wolf that they’ve been trying to catch for a while. (The movie never goes into details of how Anne and Joe have been trying to get the wolf.)

Joe says of the wolf: “Something’s bringing it back. Either it’s food or it’s a female. If I could figure out what it’s attracted to, I could bait it.” Anne says, “It’s attracted to us. I already know. We’re a steady food supply.”

Whatever is attracting the wolf, Joe makes it clear that he wants to be the only one to handle trapping the wolf. He insists that it’s too dangerous for Anne and Renee. However, Renee persistently begs to tag along with her father, until he eventually relents later in the story. Joe teaches Renee how to look for signs of wolves and bears, how to lay animal traps, and how to skin animals. He also instructs Renee that if she ever encounters a wild animal that can kill humans, she should not run but instead she should calmly walk away.

Anne shows Joe the real-estate flyer for the house in Kearney and mentions that it might be a good idea to buy the home. Joe thinks it’s a crazy idea, since they can barely afford to feed themselves. Anne is insistent that they at least think about moving to a more modern home in a more populated area.

Sensing that they’re going to have an argument about this topic, Joe asks Renee to temporarily leave the table so he can Anne can have the rest of their conversation in private. It’s a tense discussion that Joe really doesn’t want to have. But in order to avoid a major argument, he tells Renee that he’ll at least think about moving, and they can discuss it later.

In another scene in the movie, it’s revealed that Joe and Anne use to have a modern life somewhere else, and it was entirely Joe’s idea to move in a remote area, where they could live off of the land. Anne is really starting to regret that decision. She also thinks that Renee should be raised in an environment where Renee can be around other children.

Anne says to Joe: “It feels like the world has left us behind. There isn’t another generation left.” Joe replies, “There is if we make one. Nothing pushes us out of our life. Not even you.” Anne says the only reason why she chose the life they’re living now is because she chose Joe.

This marital friction is later put on the backburner when strange things start happening. While looking to trap the wolf in the woods, Joe makes a horrifying discovery, which won’t be described in this review, but it’s something that most people would immediately report to police. Oddly, Joe does not tell anyone what he found. When he goes home, he pretends that everything is normal.

And then, the family dog Tova goes missing. Renee is very upset and fears that the wolf might have killed the dog. Anne suspects the same thing, which is why she won’t let Renee accompany her when looking for the Tova in the woods. When Anne goes to look for the dog, she makes a discovery that she also keeps a secret.

Later, Joe goes in the woods again to look for the wolf. And he doesn’t come back when he was expected. After waiting several hours and there’s still no sign of Joe, Anne goes out in the woods to look for him. She can’t find him.

A worried Anne then goes to the nearest place of authority to get help: the Municipal Conservation Department, which mostly responds to complaints about wild animals on people’s property and takes care of cleaning up any roadkill. The two employees on duty are named Barthes (played by Gabriel Daniels) and Lucy (played by Lauren Cochrane), who are both in their 30s.

Barthes and Lucy have a wisecracking banter with each other. They like to sarcastically tease each other with mild insults. But underneath the joking, it’s clear that these co-workers respect each other in a platonic way. When Anne shows up to report that Joe has been missing, she’s disappointed and frustrated when Barthes tells her that there’s nothing that this department can do because the Marsaults live on federal land, which is out of the department’s jurisdiction.

This is where there’s a noticeable plot hole in “Hunter Hunter,” because most worried spouses would then find out which authorities would handle this missing-person case and file the missing-person report there. But Anne doesn’t do that. She just goes home and continues to look for Joe in the woods. She might have been reluctant to go to other authorities because Barthes questioned if the Marsault family had a right to live on federal land, and Anne had a defensive reaction to that line of questioning.

One night, Anne hears some noises coming from the woods. She thinks it might be Joe calling for help, so she takes a risk and goes outside to find out who or what is causing these noises. Instead of finding Joe, she finds an unknown man with an injured leg. He’s barely conscious.

Anne doesn’t hesitate to help this stranger. She brings him into her house and treats the bleeding gash on his leg while he’s passed out. When he regains consciousness, it’s revealed that his name is Lou (played by Nick Stahl), and he says he’s a photographer who foolishly got lost in the woods. It seems as if his legs got tangled in some thorny bushes. When Anne asks Lou if he saw anyone fitting her husband’s description, he says no.

Anne tells Lou that she can drive him to the nearest hospital because he needs professional medical care. Anne mentions that she has limited medical supplies and she doesn’t want his wound to get infected. However, Lou is very reluctant to go to the hospital. Renee wonders why Anne is going to all this trouble to help a stranger, and Anne tells her that it’s what good people are supposed to do. But will this act of kindness be a mistake?

“Hunter Hunter” keeps people guessing on whether or not there’s a supernatural element to the story. Viewers won’t get a clear answer until the last third of the film, where most of the horror takes place. Linden’s twist-filled writing and direction make “Hunter Hunter” a true mystery where the clues aren’t obvious, but they make sense in hindsight to viewers who are really paying attention.

The cast members all do good jobs with their performances, but Sullivan is the clear standout. It’s not just because she has the most screen time, but it’s mainly because her Anne character goes through a metamorphosis from being a dutiful wife to taking charge of the household once her husband goes missing. Because of something extreme that happens at the end of the movie, some viewers will have trouble reconciling it with the rest of the story. However, it’s clear that “Hunter Hunter” doesn’t want to offer easy answers on issues relating to morality or death.

IFC Films/IFC Midnight released “Hunter Hunter” in select U.S. cinemas and on digital and VOD on December 18, 2020.

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