Review: ‘Kuberaa,’ starring Dhanush, Nagarjuna, Rashmika Mandanna, Jim Sarbh and Dalip Tahil

June 20, 2025

by Carla Hay

Dhanush and Rashmika Mandanna in “Kuberaa” (Photo courtesy of Pratyangira Cinemas)

“Kuberaa”

Directed by Abishan Jeevinth

Telugu or Tamil and some Hindi with subtitles

Culture Representation: Taking place in the Indian cities of Mumbai, Delhi, and Tirupati, the action film “Kuberaa” features an all-Asian cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A ruthless business mogul and a corrupt former Central Bureau of Investigation agent to recruit unsuspecting beggars to commit financial fraud, but one of the beggars escapes and has to run for his life before it’s too late. 

Culture Audience: “Kuberaa” will appeal primarily to people who are fans of the movie’s headliners and tension-filled thrillers about the intersections of wealth, greed and poverty.

Nagarjuna and Saurav Khurana in “Kuberaa” (Photo courtesy of Pratyangira Cinemas)

“Kuberaa” is a wild and suspenseful crime thriller about corrupt officials using homeless beggars to do dirty deeds in a massive fraud scheme. Some of the action scenes are far-fetched, but the movie has some satire and sharp commentary about classism. Even though there’s some deadly violence in the movie, “Kuberaa” still has moments of comedy relief without bungling these tonal shifts.

Directed by Sekhar Kammula, “Kuberaa” was co-written by Chaithanya Pingali and Kammula. The movie takes place primarily in Mumbai, India, where “Kuberaa” was filmed on location. “Kuberaa” is a non-stop ride that keeps viewers on edge about what will happen next. The movie is also a study in contrasts between the extremely wealthy and the desperately poor.

“Kuberaa” begins by showing an oil rigger discovering 14 trillion cubic tons of oil reserve in the Indian Ocean. Neeraj Mithra (played by Jim Sarbh)—the extremely wealthy, greedy and ruthless CEO of Global Enterprise—hatches a plan to blow up the oil rigger and seize control of this extremely valuable oil reserve. The explosion of the oil rigger is a distraction to make the area look unsafe so that Global Enterprise can swoop in and mine the oil reserve area. Neeraj’s unnamed father (played by Dalip Tahil) reluctantly approves of this plan but warns Neeraj that it’s a risky plan and he has to be careful about not getting caught.

Neeraj uses the fortune from this newfound oil reserve to bribe certain lawmakers and politicians. Neeraj also decides to launder the money fortune that he’s gotten and find a way to do wire transfers without the transactions being traced back to him. One day, Neeraj sees homeless beggars on the street and comes up with the idea of recruiting beggars, giving them makeovers, and having them pretend to be business people to do the wire transfers.

Neeraj doesn’t want to do the dirty work himself. Instead, he decides to enlist the help of Deepak Tej (played by Nagarjuna), a former Central Bureau of Investigation (CBI) officer, who is in prison on corruption charges. Deepak has maintained that he is not guilty of the charges and is in the process of appealing his case. Neeraj tells Deepak that he can get Deepak out of prison if Deepak works with Neeraj, who expects unwavering loyalty in return.

Deepak’s wife Shilpa (played by Sunaina) believes in and supports Deepak’s fight to prove Deepak’s did not commit the crimes he’s been accused of committing. Deepak is anxious to get out of prison so he can be reunited with Shilpa and their underage daughter, which is why he agrees to work with Neeraj. Neeraj tells Deepak about the plan to use homeless people to commit financial fraud. Deepak reluctantly goes along with the plan and only agrees to it because he thinks that violence won’t be involved. Deepak is very wrong about that assumption.

Neeraj has a group of thugs working for him. The most vicious of these thugs is Robo (played by Saurav Khurana), who is later shown to be a sadist and a misogynist who sexually abuses women. Neeraj puts Deepak in charge of Robo and the thugs to do what is necessary if things get rough. Deepak often has to scold Robo for going too far in being violent when Robo inevitably roughs up people during Robo’s cruel bullying.

Four homeless beggars are chosen as unwitting perpetrators of this fraud. All of the, are in their late 20s or 30s. The one who is a main character in the story is naïve, kind and uneducated Deva (played Dhanush), who spent most of his childhood as an orphan. As an adolescent, Deva ran away from the foster care system after he was the victim of human trafficking. He has been living on the streets ever since.

The three other homeless people who’ve been recruited are Kehlu, a duplicitous thief; Debya, an immigrant from Nepal; and Khushboo, an unmarried pregnant woman. Under the direction of Deepak, all four vagrants undergo makeovers and learn how to act like business people so that they can convincingly do wire transfers of large funds without arousing suspicions.

Deepak treats these recruits with kindness and respect. The same can’t be said for Robo, who doesn’t hesitate to bully the recruits any chance that he gets, Robo has an extreme hated of homeless people who beg on the streets. He openly calls them scum and the lowest forms of human beings.

Neeraj has no intention of letting these recruits live after they fulfill his purpose to complete the transaction. Robo has been selected as the one who will murder the recruits. Deepak and Deva eventually find out about these deadly plans. Deepak objects to the recruits being murdered, but Neeraj orders Deepak to stay loyal to Neeraj by threatening Deepak with sending Deepak back to prison and making Deepak’s family destitute.

As already revealed in the “Kuberaa” trailer, Deva escapes from the compound. An enraged Neeraj orders Deepak to find Deva. Much of the movie is about Deva’s desperate attempts to hide and stay alive. Along the way, he meets a helpful young woman named Sameera (played by Rashmika Mandanna), who has her own personal issues.

Deva first encounters Sameera at a train station platform at night. She is heartbroken because a man she had hoped to elope with hasn’t show up at the train station, which is his way of breaking up with her. Deva is so exhausted and hungry, he faints on the platform. Sameera helps him regain consciousness and lets Deva borrow her phone.

The movie’s comedic moments happen because just when Sameera thinks she’s seen the last of Deva, he comes back into her life asking for more help. “Kuberaa” eventually shows if Sameera finds about how much danger Deva is in and who is looking for him. Sameera often gets impatient with Deva because he is very ignorant about many things, and she feels obligated to teach him.

“Kuberaa” would have enough story if it only focused on Sameera and Deva. However, the movie also takes a compelling look at the inner conflicts of Deepak, who is torn between his humane instincts to have mercy on Deva and between Deepak’s fear of what will happen if Deepak disobeys Neeraj. There are several times when Deepak is faced with a moral dillemma and he has to live with the consequences and guilt if he decides to do something that erodes his soul and humanity.

Neeraj is the mastermind of these horrific crimes and is the person giving the orders. And for that reason, Neeraj is the story’s chief villain. However, “Kuberaa” is really a tug of war between Deepak and Deva. Dhanush and Nagarjuna each give impressive performances as Deva and Deepak change during the course of the story. Credit should also be given to the screenplay for making Deva and Deepak fully formed people instead of two-dimensional characters.

Sarbh (as Neeraj) and Khurana (as Robo) give capable performances, as far as depicting two characters who are pure evil. Neeraj is the more dangerous villain because he has unchecked power and he’s fooled many people in the general public by presenting himself as a loving family man. Mandanna does an adequate job in her role as Sameera; her mannerisms are at times too exaggerated in attempts to be comedic. Beyond the action-packed scenes of chases and fights, “Kuberaa” has something meaningful to say about human beings’ real value that has nothing to do with money.

Prathyangira Cinemas released “Kuberaa” in select U.S. cinemas and in India on June 20, 2025.

Review: ‘Laththi,’ starring Vishal

December 27, 2022

by Carla Hay

Master Lirish Raghav and Vishal in “Laththi” (Photo courtesy of Red Giant Movies)

“Laththi”

Directed by A. Vinoth Kumar

Tamil with subtitles

Culture Representation: Taking place in an unnamed city in India, the action film “Laththi” features an Indian cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A cop battles an army of villains and ends up trapped with his 10-year-old son in a high-rise building under construction.

Culture Audience: “Laththi” will appeal primarily to people who are interested in watching a ludicrous, overly long action movie that is repetitive and relentlessly stupid.

Ramana (second from left) in “Laththi” (Photo courtesy of Red Giant Movies)

“Laththi” is nothing but a long-winded rehash of several other forgettable action movies with ridiculous fight scenes, terrible acting and no originality. And with a total running time of 144 minutes, “Laththi” (also known as “Laththi Charge”) drags on for too long, considering the movie’s very thin plot that could easily fit into a film that’s 30 minutes or less. What viewers get in “Laththi” is a bombastic overload of poorly staged action scenes that are supposed to show gritty realism but look like something out of a hard-to-believe, shoddy fantasy movie. Worst of all, “Laththi” is a movie that takes itself too seriously, considering how trashy and moronic it is.

Directed by A. Vinoth Kumar and written by Pon Parthiban, “Laththi” is yet another movie about a cop being the lone fighter against an army of villains who have him trapped somewhere. And to raise the stakes for the police officer—cliché alert—he has a loved one who is put in this dangerous situation too. Before “Laththi” gets to that point, there’s a bloated section of the movie that shows how he ended up in this mess. None of the characters in the movie has a real personality, and there’s no real suspense.

The protagonist of “Laththi” (which takes in an unnamed city in India) is a constable named Muruganantham (played by Vishal), who is as generic as generic can be. Muruganantham has a happy family life with his wife Kavitha (played by Sunaina) and their 10-year-old son Rasu (played by Master Lirish Raghav), who goes to a school called St. Michael’s Academy. Rasu is proud of his father being a constable, and he begs Muruganantham to visit him in school while wearing his constable uniform. Muruganantham humbly puts off accommodating this request.

One night, a woman named Pavithra (played by Misha Ghoshal) is physically harassed on the street by a young man. She goes to the police station to file a harassment complaint. Even though Muruganantham tells Pavithra that technically, she has to wait until the morning to file the complaint, he feels sympathy for her and lets her file the complaint that night. Not long after filing the complaint, Pavitrha is viciously attacked, and she dies in a hospital.

The public is outraged by what happened to Pavithra, and protests are staged outside the police station. The police are under pressure to find the culprit or culprits who killed Pavithra. Their chief suspect is the man whom she identified as the harasser in her complaint. His name is Vellai (played by by Ramana), who happens to be the son of a ruthless and wealthy crime boss named Sura (played by Sunny PN).

Vellai is taken into custody at the police station for an interrogation, where he ends up alone in a room with Muruganantham. Vellai’s head has been covered with a sack, so Vellai can’t see anything. Muruganantham brutally beats up Vellai to try to get Vellai to confess to causing Pavithra’s death. Vellai doesn’t see the police officer who’s attacking him, but Muruganantham gets a phone call during this beatdown. The ringtone on Muruganantham’s phone is of the song “Guna,” which is a detail that Vellai does not forget.

Vellai ends up in a hospital and inexplicably has a yellow plastic bag over his face during his recovery. Apparently, the “Laththi” filmmakers want viewers to think that using a yellow plastic bag is better than using bandages to treat facial wounds. While in the hospital, there’s a predictable scene of an infuriated Sura and his cronies trying to get Vellai to remember anything about the cop who attacked him. Vellai is barely coherent, much like most of this movie.

After Vellai is discharged from the hospital, there are scenes where he drives around with his fellow thugs while trying to look for the cop who beat him up. And Vellai is stll wearing that yellow plastic bag over his head during the search. Meanwhile, Muruganantham gets suspended from his job and is then reinstated in a demoted position of being a traffic cop.

During Vellai’s search for the constable who beat him up, Vellai—still wearing the yellow plastic bag over his head—sees Muruganantham on a motorbike on the road. Vellai insists that Muruganantham is the one who attacked him, even though people in his entourage doubt that this traffic cop would be the one to have the authority to do an interrogation. And just when Vellai and his cronies are about to drive away, during an idiotic scene where Muruganantham has stopped on his motorbike on the road for a very contrived period of time, Muruganantham gets a phone call, and Vellai hears the ringtone.

Most of the action scenes featured in the trailer for “Laththi” don’t happen until the last third of the movie, when Muruganantham is trapped with Rasu in an isolated high-rise building that’s under construction. It’s just scene after scene of Muruganantham unrealistically taking on numerous armed thugs who could easily kill him when they surround him with their weapons, but they don’t kill him, because we all know how this movie is going to end. The only thing that gets really gets killed from “Laththi” are some of the brain cells of any viewers who have the misfortune of watching all of this mind-numbing garbage.

Red Giant Movies released “Laththi” in select U.S. cinemas and in India on December 22, 2022.

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