Penelope Wilton Archives

Review: ‘Downton Abbey: The Grand Finale,’ starring Hugh Bonneville, Jim Carter, Michelle Dockery, Paul Giamatti, Elizabeth McGovern and Penelope Wilton

December 21, 2025

by Carla Hay

Joely Richardson, Rose Galbraith, Hugh Bonneville, Elizabeth McGovern, Michelle Dockery and Harry Hadden-Paton in “Downton Abbey: The Grand Finale” (Photo courtesy of Focus Features)

Directed by Simon Curtis

Culture Representation: Taking place in 1930, in the United Kingdom, the dramatic film “Downton Abbey: The Grand Finale” features an all-white cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: The patriarch of the wealthy Crawley family of England must decide if he’s going to retire and if he will hand over the operations of the family’s Downton Abbey manor to his eldest child (a daughter), who is going through a society scandal because she is divorced.

Culture Audience: Aside from appealing to “Downton Abbey” fans, “Downton Abbey: The Grand Finale” will appeal primarily to people who are fans of movies about 20th century upper-crust British people and their servants.

Paul Giamatti and Alessandro Nivola in “Downton Abbey: The Grand Finale” (Photo courtesy of Focus Features)

“Downton Abbey: The Grand Finale” is a drama that concludes in a fitting way and in the same polished tone that defines this franchise. Divorce and financial fraud are the biggest scandals in the story, with no real surprises. Most fans of the “Downton Abbey” franchise will be satisfied by how this movie ends, but others might feel disappointed that this “grand finale” isn’t as grand as they expected it to be.

Directed by Simon Curtis and written by Julian Fellowes, “Downton Abbey: The Grand Finale” (which takes place in 1930) is the third movie in the “Downton Abbey” franchise. Curtis also directed and Fellowes also wrote the 2022 movie “Downton Abbey: A New Era,” whose story took place in 1928. The first movie in the franchise is 2019’s “Downton Abbey” (directed by Michael Engler and written by Fellowes), a continuation of the British “Downton Abbey” TV series, which was on the air from 2010 to 2015. (In the United States, the award-winning “Downton Abbey” series began airing in 2011.)

Unlike the comedic and somewhat complex story in “Downton Abbey: A New Era,” the story in “Downton Abbey: The Grand Finale” is streamlined and gets a little more serious, although there are still touches of comedy. The main focus of “Downton Abbey: The Grand Finale” is who will take over the Downton Abbey manor when the eldest living heir is a woman who has become an outsider in certain social circles because she is divorced.

The “Downton Abbey” franchise, just like much of Fellowes’ work, explores the “upstairs/downstairs” cultures, with the “upstairs” people being the wealthy employers and the “downstairs” people being the employers’ servants. “Downton Abbey: The Grand Finale” has much more emphasis on the “upstairs” people, compared to the previous “Downton Abbey” movies.

People who watch “Downton Abbey: The Grand Finale” are better off having seen the previous two movies to fully understand the characters and some previous plot developments. People who’ve watched or know what happened in all of the previous “Downton Abbey” movies, as well as the “Downton Abbey” TV series, will obviously be the most prepared for “Downton Abbey: The Grand Finale.” Because there are so many characters in the “Downton Abbey” franchise, here’s a handy guide of who’s who in “Downton Abbey: The Grand Finale” and how their relationships affect each other:

The “Upstairs” People

Robert Crawley (played by Hugh Bonneville), 7th Earl of Grantham, is the leader of Downton Abbey when the movie begins. He is generally friendly but also very opinionated on how family matters should be handled. As shown at the end of “Downton Abbey: A New Era,” Robert inherited Downton Abbey after the death of his strong-willed mother Violet (played by Maggie Smith), who was the family matriarch. Robert is Violet’s only living son. (In real life, Smith passed away in 2024.)
Cora Crawley (played by Elizabeth McGovern), the Countess of Grantham. She is Robert’s kind, patient and dutiful wife. Robert and Cora are the parents of three daughters, one of whom is deceased.
Lady Mary Josephine Talbot (played by Michelle Dockery), previously known as Mary Crawley. Fair-minded and even-tempered, she is the eldest of Robert and Cora’s three daughters. In the “Downton Abbey” movie, Violet put Mary in charge of all Downton Abbey management decisions, but Mary struggles with having confidence in deciding what is best for Downton Abbey and the family. Mary experienced tragedy with the 1921 death of her first husband Matthew Crawley (played by Dan Stevens), who was a distant cousin. Matthew died in a car accident shortly after Mary gave birth to their son George Crawley (played by twins Oliver Barker and Zac Barker), born in 1921. In 1925, Mary wed her second husband Henry Talbot (played by Matthew Goode), who is seen only in brief flashback footage in “Downton Abbey: The Grand Finale.” Henry is dashing and charming but often inattentive to his family because he frequently travels to attend car racing matches around the world. His absence is one of the main reasons why Mary and Henry secretly got divorced. Mary and Henry have a daughter together named Caroline Talbot (played by Esme Creegan), who was born in 1926.
Lady Edith Pelham (played by Laura Carmichael), previously known as Edith Crawley, Marchioness of Hexham. She is the middle daughter of Robert and Cora. Edith is happily married and has been mainly preoccupied with raising children, after previous issues with conceiving. She is a journalist who still wants to continue her dream of owning and managing her own magazine. In late 1922 or early 1923, Edith gave birth to her daughter Marigold (played by twins Eva Samms and Karina Samms), whose biological father was The Sketch magazine editor Michael Gregson (played by Charles Edwards), whom Edith met when she wrote for the magazine. Edith and Michael were never married because he could not divorce his mentally ill wife. Michael died in 1923, during the Beer Hall Putch in Germany.
Herbert “Bertie” Pelham (played by Harry Hadden-Paton), 7th Marquess of Hexham, an amiable real-estate agent/military man. He is Edith’s second husband and the stepfather of Marigold. Bertie and Edith, who were wed on New Year’s Eve 1925, have a biological son together named Peter, who was born in 1927 or 1928.
Tom Branson (played by Allen Leech), an Irishman who used to be the Downton Abbey chauffeur, but he became part of the family when he married Sybil Crawley (played by Jessica Brown Findlay), Robert and Cora’s youngest daughter, who died from childbirth complications in 1920. Tom and Sybil’s daughter, born in 1920, is named Sybil “Sybbie” Branson (played by Fifi Hart). In “Downton Abbey: A New Era,” Tom married his second wife Lucy Branson (played by Tuppence Middleton), a former maid and formerly secret illegitimate daughter of Maud Bagshaw, who is a wealthy distant relative of the Crawleys. Maud has made Lucy the heir to Maud’s entire fortune. Lucy is not in “Downton Abbey: The Grand Finale.”
Isobel Merton (played by Penelope Wilton), the droll-talking mother of the late Matthew Crawley. Isobel frequently traded sardonic barbs with Violet.
Lord Merton (played by Douglas Reith), Isobel’s laid-back second husband. He is usually a bystander in the family drama.

The “Downstairs” People

Daisy Parker (played by Sophie McShera), a Downton Abbey kitchen maid. She has a fun-loving and energetic personality. Daisy suffered a tragedy when her first husband William Mason (played by Thomas Howes), a second footman for the Downton Abbey family, died from World War I combat wounds.
Andy Parker (played by Michael Fox), the Downton Abbey second footman. Daisy and Andy fell in love and got married circa 1928. Andy is prone to get jealous and insecure, but Daisy likes that Andy is willing to go to extremes for their love.
Mr. Carson (played by Jim Carter), the on-again/off-again Downton Abbey butler. As the most experienced butler at Downton, he often sees himself as the unofficial leader of the staff, whether they want his advice or not. Mr. Carson retires in “Downton Abbey: The Grand Finale.”
Mrs. Hughes (played by Phyllis Logan), the Downton Abbey head housekeeper, who is prim, proper, and frequently involved in keeping secrets to prevent Downton Abbey from being embroiled in scandals.
Mrs. Patmore (played by Lesley Nicol), the Downton Abbey chief cook. She has a no-nonsense attitude that keeps the other kitchen staff in check.
Mr. Bates (played by Brendan Coyle), the Downton Abbey valet. His arrogance sometimes alienates other members of the staff.
Anna Bates (played by Joanne Froggatt), wife of Mr. Bates and the maid to Lady Mary. She is generally well-liked but sometimes gets caught up in the Downton Abbey gossip.
Phyllis Baxter (played by Raquel Cassidy), the lady’s maid for the Countess of Grantham. Phyllis and Mr. Molesley become each other’s love interest. “Downton Abbey: The Next Era” shows how far this romance goes.

The Friends and Newcomers

Harold Levinson (played by Paul Giamatti), Cora’s neurotic brother who has been living in the United States. Harold is entrusted with managing much of the Crawley family’s investment portfolio.
Gus Sambrook (played by Alessandro Nivola), Harold’s business advisor, who is a smooth-talking American and a ladies’ man.
Guy Dexter (played by Dominic West), the male titular star of “The Gambler,” the dramatic movie that was partially filmed at Downton Abbey in “Downton Abbey: A New Era.” Guy is charismatic, flirtatious, and a closeted gay man.
Thomas Barrow (played by Robert James-Collier), a former Downton Abbey butler, who started a secret romance with Guy after they met at Downton Abbey. Thomas quit working for Downton Abbey to become Guy’s personal assistant. In the beginning of “Downton Abbey: The Grand Finale,” Thomas and Guy are a couple whose relationship is common knowledge to people who are close to the them but it isn’t openly discussed.
Noël Coward (played by Arty Froushan), the famed playwright/composer, who is a close friend of Guy. Just like Guy and Thomas, Noël is a gay man who is closeted to most people, but people who know him best know the truth.
Joseph Molesley (played by Kevin Doyle), a former Downton Abbey valet who has a tendency to bumble and be socially awkward. He quit Downton Abbey to become a screenwriter but hasn’t been having much luck in his new career.
Lady Petersfield (played by Joely Richardson), a snobbish aristocrat who pushes for Mary to be ousted and shunned from society events because Mary is divorced.
Lady Gwendolen (played by Rose Galbraith), one of Lady Petersfield’s close friends.

In the beginning of “Downton Abbey: The Grand Finale,” Robert and his daughter Mary have a series of conflicts and disagreements. It starts when Robert gets upset when he finds out that Mary’s divorce became final and she didn’t tell anyone else in the family. Robert had to find out after Mary is asked to leave a high society party because of her divorce, and her divorce makes front-page headlines of a local newspaper.

The Crawley family’s financial problems are ongoing. It’s one of the reasons why they reluctantly agreed to rent out their mansion to a filmmaking crew in “Downton Abbey: A New Era.” Selling the Downton Abbey property is out of the question. However, Mary suggests to Robert that they sell Grantham House, the Crawley family’s London residence. Robert vehemently objects to this idea.

Meanwhile, Harold and Gus come to visit to convince the family to invest in something that Harold assures the family will “double” their investment. Gus and Mary have an instant attraction to each other. Gus is also intrigued by Mary’s divorce scandal, which makes her more attractive to him. You can easily guess what happens between Gus and Mary.

Guy, Thomas and Noël visit the Crawleys for an elegant dinner. And when the word gets out that Noël is spending time with the Crawleys, suddenly all the snobs who wanted to shame and reject Mary have a change in attitude and want to befriend her again. Former Downton Abbey valet Joseph also gets swept up in wanting to get close to celebrity Noël. Richard goes as far as asking to be re-hired at Downton Abbey so he can meet Noël.

“Downton Abbey: The Grand Finale” doesn’t go much deeper than the “rich people problems” story that is bulk of the movie’s plot. A major reason for much of the Crawleys’ financial woes is revealed. And when that revelation happens, it comes as no surprise because the movie makes it so obvious who might be committing fraud.

All of the returning cast members do what they’ve usually done in these roles, with only Dockery’s Mary going through a real emotional ringer. Giamatti and Nivola are what you might expect in their roles as Americans whose lives revolve around “get rich quick” schemes. Froushan is an utter delight as Noël, a scene-stealing bon vivant character, who unfortunately in not in the movie as he could have been.

The main reason why “Downton Abbey” fans and other viewers will watch is to see how the Crawley family friction will be resolved in who will really take over Downton Abbey, as Robert is headed for retirement. Robert stepping down from his leadership position means that he and Cora plan to relocate to a smaller home but will no longer have the burden of worrying about the upkeep of Downton Abey. It’s a bittersweet decision that will not shock anyone, but the send-off a fulfilling conclusion to this era in the “Downtown Abbey” saga.

Focus Features released “Downton Abbey: The Grand Finale” in U.S. cinemas on September 12, 2025. The movie was released on digital and VOD on September 30, 2025. Peacock premiered “Downton Abbey: The Grand Finale” on November 7, 2025. The movie was released on Blu-ray, DVD and 4K Ultra HD November 11, 2025.

Review: ‘Downton Abbey: A New Era,’ starring Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Maggie Smith, Hugh Dancy, Dominic West and Robert James-Collier

May 19, 2022

by Carla Hay

“Downton Abbey: A New Era”

Directed by Simon Curtis

Culture Representation: Taking place in 1928, in the United Kingdom and in France, the dramatic film “Downton Abbey: A New Era” features a nearly all-white cast of characters (with a few black people) representing the working-class, middle-class and wealthy.

Culture Clash: In order to pay for extensive mansion renovations, the wealthy Downton Abbey clan of England reluctantly allows a movie to be filmed at Downton Abbey, while matriarch Violet Crawley finds herself embroiled in a battle over inherited property, health issues, and questions over who really fathered her son Robert Crawley.

Culture Audience: Aside from appealing to “Downton Abbey” fans, “Downton Abbey: A New Era” will appeal primarily to people who are fans of movies about 20th century upper-crust British people and their servants.

Hugh Dancy (second from left), Kevin Doyle (third from left), Alex Macqueen (second from right) and Michelle Dockery (far right) in “Downton Abbey: A New Era” (Photo by Ben Blackall/Focus Features)

“Downton Abbey: A New Era” is more comedic and bolder than its predecessor movie. It takes a less insular view of the world, from the central family’s perspective, thanks to encounters with the 1920s movie industry and a trip to the south of France. The wealthy British clan is impacted when a movie is made on the Downton Abbey estate (located in Yorkshire, England), while members of the Downton Abbey family go to the south of France and learn more about their ancestral history, which might be intertwined with a French aristocratic family.

“Downton Abbey: A New Era” is a sequel to 2019’s “Downton Abbey” movie (directed by Michael Engler), which was in turn a continuation of the British “Downton Abbey” TV series, which was on the air from 2010 to 2015. (In the United States, the award-winning “Downton Abbey” series began airing in 2011.) “Downton Abbey” creator/showrunner/writer Julian Fellowes, who is also the writer of the “Downton Abbey” movies, makes each part of the franchise seamless without making it confusing to viewers who are new to the franchise.

In other words: It’s not necessary to see the “Downton Abbey” TV series (which takes place from 1912 to 1926) and 2019’s “Downton Abbey” movie (which takes place in 1927) before seeing “Downton Abbey: A New Era” (which takes place in 1928), although it is very helpful to see all things “Downton Abbey” before watching this movie sequel. As a bonus, “Downton Abbey: A New Era” has an introduction by Kevin Doyle, who plays valet Joseph Molesley, better known as Mr. Molesley. In this introduction, he catches viewers up to speed by providing a summary of what happened in the 2019 “Downton Abbey” movie. A “Downton Abbey” TV series recap, although not part of “Downton Abbey: A New Era,” is available online and narrated by cast members Jim Carter and Phyllis Logan, who portray Downton Abbey servants Mr. Carson and Mrs. Hughes.

Directed by Simon Curtis, “Downton Abbey: A New Era” continues with the central family’s preoccupations with class status, royal titles, property ownership and who is (or who should be) the rightful heirs of various inheritances. The “Downton Abbey” franchise, just like much of Fellowes’ work, explores the “upstairs/downstairs” cultures, with the “upstairs” people being the wealthy employers and the “downstairs” people being the employers’ servants. What makes “Downton Abbey: A New Era” stand out from previous “Downton Abbey” storylines is that the “upstairs” and “downstairs” people of Downton Abbey, who usually only deal with British aristocrats, interact with two very different types of cultures: showbiz people and French aristocrats.

Because there are so many characters in the “Downton Abbey” franchise, here’s a handy guide of who’s who in “Downton Abbey: A New Era” and how their relationships affect each other:

The “Upstairs” People

Violet Crawley (played by Maggie Smith), also known as Violet Grantham (her maiden name) or Dowager Countess of Grantham. Violet is the widowed family matriarch. She is feisty, sarcastic and strong-willed when it comes to deciding the family’s power structure. Violet is the mother of two living children: son Robert and daughter Rosamund. Sir Marmaduke Painswick, one of Violet’s three children, is deceased and was never seen in the series.
Robert Crawley (played by Hugh Bonneville), 7th Earl of Grantham. Robert is Violet’s only living son. He is generally friendly but also very opinionated on how family matters should be handled.
Lady Rosamund Painswick (played by Samantha Bond), Violet’s other living child. Lady Rosamund usually defers to her mother and her brother, when it comes to major decisions for the family.
Cora Crawley (played by Elizabeth McGovern), the Countess of Grantham. She is Robert’s kind, patient and dutiful wife. Robert and Cora are the parents of three daughters, one of whom is deceased.
Lady Mary Josephine Talbot (played by Michelle Dockery), previously known as Mary Crawley. Fair-minded and even-tempered, she is the eldest of Robert and Cora’s three daughters. In the “Downton Abbey” movie, Violet put Mary in charge of all Downton Abbey management decisions, but Mary struggles with having confidence in deciding what is best for Downton Abbey and the family. Mary experienced tragedy with the 1921 death of her first husband Matthew Crawley (played by Dan Stevens), who was a distant cousin. Matthew died in a car accident shortly after Mary gave birth to their son George Crawley (played by twins Oliver Barker and Zac Barker), born in 1921. In 1925, Mary wed her second husband Henry Talbot (played by Matthew Goode), who is not seen in “Downton Abbey: A New Era.” Henry is dashing and charming but often inattentive to his family because he frequently travels to attend car racing matches around the world. Mary says of Henry: “He’s in love with cars, speed and adventure.” Mary and Henry have a daughter together named Caroline Talbot (played by twins Bibi Burr and Olive Burr), who was born in 1926.
Lady Edith Pelham (played by Laura Carmichael), previously known as Edith Crawley, Marchioness of Hexham. She is the middle daughter of Robert and Cora. Edith is happily married and has been mainly preoccupied with raising children, after previous issues with conceiving. She is a journalist who still wants to continue her dream of owning and managing her own magazine. In late 1922 or early 1923, Edith gave birth to her daughter Marigold (played by twins Eva Samms and Karina Samms), whose biological father was The Sketch magazine editor Michael Gregson (played by Charles Edwards), whom Edith met when she wrote for the magazine. Edith and Michael were never married because he could not divorce his mentally ill wife. Michael died in 1923, during the Beer Hall Putch in Germany.
Herbert “Bertie” Pelham (played by Harry Hadden-Paton), 7th Marquess of Hexham, an amiable real-estate agent/military man. He is Edith’s second husband and the stepfather of Marigold. Bertie and Edith, who were wed on New Year’s Eve 1925, have a biological son together named Peter, who was born in 1927 or 1928.
Tom Branson (played by Allen Leech), an Irishman who used to be the Downton Abbey chauffeur, but he became part of the family when he married Sybil Crawley (played by Jessica Brown Findlay), Robert and Cora’s youngest daughter, who died from childbirth complications in 1920. Tom and Sybil’s daughter, born in 1920, is named Sybil “Sybbie” Branson (played by Fifi Hart).
Lucy Branson (played by Tuppence Middleton), Tom’s second wife, whom he began courting in the first “Downton Abbey” movie. Lucy is a former maid and formerly secret illegitimate daughter of Maud Bagshaw, who is a wealthy distant relative of the Crawleys. Maud has made Lucy the heir to Maud’s entire fortune. “Downton Abbey: A New Era” opens with the wedding of Tom and Lucy.
Maud Bagshaw (played by Imelda Staunton) is a steely socialite who has had a longstanding feud with Violet, because Violet thinks Maud should have made Violet son’s Robert the heir to Maud’s fortune, since Maud has no sons of her own. This feud reached a temporary halt when Lucy and Tom got married, since this marriage puts the Crawleys in close proximity to Lucy’s inheritance, because Robert’s granddaughter Sybbie is now Lucy’s stepdaughter.
Isobel Merton (played by Penelope Wilton), the droll-talking mother of the late Matthew Crawley. Isobel frequently trades sardonic barbs with Violet.
Lord Merton (played by Douglas Reith), Isobel’s laid-back second husband. He is usually a bystander in the family drama.

The “Downstairs” People

Thomas Barrow (played by Robert James-Collier), the Downton Abbey butler. He is somewhat rigid and uptight but not afraid to stand up for himself if he feels that he is being disrespected. Thomas is also a semi-closeted gay man. Only a few trusted people at Downton Abbey know about his true sexuality.
Daisy Parker (played by Sophie McShera), a Downton Abbey kitchen maid. She has a fun-loving and energetic personality. Daisy suffered a tragedy when her first husband William Mason (Thomas Howes), a second footman for the Downton Abbey family, died from World War I combat wounds.
Andy Parker (played by Michael Fox), the Downton Abbey second footman. Daisy and Andy fell in love and got married circa 1928. Andy is prone to get jealous and insecure, but Daisy likes that Andy is willing to go to extremes for their love.
Mr. Carson (played by Jim Carter), the on-again/off-again Downton Abbey butler. As the most experienced butler at Downton, he often sees himself as the unofficial leader of the staff, whether they want his advice or not.
Mrs. Hughes (played by Phyllis Logan), the Downton Abbey head housekeeper, who is prim, proper, and frequently involved in keeping secrets to prevent Downton Abbey from being embroiled in scandals.
Mrs. Patmore (played by Lesley Nicol), the Downton Abbey chief cook. She has a no-nonsense attitude that keeps the other kitchen staff in check.
Mr. Bates (played by Brendan Coyle), the Downton Abbey valet. His arrogance sometimes alienates other members of the staff.
Anna Bates (played by Joanne Froggatt), wife of Mr. Bates and the maid to Lady Mary. She is generally well-liked but sometimes gets caught up in the Downton Abbey gossip.
Mr. Molesley (played by Kevin Doyle), the aforementioned Downton Abbey valet who has a tendency to bumble and be socially awkward.
Phyllis Baxter (played by Raquel Cassidy), the lady’s maid for the Countess of Grantham. Phyllis and Mr. Molesley become each other’s love interest. “Downton Abbey: The Next Era” shows how far this romance goes.

The Newcomers

Jack Barber (played by Hugh Dancy), the director and producer of “The Gambler,” a drama film, set in 1875, about a seductive gambler who’s a con man and a heartbreaker.
Guy Dexter (played by Dominic West), the male titular star of “The Gambler.” Guy is charismatic, flirtatious, and might be secretly attracted to Barrow, the Downton Abbey butler.
Myrna Dalgleish (played by Laura Haddock), the female star of “The Gambler.” Myrna comes from a working-class background and has a thick Cockney accent. She is very conceited and rude to almost everyone.
Mr. Stubbins (played by Alex Macqueen), the sound engineer for “The Gambler.”
Montmirail (played by Jonathan Zaccaï), a French marquis from a wealthy family.
Madame de Montmirail (played by Nathalie Baye), Montmirail’s mistrusting mother.

It’s a lot of characters to take in for one movie, which is why viewers who know at least some basic “Downton Abbey” background will enjoy “Downton Abbey: A New Era” the most. “Downton Abbey: A New Era” also has two main storylines:

(1) British Lion Film Corp. Ltd. asks to film “The Gambler” at Downton Abbey for one month. Some members of the family think it would be crass and tacky to allow a movie to be made at their home, but Mary ultimately decides that the family could use the money to do extensive renovations at Downton Abbey, including the roof that has been leaking for years. After all, why use the family money for this refurbishing when it can be paid for by a movie studio?

“The Gambler” was originally going to be a silent film. However, the movie studio shuts down production of “The Gambler” because talking pictures are becoming popular. Mary comes up with the idea to make “The Gambler” a talking picture by dubbing in the audio with a separate recording.

However, Myrna’s speaking voice is considered too “low-class” and unacceptable for the role, and she says her lines of dialogue in a stiff and unnatural manner. A reluctant Mary is then recruited to be the speaking voice for Myrna’s character in “The Gambler.” Myrna predictably gets jealous. Most of the comedic scenes in “Downton Abbey: A New Era” revolve around the making of “The Gambler.”

(2) Violet finds out that she inherited a villa in the south of France from Montmirail’s marquis father, whom Violet spent just a few days with when she traveled to France as a young woman. This Montmirail widow is contesting this will and is threatening to take legal action against Violet. Robert, Cora, Edith, Bertie, Tom and Lucy all travel to France to meet the Montmirail widow and her son, to settle this matter, and to see the villa. Meanwhile, speculation abounds over why Violet got the inheritance. Was it because she and the marquis were secret lovers? Meanwhile, Violet is dealing with health issues that were mentioned in the first “Downton Abbey” movie.

“Downton Abbey: A New Era” keeps much of the snappy dialogue that’s characteristic of the “Downton Abbey” franchise, while the movie’s screenplay still maintains an air of intrigue and mystery of how the story is going to go. (Needless to say, the movie’s cinematography and production design are gorgeous.) And all of the cast members play their roles with considerable aplomb.

Violet, as usual, gets the best zingers. She’s one of the Crawley family members who is appalled that showbiz people have populated Downton Abbey to film “The Gambler.” Violet is particularly unimpressed with Myrna. Violet quips about Myrna: “She has all the charm of a verruca.” Violet also finds movies to be an uncultured form of entertainment. “I’d rather eat pebbles,” she says about watching movies.

If watching a film about stuffy British people and their servants isn’t something that you don’t want to spend two hours of your time doing, then anything to do with “Downton Abbey” is not for you. But if you want to see an intriguing and multilayered story about the dynamics between a complicated family, then “Downton Abbey: A New Era” is worth your time, especially if you know about who these characters are before watching the movie.

Focus Features will release “Downton Abbey: A New Era” in U.S. cinemas on May 20, 2022. The movie was released in the United Kingdom on April 29, 2022.

Review: ‘Summerland,’ starring Gemma Arterton, Gugu Mbatha-Raw, Penelope Wilton and Tom Courtenay

August 3, 2020

by Carla Hay

“Summerland”

Directed by Jessica Swale

Culture Representation: Taking place in England from the 1920s to 1970s (and primarily during World War II in the early 1940s), the dramatic film “Summerland” has a predominantly white cast (with a few black people) representing the middle-class.

Culture Clash: A reclusive writer who’s a confirmed spinster must battle against prejudices (including her own) about raising a child during World War II, when she’s forced to become a foster parent to an evacuated boy, as she struggles to come to terms with a secret love affair that broke her heart.

Culture Audience: “Summerland” will appeal primarily to people who like period dramas that are about parental issues or LGBTQ issues.

Gugu Mbatha-Raw and Gemma Arterton in “Summerland” (Photo by Michael Wharley/IFC Films)

The emotional drama “Summerland,” which is set in England, takes viewers on a journey of someone who never wanted to become parent but is forced to take care of an evacuee boy during World War II. The experience has a profound effect on the child and his foster parent in more ways than one, in a story that has a few big surprises. Written and directed by Jessica Swale, “Summerland” also serves as a reminder of how it’s more important to judge a a family by how they treat each other, rather than by society prejudices of what a family is supposed to look like.

The movie begins in 1975, in a rural beachside area of Kent, where reclusive and cranky writer Alice Lamb (played by Penelope Wilton), who’s in her 70s, is working at home on a book, by using a typewriter. She’s temporarily interrupted by two girls, about 8 or 9 years old, who are at her front door, asking for donations to help the elderly. Alice rudely tells the girls before she slams the door on them, “You know how you can help the aged? You can bugger off!”

Astute viewers will notice that that the two little girls who were at Alice’s door have a strong physical resemblance to two women whose close relationship is revealed later in the story. Seeing these two little girls together appears to have triggered some of Alice’s memories, because most the movie then flashes back to Alice (played by Gemma Arterton) when she was in her early 40s, living in the same house, during World War II.

Alice was a reclusive writer back then too. She has an unpleasant demeanor and a moody reputation. People don’t know if she’s going to ignore them or snap at them. And because Alice is a never-married, childless woman of certain age who lives alone, she is the subject of a lot of the town’s gossip, with some of the townspeople believing that she might be a witch. A few of the residents have given her the unflattering nickname “The Beast of the Beach,” which is what they call Alice behind her back.

It’s revealed later in the story that Alice (who has no siblings) doesn’t seem to have any close family members or friends. Her mother isn’t really mentioned, but Alice’s father played a huge role in her life by encouraging her to follow her dreams. Alice’s father died when she was a child, and Alice was devastated by this loss.

Alice isn’t just a cantankerous eccentric. She seems to go out of her way to insult or hurt people. For example, she goes into a candy shop and sees that a little girl wants to buy some chocolate, but the girl’s mother says no because they can’t afford it, Alice buys the chocolate that the child wants. But instead of generously giving the chocolate to the little girl, Alice keeps the chocolate for herself and smirks outside when she can hear the little girl crying in dismay inside the shop.

It’s made abundantly clear that Alice doesn’t like children. And so, she’s very shocked when a boy in his early teens is placed into her care, despite her protests. The boy’s name is Frank (played by Lucas Bond), he’s an evacuee from London, and Alice is told that she received a letter from the foster-care system saying that she was expected to take care of him. Alice claims she never received the letter.

Alice tries to come up with excuses not take the child into her care, but the foster-care system is overwhelmed, and Alice is told she has no choice to take Frank until they can find another foster home for him. Frank’s father is serving in the military during the war, while his mother is still in London. Frank’s mother sent Frank away for his safety, since London was the target of intense bombing at the time.

During Frank’s first evening at Alice’s house, she treats him in an annoyed and dismissive manner. For dinner, she plops down raw food on a plate and says, “You don’t expect me to cook for you. There’s the stove.” At night, she doesn’t really care if Frank will sleep well, and she doesn’t do anything to make him feel comfortable. When Frank tells her that he usually has a glass of milk before he goes to sleep, Alice ignores him.

Upon his arrival in Kent, Frank is enrolled in a school called St. Nicholas, where the kindly headmaster Mr. Sullivan (played by Tom Courtenay) provides some comic relief to the story because of his sometimes befuddled manner. During Frank’s first class session at the school, teacher Mrs. Bassett (played by Jessica Gunning) tells everyone to be nice to Frank when she introduces him to the students in the class. Mrs. Bassett assigns a seat next to an unfriendly girl named Edie Corey (played by Dixie Egerickx), who treats Frank like an unwelcome outsider.

When Mrs. Bassett says that Frank and Edie have to be class partners, Edie tells Frank, “I don’t believe in partners or sharing. I’m an individualist. I’m a maverick. Mavericks are free thinkers.”

Edie’s personality is basically a lot like Alice’s. And so, later in the movie, when Edie and Alice first meet, they seem to recognize these unpleasant traits in each other and clash later during a crucial part of the story. Edie also has an additional prejudice against Alice because Edie’s grandmother Margot (played by Siân Phillips) is one of the townspeople who thinks that Alice is a witch.

Edie and Alice eventually warm up to Frank, who is an inquisitive and amiable child, although understandably feeling anxious about when he’ll be able to see his parents again. Alice gradually opens up to Frank about her spiritual beliefs (she’s a pagan and an atheist), her interests (writing, reading and looking for mirages) and her love life (she says she loved someone once, but it was a long time ago). Unlike other people, Frank is not judgmental over Alice being a spinster with no children, so she appreciates that he seems to have an open mind.

Alice’s love affair is shown in flashbacks throughout the film. Alice met Vera (played by Gugu Mbatha-Raw), the love of her life, when they were both attending Oxford University in the 1920s. They had an instant connection and become close very quickly.

Vera and Alice also lived together, but they kept their romance a secret because homosexuality was considered very taboo in that time and place. And so, Alice and Vera pretended to the world that they were platonic roommates. However, Vera and Alice had very different visions of their future.

Alice was more inclined to want to live openly as a lesbian couple, while Vera was still very much closeted. What ultimately drove them apart was Vera’s desire to become a mother, which Vera said was more important to her than anything else—even more important than her relationship with Alice. It’s for this reason that Vera broke up with Alice and walked out of Alice’s life.

This heartbreak puts into better context why Alice is so embittered about love and seems repulsed by the idea of taking care of a child. But as Alice and Frank get to know each other, they both realize that they’ve grown more attached to each other than they thought they would be. And they start to learn that being a good parent doesn’t mean that you have to be heterosexual and married.

When Frank and Alice start to talk about heaven, Alice tells Frank that “heaven was made up to make Christians feel better.” She says that if heaven were real, what about the people who died before Christianity existed? “Where did their souls go?” she asks Frank, who can’t answer the question. Alice tells Frank that does sort of believe in a celestial place called Summerland, which she describes as a “pagan heaven” that isn’t based on religion but a peaceful state of mind.

And one day, when Frank discovers an old music album of Alice’s and asks if they can play the album, she snaps angrily at him and tells him now. She says the album was a gift from a female friend she used to have. Based on her emotionally raw reaction, Frank can tell that this album has brought back some painful memories.

Frank astutely guesses that the album was a gift from the “past love” Alice told him about on another day. When Alice asks Frank, “Do you think it’s strange if a woman loved another woman?” When Frank says no, Alice bursts into tears at his unconditional acceptance.

Alice then tells him that most people think that same-sex love is wicked: “They think it’s a sin and we should burn in hell.” Frank replies, “It’s not as bad as marrying someone you don’t like.” And then it’s Alice’s turn to correctly guess something about Frank’s life: Frank’s parents do not have a happy marriage.

“Summerland” doesn’t clutter the story with a lot of unnecessary characters. The movie shows Alice and Frank’s relationship evolving in ways that are sometimes sweet, sometimes uncomfortable, but emotionally realistic, for the most part. Arterton’s Alice is the center of the movie, which she carries quite well, because the actress understands that it’s not about making Alice likeable but making her believable.

As foster child Frank, Bond does a very good acting job, since Frank is the person who gets Alice to take a hard look at herself and face some of the issues that she’s been hiding underneath her gruff exterior. Frank also learns some harsh lessons about life during his time with Alice. “Summerland” has some moments that blatantly pull at people’s heartstrings, but if people look beyond the film’s sappy moments, there’s an impactful message about being open to change and finding love in unexpected places.

IFC Films released “Summerland” in select U.S. cinemas and on digital and VOD on July 31, 2020.