Review: ‘Elevation’ (2024), starring Anthony Mackie, Morena Baccarin and Maddie Hasson

November 30, 2024

by Carla Hay

Morena Baccarin, Maddie Hasson and Anthony Mackie in “Elevation” (Photo courtesy of Vertical)

“Elevation” (2024)

Directed by George Nolfi

Culture Representation: Taking place in Colorado, the sci-fi action film “Elevation” features a cast of African American and white characters, who are survivors of a creature-invasion apocalypse on Earth.

Culture Clash: A man and two women race against time to get medical supplies for the man’s 8-year-old son, while the adults battle the creatures, which cannot live above 8,000 feet.

Culture Audience: “Elevation” will appeal mainly to people who are fans of stars Anthony Mackie and Morena Baccarin and don’t mind watching sci-fi movies that have derivative and sloppy storytelling.

Anthony Mackie and Danny Boyd Jr. in “Elevation” (Photo courtesy of Vertical)

“Elevation” is a misleading title for a movie with below-average storytelling. This sci-fi action flick, which takes place during an Earth apocalypse caused by giant creatures, has competent acting but is substandard in everything else. “Elevation” introduces multiple concepts but leaves many different questions unanswered by the end of the film.

Directed by George Nolfi, “Elevation” was written by John Glenn, Jacob Roman and Kenny Ryan, who filled the screenplay with a lot of dimwitted scenarios, boring dialogue and exposition dumps. The movie was filmed on location in Colorado, where “Elevation” is supposed to take place somewhere in the Rocky Mountains area. The story begins three years after an apocalypse where mysterious giant creatures (which look like a combination of lizards and scorpions) rose up from the underground and killed 95% of Earth’s population in just one month. The apocalypse has left the survivors with no electricity or modern communication.

This worldwide massacre is not seen in any flashbacks. All that is seen in “Elevation” are how survivors in this part of Colorado are living and trying not to get killed by the creatures, which the survivors are calling “reapers.” The reapers have one big physical limitation: They cannot survive in any space that’s at least 8,000 feet above the ground. Anything below 8,000 feet on Earth is called “below The Line,” where the reapers live. People who venture below The Line are at great risk of being killed by a reaper or reapers.

The Lost Gulf Refuge, which has a population of 193 people, is 8,460 feet above the ground. Among the Lost Gulf Refuge residents are a brave widower named Will (played by Anthony Mackie); Will’s 8-year-old son Hunter (played by Danny Boyd Jr.); a hard-drinking and cranky physicist named Nina Richmond (played by Morena Baccarin); and Will’s good-natured close friend Katie (played by Maddie Hasson), who was the best friend of Will’s deceased wife Tara (played by Rachel Nicks). Tara is seen in some flashback scenes in the movie.

“Elevation” begins by showing that Hunter has gone 260 feet below The Line in the wooded area, even though he knows it’s strictly forbidden for him to be there. And you know what that means: Hunter gets chased by a reaper. He narrowly escapes death by throwing himself into an area on the ground that is surrounded by a circle of white rocks.

In another part of the movie, certain characters also are able to survive a chase from reapers in the woods by going to an area that is surrounded by a circle of white rocks. “Elevation” is so terribly written, the movie never explains why these areas surrounded by circles of white rocks give special protection from the reapers. And there’s no explanation for who put those rocks there and why the people being chased just happened to know that these rock circles give special protection.

When Hunter goes back home after escaping from being killed by a reaper, he gets scolded by Will for making the life-risking choice to go below The Line. “I just wanted to see other people,” Hunter explains. Katie is sympathetic to Hunter and says to Will: “We may be safe up here, but this mountaintop is like a prison to him.” Will says he knows the real reason why Hunter went back to a specific area in the woods below The Line is because it was the last place where Hunter saw his mother Tara.

Concerned father Will soon has something bigger to worry about than this act of rebellion from Hunter. Hunter uses an oxygen tank at night, and their household is almost out of filters for the tank. These filters are necessary for Hunter to survive. Will knows that he can probably find unused filters at an abandoned hospital in the city of Boulder. However, Boulder is about 2,000 feet below The Line.

It’s explained early on in the movie that Nina is the only known human who has been able to kill a reaper. She’s been obsessed with trying to find a scientific way to kill these creatures and sharing that knowledge with people so she can be credited with literally saving the world. Nina is an abrasive loner who abuses alcohol, so she hasn’t been making much progress with her research.

Still, when it comes time for Will to make his dangerous trek to Boulder, he asks Nina go with him. Will persuades her by saying, “All you can think about is killing one of these things, and you need something from down there to do it. You owe me this much, for Tara.”

Will and Nina have a tense relationship because he blames her for Tara’s death, for reasons that are explained in the movie. Maddie also dislikes rude and arrogant Nina. At one point, the two women get into a physical fight.

Nina makes an insulting remark by saying to Maddie: “You want to fuck your best friend’s husband.” Maddie responds by punching Nina. Maddie also accuses Nina of only wanting the kill the reapers so that Nina can be famous. This is the type of cattiness that looks like it belongs on a tacky reality show, not a sci-fi movie that’s supposed to be suspenseful.

Will, Nina and Maddie arm themselves with military-styled rifles that they get from a guy named Tim (played by Tyler Grey), who hands them the weapons from a back room in his store, with no questions asked and no signs of a transaction being made. It all looks so phony. Even though it’s made clear in the movie that the reapers can’t be killed (only wounded) by the ammunition in these guns, these are the best weapons available to Will, Nina and Maddie at the time.

On the way to Boulder, there is more bickering between Will, Nina and Maddie. And then, the inevitable happens: The reapers appear. There are encounters with the reapers that involve trying to escape on ski lifts, inside a mine shaft, and in a truck.

One of the biggest problems with “Elevation” is that many of the action scenes look fake—not just with the visual effects but also with how everything is staged. At the mine shaft, helmets with flashlights are conveniently there for Will, Nina and Maddie to wear. The ski lifts are conveniently not rusty.

When they go in the mine shaft, Will has a vague idea that there will be a tunnel leading to the hospital. But why would they go in a mine shaft when they know these creatures have a tendency to live and thrive underground? None of it really makes any sense because the entire movie is just a poorly conceived story that rips off some aspects of 2018’s “A Quiet Place,” another apocalypse movie with giant creatures that have a big physical liability.

The production design for “Elevation” is off-kilter. Most of the buildings looks desolate and shabby, as they should during a massive disaster such as an apocalypse that started three years ago. But during the trek to Boulder, there are scenes where the travelers stay overnight in a lodge that looks pristine and picture-perfect, with a cozy library full of books in the lounge area and beautifully lit candles everywhere. (There are no lodge employees in sight.) You’d never know there’s an apocalypse going on, with shortages of food and other resources, just by looking at how clean and well-stocked this lodge is.

In reality, this lodge would have been looted or destroyed a long time ago, based on how an earlier scene makes a big deal out of showing that something as simple as a box of macaroni (which Will gets from a store to make mac and cheese for Hunter’s birthday) is scarce in this post-apocalyptic world. And speaking of food, during this trip to Boulder, which takes place over at least two days, the travelers are never seen worried about how they’re going to get their next meal in this world that has food shortages. It’s as if the “Elevation” filmmakers wanted to erase any need for the characters to have these basic life necessities because the movie becomes so focused on the not-very-convincing action scenes.

Perhaps the most disappointing aspect of the plot in “Elevation” is a surprise reveal that comes toward the end of the movie. It’s supposed to be shocking information, but the information is dropped like a bomb and never addressed again. And the movie has a laughably bad way of presenting a certain solution to the reaper problem. “Elevation” has a talented cast that deserves much better than this low-quality dreck that most viewers will forget quicker than it takes for a reaper to kill someone in the movie.

Vertical released “Elevation” in U.S. cinemas on November 8, 2024. The movie was released on digital and VOD on November 26, 2024.

Review: ‘Albany Road,’ starring Renée Elise Goldsberry, Lynn Whitfield, J. Alphonse Nicholson, Lisa Arrindell, Gary Dourdan, Joe Holt and Rachel Nicks

November 15, 2024

by Carla Hay

Lynn Whitfield and Renée Elise Goldsberry in “Albany Road” (Photo courtesy of Faith Filmworks)

“Albany Road”

Directed by Christine Swanson

Culture Representation: Taking place in New York, Pennsylvania, and Washington, D.C., the dramatic film “Albany Road” features a predominantly African American cast of characters (with some white people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: During a snowstorm, an ambitious advertising executive gets stuck on a road trip with her ex-fiancé’s demanding and meddling mother. 

Culture Audience: “Albany Road” will appeal primarily to people fans of the movie’s headliners and dramas with realistic issues about families, friendships and romantic relationships.

Filled with vibrant and realistic performances, “Albany Road” takes viewers on a roller coaster of emotions in this drama about an ad executive forced to go on a trip with the mother of her ex-fiancé. On this unexpected journey, the two women are forced to confront mistakes they’ve made and whether or not to make life choices based on love or based on fear. The movie has the right of blend of heartwarming and heartbreaking moments, despite some occasional scenes that look like sitcom material.

Written and directed by Christine Swanson, “Albany Road” has it world premiere at the 2024 edition of Ebertfest in Chicago. It subsequently had screenings at the 2024 American Black Film Festival in Miami; the 2024 Martha’s Vineyard African American Film Festival (where “Albany Road” won the award for Best Feature Film); and the 2024 Urbanworld Film Festival in New York City. The movie admirably avoids a lot of movie/TV negative stereotypes of African American people who are gathered for certain occasions. For example, none of the characters in this movie is an ex-convict, a poverty-level single mother, or is struggling with being in an abusive relationship.

“Albany Road” begins by showing protagonist Celeste Simmons (played by Renée Elise Goldsberry)—a hard-working and intelligent advertising executive based in New York City—in a meeting with her boss Craig (played by Ben Rappaport), who is a partner in the firm where they work. The firm has a major presentation coming up for a very important potential client. Celeste agrees to take the lead on the presentation, which will take place in Washington, D.C., where Celeste used to live. Celeste will be assisted by a junior-level co-worker named Andrea (played by Lily Cowles). Celeste and Craig make a agreement that if she can get this important deal, she will be made a partner in the firm.

The movie then shows a flashback to when Celeste used to live in Washington, D.C., with her fiancé Kyle Henderson (played by J. Alphonse Nicholson), who’s a professor of molecular biology at Georgetown University. This flashback takes place during a time when Celeste had been offered a job at this advertising firm. Celeste and Kyle are both torn about what whether or not Kyle will move to New York City to be with Celeste. (“Albany Road” was actually filmed primarily in Champaign, Illinois.)

Adding to this dilemma, Celeste (who is in her 40s) knows that Kyle wants to have a family, and she fears that she might not be able to have the children that they both want. Celeste is an only child whose parents died in a car accident when Celeste was in college. In a tension-filled conversation in this flashback, Celeste says: “I don’t want to be the reason why you don’t have a family.” Kyle (who is also an only child) says, “I don’t want to be the reason why you don’t have a career.”

It’s soon revealed that Kyle decided to stay in Washington, D.C., which is why he and Celeste broke up. However, Kyle’s rude and meddling mother Paula Henderson (played by Lynn Whitfield) did something to sabotage the chances of Kyle moving to New York City. Kyle had been interviewing for a consulting job with Celeste’s new employer. Paula (who is a widow) pretended to be Kyle’s assistant and called the company to say that Kyle was no longer interested in the job. Paula wanted Kyle to stay in Washington because he was about two years away from getting tenure at George Washington University, and she thought it would be foolish of him to quit his Georgetown University job to move to New York City, where he would have less certain career prospects.

“Albany Road” (which is named after the road where Paula lives) takes place a little more than a year after the breakup. Celeste and Kyle haven’t seen or spoken to each other since they ended their relationship. And because “Albany Road” is a romantic drama, that’s about to change. For the past six months, Celeste has been dating an attentive and respectful suitor named Phil (played by Gary Dourdan), who obviously has stronger feelings for Celeste than she does for Phil. Celeste thinks Phil wants to rush their relationship into going to the next level when she’s not ready.

As fate would have it, a snowstorm has caused all flights to be cancelled on the day that Celeste needs to go to Washington, D.C., for her big presentation. Stranded at the airport, Celeste gets the last available rental car at the airport. But her car rental has to be cancelled because Celeste has an expired driver’s license.

Another customer is waiting behind Celeste at the car rental area, but Celeste doesn’t want to see and talk to this person because this next customer is Paula, who knows that Celeste dislikes her. Paula has a valid driver’s license, so Paula gets the last available rental car that Celeste wanted. With no other immediate options, Celeste reluctantly agrees to share the car ride with Paula, who makes Celeste drive for most of the trip.

The two women bicker a lot, of course, but two things happen on the road that change the course of the trip. First, Celeste accidentally hits and kills a mother deer on the road. This accident stalls the car because the deer’s dead body is in the way. Celeste and Paula have to work together to move the dead deer so the car can get moving again. This deer later becomes a symbol of moving forward during rough times.

Second, the women find out that all the nearest hotels and motels are booked up. Paula suggests they reverse and go back to Pennsylvania, where Paula has a friend named Carol (played by Lisa Arrindell), a New Age “earth mother” who owns an inn, where there is room for Paula and Celeste to stay. Paula rejects Celeste’s idea to sleep in the rental car because Paula says it would be too cold and took risky for their health.

At Carol’s place, Celeste is in for even more discomfort when she finds out that there are two other guests at the inn: Kyle and his current girlfriend Morgan (played by Rachel Nicks), who is more in love with Kyle than he is with her. Kyle and Morgan (who has a friendly personality) have been dating each other for about six months. Paula is also surprised because this is the first time that she’s met or heard of Morgan, because Paula has been somewhat estranged from Kyle, who has refused to talk about his love life to Paula ever since his breakup with Celeste.

During the course of this life-changing trip, secrets are revealed and long-simmering feelings come to the surface. “Albany Road” has several moments of comic relief, including a subplot about Carol’s farmer husband Billy (played by Joe Holt) having a secret business as a marijuana grower, who mostly has customers in Maryland, where cannabis/marijuana is legal for adult use. “Albany Road” has some scenes of certain people in the movie smoking marijuana and trying to hide it from other people.

“Albany Road” occasionally has very contrived moments where certain people show up in an “only in a movie” coincidence. However, the overall writing has sharp and authentic dialogues and situations that can be relatable to many audience members of many generations and backgrounds. Paula has one of the biggest secrets in this group of people gathered at the inn. Her secret, when revealed, changes the course and tone of the story.

Whitfield and Goldberry are a dynamic duo in portraying clashing personalities who somehow manage to find common ground because of their love for the same person. The supporting cast members give good performances, particularly Nicholson, Nicks and Dourdan, who are skilled at conveying the various conflicted feelings of being caught up in a love quadrangle. Holt and Arrindell admirably carry a lot of the comedic parts of the film.

“Albany Road” has some predictability, but other moments that are out-of-left-field surprises. One of the more unexpected parts of the movie is when a young married Amish couple named Obediah (played by Jake Ziman) and Rebecca (played by Madysen Frances), who are on a Rumspringa vacation, show up as inn guests when tensions at the inn are at their highest. Obediah and Rebecca are blissfully unaware of these tensions, which leads to some bittersweet scenes. Thanks to a talent cast and capable flmmaking “Albany Road” has a lot to offer to viewers who want to see a relationship drama that isn’t too soft and isn’t too hard but serves up just the right amount of relatable life experiences in a meaningful way.

Faith Filmworks released “Albany Road” in select U.S. cinemas on November 15, 2024.

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