Review: ‘How It Ends’ (2021), starring Zoe Lister-Jones and Cailee Spaeny

July 21, 2021

by Carla Hay

Zoe Lister-Jones and Cailee Spaeny in “How It Ends” (Photo courtesy of MGM/American International Pictures)

“How It Ends” (2021)

Directed by Zoe Lister-Jones and Daryl Wein

Culture Representation: Taking place in Los Angeles, the comedy film “How It Ends” features a predominantly white cast of characters (with a few African Americans and Asians) representing the middle-class.

Culture Clash: Hours before an impending apocalypse, a woman in her 30s sees a physical manifestation of her 15-year-old self, and together they visit people they know to say their goodbyes in case they don’t survive the apocalypse. 

Culture Audience: “How It Ends” will appeal primarily to people who are interested in “mumblecore” comedies that are self-consciously quirky in a way that will annoy some viewers.

Zoe Lister-Jones and Cailee Spaeny in “How It Ends” (Photo courtesy of MGM/American International Pictures)

The smugly oddball “How It Ends” looks and sounds like it could have been a pilot episode for a mumblecore sitcom rather than a compelling cinematic experience. In this time-wasting apocalyptic comedy, the end of the world is depicted as Los Angeles hipsters and weirdos acting as annoying as possible and thinking that they’re hilarious. You can see that on Hollywood Boulevard for free. You don’t need to pay money to see that in a movie as dull as this one.

Husband-and-wife duo Zoe Lister-Jones and Daryl Wein wrote and directed “How It Ends,” and it looks exactly like what it is: A movie that was rushed into production during the pre-vaccine COVID-19 pandemic, just so the filmmakers could brag about how they braved the pandemic to make this movie. Unfortunately, not enough time seems to have been spent on developing an interesting story for this repetitive and mostly empty-headed film.

“How It Ends” takes place in Los Angeles, just hours before an apocalypse is supposed to destroy the world. It’s never explained how people know the exact hour that this apocalypse is going to hit. But the characters in this movie are just way too calm about it, and they go about their lives as if it’s just another sunny day in California.

At least half of this movie just shows the two main characters walking from house to house, as they say goodbye to friends and assorted loved ones before the end of the world happens. Expect to see repetitive shots of people sauntering down a street as if they’re just out for a pleasant stroll before the apocalypse. And everyone they talk to just happens to be “quirky.”

The two main characters in the story are supposed to be the same person at different stages in her life. The movie opens with protagonist Liza (played by Lister-Jones), who’s in her 30s and with an unknown occupation, in her home on the morning before the apocalypse. There’s a teenage girl (played by Cailee Spaeny) jumping up and down on Liza’s bed.

Liza checks her voice messages and finds out that her friend Mandy (played by Whitney Cummings) has invited Liza to an end-of-the-world party happening that night. Liza tells the teenage girl, “Tonight, I want to get really fucking high and eat ’til I puke.” The girl in Liza’s house replies, “I can list so many problems with that idea. The first is: You’re out of weed.”

Who is this girl? Liza finds out this other person in her home is her 15-year-old self. Liza might want to roll on Ecstasy to get high, but the only thing rolling during this movie will be viewers’ eyes at the self-consciously twee absurdity of it all. Guess who’s hanging out with Liza for the whole movie? Young Liza, who’s somehow wiser and more emotionally intuitive than the older Liza.

It’s explained in the movie that Young Liza can only be seen on the last day before the apocalypse happens. And based on the advice that Young Liza gives her older self, Young Liza is supposed to embody hindsight. Young Liza also doesn’t have the emotional baggage that older Liza has, so she’s able to see things more clearly when it comes to unresolved issues in older Liza’s life.

Before Liza and her younger self go to the party, they decide to visit a series of people to say their final goodbyes. A lot of these half-baked scenes (many of them look improvised) are just filler. There are long stretches of the movie where it’s nothing but Liza and her younger self walking from place to place and encountering goofy, strange and usually very irritating people.

Wait, doesn’t everyone drive in Los Angeles if they can afford it? The movie comes up with a reason for why Liza and her teenage mini-me end up walking everywhere for more than half the movie: Liza’s car has been stolen. It’s the end of the world, so there’s no point in reporting the theft to the police. Will Liza get her car back though? That question is answered in the movie.

Most of the people whom Liza and her young self visit are the type of characters you would expect in a low-budget indie flick where the filmmakers think that it’s automatically supposed to be funny to see adults acting like immature kooks. There are the wacky neighbors in different homes, such as Derek (played by Bobby Lee), who’s a babbling stoner; Manny (played by Fred Armisen), a forgetful eccentric; and anxious Dave (played by Paul Scheer), who gets yelled at by another neighbor for not washing his recycling container.

And then there are a few people randomly performing in the middle of the street or on a sidewalk in this residential area, including a nameless stand-up comedian (played by Ayo Edebiri), who’s actually one of the few highlights of the film. Real-life singer Sharon Van Etten shows up toward the end of the film as a folksy singer named Jet, who plays acoustic guitar in the street to an enthralled audience of two: Liza and her younger self.

“How It Ends” desperately wants to be a uniquely modern film, but it uses the oldest and most cliché trope in a comedy starring a woman: She’s pining over a man because she wants him to be her romantic partner. In Liza’s case, “the one who got away” is Nate (played by Logan Marshall-Green), a former hookup whom she has deeper feelings for than she was willing to admit when he was in her life and when she emotionally pushed him away. Liza regrets shutting Nate out of her life, and she wants to see Nate again so she can tell him that she loves him before the end of the world happens.

Liza also has some unfinished business with her divorced parents Kenny (played by Bradley Whitford) and Lucinda (played by Helen Hunt), as well as her ex-boyfriend Larry (played by Lamorne Morris), who cheated on her when they were together. Liza visits all of them during this movie to tell them how she really feels. Viewers find out that she has major abandonment issues and has had a problem communicating her true feelings to the people who are closest to her.

But the best and funniest encounter that Liza has is with an estranged friend named Alay (played by Olivia Wilde), who’s just as neurotic as Liza is. Liza and Alay have a rapid-fire conversation where they talk over each other about what went wrong in their friendship (they fell out because Alay didn’t approve of Larry), and they call a truce—because of, you know, the apocalypse.

Alay eats a very decadent-looking cake during this conversation and says she’s a psychic. What does she see in Liza’s afterlife future? Alay says, “Timothée Chalamet and lots of dairy with no consequences.” Sounds like heaven for a lot of people.

If only “How It Ends” had more of this type of laugh-out-loud comedic scene with Wilde and Lister-Jones, because they have such natural and appealing chemistry with each other. Maybe they can co-star in another movie someday. Hopefully, it would have a better screenplay and more exciting direction than what’s in “How It Ends.”

But for every scene like the rip-roaring one with Wilde, there are five or six more scenes in “How It Ends” that are just so tedious and downright cringeworthy. For example, when Liza goes to her ex-boyfriend Larry’s home, it’s a retro ripoff with derivative ideas: She holds up a boombox (just like John Cusack famously did in the 1989 movie “Say Anything”), and then she quotes the chorus of Alanis Morissette’s 1995 hit “You Oughta Know.”

And there’s some self-pitying drivel, such as when Liza and her younger self have an argument with each other. Liza wants to ditch her younger self and continue on her own, because she thinks Young Liza doesn’t count as her real self. Young Liza shouts, “I do count! All your life, you’ve been licking your fucking wounds, when I’m the biggest wound of all!” Oh, boo hoo. Did anyone bring any tissues?

Lister-Jones and Spaeny previously worked together in the disappointing 2020 horror film “The Craft: Legacy,” which was written and directed by Lister-Jones and starred Spaeny as a teenage witch who joins a coven of other teen witches. The chemistry between Lister-Jones and Spaeny in “How It Ends” is more like older sister/younger sister as two different people, rather than entirely convincing as two versions of the same person. One of the takeaways from the movie is that Liza looks physically older than her younger self, but she hasn’t emotionally matured very much since she was a teenager.

Spaeny makes some attempt to mimic certain mannerisms that older Liza would have had in her teen years. And there are times that Liza and her younger self do things in snyc when they’re walking down the street. However, the movie looks like it was filmed so quickly that Spaeny and Lister-Jones didn’t have enough time to do work on body language and speech patterns that are more subtle and nuanced.

“How It Ends” is not so off-putting that it won’t find its share of people who will love this movie. There’s a very specific type of viewer who automatically thinks any movie that reeks of being self-congratulatory “quirky” is something that’s worth admiring. But for people who prefer their comedies to actually be funny and have a significant plot, you’ll have to look elsewhere, because “How It Ends” comes up very short in these elements and is mostly just a series of poorly conceived vignettes.

MGM’s American International Pictures released “How It Ends” in select U.S. cinemas, on digital and VOD on July 20, 2021.

2019 Hollywood Film Awards: recap and photos

November 3, 2019

Al Pacino (left), winner of the Hollywood Supporting Actor Award, and “The Godfather” director Francis Ford Coppola at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Amy Sussman/Getty Images)

The following is a press release from Dick Clark Productions:

The 23rd Annual “Hollywood Film Awards” brought together Hollywood’s elite to honor the year’s most talked about and highly anticipated actors, actresses and films, and those who helped bring them to life. The awards ceremony, celebrating its 23rd anniversary as the official launch of the awards season, was hosted by actor and comedian Rob Riggle, and took place at The Beverly Hilton in Beverly Hills. In its 23-year history, over 340 of the world’s biggest stars and filmmakers have been highlighted at the “Hollywood Film Awards” and more than 140 of the honorees have gone on to garner Oscar nominations and/or wins.

Rob Riggle  at the 23rd Annual Hollywood Film Awards at the 23rd Annual Hollywood Film Awards at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Kevin Winter/Getty Images for HFA)

Host Rob Riggle infused the ceremony with heart and humor, proving to be a steadfast guide through the evening’s many memorable moments. There was no shortage of standing ovations for both presenters and honorees alike, who included some of the most iconic members of the Hollywood community. Al Pacino took time to acknowledge many of his fellow honorees and friends in the room as he accepted the “Hollywood Supporting Actor Award.”

Martin Scorsese at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Emma McIntyre/Getty Images for HFA)

After a presentation from her mentor Martin Scorsese, “Hollywood Producer Award” recipient Emma Tillinger Koskoff delivered an emotional speech, offering a tear-filled thank you to the legendary director and producer. “Hollywood Filmmaker Award” honoree Bong Joon Ho, spoke in his native tongue to deliver a universal message that “we use only one language of cinema.”

Nicole Kidman and Charlize Theron at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Kevin Winter/Getty Images for HFA)

In a touching moment between “Hollywood Career Achievement Award” presenter Nicole Kidman and this year’s honoree Charlize Theron, Kidman remarked that “we don’t get to choose our heroes, but through this journey, I got to work with one of mine!”

Antonio Banderas and Dakota Johnson at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Amy Sussman/Getty Images)

Dakota Johnson took the stage to present Antonio Banderas with the “Hollywood Actor Award,” and reflected upon her realization that Banderas has become one of the most influential people in her life. He accepted by dedicating the award to Dakota, and his daughter Stella, who was in the room to share the night with him.

Cynthia Erivo at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Emma McIntyre/Getty Images for HFA)

Viola Davis presented Cynthia Erivo with the “Hollywood Breakout Actress Award,” calling her “fearlessness personified” as she takes on the role of Harriet Tubman. Ray Romano brought the laughs as he showered praise upon “Hollywood Breakout Actor” honoree Taron Egerton, pointing out how unfair it is that Egerton is not only endlessly talented, but funny as well.

Robert Downey Jr. and Shia LaBeouf at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019 . (Photo by Frazer Harrison/Getty Images for HFA)

Christian Bale and Matt Damon turned up to honor their “Ford v Ferrari” director James Mangold, while Robert Downey Jr. was on hand to laud “Honey Boy” actor and screenwriter Shia LeBeouf with the “Hollywood Breakthrough Screenwriter Award.”  Former co-stars Jennifer Garner and Olivia Wilde celebrated Wilde’s “Hollywood Breakthrough Director Award,” each sharing humorous tales of their adventures together on set.

Olivia Wilde at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Emma McIntyre/Getty Images for HFA)

Kevin Feige and Victoria Alonso joined together to accept the “Hollywood Blockbuster Award,” thanking their amazing writers, directors, and awe-inspiring cast, including presenter Mark Ruffalo. Alicia Keys began her tribute to “Hollywood Song Award” honoree Pharrell Williams by recognizing all of the love in the room, before Williams delivered a powerful speech focusing on the unparalleled contributions made by “The Black Godfather” subject, Clarence Avant. He said that he has opened doors when others would glue them shut and has consistently demanded equality throughout his career.

Finn Wittrock, Renée Zellweger and Jessie Buckley at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Amy Sussman/Getty Images)

“Judy” co-stars Finn Wittrock and Jessie Buckley were on hand to recognize their leading lady Renée Zellweger with the “Hollywood Actress Award.” She said that the experience of playing Judy Garland was “one of those rare opportunities that essentially make no sense at all, but becomes your greatest accomplishment!”

Laura Dern and Willem Dafoe at the 23rd Annual Hollywood Film Awards at the Beverly Hilton Hotel in Beverly Hills, California, on November 3, 2019. (Photo by Frazer Harrison/Getty Images for HFA)

After an earnest tribute from Jon Hamm, “Hollywood Screenwriter Award” honoree Anthony McCarten joked about finding success when he strayed from his teacher’s advice to write what he knows. He advised others to write what they want to know, that curiosity is what drove him to this project. Willem Dafoe presented his friend and colleague Laura Dern with the “Hollywood Supporting Actress Award,” praising the inspiring way in which she connects to audiences through her compassion.

This year’s award show honored the following:

“Hollywood Career Achievement Award”
Charlize Theron, presented by Nicole Kidman

“Hollywood Actor Award”
Antonio Banderas for Pain and Glory, presented by Dakota Johnson

“Hollywood Actress Award”
Renée Zellweger for Judy, presented by Finn Wittrock & Jessie Buckley

“Hollywood Supporting Actor Award”
Al Pacino for The Irishman, presented by Francis Ford Coppola

“Hollywood Supporting Actress Award”
Laura Dern for Marriage Story, presented by Willem Dafoe

“Hollywood Producer Award”
Emma Tillinger Koskoff for The Irishman, presented by Martin Scorsese

“Hollywood Director Award”
James Mangold for Ford v Ferrari, presented by Christian Bale & Matt Damon

“Hollywood Filmmaker Award”
Bong Joon Ho for Parasite, presented by Sienna Miller

“Hollywood Screenwriter Award”
Anthony McCarten for The Two Popes, presented by Jon Hamm

“Hollywood Blockbuster Award”
Avengers: Endgame, presented by Mark Ruffalo

“Hollywood Song Award”
Pharrell Williams for Letter To My Godfather, presented by Alicia Keys

“Hollywood Breakout Actor Award”
Taron Egerton for Rocketman, presented by Ray Romano

“Hollywood Breakout Actress Award”
Cynthia Erivo for Harriet, presented by Viola Davis

“Hollywood Breakthrough Director Award”
Olivia Wilde for Booksmart, presented by Jennifer Garner

“Hollywood Breakthrough Screenwriter Award”
Shia LaBeouf for Honey Boy, presented by Robert Downey Jr.

“Hollywood Animation Award”
Toy Story 4

“Hollywood Cinematography Award”
Mihai Malaimare Jr. for Jojo Rabbit

“Hollywood Film Composer Award”
Randy Newman for Marriage Story

“Hollywood Editor Award”
Michael McCusker & Andrew Buckland for Ford v Ferrari

“Hollywood Visual Effects Award”
Pablo Helman for The Irishman

“Hollywood Sound Award”
Donald Sylvester, Paul Massey, David Giammarco, & Steven A. Morrow for Ford v Ferrari

“Hollywood Costume Design Award”
Anna Mary Scott Robbins for Downton Abbey

“Hollywood Make-Up & Hair Styling Award”
Lizzie Yianni-Georgiou, Tapio Salmi, & Barrie Gower for Rocketman

“Hollywood Production Design Award”
Ra Vincent for Jojo Rabbit

Honoree Portraits are available on the show’s Twitter and Instagram pages. For all information and highlights, please visit the website for the Hollywood Film Awards.

For the latest news, follow the “Hollywood Film Awards” on social and join the conversation by using the official hashtag for the show, #HollywoodAwards.

Twitter: @HollywoodAwards
Facebook: Facebook.com/HollywoodAwards
Instagram: @hollywoodawards

About Dick Clark Productions
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and DCP. DCP also owns one of the world’s most unique and extensive entertainment archive libraries with over 60 years of award-winning shows, historic programs, specials, performances and legendary programming. DCP is a division of Valence Media, a diversified and integrated media company with divisions and strategic investments in television, film, live entertainment, digital media and publishing. For additional information, visit www.dickclark.com.

About the Hollywood Film Awards
The Hollywood Film Awards, founded in 1997, were created to celebrate Hollywood and launch the awards season. The recipients of the awards are selected by an Advisory Team for their body of work and/or a film(s) that is to be released during the calendar year. For additional information, visit www.hollywoodawards.com.

2019 Hollywood Film Awards: Shia LeBeouf, Taron Egerton, Cynthia Erivo, Olivia Wilde among honorees

October 8, 2019

The following is a press release from Dick Clark Productions:

The Hollywood Film Awards is proud to announce that multi-hyphenate, award-winning stars Shia LaBeouf, Taron Egerton, Cynthia Erivo and Olivia Wilde will be honored for their standout contributions to film this year at the 23rd Annual “Hollywood Film Awards.” LaBeouf (“Honey Boy”) will receive the “Hollywood Breakthrough Screenwriter Award,” for his revelatory telling of his own turbulent childhood. For his uncanny portrayal of the legendary Elton John, Egerton (“Rocketman”) will receive the “Hollywood Breakout Actor Award.” Erivo (“Harriet”), who stepped into the shoes of the heroic Harriet Tubman with unwavering strength and dedication, will receive the “Hollywood Breakout Actress Award.” And Wilde (“Booksmart”) will receive the “Hollywood Breakthrough Director Award” for her critically-acclaimed directorial debut of a film that is certain to become a classic for the ages.  Actor and comedian Rob Riggle will host the ceremony, which will take place on Sunday, November 3, 2019 at The Beverly Hilton in Beverly Hills, CA.

ABOUT THE HONOREES

Shia LaBeouf recently received rave reviews for his performance in “Honey Boy,” which premiered at this year’s Sundance Film Festival. The film also marks Shia’s first feature length film as a screenwriter and reunited him with director, Alma Har’el (the two previously collaborated on the documentary, “LoveTrue,” which she directed, and he produced).  The film received a Special Jury Award for Vision and Craft at the festival and is expected to release on November 8, 2019.

Shia can currently be seen in “The Peanut Butter Falcon” alongside Dakota Johnson, Bruce Dern and Zack Gottsagen, which premiered at this year’s SXSW Film Festival. LaBeouf recently wrapped production on the crime drama, “The Tax Collector,” which was written and directed by David Ayer.

In 2007, Shia was named the “Star of Tomorrow” by the ShoWest convention of the National Association of Theater Owners, and in February 2008 he was awarded the BAFTA Orange Rising Star Award, which was voted for by the British general public.  In addition, he was nominated for four Teen Choice Awards for “Transformers,” winning the Breakout Male Award, the Teen Choice Award for Movie Actor in a Horror/Thriller for his performance in “Disturbia;” as well as a Scream Award.

In addition to his work in front of the camera, Shia has also directed several projects including music videos for Kid Cudi and Marilyn Manson.

Taron Egerton, known for his breakout role in Matthew Vaughn’s “The Kingsman” film series, continues to capture audience members attention with his versatile & charismatic performances.  Egerton recently received rave reviews for his performance in Dexter Fletcher’s “Rocketman” starring as the iconic singer Sir Elton John for Paramount Pictures. The film opened at the 2019 Cannes Film Festival to a 4-minute standing ovation.

Egerton was last seen in Netflix’ TV Series, “The Dark Crystal: Age of Resistance” the prequel to Jim Henson’s 1982 film, “The Dark Crystal”. The 10-episode animated series also stars Helena Bonham-Carter, Mark Hamill and Nathalie Emmanuel.  He made his acting debut with a small role in two episodes of ITV’s “Inspector Lewis” before being cast in the TV mini-series “The Smoke”. Shortly after, he was cast in his breakout role as Eggsy in “The Kingsman: The Secret Service” & reprised his role in “Kingsman: The Golden Circle. Other credits include, “Robin Hood,” “Testament of Youth,” “Legend,” and “Eddie the Eagle,”. In 2016, he played the voice of Johnny in Garth Jennings’s animation comedy, “Sing” which became a box office sensation.

Cynthia Erivo is a Tony®, Emmy®, and Grammy® Award-winning actress who burst onto West End and Broadway stages in “The Color Purple” and has taken the big screen by storm. Erivo can next be seen starring in Kasi Lemmons’ “Harriet” where she will bring the legacy of Harriet Tubman to the big screen. Focus Features premiered the film at the Toronto International Film Festival, and will be followed by a November 1, 2019 theatrical release.  Upcoming, Erivo will star in Doug Liman’s sci-fi thriller, “Chaos Walking,” and John Ridley’s “Needle in a Timestack.” She is set to executive produce and star in Warner Brothers’ musical take on the American folk tale “Rip Van Winkle.”

On the television side, Erivo recently wrapped production on her first television project, HBO series “The Outsider,” based on the Stephen King novel of the same name. Erivo stars alongside Ben Mendelsohn in the series, which follows an unorthodox investigator and a seasoned cop investigating a gruesome murder of a local boy.

Continuing to push the boundaries of her versatile career, Erivo stars in John Cameron Mitchell’s music-driven podcast anthology, “Anthem: Homunculus.” She also leads the voice cast and co-produced the QCode scripted thriller podcast, “Carrier.”  In 2018, Erivo made her film debut in two major films from 20th Century Fox: Drew Goddard’s “Bad Times at the El Royale” and Steve McQueen’s “Widows.”

In addition to her illustrious stage career, Erivo is an accomplished performer with symphonies and music spaces including the Kennedy Center Honors, the 2017 Governor’s Ball (the official post- Oscars celebration) and the 2017 Grammy Awards. A UK native, Erivo graduated from the famed Royal Academy of Dramatic Art (RADA) in 2010.

Actress, director, and producer Olivia Wilde is a modern-day renaissance woman. Wilde made her feature directorial debut to rave reviews with coming-of-age comedy “Booksmart.” The movie has been called one of the best of the year thus far and recently garnered the most wins of any film for the Los Angeles Online Film Critics Society’s Annual Midseason Awards. Wilde also made Variety’s 10 Directors to Watch list and Adweek’s yearly Creative 100 list. Next up on the directing front, Olivia will helm an UNTITLED HOLIDAY COMEDY for Universal and will both direct and star in the timely thriller feature, “Don’t Worry, Darling” for New Line. Olivia will also star in Clint Eastwood’s film, “Richard Jewell.” Wilde produced and starred in this year’s drama feature, “A Vigilante,” and received critical acclaim for her powerful portrayal of the film’s difficult yet urgent subject matter. Previously, she also produced and starred in the drama “Meadowland,” garnering significant praise for her emotionally-charged performance. Additional past film credits include the Oscar-winning drama “Her,” the Golden Globe-nominated “Rush,” and the critically- acclaimed indie comedy “Drinking Buddies,” which she also executive produced.

LaBeouf, Egerton, Erivo and Wilde join previously announced honorees: “Toy Story 4” will receive the “Hollywood Animation Award,” Mihai Malaimare Jr. will receive the “Hollywood Cinematography Award” for “Jojo Rabbit,” Randy Newman will receive the “Hollywood Film Composer Award” for “Marriage Story,” Michael McCusker & Andrew Buckland will receive the “Hollywood Editor Award” for “Ford v Ferrari,” Pablo Helman will receive the “Hollywood Visual Effects Award” for “The Irishman,” Donald Sylvester, Paul Massey, David Giammarco, & Steven A. Morrow will receive the “Hollywood Sound Award” for “Ford v Ferrari,” Anna Mary Scott Robbins will receive the “Hollywood Costume Design Award” for “Downton Abbey,” Lizzie Yianni-Georgiou, Tapio Salmi, & Barrie Gower will receive the “Hollywood Make-Up & Hair Styling Award” for “Rocketman” and Ra Vincent will receive the “Hollywood Production Design Award” for “Jojo Rabbit.”

Additional honorees for this year’s event will be announced in the coming weeks.

For the latest news, follow the “Hollywood Film Awards” on social and join the conversation by using the official hashtag for the show, #HollywoodAwards.

Twitter: @HollywoodAwards
Facebook: Facebook.com/HollywoodAwards
Instagram: @hollywoodawards

About Dick Clark Productions
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and DCP. DCP also owns one of the world’s most unique and extensive entertainment archive libraries with over 60 years of award-winning shows, historic programs, specials, performances and legendary programming. DCP is a business unit of Valence Media, a diversified and integrated media company with business units and strategic investments in television, film, live entertainment, digital media and publishing. For additional information, visit www.dickclark.com.

About The Hollywood Film Awards
The Hollywood Film Awards, founded in 1997, were created to celebrate Hollywood and launch the awards season. The recipients of the awards are selected by an Advisory Team for their body of work and/or a film(s) that is to be released during the calendar year. For additional information, visit www.hollywoodawards.com.

2019 CinemaCon: What to expect at this year’s event

April 1, 2019

by Carla Hay

CinemaCon

CinemaCon, the annual convention for the National Association of Theatre Owners (NATO), will be held April 1 to April 4, 2019, at Caesars Palace in Las Vegas. About 5,000 people attend the event, which gives movie studios the chance to showcase what they expect to be their biggest hits of the year.

A major change to this year’s event is that Sony Pictures Entertainment and 20th Century Fox will not be giving presentations. Movie studios scheduled to give their presentations at the event are STX Films and Warner Bros. Pictures on April 2; Universal Pictures and Walt Disney Pictures on April 3; and Paramount Pictures and Lionsgate on April 4.

Independent film studio Neon will promote its music-based drama “Wild Rose” with a screening of the movie on April 1 and a “Wild Rose” party on April 2. Other movies that will be screened in their entirety at CinemaCon 2019 will be Warner Bros. Pictures’ “Blinded by the Light” on April 2, Amazon’s “Late Night” on April 3 and Lionsgate’s “Long Shot” on April 4.

CinemaCon culminates with the CinemaCon Big Screen Achievement Awards ceremony, which will take place April 4.

Here are the announced winners of the awards:

CinemaCon Icon Award
Steve Buscemi

Steve Buscemi (Photo by Kristina Bumphrey/Starpix)

One of the most respected actors in the entertainment industry, Emmy-winning “Boardwalk Empire” star Steve Buscemi has played a wide range of characters in movies and television. His most memorable films include 1992’s “Reservoir Dogs,” 1996’s “Fargo” and 2001’s “Ghost World.” He has also voiced several roles in hit animated movies such as 2017’s “The Boss Baby,” and the “Hotel Transylvania” films. Buscemi’s 2019 film is the horror comedy, co-starring Adam Driver, Chloë Sevigny, Bill Murray and Tilda Swinton.

CinemaCon Vanguard Award
Jamie Lee Curtis

Jamie Lee Curtis (Photo by Andrew Eccles/Universal Pictures)

In a career spanning more than 40 years, Jamie Lee Curtis has made her mark in the film industry, beginning with her starring role in her movie debut: the 1978 horror classic “Halloween.” She has starred in multiple “Halloween” sequels, most notably 2018’s “Halloween,” which made her the first woman over the age of 60 to star in a movie that debuted at No. 1 in the United States. Curtis’ other well-known movies include the 1980 horror flick “Prom Night,” the 1988 comedy “A Fish Called Wanda,” the 1994 action film “True Lies” and the 2003 remake of the comedy “Freaky Friday.” Curtis has two films due out in 2019: the crime drama “Knives Out” and the comedy “Senior Entourage.”

CinemaCon International Star of the Year
Kevin Hart

Kevin Hart (Photo by David Lee)

Kevin Hart is one of the busiest people in showbiz, with starring roles in movies, TV and Web series, in addition to headlining successful arena tours. The year 2019 started out with the dramedy “The Upside” (starring Hart and Bryan Cranston) debuting at No. 1 in the United States. His 2018 comedy film “Night School” was also a hit.

CinemaCon Ensemble Award: The Cast of “Terminator: Dark Fate” – Linda Hamilton, Natalia Reyes, Mackenzie Davis and Gabriel Luna

Natalie Reyes, Mackenzie Davis and Linda Hamilton of “Terminator: Dark Fate” (Photo by Kerry Brown)

“Terminator: Dark Fate” is the 2019 entry in the longtime “Terminator” film series. “Terminator: Dark Fate” stands out from the rest of the films in the series because the cast is led by women: Linda Hamilton (who starred in the first two “Terminator” movies), Natalie Reyes and Mackenzie Davis. The movie’s cast also includes Gabriel Luna. Original “Terminator” star Arnold Schwarzenegger is reportedly making a cameo appearance.

CinemaCon Directors of the Year
Anthony Russo and Joe Russo

Joe Russo and Anthony Russo (Photo by Gareth Cattermole/Getty Images)

Director brothers Joe Russo and Anthony Russo helmed the superhero movie “Avengers: Endgame,” which is expected to be the biggest box-office blockbuster of 2019. The Russo brothers also directed several other Marvel movie blockbusters, including 2018’s “Avengers: Infinity War,” 2016’s “Captain America: Civil War” and 2014’s “Captain America: The Winter Soldier.”

CinemaCon Action Star of the Year
David Harbour

David Harbour (Photo by Marion Curtis/ StarPix for Summit Entertainment)

David Harbour might be best-known as a co-star of Netflix’s horror series “Stranger Things,” but he’s aiming to make a big splash in movies by starring as the title character in the 2019 superhero flick “Hellboy.” Harbour takes over the role that was originated by Ron Perlman.

Cinema Spotlight Award
Octavia Spencer

Octavia Spencer  (Photo by Todd Williamson/Getty Images for Fox Searchlight Pictures)

Octavia Spencer won an Oscar for Best Supporting Actress for her breakthrough role in 2011’s “The Help.” She has also has Oscar nominations for her supporting roles in 2016’s “Hidden Figures” and 2017’s “The Shape of Water.” Spencer has branched out into producing films, including the 2019 horror flick “Ma,” where she has a starring role.

CinemaCon Male Star of Tomorrow
Henry Golding

Henry Golding (Photo by Kelsey McNeal/ABC)

Henry Golding made his feature-film debut with a starring role in the 2018 blockbuster romantic comedy “Crazy Rich Asians.” He was also in the 2018 crime thriller “A Simple Favor,” co-starring Anna Kendrick and Blake Lively. Golding has re-teamed with “A Simple Favor” director Paul Feig for the 2019 romantic comedy “Last Christmas,” co-starring Emilia Clarke, Emma Thompson (who wrote the movie’s screenplay) and “Crazy Rich Asians” co-star Michelle Yeoh.

CinemaCon Female Stars of Tomorrow
Beanie Feldstein and Kaitlyn Dever

Beanie Feldstein and Kaitlyn Dever (Photo by Francois Duhamel)

Beanie Feldstein and Kaitlyn Dever co-star in the 2019 comedy “Booksmart,” about two straight-laced best friends who decide to go wild on the day before their high-school graduation. Feldstein is also known for her supporting roles in the 2018 Oscar-nominated comedy film “Lady Bird” and the 2016 comedy film “Neighbors 2: Sorority Rising,” while Dever is a co-star of the comedy series “Last Man Standing.” Dever’s other recent film roles include the 2018 dramas “Beautiful Boy” and “The Front Runner.”

CinemaCon Breakthrough Director of the Year
Olivia Wilde

Olivia Wilde (Photo by Vivien Killilea/Getty Images)

Olivia Wilde made her directorial feature-film debut with the 2019 comedy film “Booksmart,” which got rave reviews when it had its world premiere at the SXSW Film Festival. Wilde is an accomplished actress who has starred in such films as 2018’s “Life Itself” and 2010’s “Tron: Legacy.” She is also known for her past TV roles in the medical drama “House” and the nighttime soap opera “The O.C.”

CinemaCon Comedy Stars of the Year
Seth Rogen and Charlize Theron

Seth Rogen and Charlize Theron (Photo by Philippe Bossé)

Seth Rogen and Charlize Theron play unlikely love interests in the 2019 political comedy film “Long Shot.” Rogen is best known for his comedic roles in movies (such as 2007’s “Knocked Up,” 2008’s “Pineapple Express” and the “Neighbors” films), while Theron does mostly dramatic and action movies, including 2005’s “Monster” (for which she won an Oscar for Best Actress), 2015’s “Mad Max: Fury Road” and 2017’s “Atomic Blonde.”

Other awards that will be given at the ceremony:

  • CinemaCon International Filmmaker of the Year Award: Graham King, producer of 2018’s “Bohemian Rhapsody”
  • CinemaCon Passpartout Award: Helen Moss, Paramount Pictures senior vice president of international distribution
  • NATO Marquee Award: John D. Loeks, Studio C chairman
  • Career Achievement in Exhibition Award: Jérôme Seydoux, Pathé co-chairman/CEO and Les Cinémas Gaumont Pathé chairman/CEO
  • Lifetime Achievement Award: Anthony Bloom, Cineworld Group chairman