June 11, 2024
by Carla Hay

Directed by Calvin Lee Reeder
Culture Representation: Taking place in an unnamed U.S. city, the horror film “The A-Frame” features a racially diverse cast of characters (white, African American and Asian) representing the working-class and middle-class.
Culture Clash: A mysterious astrophysicist claims that he has the cure for cancer because of his A-Frame invention, which sends cancer cells into another dimension, but the machine has hidden dangers.
Culture Audience: “The A-Frame” will appeal primarily to people who are interested in sci-fi horror movies and don’t mind plot holes.

“The A-Frame” is a sci-fi horror film about a “mad scientist” who claims he has an invention that can cure cancer. This sluggish movie has flimsy world-building and too many unanswered questions. A few blood-soaked, gory scenes don’t make the movie scary. The ending of “The A-Frame” is entirely predictable and leaves a lot of loose storylines hanging.
Written and directed by Calvin Lee Reeder, “The A-Frame” (which had its world premiere at the 2024 Tribeca Festival) is a fairly drab movie that might have been better as a short film. There’s a lot of repetitive padding in the movie, which has characters who are quite boring and hollow. The movie really goes off the rails into eye-rolling stupidity when there’s a police “investigation” that doesn’t look believable at all.
In “The A-Frame” (which takes place in an unnamed U.S. city but was actually filmed in Kentucky), Donna Walker (played by Dana Namerode) is a mopey young musician who has recently found out the devastating news that she has bone cancer (osteosarcoma) in one of her hands. This hand will have to be amputated. Donna plays piano in an unnamed instrumental trio where the other two members are guitarists named Walter (played by Phillip Andre Botello) and Sonia (played by Larissa White). This musical trio is mostly shown practicing and barely speaking to each other.
Very little is revealed about Donna except her medical condition. Donna attends a support group meeting for people living with cancer. The first time that Donna attends this meeting, the group leader Linda Dixon (played by Laketa Caston) is hostile to Donna because Donna is eight minutes late. Linda is very moody. She can be rude and condescending to someone and then friendly and compassionate to the same person, within a matter of minutes. That’s Linda’s attitude toward Donna, whom Linda eventually welcomes into the group.
During a visit to her doctor, Donna makes the acquaintance of another cancer patient named Rishi (played by Nik Dodani), who is talkative and an aspiring stand-up comedian. In the waiting room, Rishi tries out some jokes on whoever is there. Most of these jokes are silly and terrible. Donna tolerates Rishi because he seems nerdy and harmless.
One day, while in the waiting room, Donna meets a stranger named Samuel Dunn (played by Johnny Whitworth), who introduces himself as Sam. He’s in a wheelchair and tells Donna that he’s a scientist who can help her with her cancer because he’s developed an “experimental” treatment. Sam tells Donna that he wants to give her an option for treating her cancer.
Donna is very skeptical when she first meets Sam, but Sam insists on giving her his business card in case she changes her mind and wants to contact him. Before he leaves, Sam gets up out of the wheelchair and walks away. It’s the first red flag at Sam is a liar who can’t be trusted. However, the movie shows time and again how Donna falls for his lies.
How did Sam know that Donna has cancer? When Donna inevitably calls Sam, she asks him that question, and he tells her something that is actually the truth: He has the ability to hack into computer systems and virtually stalk people to get a lot of their personal information, such as medical records. Sam tells Donna that her medical records were easy to access. And later in the movie, it’s revealed that Sam has Donna under constant surveillance through various methods, such as phone tracking.
Donna can’t accept that her hand will be amputated, so she visits Sam in his very creepy and dark lab. He explains to her that he’s found the cure for cancer by testing “rats” (which are really white mice) that he has in the lab. Sam shows her a machine he invented called the A-Frame (because the opening portal is in the shape of the letter A), which he says can transport molecules and other body particles into other dimensions.
Sam shows her a video of a mouse with cancerous open sores that he put in the A-Frame. When the mouse came back through the portal, tests showed that it was free of cancer and perfectly healthy. Sam says he’s sure that this can happen to humans too, but he needs a human volunteer who’s willing to keep this illegal and unethical experiment a secret.
After expressing a lot of doubt, Donna agrees to be the first human to be part of this experiment. Sam does not charge money, nor does he pay Donna to be part of this research. Along the way, Donna and Sam get sexually involved with each other, although there’s no sex shown in the movie. “The A-Frame” just abruptly shows Donna waking up in Sam’s bed while they are both in their underwear.
“The A-Frame” has adequate production design, but the movie just isn’t convincing when trying to explain many aspects of the story. Sam the astrophysicist can’t even explain where beings or things are transported when they go in the A-Frame and come back physically transformed. Wherever they go is just vaguely speculated as unknown dimensions. It’s really just sloppy and ill-conceived screenwriting.
Once the movie brings a police investigation into the story, it becomes even more far-fetched that Sam is able to keep certain secrets and not be put under police surveillance, when it becomes too obvious that he’s up to no good. The movie also has no explanation for where Sam is getting the money to fund his dubious research, which he does in secret and by himself. And if Sam’s so-called cancer cure is real, but he wants to keep his methods confidential, wouldn’t it be hard for patients with any “miracle recoveries” to keep everything a secret?
There’s too much of the movie’s story that falls apart under scrutiny. The last 15 minutes of “The A-Frame” just devolve into people acting out of character and more cover-ups of illegal activity. The acting performances are mediocre. “The A-Frame” has some creepy images, but nothing about this movie is truly terrifying, and the pacing often drags. Sam is presented as a scientist who wants to change the world. But in order for a movie like “The A-Frame” to be effective, that world has to believable in the first place.
UPDATE: Dark Star Pictures will release “The A-Frame” in select U.S. cinemas on July 25, 2025. The movie will be released on digital and VOD on August 5, 2025.


