Review: ‘The Pale Blue Eye,’ starring Christian Bale, Harry Melling, Gillian Anderson, Lucy Boynton and Robert Duvall

December 22, 2022

by Carla Hay

Robert Duvall, Christian Bale and Harry Melling in “The Pale Blue Eye” (Photo by Scott Garfield/Netflix)

“The Pale Blue Eye”

Directed by Scott Cooper

Culture Representation: Taking place in 1830, in New York state’s Hudson Valley, the dramatic film “The Pale Blue Eye” features an all-white cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A widowed constable, who is grieving over the loss of wife and his teenage daughter, is hired to solve the grisly murder of a cadet at the United States Military Academy (also known as West Point Academy), where he teams up to solve the mystery with a cadet named Edgar Allan Poe. 

Culture Audience: “The Pale Blue Eye” will appeal primarily to people who are fans of the book on which the movie is based; the stars of the movie; and well-acted and suspenseful thrillers.

Lucy Boynton, Fred Hechinger, Harry Melling, Toby Jones, Harry Lawtey (pictured in the back) and Gillian Anderson in “The Pale Blue Eye” (Photo by Scott Garfield/Netflix)

“The Pale Blue Eye” is an engaging and stylish murder mystery with a talented cast that can keep people interested when the movie’s pacing sometimes drags. A “reveal” scene looks clumsy, but the movie is an overall worthy version of Louis Bayard’s 2003 novel of the same name that is the basis of the movie. Yes, it’s another Christian Bale movie where he plays a brooding loner, but the acting is done well enough that it doesn’t feel like a rehash of his other movie roles.

Written and directed by Scott Cooper, “The Pale Blue Eye” is Bale’s third movie collaboration with Cooper. Bale and Cooper previously worked together on 2013’s “Out of the Furnace” and 2017’s “Hostiles.” In “The Pale Blue Eye” (which takes place in 1830 in New York’s Hudson Valley), Bale is protagonist Augustus Landor, a retired constable/detective who is recruited to solve an unusual murder case and finds himself investigating a possible serial killer.

Augustus, who lives alone in a remote cottage, is a widower whose wife died in 1827. He is also grieving over the more recent loss of his teenage daughter Mathilda, also known as Mattie (played by Hadley Robinson), who is shown in brief flashbacks. Augustus tells people that he hasn’t seen Mattie since she ran away with a boyfriend whom August briefly met. To cope with his grief, August has become a habitual drinker of alcohol. It’s not very clear if he’s a full-blown alcoholic, but his drinking habits have negatively affected his career and his reputation.

It’s under these circumstances that Augustus is visited in the movie’s opening scene by Captain Ethan Hitchcock (played by Simon McBurney), a no-nonsense and stern official from the United States Military Academy, also known as West Point Academy, because of its location in West Point, New York. Captain Hitchcock doesn’t waste any time in saying why he is visiting Augustus: A second-year cadet at the academy has been murdered, his body was found on the school’s campus, and the academy wants Augustus to solve the crime before it becomes a major scandal.

The murder victim, whose name was Leroy Fry (played by Steven Maier), was found hanging from a tree, with his feet touching the ground, indicating that it wasn’t a suicide. His heart was removed with the precision of someone with surgical knowledge to make a straight and orderly incision. This gruesome mutilation is something that the academy’s officials don’t want to be widely known when people find out about the murder. They also want to work with Augustus to keep the investigation as private as possible, instead of going to the local police department. Despite his drinking problem, August is considered one of the best detectives in the area.

At first, August seems hesitant to take the case, but he soon agrees to investigate the crime. Captain Hitchcock gives Augustus a ride to the academy, where August meets Superintendent Thayer (played by Timothy Spall), who isn’t as emotionally aloof as Captain Hitchcock, but he conducts himself with an air of impatient authority. Superintendent Thayer tells Augustus soon after meeting him: “I’m asking you to save the honor of the United States Military Academy.”

Augustus immediately begins by interviewing possible witnesses, as well as the academy’s doctor performing the autopsy. Dr. Daniel Marquis (played by Toby Jones) is wealthy and very good at his job, but he has the type of arrogance where he lets people know that he thinks he’s the smartst person in the room. In the medical exam room, Dr. Marquis tells Augustus that the murderer isn’t necessarily someone who’s a doctor but someone who needed good light and knew where to cut, in order to remove the heart without cutting or damaging the lungs.

While examining the body, Augustus finds a very important clue: The murder victim had a torn piece of paper clutched inside one of his hands. The paper is a hand-written note with most of the words missing. Augustus eventually gets some help in deciphering what the note says.

During the early part of this investigation, meets an eccentric cadet named Edgar Allan Poe (played by Harry Melling), who cryptically tells Augustus that the murderer is probably a poet. Another cadet tells Augustus that he saw a suspicious-looking man lurking near the crime scene. But the only description that this witness can give is that the man looked like he was wearing an officer’s jacket with the bars removed from the jacket arm.

Augustus finds out that Leroy and his roommate Cadet Loughborough (played by Charlie Tahan) came to dislike each other. Cadet Loughborough says in his interview with Augustus: “I wouldn’t call it a ‘falling out.’ It’s a matter of diverging paths. He fell in with a bad bunch.” However, Cadet Loughborough says he doesn’t know any details about any of Leroy’s new friends.

Captain Hitchcock has been tasked with putting pressure on Augustus to solve the crime as soon as possible and overseeing Augustus’ investigation. And so, Captain Hitchcock does some hovering during the investigation and sometimes shows up unexpectedly in places, in order to catch Augustus and other people off guard. Augustus is more of a freewheeling individual who doesn’t see life in such a rigid way. And you can easily predict what that means: Captain Hitchcock and August are going to clash with each other.

Captain Hitchcock has a low tolerance for people who don’t take things as seriously has he does. He sets three ground rules for Augustus that he says can’t be broken: (1) Report all findings to Captain Hitchcock; (2) Don’t tell anyone outside the academy about the investigation; and (3) No drinking alcohol during the course of the investigation.

What does Augustus do in reaction to these rules? He goes to a local pub to get drunk. As he says in a toast to the bartender, “Here’s to rules.” The pub is also where Augustus meets a bar maid named Pasty (played by Charlotte Gainsbourg), a friendly and soft-spoken employee who observes a great deal of what goes on in the pub. Quicker than you can say “lonely widower,” Augustus and Charlotte end up in bed together for a casual fling.

The pub is also where many of the cadets hang out in their free time. It’s here that Augustus sees Edgar, a highly intelligent oddball who is a social misfit at the academy. Augustus and Edgar strike up a conversation, where Augustus asks Edgar what he meant by the murderer being a poet.

Edgar explains that the heart is more than a body organ: It’s a symbol. Edgar says, “To remove a man’s heart is to traffic in symbol.” “The Pale Blue Eye” has several references to hearts removed from bodies. Of course, it’s a nod to the real Edgar Allan Poe, who became a famous horror/mystery novelist, with one of his most well-known works being the short story “The Tell-Tale Heart,” about a killer haunted by the sound of a murder victim’s beating heart.

“The Pale Blue Eye” is a fictional story, but it cleverly implies that if the real Edgar Allan Poe actually existed in this story, “The Tell-Tale Heart” would have been influenced by his experience working on this murder case. Later in the movie, Edgar recites a line from the real “Tell-Tale Heart,” which includes a description about the murderer being annoyed by his victim having an eye cataract: a “pale blue eye.”

Augustus is impressed enough by Edgar to secretly hire Edgar to assist Augustus in the investigation. Augustus tells Edgar that it’s a non-paying job, but Edgar doesn’t seem to mind, because he’s eager to be involved in helping solve a mystery. One of the first things that Augustus asks Edgar to do is help decipher the torn note that was found in Leroy’s hand. Augustus says he doesn’t like to read many books and isn’t as well-read as Edgar. But at the same time, Augustus doesn’t want Edgar to completely upstage him in this investigation.

It should come as no surprise that Leroy isn’t the only one who ends up dead in this story. Another cadet is killed in a similar manner. And it sends the academy officials into a panic that the killer is specifically targeting cadets at the academy. If so, why? It leads to even more pressure on Augustus to find the murderer.

Along the way, other people are introduced who might or might not have clues that could help solve this mystery. There is suspicion that the murderer is cutting out hearts as part of an occult ritual. And so, Augustus and Edgar meet with Professor Jean Pepe (played by Robert Duvall), an expert in symbols, rituals and the occult. Duvall’s screen time in the movie is less than 15 minutes, but his wise and jaded Jean Pepe character plays a pivotal role in the movie.

During the investigation, Augustus and Edgar also meet Dr. Marquis’ wife Julia Marquis (played by Gillian Anderson), who is very sensitive and high-strung. Dr. and Mrs. Marquis have two children: Artemus Marquis (played by Harry Lawtey), who is a popular cadet at the academy, and Lea Marquis (played by Lucy Boynton), who is a sought-after bachelorette with a talent for playing the piano. Artemus and Lea both sometimes act a little spoiled and entitled, but they look out for each other and have a strong family bond.

Edgar becomes smitten with Lea, and they start casually dating. Lea wants Edgar to be her platonic friend, but he is hoping that their relationship will develop into a romance. On one of their dates, Edgar is alarmed when Lea goes into a seizure but just as quickly recovers. Meanwhile, a cadet named Randolph “Randy” Ballinger (played by Fred Hechinger) also has a romantic interest in Lea, and he gets jealous of Edgar. Of course this would-be love triangle leads to problems.

“The Pale Blue Eye” has many of its best moments in showing the rapport between Augustus and Edgar, who are from different generations and have different personalities, but both characters have moments of emotional vulnerability. Their relationship is sometimes compatible and sometimes uneasy while working together in this very stressful murder investigation. Bale and Melling adeptly handle their respective roles, with Melling tending to be a little more melodramatic in portraying socially awkward Edgar. Augustus and Edgar (who became an orphan in his childhood) don’t have much in common, but they both sense that they are alone in the world and have an unspoken camaraderie of feeling like maverick outsiders.

“The Pale Blue Eye” takes place in an unnamed winter month with snow outside, so the cinematography by Masanobu Takayanagi is a gorgeous palette of icy blue in exterior scenes and gold/brown for interior scenes. The movie’s production design and costume design are also well-done. And the musical score by Howard Shore is very effective in how it builds the story’s tension.

Where “The Pale Blue Eye” falters is in how the movie’s tone and pacing can occasionally get a little dull. There’s also a crucial scene involving a blazing fire that doesn’t look completely genuine. Without giving away too many details, it’s enough to say that in real life, people would be running away from this fire a lot quicker than what’s shown in the movie. However, “The Pale Blue Eye” does not disappoint when it comes to the acting performances. Viewers who might be the most disappointed in the movie will be those expecting “The Pale Blue Eye” to be more of an action film.

For people who don’t know how the story is going to end, “The Pale Blue Eye” is a somber and thoughtful mystery that will keep viewers guessing about what will happen next. Just when it looks like the movie can end one way, there are more revelations. Because of a surprise twist which is handled a lot better than an earlier plot twist, “The Pale Blue” does not go down a predictable path and should satisfy fans of murder mysteries that don’t completely follow the usual formulas.

Netflix will release “The Pale Blue Eye” in select U.S. cinemas on December 23, 2022. The movie will premiere on Netflix on January 6, 2023.

Review: ‘Antlers’ (2021), starring Keri Russell, Jesse Plemons, Jeremy T. Thomas, Graham Greene, Scott Haze, Rory Cochrane and Amy Madigan

October 29, 2021

by Carla Hay

Jeremy T. Thomas and Keri Russell in “Antlers” (Photo courtesy of Searchlight Pictures)

“Antlers” (2021)

Directed by Scott Cooper

Culture Representation: Taking place in Cispus Falls, Oregon, the horror film “Antlers” feature a nearly all-white cast of characters (with a few Native Americans) representing the working-class and middle-class.

Culture Clash: A schoolteacher finds out that a 12-year-old student in her class is hiding a horrible secret.

Culture Audience: “Antlers” will appeal primarily to people interested in horror movies that are about how damage to Earth’s environment can have terrifying consequences.

Jesse Plemmons, Jeremy T. Thomas and Keri Russell in “Antlers” (Photo courtesy of Searchlight Pictures)

More than the typical “creature on the loose” horror movie, “Antlers” tells a haunting yet somewhat sluggish story about how a decaying environment can wreak havoc if the problem is ignored. The dangers of this denial of also run deep in the movie’s human relationships that are plagued by abuse and neglect. The movie falls into some very predictable and repetitive traps, but there’s enough suspense in “Antlers” to hold most people’s interest.

Scott Cooper, a filmmaker known for his outlaw-inspired movies about troubled loners (such as 2009’s “Crazy Heart,” and 2015’s “Black Mass”) directed “Antlers” and co-wrote the movie’s screenplay with Henry Chaisson and Nick Antosca. The screenplay is based on Antosca’s 2019 short story “The Quiet Boy.” Guillermo del Toro is one of the producers of “Antlers,” so you know it’s going to be some kind of story involving a mysterious creature hiding among humans. Cooper is also one of the producers of “Antlers.”

The reason why this movie is called “Antlers” is revealed about halfway through the film, which takes place in the small town of Cispus Falls, Oregon. And once this information is disclosed to viewers, the movie just becomes a countdown to when certain people in this small town will find out the secret that a mysterious killer beast is living among them. The fact that “Antlers” is about some kind of deadly monster is part of this movie’s marketing, which includes movie trailers that already showed flashes of this creature. What’s revealed when watching the movie is how the monster ended up this way, why the creature is in this small town, and how this beast has been able to hide.

Fortunately, “Antlers” doesn’t take a stereotypical “slasher flick” route of of just being scene after scene of generic people getting killed. The movie takes its time to let viewers know the main characters of the story. “Antlers” has some not-so-subtle messages about the dangers of polluting the environment. But the movie also has depressing observations about how easily children can be neglected and/or abused, as well as how that trauma can be passed down through generations.

“Antlers” opens with a scene of two grungy-looking men in an abandoned mine shaft. Their names are Frank Weaver (played by Scott Haze) and Kenny Glass (played by Michael Eklund), and they have the type of dirty and disheveled appearance of people who’ve haven’t slept or cleaned themselves in at least a few days. Frank has left his 7-year-old son Aiden Weaver (played by Sawyer Jones) in Frank’s truck outside and ordered Aiden to stay there. He tells Aiden that he has to do some work and that it’s no place for kids.

If this sounds like Frank and Kenny are involved in drugs, it’s because they are. They’re both using the mine shaft as their meth lab. But their meth cooking is about to be interrupted by a mysterious creature that attacks them. After some time has passed, Aiden becomes restless and curious to find out what’s taking his father so long. He goes into the mine shaft and then movie abruptly cuts to the next scene.

Julia Meadows (played by Keri Russell), a bachelorette in her 40s, has recently moved back into the area (Cispus Falls is her hometown) after living in California for 15 years. She works as a teacher at the local middle school. Her younger brother Paul Meadows (played by Jesse Plemons), who is in his 30s, is the sheriff of Cispus Falls. Just like his sister Julia, Paul is single with no children.

It’s eventually revealed in the movie that Paul and Julia have had a somewhat strained relationship because she abruptly moved away from this hometown. Paul felt abandoned by his older sister. And there are still bitter feelings between both siblings for why they became estranged.

In one scene, Paul and Julia have a brief heart-to-heart talk about it. Julia tells Paul about her feelings of guilt about this long exit from his life: “Just know that I have spent my entire life trying to deal with leaving you.” Julia also says that she would understand if Paul still resents her, but she couldn’t stay in their family household anymore.

Paul seems to understand but he also wants it known how Julia’s departure hurt him. “I spent my entire praying that you’d come back,” he tells her. What caused this family rift? It’s shown in nightmares that Julia has that she and Paul had an abusive father (played by Andy Thompson), who is now deceased. One of the flashbacks (with Katelyn Peterson as an adolescent Julia) makes it clear without showing anything too explicit that Julia’s father was a deeply troubled man who sexually abused her. The mother of Paul and Julia is also dead, and it’s unknown how much she knew about this abuse.

In her classroom, Julia is frustrated because her students don’t seem to be connecting with her. The kids seem bored or unimpressed with her style of teaching. At this point in the cirriculum, she is teaching them about folklore and fables. Julia asks for the students to volunteer what they know about these types of stories that can be centuries old.

Eventually, Julia finds out that a quiet and shy 12-year-old boy in her class named Lucas Weaver (played by Jeremy T. Thomas) has been drawing some disturbing images in his notebook. The illustrations include demon-like animal figures in the woods. Does one of the creatures have antlers? Of course it does.

One day, Julia asks Lucas to tell her and the classroom of students what’s the story behind one of the drawings. Lucas then tells a creepy tale of a little bear that lives with a big bear and a small bear that are different because the big bear and small bear are always hungry. Based on the reactions by the other students in the class, Lucas is now perceived as even more of a “freak” who is a social outcast at the school.

Even before Lucas told this story, he was being bullied at school by some other boys. The leader of the bullies is a mean-spirited brat named Clint Owens (played by Cody Davis), who gets his comeuppance when Lucas puts dog excrement in Clint’s backpack for revenge. It sets off a feud between the Clint and Lucas. And if you know how horror stories like this usually go, things will not end well for one of these boys.

In the meantime, Julie notices that Lucas looks pale and undernourished. She gently and tactfully tries to find out from Lucas what his home life is like. The only thing that Lucas will tell her is that his mother is dead, and that his 7-year-old bother Aiden is homeschooled. Lucas resists Julie’s attempts to befriend him. Julie feels like she can relate to Lucas, because they are both treated like outsiders at the school.

Julie takes her concerns about Lucas to her boss, Principal Ellen Booth (played by Amy Madigan), who seems distracted and very reluctant to get involved. Principal Booth tells Julie that after Lucas’ mother died of a drug overdose, child protective services investigated suspicions that the Weaver household was abusive, but CPS didn’t find enough evidence to warrant taking the children away from the home. And so, Frank Weaver was allowed to keep custody of Aiden and Lucas. Principal Booth promises Julie that she will stop by the Weaver household in the near future to check up on the children.

Cispus Falls has been on an economic decline for years. And it’s been made worse by the opioid crisis and meth epidemic that have ravaged Cispus Falls and its surrounding areas. However, the drug-related crimes that have been plaguing the community somewhat pale in comparison to the murders that have suddenly begun to happen in Cispus Falls: Mutilated bodies, including one of the meth lab men from the opening scene, are being discovered in the town’s wooded area.

Paul and his small team of police officers begin to suspect that a people-killing wild animal is on the loose. But there are many signs that this is no ordinary animal. Footprints indicate that this creature can walk upright. And the bite marks are unlike anything that the local forensic pathologist has ever seen.

There are some supporting characters in “Antlers” that are quite formulaic. Rory Cochrane portrays Daniel Lecroy, one of the cops on the Cispus Falls police force. Grahame Greene is Warren Stokes, a stereotypical elder resident of the town who seems to know everyone’s business and the town’s history. Warren is also the one who talks about the Native American folk tales that offer clues into the mystery behind the creature.

Between the disturbing drawings made by Lucas and the discovery of the mutilated bodies, it doesn’t ake a genius to figure out what’s going on. Julie does her own investigating, and Paul eventually finds out what she’s learned. Therefore, the main suspense in the story comes from wondering who’s going to die and who’s going to survive.

The bond that Julia tries to form with Lucas runs almost parallel to her trying to heal her fractured relationship with her brother Paul. There’s an underlying message of how children with dysfunctional or absentee parents can often find strength and support with each other if they don’t put up too many emotional barriers. Lucas’ plight becomes very personal to Julia. She feels like she wants to “save” Lucas because she knows what it’s like to be a kid who needed help but no one was there to save or protect her.

As expected, the creature’s full physical appearance is eventually shown in the movie. These scenes with the monster attacks should bring enough chills to horror audiences, but “Antlers” ultimately does nothing groundbreaking with how this creature looks or acts. (Dorian Kingi portrays the antlered monster.) The movie doesn’t over-rely on CGI visual effects for gimmicks, but it does rely on a suspension of disbelief that all the mayhem the creature causes wouldn’t eventually be noticed by more people and would eventually make big news. For example, if this situation happened in real life, it would need more than a small-town police department to handle it.

An argument could be made that “Antlers” should have been a short film. And there’s some validity to the argument, since the movie tends to drag for long stretches to an inevitable conclusion. However, the principal cast members’ performances serve the story in a competent way. No one is a bad actor here, but no one is outstanding either.

One of the big issues that “Antler” doesn’t address adequately is how Lucas has been able to keep his big secret for as long as he has without raising suspicions sooner. However, it might be the movie’s way of showing how abuse and neglect of children can happen in plain sight and nothing is really done about it. People (such as Principal Booth) who should be mindful of the warning signs sometimes prefer to deny that there’s a problem and make any excuse they can to avoid getting involved. In that respect, you don’t need an antlered monster to know that these real-life tragedies are their own horror stories.

Searchlight Pictures released “Antlers” in U.S. cinemas on October 29, 2021.

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