Review: ‘Sikandar’ (2025), starring Salman Khan, Rashmika Mandanna, Sathyaraj and Kajal Aggarwal

April 5, 2025

by Carla Hay

Salman Khan in “Sikandar” (Photo courtesy of FunAsia Films)

“Sikandar” (2025)

Hindi with subtitles

Culture Representation: Taking place in the Indian cities of Rajkot and Mumbai, the action film “Sikandar” features an all-Asian group of people representing the working-class, middle-class and wealthy.

Culture Clash: A rich vigilante is targeted for revenge by a wealthy politician while the vigilante travels around Mumbai to meet he people who received organ donations from the vigilante’s deceased wife.

Culture Audience: “Sikandar” will appeal primarily to people who are fans of the movie’s headliners and don’t mind watching overly long and stupid action movies.

Sathyaraj in “Sikandar” (Photo courtesy of FunAsia Films)

The horrible action movie “Sikandar” can’t decide if it wants to be a revenge rampage flick or a feel-good drama about organ donations. Everything about this atrociously acted and long-winded abomination is obnoxiously stupid. This is the type of junkpile film that doesn’t even try to have a good story, while the over-the-top action scenes are actually quite boring in their lack of imagination.

Written and directed by A. R. Murugadoss, “Sikandar” is a 135-minute jumble of incoherence in what this movie is trying to convey. The movie (which takes place mostly in the Indian cities of Rajkot and Mumbai) has an identity that is just a confused as the movie’s characters who have multiple names. The “hero” of the story is Sanjay “Sikandar” Rajkot (played by Salman Khan), also known as the King of Rajkot, who is described as “a king with vast empires.”

Sikandar lives in an opulent mansion with his wife Saisri Rajkot (played by Rashmika Mandanna), also known as Rani Saidha, who is a painter artist. “Sikandar” wastes some time on shallow flashback scenes of what the relationship between Sikandar and Saisri was like before they got married. Expect to see multiple scenes of Sikandar and Saisri on courtship dates where they have mindless conversations as they flirt with each other.

Saisri is a loving and devoted wife, but she is frustrated that Sikandar is a workaholic who often seems preoccupied by things he won’t discuss with her. Sikandar isn’t actually seen doing working at a real job. The movie just shows him as a wealthy guy who likes to go around assaulting people whom he thinks deserves to be assaulted.

Saisri says to Sikandar that he has given her everything but his time. There are plenty of scenes of Sikandar spending time with Saisri. Sometimes he pays attention to her in a loving way, and other times his mind seems to be somewhere else. Another strain in their marriage is that Saisri hasn’t been able to get pregnant for years.

“Sikandar” begins with a bizarre and ridiculous scene taking place on an airplane that’s in flight. A woman named Monica (played by Neha Iyer) is traveling with her son Dhruvit (played by Dhruvit Pethadia), who’s about 6 or 7 years old. The plane doesn’t seem to have many passengers, so Dhruvit is able to sit in an empty seat across the aisle from Monica.

A creep named Arjun Pradhan (played by Prateik Smita Patil, also known as Prateik Babbar) suddenly sits down next to Monica and shows her a porn video that she made years ago when she was a porn actress, before she was married. Monica’s husband doesn’t know about her porn past. Arjun says he will show the video to Dhruvik if Monica doesn’t let Arjun have his way sexually with her, right then and there.

Arjun points to two of his bodyguards who are seated nearby and warns Monica not to say or do anything, or else his bodyguards will hurt her. A terrified Monica lets Arjun cover himself and Monica with a blanket. Just as Arjun is about to sexually assault her, Sikandar bursts into this part of the plane, gets into fight with Arjun and the bodyguards, and easily defeats them.

This fight scene is badly staged. Sikandar just came from another section in the plane. How did he see what was happening and know when to start attacking these criminals? Don’t expect an answer to that question. And during his entire bloody and violent fight, the airplane employees are nowhere to be seen until after Sikandar defeats these criminals.

Arjun and his cronies are arrested, which is a humiliating scandal because Arjun comes from a prominent family. He is the only child of Minister Rakesh Pradhan (played by Sathyaraj), who vows to get revenge on Sikandar. Rakesh bribes the corrupt Inspector Prakash (played by Kishore Kumar G.) to have police go to Sikandar’s mansion to arrest Sikandar.

When the police get there, Saisri tells them that Sikandar has left to turn himself in at the police station because he heard he was going to be arrested. It makes absolutely no sense, but that’s an example of how bad this movie is. And the movie gets worse as it continues on a downward spiral of idiocy.

Sikandar is very popular with the “common people” because he’s a charitable royal, so a mob of people gather outside his mansion to protest against the police who were there to arrest Sikandar. The mob goes as far as committing vandalism on the police cars parked outside. Rakesh wants to ends this civil unrest because it will affect his chances of getting re-elected, so he reluctantly lets Sikandar get released from police custody and says that Sikandar was “saved by the mob.”

The feud is reignited when Arjun is at his lavish birthday party and he finds out that an unknown person videorecorded his attempted sexual assault of Monica and uploaded the video on the Internet, when the video goes viral. To add to the shaming, someone has arranged for the video to be played on one of the giant video screens at the party. An enraged Arjun thinks Sikandar is behind this leaked video and vows to get revenge.

“Sikandar” then goes off on an entirely different tangent when Saisri gets killed in an explosion. She was an organ donor, so about half of the movie consists of Sikandar tracking down three people in Mumbai who received some of her organs. An orphaned pre-teen boy named Kamaruddin, also known as Kamar (played by Ayan Khan), received Saisri’s lungs because Kamar was the victim of environmental pollution. A vadam shop owner named Vaidehi Ranga (played Kajal Aggarwal) received Saisri’s eyes. A lovelorn woman named Nish (played by Anjini Dhawan) received Saisri’s heart.

Sikandar does what can only be called a “do-gooder” tour, where he becomes saintly person as he goes to Mumbai. He is chauffeured by a taxi driver who calls himself De Niro(played by Jatin Sarna), who tells unfunny jokes about “Taxi Driver,” the 1976 movie starring Robert De Niro. These “jokes” include insufferable impersonations of De Niro’s “Taxi Driver” character Travis Bickle.

During this “do-gooder” part of the movie, Sikandar battles environmental pollution caused by “real-estate shark” businessman Virat Bakshi (played by Nawab Shah); fights against sexism because Vaidehi’s father-in-law doesn’t believe that women should work in business; and becomes a crusader against domestic violence when he finds out that Nisha was in abusive relationship with her ex-boyfriend Kapil (played by Ayaan Lall), who dumped Nisha to marry another woman. The storyline about Arjun and his father Rakesh gets shoved to the side and then comes crashing back with predictable results.

Adding to the cringeworthy aspects of the movie are the movie’s bombastic song-and-dance numbers, where Salman Khan uncomfortably does the choreography, and the songs are utterly forgettable. “Sikandar” is also one of those terrible movies where the sound mixing of the music score is turned up to detestably high levels. Note to filmmakers: Having music that’s too loud in a movie won’t improve the movie. It makes the movie worse.

“Sikandar” has plenty of fight scenes, but none look believable, including the very fake-looking visual effects. Some of the fight scenes are absolutely nonsensical. For example, there’s a nighttime scene where Sikandar and Saisri are in a car that Sikandar is driving. And for no reason at all, he stops the car to fight some thugs, with no explanation of who these thugs are. There’s no explanation for why “Sikandar” exists, except to rob viewers of their time, money and patience.

FunAsia Films released “Sikandar” in select U.S. cinemas on March 30, 2025, the same day that the movie was released in India.

Review: ‘Tiger 3,’ starring Salman Khan, Katrina Kaif and Emraan Hashmi

November 27, 2023

by Carla Hay

Salman Khan and Katrina Kaif in “Tiger 3” (Photo courtesy of Yash Raj Films)

“Tiger 3”

Directed by Maneesh Sharma

Hindi with subtitles

Culture Representation: Taking in various countries in Asia and Europe, the action film “Tiger 3” features an all-Indian cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A husband and wife, who are government spies for competing agencies, get into various problematic entanglements involving betrayals and conspiracies.

Culture Audience: “Tiger 3” will appeal primarily to people who are fans of the “Tiger” movie franchise/YRF Spy Universe and movie’s headliners, but the movie is overly convoluted with almost nothing original to offer.

Katrina Kaif in “Tiger 3” (Photo courtesy of Yash Raj Films)

“Tiger 3” is the continuation of 2012’s “Ek Tha Tiger” and 2017’s “Tiger Zinda Hai,” a movie series about love partners who are also spies for the Indian government. All three movies are part of the larger YRF (Yash Raj Films) Spy Universe, which includes 2019’s “War” and 2023’s “Pathaan.” “Tiger 3” certainly has the production budget to be a big movie spectacle, with all the expected explosions and over-the-top fight scenes. It could have been a much better action film, but too much silly dialogue and too many formulaic scenarios lower the quality of the movie. It’s a globetrotting spy flick that frequently changes locations but tells the same type of revenge story.

Directed by Maneesh Sharma and written by Shridhar Raghavan, “Tiger 3” has a convoluted story that often gets unfocused. It’s not necessary to “Ek Tha Tiger” and “Tiger Zinda Hai” before seeing “Tiger 3,” but it helps if you want more information about the main characters. Seeing these previous two movies will just show that “Ek Tha Tiger” and “Tiger Zinda Hai” are better than “Tiger 3.”

The two spy spouses who are at the center of the “Tiger” movie series are Avinash “Tiger” Singh Rathore (played by Salman Khan) and Zoya (played by Katrina Kaif), who each work for different government agencies. Tiger works for the Research and Analysis Wing (RAW), which is the foreign intelligence agency for India. Zoya works for The Inter-Services Intelligence (ISI), which is the largest intelligence agency for Pakistan.

“Tiger 3” begins in London, with a flashback to October 1999, when Zoya (played Gurket Kaur) is in her late teens or early 20s. She is shown doing kickboxing exercises with her father Rehan Nazar (played by Aamir Bashir), who works for ISI. Rehan is soon killed in an explosion. Rehan’s ISI colleague Aatish Rehman (played by Emraan Hashmi) asks Zoya if she wants to lead a normal life or follow in her father’s footsteps. Of course, viewers know what decision she makes.

“Tiger 3” then jumps to the present day to show an elaborate rescue mission sequence where Tiger is supposed to save his former handler Gopi Arya (played by Ranvir Shorey), who has been trying to get information about a planned assassination of a RAW agent named Jibran Sheikh (played by Neeraj Purohit) in Pakistan. And what a coincidence: Zoya is somehow involved in this assassination plot. (Her reason won’t be revealed in this review.)

The movie then zig zags between betrayals, kidnappings, framing for crimes and imprisonments, while the story jumps around from place to place in various countries such as India, Pakistan, Afghanistan, Russia, and Austria. Somehow, with all this mayhem going on, and Tiger and Zoya spending very little time at home, viewers are supposed to believe that they are also attentive parents to their son Junior (played by Sartaaj Kakkar), who’s about 11 or 12 years old.

But surprise! There’s another member of the family who is introduced in “Tiger 3.” This long-lost family member is named Hassan Ali (played by Vishal Jethwa), who meets Tiger for the first time in the movie. Hassan’s relationship to Tiger is explained in the story, which just seemed to throw in the Hassan character just to add to the overstuffed plot.

One of the worst scenes in the movie is a fight between Zoya and a mysterious operative named General Zimou (played by Michelle Lee), who attack each other inside a luxury spa in Istanbul. Zoya and General Zimou are wearing nothing but towels in this fight scene. And during the most brutal parts of the fight, the towels unrealistically stay intact.

General Zimou is an unnecessary character, so this fight scene looks like it was put in the movie as an exploitative gimmick to show two women fighting while barely clothed. The male stars of “Tiger 3” would never have been asked to do this type of scene that tries to tease the audience into thinking that there will be some nudity from the brawlers during the fight. It’s all just so blatantly sexist filmmaking that treats women as sex objects.

Tiger’s supervisor is RAW chief Maithili Menon (played by Revathi), who seems to be in the movie as a useless boss, since she doesn’t know a lot of what Tiger is up to and doesn’t really help when Tiger needs her the most. The movie also does a terrible job of convincing any viewer with common sense that Zoya and Tiger, who openly live together as spouses, can continue to fool their competing government agencies that this marriage is not a conflict of interest to their jobs. Because of the movie’s ridiculous action scenes, the mediocre-to-bad acting, and flimsy plot twists, “Tiger 3” becomes mind-numbing after a while and does not earn its long-winded 156-minute total running time.

Yash Raj Films released “Tiger 3” in select U.S. cinemas on November 11, 2023, and in India on November 12, 2023.

Review: ‘Kisi Ka Bhai Kisi Ki Jaan,’ starring Salman Khan, Pooja Hegde, Venkatesh and Jagapathi Babu

April 26, 2023

by Carla Hay

Salman Khan in “Kisi Ka Bhai Kisi Ki Jaan” (Photo courtesy of Zee Studios)

“Kisi Ka Bhai Kisi Ki Jaan”

Directed by Farhad Samji

Hindi with subtitles

Culture Representation: Taking place in India, the action film “Kisi Ka Bhai Kisi Ki Jaan” (a remake of the 2014 film “Veeram”) features an all-Indian cast of characters representing the working-class and middle-class.

Culture Clash: A marriage-phobic vigilante teams up with his three foster brothers to fight crime, including trying to stop a murder plot against the family of his love interest. 

Culture Audience: “Kisi Ka Bhai Kisi Ki Jaan” will appeal primarily to people who are fans of “Veeram,” the movie’s headliners, and mindless action movies that are aggressively stupid.

Siddharth Nigam, Pooja Hegde, Raghav Juyal and Jassie Gill in “Kisi Ka Bhai Kisi Ki Jaan” (Photo courtesy of Zee Studios)

Get ready for your hearing and your brain cells to be assaulted when watching the loud, bombastic and idiotic “Kisi Ka Bhai Kisi Ki Jaan.” Note to filmmakers who make this type of trash: Stop the madness. Cast people who can act. It’s the same junk: a ‘hero’ in fake action scenes, a pretty love interest, revenge plots, murders. No one respects overly long, boring, and unoriginal garbage.

Directed by Farhad Samji (who co-wrote the mindless screenplay with Sparsh Khetarpal and Tasha Bhambra), “Kisi Ka Bhai Kisi Ki Jaan” is yet another unnecessary remake that is inferior to the original movie. “Kisi Ka Bhai Kisi Ki Jaan” (which means “someone’s brother, someone’s lover” in Hindi) is a remake of the 2014 Tamil-language film “Veeram.” There’s so much bad acting in “Kisi Ka Bhai Kisi Ki Jaan,” you have to wonder if the filmmakers made these choices as a way to torture viewers, who will already have their endurance tested by the movie’s 144-minute total running time and the excessively loud sound design throughout the entire film.

In “Kisi Ka Bhai Kisi Ki Jaan,” the dimwit protagonist with a lot of muscles but very little charm is Bhaijaan, nicknamed Bhai (played by Salman Khan), a never-married bachelor who doesn’t seem to be doing anything with his life but being a violent vigilante who fights crime in his home city of Delhi. As shown later in the movie, Bhai has this to say about men who cry tears when expressing emotions: “Crying is for losers.” Bhai has three sidekicks in his crime-fighting efforts: Ishq (played by Raghav Juyal), Moh (played by Jassie Gill) and Love (played by Siddharth Nigam), who all call themselves brothers of Bhai.

These four men are actually not biologically related to each other. It’s revealed in a flashback shown early on in the movie that Ishq, Moh and Love were orphans. Bhai rescued Ishq, Moh and Love from an orphanage fire when Ishq, Moh and Love were about 6 or 7 years old, and Bhai was about 16 or 17. Bhai raised Ishq, Moh and Love as if they were his brothers.

In the flashback, Bhai only looks about 10 years older than Ishq, Moh and Love. In the present day, Bhai looks about 20 to 25 years older than his “brothers.” It’s one of many examples of how the movie is sloppily made. Salman Khan’s mother Salma Khan is the main producer of “Kisi Ka Bhai Kisi Ki Jaan,” which is obviously a family vanity project. It’s a lot easier to get cast in the starring role of movie, no matter how terrible your acting is, if you have a parent who’s paying for the movie to get made.

The brotherly bond between these four men is so tight, it’s affected all of their love lives. Bhai is commitment-phobic when it comes to love and romance. He has said he never wants to get married. Ishq, Moh and Love crave Bhai’s approval, so they say the same things. However, Ishq, Moh and Love secretly have girlfriends, who are growing frustrated that they can’t be open about their respective relationships with Ishq, Moh and Love.

Ishq’s girlfriend is Sukoon (played by Shehnaaz Gill), Moh’s girlfriend is Muskaan (played by Palak Tiwari), and Love’s girlfriend is Chahat (played by Vinali Bhatnagar). Sukoon, Muskaan and Chahat don’t have a lot of screen time. But when they do appear, it’s only to whine about their love lives.

In fact, “Kisi Ka Bhai Kisi Ki Jaan” cares so little about women, the only women characters with significant speaking roles in the movie mainly exist for the purpose of being love interests for the men. It’s all very backwards and unimaginative filmmaking, just like many other aspects of this very outdated-looking movie.

Ishq, Moh and Love want to go public with their girlfriends, so they hatch a plot to find a girlfriend for Bhai. The idea is that if Bhai falls in love, he will ease up on his rigid view that these four “brothers” cannot have serious love relationships. Ishq, Moh and Love know that Bhai had a serious romance when he was younger with a woman named Bhagyalakshmi, nicknamed Bhagya.

Ishq, Moh and Love heard that Bhagya currently lives in Mumbai. And so, these three “Brothers” decide to find her and play matchmaker. But these three dolts don’t do what most people in modern society would do: an Internet search to find out first what Bhagya’s relationship status is. When they get to Mumbai, they find out that Bhagya is happily married with a child. Once again, it’s outdated filmmaking and stupidity on display.

This matchmaking farce just wastes time in this already bloated movie. The next unrealistic thing that Ishq, Moh and Love do is try to find a woman named Bhagyalakshmi, nicknamed Bhagya, who is attractive enough to date Bhai. That’s how Bhai meets Bhagyalakshm “Bhagya” Gundamaneni (played by Pooja Hegde), who works as an “antiques researcher.” Bhagya, who also calls herself “Bhaggy,” lives in Andhra Pradesh, India.

Bhai and Bhagya have their “meet cute” moment when she bumps into him at an outdoor market in Hyderabad, and she drops an antique vase that goes crashing on the ground. Bhai is immediately smitten with the new Bhagya in his life, but she predictably plays hard-to-get. Bhagya is probably one of the most annoying characters in the movie because she’s a stereotype of a helpless and ditzy “damsel in distress” who’s waiting to be rescued by a male love interest. It doesn’t help that Hegde’s terrible acting is hard to watch.

Bhagya tells Bhai up front that any man she dates has to get the approval of her brother Balakrishna Gundamaneni (played by Venkatesh), who is domineering and overprotective. Balakrishna, who is married with a young daughter, also hates violence. And since Bhai leads a very violent life, much of the movie is about his trying to hide the truth from Bhagya and her family.

Every action movie at least one villain. And in “Kisi Ka Bhai Kisi Ki Jaan,” there are two villains: First, there is Mahavir (played by Vijender Singh), who is the type of villain who wears a lot of business suits. Mahavir hates how Bhai and his sidekicks are ruining his criminal enterprises, so he wants to kill all four of these vigilantes.

The other villain is Kodati Nageshwar (played by Jagapathi Babu), a thug who wants to kill Balakrishna and all of the members of Balakrishna’s immediate family. This revenge killing was already planned before Bhai and Bhagya started dating each other. The reason for this murder plot is so obvious, because the movie has no subtlety in showing and repeating how fanatical Balakrishna is about being against violence.

“Kisi Ka Bhai Kisi Ki Jaan” has some standard musical numbers which further drag out an already vapid story. The songs in these musical scenes are forgettable and trite. Salman Khan is not a skilled dancer, so it’s somewhat amusing to see him try to keep up with the backup dancers in these musical scenes. That amusement is slight though, and it will just give way to more irritation as “Kisi Ka Bhai Kisi Ki Jaan” keeps piling on scenes that are idiotic and don’t really go anywhere, including some scenes that have obnoxiously blatant product-placement shilling of Pepsi.

Filmmakers will continue to churn out dreck like “Kisi Ka Bhai Kisi Ki Jaan” if they think it will make them any money. That doesn’t mean that people who like movies automatically have to watch this type of relentless insult to viewers’ intelligence. Avoid “Kisi Ka Bhai Kisi Ki Jaan” at all costs. Your brain cells will thank you.

Zee Studios released “Kisi Ka Bhai Kisi Ki Jaan” in select U.S. cinemas and in India on April 21, 2023.

Copyright 2017-2025 Culture Mix
CULTURE MIX