December 15, 2020
The following is a press release from the Sundance Institute:
The nonprofit Sundance Institute announced today the showcase of new independent work selected across the Feature Film, Short Film, Indie Series and New Frontier categories for the 2021 Sundance Film Festival. The Festival will take place digitally via a feature-rich, Sundance-built online platform and in person on Satellite Screens across the country (public health permitting) from January 28-February 3, 2021. Additionally, Festival attendees can gather in virtual waiting rooms, participate in live Q&As, and congregate in new, inspired online environments to interact in a range of ways both new and familiar. The Institute shared details of how the Festival will meet audiences on the online platform and Satellite Screens earlier this month.
The Sundance Film Festival is the flagship public program of Sundance Institute. Throughout the year the majority of the Institute’s resources support independent artists around the world as they make and develop new work through access to Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
“Togetherness has been an animating principle here at the Sundance Institute as we’ve worked to reimagine the Festival for 2021, because there is no Sundance without our community,” said Sundance Institute Founder and President Robert Redford. “Under Tabitha’s leadership, we’ve forged a new collective vision: one that honors the spirit and tradition of these invigorating yearly gatherings in Utah, while making room for imaginative new possibilities in a new online format.”
“Of course, the pandemic year demanded adaptation,” said Keri Putnam, Sundance Institute’s Executive Director. “On a deeper level, we also recognize the urgency of supporting independent storytellers at a time of great upheaval in the film and media fields. We’re proud this edition of the Festival is fiercely independent, and will reach people everywhere, celebrating both the theatrical experience at our Satellite Screens and streaming on our platform.”
“This Festival is a singular response to a singular year – both in design and curation – and we are excited about the new dimensions of possibility it will reveal. But at its core is something that speaks to our most enduring values,” said Tabitha Jackson, Director of the Sundance Film Festival. “For thousands of years humans have gathered to tell stories and make meaning. In this pandemic year we gather to celebrate a constellation of artists with unique perspectives that express this current moment and who together are saying, ‘We exist. This is who we are. And this is what we see.'”
“The work in this year’s program is groundbreaking, imaginative, and formally daring,” said Kim Yutani, the Festival’s Director of Programming. “With over half the program made by first-time directors, a sense of discovery remains true to us at Sundance. This year’s Festival presents irrefutable evidence that despite the challenges, the independent voice is as strong as ever.”
Day One films debuting on the platform to open the Festival will be Censor, CODA, Flee, One for the Road, In The Same Breath, and Summer Of Soul (…Or, When The Revolution Could Not Be Televised).
Son of Monarchs, screening in the NEXT section, has been named the winner of the Alfred P. Sloan Feature Film Prize.
Announced today: the full 2021 slate of works, including 72 feature-length films, representing 29 countries and 38 first-time feature filmmakers. 14 films and projects announced today were supported by Sundance Institute in development, through direct granting or residency Labs. 66 of the Festival’s feature films, or 92% of the lineup announced today, will be world premieres. These films were selected from 14,092 submissions including 3,500 feature-length films. Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international. Director demographics are available in an editor’s note below.
The projects confirmed for the 2021 Sundance Film Festival are:
U.S. DRAMATIC COMPETITION
Presenting the world premieres of 10 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Minari, Never Rarely Sometimes Always, The Farewell, Honey Boy, Clemency, Eighth Grade, and Sorry to Bother You.
CODA / U.S.A. (Director and Screenwriter: Siân Heder, Producers: Philippe Rousselet, Fabrice Gianfermi, Patrick Wachsberger) — As a CODA – Child of Deaf Adults – Ruby is the only hearing person in her deaf family. When the family’s fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents. Cast: Emilia Jones, Eugenio Derbez, Troy Kotsur, Ferdia Walsh-Peelo, Daniel Durant, and Marlee Matlin. World Premiere.DAY ONE
I Was a Simple Man / U.S.A. (Director and Screenwriter: Christopher Makoto Yogi, Producers: Sarah S. Kim, Christopher Makoto Yogi, Matthew Petock, Yamato Cibulka) — As a family in Hawai’i faces the imminent death of their eldest, the ghosts of the past haunt the countryside. Cast: Steve Iwamoto, Constance Wu, Kanoa Goo, Chanel Akiko Hirai, Tim Chiou, Boonyanudh Jiyarom. World Premiere
Jockey / U.S.A. (Director: Clint Bentley, Screenwriters: Clint Bentley, Greg Kwedar, Producers: Clint Bentley, Greg Kwedar, Nancy Schafer) — An aging jockey is determined to win one last championship, but his dream is complicated when a young rookie shows up claiming to be his son. Cast: Clifton Collins Jr., Molly Parker, Moises Arias. World Premiere
John and the Hole / U.S.A. (Director: Pascual Sisto, Screenwriter: Nicolás Giacobone, Producers: Elika Portnoy, Alex Orlovsky, Mike Bowes) — A nontraditional coming-of-age story, set in the unsettling reality of John, a kid who holds his family captive in a hole in the ground. Cast: Charlie Shotwell, Michael C. Hall, Jennifer Ehle, Taissa Farmiga. World Premiere
Mayday / U.S.A. (Director and Screenwriter: Karen Cinorre, Producers: Jonah Disend, Lucas Joaquin, Karen Cinorre, Sam Levy) — Ana is transported to a dreamlike and dangerous land where she joins a team of female soldiers engaged in a never-ending war along a rugged coast. Though she finds strength in this exhilarating world, she comes to realize that she’s not the killer they want her to be. Cast: Grace Van Patten, Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin, Juliette Lewis. World Premiere
On the Count of Three / U.S.A. (Director: Jerrod Carmichael, Screenwriters: Ari Katcher, Ryan Welch, Producers: David Carrico, Adam Paulsen, Tom Werner, Jake Densen, Ari Katcher, Jimmy Price) — Two guns. Two best friends. And a pact to end their lives when the day is done. Cast: Jerrod Carmichael, Christopher Abbott, Tiffany Haddish, J.B. Smoove, Lavell Crawford, Henry Winkler. World Premiere
Passing / U.S.A. (Director and Screenwriter: Rebecca Hall, Producers: Forest Whitaker, Nina Yang Bongiovi, Margot Hand, Rebecca Hall) — Two African-American women who can “pass” as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression. Based on the novella by Nella Larsen. Cast: Tessa Thompson, Ruth Negga, André Holland, Alexander Skarsgård, Bill Camp. World Premiere
Superior / U.S.A. (Director: Erin Vassilopoulos, Screenwriters: Erin Vassilopoulos, Alessandra Mesa, Producers: Benjamin Cohen, Grant Curatola, Patrick Donovan) — On the run, Marian returns to her hometown in upstate New York to hide out with her estranged identical twin sister, Vivian. Struggling to put the past behind her, Marian lies about the reason for her return, leaving her sister in the dark until their two worlds begin to collide. Cast: Alessandra Mesa, Ani Mesa, Pico Alexander, Jake Hoffman, Stanley Simons. World Premiere
Together Together / U.S.A. (Director and Screenwriter: Nikole Beckwith, Producers: Anthony Brandonisio, Daniela Taplin Lundberg, Tim Headington) — When young loner Anna is hired as the surrogate for Matt, a single man in his 40s, the two strangers come to realize this unexpected relationship will quickly challenge their perceptions of connection, boundaries and the particulars of love. Cast: Ed Helms, Patti Harrison, Tig Notaro, Julio Torres, Anna Konkle. World Premiere
Wild Indian / U.S.A. (Director and Screenwriter: Lyle Mitchell Corbine Jr., Producers: Lyle Mitchell Corbine Jr., Thomas Mahoney, Eric Tavitian) — Two men are inextricably bound together after covering up the savage murder of a schoolmate. After years of separation following wildly divergent paths, they must finally confront how their traumatic secret has irrevocably shaped their lives. Cast: Michael Greyeyes, Chaske Spencer, Jesse Eisenberg, Kate Bosworth, Phoenix Wilson, Julian Gopal. World Premiere
U.S. DOCUMENTARY COMPETITION
Ten world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Boys State, Crip Camp: A Disability Revolution, Apollo 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders.
Ailey / U.S.A. (Director: Jamila Wignot, Producer: Lauren DeFilippo) — Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would. World Premiere
All Light, Everywhere/ U.S.A. (Director: Theo Anthony, Producers: Riel Roch-Decter, Sebastian Pardo, Jonna McKone) — An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. World Premiere
At the Ready / U.S.A. (Director: Maisie Crow, Producers: Hillary Pierce, Maisie Crow, Abbie Perrault) — Home to one of the region’s largest law enforcement education program, students at Horizon High School in El Paso train to become police officers and Border Patrol agents as they discover the realities of their dream jobs may be at odds with the truths and people they hold most dear. World Premiere
Cusp / U.S.A. (Directors: Parker Hill, Isabel Bethencourt, Producers: Zachary Luke Kislevitz, Parker Hill, Isabel Bethencourt) — In a Texas military town, three teenage girls confront the dark corners of adolescence at the end of a fever dream summer. World Premiere
Homeroom / U.S.A. (Director: Peter Nicks, Producers: Peter Nicks, Sean Havey) — Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world. World Premiere
Rebel Hearts / U.S.A. (Director: Pedro Kos, Producers: Kira Carstensen, Shawnee Isaac-Smith, Judy Korin) — A group of pioneering nuns bravely stand up to the Catholic Church patriarchy, fighting for their livelihoods, convictions and equality against an all-powerful Cardinal. From marching in Selma in 1965 to the Women’s March in 2018, these women have reshaped our society with their bold acts of defiance. World Premiere
Rita Moreno: Just a Girl Who Decided to Go For It / U.S.A. (Director: Mariem Pérez Riera, Producers: Brent Miller, Mariem Pérez Riera, Ilia J. Vélez-Dávila) — Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who have won an Emmy, Grammy, Oscar and Tony Award. Over a seventy year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes. World Premiere
Summer Of Soul (…Or, When The Revolution Could Not Be Televised) / U.S.A. (Director: Ahmir “Questlove” Thompson, Producers: David Dinerstein, Robert Fyvolent, Joseph Patel) — During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost – until now. World Premiere. DAY ONE
Try Harder! / U.S.A. (Director: Debbie Lum, Producers: Debbie Lum, Lou Nakasako, Nico Opper) — In a universe where cool kids are nerds, the orchestra is world class and being Asian American is the norm, seniors at Lowell High School compete for the top prize: admission to the college of their dreams. World Premiere
Users / U.S.A., Mexico (Director: Natalia Almada, Producers: Elizabeth Lodge Stepp, Josh Penn) — A mother wonders, will my children love their perfect machines more than they love me, their imperfect mother? She switches on a smart-crib lulling her crying baby to sleep. This perfect mother is everywhere. She watches over us, takes care of us. We listen to her. We trust her. World Premiere
WORLD CINEMA DRAMATIC COMPETITION
Ten films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.
The Dog Who Wouldn’t Be Quiet / Argentina (Director: Ana Katz, Screenwriters: Ana Katz, Gonzalo Delgado, Producers: Laura Huberman, Ana Katz) — Sebastian, a man in his thirties, works a series of temporary jobs and he embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse. Cast: Daniel Katz, Julieta Zylberberg, Valeria Lois, Mirella Pascual, Carlos Portaluppi. World Premiere
El Planeta / U.S.A., Spain (Director and Screenwriter: Amalia Ulman, Producers: Amalia Ulman, Kathleen Heffernan, Kweku Mandela) — Amidst the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction. Cast: Amalia Ulman, Ale Ulman, Nacho Vigalondo, Zhou Chen, Saoirse Bertram. World Premiere
Fire in the Mountains / India (Director and Screenwriter: Ajitpal Singh, Producers: Ajay Rai, Alan McAlex) — A mother toils to save money to build a road in a Himalayan village to take her wheelchair-bound son for physiotherapy, but her husband, who believes that an expensive religious ritual is the remedy, steals her savings. Cast: Vinamrata Rai, Chandan Bisht, Mayank Singh Jaira, Harshita Tewari, Sonal Jha. World Premiere
Hive / Kosovo, Switzerland, Macedonia, Albania (Director and Screenwriter: Blerta Basholli, Producers: Yll Uka, Valon Bajgora, Agon Uka) — Fahrije’s husband has been missing since the war in Kosovo. She sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere. Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha, Adriana Matoshi, Kaona Sylejmani. World Premiere
Human Factors / Germany, Italy, Denmark (Director and Screenwriter: Ronny Trocker, Producers: Susanne Mann, Paul Zischler, Martin Rehbock) — A mysterious housebreaking exposes the agony of an exemplary middle class family. Cast: Sabine Timoteo, Mark Waschke, Jule Hermann, Wanja Valentin Kube, Hannes Perkmann, Daniel Séjourné. World Premiere
Luzzu / Malta (Director and Screenwriter: Alex Camilleri, Producers: Rebecca Anastasi, Ramin Bahrani, Alex Camilleri, Oliver Mallia) — Jesmark, a struggling fisherman on the island of Malta, is forced to turn his back on generations of tradition and risk everything by entering the world of black market fishing to provide for his girlfriend and newborn baby. Cast: Jesmark Scicluna, Michela Farrugia, David Scicluna. World Premiere
One for the Road/ China, Hong Kong, Thailand (Director: Baz Poonpiriya, Screenwriters: Baz Poonpiriya, Nottapon Boonprakob, Puangsoi Aksornsawang, Producer: Wong Kar Wai) — Boss is a consummate ladies’ man, a free spirit and a bar owner in NYC. One day, he gets a surprise call from Aood, an estranged friend who has returned home to Thailand. Dying of cancer, Aood enlists Boss’ help to complete a bucket list – but both are hiding something. Cast: Tor Thanapob, Ice Natara, Violette Wautier, Aokbab Chutimon, Ploi Horwang, Noon Siraphun. World Premiere. DAY ONE
The Pink Cloud / Brazil (Director and Screenwriter: Iuli Gerbase, Producer: Patricia Barbieri) — A mysterious and deadly pink cloud appears across the globe, forcing everyone to stay home. Strangers at the outset, Giovana and Yago try to invent themselves as a couple as years of shared lockdown pass. While Yago is living in his own utopia, Giovana feels trapped deep inside. Cast: Renata de Lélis, Eduardo Mendonça. World Premiere
Pleasure / Sweden, Netherlands, France (Director and Screenwriter: Ninja Thyberg, Producers: Eliza Jones, Markus Waltå, Erik Hemmendorff) — A 20-year-old girl moves from her small town in Sweden to LA for a shot at a career in the adult film industry. Cast: Sofia Kappel, Revika Anne Reustle, Evelyn Claire, Chris Cock, Dana DeArmond, Kendra Spade. World Premiere
Prime Time / Poland (Director: Jakub Piątek, Screenwriters: Jakub Piątek, Łukasz Czapski, Producer: Jakub Razowski) — On the last day of 1999, 20-year-old Sebastian locks himself in a TV studio. He has two hostages, a gun, and an important message for the world. The story of the attack explores a rebel’s extreme measures and last resort. Cast: Bartosz Bielenia, Magdalena Popławska, Andrzej Kłak, Małgorzata Hajewska-Krzysztofik, Dobromir Dymecki, Monika Frajczyk. World Premiere
WORLD CINEMA DOCUMENTARY COMPETITION
Ten documentaries by some of the boldest filmmakers working around the world today. Films that have premiered in this category in recent years include Honeyland, Sea of Shadows, Shirkers, This is Home, Last Men in Aleppo and Hooligan Sparrow.
Faya Dayi / Ethiopia, U.S.A. (Director, Screenwriter and Producer: Jessica Beshir) — A spiritual journey into the highlands of Harar, immersed in the rituals of khat, a leaf Sufi Muslims chewed for centuries for religious meditations – and Ethiopia’s most lucrative cash crop today. A tapestry of intimate stories offers a window into the dreams of youth under a repressive regime. World Premiere
Flee / Denmark, France, Sweden, Norway (Director: Jonas Poher Rasmussen, Producers: Monica Hellström, Signe Byrge Sørensen) — Amin arrived as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his long-time boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. World Premiere. DAY ONE
Inconvenient Indian / Canada (Director and Screenwriter: Michelle Latimer, Producers: Stuart Henderson, Justine Pimlott, Jesse Wente) — An examination of Thomas King’s brilliant dismantling of North America’s colonial narrative, which reframes history with the powerful voices of those continuing the tradition of Indigenous resistance. International Premiere
Misha and the Wolves / United Kingdom, Belgium (Director and Screenwriter: Sam Hobkinson, Producers: Poppy Dixon, Al Morrow, Matthew Wells, Gregory Zalcman, Jürgen Buedts) — A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth. World Premiere
The Most Beautiful Boy in the World / Sweden (Directors: Kristina Lindström, Kristian Petri, Producer: Stina Gardell) — Swedish actor/musician Björn Andresen’s life was forever changed at the age of 15, when he played Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice – a role which led Italian maestro Luchino Visconti to dub him “the world’s most beautiful boy.” World Premiere
Playing With Sharks / Australia (Director and Screenwriter: Sally Aitken, Producer: Bettina Dalton) — Valerie Taylor is a shark fanatic and an Australian icon – a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for Jaws and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever. World Premiere
President / Denmark, U.S.A., Norway (Director: Camilla Nielsson, Producers: Signe Byrge Sørensen, Joslyn Barnes) — Zimbabwe is at a crossroads. The leader of the opposition MDC party, Nelson Chamisa, challenges the old guard ZANU-PF led by Emmerson Mnangagwa, known as “The Crocodile.” The election tests both the ruling party and the opposition – how do they interpret principles of democracy in discourse and in practice? World Premiere
Sabaya / Sweden (Director and Screenwriter: Hogir Hirori, Producers: Antonio Russo Merenda, Hogir Hirori) — With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save Yazidi women and girls being held by ISIS as Sabaya (abducted sex slaves) in the most dangerous camp in the Middle East, Al-Hol in Syria. World Premiere
Taming the Garden / Switzerland, Germany, Georgia (Director Salomé Jashi, Producers: Vadim Jendreyko, Erik Winker, Martin Roelly, Salomé Jashi) — A poetic ode to the rivalry between men and nature. World Premiere
Writing With Fire / India (Directors and Producers: Rintu Thomas, Sushmit Ghosh) — In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful. World Premiere
NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT presented by Adobe.
The Blazing World / U.S.A. (Director: Carlson Young, Screenwriters: Carlson Young, Pierce Brown, Producers: Brinton Bryan, Elizabeth Avellán) — Decades after the accidental drowning of her twin sister, a self-destructive young woman returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Cast: Udo Kier, Carlson Young, Dermot Mulroney, Vinessa Shaw, John Karna, Soko. World Premiere
Cryptozoo / U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) — As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere
First Date / U.S.A. (Directors and Screenwriters: Manuel Crosby, Darren Knapp, Producers: Brandon Kraus, Manuel Crosby, Darren Knapp, Lucky McKee, Charles Horak) — Conned into buying a shady ’65 Chrysler, Mike’s first date with the girl-next-door, Kelsey, implodes as he finds himself targeted by criminals, cops, and a crazy cat lady. A night fueled by desire, bullets and burning rubber makes any other first date seem like a walk in the park. Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Ryan Quinn Adams, Brandon Kraus. World Premiere
Ma Belle, My Beauty / U.S.A., France (Director and Screenwriter: Marion Hill, Producers: Ben Matheny, Kelsey Scult, Marion Hill) — A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers. Cast: Idella Johnson, Hannah Pepper, Lucien Guignard, Sivan Noam Shimon. World Premiere
R#J / U.S.A. (Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Alex Sobolev, Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev, Anna Soboleva) — A re-imagining of Romeo and Juliet, taking place through their cell phones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby. World Premiere
Searchers/ U.S.A. (Director: Pacho Velez, Producers: Pacho Velez, Joe Poletto, Cathy Tankosic, Sam Roseme) — In encounters alternately humorous and touching, a diverse set of New Yorkers navigate their preferred dating apps in search of their special someone.World Premiere
Son of Monarchs /Mexico, U.S.A. (Director and Screenwriter: Alexis Gambis, Producers: Abraham Dayan, Maria Altamirano) — After his grandmother’s death, a Mexican biologist living in New York returns to his hometown, nestled in the majestic monarch butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal and spiritual metamorphosis. Cast: Tenoch Huerta Mejía, Alexia Rasmussen, Lázaro Gabino Rodríguez, Noé Hernández, Paulina Gaitán, William Mapother. Alfred P. Sloan Feature Film Prize
Strawberry Mansion/ U.S.A. (Directors and Screenwriters: Albert Birney, Kentucker Audley, Producers: Taylor Shung, Sarah Winshall, Emma Hannaway, Matisse Rifai) — In a world where the government records and taxes dreams, an unassuming dream auditor gets swept up in a cosmic journey through the life and dreams of an aging eccentric named Bella. Together, they must find a way back home. Cast: Penny Fuller, Kentucker Audley, Grace Glowicki, Reed Birney, Linas Phillips, Constance Shulman. World Premiere
We’re All Going to the World’s Fair / U.S.A. (Director and Screenwriter: Jane Schoenbrun, Producers: Sarah Winshall, Carlos Zozaya) — A teenage girl becomes immersed in an online role-playing game. Cast: Anna Cobb, Michael J. Rogers. World Premiere
PREMIERES
A showcase of world premieres of some of the most highly anticipated fiction and nonfiction films of the coming year.. Films that have premiered across the Documentary Premieres category include The Dissident, On the Record, and Miss Americana, and in Premieres past titles include Kajillionaire, Promising Young Woman, The Report, Late Night, The Big Sick and Call Me By Your Name.
Amy Tan: Unintended Memoir / U.S.A. (Director: James Redford, Producers: Karen Pritzker, Cassandra Jabola) — Amy Tan has established herself as one of America’s most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage. World Premiere, Documentary
Bring Your Own Brigade / U.S.A. (Director and Screenwriter: Lucy Walker, Producers: Lucy Walker, Julian Cautherley, Holly Becker, Lyn Lear) — A character-driven verité and revelatory investigation takes us on a journey embedded with firefighters and residents on a mission to understand the causes of historically large wildfires and how to survive them, discovering that the solution has been here all along. World Premiere, Documentary
Eight for Silver/ U.S.A., France (Director and Screenwriter: Sean Ellis, Producers: Mickey Liddell, Pete Shilaimon, Sean Ellis) — In the late 1800s, a man arrives in a remote country village to investigate an attack by a wild animal but discovers a much deeper, sinister force that has both the manor and the townspeople in its grip. Cast: Boyd Holbrook, Kelly Reilly, Alistair Petrie, Roxane Duran, Aine Rose Daly. World Premiere, Narrative
How it Ends/ U.S.A. (Directors, Screenwriters and Producers: Daryl Wein, Zoe Lister-Jones) — On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way. Cast: Zoe Lister-Jones, Cailee Spaeny, Olivia Wilde, Fred Armisen, Helen Hunt, Lamorne Morris. World Premiere, Narrative
In The Earth / United Kingdom (Director and Screenwriter: Ben Wheatley, Producer: Andy Starke) — As a disastrous virus grips the planet, a scientist and a park scout venture deep into the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness as the forest comes to life around them. Cast: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith. World Premiere, Narrative
In The Same Breath / U.S.A. (Director: Nanfu Wang, Producers: Nanfu Wang, Jialing Zhang, Julie Goldman, Christopher Clements, Carolyn Hepburn) — How did the Chinese government turn pandemic coverups in Wuhan into a triumph for the Communist party? An essential narrative of firsthand accounts of the coronavirus, and a revelatory examination of how propaganda and patriotism shaped the outbreak’s course – both in China and in the U.S. World Premiere, Documentary.DAY ONE
Land / U.S.A. (Director: Robin Wright, Screenwriters: Jesse Chatham, Erin Dignam, Producers: Allyn Stewart, Lora Kennedy, Leah Holzer, Peter Saraf) – The poignant story of one woman’s search, in the aftermath of an unfathomable event, for meaning in the vast and harsh American wilderness. Cast: Robin Wright, Demián Bichir, Kim Dickens. World Premiere, Narrative
Marvelous and The Black Hole / U.S.A. (Director and Screenwriter: Kate Tsang, Producer: Carolyn Mao) — A teenage delinquent befriends a surly magician who helps her navigate her inner demons and dysfunctional family with sleight of hand magic, in a coming-of-age comedy that touches on unlikely friendships, grief, and finding hope in the darkest moments. Cast: Miya Cech, Rhea Perlman, Leonardo Nam, Kannon Omachi, Paulina Lule, Keith Powell. World Premiere, Narrative
Mass / U.S.A. (Director and Screenwriter: Fran Kranz, Producers: Fran Kranz, Casey Wilder Mott, JP Ouellette, Dylan Matlock) — Years after a tragic shooting, the parents of both the victim and the perpetrator meet face-to-face. Cast: Jason Isaacs, Ann Dowd, Martha Plimpton, Reed Birney. World Premiere, Narrative
My Name is Pauli Murray / U.S.A. (Directors: Betsy West, Julie Cohen, Producer: Talleah Bridges McMahon) — Overlooked by history, Pauli Murray was a legal trailblazer whose ideas influenced RBG’s fight for gender equality and Thurgood Marshall’s landmark civil rights arguments. Featuring never-before-seen footage and audio recordings, a portrait of Murray’s impact as a non-binary Black luminary: lawyer, activist, poet, and priest who transformed our world. World Premiere, Documentary
Philly D.A. / U.S.A. (Created By: Ted Passon, Yoni Brook, Nicole Salazar, Producers: Ted Passon, Yoni Brook, Nicole Salazar, Josh Penn, Michael Gottwald) — A groundbreaking inside look at the long shot election and tumultuous first term of Larry Krasner, Philadelphia’s unapologetic District Attorney, and his experiment to upend the criminal justice system from the inside out. World Premiere, Episodic Documentary
Prisoners of the Ghostland/U.S.A. (Director: Sion Sono, Screenwriters: Aaron Hendry, Reza Sixo Safai, Producers: Michael Mendelsohn, Laura Rister, Ko Mori, Reza Sixo Safai, Nate Bolotin) — A notorious criminal is sent to rescue an abducted woman who has disappeared into a dark supernatural universe. They must break the evil curse that binds them and escape the mysterious revenants that rule the Ghostland, an East-meets-West vortex of beauty and violence. Cast: Nicolas Cage, Sofia Boutella, Nick Cassavetes, Bill Moseley, Tak Sakaguchi, Yuzuka Nakaya. World Premiere, Narrative
The Sparks Brothers / United Kingdom (Director: Edgar Wright, Producers: Nira Park, Edgar Wright, George Hencken, Laura Richardson) — How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band. World Premiere, Documentary
Street Gang: How We Got To Sesame Street / U.S.A. (Director: Marilyn Agrelo, Producers: Trevor Crafts, Ellen Scherer Crafts, Lisa Diamond) — How did a group of rebels create the world’s most famous street? In 1969 New York, this “gang” of mission-driven artists, writers and educators catalyzed a moment of civil awakening, transforming it into Sesame Street, one of the most influential and impactful television programs in history. World Premiere, Documentary
MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Relic, Greener Grass, Hereditary, Assassination Nation, and The Babadook.
Censor / United Kingdom (Director: Prano Bailey-Bond, Screenwriters: Prano Bailey-Bond, Anthony Fletcher, Producer: Helen Jones) — When film censor Enid discovers an eerie horror that speaks directly to her sister’s mysterious disappearance, she resolves to unravel the puzzle behind the film and its enigmatic director – a quest blurring the lines between fiction and reality in terrifying ways. Cast: Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller, Michael Smiley. World Premiere. DAY ONE
Coming Home in the Dark / New Zealand (Director: James Ashcroft, Screenwriters: Eli Kent, James Ashcroft, Producers: Mike Minogue, Catherine Fitzgerald, Desray Armstrong) — A family’s outing descends into terror when teacher Alan Hoaganraad, his wife Jill and stepsons Maika and Jordon explore an isolated coastline. An unexpected meeting with a pair of drifters, the enigmatic psychopath Mandrake and his accomplice Tubs, thrusts the family into a nightmare when they find themselves captured. Cast: Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu. World Premiere
A Glitch in the Matrix / U.S.A. (Director: Rodney Ascher, Producer: Ross M. Dinerstein) — A multi-media exploration of simulation theory – an idea as old as Plato’s Republic and as current as Elon Musk’s Twitter feed – through the eyes of those who suspect our world isn’t real. Part sci-fi mind-scrambler, part horror story, this is a digital journey to the limits of radical doubt. World Premiere
Knocking / Sweden (Director: Frida Kempff, Screenwriter: Emma Broström, Producer: Erik Andersson) — When Molly moves into her new apartment after a tragic accident, a strange noise from upstairs begins to unnerve her. As its intensity grows, she confronts her neighbors – but no one seems to hear what she is hearing. Cast: Cecilia Milocco. World Premiere
Mother Schmuckers / Belgium (Directors and Screenwriters: Lenny Guit, Harpo Guit, Producers: David Borgeaud, Erika Meda) — Issachar & Zabulon, two brothers in their twenties, are supremely stupid and never bored, as madness is part of their daily lives. When they lose their mother’s beloved dog, they have 24 hours to find it – or she will kick them out. Cast: Harpo Guit, Maxi Delmelle, Claire Bodson, Mathieu Amalric, Habib Ben Tanfous. World Premiere
Violation / Canada (Directors, Screenwriters and Producers: Madeleine Sims-Fewer, Dusty Mancinelli) — A troubled woman on the edge of divorce returns home to her younger sister after years apart. But when her sister and brother-in-law betray her trust, she embarks on a vicious crusade of revenge. Cast: Madeleine Sims-Fewer, Anna Maguire, Jesse LaVercombe, Obi Abili, Jasmin Geljo, Cynthia Ashperger. International Premiere
SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, The Death of Stalin, The Rider, Ida and The Lobster.
Night of the Kings / France, Ivory Coast, Canada, Senegal (Director and Screenwriter: Philippe Lacôte, Producers: Delphine Jaquet, Yanick Létourneau, Ernest Konan, Yoro Mbaye) — A young man is sent to La Maca, a prison on the Ivory Coast in the middle of the forest ruled by its prisoners. With the red moon rising, he is designated by the Boss to be the new “Roman” and must tell a story to the other prisoners. Cast: Koné Bakary, Steve Tientcheu, Digbeu Jean Cyrille, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant
The World to Come / U.S.A. (Director: Mona Fastvold, Screenwriters: Ron Hansen, Jim Shepard, Producers: Casey Affleck, Whitaker Lader, Pamela Koffler, David Hinojosa, Margarethe Baillou) — Somewhere along the mid-nineteenth century American East Coast frontier, two neighboring couples battle hardship and isolation, witnessed by a splendid yet testing landscape, challenging them both physically and psychologically. Cast: Katherine Waterston, Vanessa Kirby, Casey Affleck, Christopher Abbott. North American Premiere
SPECIAL SCREENINGS
Life in a Day 2020/ United Kingdom, U.S.A. (Director: Kevin Macdonald, Producers: Jack Arbuthnott, Tim Partridge) — An extraordinary, intimate, global portrait of life on our planet, filmed by thousands of people across the world, on a single day: 25th July 2020. World Premiere
NEW FRONTIER
Since its launch, the Sundance Film Festival’s New Frontier has served as a showcase for dynamic, innovative work at the crossroads of film, art, and technology. At the Festival’s 2021 edition, a global audience will be able to engage with the works, the artists, and fellow Festivalgoers via a bespoke spatialized platform, developed in partnership with digital experience agency Active Theory and accessible via computer and VR headsets. The New Frontier Gallery hosts the complete slate of live performances, AR, VR, and other emerging media works. Cinema House is the Festival’s social, fully immersive cinema, and Film Party is an interactive bar with 6 screens and more intimate rooms available to the entire community of accredited Festivalgoers so that all can safely gather together, connecting via avatar with proximity audio and video chat.
“2020 saw that the entire world can shift and leave humanity in an entirely new state of being. As we stand on the precipice of a new era, we need our artists and visionaries to illuminate the way forward,” said Shari Frilot, Senior Programmer and New Frontier Chief Curator. “The lineup of new media works this year challenge what we once knew to be true. Their works glisten with world building wisdom, and offer time machines that extract the cancer of colonial narratives planted deep within our biology.”
Frilot added, “More than ever, we need to gather our community in a meaningful way. This is why New Frontier has built three spatialized digital venues that orbit the earth right alongside the International Space Station. And at any time, Festivalgoers can take leave of the mothership to visit the astronauts aboard the Station, in the immersive experience Space Explorers: The ISS Experience, co-directed by Félix Lajeunesse and Paul Raphaël, or spend a night on earth, bar hopping in Amsterdam through IDFA DocLab’s do {not} play.
The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Unity Technologies, Adobe, Dell Technologies, The Walt Disney Studios’ StudioLAB, and Oculus from Facebook.
4 Feet High VR / Argentina, France (Lead Artists: María Belén Poncio, Rosario Perazolo Masjoan, Damian Turkieh, Ezequiel Lenardón, Key Collaborators: Marie Blondiaux, Marcos Rostagno, Eugenia Foguel, Matias Benedetti, Manuel Yeri, Martin Lopez Funes, Guillermo Mena) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti.
7 Sounds/ U.S.A. (Lead Artist: Sam Green, Key Collaborator: JD Samson) — An immersive live-streamed audio-video work exploring the universal influence of sound, weaving seven specific audio recordings into a meditation on the power of sound to bend time, cross borders, and profoundly shape our perception.
Beyond the Breakdown/ U.S.A. (Lead Artists: Tony Patrick, Lauren Lee McCarthy, Grace Lee, Key Collaborators: Jesse Cahn Thompson, Aldo Velasco) — Imagining alternate narratives for our near-future reality, inside a browser designed to hack our normal online behaviors and cultivate collaborative spaces for self-reflection and renewal.
The Changing Same: Episode 1 / U.S.A. (Lead Artists: Michèle Stephenson, Joe Brewster, Yasmin Elayat, Key Collaborators: James George, Alexander Porter, Rad Mora, Elliott Mitchell) — An immersive, episodic virtual reality experience where the participant travels through time and space to witness the connected historical experiences of racial injustice in America. A respectful, haunting story infused with magical realism and Afrofuturism about the uninterrupted cycle of the 400-year history of racial terror — past and present.
Fortune!/ France, Canada (Lead Artists: Brett Gaylor, Nicolas Bourniquel, Arnaud Colinart, Key Collaborators: Marianne Lévy-Leblond, Rob McLaughlin, Dash Spielgeman, Rolito, Clement Chériot) — Money, from bills to coins, has no intrinsic value beyond what we’ve collectively agreed to grant it. However, there’s no denying that money governs our lives. This series of animated documentary shorts in AR for smartphones, tablets and social media platforms, explores that relationship. Cast: Frank Bourassa.
Namoo / U.S.A. (Lead Artist: Erick Oh, Key Collaborators: Maureen Fan, Larry Cutler, Eric Darnell, Kane Lee, David Kahn) — A narrative poem brought to life as an animated VR film, and an ode to a grandfather’s passing, this story follows the journey of a budding artist – and his tree of life – from beginning to end.
Nightsss/ Poland (Lead Artists: Weronika Lewandowska, Sandra Frydrysiak, Key Collaborators: Marcin Macuk, Piotr Apostel, Kaya Kołodziejczyk, Marek Straszak, Arek Zub, Przemek Danowski) — A virtual erotic poem created in artistic animation with ASMR and interactive elements, immersing the viewer in the sensual experience of poetry and dance.
Prison X – Chapter 1 : The Devil and The Sun/ Australia, Bolivia, India (Lead Artists: Violeta Ayala, Alap Parikh, Maria Corvera Vargas, Roly Elias, Key Collaborators: Daniel Fallshaw, Rilda Paco Alvarado, Alberto Santiago) — Heavy doors open and you are swept into an infamous Bolivian jail, where you live among devils, saints, wicked characters, corrupt prison guards and even a Western filmmaker. In Prison X, inhabit the dreams and nightmares of the Neo-Andean underworld. Cast: Violeta Ayala, Genesis Owusu, Celina Debassey, Anamaria Gómez Jaramillo, Jesse Odom, Nicole Ukelele.
Rich Kids: A History of Shopping Malls in Tehran / United Kingdom, Iran (Lead Artists: Javaad Alipoor, Kirsty Housley, Key Collaborator: Nick Sweeting) — A darkly comedic, urgent new play about entitlement, consumption and digital technology, exploring the ubiquitous feeling that our societies are falling apart through the story of two young members of the Iranian elite, asking what their deaths tell us about climate change, social collapse and Instagram. Cast: Javaad Alipoor, Peyvand Sadeghian.
Secret Garden / U.S.A. (Lead Artist: Stephanie Dinkins, Key Collaborators: Ethan Edwards, John Fitzgerald, Matthew Niederhauser, Danielle McPhatter, Sidney San Martín, Kate Stevenson, Adaora Udoji, Chris White) — An immersive web experience and installation, illuminating the power and resilience in Black women’s stories. Interactive audio vignettes generate a multi-generational narrative that collapses past, present, and future. Cast: Dayne Board, Erlene Curry, Tianna Mendez, Melissa Moore, Brandi Porter, Lisa Sainville.
Tinker / U.S.A. (Lead Artist: Lou Ward, Key Collaborators: Shimon Alkon, Lara Bucarey, Avril Martinez, Aileen Paron, Anthony Alan Garcia, Roberto Tan, Cristopher David, Neil Realubit, Anton Arcega, David Conklin, Evan Chavez) — What happens when the memories we spend a lifetime creating begin to disappear? Step inside the Grandfather’s workshop to discover this answer for yourself. In this live, bespoke unscripted performance, reimagine what it means to play, to connect and to hold fast to the memories we create. Cast: Randy Dixon.
To Miss The Ending/ United Kingdom (Lead Artists: Anna West, David Callanan, Key Collaborators: Jamie Finlay, Steph Clarke, Dan Tucker)— A VR cubicle of cardboard boxes begins to glitch, revealing an empty dark space in front of you – until something glimmers in the distance, a wave of blue flooding towards you. A chorus of real memories and imagined futures expands, until only the largest memories are left. Cast: Charlotte Berry, Michael Dodds, Houmi Miura, Ben Kulvichit, Anna West.
Traveling the Interstitium with Octavia Butler/ U.S.A. (Lead Artists: Sophia Nahli Allison, idris brewster, Stephanie Dinkins, Ari Melenciano, Terence Nance, Key Collaborators: Yance Ford, Sharon Chang, Kamal Sinclair) — Inspired by the ideas of Octavia Butler, voyaging into the interstitium: a liminal space, a cultural memory, containing the remnants of our ancestors, a place of refuge, a place of recentering, a portal into an alternate dimension.
Weirdo Night/ U.S.A. (Lead Artists: Jibz Cameron, Mariah Garnett) — A filmed edition, hosted by Dynasty Handbag, of the wildly popular, underground, eponymous live performance and comedy event that, until COVID-19, was held monthly in Los Angeles. Cast: Patti Harrison, Smiling Beth, Morgan Bassichis, Sarah Squirm, Hedia Maron, Blasia Discoteca.
SHORTS
Fifty short films will play in the Festival, from 27 countries and chosen from 9,933 submissions – 4,587 from the U.S. and 5,368 international. The Institute’s support for short films extends internationally and year-round, with select Festival shorts presented as a traveling program, virtually in 2020, at theaters in the U.S., Canada and Europe each year, and short films and filmmakers taking part in regional online Master Classes geared towards supporting emerging shorts-makers in several cities. Among the shorts the Festival has shown in recent years are So What If The Goats Die, Fauve, Aziza, Ghosts of Sugar Land, Thunder Road, Whiplash, Sister and Brotherhood.
“In a year unlike any other, short films are still going strong with art and craft unique to the form. We are thrilled to share a lineup with a wild range of characters, styles, ideas and emotions to our audience, wherever you may be,” said Mike Plante, Senior Programmer, Short Film.
The 2021 Sundance Film Festival Short Film program is presented by Southwest Airlines.
U.S. Fiction
Ava From My Class/ U.S.A., South Korea (Director: Youmin Kang, Screenwriters: Youmin Kang, Soomin Kang) — Anna thinks Ava is the best actress in her class. International Premiere
Bambirak / U.S.A., Germany (Director and Screenwriter: Zamarin Wahdat) — When Kati stows away in her father’s truck, Faruk must juggle his responsibilities as a single dad while holding down his first job in a new country. As their relationship deepens, a brush with covert racism tests their bond. North American Premiere
BJ’s Mobile Gift Shop/ U.S.A. (Director and Screenwriter: Jason Park) — A young Korean-American hustler runs throughout the city of Chicago making sales out of his “mobile gift shop.” World Premiere
Bruiser/ U.S.A. (Director: Miles Warren, Screenwriters: Miles Warren, Ben Medina) — After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood. World Premiere
Don’t Go Tellin’ Your Momma/ U.S.A., Germany, France, Italy (Directors and Screenwriters: Topaz Jones, rubberband.) — In 1970, Black educators in Chicago developed an alphabet flashcard set to provide Black-centered teaching materials to the vastly white educational landscape and the Black ABCs were born. Fifty years later, twenty-six scenes provide an update to their meanings. World Premiere
Doublespeak / U.S.A. (Director and Screenwriter: Hazel McKibbin) — A young woman grapples with the aftermath of reporting sexual harassment in the workplace.
i ran from it and was still in it/ U.S.A. (Director and Screenwriter: Darol Olu Kae) — A poetic meditation on familial loss and separation, and the love that endures against dispersion.
In the Air Tonight/ U.S.A. (Director and Screenwriter: Andrew Norman Wilson) — An insider’s take on the meaning behind Phil Collins’ 1980 single “In the Air Tonight.”
LATA / U.S.A., India (Director: Alisha Mehta, Screenwriters: Alisha Mehta, Mireya Martinez) — Lata, a 23 year old domestic worker, navigates her way through an upper class home in South Mumbai. Doors consistently open and close, giving Lata selective access to the various contending realities that occupy this space.
Raspberry/ U.S.A. (Director and Screenwriter: Julian Doan) — A son struggles to say goodbye to his dead father. World Premiere
The Touch of the Master’s Hand/ U.S.A. (Director and Screenwriter: Gregory Barnes) — Troubled by an unnatural temptation, a young Mormon missionary must confess the humiliating depths of his pornography addiction. World Premiere
White Wedding / U.S.A. (Director and Screenwriter: Melody C Roscher) — Amidst a racially tense Southern wedding, a biracial bride has the chance to confront her estranged Black father after accidentally hiring his wedding band to perform. World Premiere
Wiggle Room / U.S.A. (Directors and Screenwriters: Sam Guest, Julia Baylis) — Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. World Premiere
Yoruga / U.S.A., Colombia (Director and Screenwriter: Federico Torrado Tobón) — A lonely old man pays a visit to Yoruga, one of the last animals on Earth. World Premiere
You Wouldn’t Understand/ U.S.A. (Director: Trish Harnetiaux, Screenwriters: Trish Harnetiaux, Jacob A. Ware) — An idyllic picnic of one is upended after the arrival of a stranger.
International Fiction
The Affected / Norway (Director: Rikke Gregersen, Screenwriters: Rikke Gregersen, Trond Arntzen) — Minutes before takeoff, a situation occurs, preventing an airplane from departing: in an attempt to prevent the deportation of one passenger, another refuses to sit down – forcing the pilot to take a political stand.
Black Bodies / Canada (Director and Screenwriter: Kelly Fyffe-Marshall) — A Black man laments as he comes face-to-face with the realities of being Black in the 21st century. International Premiere
The Criminals/ France, Romania, Turkey (Director and Screenwriter: Serhat Karaaslan) — In a town in Turkey, a young couple is looking for some privacy. They are rejected from the hotels because they do not have a marriage certificate. When they think they found a way, the situation gets out of hand. World Premiere
Excuse Me, Miss, Miss, Miss/ Philippines (Director: Sonny Calvento, Screenwriter: Arden Rod Condez) — Vangie, a miserable contractual sales lady, is about to lose her job. But in her desperate attempt to convince her boss not to sack her, Vangie uncovers the ultimate jaw-dropping secret to regularization.
Five Tiger / South Africa (Director and Screenwriter: Nomawonga Khumalo) — A god-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter. North American Premiere
Flex/ Sweden (Directors and Screenwriters: Josefin Malmen, David Strindberg) — He may be god enough, but is he good enough? A slightly surreal comedic exploration of the fine line between a bodybuilder’s self-loathing and self-loving.
Like the Ones I Used to Know/ Canada (Director and Screenwriter: Annie St-Pierre) — December 24, 1983, 10:50 p.m.: Julie and her cousins ate too much sugar, Santa Claus is late. Denis, alone in his car, is anxious at the idea of setting foot in his ex-in-law’s house to pick up his children. World Premiere
Lizard/ United Kingdom (Director: Akinola Davies, Jr., Screenwriter: The Davies Brothers) — Juwon, an 8-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos. International Premiere
The Longest Dream I Remember / Mexico (Director: Carlos Lenin, Screenwriters: Carlos Lenin, Isa Mora Vera) — As Tania leaves her hometown, she must confront what her absence will mean in the search for her disappeared father. World Premiere
Mountain Cat / Mongolia, United Kingdom (Director and Screenwriter: Lkhagvadulam Purev-Ochir) — A troubled girl is coerced into seeing a shaman. Trapped by the ancient beliefs that pacify her mother, she finds peace in the physical realm, unleashing her repressed, youthful spirit on the shaman when she realizes his true identity. U.S. Premiere
Unliveable / Brazil (Directors and Screenwriters: Matheus Farias, Enock Carvalho) — In Brazil, where a trans person is murdered every three days, Marilene searches for her daughter Roberta, a trans woman who is missing. While running out of time, she discovers one hope for the future. North American Premiere
The Unseen River / Vietnam, Laos (Director and Screenwriter: Phạm Ngọc Lân) — Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.
We’re Not Animals / France (Director and Screenwriter: Noé Debré) — His ex Marie became an Instagram star (thanks to an activist group focused on the female orgasm). Depressed, Igor believes this is a deliberate campaign to prevent him from finding someone else. World Premiere
Non-Fiction
A Concerto Is a Conversation / U.S.A. (Directors: Ben Proudfoot, Kris Bowers) — A virtuoso jazz pianist and film composer tracks his family’s lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.
Dear Philadelphia/ U.S.A., United Kingdom (Director: Renee Osubu) — With the help of their family, friends, and faith, three fathers unravel the incomparable partnership of forgiveness and community in North Philadelphia. International Premiere
The Field Trip/ U.S.A. (Directors: Meghan O’Hara, Mike Attie, Rodrigo Ojeda-Beck) — A group of fifth graders learn what it takes to get ahead in the modern American workplace. World Premiere
My Own Landscapes / France (Director: Antoine Chapon) — Before going to war, a former military game designer made video game scenarios that prepared soldiers for cultural shocks and healed trauma. Once back from the war, his relationship with his identity, with life and with the video game changed.
The Rifleman / U.S.A. (Director: Sierra Pettengill, Screenwriters: Daniel Garber, Sierra Pettengill) — Told entirely through archival material, tracing Harlon Carter, considered the “father of the modern NRA,” across the decades, revealing the links between the National Rifle Association, the U.S. Border Patrol, and gun culture.
Snowy/ U.S.A. (Directors: Kaitlyn Schwalje, Alex Wolf Lewis) — Snowy, a 4-inch-long pet turtle, has lived an isolated life in the family basement. With help from a team of experts and his caretaker, Uncle Larry, we ask: Can Snowy be happy and what would it take? World Premiere
Spirits and Rocks: an Azorean Myth/ Switzerland, Portugal (Director: Aylin Gökmen) — On a volcanic island, inhabitants are caught in an unending cycle: the threat of impending eruptions, and the burden of past traumas, loom over them. Some draw upon myth and religious beliefs to interpret their precarious situation; others demonstrate resilience. International Premiere
Tears Teacher/ Japan (Director: Noemie Nakai) — Yoshida is a self-proclaimed “tears teacher.” A firm believer that regular crying promotes healthier living, he’s made it his mission to make more people weep.
This is the Way We Rise / U.S.A. (Director: Ciara Lacy) — An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.
To Know Her / U.S.A., Hong Kong (Director: Natalie Chao) — A poetic exploration of the camera’s gaze and a family’s relationship with the filmmaker’s mother. International Premiere
When We Were Bullies/ U.S.A., Germany (Director and Screenwriter: Jay Rosenblatt) — A mind-boggling “coincidence” leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago. World Premiere
Up at Night / Democratic Republic of the Congo, Belgium (Director and Screenwriter: Nelson Makengo) — As dusk fades and another night without electricity falls, Kinshasa’s neighborhoods reveal an unstable environment of violence, political conflict and uncertainty over the building of the Grand Inga 3 hydroelectric dam, promising a permanent source of energy to the Congo. U.S. Premiere
Animation
The Fire Next Time/ United Kingdom (Director: Renaldho Pelle, Screenwriter: Kerry Jade Kolbe) — Rioting spreads as social inequality causes tempers in a struggling community to flare, but the oppressive environment takes on a life of its own as the shadows of the housing estate close in.
Forever/ U.S.A. (Director and Screenwriter: Mitch McGlocklin) — A life insurance company uses an AI algorithm to determine the risk of a new applicant. The subsequent denial sparks a period of introspection for the individual in question.
The Fourfold/ Canada (Director and Screenwriter: Alisi Telengut) — An exploration of the indigenous worldview and wisdom based on ancient shamanistic traditions and animistic beliefs in Siberia and Mongolia. With hand-crafted animation, a testament of reclaiming animism for environmental ethics and non-human materialities.
Ghost Dogs/ U.S.A. (Director: Joe Cappa, Screenwriters: Joe Cappa, J.W. Hallford) — A family’s new rescue pup is terrorized by deceased pets in this mind-bending horror.
GNT / Australia (Directors and Screenwriters: Sara Hirner, Rosemary Vasquez-Brown) — Glenn is a woman on an unwholesome mission, but just how far will she go to conquer the clique – and social media at large?
KKUM/South Korea, U.S.A. (Director and Screenwriter: Kang-min Kim) — My mother’s dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.
Little Miss Fate/ Switzerland (Director and Screenwriter: Joder von Rotz) — When the opportunity arises, Little Miss Fate slips into the role of the world leader. Unintentionally she creates a monster, which greedily wants to suck up all the love of the world. Overwhelmed by the rapid development, she loses control.
Misery Loves Company/ U.S.A., South Korea (Director: Sasha Lee, Screenwriters: Sasha Lee, Yejin Choi) — As Seolgi is lying on a grass field with friends, a shooting star falls, and dark, intrusive thoughts hit her. Her melancholy blooms into bright and colorful “flower people,” dancing and wishing for a meteorite to end the world.
Souvenir Souvenir/ France (Director and Screenwriter: Bastien Dubois) — For ten years, I’ve pretended to make a movie out of my grandfather’s Algerian war souvenirs. Today, I’m not sure I want to hear what he has to say.
Trepanation/ U.S.A. (Director: Nick Flaherty) — What was once familiar is now unrecognizable. All previous desires are overshadowed by the need to disappear completely.
INDIE SERIES PROGRAM
A dedicated showcase for emerging creators of independently produced episodic content for broadcast, web, and streaming platforms. Previously Indie Episodic. Past projects that have premiered within this category include Work in Progress, State of the Union, Gentefied, Wu Tang Clan: Of Mics and Men and Quarter Life Poetry. The Indie Series Program is presented by DoorDash.
4 Feet High/ Argentina, France (Directors: María Belén Poncio, Rosario Perazolo Masjoan, Executive Producers: Ezequiel Lenardón, Marie Blondiaux) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti. World Premiere
Seeds of Deceit/Netherlands (Director: Miriam Guttmann, Executive Producers: Monique Busman, Michiel van Erp, Judith Reuten) — The revelation that Dr. Karbaat clandestinely used his own semen to inseminate more than 65 of his patients shocked the world. A vivid portrayal of how that happened and all the ways it haunts those affected: the emotional trauma of coming to terms with a changed life, a new identity. World Premiere
These Days / U.S.A. (Director and Screenwriter: Adam Brooks) — Mae, lonely and self-isolating, navigates the world of online dating during the early days of quarantine. Her first attempt is a comic disaster; then, she meets Will and her world begins to change in unexpected ways. Cast: Marianne Rendón, William Jackson Harper, Amy Brenneman, Parker Young. World Premiere
Would You Rather/ France, Germany (Creators: Lise Akoka, Romane Guéret, Executive Producer: Pierre Grimaus, Jean Dathanat) — Sixteen-year-olds Shaï, Djeneba, Aladi, and Ismaël grew up in a working-class Paris neighborhood. Together, they watch hours drift by, cracking jokes, and playing their favorite game, “Would you rather?” As the group’s equilibrium suddenly shifts, they have to start making choices – in their lives and their game. Cast: Fanta Kebe, Shirel Nataf, Zakaria Lazab, Mouctar Diawara. North American Premiere
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute. 2021 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, AT&T, DoorDash, Dropbox, Netflix, Omnicom Group, Southwest Airlines® , WarnerMedia; Sustaining Sponsors – AMC, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Documentary Plus, GEICO, IMDbPro, Stella Artois®, Unity Technologies, University of Utah Health, White Claw Hard Seltzer, Zoom; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, The New York Times, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival
Sundance Institute
As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue.Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
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EDITOR NOTE: DIRECTOR DEMOGRAPHICS
The data we are sharing reflects information provided directly by the artists. Some artists chose to not self identify in all data areas.
FULL SLATE: Across 140 films and projects, 50%, or 70, were directed by one or more women; 4% or 6, were directed by one or more non-binary individuals; 51%, or 71, were directed by one or more artists of color; 15% or 21 by one or more people who identify as LGBTQ+.
U.S. COMPETITION:
Dramatic: 50% of the 10 directors in this year’s U.S. Dramatic Competition identify as women; 40% as BIPOC.
Documentary: 64% of the 11 directors in this year’s U.S. Documentary Competition identify as women; 73% as BIPOC; 9% as LGBTQ+.
WORLD COMPETITION:
Dramatic: 50% of the 10 World Dramatic Competition identify as women.
Documentary: 50% of the 12 directors in the World Documentary Competition identify as women.
FEATURE FILM SUBMISSIONS: Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international; 27% were directed by one or more women; 2% were directed by one or more non-binary individuals; 42% were directed by one or more filmmakers who identify as BIPOC; 11% by one or more filmmakers who identify as LGBTQ+.
ALL FEATURES: Of the 72 feature films, 47% were directed by one or more women; 3% were directed by one or more non-binary individuals; 43% were directed by one or more filmmakers who identify as BIPOC; 8% by one or more filmmakers who identify as LGBTQ+.
NEW FRONTIER: Of the 32 artists across the 14-project section, 44% identify as women, 9% as non-binary, 44% as BIPOC, and 22% as LGBTQ+.
SHORTS: Comprising 50 films, 48% or 24 of all short films announced today chose to indicate they were directed by one or more women; 2% or 1 was directed by one or more non-binary individuals; 64% or 32 were directed by one or more artists of color; 20% or 10 by one or more people who identify as LGBTQ+. Of the 60 directors across the section, 42% indicated they identify as women, 2% as non-binary, 56% as BIPOC, and 20% as LGBTQ+.
January 12, 2021 UPDATE:
The nonprofit Sundance Institute today adds two more world premiere feature films to the 2021 Sundance Film Festival lineup. The 2021 Festival will take place digitally via a feature-rich, Sundance-built online platform and in person on Satellite Screens across the country (public health permitting) from January 28-February 3, 2021. Tickets for these additions are now on sale at festival.sundance.org.
“We are delighted to welcome these powerful works into our program,” said Festival Director Tabitha Jackson, “In a year where our Festival already exemplifies the vanguard of bold, visionary storytelling from around the world, they help further expand our boundaries.”
The latest films confirmed to join the 2021 Sundance Film Festival slate are:
PREMIERES SECTION
Judas and the Black Messiah / U.S.A. (Director: Shaka King, Screenwriters: Will Berson, Shaka King, Producers: Ryan Coogler, Charles D. King, Shaka King) — FBI informant William O’Neal infiltrates the Illinois Black Panther party when J. Edgar Hoover fears charismatic leader Chairman Fred Hampton will emerge as a Black Messiah. O’Neal lives in fear of discovery and cannot escape the deadly trajectory of his betrayal. Cast: Daniel Kaluuya, Lakeith Stanfield, Jesse Plemons, Dominique Fishback, Lil Rel Howery, Martin Sheen. World Premiere
Judas and the Black Messiah will premiere on Monday, February 1 at 6:00 p.m. Mountain Time on the digital platform, and will also play at the following Satellite Screens:
THE PLAZA THEATER PRESENTED BY ATLANTA FILM SOCIETY
1049 Ponce de Leon Ave NE, Atlanta, GA, 30306
DAD’S GARAGE DRIVE-IN PRESENTED BY ATLANTA FILM SOCIETY
569 Ezzard St SE , Atlanta, GA, 30312
JOURDAN-BACHMAN PIONEER FARMS PRESENTED BY AUSTIN FILM SOCIETY
10621 Pioneer Farms Drive, Austin, TX, 78754
SIDEWALK DRIVE-IN
1801 1st Ave. N. , Birmingham, AL, 35203
SIDEWALK FILM CENTER AND CINEMA
1821 2nd Ave N, Birmingham, AL, 35203
SPOTLIGHT CINEMAS CAPITAL 8 PRESENTED BY THE LUMINAL THEATER
201 Columbia Mall Blvd, Suite 211, Columbia, SC, 29223
THE TEXAS THEATRE PRESENTED BY AVIATION CINEMAS
231 W. Jefferson Blvd., Dallas, TX, 75208
MOONSTRUCK DRIVE-IN PRESENTED BY HOUSTON CINEMA ARTS SOCIETY
100 Bringhurst St, Houston, TX, 77020
FILMSCENE AT THE CHAUNCEY
404 E. College St, #100, Iowa City, IA, 52240
THE SPEED ART MUSEUM
2035 S. 3rd Street, Louisville, KY, 40208
MALCO SUMMER DRIVE-IN PRESENTED BY INDIE MEMPHIS
5310 Summer Ave, Memphis, TN, 38122
RIVERVIEW THEATER PRESENTED BY FILMNORTH
3800 42nd Ave S, Minneapolis, MN, 55406
BELCOURT DRIVE-IN
2102 Belcourt Ave, Nashville, TN, 37212
THE LOFT OPEN AIR CINEMA
3233 East Speedway Blvd., Tucson, AZ, 85716
ADMIRAL TWIN DRIVE-IN PRESENTED BY CIRCLE CINEMA
7355 E Easton St, Tulsa, OK, 74115
CIRCLE CINEMA
10 S Lewis Ave, Tulsa, OK, 74104
STARLITE DRIVE-IN PRESENTED BY MAMA.FILM
3900 S Hydraulic Ave, Wichita, KS, 67216
WORLD DOCUMENTARY COMPETITION SECTION
Captains of Zaatari / Egypt (Director and Producer: Ali El Arabi) — Mahmoud and Fawzi, two best friends trapped in Zaatari Refugee Camp in Jordan, dream of becoming professional football players. When a world renowned sports academy scout visits the camp, both have a chance to make their dreams come true. World Premiere
Captains of Zaatari will premiere on Sunday, January 31 at 6:00 p.m. Mountain Time on the Festival’s digital platform.
With today’s stats, the program includes 73 feature-length films, representing 30 countries and 39 first-time feature filmmakers. 14 films and projects announced today were supported by Sundance Institute in development, through direct granting or residency Labs. 68 of the Festival’s feature films, or 93% of the lineup announced today, will be world premieres. These films were selected from 14,092 submissions including 3,500 feature-length films. Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international. Director demographics are available in an editor’s note below.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute. 2021 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, AT&T, DoorDash, Dropbox, Netflix, Omnicom Group, Southwest Airlines® , WarnerMedia; Sustaining Sponsors – AMC, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Documentary Plus, GEICO, IMDbPro, Stella Artois®, Unity Technologies, University of Utah Health, White Claw Hard Seltzer, Zoom; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, The New York Times, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival
Sundance Institute
As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
# # #
EDITOR NOTE: DIRECTOR DEMOGRAPHICS
The data we are sharing reflects information provided directly by the artists. Some artists chose to not self identify in all data areas.
FULL SLATE: Across 141 films and projects, 49%, or 69, were directed by one or more women; 4% or 6, were directed by one or more non-binary individuals; 50%, or 71, were directed by one or more artists of color; 15% or 21 by one or more people who identify as LGBTQ+.
U.S. COMPETITION:
Dramatic: 50% of the 10 directors in this year’s U.S. Dramatic Competition identify as women; 40% as BIPOC. Documentary: 64% of the 11 directors in this year’s U.S. Documentary Competition identify as women; 73% as BIPOC; 9% as LGBTQ+.
WORLD COMPETITION:
Dramatic: 50% of the 10 World Dramatic Competition identify as women.
Documentary: 42% of the 12 directors in the World Documentary Competition identify as women.
FEATURE FILM SUBMISSIONS: Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international; 27% were directed by one or more women; 2% were directed by one or more non-binary individuals; 42% were directed by one or more filmmakers who identify as BIPOC; 11% by one or more filmmakers who identify as LGBTQ+.
ALL FEATURES: Of the 73 feature films, 45% were directed by one or more women; 3% were directed by one or more non-binary individuals; 42% were directed by one or more filmmakers who identify as BIPOC; 8% by one or more filmmakers who identify as LGBTQ+.
NEW FRONTIER: Of the 32 artists across the 14-project section, 44% identify as women, 9% as non-binary, 44% as BIPOC, and 22% as LGBTQ+.
SHORTS: Comprising 50 films, 48% or 24 of all short films announced today chose to indicate they were directed by one or more women; 2% or 1 was directed by one or more non-binary individuals; 64% or 32 were directed by one or more artists of color; 20% or 10 by one or more people who identify as LGBTQ+. Of the 60 directors across the section, 42% indicated they identify as women, 2% as non-binary, 56% as BIPOC, and 20% as LGBTQ+.
