Review: ‘Thelma’ (2024), starring June Squibb, Fred Hechinger, Richard Roundtree, Clark Gregg, Parker Posey and Malcolm McDowell

July 8, 2024

by Carla Hay

June Squibb and Fred Hechinger in “Thelma” (Photo courtesy of Magnolia Pictures)

“Thelma” (2024)

Directed by Josh Margolin

Culture Representation: Taking place in the Los Angeles area, the comedy film “Thelma” features a predominantly white cast of characters (with a few African Americans and one Latina) representing the working-class and middle-class.

Culture Clash: A 93-year-old grandmother attempts to track down the con artists who scammed her out of $10,000.  

Culture Audience: “Thelma” will appeal primarily to people who are fans of the movie’s headliners and are interested in comedies that make pointed observations about aging and how elderly people are often perceived.

Richard Roundtree and June Squibb in “Thelma” (Photo courtesy of Magnolia Pictures)

The vigilante comedy “Thelma” achieves a rare balance of being hilarious, harrowing and heartwarming, even with some plot holes. June Squibb is a delight in this unique movie about a 93-year-old grandmother seeking revenge on con artists who scammed her. It’s the type of comedy that also has a lot to say (without being preachy) about how elderly people are often treated by society.

“Thelma,” which is the feature-film debut of writer/director Josh Margolin, had its world premiere at the 2024 Sundance Film Festival. The movie gets a lot of mileage out of the fact that 93-year-old widow Thelma Post (played by Squibb) is very resourceful in her quest, despite being disabled, ignorant about most computer technology, and not having a driver’s license or a car. All of these factors affect her vigilante mission after she is scammed out of $10,000. Although the movie is fiction, a mid-credits scene shows how Margolin’s real-life grandmother Thelma influenced the movie.

“Thelma” (which takes place in the Los Angeles area) begins by showing Thelma getting help from her 24-year-old grandson Daniel Markowitz (played by Fred Hechinger), who is patiently showing her how to find a certain message in her email. Thelma is looking for an emailed recording of her deceased husband Ted singing “One Enchanted Evening.” Thelma, who lives by herself, has been a widow for almost two years.

Daniel, who is Thelma’s only grandchild, has a close relationship with Thelma and adores her immensely. Daniel’s neurotic mother Gail (played by Parker Posey) is Thelma’s daughter. Gail and her uptight husband Alan (played by Clark Gregg), who is Daniel’s father, are both busy working professionals. Daniel is unemployed, so he’s been asked to look after Thelma as much as he can. Daniel asks Thelma to wear a wrist band for emergency alerts. She reluctantly agrees to wear it.

It’s shown in the beginning of the movie that Daniel has a lot of insecurities because he feels like he is a disappointment to his parents. Not only is he unemployed, but he also hasn’t figured out what to do with his life. His aimlessness is one of the reasons why he thinks his estranged girlfriend Allie (played by Coral Peña) has asked that they take a break from each other. Daniel has this to say to Thelma about his separation from Allie: “We’re in different places. She thinks I’m ‘stuck.'”

One day, Thelma is at home by herself when she gets a frantic phone call from a young man who identifies himself as her grandson because he calls her “Grandma.” The voice on the phone sounds a lot like Daniel. The person on the phone tells her that he’s in jail because he got into a car accident where his car hit a pregnant woman.

Another man then gets on the phone and says he’s the defense attorney for the grandson. This so-called attorney says it’s urgent that his client get bailed out as soon as possible, but he needs $10,000 in cash immediately for that to happen. He instructs Thelma to send the cash through the mail to his office address. It’s a scam, of course, but Thelma doesn’t know it yet.

Thelma doesn’t hesitate to follow the instructions. She withdraws $10,000 from her bank account and mails the cash to the name and address she was given. She put the cash in a stamped envelope and just dropped the envelope in a mailbox at a post office, without getting a tracking number for the envelope. She later finds out it’s a fake name, and the address is a place that provides a street address for private mail boxes.

When Thelma finds out that Daniel really isn’t in jail and that she was scammed, she’s deeply embarrassed. Daniel, Gail and Alan tell her that the most important thing is that Thelma wasn’t physically hurt. They report the theft to police.

But unfortunately, Thelma can’t remember the name and address where she mailed the money in an envelope that can’t be tracked. The police officer taking the report tells Thelma and her family that it’s unlikely they can catch the culprits and get the money back since they don’t have any helpful information to track down the con artists. Daniel feels guilty because he wasn’t there with Thelma to prevent this scam from happening.

Meanwhile, Gail and Alan start to revisit the idea that Thelma is better off in a senior living facility. It’s a sore subject with Thelma, who thinks she’s perfectly capable of living by herself. Thelma’s embarrassment about being scammed turns to anger. And she decides she’s gong to track down the con artists, whether her family likes it or not.

Thelma knows her family wouldn’t approve of her vigilante plan, so she doesn’t tell them what she wants to do. She asks Daniel for a car ride to the Belwood Village Senior Living Facility, where she visits her longtime friend Ben Halpern (played by Richard Roundtree), who’s been a widower for the past five years. Thelma tells Ben about her plan and asks to borrow his scooter, but he says no.

The rest of “Thelma” is a madcap and sometimes poignant roller coaster ride of a story as Thelma (with a lot of help from Ben) plays detective and goes on the hunt for the scammers. Thelma’s anxious family members report her missing from the Belwood Village Senior Living Facility. It’s in this part of the movie that it’s revealed Thelma has several health issues: She’s a breast cancer survivor, had a hip replacement, and she wears hearing aids. She also has arrhythmia, a brain tumor, sepsis, edema and transient global amnesia.

There are some amusing scenes with Belwood Village employees Rochelle (played by Nicole Byer) and Colin (played by Quinn Beswick), who go back and forth with Thelma’s family over whether or not Thelma’s disappearance need to be reported to police, since it’s not uncommon for elderly people to wander off at this facility. There’s a Belwood Village resident named Starey Gary (played by David Giuliani), who got this nickname because he’s non-verbal and just stares. Starey Gary’s disabilities are not mocked in a cruel way, but his spaced-out persona is used for some of the comedic moments.

“Thelma” makes physical aging and elderly disabilities the focus of lot of jokes in ways that are not intended as insult but to make viewers aware that senior citizens should not be underestimated because they might have physical characteristics that some people might perceive as liabilities. Thelma is a feisty free spirit who doesn’t let her disabilities hold her back from what she wants to do.

Thelma’s relationship with Daniel and her relationship with Ben are the heart and soul of the movie. Hechinger’s performance is convincing as a scruffily adorable Daniel, while Roundtree’s appealing performance as practical Ben provides some down-to-earth balance to Thelma’s impulsive tendencies. (“Thelma” is the last movie from Roundtree, who died in 2023 at the age of 81.) An “in memoriam” tribute caption for Roundtree is in the film’s end credits. Malcolm McDowell plays a character named Harvey, who shows up in the last third of the film.

“Thelma” has plenty of laugh-out-loud moments because the casting and comedic timing for this movie are pretty much close to perfect. However, viewers have to suspend a lot of disbelief in a climactic part of the film which has some unrealistic elements with a few contradictions and unanswered questions. Overall, the movie’s heartfelt moments are effective without being sappy. “Thelma” stands out not just because it’s rare to see someone in their 90s headline a movie but also because it’s a genuinely funny movie that defies all the usual stigmas that people usually have about getting old.

Magnolia Pictures released “Thelma” in U.S. cinemas on June 21, 2024. The movie will be released on digital and VOD on July 19, 2024.

Review: ‘Moving On’ (2023), starring Jane Fonda, Lily Tomlin, Malcolm McDowell, Sarah Burns and Richard Roundtree

March 27, 2023

by Carla Hay

Lily Tomlin and Jane Fonda in “Moving On” (Photo by Aaron Epstein/Roadside Attractions)

“Moving On” (2023)

Directed by Paul Weitz

Culture Representation: Taking place in California (and briefly in Ohio), the comedy/drama film “Moving On” features a predominantly white cast of characters (with some African Americans and Latinos) representing the working-class and middle-class.

Culture Clash: After their former best friend from college passes away, two elderly women decide to get deadly revenge on the friend’s widower for a despicable act that he committed 46 years ago. 

Culture Audience: “Moving On” will appeal primarily to people who are fans the movie’s stars and fairy-tale-like movies about acting on revenge fantasies.

Malcom McDowell in “Moving On” (Photo by Aaron Epstein/Roadside Attractions)

Neither terrible nor great, “Moving On” will mainly appeal to viewers who like seeing Jane Fonda and Lily Tomlin work together on screen. This comedy/drama with a deadly revenge plot is really a harmless story about appreciating true friendships. It’s recommended only for people who want something to do to pass the time and aren’t expecting anything outstanding from a movie that has a talented cast and director who’ve made better films. “Moving On” had its world premiere at the 2022 Toronto International Film Festival.

Written and directed by Paul Weitz, “Moving On” begins with a senior citizen named Claire (played by Fonda) leaving her home state of Ohio for a trip to California, to attend the funeral of a longtime friend named Joyce. Claire, Joyce and a woman named Evelyn (played by Tomlin) were the best of friends in college. Claire isn’t going to the funeral just to grieve. She wants to go to California to kill Joyce’s husband Howard (played by Malcolm McDowell), who has no idea that he’s the target of a murder plot.

Claire has been married and divorced twice. Her most recent divorce was 15 years ago. She has an adult daughter (from her second marriage) and two teenage grandchildren. Claire currently lives alone and has a beloved pet Corgi named Daschel. Evelyn is the only person (other than Claire) who knows why Claire would want to kill Howard.

Evelyn is a retired professional cellist who used to be part of a classical orchestra that traveled around the world. She has arthritis, bursitis and tendonitis, which obviously ended her career. Evelyn lives in a retirement building in California, not far from where Joyce and Howard live. Evelyn, who has been living openly as a lesbian for years, is grieving over the death of her wife Annette, who was also a classical musician. Annette and Evelyn met in 2006, and they were married in 2009, shortly before Annette died.

At the funeral, Claire is warmly greeted by Joyce’s adult daughter Allie (played by Sarah Burns), who lives in Pennsylvania. Also with Allie are her two daughters Devin (played by Haley Wolff) and Joycie (played by Cosette Abinante), who are about 8 to 10 years old. Allie is very kind and patient with her father Howard, who can be rude and abrupt with people. At the funeral, Claire tells Howard that she’s going to kill him, but he thinks she’s joking.

Howard gives an effusive eulogy about Joyce at her wake, but Evelyn interrupts and makes a bombshell announcement: During and after college, Evelyn and Joyce were secret lovers and were very much in love with each other. Their relationship ended though, and Joyce went on to marry Howard. Allie and Howard are shocked, in denial, and insulted that Evelyn would make this announcement during the wake. Eventually, Evelyn is asked to leave, and Claire leaves around the same time.

In the car, Claire tells Evelyn that she’s not surprised that Evelyn and Joyce were lovers because Claire always suspected it. Claire and Evelyn catch up with what’s been going on in their lives, because they haven’t seen each other in years. In this private conversation, Claire tells Evelyn that she’s going to murder Howard when she gets the chance to do so. Evelyn knows why Claire wants to kill Howard and thinks it’s bad idea, but then agrees to help Claire.

Claire hasn’t figured out how she’s going to murder Howard. And so, the movie has some frivolous and not-very-funny scenes of them trying to plan this murder. Claire and Evelyn go to a gun shop so that Claire can buy a gun. But then, they find out that Claire can’t legally buy a gun in California, because she’s not a resident of California. Claire and Evelynn also discuss other methods of murder, such as poisoning.

Someone who was at Joyce’s wake was Claire’s first ex-husband Ralph (played by Richard Roundtree), who lives in California, and who is happy to see Claire after years of not being in contact with her. Howard invited Ralph to the wake, because Ralph knew Joyce when Ralph was married to Claire. Ralph’s second wife Zora died four years ago.

And it isn’t long before Ralph makes it known that he’s interested in seeing Claire again, even though he knows that she lives in Ohio. Before you know it, Ralph has invited Claire over to his house for dinner. Also at the dinner are Ralph’s daughter Joie (played by Amber Chardae Robinson) and Joie’s two sons (played Jeremiah King and Isai Devine), who are about 9 to 11 years old.

“Moving On” sort of wanders and drags out the murder plot in ways that get a little tiresome. Claire and Evelyn fumble and bungle their attempts to decide how to murder Howard. And they find the weapon they are going to use from an unlikely source.

Evelyn has become acquainted with a boy of about 8 to 9 years old named James (played by Marcel Nahapetian), whose grandfather Walt (played by Vachik Mangassarian) is an ailing resident living in the same apartment building as Evelyn. James and his parents (played by Eddie Martinez and Santina Muha) visit Walt on a semi-regular basis. And one day, James mentions to Evelyn that his grandfather Walt has a gun.

James mentions it when he tells Evelyn that James’ father wants to teach James how to use a gun to go hunting. James would rather wear dresses and jewelry, and play “dress up” in mock fashion shows with Evelyn, who encourages James to be himself and pursue these passions. However, it’s obvious (without it being said out loud) that James’ parents wouldn’t approve of James’ fashion interests. Evelyn knows that she and James have to keep these types of activities a secret because of homophobia.

“Moving On” has these moments of kindness and compassion, but there are also some mean-spirited slapstick comedy moments that aren’t uproariously funny, but they’re capably acted by the cast members who are in these scenes. Viewers find out that what Howard did to Claire was so damaging, she kept it a secret from Ralph, and it ended up ruining Claire and Ralph’s marriage. Even before the secret is fully revealed, it’s easy to figure out what the secret is, because the clues are so obvious.

“Moving On” makes Howard into a caricature-like villain, which is kind of a mistake and the easiest way to depict this character. What would have been more interesting is to have Howard be very skilled at hiding his despicable side. It would also explain why he got away with what he did to Claire and why she kept it a secret: She was afraid that no one would believe her. She also didn’t want to hurt Joyce by telling Joyce the awful truth about Howard.

People should not expect “Moving On” to be a completely lighthearted film. There are some heavy and dark issues in the movie. And not all of them are handled in the best way. However, the movie keeps things interesting enough for viewers who want to find out what will happen next. There’s a fable-like quality to “Moving On” that isn’t preachy, but it shows that getting deadly revenge for a grudge can be more toxic than what caused the grudge.

Roadside Attractions released “Moving On” in U.S. cinemas on March 17, 2023.

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