The following is a press release from the Recording Academy:
The GRAMMY Awards reflect what’s happening in the ever-changing landscape of music, and the Recording Academyworks diligently to ensure the awards process continually evolves. Driven by the music makers — Academy members — who seek to meet the needs of the music community, several changes have been enacted for the 61st Annual GRAMMY Awards process and categories.
Other changes put in place affect various categories including those in the World Music Field, which will now determine nominations through its own Nomination Review Committee where the top 15 selections from general voting membership’s ballots will be narrowed down to the final five nominations by a Trustee-ratified committee of Voting Member experts.
For Best Compilation Soundtrack Album, the growing role of Music Supervisors is recognized as eligible. Also, only Music Supervisors who produced more than half of an album will now be eligible for consideration as album producers.
Driven by the technological side of music evolution, the Best Surround Sound Album category is renamed Best Immersive Audio Album. The same goes for the Field to which it belongs. The change reflects evolving technology, new formats, and current industry trends, practices, and language.
Several category guidelines and/or definitions were also updated. For instance, the Best Alternative Music Album criteria and definition has been broadened and updated as, “Alternative is defined as a genre of music that embraces attributes of progression and innovation in both the music and attitudes associated with it. It is often a less intense version of rock or a more intense version of pop and is typically regarded as more original, eclectic, or musically challenging. It may embrace a variety of sub-genres or any hybrids thereof and may include recordings that don’t fit into other genre categories.”
These changes and other will be in effect for the 61st Annual GRAMMY Awards, as the Recording Academy continues to ensure the process remains as appropriate, current, and relevant as possible.
For more information about this year’s rule changes and the GRAMMY Awards process, visit www.grammy101.com.
Neil Portnow, the president/CEO of the Recording Academy since 2002, will be leaving the company sometime in 2019. According to a Recording Academy Press release, Portnow will be involved in the Recording Academy’s leadership transition by helping choose the person who will replace him. The Recording Academy is the organization behind the Grammy Awards, the MusiCares charity and the Grammy Museum.
Portnow has been embroiled in controversy since the beginning of 2018. At the 2018 Grammy Awards on January 28, the Recording Academy received a lot of criticism on social media and elsewhere because the majority of the Grammy nominees and winners were male. The hashtag #GrammysSoMale began trending during and after the award show. When asked about the Grammy gender disparity in a press conference held after the Grammys, Portnow said that women needed to “step up” in their talent and motivation in order to have better standing in the industry. Several female artists (such as Pink, Katy Perry and Sheryl Crow) and high-ranking executives expressed outrage at Portnow, who later said that his words were taken out of context and he didn’t intend to offend anyone. Still, some of those who were offended signed an open letter demanding that Portnow resign from the Recording Academy.
The Recording Academy then formed a task force whose goal is to improve diversity and inclusion in the music industry. The mostly female volunteer task force includes a mixture of artists (such as Crow, Common and Andra Day) and executives. But within a few weeks after announcing who was on the task force, Portnow faced another controversy over MusiCares, the Recording Academy’s charity for people in the music industry. Variety reported that former MusiCares VP Dana Tomarken has accused Portnow of unethically using MusiCares funds to cover a financial deficit caused by the 2018 Grammy Awards and making a venue choice for the MusicCares Person of the Year that significantly decreased the funds that the event could raise.
Here is the full Recording Academy press release about Neil Portnow’s exit:
The Recording Academy™ announced today that President/CEO Neil Portnow will begin preparing for a leadership transition after choosing not to seek an extension on his current contract, which expires in July 2019. Portnow shared his plans at the Recording Academy’s semi-annual Board of Trustees meeting last week. Throughout the next year, Portnow will work with the Board to chart out an organizational succession and transition plan, while continuing his current work as active President/CEO of the Recording Academy and MusiCares®, and Chair of the Board of the GRAMMY Museum®.
“The evolution of industries, institutions, and organizations is ultimately the key to their relevance, longevity, and success,” said Portnow. “Having been a member of the Recording Academy for four decades, serving as an elected leader and our President/CEO, I have not only witnessed our evolution, but proudly contributed significantly to the Academy’s growth and stature in the world. When I had the honor of being selected to lead this great organization in 2002, I vowed that on my watch, for the first time in our history, we would have a thoughtful, well-planned, and collegial transition. With a little more than a year remaining on my current contract, I’ve decided that this is an appropriate time to deliver on that promise. Accordingly, I’ll be working with our Board to put the various elements in place that will ensure transparency, best practices, and the Academy’s ability to find the very best, brightest, and qualified leadership to take us into our seventh decade of operation. I truly look forward to continuing my role leading the Academy in the year ahead, and to continuing the pursuit of excellence and the fine missions we embrace and deliver.”
Portnow, who, prior to serving as President/CEO, served on the Recording Academy’s Board of Trustees, is largely credited with strengthening the Recording Academy’s financial health and brand.
“Since taking the helm in 2002, Neil has been instrumental in evolving the Recording Academy to address the needs of our creative community in a changing music landscape,” said John Poppo, Chair of the Board. “From critically-important music advocacy initiatives and financial assistance for our music community, to the music education and preservation programs of the GRAMMY Museum and GRAMMY Music Education Coalition, Neil has not only advanced the Academy’s mission, he’s extended its reach and impact. The Board and I are indebted to Neil for his years of heartful stewardship and visionary leadership. And, as we thank him for all he’s done, we also look forward to finding the right person to build on our solid foundation as the Recording Academy continues its work to ensure that music and the recording arts remain a thriving part of our cultural heritage.”
Key milestones achieved under Portnow’s 16-year tenure include:
The Recording Academy established advocacy as a hallmark of its Washington, D.C., office, giving music creators a voice on Capitol Hill, and stressing the need to update federal music laws, especially in the wake of the digital music revolution. Last month, after 15 years of advocacy work, and on the heels of the organization’s GRAMMYs on the Hill Awards and Advocacy Day, the Music Modernization Act, which helps bring copyright laws and artist protection into the 21st century, was passed in the House of Representatives and introduced in the Senate.
As the Recording Academy’s leading charity, MusiCares provided more than $5.9 million to 7,900 members of the music industry in the last fiscal year alone—the largest number of clients served and dollars distributed in a single year in the charity’s history—and anticipates it will provide $6.3 million to nearly 9,000 members of the music industry this fiscal year, again reaching new milestones. Since its inception in 1989, MusiCares has distributed approximately $60 million to music people in need. During Portnow’s tenure, MusiCares provided relief efforts to the music community impacted by Hurricane Katrina, Hurricane Harvey, and the recent natural disasters in Florida, Puerto Rico, and California.
As a part of Portnow’s vision of preserving, crafting, and sharing music stories with people around the world, and amplifying the Recording Academy’s already robust, innovative, and impactful music education programs for youth, the Recording Academy established the first GRAMMY Museum in Los Angeles in 2008. The Museum has since expanded its presence domestically and internationally.
Portnow oversaw a landmark 10-year broadcast deal with CBS to keep the show—one of television’s major entertainment events, ranking as one of the highest-rated and most-watched specials—on CBS through 2026.
In addition to presiding over the GRAMMY Awards®, Portnow expanded the Recording Academy’s telecast portfolio, more than tripling the organization’s television footprint, with a number of new specials, including GRAMMY Salutes to Elton John, the Bee Gees, Stevie Wonder, the Beatles, and Whitney Houston, as well as the PBS “Great Performances” series honoring GRAMMY Lifetime Achievement Award and Special Merit Award recipients.
In 2017, the GRAMMY Music Education Coalition united more than 30 of the nation’s most forward-thinking music education organizations with the goal of increasing the number of youth actively participating in creating, playing, and performing music in U.S. public schools.
After 58 years of traditional balloting, the GRAMMY Awards successfully moved to an online voting platform.
Portnow is the longest serving President in the Recording Academy’s 60-year history.
ABOUT THE RECORDING ACADEMY®
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards®—music’s only peer-recognized accolade and highest achievement. As the world’s leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.GRAMMY.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, “like” Recording Academy on Facebook, and join the Recording Academy’s social communities on Instagram, Tumblr, and YouTube.
Common at the New York City premiere of “Megan Leavey” at Yankee Stadium on June 5, 2017. (Photo by Patrick Lewis/Starpix)
Cam (Photo by Ninelle Efremova)
Andra Day at the 33rd Annual Rock and Roll Hall of Fame Induction Ceremony at Public Auditorium in Cleveland on April 14, 2018. (Photo by Mike Coppola/Getty Images for the Rock and Roll Hall of Fame)
The following is a press release from the Recording Academy:
Tina Tchen, Chair of the Recording Academy™’s newly formed task force on diversity and inclusion, announced the names of the 16 members joining her in examining barriers and biases affecting women and other underrepresented voices in the music industry and, specifically, the Recording Academy.
Since her appointment, Tchen has spent weeks meeting with and listening to constituents across the music community, using that feedback to assemble a task force that is balanced in perspectives and interests to ensure that the group is independent and focused on making progress in the industry. All members will volunteer their time and expertise, and none are employed by the Recording Academy or hold any position on its Board. The task force includes the following music creators, executives, academic scholars, and thought leaders in gender equality and diversity:
Stephanie Alexa, vice president of finance and licensing administration, ATO Records
Michele Anthony, executive vice president and executive management board member, Universal Music Group
Cam, GRAMMY®-nominated artist
Common, GRAMMY-winning artist
Sheryl Crow, GRAMMY-winning artist
Andra Day, GRAMMY-nominated artist
Giselle Fernandez, award-winning television journalist
Jimmy Jam, GRAMMY-winning artist
Beth Laird, CEO and co-owner, Creative Nation
Debra Lee, chairman and CEO, BET Networks
Rebeca Leon, co-founder and CEO, Lionfish Entertainment
Elizabeth Matthews, CEO, ASCAP
Dr. Stacy L. Smith, founder and director, USC Annenberg Inclusion Initiative
Ty Stiklorius, founder and CEO, Friends At Work
Julie Swidler, executive vice president of business affairs and general counsel, Sony Music
Dean Wilson, CEO, SEVEN20
“I’m honored to lead such an esteemed group of visionaries who possess the experience and passion needed to drive real change in building a more inclusive and equitable music community,” said Tchen. “This is an important first step made possible by the Recording Academy’s leadership, which recognizes the benefit of examining these issues with fresh eyes.”
The task force is set to meet shortly to begin its work with a review of Recording Academy operations and policies across the areas of corporate governance, hiring and promotion, membership, awards, and the GRAMMY Awards® telecast. As Chair, Tchen will develop an operational roadmap for the task force and update the Recording Academy on the group’s progress on an ongoing basis throughout the year.
“This is an extremely important initiative for us,” said John Poppo, Chair of the Recording Academy Board of Trustees. “The Board takes seriously any role the Recording Academy can play in serving our music community, and certainly one that could facilitate increased diversity and inclusion. We are inspired by the prospect of what this task force might accomplish, and we’re grateful to Tina and the group’s esteemed members for graciously agreeing to partner with us in this effort.”
As one of its first orders of business, the task force has established a feedback tool to collect public input and suggestions for the group’s review and consideration. Anyone interested in providing suggestions for the task force can do so by visiting www.grammy.com/taskforcefeedback.
“The Recording Academy prides itself on being a thoughtful organization, and is committed to being responsive to those we represent in the creative community,” said Neil Portnow, President/CEO of the Recording Academy. “Today, there’s an opportunity for us to effect historic change in attitudes and practices within our industry. We embrace that opportunity in full. With a leader like Tina at the helm and a group of such high caliber, this task force is primed to have a meaningful impact on building a music community that is inclusive, welcoming, and open to all.”
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards®—music’s only peer-recognized accolade and highest achievement. As the world’s leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.GRAMMY.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, “like” Recording Academy on Facebook, and join the Recording Academy’s social communities on Instagram, Tumblr, and YouTube.
Bruno Mars at the 60th Annual Grammy Awards in New York City, on January 28, 2018. (Photo by Kevin Mazur/Getty Images)
With seven awards for his “24K Magic” album and “That’s What I Like” song, Bruno Mars was the top winner at the 60th Annual Grammy Awards, which took place at New York City’s Madison Square Garden on January 28, 2018. He became one of the few artists in Grammy history (including Adele, 2017’s biggest Grammy winner) to sweep the top three prizes in one year: Album of the Year, Record of the Year and Song of the Year. Mars also won all the other Grammys for which he was nominated this year: Best R&B Album, Best R&B Performance and Best R&B Song. “24K Magic” also took the prize for Best Engineered Album, Non-Classical, an award that went to engineers Serban Ghenea, John Hanes and Charles Moniz and mastering engineer Tom Coyne.
Performers included Jon Batiste, Brothers Osborne, Alessia Cara, Cardi B, Childish Gambino, Eric Church, Gary Clark Jr., Miley Cyrus, Daddy Yankee, DJ Khaled, Luis Fonsi, Emmylou Harris, Elton John, Kesha, Khalid, Lady Gaga, Kendrick Lamar, Little Big Town, Logic, Patti LuPone, Bruno Mars, Maren Morris, Pink, Ben Platt, Rihanna, Zuleyka Rivera, Sam Smith, Chris Stapleton, Sting, SZA, Bryson Tiller and U2.
Presenters included Tony Bennett, Dave Chappelle, Kelly Clarkson, Victor Cruz, Eve, Jim Gaffigan, Katie Holmes, Nick Jonas, Anna Kendrick, Alicia Keys, John Legend, Shemar Moore, Trevor Noah, Sarah Silverman, Hailee Steinfeld, Donnie Wahlberg and U2 members Bono and the Edge.
The award show had several artists speaking out on stage against racism and sexism, including Lamar, Janelle Monáe and Logic. Many celebrities who wanted to show their support of the Times Up and #MeToo movement wore or carried white roses at this year’s Grammy Awards.
Grammy Awards host James Corden delivered an uneven performance that was a lot less inspired than his hosting at the 2017 Grammys. Many of his jokes fell flat, and a prerecorded skit of Corden, Sting and Shaggy doing a New York subway version of Corden’s famous Carpool Karaoke was truly cringeworthy and dragged on for too long. A skit that was much-better received by the audience at the arena was a mock prediction of potential winners for the spoken-word Grammy. The skit showed celebrities such as Snoop Dogg, Cardi B and Hillary Clinton reading excerpts from “Fire and Fury: Inside the Trump White House,” which has several unflattering stories about President Donald Trump. Throughout the evening, Corden, “The Daily Show” host Trevor Noah and other celebrities on the Grammy stage made direct and indirect criticisms and jokes about Trump and his administration’s policies.
The Grammy Awards are voted on by the Recording Academy’s membership body of music makers, who represent all genres and creative disciplines, including recording artists, songwriters, producers, mixers, and engineers.
The following is a sampling of nominations from the Grammy Awards’ 30 fields and 84 categories. For a complete list of winners and nominations, visit www.grammy.com.
*=winner
Album of the Year
“Awaken, My Love!” — Childish Gambino
4:44 — JAY-Z
DAMN. — Kendrick Lamar
Melodrama — Lorde
24K Magic — Bruno Mars*
Record of the Year – given to the artist(s) and producer(s)
“Redbone” — Childish Gambino
“Despacito” — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“The Story Of O.J.” — JAY-Z
“HUMBLE.” — Kendrick Lamar
“24K Magic” — Bruno Mars*
Song of the Year – given to the songwriter(s)
“Despacito” — Ramón Ayala, Justin Bieber, Jason “Poo Bear” Boyd, Erika Ender, Luis Fonsi & Marty James Garton, songwriters (Luis Fonsi & Daddy Yankee Featuring Justin Bieber)
“4:44” — Shawn Carter & Dion Wilson, songwriters (JAY-Z)
“Issues” — Benny Blanco, Mikkel Storleer Eriksen, Tor Erik Hermansen, Julia Michaels & Justin Drew Tranter, songwriters (Julia Michaels)
“1-800-273-8255” — Alessia Caracciolo, Sir Robert Bryson Hall II, Arjun Ivatury, Khalid Robinson, songwriters (Logic Featuring Alessia Cara & Khalid)
“That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip, songwriters (Bruno Mars)*
Best New Artist
Alessia Cara*
Khalid
Lil Uzi Vert
Julia Michaels
SZA
Best Pop Solo Performance
“Love So Soft” — Kelly Clarkson
“Praying” — Kesha
“Million Reasons” — Lady Gaga
“What About Us” — P!nk
“Shape Of You” — Ed Sheeran*
Best Pop Duo/Group Performance
“Something Just Like This” — The Chainsmokers & Coldplay
“Despacito” — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“Thunder” — Imagine Dragons
“Feel It Still” — Portugal. The Man*
“Stay” — Zedd & Alessia Cara
Best Dance/Electronic Album
Migration — Bonobo
3-D The Catalogue — Kraftwerk*
Mura Masa — Mura Masa
A Moment Apart — Odesza
What Now — Sylvan Esso
Best Rock Performance
“You Want It Darker” — Leonard Cohen
“The Promise” — Chris Cornell
“Run” — Foo Fighters*
“No Good” — Kaleo
“Go To War” — Nothing More
Best Urban Contemporary Album
Free 6lack — 6lack
Awaken, My Love! — Childish Gambino
American Teen — Khalid
Ctrl — SZA
Starboy — The Weeknd*
Best Rap Album
4:44 — JAY-Z
DAMN. — Kendrick Lamar*
Culture — Migos
Laila’s Wisdom — Rapsody
Flower Boy — Tyler, The Creator
Best Country Album
Cosmic Hallelujah — Kenny Chesney
Heart Break — Lady Antebellum
The Breaker — Little Big Town
Life Changes — Thomas Rhett
From A Room: Volume 1 — Chris Stapleton*
Best Jazz Vocal Album
The Journey — The Baylor Project
A Social Call — Jazzmeia Horn
Bad Ass And Blind — Raul Midón
Porter Plays Porter — Randy Porter Trio With Nancy King
Dreams and Daggers – Cécile McLorin Salvant*
Best Gospel Album
Crossover — Travis Greene
Bigger Than Me — Le’Andria
Close — Marvin Sapp
Sunday Song — Anita Wilson
Let Them Fall In Love — Cece Winans*
Best Contemporary Christian Music Album
Rise — Danny Gokey
Echoes (Deluxe Edition) — Matt Maher
Lifer — MercyMe
Hills And Valleys — Tauren Wells
Chain Breaker — Zach Williams*
Best Latin Pop Album
Lo Único Constante — Alex Cuba
Mis Planes Son Amarte — Juanes
Amar Y Vivir En Vivo Desde La Cuidad De México, 2017 — La Santa Cecilia
Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos) — Natalia Lafourcade
El Dorado — Shakira*
Best Americana Album
Southern Blood — Gregg Allman
Shine On Rainy Day — Brent Cobb
Beast Epic — Iron & Wine
The Nashville Sound — Jason Isbell And The 400 Unit*
Brand New Day — The Mavericks
Best Comedy Album
The Age Of Spin & Deep In The Heart Of Texas — Dave Chappelle*
Cinco — Jim Gaffigan
Jerry Before Seinfeld — Jerry Seinfeld
A Speck Of Dust — Sarah Silverman
What Now? — Kevin Hart
Best Song Written For Visual Media
“City Of Stars” — Justin Hurwitz, Benj Pasek & Justin Paul, songwriters (Ryan Gosling & Emma Stone), Track from La La Land
“How Far I’ll Go” — Lin-Manuel Miranda, songwriter (Auli’i Cravalho), Track from Moana: The Songs*
“I Don’t Wanna Live Forever (Fifty Shades Darker) — Jack Antonoff, Sam Dew & Taylor Swift, songwriters (ZAYN & Taylor Swift), Track from Fifty Shades Darker
“Never Give Up” — Sia Furler & Gregg Kurstin, songwriters (Sia), Track from Lion
“Stand Up For Something” — Common & Diane Warren, songwriters (Andra Day Featuring Common), Track from Marshall
The following is a press release from the Recording Academy:
The Recording Academy™ welcomes this year’s class of Grammy nominees. Already a 21-time Grammy winner, JAY-Z leads with eight nominations, followed by Kendrick Lamar (7), Bruno Mars (6), Childish Gambino (5), Khalid (5), No I.D. (5), and SZA (5). Selected from more than 22,000 submissions across 84 categories, the nominations showcase some of the most gifted music makers of the past awards year (Oct. 1, 2016–Sept. 30, 2017). As the only peer-selected music award, the Grammy is voted on by the Recording Academy’s membership body of music makers, who represent all genres and creative disciplines, including recording artists, songwriters, producers, mixers, and engineers.
“I’m inspired by this year’s nominees and the incredible talent each possesses,” said Neil Portnow, President/CEO of the Recording Academy. “Their recordings are a true testament to how creatively alive and meaningful our music industry has become. Each nominee uses their craft to inspire, uplift, and tell stories of our world through their artistry. They provide a vibrant soundtrack that represents the highest level of excellence and continues to impact and reflect our culture.”
“The beauty of our process begins and ends with the participation of music professionals,” said Bill Freimuth, Recording Academy Senior Vice President of Awards. “Our nominations reflect the expertise and passion of Recording Academy voting members.”
The final round of Grammy voting is Dec. 7–21, 2017. The Recording Academy will present the Grammy Awards® on Sunday, Jan. 28, 2018, live from Madison Square Garden in New York and broadcast on the CBS Television Network from 7:30–11:00 p.m. ET/4:30–8:00 p.m. PT.
The following is a sampling of nominations from the GRAMMY Awards’ 30 Fields and 84 categories.
For a complete nominations list, visit www.grammy.com.
Record of the Year
“Redbone” — Childish Gambino
“Despacito” — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“The Story Of O.J.” — JAY-Z
“HUMBLE.” — Kendrick Lamar
“24K Magic” — Bruno Mars
Album of the Year
“Awaken, My Love!” — Childish Gambino
4:44 — JAY-Z
DAMN. — Kendrick Lamar
Melodrama — Lorde
24K Magic — Bruno Mars
Song of the Year
“Despacito” — Ramón Ayala, Justin Bieber, Jason “Poo Bear” Boyd, Erika Ender, Luis Fonsi & Marty James Garton, songwriters (Luis Fonsi & Daddy Yankee Featuring Justin Bieber)
“4:44” — Shawn Carter & Dion Wilson, songwriters (JAY-Z)
“Issues” — Benny Blanco, Mikkel Storleer Eriksen, Tor Erik Hermansen, Julia Michaels & Justin Drew Tranter, songwriters (Julia Michaels)
“1-800-273-8255” — Alessia Caracciolo, Sir Robert Bryson Hall II, Arjun Ivatury, Khalid Robinson, songwriters (Logic Featuring Alessia Cara & Khalid)
“That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip, songwriters (Bruno Mars)
Best New Artist
Alessia Cara
Khalid
Lil Uzi Vert
Julia Michaels
SZA
Best Pop Solo Performance
“Love So Soft” — Kelly Clarkson
“Praying” — Kesha
“Million Reasons” — Lady Gaga
“What About Us” — P!nk
“Shape Of You” — Ed Sheeran
Best Pop Duo/Group Performance
“Something Just Like This” — The Chainsmokers & Coldplay
“Despacito” — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“Thunder” — Imagine Dragons
“Feel It Still” — Portugal. The Man
“Stay” — Zedd & Alessia Cara
Best Dance/Electronic Album
Migration — Bonobo
3-D The Catalogue — Kraftwerk
Mura Masa — Mura Masa
A Moment Apart — Odesza
What Now — Sylvan Esso
Best Rock Performance
“You Want It Darker” — Leonard Cohen
“The Promise” — Chris Cornell
“Run” — Foo Fighters
“No Good” — Kaleo
“Go To War” — Nothing More
Best Urban Contemporary Album
Free 6lack — 6lack
Awaken, My Love! — Childish Gambino
American Teen — Khalid
Ctrl — SZA
Starboy — The Weeknd
Best Rap Album
4:44 — JAY-Z
DAMN. — Kendrick Lamar
Culture — Migos
Laila’s Wisdom — Rapsody
Flower Boy — Tyler, The Creator
Best Country Album
Cosmic Hallelujah — Kenny Chesney
Heart Break — Lady Antebellum
The Breaker — Little Big Town
Life Changes — Thomas Rhett
From A Room: Volume 1 — Chris Stapleton
Best Jazz Vocal Album
The Journey — The Baylor Project
A Social Call — Jazzmeia Horn
Bad Ass And Blind — Raul Midón
Porter Plays Porter — Randy Porter Trio With Nancy King
Dreams And Daggers — Cécile McLorin Salvant
Best Gospel Album
Crossover — Travis Greene
Bigger Than Me — Le’Andria
Close — Marvin Sapp
Sunday Song — Anita Wilson
Let Them Fall In Love — Cece Winans
Best Contemporary Christian Music Album
Rise — Danny Gokey
Echoes (Deluxe Edition) — Matt Maher
Lifer — MercyMe
Hills And Valleys — Tauren Wells
Chain Breaker — Zach Williams
Best Latin Pop Album
Lo Único Constante — Alex Cuba
Mis Planes Son Amarte — Juanes
Amar Y Vivir En Vivo Desde La Cuidad De México, 2017 — La Santa Cecilia
Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos) — Natalia Lafourcade
El Dorado — Shakira
Best Americana Album
Southern Blood — Gregg Allman
Shine On Rainy Day — Brent Cobb
Beast Epic — Iron & Wine
The Nashville Sound — Jason Isbell And The 400 Unit
Brand New Day — The Mavericks
Best Comedy Album
The Age Of Spin & Deep In The Heart Of Texas — Dave Chappelle
Cinco — Jim Gaffigan
Jerry Before Seinfeld — Jerry Seinfeld
A Speck Of Dust — Sarah Silverman
What Now? — Kevin Hart
Best Song Written For Visual Media
“City Of Stars” — Justin Hurwitz, Benj Pasek & Justin Paul, songwriters (Ryan Gosling & Emma Stone), Track from La La Land
“How Far I’ll Go” — Lin-Manuel Miranda, songwriter (Auli’i Cravalho), Track from Moana: The Songs
“I Don’t Wanna Live Forever (Fifty Shades Darker) — Jack Antonoff, Sam Dew & Taylor Swift, songwriters (ZAYN & Taylor Swift), Track from Fifty Shades Darker
“Never Give Up” — Sia Furler & Gregg Kurstin, songwriters (Sia), Track from Lion
“Stand Up For Something” — Common & Diane Warren, songwriters (Andra Day Featuring Common), Track from Marshall
Producer of the Year, Non-Classical
Calvin Harris
No I.D.
Greg Kurstin
Blake Mills
The Stereotypes
About the Recording Academy
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the Grammy Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the Gtammy Awards—music’s only peer-recognized accolade and highest achievement. As the world’s leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, “like” Recording Academy on Facebook, and join the Recording Academy’s social communities on Instagram, Tumblr, and YouTube.
