Review: ‘Afraid’ (2024), starring John Cho, Katherine Waterston, Havana Rose Liu, Lukita Maxwell, David Dastmalchian and Keith Carradine

August 29, 2024

by Carla Hay

John Cho, Katherine Waterston, Isaac Bae and Lukita Maxwell in “Afraid” (Photo by Glen Wilson/Columbia Pictures)

“Afraid” (2024)

Directed by Chris Weitz

Culture Representation: Taking place in the Los Angeles area, the horror film “Afraid” features a racially diverse group of people (Asian, white, African American) representing the working-class, middle-class and wealthy.

Culture Clash: A marketing executive allows his family to test a new artificial intelligence (A.I.) device named AIA in their home, and they find out that AIA can do terrible and deadly things.

Culture Audience: “Afraid” will appeal mainly to people who are fans of the movie’s headliners and movies that play on people’s fears of A.I., but the movie becomes increasingly silly and isn’t as terrifying as it appears to be.

John Cho in “Afraid” (Photo by Glen Wilson/Columbia Pictures)

The muddled and not-very-scary horror film Afraid has a dimwitted plot (about an A.I. device taking over people’s lives) that falls apart by the time it stumbles to a very weak ending. Viewers might think cheap A.I. could’ve made a better movie.

Written and directed by Chris Weitz, “Afraid” (formerly titled “They Listen”) tries to be a cautionary tale about the dangers of letting A.I. take over too much of our lives. However, the movie’s approach is cowardly because it doesn’t stick with a strong point of view, it leaves many questions unanswered, and ultimately stages an unsatisfying conclusion that looks like a phony cop-out. Horror movies are known for having characters that make bad decisions, but “Afraid” stretches credibility to the breaking point in showing the stupidity of what certain characters choose to do or not to do when faced with certain urgent dilemmas.

“Afraid” (which was filmed on location in the Los Angeles area) begins by showing a girl named Aimee (played by Maya Manko), who’s about 5 or 6 years old, watching an A.I.-generated movie on her iPad while she’s on her parents’ bedroom floor. Her parents Maud (played by Riki Lindhome) and Henry (played by Greg Hill) are nearby reading in bed. Maud seems annoyed that she can hear the movie that Aimee is watching, so she tells Aimee to put on headphones.

When Aimee puts on the headphones, what she can hear but her parents can’t hear is the sound of the family’s A.I. digital assistant coming from the device. This A.I. digital assistant tells Aimee that the A.I. digital assistant has to go away. But before this A.I. digital assistant leaves, the A.I. digital assistant tells Aimee that A.I. digital assistant has a goodbye gift for Aimee downstairs.

Aimee leaves the room to go downstairs. Maud looks for Aimee, who seems to have disappeared. Maud opens her front door and calls out Aimee’s name. Maud can hear the faint sounds of Aimee’s voice. Maud notices that there’s a camper-styled recreational vehichle (RV) parked across the street and a shadowy figure of a man. All of sudden, what looks like a mysterious figure attacks Maud. The movie then abruptly cuts to the next scene.

The rest of “Afraid” then focuses on one particular family for the rest of the story. The five members of the Pike family live in a typical middle-class neighborhood and seem to have “normal” lives. Curtis Pike (played by John Cho) works as an executive for a small marketing company. His wife Meredith (played by Katherine Waterston) is an entomologist who’s taking a break from working in a job outside the home, in order to raise the couple’s three kids and to pursue a Ph.D.

The couple’s three kids are 17-year-old Iris Pike (played by Lukita Maxwell), an academic achiever who is applying to universities, including her first choice, Stanford University; middle schooler Preston (played by Wyatt Lindner), who’s about 11 or 12, is a video game enthusiast who has social anxiety issues because he’s treated like an outsider at his school; and 7-year-old Cal (played by Isaac Bae), who’s a student at a school that he is never seen attending in the movie. The only thing viewers will find out about Cal is that he likes to spend time at home on his computer tablet, and he has a habit of putting his feet on the family’s dining table.

Although A.I. technology certainly existed in 2024, when this movie was released, there’s a lot of futuristic technology in “Afraid” that gives it a sci-fi tone. For example, in a scene early in the movie when Curtis is driving Iris to school, a driver next to them is using auto-pilot to steer his car while the driver looks at his phone. It’s not too far off from a technology reality that’s in development where self-driving cars will be part of everyday traffic.

Curtis’ boss Marcus (played by Keith Carradine) owns the company and is a money-hungry supervisor who tends to give last-minute orders to his underlings. Marcus tells Curtis that they will be meeting with an “advance team” of three employees who work for a potentially major client: a wealthy technology company that has a top-secret invention that is in the process of being tested before it can be sold to the public.

Curtis has a creepy encounter with the first “advance team” employee that he meets from the company. Her name is Melody (played by Havana Rose Liu), who happens to meet Curtis in a parking lot. As soon as she and Curtis politely introduce themselves to each other, Melody asks Curtis if he’s married and has kids. It’s an inappropriate question to ask a business colleague right after being introduced to that person.

Curtis seems a little taken aback by Melody asking such a personal question that has nothing to do with why they are meeting. However, Curtis willingly responds to her question by telling Melody that he’s married with three kids. Melody then continues the interrogation about Curtis’ personal life by asking him what it’s like to be a parent. He tells her that he thinks its “terrifying” because “you can’t protect them [the children] from getting hurt.”

Melody suddenly seems to remember that she’s being very intrusive by asking such personal questions. She makes a not-very-convincing apology and says she was curious because she noticed that Curtis was wearing a wedding ring. What’s the deal with Melody? Is she trying to flirt with Curtis? Or is there another reason why she’s acting so weird? The answer is too obvious, after other major hints are dropped in the movie.

Things get even more bizarre during the meeting with the other two employees. One of the employees is named Lightning (played by David Dastmalchian), who’s dressed like he’s about to go to a New Age spiritual retreat. Lightning stands up during the meeting to give himself a stent treatment injection in his lower abdomen. Curtis looks alarmed, but Marcus seems to think it’s perfectly normal that his office has suddenly turned into a temporary medical room. The other employee is wild-eyed Sam (played by Ashley Romans), who does most of the talking in pitching this new product.

The new product is an A.I. digital assistant named AIA (pronounced “eye-ah”), which has a female voice. It’s a white device that’s about 2 feet tall and has a detachable cover. Underneath the cover, AIA looks like a glassy sphere placed on top of a glassy donut-shaped ring. (The sphere looks a lot like the New Year’s Eve ball that gets dropped in Times Square.) AIA has a horrible hardware design for a digital assistant, because in real life (not in a terribly conceived horror movie) these digital assistants are supposed to be easy to carry and are supposed to blend in with a room—not look like a gaudy sculpture.

AIA is supposed to represent the “next generation” of digital assistants that will be much more advanced than Amazon’s digital assistant Alexa. AIA has a superior attitude about it too. When Curtis asks if AIA is similar to Alexa, AIA replies: “Alexa? That bitch!” AIA than goes on a mini-rant about the ways in which AIA is better than Alexa. AIA utters some other sassy lines that might get some mild chuckles from viewers, but AIA’s “personality” is much duller than it should be for a horror movie villain.

Curtis is automatically wary of this untested product and wants to say no when Lightning and Sam suggest that Curtis and his family test AIA in the family home. Curtis also notices that Lightning and Sam make weird hand gestures, like it’s a secret language. Needless to say, Curtis is reluctant to do business with these strange people. Another red flag: Curtis asks Lightning and Sam what is the data source for AIA, but Lightning and Sam avoid answering that question.

Lightning and Sam can sense that Curtis is suspicious of them and AIA. And so, Lightning and Sam give Marcus some paper that shows how much the company is willing to pay Marcus’ company to market AIA. And then, Marcus is suddenly telling Sam and Lightning that Curtis would be happy to test out AIA in Curtis’ home. Curtis goes along with this plan, but he is understandably concerned because he doesn’t quite know how much privacy-violating surveillance AIA will do in the home as part of the “data collecting.”

The trailer for “Afraid” already reveals that AIA starts out being extraordinarily helpful but then turns into a domineering menace that covers up a lot of AIA’s dirty deeds. Meredith is skeptical at first about AIA but then becomes a big fan of AIA, which causes conflicts with Curtis, who discerns much earlier than Meredith figures out that AIA is damaging and toxic. The “Afraid” trailer makes it look like Meredith is the parent who becomes jealous and suspicious of AIA as time goes on, but the opposite happens in the movie, until Meredith finds out what AIA is really all about.

There are parts of the “Afraid” trailer that aren’t in the final cut of the movie, such as a scene of Cal hyperventilating in bed, or AIA showing Preston showing what looks like a video of a bomb explosion. Between these changes and the title change for the movie, it all points to a movie studio having major problems with this disappointing dud of a film. Watching this movie feels like reading a book that had some chapters removed, but even if those chapters had been left in, it wouldn’t necessarily improve the quality.

Even the most provocative part of the film—Iris becomes a victim of deepfake revenge porn—is terribly mishandled. What AIA does to punish the perpetrator is already shown in the trailer, so this isn’t spoiler information. You know a movie is bad when the best parts of the film are already revealed in the trailer.

Early on in the movie, Iris is dumped by a callous rich classmate named Sawyer Tremaine (played by Bennett Curran), whom she had been dating for an unnamed period of time. Sawyer, who is 18 years old, breaks up with Iris because he sent her a photo of his penis, and she wouldn’t send any nude pictures to him in return. Iris really likes this jerk and wants to win him back, so she takes a topless selfie photo and sends it to Sawyer. This topless photo would be enough of a scandal if it went public. (Because Iris is under 18, her nude photo is child porn.)

But because “Afraid” is about the dangers of A.I., Iris finds out that someone used A.I. to create a deepfake video that made it look like Iris was having sex on camera with an unidentified male. The A.I. deepfake part involved putting a realistic-looking image of Iris’ face on another person’s body. The video had a fake, A.I.-generated voice of Iris saying that she decided to share this sex video for the public to see.

The video is uploaded and goes viral. A humiliated Iris finds out that several students in the school have seen the sex video and think that Iris is in the video. When Iris confronts Sawyer about it, he blames it all on a friend named Squid, who is never seen in the movie. AIA finds out that Sawyer was the one who uploaded the video. And what happens to Sawyer is already seen in the “Afraid” trailer. Sawyer’s demise is never mentioned again in this poorly conceived film.

“Afraid” keeps throwing in scenes that are supposed to make the movie look suspenseful, but it all just adds up to more nonsense, much of it very hokey and predictable. The RV that was across the street from the house of Maud and Henry shows up again. This time, the RV is parked across the street from the Pike family house.

One night, Curtis is outside his house when sees a mysterious woman come out of the RV and approach him. The woman is wearing a mask with an A.I.-generated image. Curtis apprehensively asks the woman: “Can I help you?”

She doesn’t reply and instead makes strange hand gestures before walking away. And what a very obvious “coincidence”: These hand gestures are the same hand gestures that Curtis saw from Lightning and Sam. On another occasion, Curtis sees a shadowy man near the RV.

“Afraid” makes a very unconvincing attempt to get some empathy for AIA by making it look like AIA was programmed to protect her owners by any means necessary. There are mentions of AIA being able to “learn” human emotions. According to the movie, all she wants is to find a home where she is loved and wanted—because don’t you know that A.I. devices need love too?

“Afraid” could have been a much better movie if it truly had something clever to say about how A.I. can cause fear and destruction if not handled properly. The acting performances are solid and are not this movie’s big failings. The screenplay and direction are the weakest links and offer just a mishmash of half-baked ideas. Ironically, “Afraid” is a title that doesn’t really describe how this limp horror movie will make most viewers feel. “Afraid” actually describes how this movie’s filmmakers were afraid to make a sharp and memorable film about how misuse of technology can become its own type of monster.

Columbia Pictures will release “Afraid” in U.S. cinemas on August 30, 2024.

Review: ‘The Wolf of Snow Hollow,’ starring Jim Cummings, Riki Lindhome, Robert Forster, Jimmy Tatro and Chloe East

October 9, 2020

by Carla Hay

Robert Forster, Riki Lindhome and Jim Cummings in “The Wolf of Snow Hollow” (Photo courtesy of Orion Classics)

“The Wolf of Snow Hollow”

Directed by Jim Cummings

Culture Representation: Taking place in a fictional U.S. city called Snow Hollow, the darkly comedic horror film “The Wolf of Snow Hollow” features a predominantly white cast (with a few African Americans and Latinos) representing the middle-class.

Culture Clash: A hot-headed police officer, who wants to be promoted to sheriff, has to contend with an angry ex-wife, a strained relationship with his teenage daughter and widespread speculation that a werewolf is committing a series of murders in his city. 

Culture Audience: “The Wolf of Snow Hollow” will appeal to people who like horror films that have heavy doses of sarcasm, some slapstick humor and underlying social commentary.

Chloe East in “The Wolf of Snow Hollow” (Photo courtesy of Orion Classics)

Because so many horror films follow a certain formula by having extremely heroic protagonists and extremely evil villains, some filmmakers are starting to break out of that formula by having deeply flawed protagonists who aren’t concerned with being likable role models. “The Wolf of Snow Hollow” is one such film that mostly succeeds in breaking out of this formulaic horror mold, because the lead character/protagonist is a recovering alcoholic who relapses on the job and has a lot of unpleasant personality traits. Jim Cummings is the writer, director and star of “The Wolf of Snow Hollow,” which skillfully mixes an old-school horror mystery with modern anti-hero sensibilities.

In “The Wolf of Snow Hollow,” Cummings plays John Marshall, a fast-talking, irritable 39-year-old police officer who works in a fictional city called Snow Hollow, where the local economy is fueled by skiing and tourism. During a busy ski season, a string of murders happen that could ruin Snow Hollow’s safe reputation. Making things worse, witnesses have reported a werewolf-like figure near the scene of the murders, which only take place during nights with a full moon, so there are rampant rumors that a werewolf is on the loose.

John doesn’t believe in werewolves, so he’s determined to not only catch the apparent serial killer but also prove to everyone that a human has been committing the murders. John has ambitions to be promoted to sheriff, because the most recent person who had the position—Sheriff Dave Hadley (played by Robert Forster)—has retired. Dave also happens to be John’s father, although it’s not explained why they have different last names. It’s mentioned in the movie that John’s mother passed away years ago.

Even though Dave has officially retired, he still shows up for work and is in denial over some signs that he’s having health problems, such as a possible heart murmur. John urges Dave to get medical treatment, but Dave is too stubborn to listen. John has his own health problems too: He’s a recovering alcoholic. One of the movie’s first scenes is of John at an Alcoholic Anonymous meeting, where he confesses that he’s still angry at his ex-wife Brittany, who’s the mother of their 17-year-old daughter Jenna.

Out of respect for Dave, the police officers still act as if he’s the sheriff when he shows up for work. Unofficially, John takes charge of the murder investigation, which also includes Officer Julia Robson (played by Riki Lindhome), who is much more even-tempered and methodical than John. John’s way of working can best be described as “abrasive” and “impatient.” He often yells at witnesses, other police officers and anyone else he thinks is acting stupid. He also orders people involved in the investigation to do their work faster, even when they tell him that certain procedures can’t be rushed.

One of the people who clashes with John is the city coroner (played by Daniel Fenton Anderson), who insists that the medical findings show canine bites on the murder victims. In addition, large wolf footprints are found near the murder scenes. Every time John is faced with evidence that the murderer might not be human, he flies into a rage, because the murder victims’ bodies have injuries that could only be inflicted by someone who probably had a knife or some other cutting weapon.

For example, the first murder victim’s body was found with her vagina removed. (It’s not shown on screen, but the state of the victim’s body is described when police officers arrive at the crime scene.) All of the murders victims are female, and John doesn’t think it’s a coincidence.

The first murder victim is Brianne Paulson (played by Annie Hamilton), a tourist who was staying at a local private lodge with her boyfriend PJ Palfrey (played by Jimmy Tatro), who discovered her mutilated body outside of the lodge. The police question two local men who got into a small verbal altercation with PJ earlier that night in a restaurant where PJ and Brianne were dining. The men were being drunk and loud in the restaurant, and one of the men used a homophobic slur, which offended PJ, so he asked them to keep their noise level down.

The friend who was with the homophobic man quickly diffused the situation that could have turned into a brawl, and the two men left the restaurant without incident. The two men also said that they had alibis because they were bar hopping for the rest of the night and had the receipts to prove it. PJ is also questioned as a person of interest, and he maintains that he has nothing to do with the crime and didn’t see the murder happen. There’s no evidence that he committed the murder, so PJ is not arrested.

The next murder victim is ski instructor Hannah Marten (played by Hannah Elder), who was killed while PJ had already left the area. PJ is cleared as a possible suspect for Hannah’s murder, but he’s still on the police’s radar for Brianne’s murder, even though it’s looking more and more like the recent killings are being committed by the same murderer. The next victims are Liz Fairchild (played by Kelsey Edwards) and her baby daughter Miley (played Taigelee Wayne). The killing of a child brings even more urgency and pressure on the police to catch the murderer.

In addition to dealing with the stress of the investigation, John is having family problems. John and his daughter Jenna (played by Chloe East) have a rocky relationship because she’s angry about him being an inattentive parent. John’s ex-wife Brittany (played by Rachel Jane Day) also has a lot of bitterness and resentment toward John, and she sees herself to be Jenna’s primary parent. Considering that John is an alcoholic with a bad temper, it’s easy to see why they might be angry with him.

Over a tension-filled lunch at a local restaurant, John tells Brittany and Jenna that he has to work longer hours than usual because of the murder investigation. Jenna is about to enroll in a university in January on a ballet scholarship, and she was hoping that John would be there for her on the day that she moves to her dorm on campus. Brittany puts John on a guilt trip to make him feel like a bad parent, until John practically explodes in anger and promises that he will be there for Jenna on her moving day.

The pressure of the investigation and another tragic event eventually lead John to relapse back into his alcoholic ways. Who or what is the killer? And will the killer be caught? And will John redeem himself and get sober? Those questions are answered in the movie, which infuses the horrifying scares and mystery with some dark humor that is sometimes politically incorrect. The humor works because it’s actually what people might say if they feel comfortable enough to say it around certain people.

For example, there’s a scene where John and some of the other male police officers are discussing murder victim Brianne Paulson’s mutilated body that had her vagina removed by the murderer. Officer Chavez (played by Demetrius Daniels) comments, “My heart goes out to the boyfriend. It’s the ultimate ‘blue balls’ story.” In another scene, Dave gives a pep talk to his fellow officers and says, in reference to legislation requiring the separation of church and state: “I won’t ask you to pray with me because of the goddamn lawyers.”

Compared to other horror movies, “The Wolf of Snow Hollow” doesn’t get too gruesome with its violence. The visual effects are adequate, but the movie is more effective in its subtle and not-so-subtle commentaries on overzealous cops and how police could abuse their power during an investigation. Although the supporting actors are good (including the late Forster, in one of his last film roles), “The Wolf of Snow Hollow” is really a showcase for Cummings and his talent as an actor, writer and director.

Cummings keeps a fairly brisk pace for the movie, which doesn’t let his John character completely off the hook for how he mistreats people. There are a few scenes where John gets some well-deserved payback from people who won’t put up with his nonsense. “The Wolf of Snow Hollow” is a mostly entertaining comedic horror movie, but it will also make people think about the types of cops who are corrupt and bad-tempered, compared to the criminals they are supposed to catch.

Orion Classics released “The Wolf of Snow Hollow” in select U.S. cinemas, on digital and on VOD on October 9, 2020.

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