Samuthirakani Archives

Review: ‘HIT: The Third Case,’ starring Nani, Srinidhi Shetty, Ravindra Vijay and Prateik Babbar

May 2, 2025

by Carla Hay

Nani in “HIT: The Third Case” (Photo courtesy of Wall Poster Cinema)

Directed by Sailesh Kolanu

Telugu with subtitles

Culture Representation: Taking place in India, the action film “HIT: The Third Case” (the third movie in the “HIT” series) features an all-Indian cast of characters representing the working-class and middle-class.

Culture Clash: A vigilante police detective discovers a cult of serial killers, goes undercover to infiltrate the group, and becomes a murderer on a killing spree.

Culture Audience: “HIT: The Third Case” will appeal primarily to people who are fans of the movie’s headliners and the “HIT” series, but this movie abandons the intriguing detective drama concept and makes it an unimaginative and gory massacre movie.

Nani and Srinidhi Shetty in “HIT: The Third Case” (Photo courtesy of Wall Poster Cinema)

“HIT: The Third Case” ruins this movie franchise’s original intent of being a compelling story series about police solving murder mysteries. Instead, this “HIT” movie is a bloated action schlockfest of excessive violence that glorifies police brutality. It just another trashy movie that panders to the lowest common demoninator by copying too many other action movie abominations that have terrible screenplays and exploitative violence and are churned out on a regular basis.

The “HIT” series began with 2020’s “HIT: The First Case” (which had a 2022 Hindi-langauge remake also titled “HIT: The First Case”) and continued with 2023’s “HIT: The 2nd Case.” Each movie features a different police detective as the movie’s protagonist. All the “HIT” movies so far have been written and directed by Sailesh Kolanu, which is why it’s so disappointing that “HIT: The Third Case” (the third move in the series) has taken such a tacky and lazy turn for the worse. The only apparent explanation is that Kolanu and the movie’s other filmmakers thought they would make more money with a mindless and gruesomely violent action flick instead of a thought-provoking and intelligent police detective drama.

In “HIT: The Third Case,” Arjun Sarkaar (played by Nani) is a superintendent of police for the Indian Police Service’s Homicide Intervention Team (HIT) in Visakhapatnam, India. Arjun is an angry and corrupt official who frequently commits police brutality. As shown in the movie, he doesn’t hesitate to break bones and beat up people whom he interrogates in custody or whom he catches in the act of committing crimes. He sometimes does this illegal police brutality in front of his colleagues, who do little or nothing to stop him.

Arjun is in therapy for his anger management problems, and he has trouble sleeping. But this therapy is clearly not working. When Arjun is shown in a therapy session, all he seems to care about is getting a higher dosage for his prescription medication. “HIT: The Third Case” is such a shallow film, there is no explanation for why Arjun is the way that he is, but his aggressive style of policing has apparently gotten a lot of people arrested.

“HIT: The Third Case” tries to have some comedy relief early on in the movie, when Arjun’s unnamed widower father (played by Samuthirakani) plays matchmaker for bachelor Arjun by signing up Arjun on a dating app without Arjun’s consent. It leads to a montage of Arjun going on numerous disasatrous dates that always end abruptly because Arjun scares or turns off the women by interrogating them like a harsh police officer. The women on these dates make excuses to use the restroom and they never come back.

Arjun is extremely judgmental, emotionally immature, and socially backwards in his thinking. However, Arjun seems to get lucky when he meets Mridula (played by Srinidhi Shetty) through the dating app where Arjun’s father created a profile for Arjun. When Arju and Mridula go on their first date, she says she admires his blunt honesty. They begin dating and fall in love with each other. Mridula has a secret that is revealed later in the movie.

Arjun is investigating a series of murders where corpses are found hanging upside down from trees in isolated wooded areas. The dead people’s throats have been slashed. It’s eventually discovered that the murderers are members of a serial killer cult named CTK (an acronym for Capture Torture Kiil), which is operating on the Dark Web. In order to join the CTK cult, prospective members have to kill at least two people in this way and video record these murders.

Arjun infiltrates the CTK cult by going undercover as a prospective member. His murder victims are criminals, whom he thinks all deserve to be killed. A huge plot hole in the movie is that Arjun is supposed to be a famous police detective (famous enough for strangers to know who he is when he’s out in public), and yet CTK’s leaders—two sadists named Samuel Joseph (played by Ravindra Vijay) and Alpha (played by Prateik Babbar)—don’t even recognize Arjun when he joins the cult. Arjun makes no effort to disguise himself.

Supporting characters in “HIT: The Third Case” are one-dimensional and have very hollow personalities. Three of these generic characters are Arjun’s HIT colleagues: director of general police Nageswara Rao (played by Rao Ramesh); assistant superintendant of police Varsh (played by Komalee Prasad); and sub-inspector Diwakar (played by Chaithu Jonnalagadda), who don’t do much in the story except enable and cater to Arjun’s nasty temper and out-of-control antics. None of the acting is impressive in this junkpile movie.

“HIT: The Third Case” (which has an overly long running time of 157 minutes) just becomes a mind-numbing, obnoxiously loud and terrible mess of heinous violence where the “hero” is no better than the villains. In fact, the “hero” murders and attacks more people than any other murderer and attacker in the movie. The action scenes also look ridiculous. Don’t expect a real detective mystery in “HIT: The Third Case.” This horrible movie is just an excuse to show vile and disgusting assaults and murders, with a meaningless story and a very warped portrayal of law enforcement and justice.

Wall Poster Cinema released “HIT: The Third Case” in select U.S. cinemas and in India on May 1, 2025.

Review: ‘Indian 2,’ starring Kamal Haasan, Siddharth, S. J. Suryah and Rakul Preet Singh

July 16, 2024

by Carla Hay

“Indian 2”

Directed by S. Shankar

Tamil with subtitles

Culture Representation: Taking place in various parts of India, the action film “Indian 2” (a sequel to 1996’s “Indian”) features an all-Indian cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: Four young adult YouTubers coax an outlaw vigilante to come out of hiding after he disappeared for 28 years, and the vigilante and his YouTube supporters go on the hunt to get justice for corruption.

Culture Audience: “Indian 2” will appeal primarily to people are fans of the first “Indian” movie and mindless vigilante stories.

Siddharth in “Indian 2” (Photo courtesy of Red Giant Movies)

“Indian 2” is nothing but a bloated mess. This idiotic and unnecessary sequel has tiresome clichés about a vigilante and his minions, who want corrupt people to be punished. The real punishment is watching this entire three-hour cinematic abomination. “Indian 2” (which is also titled “India 2: Zero Tolerance”) is filled with stupid-looking action sequences, hollow characters with no development, and time-wasting, reptetive scenes that didn’t need to be in the movie at all.

Written and directed by S. Shankar, “Indian 2” is a sequel to the 1996 action film “Indian,” which was directed and co-written by Shankar. Kamal Haasan reprises his role as vigilante Veerasekharan Senapathy, who is a former Indian National Army agent and who has the nickname Indian. The plot of “Indian 2” is so flimsy, it didn’t need to be a three-hour movie. This overlong running time makes the terrible movie even more irritating.

“Indian 2” (which takes place in various part of India) begins by showing four YouTuber friends in their 20s: Chitra Aravindhan (played by Siddharth), Aarthi Thangavel (played by Priya Bhavani Shankar), Thembash (played by Jagan) and Harish (played by Rishikanth). The four pals have a YouTube channel called Barking Dogs, which does political satires that poke fun at officials and leaders who are caught doing unethical things. These YouTubers use a lot of animation for their YouTube content.

Chitra, the leader of the Barking Dogs team, has a strong sense of morality and likes to help protect or defend underdogs. The other members of the Barking Dogs team have similar values. These values will be tested when they start investigating corruption that is very close to home.

One day, the community experiences a shocking and tragic event. A young woman named Sunitha flings herself off of a balcony and dies instantly. Chitra is one of the people on the street who witnessed this suicide.

Sunitha’s grieving brother tells the gathered crowd that Sunitha killed herself because corrupt officials demanded that she pay them bribes. When Sunitha refused, the officials told people that her college degree was fake. Sunitha couldn’t bear the shame, so she committed suicide.

Aside from all the illogical problems of this storyline (such as: colleges keep verifiable records of who graduated), the movie then stages an unrealistic impromptu protest at the suicide scene to have these corrupt officials arrested. Chitra is one of the most vocal people leading this protest, which also includes Arthi, Thembash and Harish.

The four friends get arrested and are bailed out by Chitra’s affluent girlfriend Disha (played by Rakul Preet Singh), who supports their cause but cautions them that they alone can’t change the world. Chitra, Arthi, Thembash and Harish get together and begin to wonder whatever happened to Indian, who made news for the events that happened in the “Indian” movie, but Indian has been missing since 1996. The four friends think that they should enlist the help of Indian, but they need to find him first.

Chitra comes up with the idea to start a social media campaign using the hashtag #ComeBackIndian. And sure enough, Indian finds out about the campaign, comes out of hiding. In an effort to look “modern,” Indian makes a social media video that he says is specifically aimed people under the age of 40. In this video, Indian makes a rallying statement for people to become social justice warriors against corruption by turning in corrupt people to the authorities.

The Barking Dogs friends take this advice to heart and start investigating people in their own family. Chitra’s father Varadharajan (played by Samuthirakani) is a police officer. Harish visits his uncle’s motel and discovers they serve stale food to customers. Thembash finds out that his brother-in-law, Nanjunda Moorthy, accepts bribes from customers, as does Aarthi’s mother, Kanagalatha.

Meanwhile, Indian doles out his own type of justice, which is often violent. Indian is a master of disguises and has hypnosis skills. And apparently, based on the movie’s very fake-looking action scenes, Indian also has superhuman-level strength and agility. One of the things that Indian likes to do in his hypnosis tricks is make people under hypnosis think that they are horses, and he tells them to run for the rest of their lives.

India’s Central Bureau of Investigation (CBI) has been on the hunt for Indian for the past 28 years because of what happened in the first “Indian” movie. Now that Indian as resurfaced, two CBI agents named Pramod Krishnaswamy (played by Bobby Simha) and Elango (played by Vivek) have been assigned to find and capture Indian. It should come as no surprise that Pramod and Elango repeatedly bungle the task, as Indian remains elusive. Why else would this bloated movie be three hours long?

One of the many problems with this disjointed movie is that the four Barking Dogs friends mostly work separately from Indian. There are large chunks of the movie that seem to completely forget all about the Barking Dogs friends. The separate storylines in “Indian 2” clumsily fail to blend cohesively when Indian and the Barking Dogs friends share the same scenes.

Most of the corruption in the movie’s ill-conceived plot has to do with bribery. The movie quickly becomes bogged down in unimaginative, repetitive scenarios of Indian donning disguises and doing his hypnosis tricks. There’s at least one other person who commits suicide out of “shame” related to corruption accusations. “Indian 2” also has a few bombastic song-and-dance musical scenes that look out-of-place and have forgettable songs.

The action sequences in “Indian 2” relentlessly insult viewers’ intelligence. Viewers are expected to believe that when Indian is cornered by about 20 muscular men in a fight, the men will stand around and take turns to get a chance to fight Indian. In reality, anyone who’s outnumbered this way would be quickly ganged up on and defeated, unless their opponent has a weapon that the others don’t.

One of the phoniest-looking action sequences is toward the end of the movie, when someone makes an escape by riding a unicycle. Viewers are expected to believe that this unicucle can outpace all the cars chasing after this unicyle. The person making the escape also does flips ona tunnel wall during this vehicle chase.

None of the acting performances in “Indian 2” is special. Some of it is downright awful. This movie clearly had a sizeable budget that was spent on production design (often gaudy) and visual effects (often fake-looking), but the movie’s production budget didn’t buy good film editing. There’s so much quick-cutting film editing that’s meant to make “Indian 2” look fast-paced, but it just looks like amateurish editing that can’t fix this abysmal screenplay.

Even with this choppy editing, “Indian 2” drags and gets boring because there’s so little substance to the movie’s story, which has a horrendous ending. A mid-credits montage gives a montage preview of what to expect in 2025’s “Indian 3,” and it looks just as awful as “Indian 2.” You’ve been warned.

Red Giant Movies released “Indian 2” in select U.S. cinemas and in India on July 12, 2024.

Review: ‘Rathnam’ (2024), starring Vishal and Priya Bhavani Shankar

May 5, 2024

by Carla Hay

Vishal and Priya Bhavani Shankar in “Rathnam” (Photo courtesy of Ayngaran International)

“Rathnam” (2024)

Directed by Hari

Tamil with subtitles

Culture Representation: Taking place in Vellore, India, the action film “Rathnam” features an Asian cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: An enforcer for a Member of the Legislative Assembly gets caught up in a violent feud with corrupt businessmen who want to steal land ownership from a group of villagers.

Culture Audience: “Rathnam” will appeal primarily who are fans of the movie’s headliners and don’t mind watching idiotic action movies that are too long.

Murali Sharma in “Rathnam” (Photo courtesy of Ayngaran International)

“Rathnam” is just another long-winded, repetitive and idiotic action flick with no surprises and no soul. The movie has an unappealing subplot about the shallow “hero” falling in love with a woman who looks exactly like his dead mother. Other than that bizarre part of the story, “Rathnam” has the typical barrage of unrealistic fight scenes and murderous revenge schemes. It’s all becomes so dull and tiresome after a while. And it’s made worse by the movie’s too-long runtime of 155 minutes.

Written and directed by Hari, “Rathnam” (which takes place in Vellore, India) is the fourth movie collaboration for Hari and star Vishal. They previously worked together on 2007’s “Thaamirabharani,” 2014’s “Poojai” and 2022’s “Yaanai.” Vishal portrays the title character in “Rathnam,” which means “gem” in Tamil. This movie is far from being a gem-like treasure. It’s trash.

“Rathnam” begins with a flashback to 1994, by showing how a group of three bandits commit robberies on the road. The three thieves throw eggs at the windshields of passing vehicles on isolated roads, to get the drivers to lose control of the vehicles and crash. The thieves then swoop in and rob the people in the crashed vehicles, regardless if the people are dead or alive.

The thieves use this heinous robbery tactic on a bus, which crashes and kills a total of 26 people. The thieves rob the dead and dying people before escaping. Later, when police try to catch the robbers on a cliff road, eggs are thrown on the police car’s windshield, and the police car falls over the cliff.

The movie then fast-forwards to 2024. Vellore is plagued by corruption from several politicians and business owners. Rathnam works as an enforcer for a Member the Legislative Assembly named Panneer Selvam (played by Samuthirakani), who sends Rathnam to do a lot of Panneer’s dirty work.

One of these criminal politcians is a council member named Babu Reddy (played by Pondy Ravi), who is seen trying to sexually assault a kidnapped teenage schoolgirl while he’s driving her in his Jeep. She jumps out of the vehicle to escape and ends up in a hospital, where police have been called to interview her. Babu Reddy denies anything to do with the crimes he committed against this victim.

The next thing you know, Rathnam and three of his cronies hunt down Babu. Rathnam then kills Babu with a chainsaw. Rathnam’s weapons of choice tend to be anything with blades, because he likes to behead many of his victims. Expect to see many scenes of Rathnam slashing his way through fights by using large knives and machetes.

Fairly early on in the story, Rathnam talks about his past to explain why he turned out to be the person he is. When he was 5 years old, Rathnam and his mother Loganayagi (played by Priya Bhavani Shankar) were kidnapped. The kidnappers forced Rathnam’s mother to become a sex slave. She became an outcast in their community and committed suicide (by hanging herself) out of shame. “Rathnam” has some other flashbacks to his family’s past, with the flashbacks showing relatives such as Rathnam’s father (played by Ganesh Venkatraman) and Rathnam’s grandfather (played by Y. Gee. Mahendra).

Meanwhile, in the present day, three ruthless brothers have been bullying the villagers to sign over land to them. This dastardly trio of brothers are Beema Rayudu (played by Murali Sharma), Subba Rayudu (played by Hareesh Peradi) and Raghava Rayudu (played by Vettai Muthukumar), who have a connection to Rathnam’s past that won’t be revealed in this review. The villagers who don’t comply are at risk of being murdered by the Rayudu brothers, who have a large group of thugs working for them.

Rathnam’s love interest is a medical student named Malliga (also played by Shankar), whose father Vedha Nayagam (played by Jayaprakash) and unnamed grandfather (played by Vijayakumar) are among the outspoken villagers who are resisting the threats and attacks from the Rayudu brothers. Rathnam is immediately smitten with Malliga the first time that he sees her because she looks identical to his dead mother. When Malliga finds out about this uncanny resemblance, she doesn’t think it’s creepy at all that Rathnam is attracted to her in part because she looks like his mother.

Rathnam and Malliga have a volatile relationship where they break up and get back together multiple times. Rathnam is very jealous and possessive and can fly into a rage if he thinks Malliga is having “impure” thoughts about another man. The movie tries to make this relationship look romantic when it’s actually an emotionally abusive and dysfunctional relationship.

“Rathnam” is filled with ridiculous fight scenes where Rathnam has unexplained superhuman strength and abilities. When he is outnumbered by opponents, the opponents just stand around and watch while Rathnam takes on one man at a time. It’s all such idiotic and lazy filmmaking. There’s nothing about “Rathnam” that can be described as “great” or “very good.” It’s all just a parade of mediocre-to-bad everything that is not worth the time of anyone who wants to see an entertaining action movie.

Ayngaran International released “Rathnam” in select U.S. cinemas and in India on April 26, 2024.

Review: ‘Dasara’ (2023), starring Nani, Keerthy Suresh, Dheekshith Shetty, Shine Tom Chacko, Samuthirakani and Sai Kumar

April 5, 2023

by Carla Hay

Pictured in front: Dheekshith Shetty and Nani in “Dasara” (Photo courtesy of AA Films)

“Dasara” (2023)

Directed by Srikanth Odela

Telugu with subtitles

Culture Representation: Taking place in Veerlapally, India, mostly in 2009 (and briefly in 1995 and 2016), the action film “Dasara” features an all-Indian cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: In a city plagued by alcoholism, a thief experiences a love triangle with not only his best friend but also with a ruthless politician.

Culture Audience: “Dasara” will appeal primarily to people who are interested in watching epic love stories and have a high tolerance for action scenes that are brutally violent.

Keerthy Suresh in “Dasara” (Photo courtesy of AA Films)

“Dasara” uses a lot of familiar techiques in over-the-top action movies about love triangles and vengeful family members. However, the acting performances are better than most movies in this genre. The movie’s story also maintains suspense and intrigue.

Srikanth Odela makes his feature-film directorial debut with “Dasara,” a highly energetic and occasionally ridiculous saga that touches on serious issues of alcoholism, political corruption and domestic violence. Odela co-wrote the “Dasara” screenplay with Vamsi Krishna P., Jella Srinath and Arjuna Paturi. The movie has some stunning visuals, but the violence might be too intense or offensive for some viewers.

In “Dasara,” which takes place mostly in 2009, Dharani (played by Nani) and his best friend Siddham Suryam, nicknamed Suri (played by Dheekshith Shetty) are unemployed troublemakers in the village of Veerlapally, India. Dharani and Suri steal coal for money. The two pals hang out with other scoundrels, who also steal and get into brawls.

Dharani and a local teacher named Vennela (played by Keerthy Suresh) have known each other since childhood. Dharani (who comes from a lower-caste family) has been in love with Vennela for many years, but she just sees him as a platonic friend. Vennela is actually in love with Suri, who comes from an upper-caste family. Predictably, Vennela’s mother (played by Jhansi) would rather have Vennela marry Suri.

Veerlapally is a village plagued by alcoholism. Many women in the village have spouses or partners who are violent alcoholics. The central pub in the village is called Silk Bar. And whoever owns Silk Bar has the most power in Veerlapally. The way that customers are served by the Silk Bar is a reflection of the caste system: The upper-caste people are served inside, while the lower-caste people must stay outside in order to be served.

“Dasara” has a subplot about two stepbrothers who are competing with each other for control of Veerlapally. Shivanna (played by Samuthirakani) is considered to be the upstanding citizen, while Rajanna (played by Sai Kumar) has a reputation for being corrupt. These sibling rivals compete against each other by forming different political parties. Shivanna wins an election to be the leader of Veerlapally, but Rajanna bitterly contests the election.

The rest of “Dasara” shows how Dharani and Suri get swept up in this vicious political power struggle. Rajanna as a son named Chinna Nambi (played by Shine Tom Chacko), who’s a lot worse than Rajanna. It’s enough to say that Chinna Nambi becomes an enemy of Dharani. Chinna Nambi’s long-suffering wife (played by Shamna Kasim) has a pivotal role in the movie.

With a total running time of 156 minutes, “Dasara” takes too long to tell a story that could have easily been told in a movie with a total running time of 120 minutes or less. However, the film moves at such a brisk pace, the long running time doesn’t make “Dasara” a tedious movie to watch. “Dasara” balances the very graphic violence with some comedy and sentimentality. It’s not a great film on any level, but it’s of a slightly higher quality than the formulaic and soulless action junk that gets churned out by movie studios on a regular basis.

AA Films released “Dasara” in select U.S. cinemas and in India on March 30, 2023.

Review: ‘Vaathi,’ starring Dhanush, Samuthirakani and Samyuktha

February 25, 2023

by Carla Hay

“Vaathi”

Directed by Venky Atluri

Tamil and Telugu with subtitles

Culture Representation: Taking place in India, mostly in the 1990s, the dramatic film “Vaathi” features an all-Indian cast of characters representing the working-class and middle-class.

Culture Clash: After a greedy businessman manipulates the educational system so that schoolteachers from government-run schools are sent to his private school system, a dedicated teacher goes against the rules to teach students who can’t afford a private education.

Culture Audience: “Vaathi” will appeal primarily to people who are interested in watching movies about inspirational schoolteachers, even if some of the scenarios are very exaggerated for dramatic purposes.

Samuthirakani and Dhanush in “Vaathi” (Photo courtesy of Sithara Entertainments)

[Editor’s note: “Vaathi” was filmed in the languages of Tamil and Telugu. The Tamil title of the movie is “Vaathi,” while the Telugu title of the movie is “Sir.” A few of the movie’s characters have different names, depending on the language. This reviewer saw the movie in the Tamil language, so the review will have the characters names that were in the Tamil version of the movie.]

“Vaathi” tells a sentimental story that takes a searing look at how the debate over government-funded education versus private education in India affects those who are financially disadvantaged. The movie shows how one person can make a positive difference. With a total running time of 148 minutes, the movie is a little too long, and there are some unnecessary and unrealistic action fight scenes, but the movie’s overall message and how the story is told is mostly watchable and entertaining.

Written and directed by Venky Atluri, “Vaathi” takes place mostly in the 1990s, but the movie begins in the early 2020s. Three guys in their late teens have traveled from Vellore to visit a district collector. They find out that his name is A. M. Kumar (played by Sumanth), who has a story to tell these teenagers. (In the Telugu version of the movie, this character’s name is A. S. Murthy.) A.M. Kumar has a photo hanging up on the wall of an influential schoolteacher, who has become somewhat of legend in A.M.’s small hometown village of Sozhavaram. (In the Telugu version of the movie, A.S. Murthy’s hometown is Siripuram.)

The movie then flashes back to the 1990s, to show the story from the perspective of this schoolteacher. In the Tamil version of the movie, his name is Bala Balamurugan. In the Telugu version of the movie, his name is Bala Gangadhar Thilak. (Dhanush has the role of Bala.) Bala is passionate about teaching and has a strong belief that education should be a right, not a privilege reserved only for those who can afford it.

A brief introduction in “Vaathi” explains that in 1990, the privatization of much of India’s economy led to many government-run schools being shut down and more schools becoming privately owned businesses. Teachers at these shuttered government schools were often transferred to the private schools, with the transferred teachers often making less money than what they were paid working for government-run schools. Meanwhile, depending on the area, private schools raise their tuitions, making education available only to those who can afford it.

The poorest of the poor can’t afford to pay any tuition for education. It’s an inequality that Bala finds very hard to accept. He becomes a teacher who is transferred from a government-run school to a private high school that is part of the Thirupathi Teaching Center, which is owned by a ruthless and greedy businessman named Thirupathi (played by Samuthirakani), who has an elitist and disrespectful attitude toward people who are working-class and poor. (In the Telugu version of the movie, the corrupt businessman’s name is Tripathi.)

Bala (who teaches mathematics) arrives at the school with two male co-workers who are also his friends: Prakash Reddy (played by Sha Ra), who is a physics teacher, has a friendly and easygoing personality. Karthik (played Hyper Aadi), who is a chemistry teacher, has a socially awkward and goofy personality. One of the first people they meet at this school is a pretty woman named Meenakshi (played by Samyuktha), who is a biology teacher.

All three men are immediately attracted to Meenakshi. The movie wastes some time with the three pals arguing about who will get to date her, even though it’s obvious to viewers which one of the friends will end up with Meenakshi. Karthik bungles his attempts to court her when he makes a pass at her that Meenakshi thinks is offensive. Karthik makes a sheepish apology and says this pass was just a “romantic gesture.”

One of the students at the school is named Muthu (played by Ken Karunas), whose parents tragically committed suicide. Muthu wears a leg brace and is often teased or bullied by other students about it. As a result, Muthu often has low self-esteem. Bala takes an interest in helping Muthu in many ways, including boosting Muthu’s confidence.

Bala spends a lot of time trying to convince the low-income villagers to send their underage children to this school. He gets a lot of resistance from the villagers who need their children to work for money instead of getting a school education. The children of low-income villagers who go to the school get treated as inferior by the students from families with higher incomes. Bala notices this discrimination and he figures out a way to stop it in his classroom.

But there’s a big problem looming: Thirupathi wants to raise the school’s tuition. And he doesn’t care if many people in the village won’t be able to afford this higher tuition. Bala gets in many conflicts with Thirupathi over this tuition increase, because Bala knows that many of the school’s students will have to drop out.

The school’s headmaster Thanigachalam (played by Tanikella Bharani) is at the mercy of Thirupathi. The village president (played P. Sai Kumar) also can’t do much to about Thirupathi and seems to be intimidated by this money-hungry businessman. Bala is the only one who seems to be standing up to Thirupathi the most and advocating for the children to get an affordable education.

Thirupathi won’t back down from the tuition increase. Bala knows that he is about to be fired, so he takes matters into his own hands and quits to start his own free “school” for the students who can’t afford Thirupathi’s tuition. Bala’s “school” is really just an outdoor gathering of students underneath a makeshift shelter outside of the village’s border.

Of course, Thirupathi doesn’t like Bala’s act of resistance one bit. He sends several thugs to cause some damage to the makeshift school and physically assault Bala. (None of this is spoiler information, since it’s shown in the movie’s trailer.) It starts a “war” between Bala and Thirupathi, with the students siding with Bala.

Most of “Vaathi” is about the conflicts between Bala and Thirupathi, but there’s also some romance, as Bala and Meenakshi become closer. She starts to fall in love with him after she sees how he treats all of his students with compassion and fairness. Bala is the type of teacher who leads by example.

“Vaathi” is filled to the brim with positive messages about how important education and good teachers are, but the movie sometimes goes overboard in making Bala look too good to be true. In his over-the-top fight scenes, he turns into a skilled action here who can take on and often defeat several men at once. He is almost saint-like as a teacher. Even when he is captured and tortured (already revealed in the movie’s trailer), he looks like a martyr.

However, the movie makes Bala more human when he has some moments of doubt and insecurity. He often gets advice from his supportive father (played by Aadukalam Naren), who’s a taxi driver. When Thirupathi goes on a derogatory rant to Bala about people who are poor or lower-middle-class, Bala says he comes from a lower-middle-class family and is proud of it. Thirupathi stammers a little and tries to backtrack from his insulting comments, but it’s obvious that he’s embarrassed that Bala has called him out for being a bigot.

Overall, “Vaathi” has acting that ranges from mediocre to above-average. The movie sometimes gets repetitious and a little dull. But aside from the phony-looking action scenes, there’s much about “Bala” that rings true when it comes to the battles that teachers have to experience when they want to educate underprivileged students who are being prevented from having the same access and resources as more privileged students. “Vaathi” is ultimately a love letter to underpaid and dedicated teachers who persist and make a positive impact on their students’ lives, despite the challenges and odds stacked against these teachers.

Sithara Entertainments released “Vaathi” (also titled “Sir”) in select U.S. cinemas and in India on February 17, 2023.