Review: ‘Sean Combs: The Reckoning,’ starring Kirk Burrowes, Aubrey O’Day, Al B. Sure!, Roger Bonds, Rodney ‘Lil’ Rod’ Jones, Kalenna Harper and Capricorn Clark

December 7, 2025

by Carla Hay

A 1990s photo of Christopher Wallace (also known as the Notorious B.I.G. or Biggie Smalls) and Sean Combs in “Sean Combs: The Reckoning” (Photo courtesy of Netflix)

“Sean Combs: The Reckoning”

Directed by Alexandria Stapleton

Culture Representation: The four-episode documentary series “Sean Combs: The Reckoning” features a predominantly African American group of people (with a few white people) who discuss their connections to disgraced entertainment mogul Sean Combs, who was sentenced to 50 months in prison in 2025, for transporting people across state lines for prostitution, and who has been hit with numerous civil lawsuits accusing him of various sex-related crimes and other law violations.

Culture Clash: Combs, who has a long history of legal conflicts and getting into trouble, has denied almost all the accusations against him, while numerous people have come forward to say that the accusations are true.

Culture Audience: “Sean Combs: The Reckoning” will appeal primarily to people who are fans of hip-hop culture and are interested in true crime documentaries about celebrities who’ve had scandalous lives.

Kirk Burrowes in “Sean Combs: The Reckoning” (Photo courtesy of Netflix)

“Sean Combs: The Reckoning” is the last of several documentaries released in 2025 that take an extensive look into the life and scandals of disgraced entertainment mogul Sean Combs. This four-episode docuseries mostly rehashes information but is notable for some exclusive footage, including Sean Combs filmed days before his 2024 arrest, as well as the first documentary interview with Aubrey O’Day about her accusations of his sexual misconduct. O’Day, who is a former member of Danity Kane (an all-female pop singing group that used to be signed to Combs’ Bad Boy Records) did not testify in Combs’ jury trial that took place between May and July 2025.

Combs, the founder of Bad Boy Entertainment and other companies, was found guilty in the trial of the felony of transporting people across state lines for prostitution, but he was acquitted of the more serious charges of sex trafficking and racketeering. In October 2025, Combs was sentenced to 50 months in prison and fined $500,000. In the many civil lawsuits against him, Combs has been accused of various sex crimes, allegedly taking place from the 1990s to the 2020s. Several of the accusers say that Combs drugged them without their consent. Combs has denied almost all the accusations in these lawsuits. These facts are repeated in each episode of the documentary. Combs, his representatives, and his family members did not comment or participate in the documentary.

Combs was born in New York City on November 4, 1969. In addition to having financially successful businesses in the entertainment industry, Combs has been a mogul in fashion and liquor, as well as a recording artist, a producer and occasional actor. He became one of the first hip-hop moguls to have a net worth valued at over $1 billion, but his net worth and reputation have significantly declined since his sex scandals landed him in prison. Throughout his career, Combs has had several stage names or nicknames, including Puff Daddy, Puffy, P. Diddy, Diddy and Love.

Alexandra “Alex” Stapleton directed “Sean Combs: The Reckoning.” However, most people who’ve heard about this documentary series will also know that it’s executive produced by Curtis “50 Cent” Jackson, a rapper/actor/producer who has had a long-running feud with Combs. Jackson’s G-Unit Films and Television production company was one of the main financial backers of the documentary. Not surprisingly, Combs’ atttorneys have blasted this documentary as a biased “hit piece” funded by Jackson, who has many reasons to hold a grudge against Combs.

What the documentary doesn’t disclose, which it should have disclosed for the sake of transparency, is that Jackson is one of a long list of men who has a former girlfriend who ended up dating Combs. Daphne Joy (also known as Daphne Narvaez), who is mostly known for being an Instagram model, dated Jackson from 2011 to 2012 and is the mother of Jackson’s son Sire, who was born in 2012. She was also reportedly a witness (with the alias Jane Doe), who testified for the prosecution in Combs’ trial and claimed that she endured several types of abuse during her relationship with Combs, which lasted from 2000 to 2024.

Out of necessity, “Sean Combs: The Reckoning” repeats Combs’ biographical information that has been in several other news reports and documentaries about him since his sex scandals got him arrested in 2024. These documentaries include Investigation Discovery’s “The Fall of Diddy” and Peacock’s “Diddy: The Making of a Bad Boy,” which were both released in 2025, before Combs went on trial. “Sean Combs: The Reckoning” is the most comprehensive of the documentaries about him released in 2025 because, unlike the previous documentaries, “Sean Combs: The Reckoning” has information about the outcome of the trial and includes interviews with two of the trial’s jurors, whose names are not revealed.

Throughout “Sean Combs: The Reckoning,” there is September 2024 footage that Combs commissioned for a personal documentary. In this footage, which was filmed in the days before his 2024 arrest, he is seen greeting fans on the streets of New York City, having phone conversations with his attorney Marc Agnifilo, and living out of the Park Hyatt Hotel in New York City’s Manhattan borough. He was arrested at this hotel on September 16, 2024. The documentary includes blurry video surveillance footage (without audio) of this arrest.

Episode 1, titled “Love vs. Pain,” chronicles his life through the mid-1990s. Episode 2, titled “What Goes Down Must Come Up,” dredges up intense speculation that Sean was involved in and possibly masterminded the drive-by-shooting murders of rappers Tupac Shakur (who was killed Las Vegas in September 1996) and the Notorious B.I.G. (who was killed in Los Angeles in March 1997). Episode 3, titled “Official Girl,” takes a look at Combs’ love life and his pattern of pursuing the girlfriends of his music rivals, before and after he became a superstar in entertainment. Episode 4, titled “Blink Again,” details many of the scandals that Combs has had in the 21st century so far, including some that received testimony in his 2025 trial.

“Sean Combs: The Reckoning” includes widely reported details about his early life. His father Melvin Combs was a drug dealer/police informant who was murdered (shot to death) at age 33, when Sean was 2 years old. The murder remains unsolved. Sean’s widowed mother Janice Combs (who worked as a model, a nightclub server and a teacher assistant) then moved to suburban Mount Vernon, New York. Sean has a younger sister named Keisha, who is never mentioned in the documentary. Sean was bullied as a child. But from an early age, Janice taught him to fight back even harder against his bullies and has remained a major influence in his life.

According to Sean’s childhood friend Tim Patterson, who worked as an A&R representative for Uptown Records in the 1990s, Sean eventually became a bully himself and got worse when Sean got more fame and more money. Patterson, who is interviewed in “Sean Combs: The Reckoning,” was also interviewed in “The Fall of Diddy” and “Diddy: The Making of a Bad Boy” and doesn’t really have anything new to say. Patterson repeats his stories about Janice hanging out with shady people whom Sean considered role models. A pimp named Alpo Martinez is mentioned in the documentary as someone whom a young Sean wanted to imitate.

The well-known details are chronicled about Sean dropping out of Howard University to pursue his dream of becoming rich and famous in the music industry. He started as a dancer in music videos and strived to work at Uptown Records, a New York City-based company founded by Andre Harrell. Sean relentelessly hounded Andre Harrell to hire him. In 1991, Harrell not only hired Sean but he also became a mentor to Sean, who lived with Harrell during Sean’s first year at Uptown. (Harrell died of heart failure in 2020, at the age of 59.)

Sean quickly rose through the ranks at Uptown, going from intern to eventually becoming vice president of A&R (artists and repertoire), a position that involves signing artists to contracts, finding songs and producers for artists, and being involved in crafting the images of artists. When he was with Uptown Records, Sean worked with artists such as Mary J. Blige, Jodeci, Al B. Sure!, and Heavy D & the Boyz. But he had clashes with Harrell over egos, creative direction for artists and financial spending. Harrell also refused Sean’s requests to become a solo recording artist at Uptown.

Sean was fired from Uptown in 1993. Shortly thereafter, he founded Bad Boy Records (which grew into Bad Boy Entertainment), whose artists included the Notorious B.I.G. (also known as Biggie Smalls), Craig Mack, Faith Evans, Total, 112, Mase and Danity Kane. Sean also became a recording artist for the label, using various stage names. In 1998, he launched his fashion label Sean John, which was an instant hit. In the 2000s, he became an actor, a TV producer/TV personality (most notably with MTV’s “Making the Band,” a reality show series that formed Danity Kane and other music groups), and a liquor mogul through a deal with Ciroc.

“Sean Combs: The Reckoning” doesn’t reveal anything new about Sean’s other scandals before the one that landed him in prison. These scandals include Sean being the chief promoter of an oversold 1991 charity fundraiser basketball game at the City College of New York gymnasium, where nine people (ranging in ages from 17 to 28) died in a stampede, which could have been prevented if the exit doors had not been locked. Sean made a public apology and was not arrested. He made financial settlements with the families of the stampede victims who died.

Also included are his legal problems for two seperate violent incidents that happened in New York City in 1999: his May 1999 arrest for beating up music executive Steve Stoute and his December 1999 arrest on weapons charges for a shootout that occurred at Club New York. Sean reportedly assaulted Stoute (who at the time was the manager of rapper Nas) in Stoute’s office because Sean reportedly disliked how Sean looked in Nas’ “Hate Me Now” music video. Sean pleaded guilty to harassment and was sentenced to one day of anger management. Stoute later sued Sean over this assault. The lawsuit was settled out of court.

In December 1999, Sean and his protégé Jamal Barrow (also known as rapper Shyne) were arrested with singer/actress Jennifer Lopez (who was dating Sean at the time) over a shooting incident that happened when an argument broke out between Sean and some other people at Club New York. The shooting injured three innocent bystanders, one of whom was Natania Reuben, who testified that Sean was the one who shot her in the face. He denied all accusations.

Lopez was not charged in the incident, but Barrow and Sean went on trial in 2001, for various weapons-related crimes in this Club New York shooting. Sean was acquitted of all the charges, while Barrow was found guilty of eight of the 10 charges and served almost nine years in prison. In the 2024 documentary “The Honorable Shyne,” Barrow (who changed his first name to Moses after he converted to Judaism) tells his own story about this life-changing scandal.

Sean has denied all accusations against him except for the one that was in a hotel security video that was first televised by CNN in May 2024. In the video, which was recorded at the InterContinental Hotel in Los Angeles in March 2016, Sean is seen in a hotel floor hallway kicking and dragging singer Cassie Ventura, who was his girlfriend at the time, after she tried to get on an elevator. Ventura is in a fetal position during this attack, and she doesn’t fight back.

The assault matches one of several accusations of abuse that Ventura described in her November 2023 lawsuit against Sean. Her lawsuit—which accused him of sexual abuse, sex trafficking and other physical abuse—was settled one day after it was filed. She was his on-again/off-again girlfriend from 2007 to 2018. Ventura (who went by the one-name stage moniker Cassie) was also signed to Bad Boy Records. Ventura testified in Sean’s 2025 trial. During her testimony, it was revealed that she received a $20 million settlement in her lawsuit against him.

A few days after CNN televised the assault video, Sean posted a now-deleted Instagram video in which he said he took “full responsibility” for the attack on Ventura and said that this assault happened when he was at “rock bottom” in his life. Sean also mentioned that he had gone to therapy and rehab, but he didn’t specify the reasons and how long he received treatment.

Unlike other documentaries about Sean,” Sean Combs: The Reckoning” doesn’t have interviews with attorneys or journalists. Instead, most of the interviews are with several of Sean’s former employees and former colleagues. Almost all of them describe him as a charismatic manipulator who is very abusive and controlling.

Some of these ex-associates walked away immediately after they witnessed or experienced abuse. Others stayed much longer—several years, in many cases. The ones who stayed the longest give the same reasons why people will tolerate criminal activity from an abuser who is rich and famous: They want some of the celebrity’s fame and fortune for themselves too. Some say they stayed out of fear and misguided loyalty. But what it really comes down to is they didn’t want to lose any of the perks or career advancements they thought they could get from being associated with Sean Combs.

In addition to O’Day and Patterson, former colleagues interviewed in “Sean Combs: The Reckoning” include Kirk Burrowes, who co-founded Bad Boy Records; Capricorn Clark, a former Sean Jean vice president of marketing who started as Sean’s personal assistant; Joi Dickerson-Neal, who used to be a music video promotion employee at Uptown Records; Sean’s former bodyguard Roger Bonds; rapper Erick Sermon; music producer Rodney “Lil Rod” Jones; former Uptown Records artist Al B. Sure!; and former Bad Boy executive Conrad Dimanche. Also interviewed are former Bad Boy Records artists Mark Curry; Kalenna Harper (who was in the group Diddy – Dirty Money); Brooklyn Babs (who was in the group Da Band); and Robert Curry and Willie Taylor, who were both in the group Day 26.

Roxanne Johnson, ex-wife of Craig Mack, talks about Sean being an unscrupulous businessman who cruelly exploited artists. (To be fair, that describes a lot of people in the music business.) She claims that Sean ripped off Mack, who got very little money from the Bad Boy contract. After a while, “Craig came to be very disenchanted,” she says of his business relationship with Sean. Mack (who released three studio albums) was best known for his 1994 hit song “Flava in Ya Ear,” from his 1994 debut album, “Project: Funk da World,” which was his biggest-selling album and his only album that was released on Bad Boy Records. Mack died of AIDS in 2018, at the age of 47.

Another person interviewed in the documentary is former sex worker Clayton Howard, who says he was a client of Sean’s for eight years. Howard was one of the people who testified for the prosecution in Sean’s 2025 trial. In the documentary, Howard goes into similar graphic details about being hired to have sex with Ventura, as Sean watched while wearing a mask. Eventually, the encounters would turn into Sean and Howard taking turns having sex with Ventura. Howard says that Sean often liked to film these encounters and controlled every aspect of what Howard and Ventura were ordered to do during these sex sessions. Howard also claims that Ventura introduced Howard to the drug ecstasy when he asked how Sean and Ventura were able to have marathon sex sessions for days.

Out of all the people interviewed in the docuseries, Bad Boy Entertainment co-founder Burrowes has the story that drives the narrative the most. Burrowes says in Bad Boy’s early years, Sean gave a 25% ownership stake of Bad Boy to Burrowes, while the remaining 75% ownership was put in Janice Combs’ name, so Bad Boy would be protected from any legal claims against Sean because of what happened with the stampede death tragedy in 1991. But as the Bad Boy company became more successful, Burrowes claims that Sean forced him to sign over Burrowes’ 25% to the Combs family and threatened to beat him with a baseball bat if Burrowes didn’t comply. Burrowes says he was fired in 1997, when he refused Sean’s order to alter the Notorious B.I.G.’s contract without the artist’s knowledge.

Burrowes filed a lawsuit in 2003 to get his share of royalties from the 25% ownership stake that he believes was stolen from him, but the lawsuit was dismissed by a court. In the documentary, Burrowes admits that he was a co-dependent/enabler when he worked with Sean in the 1990s. Burrowes comments that he could be considered an early member of the “Sean Combs cult.” He also says that when he first started working with Sean, Sean did not do drugs and was not a heavy drinker. Burrowes says he believes that Sean’s drug addiction began when Sean injured his hand in an assault and was prescribed Percocet.

Numerous people have come forward in media interviews and in legal documents to claim that Sean frequently abused many drugs, including ecstasy, cocaine, marijuana and alcohol. One thing that Sean has not denied is his participation in orgies (which he called “freak-offs” or “wild king nights,” according to witnesses and court documents), but he claims that all of the sex was consensual between adults. His obsession with using baby oil during sex has been widely reported and lampooned. A disturbing allegation that’s repeated in the documentary is that many of his accusers believe that doses of Rohypnol or other odorless and colorless liquid drugs that cause people to lose consciousness and memory were put in baby oil used in these sexual encounters and were administered to people without their consent.

Burrowes says that he saw Sean assault people, including mother Sean’s mother Janice and stylist Misa Hylton, who is the mother of Sean’s eldest child, a son named Justin. Burrowes was the godfather of Justin, who was born on December 30, 1993. Justin has been named in several lawsuits as an accomplice to his father Sean’s sexual assaults. In March 2025, Burrowes filed a lawsuit against Combs, claiming he endured years of abuse and harassment from Combs, including sexual assault and sexual harassment.

It’s a similar tale told by music producer Jones, who is also suing Combs for worker exploitation and various sex-related crimes. Jones, who was interviewed in “The Fall of Diddy” documentary, repeats his stories that are detailed in his lawsuit, such as not being for paid Jones’ work on Sean’s 2023 release “Love Album: Off the Grid.” Jones also claims that while he was working on the album, he lived with Sean and admits they indulged in a lot of drug-fueled partying. Jones says that Sean sexually harassed him and sexually assaulted him during the time he lived and worked with Sean. Jones is one of several accusers who believe that Sean drugged them without their consent on many occasions.

In the documentary, Jones also describes working in a recording studio with Sean and seeing an unidentified man who was unconscious and wounded by a gunshot, after the shooting apparently happened behind closed doors. Police were called by someone who heard the shooting, but before the police arrived, the man was taken away by people who worked for Sean. When the police arrived, Jones says that Sean convinced the police that nothing happened, and he noticed Sean and Sean’s son Justin acting very smug about it afterward. Jones, who admits he did nothing about this crime at the time it happened, never saw the wounded stranger again and doesn’t know if the man lived or died from that gunshot wound.

Dickerson-Neal is another accuser who claims that she believes Sean drugged her without her consent and sexually assaulted her. She also claims that he made a “revenge porn” video that documented this alleged assault. Dickerson-Neal, who is a plaintiiff in a lawsuit against Sean, says that the alleged sexual assault happened in 1991, the year that she found out about the sex video from a mutual friend, who said that Sean was showing the video to many people they knew. Dickerson-Neal says that she confronted Sean about the video and alleged assault, and he denied everything.

In the documentary, Dickerson-Neal gets tearful when she reads a 1992 letter that her mother wrote to Janice Combs about the alleged sex video. In the letter, her mother pleads with Janice Combs to make things right and do what she could to destroy the video. Janice apparently never responded. Dickerson-Neal says she quit working for Uptown after finding out that she was allegedly raped on video and never had a job in the music business again. Dickerson-Neal says she thinks Sean blackballed her from the industry.

Danity Kane was formed in 2005 from a talent search on “Making the Band,” which had Sean as the star and as an executive producer. When Sean was involved in “Making the Band,” every group formed on the show would get a record contract with Bad Boy. Danity Kane was the most commercially successful of these groups and was an instant hit, with songs like “Show Stopper,” “Ride for You” and “Damaged.” But behind the scenes, O’Day says that Sean’s tyrant actions were much worse than what he showed on camera for the TV series.

In the documentary, O’Day (who was the breakout star of Danity Kane) shows text messages that she says Sean sent to her when she was a member of Danity Kane and he was her boss. The messages pressure her to have sex with Sean. O’Day says she repeatedly refused to get sexually involved with him and was fired in an episode of “Making the Band” about six months later in 2008. During the episode, Sean accused O’Day of having a “promiscuous” image that was hurting Danity Kane’s reputation. Wanita Woodgett, whose stage name is D. Woods, was fired from Danity Kane at the same time as O’Day. After Ventura’s lawsuit was settled out of court, Woodgett (who was one of the people interviewed in “The Fall of Diddy”) came forward with stories about Sean verbally abusing Woodgett when Woodgett was a member of Danity Kane.

The most disturbing part of O’Day’s interview in this documentary is when she reads out loud for the first time the affidavit in a lawsuit where a female witness (who is not named on camera) claims that when she was dating a man who worked for Bad Boy Records in 2005, she happened to be in a recording studio where she opened one of the doors and saw Sean and an unidentified man sexually assaulting O’Day at the same time. The witness claims that O’Day was naked from the lower half of her body, and O’Day seemed so heavily drugged to the point where O’Day looked like she didn’t know what was happening.

The unidentified witness said that she was shocked and told her boyfriend at the time what she saw. The boyfriend, who obviously worked for Sean, told her that it was none of their business and that she should leave the matter alone and not tell anyone else. In the documentary, O’Day says she was not a drug user during this time and has no memory of this alleged assault happening. O’Day, who is visibly upset when she reads the witness statement, says: “I don’t know if I was raped. I don’t want to know.”

After Danity Kane disbanded for the first time in 2009, Sean formed the trio Diddy – Dirty Money with Harper and with former Danity Kane member Dawn Richard. Richard is another a plaintiff in one of the many lawsuits accusing Sean of sexual harassment and sexual assault. Harper describes Richard’s relationship with Sean as “weird” and claims that Richard had conversations with Sean and other people that led people to believe that Richard would be a willing participant in whatever sexual things Sean would propose.

Harper does not say in the documentary if she was ever sexually harassed or abused by Sean, but in her documentary interview, Harper comments about Sean when she worked with him: “He became my hero.” She also talks about how Sean pressured her to make a public statement in support of him after Richard filed her lawsuit against him. Harper says she reluctantly gave in to Sean’s pressure to make a public statement praising Sean, but she now says since more facts about him have emerged, her opinion of him has changed, and she no longer has hero worship of him.

Al B. Sure! (whose real name is Albert Joseph Brown) doesn’t have much to add that he didn’t already talk about in the interview that he did for the documentary “Diddy: The Making of a Bad Boy.” Former model Kim Porter, the mother of three of Sean’s children, was Sure’s live-in girlfriend and the mother of their son Quincy, who was born in 1991. Sean met Porter in 1990 or 1991, when she was a receptionist for Uptown. And even though Porter was in a committed relationship with Sure at the time, Sean pursued her relentlessly until she gave in, and she and Sean became a couple. Combs and Porter had an on-again/off-again relationship from 1994 to 2007.

Sean began treating Quincy as his own son and reportedly adopted him. Quincy has been using the last name Combs for years, although Sure says that Sean never formally adopted Quincy. Sean has three biological kids with Porter: son Christian Combs (born in 1998 and nicknamed King) and twin daughters Jessie and D’Lila Combs (born in 2006). In what has become a familiar story, Christian has been named in some lawsuits as an accomplice to Sean’s sexual assaults and sex trafficking. The defendants in these lawsuits have denied all the allegations.

Sean’s pattern of going after the girlfriends of music rivals also happened with Ventura, who was dating songwriter/producer Ryan Leslie when she met Sean in 2005. She was 19, and Sean was 36. It wasn’t long before Leslie was out of the picture, and Sean had taken over Ventura’s career. There have been several reports, including in this documentary, that Sean and Ventura got sexually involved with each other when he was still in a relationship with Porter. But publicly, Sean and Ventura didn’t admit they were a couple until after Porter’s relationship with Sean had publicly ended in 2007.

In “Sean Combs: The Reckoning,” Sure does not mention the allegations that he made in his interview for Peacock’s “Diddy: The Making of a Bad Boy.” That’s probably because Sean filed a defamation lawsuit against NBCUniversal, the parent company of Peacock, because Sure claimed in “Diddy: The Making of a Bad Boy” that Sean had something do with the death of Porter and an alleged attempted murder on Sure. Porter died in 2018, at the age of 47. Her official cause of death is pneumonia. At the time that “Sean Combs: The Reckoning” was released in December 2025, the defamation lawsuit (which is seeking $100 million in damages) was pending and will probably be dismissed and/or settled out of court.

Clark (who worked off and on for Sean from 2006 to 2012) repeats her widely reported testimony that she gave in Sean’s trial, where she told a harrowing story of Sean forcing her to drive with him to the Los Angeles home of rapper Kid Cudi (whose real name is Scott Mescudi) in December 2011, because Sean said they were going to murder Kid Cudi. The reason, according to Clark, was Sean got very angry and jealous that Ventura was dating Kid Cudi.

Kid Cudi (who also testified for the prosecution in the trial) wasn’t home at the time. In the documentary, Clark breaks down in tears when she talks about what could have happened if Sean had followed through with this alleged murder plan. She says that her reluctance to go along with the alleged murder plan got her fired. Clark reportedly settled a wrongful termination lawsuit against Sean.

In Sean’s 2025 trial, Kid Cudi testified that his Porsche was damaged by a Molotov cocktail explosion in January 2012. In his testimony, Kid Cudi said that he believes Sean was responsible for this crime, as well as a December 2011 home break-in that occurred when no one was in the house at the time. Nothing was stolen in the break-in, but Kid Cudi tesitfied that items were moved around, and his dog was locked in the bathroom. No one was arrested for the break-in or the car vandalism.

In his 2025 trial testimony, Kid Cudi said that shortly after the Molotov cocktail vandalism of his Porsche, he had a meeting with Sean where Sean denied to Kid Cudi that he was responsible for the vandalism. Kid Cudi, who described Sean as looking like a “Marvel supervillain” during this meeting, testified that he didn’t believe Sean’s denial because a terrified Ventura had called Kid Cudi in December 2011, to tell him that Sean was furious about the short relationship she had with Kid Cudi, who thought that she and Sean had already broken up when Kid Cudi began dating her. “Sean Combs: The Reckoning” does not include this information about Kid Cudi’s testimony.

The murkiest and least-substantiated part of the documentary is in Episode 2, which repeats allegations that Sean was involved in plotting the murders of Shakur and the Notorious BI.G., whose real name was Christopher Wallace. William Leesane, a cousin of Shakur, says in the documentary: “Sean was insanely jealous of Big and [Shakur’s] friendship.” Leesane adds, “I think that now, in my mature mind, I think that Sean had a lot to do with the death of Tupac.”

This episode goes into the history of the East Coast/West Coast hip-hop industry feud in the 1990s. Sean and Bad Boy artists represented the East Coast. Death Row Records founder Suge Knight and Death Row’s artists from California, such as Shakur, Snoop Dogg (then known as Snoop Doggy Dogg) and Dr. Dre, represented the West Coast. Also wrapped up in the feud were the two rival gangs the Crips and the Bloods, with Crips publicly aligned with Death Row’s artists, and the Bloods more associated with Bad Boy’s artists.

The documentary interviews a man named D1, a former member of the Mansfield Crips, who doesn’t have anything new to add to the speculation and theories that have been floating around for decades. One of the theories is that the 1994 attempted murder (by gun shooting) of Shakur at Quad Recording Studios in New York City was set up by Sean, who had invited Shakur to meet up with Sean at this recording studio. The only new information that the documentary has is previously unreleased audio recordings of an interview that former Los Angeles Police Department detective Greg Kading did with Duane “Keefe D” Davis, who goes on trial in 2026 for Shakur’s murder. Kading is interviewed in “Sean Combs: The Reckoning.”

In the audio interview, Davis claims that he heard that Sean had put a hit on Shakur and Knight, for payment of $1 million that was to be given to alleged middle man Eric “Von Zip” Martin, a known drug dealer. Orlando Anderson, a gang member, was the alleged shooter, but Davis said that Martin only got $500,000 (and allegedly kept the money) because only Shakur was killed in the car where Knight was the driver. Anderson died in a gang-related shooting in 1998, at the age of 23. Martin died of cancer in 2012.

The people who believe that Sean ordered the assassination of the Notorious B.I.G. say it’s because the Notorious B.I.G. wanted to leave Bad Boy because of money disputes. Sean has repeatedly and publicly denied over the years that he was involved in any of these murders. There are several documentaries that go into more depth about the murders of the Notorious B.I.G. and Shakur.

One of the most talked-about aspects of “Sean Combs: The Reckoning” is the behind-the-scenes personal footage of Sean less than a week before his September 2024 arrest. Sean’s attorney have since claimed that the footage was stolen, but the documentary producers says that all of this footage was legally obtained. The docuseries actually begins with a clip from this footage, by showing Sean in a hotel room and having a phone conversation with attoney Agnifilo, six days before Sean would be arrested. “I want to fight for my life,” Sean says. “It’s really hard for me to be able to take more hits than I’ve taken.”

Sean is also seen discussing media strategy on how to repair his public image. He scolds Agnifilo for watching CNN and says that Agnifilo should be paying more attention to social media for opinions from potential jurors. He then says about Agnifilo and the other attorneys representing Sean: “Y’all are not working together in the right way. We’re losing.” He orders Afnifilo to have discussions with the other attorneys to come up with the “right solution.”

Outside of these tense conversations with his legal team and other representatives, Sean appears in public and acts like he doesn’t have a care in the world when he is approached by fans (mostly men of various ages), who praise him and asks for photos with him. Keep in mind that these fans are acting this way after the video of Sean brutally assaulting Ventura was big news and was widely seen by the general public. It’s yet another example of how many people will excuse abuse from someone who is rich and famous.

The behind-the scenes footage also shows Sean basking in this type adoration when he shows up unannounced at a diner in Harlem, a New York City neighborhood where the majority of residents are black people. Afterward, inside his car, he says with disgust that he needs to take a long hot shower and disinfect his hands because of all the people whom he had to hug. This footage is shown directly after his former bodyguard Bonds is shown in a documentary interview saying that the real Sean doesn’t like to hang out with black people who are of no use to him. Sean has a few hanger-on friends with him in the footage, including stylist Groovey Lew. Sean’s son Justin is seen briefly with him in some of the hotel room footage.

“Sean Combs: The Reckoning” does not chronicle the trial, which included testimony from Ventura. Instead, the documentary has brief interviews with two former jurors from the trial, identified only by their juror numbers. These two jurors’ comments give insight into why the jurors arrived at the verdict and why the prosecution couldn’t get a conviction on the most serious charges. There were eight men and four women on the jury.

Juror 160 is a woman in her 30s who says that she felt bad for Ventura when she saw the video of Ventura being kicked and attacked by Sean, but the juror says that Sean was not on trial for domestic violence. The prosecution used the hotel surveillance video of Sean assaulting Venture as evidence in the trial, in order to prove that Ventura had been trying to get away from Sean after a “freak-off” session. Juror 75, a man who appears to be in his 50s, is even less sympathetic to Ventura, by making this comment about why she stayed in a relationship with Sean for many years: “You can’t have it both ways.” He also describes Sean and Ventura’s volatile and toxic relationship as two people “in love.”

The jurors were not sequestered and could therefore be manipulated through social media and public opinion that the jurors were forbidden to look at, engage with, or discuss during the trial. Tisa Tells, a social media influencer who covered the trial for her YouTube and TikTok channels, says in the documentary that unidentified representatives for Sean would constantly meet with certain social media influencers in the courthouse cafeteria and other places, in order to enlist their support. Tells says she wasn’t one of those people because as the trial went on, she became more convinced that Combs was guilty and she didn’t want her reporting integrity to be compromised.

One of the basic tenets in marketing is “Perception is reality.” There are people who will never believe that Sean is guilty of the crimes he’s been accused of, while others believe he’s guilty of all the accusations against him. And there are people who fall somewhere in the middle. “Sean Combs: A Reckoning” does what it intends to do: Show, tell, and remind people of the sleaziest aspects of Combs’ life while also pointing out that there are still plenty of people who are willing to excuse all of his misdeeds and crimes because they want to focus on his work that made people happy, or they are just dazzled by his fame. Regardless of what viewers think about Combs, he can’t get away from his criminal record, which now includes the fact that he’s a convicted felon.

Netflix premiered “Sean Combs: The Reckoning” on December 2, 2025.

Review: ‘The Fall of Diddy,’ starring Danyel Smith, Kat Pasion, Roger Bonds, Thalia Graves, Rodney ‘Lil’ Rod’ Jones, Gordon Chambers and Phil Pines

February 9, 2025

by Carla Hay

Sean Combs in “The Fall of Diddy” (Photo courtesy of Investigation Discovery)

“The Fall of Diddy”

Directed by Yoruba Richen, Emma Schwartz and Scott Preston

Culture Representation: The five-episode documentary series “The Fall of Diddy” features a predominantly African American group of people (with some white people, Latin people and Asians) talking about the rise and fall of disgraced mogul/entertainer Sean Combs.

Culture Clash: Several of the people who are interviewed claim that Combs abuses his fame and power to commit crimes that allegedly include assaults, various sex crimes, racketeering and attempted murder.

Culture Audience: “The Fall of Diddy” will appeal primarily to people who are interested in true crime documentaries about celebrities and can tolerate graphic details in sex scandals.

Mara S. Campo and Phil Pines in “The Fall of Diddy” (Photo courtesy of Investigation Discovery)

“The Fall of Diddy” features interviews with several people (including some of his rape accusers) talking about their experiences with Sean Combs. This docuseries has a good variety of perspectives, but there’s a lack of accountability for enablers. Many of the interviewees previously told their stories in documentaries and news reports. A few are giving televised interviews about their experiences for the first time.

Directed by Yoruba Richen, Emma Schwartz and Scott Preston (who gets directorial credit on one of the episodes), “The Fall of Diddy” is produced by Maxine Productions and Rolling Stone Films. Maxine Productions is also known for the controversial docuseries “Quiet on Set: The Dark Side of Kids TV,” which premiered on Investigation Discovery in 2024. Rolling Stone Films (a company owned by Penske Media Corporation) has previously produced short documentary films in 2015 starring the Black Keys, Sheryl Crow and Ringo Starr. “The Fall of Diddy” is Rolling Stone Films’ first comprehensive investigative documentary series.

Combs was born in New York City, on November 4, 1969. He is a mogul in entertainment, fashion and alcoholic beverages. He’s best known as the founder of Bad Boy Entertainment, which launched in 1993 and includes the successful Bad Boy Records, whose specialty is R&B, hip-hop and pop. Some of the hit artists who have been signed to Bad Boy included the Notorious B.I.G., Faith Evans and Danity Kane. Combs is also a music artist, producer and occasional actor. His nicknames over the years have been Puff Daddy, Puffy, P. Diddy, Diddy and Love.

In September 2024, Combs was arrested on several federal charges of sex crimes and racketeering. Since his arrest, he has been held in a New York City jail without bail. Combs also has several civil lawsuits from many people who are accusing him of various sex crimes (including rape) and other physical abuse against women, men and children. In many of the lawsuits, his accusers say that they were drugged without their consent.

Combs has denied all of these accusations except for the one that was in a hotel security video that was first televised by CNN in May 2024. In the video, which was recorded at the InterContinental Hotel in Los Angeles in March 2016, Combs is seen in a hotel floor hallway kicking and dragging singer Cassie Ventura, who was his girlfriend at the time, after she tried to get on an elevator. Ventura is in a fetal position during this attack, and she doesn’t fight back.

The assault matches one of several accusations of abuse that Ventura described in her November 2023 lawsuit against Combs. Her lawsuit—which accused him of sexual abuse, sex trafficking and other physical abuse—was settled one day after it was filed. Ventura was his on-again/off-again girlfriend from 2007 to 2018. Ventura (who went by the one-name stage moniker Cassie) was also signed to Bad Boy Records.

A few days after CNN televised the assault video, Combs posted a now-deleted Instagram video in which he said he took “full responsibility” for the attack on Cassie and said that this assault happened when was at “rock bottom” in his life. Combs also mentioned that he had gone to therapy and rehab, but he didn’t specify the reasons and how long he received treatment.

Combs and his representatives declined to be interviewed for “The Fall of Diddy,” which has repeated written statements from Combs’ legal counsel saying that Combs denies all accusations against him and he is looking forward to defending himself in court. All of this background information and more details about Combs’ scandals are included in “The Fall of Diddy,” which has the first four episodes giving a mostly chronological timeline of Combs’ life. Episode 1 is titled “The Making of a Mogul.” Episode 2 is titled “Empire Under Fire.” Episode 3 is titled “Untouchable.” Episode 4 is titled “The Fall.”

Episode 5 is titled “The Assistant,” and it was a sudden addition to the series, which was originally announced as a four-episode series. Unlike the other episodes, Episode 5 is half of the run time of each previous episode. Episode 5 only features journalist Mara S. Campo interviewing Phil Pines, who was Combs’ senior executive assistant from 2019 to 2021.

Campo is interviewed for other episodes of the series because she used to work for Revolt, the TV network founded by Combs in 2013. Combs stepped down from Revolt in 2023, after he was accused by more people of sex crimes. Campo says she was happy working at Revolt, and she is one of the few people interviewed in the documentary who says she never had a personal negative experience with Combs. Rev. Conrad Tiller, former minister of hip-hop for the Nation of Islam, is also interviewed and doesn’t have anything negative to say about Combs.

“The Fall of Diddy” will inevitably get compared to other documentaries about Combs, including Peacock’s documentary film “Diddy: The Making of a Bad Boy,” which premiered on January 14, 2025. “The Fall of Diddy” is the better documentary—and not just because “The Fall of Diddy” has the advantage of being a series that could have more footage than a feature-length film. Overall, the quality of interviews and the editing for “The Fall of Diddy” are superior to “Diddy: The Making of a Bad Boy.”

“The Fall of Diddy” has the expected chronicle of Combs’ life, from his childhood to his success as one of the richest hip-hop moguls in the world before his privileged life came crashing down on him with these scandals and legal problems. The docuseries dutifully covers the basic well-known facts of his past. Sean Combs’ father Melvin Combs was a drug dealer/police informant who was murdered (shot to death) at age 33, when Sean was 2 years old. The murder remains unsolved.

Sean’s widowed mother Janice Combs then moved to suburban Mount Vernon, New York. Sean has a younger sister named Keisha, who is never mentioned in the documentary. Sean was bullied as a child. But from an early age, Janice taught him to fight back even harder against his bullies, says cultural critic/journalist Touré, who has covered Sean’s career since the 1990s.

Tim Patterson, a Sean Combs childhood friend who was also interviewed in “Diddy: The Making of a Bad Boy,” says in “The Fall of Diddy” that Janice has always been a huge influence on Sean. Patterson describes Janice as being frequently abusive to Sean and says he personally witnessed Janice hitting Sean very hard. Gordon Chambers, a former Bad Boy Records songwriter, describes Janice as an ambitious hustler. Chambers says, “I think of her as the queen of that energy.” Janice Combs is not interviewed in the documentary and so far has not publicly commented on the federal charges against Sean.

Patterson says that Sean became tougher and more ruthless as Sean gained more influence and power. An incident described in the documentary is Sean shoving Christine Hylton, the mother of fashion stylist Misa Hylton, who is the mother of Sean’s eldest child Justin. (Justin was born in 1993.) Misa Hylton and Christine Hylton are not interviewed in the documentary and have not commented on this allegation. No one in Sean’s family is interviewed for this documentary either.

One thing that “The Fall of Diddy” has that no other documentary has is an interview with an unidentified woman, who says she witnessed Sean assault his then-girlfriend in 1988, when they were all students at Howard University. Sean attended Howard from 1987 to 1989, when he dropped out to pursue a career in the music business. In June 2024, Howard University announced it was severing all of its associations with Sean, including rescinding the honorary degree that the university awarded to Sean in 2014, and canceling the scholarship that was in his name.

The Howard University witness, whose face is obscured to protect her identity, says that she and her then-roommate (whom she did not name) were in their dorm room when they heard Sean outside shouting for his girlfriend, who lived in the same building, to come outside to talk to him. According to the anonymous witness, the girlfriend (whose name is also not mentioned) went outside, and the witness and her roommate could see from a window that Sean began beating the woman with a belt.

The witness says that while she and the roommate watched from their dorm window, they yelled at Sean to stop the attack, but he didn’t listen to them. She said that she and her roommate were too afraid to go outside and confront him. They also did not call for help. The witness chokes up in tears when she says she regrets not doing more to assist the assault victim. She says ruefully, “Nobody actually came to her rescue.”

“The Fall of Diddy” just has that one anonymous interview with the former Howard University student who says she saw Sean assault his girlfriend at the time, whereas “Diddy: The Making of a Bad Boy” has multiple anonymous interviews. “The Fall of Diddy” also mostly avoids putting vague accusations in the documentary, since the people interviewed are specific about the years and locations where they witnessed or experienced certain incidents.

From the beginning of Sean’s career, he was controversial. He started as an intern at New York City-based Uptown Records (founded by Andre Harrell) in 1990. Sean quickly rose to become an A&R executive at Uptown, where he worked with hit artists such as Mary J. Blige, Jodeci, Al B. Sure!, and Heavy D & the Boyz. Sean was working at Uptown in 1991 when he had his first big scandal.

In 1991, Sean was the chief promoter of an AIDS fundraiser basketball game at the City College of New York gymnasium. The event was oversold, and nine people (ranging in ages from 17 to 28) died in a stampede, which could have been prevented if exit doors had not been locked. The documentary includes archival footage of this tragedy.

Sean was mostly blamed for this mishandled event, he was sued over it, and he later settled out of court with the families of the dead victims. Two of these family members are interviewed in the documentary: Jason Swain (whose 20-year-old brother Dirk died) and Sonny Williams (whose 20-year-old sister Sonya died). Swain and Williams were also interviewed in “Diddy: The Making of a Bad Boy,” and they say essentially similar things in both documentaries.

On a side note: Al B. Sure! has had a longtime feud with Sean going back to the early 1990s. That feud is detailed in “Diddy: The Making of a Bad Boy,” in which Sure accuses Sean of being part of a conspiracy to kill Sure. Sure also claims in that documentary that former model Kim Porter—who was the mother of one son with Sure and the mother of one son and twin daughters with Sean—was murdered and didn’t die of pneumonia, which was her official cause of death in 2018.

Sean was fired from Uptown Records in 1993, reportedly because of ego clashes with Harrell and financial spending issues. Shortly after his ouster from Uptown, Sean launched Bad Boy. But as we all know, the controversies didn’t stop there.

In the 1990s, Sean was a key player in the feud between East Coast and West Coast hip-hop stars. By the end of the feud, two of its biggest stars were murdered in drive-by shootings: California-based Tupac Shakur in September 1996, and New York-based the Notorious B.I.G. (whose real name was Christopher Wallace) in March 1997. Both murders remain unsolved.

At the height of the East Coast/West Coast feud in the mid-1990s, Bad Boy Records rival Death Row Records, headquartered in Los Angeles, tried to set up East Coast operations called Death Row East. In “The Fall of Diddy” documentary, interviewee Dewitt Gilmore says that Sean Combs tried to run Gilmore over with a car, just because Gilmore was wearing a Death Row East T-shirt that Gilmore had gotten for free.

Gilmore says Combs (whom he did not know personally) was armed with a gun, expressed that he was offended by the T-shirt, and instigated a high-speed chase in Manhattan against Gilmore that Gilmore was certain was intended to kill him. Gilmore says he was lucky enough to escape in this car chase. Gilmore also makes it clear that he did not say or do anything to provoke Sean except wear a T-shirt that he had no idea would set someone off on an alleged rampage against him.

In the documentary interview, Gilmore still seems emotionally shaken up by the alleged incident. Either he’s telling the truth or he’s a very convincing liar. Gilmore directly addresses Sean when he looks at the camera and says: “Dude, you’re a menace to society.” Gilmore adds, “My story is just a piece to the bigger puzzle of his mayhem.”

“The Fall of Diddy” also chronicles Sean’s May 1999 assault of Steve Stoute (who at the time was the manager of rapper Nas) because Sean reportedly disliked how Sean looked in Nas’ “Hate Me Now” music video. Sean pleaded guilty to harassment and was sentenced to one day of anger management. Stoute later sued Sean over this assault. The lawsuit was settled out of court.

More trouble came in December 1999, when Sean and his protégé Jamal Barrow (also known as rapper Shyne) were arrested with singer/actress Jennifer Lopez (who was dating Sean at the time) over a shooting incident that happened when an argument broke out between Sean and some other people at Club New York in New York City’s Manhattan borough. The shooting injured three innocent bystanders, one of whom was Natania Reuben, who testified that Sean was the one who shot her in the face. He denied all accusations.

Lopez was not charged in the incident, but Barrow and Sean went on trial in 2001 for various weapons-related crimes in this Club New York shooting. Sean was acquitted of all the charges, while Barrow was found guilty of eight of the 10 charges and served almost nine years in prison. A pattern was emerging of Sean being involved in violent incidents but not getting prison time.

Ventura’s quickly settled lawsuit in November 2023 opened the floodgates to more accusations of Sean committing crimes that were previously not made public. And since Sean has been arrested and jailed without bail, even more people have come forward with similar accusations. These more recent accusations are the main reasons why most people will want to watch “The Fall of Diddy.”

Among those interviewed are people who say that Sean sexually assaulted them. These accusers are music producer Rodney “Lil’ Rod” Jones, who is a plaintiff in a civil lawsuit against Sean, whom he lived and worked with from 2022 to 2023; actress Kat Pasion, who dated Sean off and on from 2013 to 2021, and says their relationship ended after he raped her; and Thalia Graves, who says she was raped by Sean in 2001, and the rape was recorded on video.

Graves believes she was drugged without consent before she was raped. Graves says she met Sean because she was at the time dating a man (whom she does not name in the interview) who was a Bad Boy Records executive. A caption in the documentary says that this man says that Graves tried to bribe him to back up her claims.

In Jones’ lawsuit against Sean, Jones claims that Sean sexually groped Jones, drugged him without consent, and forced Jones to participate in sex acts with sex workers. Jones claims that actor Cuba Gooding Jr. also made sexual advances on him while Jones worked for Sean. Jones also alleges that Sean didn’t pay Jones for Jones’ work on Sean’s 2023 release “Love Album: Off the Grid.”

Pasion says that she remembers a 2019 trip that she and Sean took to the Bahamas. During this vacation, Pasion says she was watching the docuseries “Surviving R. Kelly.” Pasion vividly recalls that Sean noticed she was watching this exposé of R&B singer R. Kelly’s long history of being an accused sexual abuser. Pasion says that Sean then made this comment to her, “There’s a little bit of R. Kelly in all of us.” (In 2021, R. Kelly was sentenced to 30 years in prison for sex crimes.)

Several of Sean’s former employees are also interviewed for “The Fall of Diddy.” They include former Bad Boy Records engineer/producer Prince Charles Alexander; Dr. LaJoyce Brookshire, who was Sean’s publicist from 1995 to 1997; Rob Shuter, who was Sean’s publicist from 2003 to 2005; former Bad Boy Records producer Easy Mo Bee; former Danity Kane member D. Woods; Roger Bonds, who was Sean’s bodyguard from 2003 to 2012; Jourdan Cha’Taun, who was Sean’s personal chef from 2007 to 2010; makeup artist Mylah Morales; and Wardel Fenderson, who was the getaway driver for Sean in the 1999 Club New York shooting incident.

Fenderson gives his first on-camera interview for “The Fall of Diddy” but he doesn’t really say anything that he’s hasn’t already publicly revealed. He says that Sean offered him $50,000 to take the gun that Sean was accused of using in the shooting. Fenderson ultimately testified for the prosecution and recanted his bribed previous statements about what happened that night.

Morales (who was interviewed in “Diddy: The Making of a Bad Boy”) repeats her story of seeing Ventura injured with cuts and bruises after an apparent fight with Sean in 2010 at the Beverly Hills Hotel. Morales says she didn’t actually see or hear Sean assault Ventura, but Morales says that she knew Sean was the only person in the room with Ventura when the injuries happened. Morales says she helped Ventura stay in a safe location and got her private medical treatment from a doctor whom Morales knows.

Morales admits that she and Ventura were both too afraid to report this incident to law enforcement or to go to a hospital. Morales ominously says of Sean Combs: “Many people are afraid of him to this day.” Morales says that she and Ventura also never spoke of this incident again after Morales helped Ventura.

Bonds and Cha’Taun say that they each witnessed Sean assault Ventura on separate occasions. However, they admit they didn’t report these assaults at the time because they were afraid of getting fired or other retaliation. Bonds says that before Sean hired him as a bodyguard, Bonds was an ex-con who had a hard time finding a job because of his prison record, and he didn’t want to face unemployment again.

Bonds comments on Sean: “He is a master manipulator.” Cha’Taun says of coming forward as a whistleblower: “I’m not afraid anymore … These people do not have the power that they think they do.”

Danity Kane was an all-female pop group formed during the reality show “Making the Band 3,” which was televised on MTV from 2005 to 2009. Sean was an executive producer and star of the show, which featured aspiring singers competing to be in a group that would get signed to Bad Boy Records. In “The Fall of Diddy,” D. Woods says she believes that she and former Danity Kane member Aubrey O’Day were fired from the group in 2008 (this firing was on the TV show) because they rejected Sean’s sexual advances.

Not all the stories about Sean are about physical violence or retaliation. His former publicist Shuter is one of the few ex-employees who doesn’t have anything bad to say about Sean in “The Fall of Diddy.” Shuter comments: “We used to call him Puff the Magic Dragon. We said that with love. He threw the best parties.”

Mark Jacobs, a director who worked for the VH1 reality competition series “I Want to Work for Diddy” (which was on the air from 2008 to 2010), describes an inappropriate situation that he experienced the first time he met Sean, which was at Sean’s house. Jacobs claims that Sean came down the stairs and was completely naked underneath an open robe. Jacobs says he was too shocked to say anything about it and didn’t want to give the impression that he was uptight.

Other media people interviewed in the documentary mostly comment on facts that have already been reported. The journalists and other media people interviewed in the documentary include Mark Anthony Neal, editor of the non-fiction book “That’s the Joint: The Hip-Hop Studies Reader”; journalists Peter Noel, Cheyenne Roundtree and Dee Barnes; and social media personalities B. Scott and Tisa Tells.

However, former Vibe magazine editor-in-chief Danyel Smith retells her story of how Sean threatened her life and she had to go through a top-secret mission to hide magazine proofs from him and his associates. It happened after Vibe did a cover photo shoot with Sean for Vibe’s December 1997 issue. Sean demanded to have approval of the photo of him that would be on the cover.

Smith told him no because it was against the magazine’s policy for anyone outside of the magazine’s editorial department to approve the cover photos. She also declined his request to see the cover photo before it went to press. Smith said that in a phone conversation between her and Sean about this matter about the cover photo: “He said he would see me dead in a trunk if I did not show it [the photo] to him.” Smith says she immediately called Vibe’s attorney, who got Sean to fax over an apology to Smith.

However, Smith says she had to have extra security and somewhat had to go into hiding, by shuttling from office to office, in order to protect the photos and that magazine issue before everything was published. Smith gets emotionally tearful when she says she had so much trauma from that experience, she blocked much of it out of her memories and didn’t remember everything that happened until Vibe’s former research chief reminded her. Smith says that after that incident, she had a cordial relationship with Sean, out of necessity, because she says it was impossible not to be in her type of job and not have some kind of interaction with Sean.

Many of the interviewees who know Sean well have described him as having a hedonistic drug-fueled lifestyle, where people attending his most private parties were usually consuming large quantities of cocaine, ecstasy, alcohol, marijuana and other drugs. Pines says that in his job as Sean’s senior executive assistant, he was often ordered to supply drugs for what Pines says were Sean’s orgies, which Sean called Wild King Nights, also known as “freak-offs,” according to court documents. Pines says he never saw any sexual activities at these parties because he was in another room from where he believed the sexual activities were taking place.

However, Pines (who is a plaintiff in a lawsuit against Sean) says that on at least one occasion, Sean pressured him to perform a sexual act with a woman with her consent, while Sean watched this sexual activity. Pines says he felt disgusted by what was happening, but he complied with Sean’s demands because Pines didn’t want to get fired. Pines says he also saw several women (usually non-famous women in their 20s) come and go from these parties. Pines claims he witnessed Sean kick one of these women.

Pines also talks about how he often had to clean up after these orgies and still gets nauseated by what he saw. What he saw won’t be fully described here, but he does describe bodily fluids such as blood and urine. Pines also says that the hotel rooms where these orgies usually took place often had significant damage that would cost thousands of dollars to repair. He comments that there was a lot of baby oil that he had to clean up, which has now made him dislike the smell of baby oil.

It should be noted that in the federal raid of Sean’s homes in Miami, Los Angeles and New York in March 2024, law enforcement found more than 1,000 bottles of baby oil. Several lawsuits accuse Sean or people who work for him of lacing baby oil with Rohypnol or GHB, which are liquid drugs that cause disorientation or unconsciousness. The plaintiffs in many of these lawsuits alleging rape say that they believe they were raped after being drugged with unknown substances.

Several people interviewed claim that Sean often likes to watch and videorecord the activities at his orgies. Sean has admitted in past interviews that he has a decadent sex life, but he says he only engages in consensual sexual activity. Pines says part of his assistant job was to erase incriminating videos and computer search histories for Sean. Pines also commented that Kristina Khorram (the chief of staff for Combs Enterprises) was Pines’ actual direct supervisor. Khorram has declined requests for interviews.

Pines, who describes himself as coming from a Christian background, gets tearful when he talks about his time working for Sean, whom Pines calls a “predator.” Like many people who worked with Sean, Pines says he was thrilled at first because he thought working for this celebrity would open up many more opportunities for him. But the dream turned into a nightmare, says Pines.

“The Fall of Diddy” certainly has enough of his former employees and former associates placing blame and telling stories. But the documentary doesn’t go deep enough in naming and trying to interview powerful people (not low-ranking employees) who knew about these alleged crimes and might have helped cover up these alleged crimes or simply enabled by doing nothing. Khorram certainly isn’t the only person who could be considered an enabler.

Sean Combs did not get his fortune from out of nowhere. He was well-funded by people at corporations that have a responsibility to know if he was committing serious crimes that could ruin people’s lives. But as is often the case, many enablers don’t care if they are profiting from other people’s pain, as long as the money keeps pouring in to the enablers. The enablers only come forward if they are forced to reveal information, or if the disgraced person is no longer of use to them.

Many documentaries about Sean Combs are being released after these scandals were made public and before his trial. Some people might question how much these documentaries might affect his ability to get a fair trial. But the reality is that these documentaries are considered news reports, which are entitled to rights that have to do with freedom of the press. Still, any documentary about Combs and his scandals will be considered too salacious and tacky for some viewers, so viewer discretion is advised. And one thing’s for sure: There isn’t a shortage of people who have things to say about this disgraced celebrity.

Investigation Discovery premiered “The Fall of Diddy” on January 27, 2025.

Review: ‘Diddy: The Making of a Bad Boy,’ starring Al B. Sure!, Gene Deal, Sara Rivers, Tim Patterson, Ariel Mitchell, Lisa Bloom and Mylah Morales

January 17, 2025

by Carla Hay

Al B. Sure! in “Diddy: The Making of a Bad Boy” (Photo courtesy of Peacock)

“Diddy: The Making of a Bad Boy”

Culture Representation: The documentary film “Diddy: The Making of a Bad Boy” features a predominantly black group of people (with some white people and one Asian person) talking about the rise and fall of disgraced mogul/entertainer Sean Combs.

Culture Clash: Several of the people who are interviewed claim that Combs abuses his fame and power to commit crimes that allegedly include assaults, various sex crimes, racketeering, attempted murder and murder.

Culture Audience: “Diddy: The Making of a Bad Boy” will appeal primarily to people who are interested in true crime documentaries about celebrities and can tolerate graphic details in sex scandals.

Sara Rivers in “Diddy: The Making of a Bad Boy” (Photo courtesy of Peacock)

“Diddy: The Making of a Bad Boy” can be recommended to watch only for some of the revealing interviews and previously unreleased footage. However, the tabloid-ish format lowers the quality of this documentary, which needed more cohesive timeline editing. Depending on how much a viewer knows about disgraced mogul/entertainer Sean Combs’ previously reported scandals, “Diddy: The Making of a Bad Boy” will either be shocking or substantiating when it comes to his very troubled life.

There is no director credited for “Diddy: The Making of a Bad Boy,” which is a production of AMPLE Entertainment, Blink Films and FGW Productions. The executive producers are Ari Mark, Phil Lott, Sumit David, Stephanie Frederic, Laura Jones and Justine Kershaw. There is a very good variety of people interviewed who have had contact with Combs in some way, including childhood friends, former employees, ex-colleagues, journalists and attorneys. However, the documentary isn’t comprehensive and leaves out or sidelines some details.

Through captions, “Diddy: The Making of a Bad Boy” shows multiple statements from Combs’ attorneys denying all the accusations that have been made against Combs in the documentary and elsewhere. At the time this documentary was released, Combs was being held without bail in a New York City jail on federal charges of racketeering and sex trafficking, after being arrested in September 2024. He is also facing several civil lawsuits, most having to do with sex crimes—including accusations of raping women, men and children—with some of these alleged crimes going as far back as the 1990s. Many of the accusers say that Combs drugged them without their consent.

Combs (who was born in New York City on November 4, 1969) is known for being a mogul in entertainment, fashion and alcoholic beverages, as well as being a recording artist, music producer and occasional actor. Over the years, he has had several nicknames, including Puff Daddy, Puffy, P. Diddy, Diddy and Love. He has a long list of celebrity associates who have said they are his close friends, including Jay-Z, Ashton Kutcher and Mary J. Blige. Some of the artists whom Combs has mentored include Justin Bieber and Usher. As of this writing, these celebrities have not publicly commented on Combs’ legal problems that have landed him in jail.

Out of all the people interviewed in “Diddy: The Making of a Bad Boy,” R&B singer/producer Al B. Sure! makes the most explosive allegations, by claiming that Combs was involved in a conspiracy to murder Sure, who was hospitalized and in a coma in 2022 for renal failure and a liver transplant. Sure also claims that his ex-girlfriend Kim Porter (the mother of their son Quincy) was murdered and did not die of pneumonia (the official cause of her death) in 2018. According to Sure, Porter was murdered because she was about to go public about Combs abusing her and committing other crimes.

Sure (whose real name is Albert Joseph Brown III) was one of the first artists at Uptown Records, the company founded by Andre Harrell, who died of heart failure at age 59, in 2020. Combs started as an intern at Uptown in 1990, and he eventually became a high-ranking A&R executive at Uptown until he was fired in 1993. Not long after Combs was fired from Uptown, he launched Bad Boy Entertainment, which started as a record company and expanded into other business ventures.

Combs and Sure were connected not just for business reasons but also for personal reasons. According to Sure, he was in a committed relationship with Porter (a model who used to work as Uptown’s receptionist), and they were raising their son Quincy (born in 1991), when Combs aggressively moved in on Porter and convinced her to be Combs’ girlfriend. Combs and Porter then became an on-again/off-again couple from 1994 to 2007.

Combs adopted Quincy and had three biological kids with Porter: son Christian (born in 1998 and nicknamed King) and twin daughters Jessie and D’Lila Combs (born in 2006). In the documentary, Sure says that Quincy was never legally adopted by Combs. Combs has another son named Justin (born in 1993) from a relationship with stylist Misa Hylton.

Although “Diddy: The Making of a Bad Boy” is the first time that Sure has spoken about his accusations in an on-camera interview, he does not provide any proof that Porter was murdered, nor does the documentary investigate further. The documentary also fails to give details or ask questions about what other health issues could have contributed to Sure’s hospitalization. If Sure thinks he was the victim of attempted murder, how did this alleged crime happen? Was he poisoned? If so, how? Don’t expect this documentary to answer those questions.

Sure says in the documentary that he can’t go into specifics for “legal reasons,” as he hints that he is in the midst of some legal issues regarding this accusation of attempted murder. He cryptically says that he has “a file” on the people he believes are behind the attempted murder, and he hints that Combs is the mastermind of this alleged conspiracy. Considering all the other violent crimes that Combs is accused of committing, this accusation is just one more to add to the mess of scandals that have disgraced Combs.

“Diddy: The Making of a Bad Boy,” as the title suggests, goes all the way back to Combs’ childhood to try to make sense of how his life ended up this way. Childhood friends (who all worked with Combs in the 1990s), such as Tim Patterson, Lee Davis (also known as DJ EZ Lee) and Rich Parker give interviews and talk about how Combs stood out for being ambitious and fashionable, even if he was bullied for it. From an early age, Combs was very conscious of his image, which he always projected as being more privileged, more business savvy and more upwardly mobile than his peers. But as time went on, and Combs gained more money and power, these childhood friends admit this child who used to be bullied grew up to be a bully himself with a very nasty temper.

Of these childhood friends in the documentary, Patterson has the most interesting things to say because when he was a boy, he and his single mother lived for a while with Combs and his widowed mother Janice Combs in Mount Vernon, New York, when Patterson and his mother fell on hard times. In the documentary, Patterson shares some childhood photos of himself and Sean. Considering that Patterson says that he has not been in touch with Sean since 1999, Patterson’s perspective is not very helpful in commenting on Sean’s recent legal problems.

Sean’s father Melvin Combs was a drug dealer/police informant who was murdered (shot to death) at age 33, when Sean was 2 years old. The murder remains unsolved. The death of Sean’s father had a profound impact on Sean, according to people who knew him in his youth, who say that Sean tended to glamorize the gangster lifestyle. Patterson mentions in the documentary that when Sean was a teenager, Sean was involved in the same gang that was associated with Sean’s father Melvin.

Much later in the documentary, Patterson and Davis mention wild parties that Janice used to have at her house, where they as children were exposed to things (sex and drugs) that underage kids shouldn’t see or experience. Janice, who did not respond to requests to be interviewed for the documentary, remains a prominent figure in Sean’s life. Sean has a younger sister named Keisha, who is never mentioned in the documentary.

Although there have been stories that Sean grew up in poverty, the reality is that he was closer to middle class, since his mother (who worked as a model and a teacher assistant) could afford to send him to private Catholic schools for his pre-college education. Sean attended Howard University, where he studied business, but he dropped out in his second year at Howard to pursue a career in the music industry. Ron Lawrence, one of his former Howard classmates who worked with Sean as a producer, is interviewed in the documentary but doesn’t say much beyond how he’s still processing how far Sean has fallen from grace.

The Notorious B.I.G., the rapper also known as Biggie Smalls, was Bad Boy’s first superstar artist. The documentary briefly mentions unproven gossip that Sean could have had something to do with the 1997 unsolved drive-by-shooting murder of the Notorious B.I.G. (real name: Christopher Wallace), who reportedly wanted to leave Bad Boy Records. Sean’s former bodyguard Gene Deal hints that he believes this theory to be true. The documentary also repeats longtime speculation that in the East Coast/West Coast hip-hop feud of the 1990s, Sean might have had something to do with the death of West Coast rapper Tupac Shakur, whose 1996 drive-by-shooting murder remains unsolved.

“Diddy: The Making of a Bad Boy” jumps back and forth in Sean’s personal timeline history, which makes the documentary’s narrative a little bit messy and confusing to people unfamiliar with his past. The documentary would have been better served to have a timeline that was more chronological. “Diddy: The Making of a Bad Boy” also over-relies on “fade to black” transitions between scenes that give the tone of contrived suspenseful drama that is common in reality show editing.

There’s a significant amount of time spent discussing Sean’s 1991 scandal of nine people (ranging in ages from 17 to 28) dying in a stampede at an AIDS fundraiser basketball game that he promoted at the City College of New York gymnasium. The documentary includes archival footage of this tragedy. Sean was blamed because the event was oversold. He later settled out of court with the families of the dead victims. Two of these family members are interviewed in the documentary: Jason Swain (whose 20-year-old brother Dirk died) says his family received $40,000 in the settlement. Sonny Williams (whose 20-year-old sister Sonya died) says that his family received $50,000 in the settlement.

However, the documentary barely mentions or ignores the 1999 scandals where Sean was accused of directly committing assault. In May 1999, Steve Stoute (who was the manager of rapper Nas at the time) went public about Sean and two associates beating up Stoute in his office because Sean didn’t like how Sean looked as a featured artist in Nas’ “Hate Me Now” music video. Stoute sued Combs, and the case was settled for a reported $500,000 paid to Stoute. Combs pleaded guilty to harassment and was sentenced to one day of anger management. None of that information is in the documentary.

A quick mention is made about the December 1999 violent fight that got Sean into even worse trouble. Sean, his then-girlfriend Jennifer Lopez and Bad Boy Records rapper Shyne were arrested after Sean got into an argument at Club New York in New York City, guns were fired during the argument, and three bystanders were injured. Charges were never filed against Lopez. However, Shyne (birth name: Jamal Barrow) and Sean went on trial in 2001 for various weapons-related crimes for this incident. Sean was acquitted of all the charges, while Shyne was found guilty of eight of the 10 charges and served almost nine years in prison.

The avalanche of sexual abuse allegations against Sean began with a lawsuit filed against him in November 2023 by Cassie Ventura, who was his on-again/off-again girlfriend from 2007 to 2018. Ventura (who went by the one-name stage moniker Cassie) was also signed to Bad Boy Records. Her lawsuit—which accused him of sexual abuse, sex trafficking and other physical abuse—was settled one day after it was filed, but it didn’t stop more lawsuits with similar allegations from pouring in against Sean.

“Diddy: The Making of a Bad Boy” goes over many of the same details that have already been widely reported about several of these lawsuits. The documentary also includes the March 2016 security video footage from the InterContinental Hotel in Los Angeles that CNN televised in May 2024. In this leaked footage, which matched an incident described in Ventura’s lawsuit, Sean can be seen kicking and dragging Ventura in a hotel hallway when she tried to leave by elevator.

After this footage was exposed, Sean made a statement in a now-deleted Instagram video, where he claimed “full responsibility” for what he did in that assault video and said that he was “fucked up” and was “at rock bottom” in his life when he attacked Ventura. He also said he went into therapy and rehab, but didn’t go into further details about when and for how long. It’s unknown if he ever made an apology to Ventura, but he said in the video: “I’m not asking for forgiveness.”

Mylah Morales, a makeup artist who worked with Sean and Ventura, is one of the people interviewed in the documentary. Morales says she witnessed seeing Ventura’s assault injuries from a separate incident after Ventura and Sean were alone in a hotel room together, but Morales doesn’t say she actually saw or heard Sean causing the injuries. Morales also admits she was too afraid to do anything about it at the time because she didn’t have proof and thought that she wouldn’t be believed.

Gene Deal, who was Sean’s bodyguard from 1991 to 2005, says he went public years ago about Sean’s violence behind the scenes, but nothing was really done about it until Ventura’s lawsuit opened up the floodgates. Deal says he quit working for Sean not because of the awful things he knew was going on but because Deal didn’t like that Janice Combs was treating Deal like her personal assistant. Not surprisingly, Deal also says that several unnamed people helped commit and/or cover up the alleged crimes. Deal doesn’t let himself off the hook because he says he was one of the enablers who witnessed a lot of things that he could have reported to law enforcement but did not.

A woman, who is interviewed in the shadows and only identified as Ashley, says that she was repeatedly raped by Sean but doesn’t say what year this alleged crime happened. She claims she filed a police report, which the documentary filmmakers say was withheld from them when they requested a copy of the report. Unfortunately, the documentary does not name the police department responsible for allegedly withholding this information.

Another anonymous “in the shadows” interview is with a man identified only as a former Bad Boy employee, who says that Sean sexually harassed him on the job, by showing him gay male porn. Sean allegedly told this man that gay sex is a rite of passage and what men have to do to get ahead in the music industry. The unidentified man (whose voice is disguised in the interview) also hints that he was sexually assaulted (at the very least groped) by Sean, but he didn’t want to go into more details.

Also coming forward with sexual misconduct allegations against Sean is Sara Rivers, one of the former members of Da Band from executive producer Sean Combs’ “Making the Band 2” reality series, which aired from 2002 to 2004 on MTV. In the documentary, Rivers breaks down in tears when she talks about how Sean put his hands on her in inappropriate places. She says it’s the first time she’s revealed this information in an interview. In “Making the Band 2,” Sean notoriously made the band members do outrageous “challenges” to get his approval and to stay on the show, such as walk from Manhattan to Brooklyn and back to Manhattan (an eight-hour trek by foot) to get him cheesecake.

Rivers claims to have witnessed Sean making verbal threats to members of Da Band in separate incidents. He allegedly said to one member: “You make me so mad, I could eat your flesh.” To another member he allegedly said, “I could give a crackhead $20 to smack the shit out of you.” Rivers does not name the members who received these alleged threats.

The lawsuits and criminal charges against Sean have a slew of many disturbing allegations that have been reported elsewhere and don’t need to be repeated in this review. However, the documentary includes interviews with attorneys Ariel Mitchell and Lisa Bloom, who have separate law practices, and have several clients who are plaintiffs in these lawsuits, some of which are detailed in the documentary. Mitchell compares Sean to the demonic Lucifer, while Bloom says Sean is a “monster.”

Also interviewed are journalists Kim Osorio, Jasmine Simpkins and Sharon Carpenter, who was an on-air host from 2013 to 2015 at Revolt, the TV network that Sean founded in 2013. Sean stepped down from Revolt in 2023, after he was accused by more people of sex crimes. In the documentary, these journalists just repeat things that are already common knowledge to people who follow news about these scandals. Mel Love, a former Uptown Records executive, is interviewed but doesn’t have anything new or interesting to add.

One of the most telling parts of the documentary in showing how victims are often blamed is when Parker wonders aloud if Ventura did anything to make Sean angry in that 2016 video where Sean viciously assaulted a helpless Ventura, who did not fight back in the video. An unidentified documentarian not seen on screen then asks Parker if it matters if Ventura did anything to require that assault, and it suddenly dawns on Parker that he’s victim blaming. He lowers his head slightly in shame and admits that Ventura did not deserve the assault, regardless if she argued with Sean or not.

And therein lies much of the point that the documentary makes over and over: Too often, people who are rich and famous are automatically exalted as “better” than most people, even when there is evidence that some wealthy celebrities have a history of violence and committing abuse. One of the people interviewed in the documentary is Dr. Carolyn West, an expert in trauma from domestic abuse and from sex trafficking. In one of the documentary’s best statements, she says that even though abusers often come from abusive backgrounds, it shouldn’t excuse their crimes and shouldn’t prevent victims from coming forward to seek justice: “Regardless of what trauma you have, you have to hold people accountable.”

Peacock premiered “Diddy: The Making of a Bad Boy” on January 14, 2025.

February 12, 2025 UPDATE: Sean Combs has filed a defamation lawsuit against NBCUniversal, the parent company of Peacock, because of “Diddy: The Making of a Bad Boy.” The lawsuit, which is seeking at least $100 million in damages, claims that the documentary maliciously and recklessly included accusations that Combs is a serial muderer and has sexually abused underage girls, which are accusations that Combs denies in the lawsuit.

February 14, 2025 UPDATE: A woman identified under the alias Jane Doe has dropped her rape lawsuit against Jay-Z and Combs. In the civil lawsuit, the woman claimed both of them raped her on the same night in the same room in 2000, when she was 13 years old. Jay-Z has denied this ever happened, and his denial did not mention Combs, who also denies the accusation.

Review: ‘Diddy: Monster’s Fall,’ starring Sean Combs

January 11, 2025

by Carla Hay

Sean Combs in “Diddy: Monster’s Fall” (Photo courtesy of Legacy Distribution)

“Diddy: Monster’s Fall”

Directed by Remone Jones

Culture Representation: The documentary film “Diddy: Monster’s Fall” features a predominantly African American group of people (with some white people and Latin people) in archival footage related to disgraced mogul/entertainer Sean Combs.

Culture Clash: At the time that this documentary was made and released, Combs was facing criminal charges of racketeering and sex trafficking and was embroiled in several lawsuits accusing him of various sex crimes, including rape.

Culture Audience: “Diddy: Monster’s Fall” will appeal primarily to people who are interested in true crime documentaries about celebrities, but this weak documentary just recycles old information.

Sean Combs in “Diddy: Monster’s Fall” (Photo courtesy of Legacy Distribution)

“Diddy: Monster’s Fall” is nothing but a cheap-looking compilation of archival clips, with no new information. The documentary doesn’t interview anyone directly involved in Sean Combs’ legal problems. It looks like a video made by amateur YouTubers. There are actually better-quality and more informative videos about Combs’ scandals on YouTube that are available for free.

Directed, written and edited by Remone Jones, “Diddy: Monster’s Fall” begins with a montage of news footage about the September 2024 arrest of Sean Combs, a New York City-born business mogul who is most famous for being the founder of Bad Boy Entertainment and being a hip-hop recording artist/producer. Born in 1969, Combs has also been a business entrepreneur in fashion, alcoholic drinks, television and other ventures. He has dabbled in being an actor on stage and on screen, including a supporting role as a death-row convict in the 2001 movie “Monster’s Ball.”

Combs has had various nicknames in his career, including Puff Daddy, Puffy, P. Diddy, Diddy and Love. “Diddy: Monster’s Fall” (which clocks in at a brisk 58 minutes) features basic narration from Liam Lincoln in telling Combs’ story in mostly chronological order. People who watch this documentary will probably already know about his rise in the music industry in the 1990s and his various scandals along the way. Combs’ history of violence has been well-documented over the years.

The documentary includes coverage of Combs’ 1990s arrests include the Club New York gun shooting incident in December 1999, when three people were injured. Combs was found not guilty in a 2001 trial, but his rapper protégé Jamal “Shyne” Barrow served nine years in prison for the shooting incident. Combs’ then-girlfriend Jennifer Lopez was arrested with him on the night of the shooting, but she was never charged with any crimes.

Combs also avoided getting a prison sentence in May 1999, for assaulting Steven Stoute, who was the manager of rapper Nas. Stoute says that Combs and two associates beat up Stoute in his office because Combs was unhappy with Combs’ featured appearance in Nas’ “Hate Me Now” video. Stoute declined to press criminal charges against Combs after Combs made an apology to him. However, Stoute sued Combs over this incident, and the matter was settled out of court for a reported $500,000 paid to Stoute. Combs pleaded guilty to harassment and was sentenced to one day of anger management.

The lawsuits and criminal charges that began to pile up against Combs in 2023 are listed, including the November 2023 lawsuit that Combs’ ex-girlfriend Cassie Ventura (who was signed to Combs’ Bad Boy record label) that was settled just one day after the lawsuit was filed. Ventura accused Combs of long-term physical and sexual abuse during their on-again/off-again nine-year relationship, which ended in 2018.

Combs initially denied all the accusations in Ventura’s lawsuit, until May 2024, when CNN released a March 2016 security video that was recorded at the InterContinental Hotel in Los Angeles. The video showed Combs kicking and dragging Ventura in a hotel floor hallway after she tried to leave on an elevator. The video matched one of the assaults described in the lawsuit.

In a now-deleted Instagram video posted in May 2024, Combs made a statement about his assault of Ventura, as seen in the hotel security video: “I was fucked up. I mean, I hit rock bottom, but I make no excuses.” Combs said that he took “full responsibility” and was “not asking for forgiveness” for what happened in the video. He also claimed he went into therapy and rehab after this incident, although he wasn’t specific about for how long and if he ever made an apology to Ventura. Despite admitting this assault, Combs is denying all other accusations against him. He was denied bail in his criminal cases for racketeering and sex trafficking.

A great deal of “Diddy: Monster’s Fall” is literally narrator Lincoln just reading parts of the lawsuits, which are public records and easily accessible. The featured clips from music videos are the bare-minimum, 30-second fair use clips. This documentary is essentially a video version of a Wikipedia page. And the fact that “Diddy: Monster’s Fall” was released for purchase or rental tells you all you need to know that it’s a complete ripoff.

Legacy Distribution released “Diddy: Monster’s Fall” on Prime Video in January 2025.

2022 BET Awards: Silk Sonic, Jazmine Sullivan, Kirk Franklin, Tems are the top winners

January 26, 2022

D’Mile and Bruno Mars at 2022 BET Awards at Microsoft Theater in Los Angeles on June 26, 2022. (Photo by Leon Bennett/Getty Images for BET)

The following is a press release from BET:

BET honored Black excellence in music, television, film, and sports across more than 20 categories at the “BET Awards” 2022. Hosted by Academy Award®-nominated and Golden Globe®-winning actor, writer, director, producer, and philanthropist Taraji P. Henson, the iconic show aired live at 8 pm ET/ PT on BET live from the Microsoft Theater in Los Angeles on June 26, 2022. Silk Sonic (Bruno Mars, Anderson .Paak), Jazmine Sullivan, Kirk Franklin and Tems take top honors. An array of artists delivered unforgettable and sensational surprise performances, including Latto with Mariah Carey, Jack Harlow with Brandy, and  Lil Wayne. Many artists also spoke out about the repeal of Roe v Wade and gun control. The night also included a star-studded tribute to Sean “Diddy” Combs who was honored with the BET Lifetime Achievement Award, making  the show once again the #1 trending topic on Twitter. 

The “BET Awards” 2022 celebrated the very best in entertainment and culture with performances and appearances by an inspiring lineup of artists, entertainers and cultural icons. The “BET Awards,” which has become synonymous with powerful Black artistry and social commentary, continued to spotlight and celebrate the artists and creators of tomorrow, making the ceremony one of the most news-provoking and talked-about broadcasts year after year.

The “BET AWARDS” 2022 Show Highlights Include:

  • Lizzo opened the show with a stunning high-energy performance of “About Damn Time” from her forthcoming album Special. 
  • Best New Artist winner Latto delivered show-stopping performances of “It’s Givin” and “Big Energy Remix,” with a dazzling appearance by Mariah Carey singing “Sweet Fantasy.” 
  • Jack Harlow, DJ Drama and Lil Wayne hit the stage to perform their hit “Poison”– and later shocked the crowd with a surprise appearance by Brandy to perform her “First Class” freestyle.
  • Kirk Franklin and Maverick City Music took the stage for an uplifting gospel performance of “Kingdom” and “Melodies From Heaven.” Later in the evening, Lil Baby and Kirk Franklin won this year’s Dr. Bobby Jones Best Gospel/Inspirational Award. During his acceptance speech, Kirk Franklin graced the award and passed the baton to collaborator Maverick City Music as the “next generation of gospel music.”
  • Billy Porter brought ballroom dance culture to the main stage with a spirited dance performance featuring Dominique Jackson, Shaun Ross, Chacha Balenciaga, Shannon Balenciaga and more. 
  • Chance the Rapper shared the stage with Joey Bada$$ for their debut performance of “The Highs & The Lows.” 
  • Muni Long serenaded the crowd with soulful performances of “Time Machine” and “Hrs & Hrs.”
  • Doechii delivered a “wig-snatching” performance of her hits “Persuasive” and “Crazy.” 
  • Fireboy DML graced the “BET Awards” stage with the very first live Afrobeats performance of “Peru.” 
  • Ella Mai was joined by Babyface and Roddy Ricch for unforgettable performances of “DMFU,” “Keeps on Fallin,’” and “How.”
  • Luke Lawal Jr. was honored with the ‘Shine a Light Award’ sponsored by Walmart for his selfless efforts to give back to his community through his many ventures, including HBCU Buzz.
  • Diddy was honored with this year’s Lifetime Achievement BET Award, in recognition of his prolific career over the past three decades, in which he remained one of the most successful entrepreneurs and cultural icons of all time. Following a nostalgia-filled tribute from Jodeci, performing “Come & Talk to Me,” and Mary J. Blige, performing “I’m Going Down” he performed a medley of Bad Boy Records hits with an all-star line-up including Shyne, Lil Kim, Bryson Tiller, Faith Evans and Maverick City Music. After being introduced by Babyface and Kanye West, Diddy received a standing ovation as he accepted the well-deserved award. In his speech, Diddy announced he will be donating $1 million to Howard University, and an additional $1 million to Deion Sanders and Jackson State University.
  • Marsai Martin was awarded the Youngstar Award, given to those who have made an impact in the world of television, film, music, or sports. This was Martin’s third win in the category. 
  • Chlöe delivered a sultry performance of her hits, including “Surprise,” “Have Mercy” and Treat Me.” 
  • GIVĒON closed out the performances for the night with a crooning of “Heartbreak Anniversary,” “For Tonight” and “Lie Again.” 
  • During the award show’s ‘In Memoriam,’ host Taraji P. Henson and the “BET Awards” took a moment to honor the countless lives lost due to senseless gun violence. The recent overturning of Roe v. Wade was an important topic of conversation throughout the night, with voices like Taraji, Latto and the cast of Tyler Perry’s Sistas encouraging the audience to fight for their freedoms and to get out and vote.

Connie Orlando, BET’s Executive Vice President, Specials, Music Programming, Music Strategy, and News oversaw the annual show, along with Jamal Noisette, VP, Specials, Music Programming & Music Strategy, who will serve as Co-Executive Producer for BET. Jesse Collins Entertainment is the production company for the show with Jesse Collins, Dionne Harmon, and Jeannae Rouzan-Clay serving as Executive Producers.

The “BET Awards” 2022 was simulcast live on BET, BET Her, Comedy Central, Logo, MTV, MTV2, Pop, TV Land, and VH1. Internationally, the show simulcast on BET Africa, BET France and will be available to watch on My5 and Sky On-Demand in the UK, as well as BET Pluto in the UK and Brazil. 

Relive the “BET AWARDS” 2022 digital red carpet via the live stream powered by Bulldog DM, available now at https://twitter.com/betawards.

For more information on the “BET Awards” 2022, please visit BET.com/bet-awards.

The complete list of nominees and winners for the “BET AWARDS” 2022 are:

*=winner

Best Female R&B/Pop Artist     

  • ARI LENNOX
  • CHLÖE
  • DOJA CAT
  • H.E.R.
  • JAZMINE SULLIVAN*
  • MARY J. BLIGE
  • SUMMER WALKER

Best Male R&B/Pop Artist

  • BLXST
  • CHRIS BROWN
  • GIVĒON
  • LUCKY DAYE
  • THE WEEKND*
  • WIZKID
  • BLEU

Best Group

  • SILK SONIC*
  • CHLÖE X HALLE
  • CITY GIRLS
  • LIL BABY & LIL DURK
  • MIGOS
  • YOUNG DOLPH & KEY GLOCK

Best Collaboration

  • ESSENCE                                                        WIZKID FEAT. JUSTIN BIEBER & TEMS*
  • EVERY CHANCE I GET                            DJ KHALED FEAT. LIL BABY & LIL DURK
  • FAMILY TIES                                                 BABY KEEM & KENDRICK LAMAR
  • KISS ME MORE                                            DOJA CAT FEAT. SZA
  • WAY 2 SEXY                                                  DRAKE FEAT. FUTURE & YOUNG THUG
  • WHOLE LOTTA MONEY (REMIX)       BIA FEAT. NICKI MINAJ

Best Female Hip Hop Artist

  • CARDI B
  • DOJA CAT
  • LATTO
  • MEGAN THEE STALLION*
  • NICKI MINAJ
  • SAWEETIE

Best Male Hip Hop Artist

  • DRAKE
  • FUTURE
  • J. COLE
  • JACK HARLOW
  • KANYE WEST
  • KENDRICK LAMAR*
  • LIL BABY

Video of the Year

  • FAMILY TIES                                                                BABY KEEM & KENDRICK LAMAR*
  • HAVE MERCY                                                              CHLÖE
  • KISS ME MORE                                                           DOJA CAT FEAT. SZA
  • PRESSURE                                                                   ARI LENNOX
  • SMOKIN OUT THE WINDOW                              BRUNO MARS, ANDERSON .PAAK, SILK SONIC
  • WAY 2 SEXY                                                                 DRAKE FEAT. FUTURE & YOUNG THUG

Video Director of the Year

  • ANDERSON .PAAK A.K.A. DIRECTOR .PAAK*
  • BENNY BOOM
  • BEYONCÉ & DIKAYL RIMMASCH
  • DIRECTOR X
  • HYPE WILLIAMS
  • MISSY ELLIOTT

Best New Artist

  • BABY KEEM
  • BENNY THE BUTCHER
  • LATTO*
  • MUNI LONG
  • TEMS
  • BLEU

Album of the Year

  • AN EVENING WITH SILK SONIC                     SILK SONIC*
  • BACK OF MY MIND                                                  H.E.R.
  • CALL ME IF YOU GET LOST                                TYLER, THE CREATOR
  • CERTIFIED LOVER BOY                                         DRAKE
  • DONDA                                                                        KANYE WEST
  • HEAUX TALES, MO’ TALES: THE DELUXE   JAZMINE SULLIVAN
  • PLANET HER                                                               DOJA CAT

Dr. Bobby Jones Best Gospel/Inspirational Award

  • ALL IN YOUR HANDS                                          MARVIN SAPP
  • COME TO LIFE                                                         KANYE WEST
  • GRACE                                                                         KELLY PRICE
  • HALLELUJAH                                                           FRED HAMMOND
  • HOLD US TOGETHER (HOPE MIX)               H.E.R. & TAUREN WELLS
  • JIREH                                                                            ELEVATION WORSHIP & MAVERICK CITY MUSIC
  • WE WIN                                                                      LIL BABY X KIRK FRANKLIN*

BET Her

  • BEST OF ME (ORIGINALS)                                   ALICIA KEYS
  • GOOD MORNING GORGEOUS                           MARY J. BLIGE*
  • HAVE MERCY                                                              CHLÖE
  • PRESSURE                                                                   ARI LENNOX
  • ROSTER                                                                        JAZMINE SULLIVAN
  • UNLOYAL                                                                     SUMMER WALKER & ARI LENNOX
  • WOMAN                                                                      DOJA CAT

Best International Act

  • DAVE (UK)
  • DINOS (FRANCE)
  • FALLY IPUPA (DRC)
  • FIREBOY DML (NIGERIA)
  • LITTLE SIMZ (UK)
  • LUDMILLA (BRAZIL)
  • MAJOR LEAGUE DJZ (SOUTH AFRICA)
  • TAYC (FRANCE)
  • TEMS (NIGERIA)*

Best Movie

  • CANDYMAN
  • KING RICHARD*
  • RESPECT
  • SPACE JAM: A NEW LEGACY
  • SUMMER OF SOUL
  • THE HARDER THEY FALL

Best Actor

  • ADRIAN HOLMES                                                        BEL AIR
  • ANTHONY ANDERSON                                            BLACK-ISH
  • DAMSON IDRIS                                                           SNOWFALL
  • DENZEL WASHINGTON                                           THE TRAGEDY OF MACBETH
  • FOREST WHITAKER                                                   RESPECT | GODFATHER OF HARLEM
  • JABARI BANKS                                                             BEL AIR
  • STERLING K. BROWN                                               THIS IS US
  • WILL SMITH                                                                 KING RICHARD*

Best Actress

  • AUNJANUE ELLIS                                                       KING RICHARD
  • COCO JONES                                                               BEL AIR
  • ISSA RAE                                                                       INSECURE
  • JENNIFER HUDSON                                                   RESPECT
  • MARY J. BLIGE                                                             POWER BOOK II: GHOST
  • QUEEN LATIFAH                                                         THE EQUALIZER
  • QUINTA BRUNSON                                                    ABBOTT ELEMENTARY
  • REGINA KING                                                               THE HARDER THEY FALL
  • ZENDAYA                                                                     EUPHORIA | SPIDER-MAN: NO WAY HOME*

YoungStars Award

  • AKIRA AKBAR
  • DEMI SINGLETON
  • MARSAI MARTIN*
  • MILES BROWN
  • SANIYYA SIDNEY

Sportswoman of the Year Award

  • BRITTNEY GRINER
  • CANDACE PARKER
  • NAOMI OSAKA*
  • SERENA WILLIAMS
  • SHA’CARRI RICHARDSON
  • SIMONE BILES

Sportsman of the Year Award

  • AARON DONALD
  • BUBBA WALLACE
  • GIANNIS ANTETOKOUNMPO
  • JA MORANT
  • LEBRON JAMES
  • STEPHEN CURRY*

ABOUT BET:

BET, a unit of Paramount (NASDAQ: PARAA; PARA; PARAP), is the nation’s leading provider of quality entertainment, music, news and public affairs television programming for the African American audience. The primary BET channel is in 125 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom, sub-Saharan Africa and France. BET is the dominant African-American consumer brand with a diverse group of business extensions including BET+, the preeminent streaming service for the Black audience; BET.com, a leading Internet destination for Black entertainment, music, culture, and news; BET HER, a 24-hour entertainment network targeting the African-American Woman; BET Music Networks – BET Jams, BET Soul and BET Gospel; BET Home Entertainment; BET Live, a growing BET festival business; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET around the globe.

ABOUT “BET AWARDS”

“BET Awards” is one of the most-watched award shows on cable television according to the Nielsen Company. The “BET Awards” franchise remains the #1 program in cable TV history among African-Americans, and it is the #1 telecast for BET every year. It recognizes the triumphs and successes of artists, entertainers, and athletes in a variety of categories.

ABOUT JESSE COLLINS ENTERTAINMENT

Jesse Collins Entertainment (JCE) is a full-service television and film production company and has played an integral role in producing many of television’s most memorable moments in music entertainment. JCE has a multi-year overall agreement with ViacomCBS Cable Networks.  On the theatrical film side, the company also has a first look on JCE’s film development projects which could include Viacom’s film entities such as Paramount Players.  The award-winning and critically acclaimed television that JCE has produced includes miniseries—The New Edition Story and The Bobby Brown Story; scripted series—American Soul and Real Husbands of Hollywood; children’s series—Bookmarks: Celebrating Black Voices; award shows—BET Awards, Black Girls Rock!, BET Honors, UNCF’s An Evening of Stars, BET Hip Hop Awards, ABFF Honors and Soul Train Awards; specials—John Lewis: Celebrating A Hero, Love & Happiness: An Obama Celebration, Change Together: From The March On Washington To Today, Stand Up for Heroes, Dear Mama, Amanda Seales I Be Knowin’, Def Comedy Jam 25 and Leslie Jones: Time Machine; as well as competition/game shows—Sunday Best, Hip Hop Squares, Nashville Squares and Rhythm & Flow.  Jesse Collins, founder and CEO of the company, is the executive producer of all programming.  He is also a co-executive producer for the iconic GRAMMY® Awards.  Most recently, he was executive producer of The 2021 Pepsi Super Bowl Halftime Show and produced The 2021 Academy Awards®.  Go to jessecollinsent.com for more information on the company.

‘The Four: Battle for Stardom’ names judges Sean ‘Diddy’ Combs, DJ Khaled, Meghan Trainor and Charlie Walk

November 17, 2017

The following is a press release from Fox:

Grammy® Award-winning musician, record producer and songwriter Sean “Diddy” Combs, record-producing hitmaker DJ Khaled, Grammy-winning recording artist and songwriter Meghan Trainor and record label executive Charlie Walk have joined the panel of experts on Fox’s new singing competition series, “The Four: Battle for Stardom.” The six-episode event premieres Thursday, January 4, 2018 (8:00-10:00 PM ET/PT) on Fox.

“This show is going to disrupt the world of competition television and will revolutionize the format,” said Combs. “It took the right show and network to bring me back in the game. We plan on being the best talent show out there, taking it to that next level and making history again. This series is about pure competition, fighting for your survival. Do you want to win? Do you want to be great? We’re giving fans a genuine look at what it takes to make it to the top and stay there – surrounding these up-and-coming artists with the best, turning them into the next generation of stars.”

“I’m proud to announce that I will be participating in one of the most important, if not the most important events on television and pop culture,” said DJ Khaled. “It’s a one-of-a-kind experience that will showcase the best of the new generation of musical geniuses. When you come from where I come from, you know just how hard it is to turn your dreams into a reality. It’s a long road to the journey of success. I’ve spent my career discovering amazing talent and working with the biggest icons from every corner of the globe and now I’m bringing my one-of-a-kind approach to Fox. I immediately jumped at the opportunity when I realized Fox shared the same vision as me, and that’s to be the best!!! If you think you have what it takes to become the next icon, trust me, DJ Khaled is the one that will let you know. So be prepared for a new era of television. All I know is how to win…more!!! Fox x DJ Khaled…be ready!!!”

“When Fox asked me to be a part of this new series, without hesitation, my answer was…YES!,” said Trainor. “I know firsthand what it’s like to be thrown into the music industry head first, as an artist and a songwriter. I also know what it takes to hang on for the ride. I’m so humbled to help discover new talent with this amazing panel of experts.”

“What lies at the heart of the music business is ‘talent,’” said Walk. “Discovering and developing talent remains the most important, consistent driver of my home, Republic Records, and now FOX’s “The Four: Battle for Stardom.” I’m thrilled to be joining this incredible panel of my longtime friends, Sean, Khaled and Meghan, to help make the difference on a platform that’s truly committed to identifying and breaking the next generation of superstars. We will guide them, advise them, and be with them every step of the way on their journey, starting on the most transparent stage in television.”

“Diddy, DJ Khaled, Meghan and Charlie are giants in the music space,” said Rob Wade, President, Alternative Entertainment and Specials, Fox Broadcasting Company. “They understand what an artist needs to break through – from killer music and style to innovative marketing and social media. This is a show like no other and we can’t wait to get started.”

“The Four: Battle for Stardom” begins where the other shows end: With the best. These four top-notch artists, spanning all music genres, will fight each week to defend their coveted seats on the show, as determined newcomers challenge them and try to knock them out of the competition. The singer who is the last standing at the end of the competition will earn the ultimate prize: the panel of industry experts becomes key players on the winner’s team. This elite group of starmakers will guide the winner’s career to help make him or her a breakout star. To audition for “The Four: Battle for Stardom,” please visit thefourmusic.com.

As part of the grand prize, the winner will be named an iHeartRadio “On The Verge” artist. iHeartRadio’s On The Verge program provides artists with unparalleled national reach through on-air radio exposure, as well as digital and social support across iHeartMedia’s powerful range of music and entertainment platforms. FOX also has teamed up with iHeartMedia to support auditions, assist in the search for talent and boost the careers of artists throughout the run of the competition.

Sean “Diddy” Combs, AKA Puff Daddy, started his career as the director of A&R at Uptown Records, where he was integral in launching the careers of Mary J. Blige and Jodeci. He later started his own label, Bad Boy Records, which has fostered talent that includes Mariah Carey, Method Man, Boyz II Men, Lil’ Kim and more. Combs’ solo music career began in 1997 with his first single, “Can’t Nobody Hold Me Down,” which shot to No. 1 on the Billboard Hot 100, quickly followed by a No. 1 debut album that has gone Platinum seven times. Over the course of his career, he has earned three Grammy Awards and ASCAP’s Songwriter of the Year honor. Combs also has become an established actor and executive producer in both film and television. He starred in the 2008 telefilm “A Raisin in the Sun,” for which he won an NAACP Award for Best Actor; he was an executive producer and featured personality on the 2002 unscripted music series “Making the Band 2”; and he executive-produced the Academy Award-winning documentary “Undefeated” and the Academy Award-nominated “Mandela: Long Walk to Freedom.” Combs continues to apply the same drive and entrepreneurial spirit to his philanthropic work and political activism, most recently leading the response to the water crisis in Flint, MI, by pledging one million bottles of his AQUAhydrate water, along with long-term assistance to the area. He has supported organizations including the National Foundation for Teaching Entrepreneurship (NFTE), the Boys & Girls Club and others that create opportunities for young people. He also has served on the board of the Hip Hop Action Network and rallied millions of young people to register to vote during the 2008 election, through his Vote or Die project.

DJ Khaled is a major force in the music industry. He is a music producer, a 2017 Grammy Award-nominated recording artist and New York Times best-selling author. Known as the “Anthem King” and commonly referred to as the “Quincy Jones of Hip Hop & R&B,” Khaled has made dozens of chart-topping hit records, featuring JAY Z, Kanye West, Drake, Chris Brown, Ludacris, T.I., French Montana, Future, Big Sean, Rick Ross, John Legend, Nicki Minaj and Lil Wayne, among others. In the past 12 months, he has captivated millions of fans globally by the use of social media and has been coined the “King of Snapchat.” In 2006, he launched innovative label deals and started We The Best Music Group. His 2010 hit song, “All I Do is Win,” went 3x Platinum, sold more than three million singles and crossed over all music genres to become a mainstream hit, solidifying him as a force to be reckoned with. That same year he also released “I’m On One,” feat. Drake, Rick Ross and Lil Wayne. Khaled went on to release the hit single “No New Friends,” featuring Drake, Lil Wayne and Rick Ross, which reached gold status and has sold more than 500,000 singles worldwide. He has sold more than 15 million singles in his career. Khaled also is committed to pro-social initiatives and is the first social media ambassador of Bono’s Project Red, as well as the national spokesperson for Get Schooled.

Grammy Award-winning singer, songwriter and multi-instrumentalist Meghan Trainor is one of pop’s most reliable hit-makers, known for her powerhouse voice, indelible melodies and relatable lyrics that encourage self-acceptance and empowerment. Since her 9x-Platinum breakthrough single, “All About That Bass,” in 2014, the 23-year-old Massachusetts native has charted seven multi-Platinum singles, released two critically acclaimed studio albums – 2015’s “Title” and 2016’s “Thank You” – sold out three headline tours, written multi-Platinum hits for top pop and country artists, including Jennifer Lopez, Fifth Harmony and Rascal Flatts, and received countless industry awards and nominations worldwide. Trainor is currently in the studio finishing up her highly anticipated third studio album.

Charlie Walk, President of The Republic Group, continues to redefine the role of a record executive in a rapidly changing business. In addition to overseeing and integrating the company’s marketing, promotion and media departments, Walk also actively seeks, signs and develops new talent. He’s driven over 50 Billboard No. 1 hits. His vision and hands-on guidance have been crucial to the rise of new, generation-defining superstars The Weeknd, Lorde and Ariana Grande. He also spearheads promotion partnerships for Big Machine Label Group (Taylor Swift), Cash Money Records (Drake, Nicki Minaj) and Island Records (Shawn Mendes, Demi Lovato, Nick Jonas). He personally signed Hailee Steinfeld and co-created Joe Jonas’ new band, DNCE, to multi-Platinum status. Walk also encouraged powerhouse songwriter Julia Michaels to make the leap to becoming an artist and – after signing her to Republic – has helped her to become the biggest breakout star of 2017, with over six million singles sold to date. Before joining Republic Records as Executive Vice President in 2013, Walk spent more than 15 years at Columbia Records, fostering the careers of Destiny’s Child, Beyoncé, John Mayer, New Kids on the Block, The Fugees and John Legend, to name a few. At the end of 2005, he transitioned to President of Epic Records, where he steered the release of Shakira’s triple-Platinum-selling “Hips Don’t Lie,” which remains the ninth-most-downloaded song in music history. During his time at the label, Walk also helped break Sean Kingston, The Fray and Sara Bareilles. A longtime philanthropist and cultural leader, Walk serves on the board of Phoenix House, a nonprofit drug and alcohol rehabilitation organization; City of Hope, a cancer research and treatment center; and the Board of Councilors of the University of Southern California’s Iovine and Young Academy for Arts, Technology and the Business of Innovation.

“The Four: Battle for Stardom” was created by Armoza Formats and is produced by ITV Entertainment in association with Armoza Formats. David George, Adam Sher, David Eilenberg, Becca Walker, David Friedman, Avi Armoza, Moshiko Cohen and Elwin Viztelly de Groot are executive producers. Additionally, Sean “Diddy” Combs will serve as a producer on the series. “Like” THE FOUR: BATTLE FOR STARDOM on Facebook at facebook.com/TheFourOnFox. Follow the series on Twitter @TheFourOnFox and join the conversation using #TheFour. Check out photos and videos on Instagram @TheFourOnFox.

ABOUT ITV ENTERTAINMENT

ITV Entertainment, part of the ITV America group, is one of the largest international producers for the U.S. market and a major force in acquiring, developing and producing entertainment programming for U.S. networks. ITV Entertainment has a wide slate of series with major networks and syndicators, including HELL’S KITCHEN (FOX); “The First 48” (A&E); “The Job Interview” (CNBC); “Four Weddings” (TLC); “Big Star Little Star” (USA); “Help My Yelp” (Food); and the new “Queer Eye” (Netflix), as well as upcoming series and specials for Nickelodeon and A&E, among others.

ABOUT ARMOZA FORMATS

Established in 2005, Armoza Formats has become a key player in the international content market, rapidly growing to be one of the top independent creators and distributors of global content. Taking the best of Israeli and international creative talent, Armoza Formats spearheads the emergence of compelling content in today’s dynamic market. Our mission is to meet the challenges of the fast-changing media industry with creative broadcast solutions. With over 90 formats in our catalogue and productions across the globe, Armoza Formats has a proven track record of success across all genres – from spectacular primetime entertainment show “I Can Do That!,” now licensed in over 20 countries, to hit game show “Still Standing,” with 5,000 episodes globally, and docu-reality format “Connected,” on air in over 10 territories. Our partners are comprised of broadcasters and production companies across the globe, including FOX, NBC USA, BBC, ITV, Channel 4 UK, TVA Canada, TF1 France, RTL Germany, HBO, TV2 Norway, RAI Italy, Globo Brazil, Azteca Mexico and ZEE TV India.

ABOUT IHEARTMEDIA

With over a quarter of a billion monthly listeners in the U.S. and over 122 million social followers, iHeartMedia has the largest national reach of any radio or television outlet in America. As the leader in multiplatform connections, it also serves over 150 local markets through 858 owned radio stations, and the company’s radio stations and content can be heard on AM/FM, HD digital radio, satellite radio, on the Internet at iHeartRadio.com and on the company’s radio station websites, on the iHeartRadio mobile app, in enhanced auto dashes, on tablets, wearables and smartphones, and on gaming consoles. iHeartRadio, iHeartMedia’s digital radio platform, is the fastest growing digital audio service in the U.S. and offers users thousands of live radio stations, personalized custom artist stations created by just one song or seed artist and the top podcasts and personalities. With over 1.4 billion downloads, iHeartRadio reached 100 million registered users faster than any other radio or digital music service. iHeartMedia’s platforms include radio broadcasting, online, mobile, digital and social media, podcasts, personalities and influencers, live concerts and events, syndication, music research services and independent media representation. iHeartMedia is a division of iHeartMedia, Inc. (PINK: IHRT). Visit iHeartMedia.com for more company information.

November 27, 2017 UPDATE: Fergie has been named host of “The Four.” According to several published reports, the former Black Eyed Peas singer had been one of the final candidates to be a judge on the show, but Meghan Trainor was chosen instead.

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