Review: ‘HIT: The Third Case,’ starring Nani, Srinidhi Shetty, Ravindra Vijay and Prateik Babbar

May 2, 2025

by Carla Hay

Nani in “HIT: The Third Case” (Photo courtesy of Wall Poster Cinema)

“HIT: The Third Case”

Directed by Sailesh Kolanu

Telugu with subtitles

Culture Representation: Taking place in India, the action film “HIT: The Third Case” (the third movie in the “HIT” series) features an all-Indian cast of characters representing the working-class and middle-class.

Culture Clash: A vigilante police detective discovers a cult of serial killers, goes undercover to infiltrate the group, and becomes a murderer on a killing spree. 

Culture Audience: “HIT: The Third Case” will appeal primarily to people who are fans of the movie’s headliners and the “HIT” series, but this movie abandons the intriguing detective drama concept and makes it an unimaginative and gory massacre movie.

Nani and Srinidhi Shetty in “HIT: The Third Case” (Photo courtesy of Wall Poster Cinema)

“HIT: The Third Case” ruins this movie franchise’s original intent of being a compelling story series about police solving murder mysteries. Instead, this “HIT” movie is a bloated action schlockfest of excessive violence that glorifies police brutality. It just another trashy movie that panders to the lowest common demoninator by copying too many other action movie abominations that have terrible screenplays and exploitative violence and are churned out on a regular basis.

The “HIT” series began with 2020’s “HIT: The First Case” (which had a 2022 Hindi-langauge remake also titled “HIT: The First Case”) and continued with 2023’s “HIT: The 2nd Case.” Each movie features a different police detective as the movie’s protagonist. All the “HIT” movies so far have been written and directed by Sailesh Kolanu, which is why it’s so disappointing that “HIT: The Third Case” (the third move in the series) has taken such a tacky and lazy turn for the worse. The only apparent explanation is that Kolanu and the movie’s other filmmakers thought they would make more money with a mindless and gruesomely violent action flick instead of a thought-provoking and intelligent police detective drama.

In “HIT: The Third Case,” Arjun Sarkaar (played by Nani) is a superintendent of police for the Indian Police Service’s Homicide Intervention Team (HIT) in Visakhapatnam, India. Arjun is an angry and corrupt official who frequently commits police brutality. As shown in the movie, he doesn’t hesitate to break bones and beat up people whom he interrogates in custody or whom he catches in the act of committing crimes. He sometimes does this illegal police brutality in front of his colleagues, who do little or nothing to stop him.

Arjun is in therapy for his anger management problems, and he has trouble sleeping. But this therapy is clearly not working. When Arjun is shown in a therapy session, all he seems to care about is getting a higher dosage for his prescription medication. “HIT: The Third Case” is such a shallow film, there is no explanation for why Arjun is the way that he is, but his aggressive style of policing has apparently gotten a lot of people arrested.

“HIT: The Third Case” tries to have some comedy relief early on in the movie, when Arjun’s unnamed widower father (played by Samuthirakani) plays matchmaker for bachelor Arjun by signing up Arjun on a dating app without Arjun’s consent. It leads to a montage of Arjun going on numerous disasatrous dates that always end abruptly because Arjun scares or turns off the women by interrogating them like a harsh police officer. The women on these dates make excuses to use the restroom and they never come back.

Arjun is extremely judgmental, emotionally immature, and socially backwards in his thinking. However, Arjun seems to get lucky when he meets Mridula (played by Srinidhi Shetty) through the dating app where Arjun’s father created a profile for Arjun. When Arju and Mridula go on their first date, she says she admires his blunt honesty. They begin dating and fall in love with each other. Mridula has a secret that is revealed later in the movie.

Arjun is investigating a series of murders where corpses are found hanging upside down from trees in isolated wooded areas. The dead people’s throats have been slashed. It’s eventually discovered that the murderers are members of a serial killer cult named CTK (an acronym for Capture Torture Kiil), which is operating on the Dark Web. In order to join the CTK cult, prospective members have to kill at least two people in this way and video record these murders.

Arjun infiltrates the CTK cult by going undercover as a prospective member. His murder victims are criminals, whom he thinks all deserve to be killed. A huge plot hole in the movie is that Arjun is supposed to be a famous police detective (famous enough for strangers to know who he is when he’s out in public), and yet CTK’s leaders—two sadists named Samuel Joseph (played by Ravindra Vijay) and Alpha (played by Prateik Babbar)—don’t even recognize Arjun when he joins the cult. Arjun makes no effort to disguise himself.

Supporting characters in “HIT: The Third Case” are one-dimensional and have very hollow personalities. Three of these generic characters are Arjun’s HIT colleagues: director of general police Nageswara Rao (played by Rao Ramesh); assistant superintendant of police Varsh (played by Komalee Prasad); and sub-inspector Diwakar (played by Chaithu Jonnalagadda), who don’t do much in the story except enable and cater to Arjun’s nasty temper and out-of-control antics. None of the acting is impressive in this junkpile movie.

“HIT: The Third Case” (which has an overly long running time of 157 minutes) just becomes a mind-numbing, obnoxiously loud and terrible mess of heinous violence where the “hero” is no better than the villains. In fact, the “hero” murders and attacks more people than any other murderer and attacker in the movie. The action scenes also look ridiculous. Don’t expect a real detective mystery in “HIT: The Third Case.” This horrible movie is just an excuse to show vile and disgusting assaults and murders, with a meaningless story and a very warped portrayal of law enforcement and justice.

Wall Poster Cinema released “HIT: The Third Case” in select U.S. cinemas and in India on May 1, 2025.

Review: ‘Sikandar’ (2025), starring Salman Khan, Rashmika Mandanna, Sathyaraj and Kajal Aggarwal

April 5, 2025

by Carla Hay

Salman Khan in “Sikandar” (Photo courtesy of FunAsia Films)

“Sikandar” (2025)

Hindi with subtitles

Culture Representation: Taking place in the Indian cities of Rajkot and Mumbai, the action film “Sikandar” features an all-Asian group of people representing the working-class, middle-class and wealthy.

Culture Clash: A rich vigilante is targeted for revenge by a wealthy politician while the vigilante travels around Mumbai to meet he people who received organ donations from the vigilante’s deceased wife.

Culture Audience: “Sikandar” will appeal primarily to people who are fans of the movie’s headliners and don’t mind watching overly long and stupid action movies.

Sathyaraj in “Sikandar” (Photo courtesy of FunAsia Films)

The horrible action movie “Sikandar” can’t decide if it wants to be a revenge rampage flick or a feel-good drama about organ donations. Everything about this atrociously acted and long-winded abomination is obnoxiously stupid. This is the type of junkpile film that doesn’t even try to have a good story, while the over-the-top action scenes are actually quite boring in their lack of imagination.

Written and directed by A. R. Murugadoss, “Sikandar” is a 135-minute jumble of incoherence in what this movie is trying to convey. The movie (which takes place mostly in the Indian cities of Rajkot and Mumbai) has an identity that is just a confused as the movie’s characters who have multiple names. The “hero” of the story is Sanjay “Sikandar” Rajkot (played by Salman Khan), also known as the King of Rajkot, who is described as “a king with vast empires.”

Sikandar lives in an opulent mansion with his wife Saisri Rajkot (played by Rashmika Mandanna), also known as Rani Saidha, who is a painter artist. “Sikandar” wastes some time on shallow flashback scenes of what the relationship between Sikandar and Saisri was like before they got married. Expect to see multiple scenes of Sikandar and Saisri on courtship dates where they have mindless conversations as they flirt with each other.

Saisri is a loving and devoted wife, but she is frustrated that Sikandar is a workaholic who often seems preoccupied by things he won’t discuss with her. Sikandar isn’t actually seen doing working at a real job. The movie just shows him as a wealthy guy who likes to go around assaulting people whom he thinks deserves to be assaulted.

Saisri says to Sikandar that he has given her everything but his time. There are plenty of scenes of Sikandar spending time with Saisri. Sometimes he pays attention to her in a loving way, and other times his mind seems to be somewhere else. Another strain in their marriage is that Saisri hasn’t been able to get pregnant for years.

“Sikandar” begins with a bizarre and ridiculous scene taking place on an airplane that’s in flight. A woman named Monica (played by Neha Iyer) is traveling with her son Dhruvit (played by Dhruvit Pethadia), who’s about 6 or 7 years old. The plane doesn’t seem to have many passengers, so Dhruvit is able to sit in an empty seat across the aisle from Monica.

A creep named Arjun Pradhan (played by Prateik Smita Patil, also known as Prateik Babbar) suddenly sits down next to Monica and shows her a porn video that she made years ago when she was a porn actress, before she was married. Monica’s husband doesn’t know about her porn past. Arjun says he will show the video to Dhruvik if Monica doesn’t let Arjun have his way sexually with her, right then and there.

Arjun points to two of his bodyguards who are seated nearby and warns Monica not to say or do anything, or else his bodyguards will hurt her. A terrified Monica lets Arjun cover himself and Monica with a blanket. Just as Arjun is about to sexually assault her, Sikandar bursts into this part of the plane, gets into fight with Arjun and the bodyguards, and easily defeats them.

This fight scene is badly staged. Sikandar just came from another section in the plane. How did he see what was happening and know when to start attacking these criminals? Don’t expect an answer to that question. And during his entire bloody and violent fight, the airplane employees are nowhere to be seen until after Sikandar defeats these criminals.

Arjun and his cronies are arrested, which is a humiliating scandal because Arjun comes from a prominent family. He is the only child of Minister Rakesh Pradhan (played by Sathyaraj), who vows to get revenge on Sikandar. Rakesh bribes the corrupt Inspector Prakash (played by Kishore Kumar G.) to have police go to Sikandar’s mansion to arrest Sikandar.

When the police get there, Saisri tells them that Sikandar has left to turn himself in at the police station because he heard he was going to be arrested. It makes absolutely no sense, but that’s an example of how bad this movie is. And the movie gets worse as it continues on a downward spiral of idiocy.

Sikandar is very popular with the “common people” because he’s a charitable royal, so a mob of people gather outside his mansion to protest against the police who were there to arrest Sikandar. The mob goes as far as committing vandalism on the police cars parked outside. Rakesh wants to ends this civil unrest because it will affect his chances of getting re-elected, so he reluctantly lets Sikandar get released from police custody and says that Sikandar was “saved by the mob.”

The feud is reignited when Arjun is at his lavish birthday party and he finds out that an unknown person videorecorded his attempted sexual assault of Monica and uploaded the video on the Internet, when the video goes viral. To add to the shaming, someone has arranged for the video to be played on one of the giant video screens at the party. An enraged Arjun thinks Sikandar is behind this leaked video and vows to get revenge.

“Sikandar” then goes off on an entirely different tangent when Saisri gets killed in an explosion. She was an organ donor, so about half of the movie consists of Sikandar tracking down three people in Mumbai who received some of her organs. An orphaned pre-teen boy named Kamaruddin, also known as Kamar (played by Ayan Khan), received Saisri’s lungs because Kamar was the victim of environmental pollution. A vadam shop owner named Vaidehi Ranga (played Kajal Aggarwal) received Saisri’s eyes. A lovelorn woman named Nish (played by Anjini Dhawan) received Saisri’s heart.

Sikandar does what can only be called a “do-gooder” tour, where he becomes saintly person as he goes to Mumbai. He is chauffeured by a taxi driver who calls himself De Niro(played by Jatin Sarna), who tells unfunny jokes about “Taxi Driver,” the 1976 movie starring Robert De Niro. These “jokes” include insufferable impersonations of De Niro’s “Taxi Driver” character Travis Bickle.

During this “do-gooder” part of the movie, Sikandar battles environmental pollution caused by “real-estate shark” businessman Virat Bakshi (played by Nawab Shah); fights against sexism because Vaidehi’s father-in-law doesn’t believe that women should work in business; and becomes a crusader against domestic violence when he finds out that Nisha was in abusive relationship with her ex-boyfriend Kapil (played by Ayaan Lall), who dumped Nisha to marry another woman. The storyline about Arjun and his father Rakesh gets shoved to the side and then comes crashing back with predictable results.

Adding to the cringeworthy aspects of the movie are the movie’s bombastic song-and-dance numbers, where Salman Khan uncomfortably does the choreography, and the songs are utterly forgettable. “Sikandar” is also one of those terrible movies where the sound mixing of the music score is turned up to detestably high levels. Note to filmmakers: Having music that’s too loud in a movie won’t improve the movie. It makes the movie worse.

“Sikandar” has plenty of fight scenes, but none look believable, including the very fake-looking visual effects. Some of the fight scenes are absolutely nonsensical. For example, there’s a nighttime scene where Sikandar and Saisri are in a car that Sikandar is driving. And for no reason at all, he stops the car to fight some thugs, with no explanation of who these thugs are. There’s no explanation for why “Sikandar” exists, except to rob viewers of their time, money and patience.

FunAsia Films released “Sikandar” in select U.S. cinemas on March 30, 2025, the same day that the movie was released in India.

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