Tag: Phoebe Waller-Bridge

May 15, 2024

by Carla Hay

“IF” (2024)

Directed by John Krasinski

Culture Representation: Taking place in New York City, the live-action/animated film “IF” features a cast of characters that are humans and imaginary creatures.

Culture Clash: A lonely 12-year-old girl interacts with imaginary beings and agrees to help them find matches with the right people who need imaginary friends. 

Culture Audience: “IF” will appeal primarily to people who are fans of the movie’s headliners and filmmaker John Krasinski, but this poorly paced and unfocused movie might bore many of the people in the intended audience.

Although it’s sweet-natured and trying to have the same impact as the “Toy Story” movies, the live-action/animated film “IF” has an unfocused and messy plot about childhood nostalgia, with underdeveloped characters. This uneven mushfest takes too long to get to the story’s purpose. And the last 30 minutes of “IF” are nothing but blatant emotional manipulation intended to make viewers cry in a way that doesn’t feel earned, considering the shallow depictions of most of the movie’s characters.

Written and directed by John Krasinski (who is also one of the movie’s producers), “IF” begins with voiceover narration from a 12-year-old girl named Bea (played by Cailey Fleming), who says, “I remember my mom always wanted to tell me a story. It wasn’t until much later, I realized the stories she wanted me to tell had nothing to do with me at all … The most important stories are the ones we tell ourselves.” (It’s mentioned later in the movie that Bea’s real name is Elizabeth, and her mother gave her the nickname Bea.)

Throughout the movie, several flashbacks are shown as clips from videos of happier times in Bea’s family. Her father has kept many of these videos on an old video camera that Bea finds in a closet at her paternal grandmother’s home. Bea is the only child of an unnamed father (played by Krasinski) and unnamed mother (played by Catherine Daddario), who both have unnamed health issues. The video flashbacks show Bea at ages 3 and 5 (played by Audrey Hoffman) and her parents having a close and loving relationship. Videos of a family trip to New York City’s Coney Island are significant to the story.

In the beginning of the movie, Bea has arrived with some of her luggage at the New York City home of her unnamed British grandmother (played by Fiona Shaw), who is the mother of Bea’s father. Bea’s mother died of an unnamed illness, presumably cancer, because the flashbacks hint that Bea’s mother lost her hair in chemotherapy. The movie never says when Bea’s mother died, but it seems like it was about seven years ago, because Bea is 5 years old or younger in all the family photos and videos with Bea’s mother.

Bea will be staying with her grandmother because Bea’s father has to check into a nearby hospital to have surgery for an unnamed reason. When Bea arrives, the grandmother mentions that she hasn’t seen Bea in years, when Bea was a lot younger and smaller. The grandmother is very surprised to see how much Bea has grown. Bea also looks uncomfortable when she arrives, as if she’s staying in a stranger’s home. In this day and age when family members can easily share photos and videos, the movie gives no explanation for why Bea’s grandmother has gone years without seeing what Bea currently looks like until Bea shows up at the grandmother’s home.

Bea’s father tries to assure Bea that the reason for his surgery is not for a terminal illness. Bea inexplicably doesn’t ask for details on why her father needs this surgery. Viewers can assume it’s because Bea is afraid to know what her father’s medical issues are because of how her mother died. Those are details that the movie refuses to address because “IF” wants to focus on having a slew of animated characters that can be turned into toys and other merchandise to sell in the real world.

Bea spends a lot of time by herself or without adult supervision. There’s no mention of her being in school, so viewers will have to assume she’s on a break from school when this story takes place. Bea is friendly, talkative and intelligent, but she has no friends, for reasons that are never explained in the movie. The adults in her life seem too self-absorbed to care that Bea doesn’t have a social life.

“IF” shows that when Bea was younger, she used to draw an unnamed imaginary character with a big smiley face. Bea’s father tries to recreate that character by putting some craft designs on an IV drip irrigation tower in his hospital room. Bea tells her father that she’s outgrown this imaginary character by saying, “Dad, you really don’t have to do this.” He says, “What?” She replies, “Treat me like a kid.” (Someone needs to tell Bea that she really is still a kid.)

The imaginary characters in Bea’s world don’t appear to her right away. Glimpses of them are shown as they furtively seem to be watching her in the background and then quickly run away if they think she will see them. It’s stalking, but the movie wants people to think this stalking is adorable. It’s not. It’s just an example of how the movie drags out how long it takes for Bea to finally talk to these characters for the first time.

One of the first places that the imaginary characters are seen stalking Bea is at the hospital where Bea’s father is staying. One day, Bea is walking in a hospital hallway with a bouquet of flowers that she’s bringing to her father. A boy named Benjamin (played by Alan Kim), who’s about 8 or 9 years old, is bedridden (with a cast on his right leg) in a nearby room and calls out to Bea to ask her if the flowers are for him.

Benjamin is joking, of course, and he introduces himself to Bea, who tells him the flowers are for her father. Bea and Benjamin have a short conversation. There are a few more scenes in the movie that repeat this scenario. Bea and Benjamin develop a casual acquaintance, not a real friendship. Bea having a real and meaningful friendship with another human being is something that the movie could have explored but does not. Instead, “IF” has an irresponsible message that Bea is better off interacting with imaginary characters.

Each imaginary character in the movie is an imaginary friend (IF) of a human, but an IF can get discarded when a human does not need the IF anymore. In the movie, no longer needing an IF is portrayed as a human reaching emotional maturity but losing a sense of childlike imagination and hope. Many IFs are wandering around in search of another human who will take them as an imaginary friend.

The three main IFs in the movie are these such wandering IFs in search of human companionship and want to match IFs with human children. They are a wisecracking man named Calvin, nicknamed Cal (played by Ryan Reynolds); a giant purple furry creature named Blue (voiced by Steve Carell), who is goofy, clumsy and amiable; and a walking bee named Blossom (voiced by Phoebe Waller-Bridge), who wears a ballerina tutu and has the voice and personality of a polite British nanny. Blue got his name because he was created by a color-blind human boy.

Cal is the leader, while Blue and Blossom are his sidekicks. Cal, Blue and Blossom are first seen trying to do a “friendship match” with an unnamed, sleeping 7-year-old girl (played by Sa’Raya Paris Johnson) in her bedroom. Needless to say, this endeavor is a disaster and leaves the girl’s room in a terrible mess, with the girl frightened and confused about what just happened. Don’t expect to learn anything about this girl. She’s never seen again in the movie.

At separate times, Bea meets Cal, Blue and Blossom, who all live in an abandoned apartment that’s being used as someone’s storage room. Bea faints from fear the first time that Bea sees Blossom. Eventually, Cal explains to Bea that Cal, Blue and Blossom are abandoned IFs who are on a mission to be matchmakers for kids who need imaginary friends. Cal asks Bea to help them with this mission about 45 minutes into this 104-minute movie. That part of the plot should’ve happened a lot sooner and would’ve helped this frequently sluggish movie pick up its pace.

Cal, Blue and Blossom have a close friend named Lewis (voiced by Louis Gossett Jr.), a teddy bear who looks very cuddly but has a personality that is very bland. (During the movie’s end credits, there’s a brief “in memory” tribute to Gossett, who died on March 29, 2024.) Ask anyone who’s seen “IF” if Lewis was a necessary character, and most people will say, “No.”

As for the human characters, “IF” has a very questionable and outdated racial depiction of New York City. In real life, the 2020 U.S. Census reports that in New York City, white people are the minority (31%), and people of color are the majority (69%). The few human adults of color in the movie are characters with small, subservient roles. Two examples are Liza Colón-Zayas (who plays a hospital nurse named Janet) and LaQuet Sharnell Pringle, who has the role of an unnamed receptionist.

“IF” introduces numerous other imaginary friend characters voiced by an all-star cast, but most of these animated characters have cameo roles and are not essential parts of the main story. It just seems like the “IF” filmmakers’ way of showing that they could get several big celebrity names in these cameo roles. In other words, it’s all shallow stunt casting. It’s like “IF” is trying to be like a “Toy Story” movie, but without the memorable characters.

These fleeting characters are Unicorn (voiced by Emily Blunt); Bubble (voiced by Awkwafina); Ice (voiced by Bradley Cooper); Guardian Dog (voiced by Sam Rockwell); Flower (voiced by Matt Damon); Banana (voiced by Bill Hader); Robot (voiced by Jon Stewart); Alligator voiced by Maya Rudolph); Magician Mouse (voiced by Sebastian Maniscalco); Cosmo (voiced by Christopher Meloni); Slime (voiced by Keegan-Michael Key); Ghost (voiced by Matthew Rhys); and Gummy Bear (voiced by Amy Schumer). Brad Pitt has a voice role as a character named Keith. All of these characters are gimmicky and are just there to crack a few jokes instead of making meaningful contributions to the story.

“IF” has a flashback of Bea as a younger child doing karaoke and dressed as a mid-1980s Tina Turner while singing Turner’s hit “Better Be Good to Me.” This leads to an awkward sequence where 12-year-old Bea, Cal (in a 1980s mullet and leather jacket) and various characters imagine themselves on stage with Turner while Turner performs the song. Through visual effects, parts of the real “Better Be Good to Me” music video are used in this sequence, with Cal filling in for Cy Curnin (lead singer of The Fixx), who appears in the real music video for “Better Be Good to Me.”

It leads to a question that many “IF” viewers will ask themselves: What kind of audience does “IF” really want? On the surface, it seems like a movie aimed at kids under the age of 13, but as the movie goes on, it becomes obvious that it’s really for people who are old enough to know that “Better Be Good to Me” was a hit video on MTV, back in the days when MTV played a lot of music videos. Why else would this misguided film turn into such a sappy mess about adults reminiscing about their childhood imaginary friends?

“IF” really loses its way when the mission of matchmaking IFs with new kids gets sidelined, and the movie becomes about people being reunited with the IFs they thought they outgrew. There’s a nervous businessman named Jeremy (played by Bobby Moniyahan), who suddenly shows up in the movie with absolutely no backstory or purpose, except to provide a contrived cornball moment that involves Bea following him to a corporate office where Jeremy is about to give an important presentation.

As the character of Bea, Fleming does an admirable job of conveying several emotions. It’s too bad that Bea and the rest of the characters in the film aren’t very interesting. Reynolds is just doing the same type of character he does in most of his movies: sarcastic and jaded, but capable of being a nice guy under certain circumstances. Shaw has a few moments to shine, but her grandmother character is just too absent and too vague to be taken seriously as someone who could have a positive impact on Bea’s life. All of the other performances in “IF” are serviceable and quite generic.

One of the most noticeable problems with “IF” is that it sends a dubious message that it’s okay for people to spend more time with imaginary friends than real friends. Death and medical issues are presented as the main reasons for Bea’s family problems and her sad loneliness. But “IF” refuses to realistically address those problems. Instead, the movie seems more concerned about showing a parade of cute and quirky imaginary characters that can distract Bea from those problems. It’s a very unhealthy way of coping with grief.

The adults in Bea’s life ultimately fail Bea by never talking to Bea about her grief and obvious loneliness. Her grandmother rarely interacts with Bea and only seems to show a personality when the grandmother reminisces about being a child ballet dancer and bemoans that people don’t want to see old women dance. It leads to a very corny scene where the grandmother hears a song from her ballet dancer days, and the grandmother doesn’t really dance, but she just waves her arms like she’s in a nostalgia trance.

“IF” revolves around the flimsy and immature concept that having an imaginary, wisecracking friend should be the gateway to healing over the loss of a loved one. “IF” did not have to be an emotionally heavy drama in order to address issues of human suffering, but one of the movie’s biggest flaws is the movie’s refusal to properly address a child’s grief. “IF” is a family-oriented movie, but the sentimental themes in this film seem geared more to adults who want to reminisce about their childhoods, rather than being geared to kids who want to see a magical movie about imaginary friends. “IF” just has too many unanswered questions about Bea and her family, who should be the emotional center of the story, but instead are just emotionally stunted due to a very flawed screenplay and mishandled direction.

Paramount Pictures will release “IF” in U.S. cinemas on May 17, 2024. The movie will be released on digital and VOD June 18, 2024. “IF” will be released on Blu-ray, DVD and 4K Ultra HD on August 13, 2024.