Review: ‘Knox Goes Away,’ starring Michael Keaton, James Marsden, Suzy Nakamura, Joanna Kulig, Ray McKinnon, Lela Loren, Marcia Gay Harden and Al Pacino

March 27, 2024

by Carla Hay

Michael Keaton in “Knox Goes Away” (Photo by Marshall Adams/Saban Films)

“Knox Goes Away”

Directed by Michael Keaton

Culture Representation: Taking place primarily in the Los Angeles area, the dramatic film “Knox Goes Away” features a predominantly white group of people (with some African American, Asians and Latinos) representing the working-class, middle-class and criminal underground.

Culture Clash: An assassin with dementia agrees to help his estranged adult son, who has murdered a man and wants to cover up the crime.

Culture Audience: “Knox Goes Away” will appeal primarily to people who are fans of the movie’s headliners and noir crime dramas, even if the movie has several plot holes and unanswered questions.

Michael Keaton in “Knox Goes Away” (Photo by Marshall Adams/Saban Films)

“Knox Goes Away” has the benefit of director/star Michael Keaton’s acting talent, but this movie about an assassin with dementia is dragged down by an uneven tone and a nonsensically convoluted screenplay with plot holes. Al Pacino has a completely useless and unnecessary role in the film. Any movie that wastes Pacino’s talent has got a lot of problems.

Directed by Keaton and written by Gregory Poirier, “Knox Goes Away” (which takes place mostly in the Los Angeles area, where the movie was filmed) tells the story of assassin John Knox (played by Keaton), who finds out early on in the story that he has Creutzfeldt-Jakob disease, which is a form of dementia. It’s a neurological disease that progresses quicker than Alzheimer’s disease. John is so paranoid about people finding out about his recent health issues, he travels by plane to San Francisco, where he meets with a medical professional named Dr. Burns (played by Paul Perri), who informs John that John has Creutzfeldt-Jakob disease. After getting this diagnosis, John is told that it will be only a matter of weeks before he loses his “normal” memory and cognitive abilities.

John (who is divorced and lives alone) is a hardened hit man who was planning to retire anyway. He now has to make arrangements to stay in an assisted living facility, since he has no family members who can take care of him. He keeps this diagnosis a secret from almost everyone he knows. For the people he does not want to tell, John says that he plans to “go away for a while.” John works for a mysterious boss named Jericho, who is never seen or heard in the movie, but Jericho’s name is mentioned several times. John agrees to do “one last job” before he retires, but he does not want to tell Jericho about this planned retirement.

It’s never stated how many years John has been a hit man, but it’s been long enough that it’s implied that it ruined John’s marriage to his ex-wife Ruby Knox (played by Marcia Gay Harden) and led to years of estrangement from their son Miles Knox (played by James Marsden), who both know about John’s past criminal activities and are aware that he’s still an assassin. John is the type of assassin who does not want to know any personal details about his targets. He frequently works with another assassin named Thomas “Tommy” Muncie (played by Ray McKinnon), who is judgmental about John’s cold detachment from their job. It’s an oddly self-righteous attitude for Thomas to have, considering that Thomas commits brutal murders for money too.

John’s “one last job” turns into a disaster. John and Thomas go to the home of their intended target: a man named Elian Zubiri (played by Edwin Garcia II), whom the assassins expect to be home alone. Thomas and John are surprised to see Elian taking a shower with a female companion, later identified as Annette Elmora (played by Nicole Reddinger), an innocent bystander who gets murdered along with Elian.

Because of John’s diminished cognitive abilites, he accidentally shoots and kills Thomas. John stages the crime scene to make the murders of Elian and Annette look like a murder-suicide committed by Elian. John then flees the scene and takes Thomas’ body with him. John later lies to Jericho by saying that Thomas never showed up for this hit job.

Shortly after that fiasco, Miles shows up unannounced at John’s home one night to confess that he has recently murdered a 32-year-old man named Andrew Palmer (played by Charles Bisset), who impregnated Miles’ 16-year-old daughter Kaylee (played by Morgan Bastin) in a sexual predator situation. Miles has a hand injury from this murder, which was committed by stabbing with a kitchen knife. Miles’ wife Cheryl Knox (played by Lela Loren) doesn’t know about this murder, and neither does anyone else at this point. What follows is a ridiculous plan that didn’t have to be as complex as it is in the movie.

Pacino has the role of John’s shady criminal friend named Xavier Crane, who is one of the few people who knows about John’s dementia. Xavier agrees to help John with a crime cover-up, but this character actually didn’t need to be in the movie at all, if John really wanted to keep his cover-up activities as secret as possible. Pacino just sort of shuffles along and mumbles in the drab and uninteresting role of Xavier.

The only other person who is close to John is a sex worker named Annie (played by Joanna Kulig), who has been meeting up with John for sessions at his home, every Tuesday for nearly four years. John is an avid book reader/collector, so he often lends books to Annie so that she can read them and tell him what she thinks about the books. It’s later mentioned in the movie that when John was in the U.S. Army, his Army buddies gave him the nickname Aristotle, because John is so intellectual and well-read. Annie and John are not in love, but they are fond of each other and have some emotional intimacy.

The “noir” tone of “Knox Goes Away” is often clumsily handled when it tries to inject some comedy, in order to make the investigating homicide police officers look idiotic. The lead investigator is Detective Emily Ikari (played by Suzy Nakamura), a jaded and sarcastic cop who always thinks she’s the smartest person in the room and spews some awkward jokes as a way to assert her authority. Nakamura is a scene stealer and has very good comedic timing, but the context in which she says these jokes are often unrealistic and cringeworthy.

For example, there’s a scene where Detective Ikari and some other cops are at the scene of a murder at the murder victim’s home. The murder victim’s body is still there. A crime scene investigation technician (played by Benita Krista Hall) tells Detective Ikari that the victim’s cell phone is locked and can only be unlocked by using facial recognition. Detective Ikari then makes a snide remark by telling the technician to do the obvious: Put the phone up to the victim’s face to unlock the phone. Making this technician look this stupid is the movie’s cheap and lazy setup to have Detective Ikari crack another “joke,” usually at the expense of a subordinate or co-worker.

“Knox Goes Away” also doesn’t do much to explain why John became an assassin. The main things that are revealed about John’s past are that he has a troubled history as a father; he used to be a deep reconnaissance officer in the U.S. Army; and he spent six years in prison for tax evasion. John is supposed to be highly intelligent (he has doctorate degrees in English literature and U.S. history), but he makes a lot of illogical decisions—and not just because of his dementia. It’s because of a weak screenplay that tries to look like it’s clever, but it’s really a long-winded excuse to show some mindless and muddled scheming that leads to a predictable ending.

Saban Films released “Knox Goes Away” in select U.S. cinemas on March 15, 2024. The movie will be released on digital and VOD on April 5, 2024.

Review: ‘News of the World,’ starring Tom Hanks

December 23, 2020

Tom Hanks and Helena Zengel in “News of the World” (Photo by Bruce W. Talamon/Universal Pictures)

“News of the World”

Directed by Paul Greengrass

Culture Representation: Taking place in 1870 in Texas, the dramatic film “News of the World” features a predominantly white cast of characters (with some Native Americans and African Americans) representing the working-class and the middle-class.

Culture Clash: A widower Civil War veteran who makes a living as a news reader is unexpectedly tasked with the responsibility of transporting an orphaned girl to her closest living relatives.

Culture Audience: “News of the World” will appeal primarily to people interested in dramatic stories about American life in the South during the post-Civil War Reconstruction Era.

Tom Hanks in “News of the World” (Photo by Bruce W. Talamon/Universal Pictures)

“News of the World” solidly offers the tried-and-true concept of an adult who’s inexperienced with taking care of children but who’s suddenly forced to be responsible for the well-being and safety of a child for a considerable period of time. It’s usually the stuff of comedies, but “News of the World” is a serious-minded drama that once again has Tom Hanks playing a heroic figure. In “News of the World,” he’s a traveling Civil War veteran in Texas who’s never been a father, but he’s been given the responsibility of bringing an orphaned girl who doesn’t speak English to her closest living relatives whom she’s never met. You know exactly how this movie is supposed to end.

Directed by Paul Greengrass, “News of the World” is a well-made but not a particularly innovative film because so much of this story has been done before in other movies that are essentially “road trip” films. “News of the World” will satisfy people who like shoot ’em up Westerns (since there are several shootout scenes), and the film will also please people who like somewhat melancholy dramas about human perseverance under harsh conditions. The movie is nearly two hours long but sometimes feels like it’s longer because there are considerable stretches when it meanders at a slow pace.

“News of the World” is based on Paulette Jiles’ 2016 novel of the same name. Greengrass wrote the adapted screenplay with Luke Davies. It’s a good screenplay (but not outstanding) that all the actors handle with skill, even if at times the supporting characters come across as a little too generic because of the transient nature of the plot. The cinematic version of this story mostly does justice to the book because of the top-notch cinematography, costume design and production design. Greengrass and Hanks previously worked together in 2013’s “Captain Phillips,” which is based on a true story and is an overall better film than “News of the World.”

If you think Hanks is playing a stoic good guy who finds out that he’s a lot better at taking care of a child than he originally thought, then you would be absolutely correct. Hanks portrays Capt. Jefferson “Jeffrey” Kyle Kidd, a veteran of three wars and a widower with no children. He’s based in Texas and goes from town to town, making a living as a news reader: someone who reads news reports in newspapers for a gathering of townspeople and reads the reports with an engaging, storytelling style.

It’s 1870, five years after the U.S. Civil War has ended. It’s revealed later in the story that Jefferson’s wife died in 1865, at the age of 33. The Reconstruction Era is under way, but there’s a still a lot of resentment from Southerners toward the federal government and against the Union soldiers who defeated the Confederate soldiers during the war. The slaves have been freed under the Emancipation Proclamation, but white supremacy is still the law, and therefore people of color don’t have the same rights as white people.

Racism is addressed in this movie in a predictable way that might or might not be satisfactory enough, depending on your perspective. The movie begins in Wichita Falls in North Texas, where Jefferson has just had a very well-received reading session with the local white people. He seems to think it’s a friendly town, but then he gets a chilling reminder about the brutality of racism.

While riding his horse in a forest area, Jefferson sees some bloody drag marks on the ground. The marks look like a human body was being dragged. And sure enough, Jefferson finds out that the bloody drag marks lead to the body of a lynched African American man. (The man’s face is not shown in the movie, because it might have been too explicit.) Attached to the man’s body is a sign that reads: “Texas Says No! This is a white man’s country.”

Jefferson is very disturbed by this crime scene, but as someone who’s just passing through town, there’s nothing he can do about it. Suddenly, he sees a blonde girl (played by Helena Zengel), who’s about 9 or 10 years old. She’s wearing a deerskin dress, and she runs away in the woods when she sees Jefferson. He chases after her because she looks like an unaccompanied child who could be in danger. She’s a feisty child because she bites Jefferson’s hand when he catches up to her.

Jefferson sees that the girl has run back to the wreckage of a carriage accident that has resulted in the the death of the male driver. Jefferson finds some paperwork in the car wreck that reveals the girl’s birth name is Johannna Leonberger. She is an orphan whose parents were killed by an invasion of Kiowa Indians six years before.

And apparently, she was raised by the Kiowa Indians because she only speaks Kiowa. The girl’s Kiowan name is Cicada. Johanna’s Kiowa Indian family was massacred, so she is now an orphan again.

The paperwork found at the carriage accident indicates that Johanna was being driven to her closest living relatives: an aunt named Anna Leonberger and Anna’s husband Wilhelm Leonberger, who are German immigrants living in Castroville, Texas. Jefferson thinks he can just drop the child off at the Reconstruction Era version of Child Protective Services. But he finds out that the agent who’s supposed to handle this type of child welfare case is out of town and won’t be back for three months. Jefferson tells the office that he will handle the responsibility of taking Johanna to her aunt and uncle in Castroville.

Jefferson has enough compassion not to abandon Johanna, but he doesn’t want to change his plans to travel to the next town to do a news-reading session that was already scheduled. And so, he reluctantly brings Johanna with him, with the intention of devoting the rest of the journey to bringing Johanna to her aunt and uncle. Jefferson knows that he will be losing a lot of income by taking this unexpected trip, because he won’t be able to stop and do as many news readings as he’d like to do.

Jefferson asks a married couple he knows—Simon Boudlin (played by Ray McKinnon) and Doris Boudlin (played by Mare Winningham)—to look after Johanna while Jefferson is busy with the news reading session that he has scheduled for that evening. But in a story like this, you know that something will go wrong. And it does.

Jefferson comes back from the news reading session to find out that Johanna has run away, just as a rainstorm hits the area. It leads to Jefferson, Simon and Doris frantically looking for Johanna in the dark and rainy night. Across an embankment, Johanna sees a tribe of Indians traveling by horse and tries to get their attention because she thinks she belongs with them. But the tribe is too far away, and Jefferson soon catches up to her.

Johanna realizes that she needs Jefferson in order to survive because no one else is looking out for her. Before Jefferson leaves town with Johanna in an apothecary wagon given to them by the Boudlins, Simon gives Jefferson a loaded revolver. And you just know that gun is going to come in handy later on, because a trip like this won’t go smoothly.

The rest of the story is what you might expect from a tale about an adult and a child—both complete strangers and out of their comfort zones—who have been forced to travel together and slowly learn to trust each other. And because there’s the language barrier, it prevents these two travelers in “News of the World” from having the snap’n’crackle dialogue that makes the “True Grit” movies (another 1870s Western saga about a man and a girl on a road trip) so much fun to watch. “News of the World” is a mostly solemn and sometimes suspenseful story about what Jefferson and Johanna encounter in their travels.

Although they have plenty of dangerous experiences on this journey, Jefferson and Johanna also have some friendly encounters, demonstrating how generous people are capable of being to strangers. At a boarding house in Dallas, they meet the woman in charge who plays a key role in breaking through the language barrier between Jefferson and Johanna. This kind stranger is named Mrs. Gannett (played by Elizabeth Marvel), and she knows how to speak Kiowa, so she acts as a translator.

One of the most memorable parts of the story is an extended shootout sequence that happens between Jefferson and a creepy criminal named J.G. Almay (played by Michael Angelo Covino), who brings two cronies along for the shootout. The trouble with Almay begins one evening when Jefferson and Johanna are getting ready to leave Dallas at night.

Almay notices Johanna and offers to buy her from Jefferson, who immediately refuses. It’s implied that Almay has lecherous intentions, and Jefferson is well-aware that this scumbag probably wants to abuse Johanna. Almay doesn’t want to take no for an answer, so Jefferson and Almay get into a brief scuffle over it.

Two federal officers happen to notice the fight and break it up. Jefferson explains what happened and shows the paperwork to prove that he has the authority to bring Johanna to her relatives. Almay is then arrested, but before he’s carted off to jail, he yells at Jefferson: “I’ll be seeing you, captain! You hear me? I’m coming for you!”

Almay gets out on bail and soon has two other cowboy thugs (played by Clay James and Cash Lilley) accompanying him (each on a separate horse) to follow Jefferson and Johanna’s carriage. It’s now daylight, and somehow these three stalkers have found out where Jefferson and Johanna are and have already caught up to them. The chase scene leads to a clifftop shootout that’s the most action-packed part of the movie. It’s also a pivotal scene in the movie because it’s during this ordeal that Johanna shows that she’s willing and able to be of great help to Jefferson.

Another nemesis in the story is a town leader named Mr. Farley (played by Thomas Francis Murphy), who owns a lot of property and rules the town almost like a dictator. He has some sons whom he uses as his personal group of enforcers. And when Jefferson comes to town, Mr. Farley wants to tell Jefferson what kind of news he should read to the citizens: only news that will make Mr. Farley look good.

Jefferson doesn’t like being told what to do, so he lets the townspeople decide what stories they want Jefferson to read. It’s a power move that results in more conflict and another shootout. And someone with wavering loyalties ends up taking Jefferson’s side.

Not all of the adversaries on this trip are human. The weather plays a role in causing some frightening moments. A scene that’s a particular standout is when Joanna and Jefferson are caught in a dust storm and get separated from each other. The work of cinematographer Dariusz Wolski is put to excellent use in this tension-filled scene.

Because “News of the World” is centered on the evolving relationship between Jefferson and Johanna, viewers should not expect a lot of character development from any other people in the movie. And the only supporting characters who speak on camera are white people, perhaps as a way for the filmmakers to portray the deep-seated racial segregation in 1870 Texas. People of color in the movie (Native Americans and a few African Americans) are not given any significant dialogue, even in a scene where Johanna approaches some Kiowa Indians and talks to them. (What she says to them is not shown on camera.) Texas has always been a state with a significant Latino population, but inexplicably, there are no Latinos with speaking lines in this movie.

Hanks delivers a quality performance, as one might expect. But his co-star Zengel is especially impressive because she has to express a lot different emotions with very little dialogue. “News of the World” hits a lot of familiar tropes and has the type of sweeping musical score from James Newton Howard that is very much in the vein of traditional Westerns from Hollywood movie studios. The movie is the equivalent of American comfort food: People know what to expect, and there’s no real departure from the filmmaking recipe of a Western drama about an American hero.

Universal Pictures will release “News of the World” in U.S. cinemas on December 25, 2020. The movie’s VOD release date is January 15, 2021.

Copyright 2017-2024 Culture Mix
CULTURE MIX