Review: ‘Wyrm,’ starring Theo Taplitz, Lulu Wilson, Sosie Bacon, Natasha Rothwell, Paula Pell, Azure Brandi and Tommy Dewey

January 15, 2023

by Carla Hay

Lulu Wilson and Theo Taplitz in “Wyrm” (Photo courtesy of Vertical Entertainment)

“Wyrm”

Directed by Christopher Winterbauer

Culture Representation: Taking place in an unnamed U.S. city in the mid-1990s, the comedy film “Wyrm” features a predominantly white cast of characters (with a few African Americans, Latinos and Asians) representing the working-class and middle-class.

Culture Clash: In an alternate reality where people have to wear electronic collars until they get their first romantic kiss, a nerdy freshman in high school tries to get rid of the stigma of being the only person in his school who’s still wearing this collar.

Culture Audience: “Wyrm” will appeal primarily to people are interested in watching quirky coming-of-age comedies.

Azure Brandi, Dan Bakkedahl, Theo Taplitz, Natalia Abelleyra and Tommy Dewey in “Wyrm” (Photo courtesy of Vertical Entertainment)

Amid the overabundance of comedies about nerdy teenage guys who want to be more sexually experienced, “Wyrm” is memorable for its unique story and quirky characters. This movie doesn’t try to have broad appeal because it’s for people who are interested in low-budget, independent films about eccentrics. The comedy in “Wyrm” is also mixed with a touching story about grief and how people choose to remember the deceased.

“Wyrm” (pronounced “worm”) is the feature-film debut of writer/director Christopher Winterbauer, who based the movie on his 2017 short film “Wyrm.” The feature film “Wyrm” (which takes place in an unnamed U.S. city) had its world premiere at the 2019 edition of Fantastic Fest in Austin, Texas, but the movie wasn’t released until 2022. Most of the comedy is deadpan and almost satirical, so don’t expect the typical formula of teen comedies where a geeky male outcast is trying to date his “dream girl.”

According to the “Wyrm” production notes, the movie is set in an “alternate reality” in the mid-1990s. It’s a reality where people’s sexuality is monitored in terms of levels. To reach Level One sexuality, someone must experience a romantic kiss. People have to wear an electronic collar that can’t come off until they reach Level One sexuality.

Wyrm Whitner (played by Theo Taplitz), who’s about 14 years old, is a freshman in high school with his twin sister Myrcella (played by Azure Brandi), who has a prickly relationship with Wyrm. Wyrm and Myrcella had an older brother named Dylan (played by Lukas Gage, shown briefly in flashbacks), who died in a car accident when Dylan was about 16 or 17. Dylan has been dead for less than a year.

Wyrm and Myrcella’s parents are emotionally absent. Their father Allen (played by Dan Bakkedahl) spends most of his time either at work or in the parents’ bedroom. Wyrm’s mother Margie (played by Rosemarie DeWitt) is on a trail hiking trip for an undetermined period of time. (Paula Pell has a cameo as a park ranger named Tanya.) Although there isn’t much information about the Whitner family dynamics before Dylan died, it’s implied that these parents are avoiding spending time with Wyrm and Myrcella because it’s the parents’ way of grieving.

For now, Myrcella and Wyrm are essentially being raised by their bachelor uncle Chet (played by Tommy Dewey), who met his current girlfriend Flor (played by Natalia Abelleyra) in an Internet chat room. In an early scene in the movie, Chet tells Wyrm: “I just think with the right girlfriend, you’d really be happy.” Chet also paints a portrait of Wyrm.

Wyrm has become preoccupied with interviewing people on his portable tape recorder about their memories of Dylan and about their thoughts on romantic relationships. Experiencing his first romantic kiss (preferably from his first girlfriend) soon becomes another preoccupation for Wyrm. He’s getting pressure to have his collar “popped” (unlocked) for various reasons.

When Wyrm and Myrcella entered high school, they both had Level One sexuality collars. However, Myrcella has recently had her collar “popped” because she’s been dating a Norwegian immigrant student at the school named Mads Nillson (played by Ky Baldwin), who was Myrcella’s first romantic kiss. Wyrm is now the only person at the school who has a Level One sexuality collar.

An early scene in “Wyrm” shows what type of comedy that the movie has about teen sexuality. Wyrm’s friend/classmate Charley (played by Samuel Faraci) tells Wyrm: “Mads Nillson fingered your sister at the cinema yesterday.” Charley then asks Wyrm if Wyrm feels the same things at the same time as Marcella does because they’re twins. Wyrm says about twin telepathy, “I think that’s only [with] identical twins.”

Wyrm and Myrcella, who share the same room, soon clash over how her level of sexual experience will now affect their living situation. Myrcella reads to Wyrm a formal declaration of why she wants to move into Dylan’s former room so that she can have more privacy. Wyrm thinks it’s disrespectful and too soon for anyone else to have Dylan’s former room.

However, Wyrm tells Myrcella that if Mads comes over to visit: “I don’t want Mads Nillson fingering anyone in my room.” Myrcella replies, “I don’t want to be related to the only freak in ninth grade who can’t get his collar popped.”

Wyrm’s level of sexual experience will also affect whether or not he can graduate from ninth grade. He’s called into a meeting with his school’s child development specialist Reginald “Reggie” Corona (played by Davey Johnson), who tells Wyrm: “You are literally the last incoming freshman to complete their Level One sexuality requirement. We’re collecting collars on Picture Day.”

Wyrm asks for an extension on when he can get his collar popped. Reggie agrees to the extension but cautions that time will soon run out for Wyrm. Reggie advises Wyrm to play on people’s sympathy to find a girlfriend: “A death in the family should work in your favor.” Wyrm gets even more pressure from the school’s vice-principal Cynthia Lister (played by Natasha Rothwell), who has a separate meeting with Wyrm in her office and ominously says to him: “Lonely people are dangerous, especially lonely boys.”

Wyrm doesn’t get any sex education from his parents, who avoid talking to him about it. There’s an intentionally amusing scene were Wyrm asks his parents: “How do kiss a person? And how do you finger them?” Each parent tells Wyrm to ask the other parent. Myrcella, now feeling sexually superior to Wyrm, wants to distance herself from him and treats him like an outcast at school.

Teen movie cliché alert: A student has recently transferred to the school from Florida. Her name is Izzy (played by Lulu Wilson), who is a sassy non-conformist. Wyrm is immediately attracted to Izzy, and wants to date her, but there’s a problem: Izzy has a boyfriend named Kyle, who’s in Florida, and Izzy wants to stay loyal to Kyle. Izzy doesn’t care about Wyrm being an unpopular student and school, because she’s not part of the popular crowd either, not does she want to be part of the crowd.

Thus begins the “will they or won’t they get together” part of the Wyrm/Izzy relationship. Along the way, Wyrm spends time with two other teenage girls who give him more insight into male/female relationships. Lindsey (played by Sosie Bacon) is a 17-year-old sarcastic student, who uses a wheelchair and who knew Dylan very well. Wyrm’s friend Charley introduces Wyrm to his sister Becky (played by Cece Abbey), who’s about 15 or 16, and is kind-hearted and appreciates Wyrm’s quirkiness.

“Wyrm” has some familiar story arcs found in many teen comedies, but they’re slightly off-center enough to avoid being completely predictable. The Level One sexuality collar is a symbol of the pressure that is put on teens to have certain sexual experiences by they time they’re a certain age. Whether or not people agree with this pressure, it exists, and those who are deemed sexually inexperienced are often unfairly labeled as social failures.

“Wyrm” doesn’t pass judgment on its title character, nor does it assign blame to any particular person for why Wyrm desperately tries to get his first romantic kiss, or risk getting the stigma of “being left behind.” Instead, the movie’s “alternate reality” is used as a mirror to show people how much it reflects what many teens experience in real life to a different degree.

The movie also has a meaningful depiction of how people cope with death and how their memories of someone who’s deceased can be altered for various reasons. The interviews that Wyrm conducts about Dylan are ostensibly so that Wyrm can make a tribute to Dylan. But as time goes on, viewers can see that these Wyrm is using these interviews to deal with his grief and to get to know Dylan better, since Wyrm and Dylan weren’t very close to each other.

As social misfit Wyrm, Taplitz gives a commendable performance that solidly carries most of the emotional wright in the movie. The rest of the cast members are perfectly fine, but the movie lives or dies on whether or not viewers will be interested in Wyrm. Some of the movie tries too hard to be offbeat, but there are enough moments of genuine humanity that can make “Wyrm” resonate with viewers who might not have much in common with the characters.

Vertical Entertainment released “Wyrm” in select U.S. cinemas, on digital and VOD on June 10, 2022.

Review: ‘Smile’ (2022), starring Sosie Bacon, Jessie T. Usher, Kyle Gallner, Robin Weigert, Caitlin Stasey, Kal Penn and Rob Morgan

September 30, 2022

by Carla Hay

Sosie Bacon and Jack Sochet in “Smile” (Photo courtesy of Paramount Pictures)

“Smile” (2022)

Directed by Parker Finn

Culture Representation: Taking place in New Jersey and briefly in Altoona, Pennsylvania, the horror film “Smile” features a predominantly white cast of characters (with some African Americans, Asians and Latinos) representing the working-class and middle-class.

Culture Clash: A clinical psychiatrist witnesses a patient commit suicide after the patient claims to be stalked by an evil entity, and then the psychiatrist begins to believe that this evil entity is now stalking her and is trying to kill her.

Culture Audience: “Smile” will appeal primarily to people who are fans of terrifying horror movies about supernatural evil and about how trauma can haunt people.

Sosie Bacon and Jessie T. Usher in “Smile” (Photo courtesy of Paramount Pictures)

“Smile” doesn’t reinvent the horror genre, but it has the type of suspense and gore that will get viewers to jump and squirm in their seats and possibly have some nightmares. This well-crafted story is the start of an obvious franchise. Unfortunately, there is a very real possibility that “Smile” could turn into franchise like the “Saw” horror movie series, which overstayed its welcome and failed to maintain the quality of the first movie in the series. If the inevitable “Smile” sequels turn out to be mindless trash dumps, at least people can still enjoy the first “Smile” movie as an example of a horror movie done right.

“Smile” (the feature-film debut of writer/director Parker Finn) takes a simple concept and turns it into a tension-filled thriller that has more going on than just a series of gruesome deaths. There’s also a bona fide mystery-solving aspect to the story that will hold viewers’ interest. “Smile” doesn’t waste time getting to the bloody horror, because the first death happens in the first 10 minutes of the movie.

“Smile” begins by showing protagonist Dr. Rose Cotter (played by Sosie Bacon) at her job as a clinical psychiatrist at Mount Pleasant Hospital in Newark, New Jersey. (The movie was filmed on location in New Jersey.) Rose thinks of herself as a calm and analytical professional who can handle almost anything that comes her way. Her life is about to be turned upside down with the arrival of a patient who ends up killing herself in front of Rose.

Before that patient arrives at the hospital, the movie shows that Rose is the type of medical professional who is compassionate to people who don’t have health insurance. She gets called into the office of her immediate supervisor, Dr. Morgan Desai (played by Kal Penn), who mildly reprimands her for not giving him advance notice about Rose treating a patient who has no health insurance and who has a history of mania and drug abuse. Rose lets Dr. Desai know that she’s annoyed by the corporate, profit-oriented way of treating patients. She believes that giving people the best health care possible should be more important than whether or not people can afford to pay for treatment through health insurance.

One of Rose’s current patients is a man named Carl Renken (played by Jack Sochet), who keeps repeating things out loud such as, “Mom’s going to die. I’m going to die. We’re all going to die.” Carl seems to be living in his own world that’s removed from reality, because he doesn’t communicate much except to make these ominous death statements. Rose has diagnosed Carl with having “manic episodes.”

Rose is soon called to attend to a graduate student named Laura Weaver (played by Caitlin Stasey), who appears to be having a psychotic break with reality. Laura has been brought to the hospital for the first time for a psychiatric evaluation. Laura is fully conscious, but she’s rambling about how she’s being stalked by something that wants to kill her. Before Rose sees Laura in an observation room, Rose is quickly told that just a week before, Laura experienced the trauma of witnessing her art history professor Gabriel Muñoz bludgeoning himself to death with a hammer.

Rose and Laura are alone together in an observation room, where Rose interviews Laura for an evaluation. Laura says to Rose, “I’m a Ph.D. candidate. I’m not some lunatic.” Laura then tells Rose with fear in her voice: “I’m seeing something—something that no one else can see. It looks like different people.” Laura then describes that this “something” disguises itself as people she knows and people who are total strangers.

“It wears people’s faces likes masks,” Laura continues. And how does Laura know she’s in the presence of this indescribable entity? Laura says that this “something” makes itself known when Laura sees it in the form of a person who has a very menacing and creepy smile on that person’s face.

Suddenly, Laura screams out in terror and acts as if an unseen entity is attacking her. Laura writhes around on the floor and continues screaming, as if she’s fighting for her life against something that Rose can’t see. Some glass in the room gets broken during the process. Rose quickly goes to use a phone on the wall to call for emergency backup.

In order to use the phone, Rose had to temporarily turn her back to Laura. When Rose turns around, she sees Laura, who is now silent, standing up with an eerie smile on her face. And without saying a word, Laura uses the glass to fatally slit her throat in front of Rose.

The two police officers who arrive at the hospital to investigate are Detective Buckley (played by Perry Strong) and a guy named Joel (played by Kyle Gallner), who happens to be an ex-boyfriend of Rose. Detective Buckley, who is the older and more jaded cop partner, uses a lot of insensitive language to describe mentally ill people. Joel, who is the junior partner, asks some questions, but he lets Detective Buckley take the lead in the interviewing.

After this rough day, Rose goes home to try and relax. She lives alone and has a male cat named Moustache, who is friendly and adorable. It’s later revealed that Rose been working 60-hour weeks for the past several weeks, with no vacation time off. It’s why, when she starts to have her own mental unraveling, her boss thinks it’s the direct result of Rose being overworked.

Rose is so on edge when she gets home, she startled when her loving and supportive fiancé Trevor (played by Jessie T. Usher) shows up. She tells him about losing a patient that day, but she doesn’t go into the gory details. Trevor hugs and comforts her and asks her if there’s anything he can do. She says his hug is a good start.

Over time, viewers see that Rose has a pattern of trying to hide any pain or trauma that she might be feeling, which is why she doesn’t tell Trevor everything right away about the circumstances under which Laura died during Rose’s brief encounter with Laura. Rose’s workaholic ways and wanting to project an image of being a strong, independent woman eventually take their toll on her mental health when she begins to believe that something evil is trying to kill her.

If “Smile” has any big flaws, it’s the over-used horror cliché of “the woman who is not believed and labeled as mentally ill.” That’s essentially what goes on during the last half of “Smile,” as Rose becomes more and more convinced that she will be soon murdered by an evil entity that other people can’t see. However, some things happen along the way that make it look like Rose is the one who’s dangerous. Rose eventually has to get psychiatric help and starts seeing a therapist named Dr. Madeline Northcott (played by Robin Weigert), who tries to remain neutral, but Dr. Northcott also begins to question Rose’s sanity.

One of the best things about “Smile” is that it doesn’t make Rose a hollow character who just has nightmares or runs around looking terrified. Rose has an entire backstory that is eventually revealed. Without giving away too much information, it’s enough to say that Rose is still reeling from the trauma of her single mother committing suicide when Rose was 10 years old.

Rose has an older sister named Holly (played by Gillian Zinser), who was an adult who had already moved out of the family home when their mother killed herself. Holly, who still lives in New Jersey, is now a wife, homemaker and the mother of a son named Jackson (played by Matthew Lamb), who turns 7 years old during the course of the story. Holly is a domineering spouse to her husband Greg (played by Nick Arapoglou), who is as materialistic as Holly is.

For example, Greg and Holly don’t understand why Rose won’t take their advice to open up a private practice so that Rose can get a much higher salary than what she makes at the hospital. During a dinner that Rose and Trevor have with Holly and Greg at a restaurant, Greg tells Rose that the main reason to become a doctor should be to get rich. Trevor defends Rose by saying that Rose isn’t a doctor for the money and that she loves being a doctor so much, she would be a doctor for free.

A more emotional and touchier subject with this family is that Holly and Greg disagree with Rose about what to do with the property that has the run-down and abandoned house where Rose and Holly used to live as children. Rose apparently co-owns the property with Holly, but Rose refuses to sign off on selling the house, or tearing down the house and selling the land. And as soon as it’s mentioned that there’s a run-down and abandoned house in a horror movie, you just know that there’s going to be at least one scene that takes place in that run-down and abandoned house.

Meanwhile, viewers find out that Joel isn’t completely over Rose, who broke up with him in a period of time that is not specified in the movie. Joel already knows that Rose is engaged to another man. However, Joel appears to still be in love with Rose, which explains why he shows up unannounced at the hospital the day after Laura’s suicide, to check in on Rose and ask her how she’s doing.

At first, Rose gives Joel a polite but firm brushoff. But later, when strange and disturbing things start happening to Rose, she asks for Joel’s help in investigating what Laura told Rose before Laura committed suicide. Joel agrees to help Rose in his off-duty time. Professor Gabriel Muñoz’s widow Victoria Muñoz (played by Judy Reyes) and a prisoner named Robert Talley (played by Rob Morgan) offer some big clues along the way in this investigation.

“Smile” has many talented cast members, but Bacon is the obvious standout in her portrayal of Rose, a character that has to carry the movie with a variety of believable emotions and various stages of terror. Writer/director Finn brings a foreboding tone and pace to “Smile” that doesn’t ease up on any of the tension. And thankfully, the movie sticks to an uncomplicated concept that doesn’t get distracted or cluttered by too many characters and subplots. The movie also injects some comic relief in a few scenes, mostly coming from Joel’s comments.

But make no mistake: “Smile” is a movie that is definitely not for very young children or people who are easily agitated by seeing very hideous death scenes. One of the main things that will keep viewers on edge and invested in the story is finding out exactly what is the cause of the terror in this movie. “Smile” does not disappoint when that mystery is revealed.

The movie could have ended in several different ways. The ending that was chosen is ultimately the one that packs a major wallop that many viewers will not see coming. And just like many original horror movies that leave a huge impression on audiences, “Smile” is poised to spawn multiple sequels for people who want the terrifying story to continue.

Paramount Pictures released “Smile” in U.S. cinemas on September 30, 2022, with a sneak preview in select U.S. cinemas on September 27, 2022.

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