Review: ‘Cleaner’ (2025), starring Daisy Ridley, Taz Skylar and Clive Owen

March 11, 2025

by Carla Hay

Daisy Ridley in “Cleaner” (Photo courtesy of Quiver Distribution)

“Cleaner” (2025)

Directed by Martin Campbell

Culture Representation: Taking place in London, the action film “Cleaner” features a predominantly white cast of characters (with a few black people, Latin people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A window cleaner, who left the U.K. miltary in disgrace, becomes the main person who can stop a group of terrorists who have taken hostages at a corrupt corporation that is in the energy business.

Culture Audience: “Cleaner” will appeal mainly to people who are fans of stars Daisy Ridley and Clive Owen and don’t mind watching a silly and derivative action flick.

Taz Skylar and Clive Owen in “Cleaner” (Photo courtesy of Quiver Distribution)

“Cleaner” starts off as a promising thriller that’s obviously inspired by “Die Hard,” with a hero battling office-invading terrorists. But as the movie goes along, it becomes too ridiculous to take. Everything devolves into corny dreck with uneven acting.

Directed by Martin Campbell, “Cleaner” was written by Matthew Orton, Simon Uttley and Paul Andrew Williams. The movie, which takes place in London, has a story that happens over the course of a 24-hour period. (“Cleaner” was actually filmed in London and Malta.) The snappy dialogue that’s in the first 20 minutes of “Cleaner” all but disappears and is replaced by mind-numbing nonsense.

The protagonist in “Cleaner” is Joanna “Joey” Locke (played by Daisy Ridley), a feisty and foul-mouthed former U.K. Army soldier who now works as a skyscraper cleaner. Joey’s military career abruptly ended when she got into a fight that violated military rules. Depending on who you believe in the story, Joey either quit the military or she was dishonorably discharged.

Joey has a younger brother named Michael (played by Matthew Tuck), who has autism. Michael is a computer whiz who likes hacking into computers. (And you can bet these hacking skills will be used later in the movie.) In the beginning of the movie, Michael has been expelled from the home care facility where he was living because he’s the prime suspect in leaking confidential information about the home care facility to the media. Whoever leaked the information exposed some of the facility’s shady business practices.

Joey is seen storming into the home care office to pick up Michael after he’s been expelled. She gets angry at the on-duty administrator (played by Kate Nichols) by saying that the facility has no right to expel Michael without proof that he was the one who leaked the information. The administrator is unmoved and says Michael has to leave the property immediately. Later, Michael privately confesses to Joey that he did exactly what he was accused of doing.

Michael has nowhere else to go, and Joey is already running late for her job, so she reluctantly takes Michael with her to the high-rise building where she works. The building is the headquarters of a major corporation called Agnian Energy. On the way there, Joey and Michael race against time by going on a series of bus rides in a rather funny sequence where Michael tries and fails to get Joey to stop cursing so much.

Joey tells Michael that he can live with her until they can find a new place for him to live. Michael is thrilled about it, because he likes living with Joey. However, Joey doesn’t try to hide that she’s not keen on Michael living with her because of his high-maintenance needs. Joey flatly refuses Michael’s request to help him get the same job as a window cleaner. Joey tells Michael no because she says her boss Derek (played by Gavin Fleming) is a jerk.

It’s the late afternoon when Joey arrives at the Agnian Energy building. Joey tells Michael to wait for her in the building lobby until her work shift ends. She asks a lobby security guard named Big Ron (played by Russell De Rozario) to look after Joey, who doesn’t like feeling that someone has to babysit him. And as soon as Joey asks someone to look after Michael, you just know something is going to happen where Michael is going to slip out of the minder’s sight.

The two CEOs of Agnian Energy are brothers Gerald Milton (played by Lee Boardman) and Geoffrey Milton (played by Rufus Jones), who have opposite personalities. Older brother Gerald is a cocaine-snorting bully who cares more about being hedonistic on the job than actually doing the job. Geoffrey is the level-headed “brains” of the operation and does most of the real CEO work. Gerald and Geoffrey have opposite personalities, but they are both very corrupt.

How much of a nasty person is Gerald? Gerald, Joey and a pregnant housekeeper named Halina (played by Sol E. Romero) are all on a crowded elevator together. Gerald looks at Halina in disgust and tells her: “You better not fucking drop now. You should be at home.” Joey quips in response: “Maybe if you paid her proper maternity leave, she would be.” Gerald later asks a subordinate if Joey can be fired for being “lippy” to Gerald. Gerald is told no.

Agnian Energy is having a big corporate party in the building that evening. Several of the company’s investors and other business associates will be attending this party. Because Joey was late to work, Derek makes her work one hour past the end of her work shift, after it gets dark. And it’s here where the movie starts to fall off the rails because of how illogical it is to have a skyscraper window cleaner work outside at night when it’s too dark to see how clean the glass is.

Joey is outside on a platform and cleaning the building windows at night when she sees the masked terrorists who invade this office party. The six armed people who storm into the building are wearing green goblin masks and have an agenda: Take all the party attendees hostage and make them confess their business crimes on a livestream feed.

Who are these terrorists? They’re a radical group of environmentalists who think Agnian Energy is responsible for illegal pollution and other business crimes. The group is led by Marcus Blake (played by Clive Owen), who doesn’t want anyone killed during this office invasion.

Someone else in this group of terrorists has other ideas and gets in a power struggle with Marcus. This challenger is Noah Santos (played by Taz Skylar), a nihilist who says he hates all people and thinks the hostages at this party deserve to be murdered. Noah is very much a cartoonish villain, whose dialogue becomes more unhinged (and more cringeworthy) as the movie stumbles along from one stupid scene to the next.

If you know about “Die Hard” or other movies that are trying to be like “Die Hard,” then you can easily predict what will happen for the rest of “Cleaner,” which is a disappointing dud. The fight scenes are often ludicrous. And there’s even an idiotic scene where Joey is on her skyscraper platform outside while Noah forces her to shoot a gun at innocent bystanders below on the street.

The two main law enforcement officers on the scene are Detective Sergeant Claire Hume (played by Ruth Gemmell) and Detective Inspector Khan (played by Ray Fearon), who clash with each other over some decisions during this hostage crisis. Claire is the chief negotiator. Her colleague Khan doesn’t think she’s aggressive enough with the terrorists.

Ridley gives it her all to portray an action hero, but her acting efforts cannot overcome a terrible screenplay and sloppy direction. Owen (who is not in the movie for as much you might think) gives a mediocre performance, as do most of the other cast members. There isn’t one single plot development in “Cleaner” that is original or clever. Simply put: The filmmaking for “Cleaner” is as messy and unappealing as a muddy window.

Quiver Distribution released “Cleaner” in U.S. cinemas on February 21, 2025.

Review: ‘Silent Night ‘ (2021), starring Keira Knightley, Matthew Goode, Roman Griffin Davis, Annabelle Wallis and Lily-Rose Depp

December 24, 2021

by Carla Hay

Lily-Rose Depp, Ṣọpẹ́ Dìrísù, Rufus Jones, Davida McKenzie, Annabelle Wallis, Roman Griffin Davis, Keira Knightley, Hardy Griffin Davis, Matthew Goode, Gilby Griffin Davis, Lucy Punch and Kirby Howell-Baptiste in “Silent Night” (Photo by Robert Viglasky/AMC+)

“Silent Night” (2021)

Directed by Camille Griffin

Culture Representation: Taking place in an unnamed city in England, the dark comedy film “Silent Night” features a nearly all-white cast of characters (with two black people) representing the working-class and upper-middle-class.

Culture Clash: Before an impending apocalypse, a family gathers for one last Christmas dinner, where secrets are revealed, and there are emotionally painful debates over suicide.

Culture Audience: “Silent Night” will appeal primarily to people that are interested in watching very dark satires of how people deal with certain death.

Clockwise from bottom left: Lucy Punch, Hardy Griffin Davis, Roman Griffin Davis, Gilby Griffin Davis, Keira Knightley, Matthew Goode, Annabelle Wallis, Davida McKenzie, Rufus Jones, Kirby Howell-Baptiste and Ṣọpẹ́ Dìrísù in “Silent Night” (Photo by Robert Viglasky/AMC+)

“Silent Night” takes heartwarming movie clichés about Christmas holiday gatherings, and burns those stereotypes to a crisp. It’s not a horror film but a very dark comedy about how an apocalypse brings out the best and worst in people. Some viewers who have no problem watching apocalypse movies might have a problem with how the impending doom in “Silent Night” involves children and is set during the Christmas holiday season. Therefore, this movie is not for people who are very religious, or sensitive people who are extremely offended by debates about committing suicide versus waiting to be killed by an apocalypse.

“Silent Night” is the feature-film debut of writer/director Camille Smith, who took a bold risk to make her first feature film focused on such an uncomfortable topic and making it a satire. It’s a dialogue-heavy film about an upper-middle-class British family gathered for one last Christmas dinner on the eve of an apocalypse. There are secrets and lies that are revealed during this dinner, but this is not a typical apocalyptic movie where all the characters want to stay alive.

What makes “Silent Night” so different from other apocalyptic movies is that people in the movie have the option to take an Exit pill, which will kill them almost immediately, in order to avoid suffering during the apocalypse. It’s this suicide angle that’s the most likely to make “Silent Night” offensive or controversial to some viewers. However, the movie does point out the uncomfortable truth that tragedies such as suicide don’t stop just because of an impending apocalypse.

The movie is a disquieting roller coaster ride about how people’s minds can be messed with when dealing with the destructive end of the world as they know it. Some people want to plan ahead and be as prepared as possible. Some people want to deny it all and act like everything’s fine until the last possible moment. Some people don’t want to stick around for the apolocaypse to happen and want to take control of how and when they will die. Other people want to hold out hope that maybe they and their loved ones can survive the apocalypse.

This varied range of emotions and attitudes are all on display with the family gathered for this meal. Although there are many characters in the story, they have distinct personalities, so it’s easy to tell them apart. These family members are:

  • Nell (played by Keira Knightley), a high-strung socialite who is determined to keep the annual holiday tradition of having a fabulous Christmas dinner at her home.
  • Simon (played by Matthew Goode), Nell’s patient and loving husband, who is more willing to discuss the impending apocalypse than Nell is.
  • Art (played by Roman Griffin Davis), Nell and Simon’s outspoken and foul-mouthed youngest child, who’s about 12 or 13 years old.
  • Hardy (played by Hardy Griffin Davis) and Thomas (played by Gilby Griffin Davis), the identical twin sons of Nell and Simon. The twins, who are about 14 or 15 years old, are almost as bratty as their younger brother Art.
  • Sandra (played by Annabelle Wallis), Nell’s materialistic and judgmental older sister.
  • Tony (played by Rufus Jones), Sandra’s laid-back and often-henpecked husband.
  • Kitty (played by Davida McKenzie), Sandra and Tony’s prim and proper daughter, who’s about 12 or 13 years old.
  • Bella (played by Lucy Punch), Nell and Sandra’s irresponsible queer older sister, who is a single mother, but her child is not with her at this dinner.
  • Alex (played by Kirby Howell-Baptiste), Bella’s girlfriend, who works as a bodyguard and is more sensible than Bella.
  • James (as Ṣọpẹ́ Dìrísù), Alex’s younger brother, who is an oncologist in his early 30s.
  • Sophie (played by Lily-Rose Deep), James’ American girlfriend, who’s about 10 years younger than James is.

At first, the gathering seems festive and full of cheer, as everyone avoids talking about the apocalypse in depth. However, not everyone wants to be at this party. An early scene in the movie shows that while Sophie and James were driving to Nell and Simon’s house, Sophie expresses her reluctance to go to the party this year. There’s definitely disagreeable tension between this couple. Eventually, the bickering and discord begin among other people at this gathering.

Sandra and Bella have a little argument because someone named Lizzie wasn’t invited to this dinner party. Sandra was supposed to invite Lizzie, whom Bella doesn’t like. But Sandra thought that Bella would invite Lizzie. The two sisters can’t agree on whose responsibility it was to give the invitation, so they reach a stalemate.

Meanwhile, brothers Art, Hardy and Thomas are little terrors when teasing Kitty, who is a serious and often-mopey child. Kitty is offended by the brothers’ cursing. She snootily says that coarse language is for “common” people. Kitty is also upset because she wants sticky toffee pudding, which Kitty has every year at this dinner, but Nell forget to buy the pudding this year, and Nell tries to hide this fact.

Later, when the family members open their gifts around the Christmas tree, Kitty is unhappy with her gift (a talking doll), and refuses to give a “thank you” hug to her mother Sandra. Why? As Kitty pouts to Sandra, “You’re wearing my education on your feet.” In other words, Sandra spent the money for Kitty’s future school tuition on high-priced shoes. After all, what good is that money going to be in the future if the world is going to end and there’s very little chance of survival?

Before dinner, the three sisters gather in the kitchen to exchange gossip and catty remarks. They wonder out loud if Sophie is anorexic because she’s very thin. Nell and Bella mention that before they became mothers, they used to do cocaine to keep their weight down. All three sisters think that Sophie is too young for James.

Meanwhile, the men gather in the greenhouse on the property, where James reveals a big secret that he doesn’t want Nell, Sandra, Bella, Alex and the children to know about. The secret involves a major decision that has to be made before the apocalypse happens. The problem is that certain people involved in the decision don’t agree on what should be done.

By the first 15 minutes of “Silent Night,” it becomes obvious that this family is not the warm and fuzzy type, with or without an apocalypse. Nell has her big annual Christmas dinner mainly so she can show off to other members of the family. But this year, it’s different. There’s enough food and drinks to go around, but the meal isn’t as lavish as it was in the past. For example, instead of having a fancy potato dish that would be normal for this dinner, Nell says that the entire group can only have one potato per person.

It’s the first sign of rationing that implies a food shortage has been going on for quite some time. Over this scaled-back dinner, Sophie gets confrontational with Kitty about the Queen of England’s recent televised Christmas speech. Sophie is offended because she thinks that the queen looked like she was giving the speech inside of a bunker. Sophie thinks that the British royal family secretly has access to apocalypse-proof safe houses. Kitty says that it doesn’t matter because the queen is “old” and “the Russians want us all dead.”

And then, people at this fateful dinner start talking about the apocalypse, which is described as an “environmental disaster.” It’s implied that scientists predicted the exact day that the apocalypse would arrive, much like hurricanes can be predicted with precision. On television, Art sees a commercial for the Exit pill. His curiosity about the pill leads him to ask questions that the adults find difficult to answer.

The movie makes a little bit of a sociopolitical commentary when it soon becomes clear that the Exit pill is only for people who can afford it. Simon tells Art that some people in society, such as homeless people and illegal immigrants, haven’t been given the Exit pill. Simon explains to Art that the Exit pill has been withheld from certain groups of people because the government doesn’t think they legally exist.

“Silent Night” doesn’t get bogged down in political preaching. Instead, the big ethical debate in the movie is whether or not parents have the right to decide if their underage children should take the Exit pill or not. Art has an opinion that is very different from his parents. Other people at this family gathering have conflicting opinions if they or other people should take the Exit pill.

Because “Silent Night” takes place entirely on the estate property of Nell and Simon, the movie is meant to be somewhat claustrophobic in its contained setting. (Trudie Styler, who is one of the movie’s producers, has a cameo as a family friend named Nicole, who says her last goodbyes via a video conference call.) The number of people in the cast is relatively small, but the movie is realistic in showing that most people in an impending disaster would want to stick close to home with family members.

“Silent Night” has its share of flaws (there’s some contrived soap opera melodrama), and the movie will disappoint viewers who are expecting more action or more likable characters. However, all of the cast members give capable performances, and writer/director Griffin maintains an effective level of suspense over what’s going to happen in this story. Ultimately, “Silent Night” succeeds in its intention to pose disturbing questions about how an apocalypse should be handled when power and privilege play more of a role than some people would like to admit.

RLJE Films released “Silent Night” in select U.S. cinemas, and AMC+ premiered the movie on December 3, 2021.

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