Review: ‘Slotherhouse,’ starring Lisa Ambalavanar, Sydney Craven, Olivia Rouyre, Bianca Beckles-Rose, Tiff Stevenson and Stefan Kapičić

October 30, 2023

by Carla Hay

Andrew Horton, Alpha and Olivia Rouyre in “Slotherhouse” (Photo courtesy of Gravitas Ventures)

“Slotherhouse”

Directed by Matthew Goodhue

Culture Representation: Taking place in an unnamed U.S. city and briefly in Panama, the horror film “Slotherhouse” features a predominantly white cast of characters (with a few Latin people, African Americans and Asians) representing the working-class and middle-class.

Culture Clash: A college student adopts a female sloth to be a cute mascot for her sorority, but the sloth is really a serial killer that goes on a rampage. 

Culture Audience: “Slotherhouse” will appeal primarily to people who don’t mind watching low-quality horror movies, no matter how bad these movies are.

Grace Patterson, Sydney Craven, Annamaria Serda, Sutter Nolan, Milica Vrzić, and Tiana Upcheva in “Slotherhouse” (Photo courtesy of Gravitas Ventures)

“Slotherhouse” is an intentionally campy slasher flick whose one-joke premise about a serial-killing sloth becomes tiresome after the first 30 minutes. A lot of the manic energy is drained by the end, and the subpar acting performances become irritating. The movie (which is 93 minutes long) is also overstuffed with forgettable characters.

Directed by Matthew Goodhue and written by Bradley Fowler, “Slotherhouse” starts off with the right idea to have a comedic horror movie about a killer sloth. Unfortunately, that idea is constantly fumbled with scenes that aren’t as funny or horrific as they should have been. It just becomes a mishmash of a sorority soap opera and a cutesy animal comedy, with occasional murder scenes that are very tame.

The movie uses an obvious puppet to portray the female sloth. And that’s understandable when it’s a low-budget movie that can’t afford fancy visual effects. But after a while, it starts to look like a puppet show, which diminishes the intended effect for this sloth to be a credibly menacing terror.

The origin of this sloth is shown in the movie’s opening scene, which takes place in a swampy jungle in Panama. The slot has just killed an alligator, which is belly-up, with the sloth’s claw marks on the alligator’s stomach. A poacher named Oliver (played by Stefan Kapičić), who goes by the name OExotic on social media, captures the slot and takes the animal to the United States.

The movie then fast-forwards to a shopping mall in an unnamed U.S. city. Two female best friends in their early 20s are walking through the mall and talking about social media. Emily Young (played by Lisa Ambalavanar), who is in her last year of college, is getting a pep talk from Madison, nicknamed Maddie (played by Olivia Rouyre), who tells Emily not to worry so much about how many followers that Emily has on social media. (Whenever a new character in the movie first appears on screen, “Slotherhouse” shows a social media screen grab that lists the number of social media followers the person has.)

Inside the mall, there’s a Yorkshire Terrier that accidentally got separated from its owner. Emily catches and returns the dog to its grateful owner. In the mall’s food court area, someone has noticed this encounter and quickly deduces that Emily is fond of animals. This observant stranger is Oliver the sloth poacher, who introduces himself to Emily and Madison as someone who sells exotic pets. Oliver shows them a photo he has of his pet sloth, he gives Emily his business card, and her tells her to call him if she ever wants to buy a pet sloth from him.

Emily is a member of the Sigma Lambda Theta (SLT) sorority that has a house on campus. (Observant viewers willl notices that SLT are also three of the letters in the word “sloth.”) Elections are coming up to choose the president of this sorority chapter. The sorority “queen bee” is Brianna Khinny (played by Sydney Craven), who is spoiled, rude and arrogant. Brianna wants to be re-elected president of the sorority, and she assumes that she will have no competition.

Meanwhile, Emily decides she want to get a pet sloth, so she contacts Oliver and makes an appointment for this purchase. Little does Emily know that the sloth has gotten tired of Oliver controlling her, so the sloth kills Oliver before Emily arrives. Emily doesn’t see Oliver’s body when she enters the house, but she sees the sloth and takes her back to the sorority house.

Emily announces that this sloth will be the sorority’s mascot. She names the sloth Alpha. (Never mind that in real life, most college campuses don’t allow students to have pets living with students in campus housing.) Emily and Alpha have an instant bond that makes them the center of the attention in the sorority. Predictably, Brianna gets jealous and tries to bully Emily, who then decides that she’s going be Brianna’s opponent in the sorority’s upcoming presidential election.

The rest of “Slotherhouse” gets to be a bit mind-numbing, as Alpha secretly starts killing people (mostly women in the sorority) while pretending to be a sweet and innocent animal. Alpha doesn’t doesn’t just use her claws to kill people; the sloth can also pick up weapons like a human and use them on her murder victims. The other things that Alpha does veer into the ridiculous, such as using computers (to snoop on her victims) and taking selfie photos. Very rarely does this comedy work effectively, because the set-up and execution of these jokes are so dull.

As for the other characters in the movie, Emily has a bland boyfriend named Tyler (played by Andrew Horton), who always seems to show up too late when he’s needed. An androgynous lesbian named Zenny (played by Bianca Beckles-Rose) is a quirky misfit in this sorority, which consists mostly of snobs who don’t like Zenny. (It makes you wonder how Zenny got enough votes to be accepted into this sorority in the first place.) Emily is one of the few people in the sorority who treats Zenny (who is the obvious comic relief character) with some respect. A sorority sister named Dakota (played by Annamaria Serda) is another target of Brianna’s wrath.

In the sorority, Brianna predictably has a clique of followers who seem to go along with her, not because they like Brianna but because they fear her. These weak-willed sorority sisters are Sarah (played by Sutter Nolan), Alissa (played by Tiana Upcheva), Morgan (played by Olivia Rouyre), Gabby (played by Milica Vrzić), and Chloe (played by Cady Lanigan), who are all utterly generic. The sorority also has a slightly goofy house mother named Ms. Mayflower (played by Tiff Stevenson), who isn’t in the movie nearly enough for someone who’s supposed to be supervising the house.

“Slotherhouse” goes off on a few weird and unnecessary tangents that don’t fit very well in the story. For example, there’s a segment that lasts too long about the sorority members going through a cult-like ritual. This ritual, where the sorority members wear red satin hooded robes and hold lighted candles, looks like a teenager’s idea of an occult party sponsored by Hot Topic.

The character of Alpha can be somewhat amusing, but this sloth’s personality and motives are too vague for viewers to really care. At first, Alpha looks like she wants her freedom to live like a wild animal, but then she inexplicably tries to stay in the sorority house, where she knows that Brianna and others are trying to get rid of her. There are too many story flaws and not enough laughs or suspense for “Slotherhouse” to be anything other than a hollow and gimmicky horror movie.

Gravitas Ventures released “Slotherhouse” in select U.S. cinemas on August 30, 2023. The movie was released on digital and VOD on September 19, 2023. Hulu premiered the movie on October 15, 2023.

Review: ‘The Last Voyage of the Demeter,’ starring Corey Hawkins, Aisling Franciosi, Liam Cunningham and David Dastmalchian

August 10, 2023

by Carla Hay

Corey Hawkins and Aisling Franciosi in “The Last Voyage of the Demeter” (Photo by Rainer Bajo/Universal Pictures and Amblin Entertainment)

“The Last Voyage of the Demeter”

Directed by André Øvredal

Culture Representation: Taking place in 1897, mostly on a ship sailing from the Carpathian mountain range in continental Europe to London, the horror film “The Last Voyage of the Demeter” (based on a chapter in Bram Stoker’s “Dracula” novel) features a predominantly white cast of characters (with one black person and one Asian person) representing the working-class and middle-class.

Culture Clash: The people on a ship that’s carrying livestock for a sales transaction find out too late that a vampire named Dracula is on the ship. 

Culture Audience: “The Last Voyage of Demeter” will appeal primarily to people who are fans of stories about Dracula or other vampires, but this violent flick drags on with underdeveloped characters and lot of boring repetition.

Martin Furulund and Javier Botet in “The Last Voyage of the Demeter” (Photo courtesy of Universal Pictures and Amblin Entertainment)

Considering the large number of vampire movies that exist, “The Last Voyage of the Demeter” is as creatively comatose as a vampire victim drained of blood. It takes entirely too long to get to any real action in this story, which is a dull mess of clichés. The movie has a talented cast, but they can’t save this disappointing movie that’s the equivalent of a sinking ship.

Directed by André Øvredal and written by Bragi F. Schut and Zak Olkewicz, “The Last Voyage of the Demeter” is based on the chapter “Captain’s Log” in Bram Stoker’s 1897 novel “Dracula.” Making an entire movie based on only a book chapter can either limit the movie when mishandled or open up a lot of innovative possibilities from filmmakers with enough imagination. Unfortunately, “The Last Voyage of the Demeter” is hampered by a limp plot that’s essentially just a checklist of people on a ship getting attacked by the evil vampire Dracula on the ship. This vampire (played by Javier Botet) looks more like the alien-like Nosferatu as it was orginally conceived, rather than the elegant Count Dracula.

The movie begins in Whitby, England, on August 7, 1897. On a stormy night, two coast guard men in raincoats find a deserted schooner, with a dead man tied to its wheel. The man has a crucifix in his hand. In his pocket is a bottle, with a rolled-up piece of paper inside. It’s a journal entry log that warns of danger. Suddenly, an unseen force attacks the two coast guard men.

The movie then does a flashback to July 1897. A cargo ship called The Demeter is about to set sail from the Carpathian mountain range (which spans from Bulgaria to the north and Romania to the south), with the final destination to London. The cargo consists of several livestock animals, such as goats, pigs and chickens. Viewers soon find out that the schooner with the dead man originally came from The Demeter.

Right before The Demeter is about to set sail, several men who were hired to be crew members on the ship end up quitting when they hear that the ship will be leaving after the sun sets. The leader of this superstitious group says that the group will only leave if the ship sails before sunset. The ship’s first mate Wojchek (played by David Dastmalchian), a Polish immigrant who grew up as an orphan, tries to convince the men to change their minds, but they stand firm and then leave the harbor.

The Demeter then leaves with a very understaffed crew, which will soon find out how dangerous this voyage will be. The evil vampire Dracula starts attacking people on the ship, one by one. Everything that you think will happen in this movie does happen, because it’s a rote rehash of other vampire flicks, except it takes place on a ship in 1897. And if there’s a lone survivor in the story, you can easily predict who it will be.

In addition to first mate Wojcheck, the other people on this fatal voyage of The Demeter are intelligent British physician Clemons (played by Corey Hawkins), level-headed Captain Eliot (played by Liam Cunningham), Captain Eliot’s curious 8-year-old grandson Toby (played by Woody Norman) and a mysterious stowaway named Anna (played by Aisling Franciosi), who is found in a comatose state with bloody welts and bites all over her body. Clemons has to give her blood transfusions to keep her alive.

Other people on the ship are four crew members: a dependable Romanian named Olgaren (played by Stefan Kapicic); reliable second mate Larsen (played by Martin Furulund); loudmouth Petrofsky (played by Nikolai Nikolaeff); and youngest crew member Abrams (played by Chris Walley), who has a special bond with Larsen. All four of these crew members don’t say much that’s worth remembering after watching the movie. During a meal around a dining table the men talk about going to a brothel, and they have a laugh when Toby tells them that a brothel is where women take off their knickers.

Also on the Demeter is the ship’s ultra-religious cook Joseph (played by Jon Jon Briones), who is originally from the Philippines. Joseph gets very offended when he hears people curse, because he thinks cursing is a serious sin. Someone should’ve told Joseph that he picked the wrong job, working with a bunch of sailors. He is also highly superstitious.

Not much happens for the first 20 minutes of the movie. Viewers find out that Toby is in charge of looking after the animals. This voyage is going to be Captain Eliot’s last voyage before he retires. Soon after The Demeter sets sail, Captain Eliot tells Vojchek that he wants Vojchek to be his successor. Vojchek, who sees Captain Eliot almost like a father figure, is flattered by this decision.

Captain Eliot keeps the ship’s log. His written entries are occasionally read aloud as voiceovers in the movie. These entries start off as very routine, but then the entries become more alarming as more disturbing things happen on the ship. It’s all so formulaic.

It’s explained early on in the movie that Clemons, who is a graduate of the University of Cambridge, is on the ship because he had been hired for a physician job in Eastern Europe. But once the employers saw Clemons in person (he’s black), they withdrew the job offer. Clemons decided to go back to England and needed a ride, which is how he ended up on this ship of strangers. Other than this backstory, Clemons mostly has a blank slate of a personality.

The issue of racism is briefly mentioned, in relation to Clemons getting a job taken away from him because of his race and a few other racist incidents that he’s experienced outside of this ship. No one on the ship treats Clemons with overt racism. However, he sometimes has to remind some of the crew members of his education to convince them that he’s capable of making certain medical decisions.

There could have been so much more done with the Clemons character, in terms of his character and his life experiences, but “The Last Voyage of the Demeter” filmmakers gave Clemons a cardboard cutout type of character: He’s there, and he’s noticeable, but he doesn’t have much depth. By the end of the movie, viewers will literally not know much about Clemons except that he’s a compassionate doctor who experiences racism.

Likewise, the Anna character and her life story also remains largely unknown. When Anna emerges from her coma and warns that Dracula is on the ship, the crew barely asks her any questions about who she is and what she knows about Dracula. Part of this lack of curiosity is because, at first, most of the crew members think that Anna is hallucinating from her medical injuries. “The Last Voyage of Demeter” has a lot of gore, but it avoids the messy and realistic issue of what it means to be a physically vulnerable woman who’s the only female on board a ship with some coarse sailors.

One of the more idiotic scenes in the movie is when Joseph finds out that something on board is killing the crew, he doesn’t leave during the day when he as a chance—in other words, when things on the water will be much easier to see. Instead, Joseph waits to leave by himself on a rowboat on a very foggy night. Although nothing is wrong with the cast members’ acting in “The Last Voyage of Demeter, ” none of it is special either, because the screenwriting makes all the characters fairly hollow.

Visually, “The Last Voyage of Demeter” is just a dump of mediocrity. This movie is bloody, but it’s not very scary. The best Dracula movies show the glimmers of humanity in Dracula. “The Voyage of the Demeter” just makes Dracula a drab monster who’s on the loose, with no concern in telling anything interesting about Dracula. For a movie about a vampire icon, “The Last Voyage of the Demeter” is bloodless and toothless when it comes to telling a good story.

Universal Pictures/DreamWorks Pictures will release “The Last Voyage of the Demeter” in U.S. cinemas on August 11, 2023.

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