“Making Waves: The Art of Cinematic Sound” is the type of documentary that is best seen in a movie theater, where the film’s impressive sound editing and sound mixing can be best appreciated. It’s also the kind of documentary that some might consider too technical for their tastes, but it’s a must-see for cinephiles, film students or anyone who cares to find out more about the history of sound in film.
The movie does a quick run-through of the transition between silent films and “talkies” to get to the heart of the film—the movies and filmmakers who’ve had the most influence on today’s cinematic experiences. Like a classroom presentation at a film school, “Making Waves” takes a somewhat academic approach in describing the different components of sound in cinema. And that’s probably because “Make Waves” director Midge Costin is an Oscar-nominated sound editor who’s also a professor of sound at USC Film School. The movie divides the discussion intro three categories: voice, sound effects and music. In the voice category are production recording, dialogue editing and ADR (automated dialog replacement). In the sound effects category are SFX, Foley and ambience.
“Making Waves” also interviews many of the top filmmakers in the industry, including Steven Spielberg, George Lucas, Christopher Nolan, Alfonso Cuarón, Sofia Coppola, Ang Lee, Ryan Coogler, Robert Redford, David Lynch and Barbra Streisand. Sound designers/editors interviewed in the documentary Walter Murch (a longtime collaborator with Francis Ford Coppola), Ben Burtt (a favorite of George Lucas), Bobbi Banks (“The Fate of the Furious,” “Straight Outta Compton”), Anna Behlmer (“Moulin Rouge!”, 2009’s “Star Trek”) and Gary Rydstrom, who’s worked on numerous Steven Spielberg movies.
The documentary takes the position that sound in cinema really began to hit its stride in the 1970s, with movies like “The Godfather” and “Star Wars.” There are several movies that are singled out for their pioneering sound. The 1976 version of “A Star Is Born” is credited with being the first to fully utilize stereo effects in sound editing. Streisand, who starred in the movie and was one of the film’s producers, tells a story in “Making Waves” about how she had to pay $1 million of her own money for the sound, and Warner Bros. Pictures ended up being so impressed with the movie’s sound quality that the movie studio ended up covering the $1 million cost.
Coppola’s 1979 masterpiece “Apocalypse Now” pioneered surround sound, while 1995’s “Toy Story” is considered a breakthrough animated film for sound. Other movies whose sound is given a spotlight in “Making Waves” include “Jurassic Park,” “Argo,” “Top Gun,” “Selma,” “Inception,” “Ordinary People,” “Brokeback Mountain” and “A River Runs Through It.” As for music in movies, the Beatles are credited with being pioneers on screen, as well as being major influences on filmmakers who were fans of the band. “Making Waves” also has interviews with famous composers such as Hans Zimmer and Ludwig Goransson, who gives a demonstration of how he crafted his Oscar-winning score for “Black Panther.”
Although a few of the people interviewed in “Making Waves” come across as bit dull, “Making Waves” is still worth seeing for the way it gives valuable history lessons in cinema. Just don’t watch this movie on a phone or a computer, or you’ll be missing out on the full sound experience of the movie and the reason why this documentary exists.
UPDATE: “Making Waves: The Art of Cinematic Sound” opens in New York City and Los Angeles on October 25, 2019. The movie expands to more cities in the U.S. and Canada, beginning November 1, 2019.
The following is a press release from the Cannes Film Festival:
During the Festival de Cannes 2018, four meetings with artists will take place Buñuel Theatre replacing the Leçon de cinéma. Four masterclasses with directors and actors invited to share their work and passion about cinema during Rendez-vous for the festival goers.
Our program this year will be a focus on English and American cinema.
Thursday, May 10, 4:00PM
AMERICAN DIRECTOR & WRITER
Ryan Coogler was born in Oakland (California). He comes back to the Festival de Cannes and will not be the same director since he presented his first feature film, Fruitvale Station (2013), five years ago. Fruitvale Station tells the story of the last 24 hours of the life of Oscar Grant, who was shot to death by a police officer at Oakland’s Fruitvale BART station. Developed and produced by Forest Whitaker, the film won the top audience and several awards among them grand jury awards in the U.S. dramatic competition at the Sundance Film Festival and Prix de l’Avenir Un Certain Regard at the Festival de Cannes handed out by Thomas Vinterberg, then President of the Jury. Coogler has since co-written and directed the seventh film in the Rocky series, Creed (2015), and the internationally acclaimed Black Panther (2018) making him the youngest Marvel Studios filmmaker. Black Panther was revolutionary in many regards. Upon release, the film was an overwhelming success, grossing the fifth largest opening US weekend box-office results of all time.
Michael B. Jordan starring in all the films directed by Ryan Coogler will be at Cannes with Fahrenheit 451 directed by Ramin Bahrani.
The Rendez-vous with Ryan Coogler will take place on Thursday, May 10th, at 4.00PM, Buñuel Theatre. It will be conducted by American critic and journalist Elvis Mitchell.
Saturday, May 12, at 4.00PM
CHRISTOPHER NOLAN BRITISH DIRECTOR, WRITER & PRODUCER
Christopher Nolan is a multi-award-winning director, writer and producer whose varied filmography includes some of the most innovative and successful motion pictures of the early 21st century. Beginning with his breakout feature Memento, which earned Nolan an Academy Award nomination for Best Original Screenplay, his films have captivated critics and audiences alike. Inception (2010), Interstellar (2014) and the Dark Knight Trilogy (whose central film, The Dark Knight, received eight Oscar nominations) have all left their mark on contemporary cinema. Last year, Christopher Nolan made headlines again with Dunkirk, which was also nominated for several Oscars. Nolan is a great cinephile and a loving connoisseur of Stanley Kubrick and 2001: A Space Odyssey, the 50th anniversary of whose release he will be celebrating the following day (May, 13). He also defends and carries on the tradition of film, of “celluloid” and projections on a large screen, so Dunkirk had the biggest release on 70mm of the past 25 years.
The Rendez-vous with Christopher Nolan will take place on Saturday, May 12th, at 4.00PM, Buñuel Theatre. It will be conducted by French critic and historian Philippe Rouyer and translated by Massoumeh Lahidji.
Wednesday, May 16, 4:45PM
JOHN TRAVOLTA AMERICAN ACTOR & PRODUCER
John Travolta’s breakout performance in the blockbuster Saturday Night Fever (1977) brought such emotion, surprise and pleasure as strong as his role in Quentin Tarantino’s Pulp Fiction awarded Palme d’or in 1994 at the Festival de Cannes. Two-time Academy award nominee John Travolta has starred in a number of monumental films. His credits include a vast filmography, the long-running musical Grease, the Brian de Palma thrillers Carrie and Blow Out, Get Shorty by Barry Sonnenfeld, The Look Who’s Talking trilogy,Broken Arrow and Face/Off by John Woo, The Thin Red Line by Terrence Malick, The Taking of Pelham 123 by Tony Scott. In 1998 he opened the Festival de Cannes with Primary Colors by Mike Nichols with Emma Thompson. John Travolta also played and produced the limited series American Crime Story: The People V. O.J. Simpson. He recently completed filming on Moose, and will next be seen in the crime drama Gotti by Kevin Connolly that will have its World Premiere as a Special Gala Screening in the Palais des Festivals at Cannes.
On Wednesday, May 16th at 9:30 PM John Travolta will also introduce on the Cinéma de la Plage (Movies on the Beach) the restored print of the musical Grease by Randal Kleiser to celebrate the 40th anniversary of the film.
The Rendez-vous with John Travolta will take place on Wednesday, May 16th, at 4:45PM, Buñuel Theatre. It will be conducted by French critic and journalist Didier Allouch.
Friday, May 18, 4:00PM
BRITISH ACTOR & DIRECTOR
Gary Oldman was born in London, he is one of the most celebrated actors of his generation on both stage and screen. He gained his first starring film role in Meantime(1983). In the 1990s his credits include JFK (1991), Dracula (1992), True Romance (1993), Léon (1994), The Fifth Element(1997) and Air Force One (1997) playing the villain. Being an author himself, Oldman wrote and directed Nil by Mouth produced by Luc Besson, presented in competition at Cannes (1997), and won Kathy Burke a Best Actress prize. Oldman is also known for his roles as Sirius Black in the Harry Potter series, as James Gordon in The Dark Knight Trilogy, as George Smiley in Tinker Tailor Soldier Spy (2011) by Thomas Alfredson. A year ago, his phenomenon performance of Winston Churchill in Darkest Hour brought him international acclaim and recognition, and he was awarded the Best Actor Academy Award in March 2018.
The Rendez-vous with Gary Oldman will take place Wednesday, May 18th, at 4:00PM, Buñuel Theatre. It will be conducted by Douglas Urbanski, American producer and artistic partner for thirty years.
CinemaCon, the annual convention for the National Association of Theatre Owners (NATO), will be held April 23 to April 26, 2018, at Caesars Palace in Las Vegas. About 5,000 people attend the event, which gives movie studios the chance to showcase what they expect to be their biggest hits of the year.
Movie studios scheduled to give their presentations at the event are Sony Pictures Entertainment on April 23; Walt Disney Studios, STX Films and Warner Bros. Pictures on April 24; Entertainment Studios, Universal Pictures, Focus Features and Paramount Pictures on April 25; and 20th Century Fox, Amazon Studios and Lionsgate on April 26.
One of the highlights of CinemaCon 2018 will be the 2018 Pioneer of the Year Award Dinner on April 25. The event will honor Tom Cruise, the first actor to ever receive the award. Tony-and-Grammy-Award-winning “Hamilton” star Leslie Odom Jr. will perform at the event, which will include a special presentation from Cruise’s “Jack Reacher” director Christopher McQuarrie, who also directed Cruise in 2015’s “Mission: Impossible – Rogue Nation” and 2018’s “Mission: Impossible – Fallout.”
CinemaCon culminates with the CinemaCon Big Screen Achievement Awards ceremony, which will take place April 26.
Here are the announced winners of the awards:
CinemaCon Lifetime Award Jodie Foster
Jodie Foster has been one of the most critically acclaimed actors in movies since made her big-screen debut in 1972’s “Napoleon and Samantha.” Her most famous movies include 1976’s “Taxi Driver,” 1997’s “Contact” and 2002’s “Panic Room.” She has two Oscars for Best Actress: for 1988’s “The Accused” and 1991’s “The Silence of the Lambs.” In 2018, her thriller film “Hotel Artemis” is set for release. Foster has also become a respected director and producer, having helmed several feature films, including 1991’s “Little Man Tate,” 1995’s “Home for the Holidays,” 2011’s “The Beaver” and 2016’s “Money Monster.”
CinemaCon Icon Award Samuel L. Jackson
In a career spanning more than 45 years, Oscar-nominated Samuel L. Jackson has appeared in more blockbusters than any other actor. His hit films include 1993’s “Jurassic Park,” 1994’s “Pulp Fiction,” “Star Wars” Episodes I II and III, 2004’s “The Incredibles,” 2012’s “Django Unchained” and several Marvel Studios films, such 2010’s “Iron Man 2,” 2011’s “Captain America; The First Avenger,” 2012’s “The Avengers,” 2014’s “Captain America: The Winter Soldier,” 2015’s “The Avengers: Age of Ultron.” The prolific Jackson has several movies scheduled for release. In 2018, his movies include “The Last Full Measure,” “Incredibles 2” and “Life Itself.” In 2019, he has three movies that are predicted to be big hits: “Glass” (the hybrid sequel to 2000’s “Unbreakable” and 2017’s “Split”), “Captain Marvel” and a remake of “Shaft.”
CinemaCon Visionary Award Jack Black
CinemaCon Vanguard Award Jonah Hil
Jack Black and Jonah Hill are co-stars in 2018’s “Don’t Worry, He Won’t Get Far on Foot.” Although they have appeared in dramas, they are mostly known for their comedic roles. Black’s biggest hits include 2017’s “Jumanji: Welcome to the Jungle,” the “Kung Fu Panda” movies, 2003’s “School of Rock” and 2005’s “King Kong.” His other 2018 movie is “The House With a Clock in Its Walls.”
Hill, who received Oscar nominations for supporting roles in 2011’s “Moneyball” and 2013’s “The Wolf of Wall Street,” has appeared in a number of hit movies, including 2007’s “Superbad,” 2012’s “21 Jump Street,” 2013’s “This Is the End,” 2014’s “22 Jump Street” and the “How to Train Your Dragon” movies. He’s also reunited with his “Superbad” co-star Emma Stone in the Netflix series “Maniac.” In 2019, “How to Train Your Dragon: The Hidden World” is due out in cinemas.
CinemaCon Award of Excellence in Acting Felicity Jones
Felicity Jones had carved out a niche in independent films (usually dramas) before she was nominated for an Oscar for her supporting role in 2014’s “The Theory of Everything.” Since then, her career has grown by leaps in bounds, including starring roles in 2016’s biggest blockbuster, “Rogue One: A Star Wars Story,” and 2016’s “Inferno.” In 2017, she starred in the critically acclaimed “Breathe.” She plays U.S. Supreme Court Justice Ruth Bader Ginsburg in 2018’s “On the Basis of Sex.”
CinemaCon Male Star of the Year Benicio Del Toro
Benicio Del Toro won an Oscar for his supporting role in 2000’s “Traffic.” He has developed a reputation for playing brooding, often mysterious characters in critically acclaimed movies that range from ,ow-budget independent films to major blockbusters. Del Toro’s best-known movies include 1995’s “The Usual Suspects,” 2013’s “Guardians of the Galaxy” and 2015’s “Sicario” and 2016’s “Star Wars: The Last Jedi.” His movies set for release in 2018 are “Sicario: Day of the Soldado” and “Avengers: Infinity War,” which is expected to the biggest box-office hit of the year.
CinemaCon Female Star of the Year Dakota Johnson
Coming from from a family of famous actors (her parents are Don Johnson and Melanie Griffith; her maternal grandmother is Tippi Hedren; and her former stepfather is Antonio Banderas), Dakota Johnson has forged her most recognizable identity in movies as the star of the “Fifty Shades” trilogy. She has four very different movies in 2018: S&M-themed romantic drama “Fifty Shades Freed,” the horror movie “Suspiria” and the thriller “Bad Times at the El Royale.”
CinemaCon Director of the Year Ryan Coogler
After directing just three feature films (2014’s “Fruitvale Station,” “2015’s “Creed” and 2018’s “Black Panther”), Ryan Coogler has become one of the hottest filmmakers in Hollywood, thanks to the blockbuster success of “Black Panther,” which broke the record for the highest-grossing film to open in February. The movie also earned rave reviews from critics, and “Black Panther” is set to be in the Top 5 of the highest-grossing movies of 2018.
CinemaCon Breakthrough Producer of the Year Gabrielle Union
Gabrielle Union is not new to making movies (she’s starred in 2000’s “Bring It On” and 2012’s “Think Like a Man, among other films), but she is relatively new to producing movies. Union was an executive producer of her 2016 comedy film “Almost Christmas,” and she’s a producer of her 2018 thriller “Breaking In.”
CinemaCon Action Star of the Year Taron Egerton
Taron Egerton is best known to movie audiences as the star of the “Kingsman” movies: 2014’s “Kingsman: The Secret Service” and 2017’s “Kingsman: The Golden Circle.” His 2018 movies are the big-screen version of the true-crime drama “The Billionaire Boys Club” and as the iconic title character in “Robin Hood.” Egerton is also set to star as Elton John in the biopic “Rocketman,” whose release date is to be announced.
Cinema Spotlight Award Anna Kendrick
Anna Kendrick is best known for starring in the “Pitch Perfect” comedy/musical movies, but she is equally adept at doing dramas, such as her Oscar-nominated turn for her supporting role in 2009’s “Up in the Air.” Her 2018 movie is “A Simple Favor,” a mystery thriller
CinemaCon Female Star of Tomorrow Award Tiffany Haddish
Tiffany Haddish is a longtime stand-up comedian, but she had a major breakthrough in movies with her much-talked-about role in the 2017 comedy smash “Girls Trip.” Since then, her career has been on a hot streak, with starring role in TV and movies, including four films due out in 2018: “Uncle Drew,” “Night School,” “The Oath” and “Nobody’s Fool.”
CinemaCon Breakthrough Performer of the Year LilRel Howery
LilRel Howery made movie audiences stand up and take notice as the wise-cracking TSA worker in the 2017 horror blockbuster “Get Out.” It was a small but memorable role for the actor who was previously known on screen for starring as Bobby Carmichael in “The Carmichael Show.” Howery’s 2018 movies are the comedy “Uncle Drew” and the sci-fi thriller “Birdbox.”
CinemaCon Comedy Star of the Year Kate McKinnon
Kate McKinnon has already won multiple Emmys for her work on “Saturday Night Live,” but she has also made her mark on the big screen, with scene-stealing roles in 2016’s “Ghostbusters” remake, 2017’s “Rough Night” and 2017’s “Ferdinand.” In 2018, her comedy movies set for release are “Irreplaceable You” and “The Spy Who Dumped Me.”
Other awards that will be given at the ceremony:
CinemaCon International Filmmaker of the Year Award: J.A. Bayona, director of 2018’s “Jurassic World: Fallen Kingdom”
CinemaCon Passpartout Award: Kurt Rieder, 20th Century Fox International executive VP for theatrical in the Asia Pacific region
NATO Marquee Award: Alejandro Ramírez Magaña, Cinépolis CEO/general director
Career Achievement in Exhibition Award: Robert Carrady, Caribbean Cinemas president
The Marvel Studios film “Black Panther” is set to have the largest-ever opening weekend for a Marvel superhero movie so far, and probably the biggest opening weekend of all time for a February release . According to Fandango and several media outlets, “Black Panther” (which opens on February 16, 2018) is projected to have an opening weekend of at least $150 million at the U.S. box office alone.* (“Avengers: Infinity War,” which is scheduled for release on May 4, 2018, could break that record.)**
“Black Panther” is Marvel’s first superhero movie with a black character as the headliner. (Let’s not forget that 1997’s “Spawn” starring Michael Jai White and 1998’s “Blade” starring Wesley Snipes were groundbreaking when it comes to black superheroes headlining their own movies.)
In “Black Panther,” Chadwick Boseman stars as the title character, an African prince named T’Challa, who leads a technologically advanced nation named Wakanda. The cast also includes several highly respected black actors, including Angela Bassett, Michael B. Jordan, Danai Gurira, Daniel Kaluuya, Sterling K. Brown, Letitia Wright and Oscar winners Forest Whitaker and Lupita Nyong’o. White actors in the cast include Andy Serkis and Martin Freeman.
Here are five ways “Black Panther” is a game changer in the entertainment industry:
1. “Black Panther” proves that a movie with black people in the majority of the prominent roles can be a major blockbuster without being a comedy.
Before “Black Panther,” the conventional wisdom in Hollywood was that any movie with mostly blacks in starring roles had to be a comedy if it had a shot of making more than $100 million at the box office. (For example, 2017’s “Girls Trip.”) Although black or multiracial actors such as Kevin Hart, Dwayne Johnson and Zoe Saldana have made great strides in having starring roles in big hit movies, these movies usually have casts of multiple races in the most of the prominent roles. “Black Panther” shatters the stereotype that hit movies with mostly black stars have to be low-budget and/or a comedy.
2. “Black Panther” proves that a movie with a mostly black cast can get outstanding positive reviews—and it’s not a heavy drama about racism or the oppression of poor black people.
Let’s face it. A lot of movies with mostly black casts are saddled with the negative stereotype of having substandard filmmaking or appealing to a limited audience. It’s why movies that star Tyler Perry, Gabrielle Union, Sanaa Lathan or anyone from the Wayans family tend to get reviews that are mixed but usually negative. “Black Panther” has been getting rave reviews from those who have seen it before the movie’s theatrical release. The Internet has made it much easier for people to share information and commentary about movies, so the advance positive buzz has only helped drive ticket sales.
On the flip side, critically acclaimed dramas with mostly black actors tend to be statement-heavy period films about racial or social oppression, such as “Twelve Years a Slave,” “Selma,” “Fences” and “Hidden Figures.” “Black Panther” is an entertaining thrill ride, first and foremost, and is not meant to be a history lesson on the black experience. Far from being poor and/or oppressed (which is often the case with most black protagonists in black-centric movie dramas) , the black protagonists in “Black Panther” are respected leaders, innovators and royalty.
3. Black Panther” proves that blockbuster superhero movies can and should have talented people of color working behind the scenes in high-ranking positions.
“Black Panther” is directed by Ryan Coogler, the critically acclaimed African-American filmmaker who previously helmed the 2015 boxing movie “Creed” (a spinoff of the “Rocky movies”) and the 2013 indie drama “Fruitvale Station.” Coogler co-wrote the “Black Panther” screenplay with Joe Robert Cole, an African-American whose previous screen credits were the 2011 independent film “Amber Lake” and two episodes of the 2016 miniseries “The People v. O.J. Simpson: American Crime Story.”
Other African-Americans who have prominent behind-the-scenes roles on “Black Panther” include executive producer Nate Moore, production designer Hannah Beachler and costume designer Ruth E. Carter. In addition, several of the hair and makeup artists for “Black Panther” are African-American.
And just like “Wonder Woman” (directed by Patty Jenkins) proved in 2017, the biggest superhero movie of the year does not have to be directed by a white male. The type of inclusion shown for the “Black Panther” crew is a step in the right direction for blockbuster movies to have more diverse, qualified team members who work behind the camera. “Black Panther” is the type of movie that appeals to a diverse audience, and the people who make these kinds of movies should also be a reflection of that diversity.
4. “Black Panther” proves that a major blockbuster movie with a mostly black cast is not a “fluke” or a “fad.”
This is not a one-hit wonder. This not a passing trend. You don’t have to be a genius to know that “Black Panther” will spawn many sequels, prequels and/or spinoffs for years to come—not to mention all the money from merchandising, home video sales and other business revenue. “Black Panther” could also pave the way for more non-Caucasian superheroes to get their own headlining films.
5. “Black Panther” proves that a superhero movie with black actors in the most prominent roles can have massive international appeal.
Movies with a mostly black cast are often mischaracterized as appealing mainly to African-American audiences and hard to sell to countries outside of North America. The unquestionable global success of “Black Panther” blows away that stereotype. Movie audiences have spoken in their choices of what tickets to buy, and the message is loud and clear: They are hungry for more variety—and if it’s high-quality, that’s even better.
*February 20, 2018 UPDATE: According to Box Office Mojo, “Black Panther” had $202 million in ticket sales at the U.S. box office from February 16 to February 18, 2018, and $242 million at the U.S. box office from February 16 to 19, 2018 (counting the Presidents Day holiday). This breaks the opening-weekend box-office records for movies that opened in February; superhero movies headlined by a solo character; movies that opened on a holiday weekend; movies that opened on a four-day weekend; and non-sequel movies.
**March 1, 2018 UPDATE: Marvel has changed the release date for “Avengers: Infinity War” from May 4 to April 27, 2018.