Review: ‘Demi Lovato: Dancing With the Devil,’ starring Demi Lovato

March 17, 2021

by Carla Hay

Demi Lovato in “Demi Lovato: Dancing with the Devil” (Photo courtesy of OBB Media)

“Demi Lovato: Dancing With the Devil”

Directed by Michael D. Ratner

Culture Representation: The four-part docuseries “Demi Lovato: Dancing With the Devil” features a racially diverse group of people (Latino, white and African American) of mostly people in the entertainment industry, including Demi Lovato, discussing her life and career, particularly from 2018 to 2020.

Culture Clash: Lovato, who is a recovering drug addict, relapsed and had a near-fatal overdose in 2018, and she says that she no longer believes that complete drug abstinence is the best method of recovery for her.

Culture Audience: “Demi Lovato: Dancing With the Devil” will appeal primarily to people who are interested in stories about how celebrities cope with addiction and trauma.

Demi Lovato in “Demi Lovato: Dancing With the Devil” (Photo courtesy of YouTube Originals)

Singer/actress Demi Lovato is well-known for revealing a lot of painful and unflattering aspects of her life, so it should come as no surprise that her four-part YouTube docuseries “Demi Lovato: Dancing With the Devil” has a confessional tone to it. The docuseries had its world premiere at the 2021 South by Southwest (SXSW) Film Festival. Among other things, Lovato goes into details about what she experienced before and after her near-fatal drug overdose at her Los Angeles home in July 2018. (She has since moved from that house because of the bad memories.) She also reveals publicly for the first time that she’s a rape survivor and how the COVID-19 pandemic quarantine led to her very quick and ultimately failed engagement to actor Max Ehrich.

Directed by Michael D. Ratner, “Demi Lovato: Dancing With the Devil” has much more disturbing revelations than Lovato’s 2017 YouTube documentary film “Demi Lovato: Simply Complicated.” There’s a trigger warning at the beginning of “Demi Lovato: Dancing With the Devil” because it contains graphic talk of sexual assault, her drug use and eating disorders. She goes into details about what happened before and after her overdose of heroin laced with Fentanyl.

Lovato says that the drug dealer who supplied the drugs also sexually assaulted her and left her for dead. She also reveals that when she was 15, she lost her virginity by being raped by someone she worked with in her Disney Channel days. Lovato doesn’t name either of her alleged rapists, but she says that when she reported her underage rape to adults, nothing happened to her alleged rapist. And she claims that she’s managing her addiction problems by drinking alcohol and smoking marijuana. That’s not a good sign that she’s on the road to a healthy recovery.

It’s a big contrast to “Demi Lovato: Simply Complicated,” where her most personal revelation was that she’s openly living her life as a member of the LGBTQ community. (The movie had scenes of her discussing her attempts to find love on online dating sites.) Lovato refuses to label her sexuality, and she will only describe herself as “queer” or “not straight.”* “Demi Lovato: Dancing With the Devil” shows that although Lovato claims to be in a much better emotional place than she was in 2018, she’s still struggling with the idea that her recovery from addiction means that she has to completely abstain from drugs and alcohol.

She admits to drinking alcohol and smoking marijuana “in moderation,” even though she’s said in many interviews that she’s an alcoholic and drug addict. Although she talks a lot about the drugs that she’s used and/or been addicted to over the years, in “Demi Lovato: Dancing With the Devil” she leaves out any mention of her alcoholism. And that omission is probably because she keeps repeating in the documentary that she’s tired of other people controlling her life and telling her what she can and cannot put in her body.

Ever since former Disney Channel star Lovato first went to rehab in 2010, at the age 18, she has publicly talked about her recovery from a variety of issues, including drug addiction, alcoholism, eating disorders (anorexia and bulimia), self-harming (cutting) and bipolar disorder. In “Demi Lovato: Simply Complicated,” she repeated the claim that she was clean and sober since 2012. And in 2018, during her “Tell Me You Love Me” tour, she was filming another documentary about herself, until her drug overdose resulted in shutting down production of that untitled documentary, which was permanently shelved.

“Demi Lovato: Dancing With the Devil” has some clips from that never-seen-before 2018 documentary that shows a seemingly happy Lovato on tour. But as is often the case with entertainers who are drug addicts, they are very skilled at hiding dark sides of their lives. In “Demi Lovato: Dancing With the Devil,” Lovato says of her shelved 2018 biographical film: “In that documentary, I was allowing the cameras to see the tip of the iceberg.”

“Demi Lovato: Dancing With the Devil” opens with Lovato backstage during that 2018 tour, in footage that was taken one month before her overdose. She’s on the phone with her mother, Dianna De La Garza. Her mother gushes, “Demi, that was the best show you’ve ever done! It’s only going to get better from here.” Lovato gives a small smile but there’s some sadness in her eyes.

There’s also a clip from a concert earlier on that 2018 tour, with the footage showing Demi being congratulated on stage by opening acts DJ Khaled and Kehlani for her sixth “sober birthday,” to celebrate her being clean and sober for the past six years. On the surface, Lovato looked healthy and happy. But in “Demi Lovato: Dancing With the Devil,” she now confesses that she relapsed later that night.

Lovato says, “I picked up a bottle of red wine that night and it wasn’t even 30 minutes before I called someone that had drugs on them … I’m surprised that I didn’t OD that night. I ended up at a party and ran into my old drug dealer from six years before. That night I did drugs I had never done before.”

According to Lovato, she did a dangerous mix of methamphetamine, Ecstasy, alcohol and OxyContin. “That alone should’ve killed me,” Lovato adds. She also confesses that during this relapse that lasted for months, she tried crack cocaine and heroin for the first time.

The first time she went to rehab in 2010, Lovato says that she was addicted to cocaine and Xanax. Years later, when she turned to crack cocaine and heroin (which she usually smoked, not injected), Lovato says in the documentary that she was trying to get the same “upper/downer” combination feeling that she had with cocaine and Xanax. “Demi Lovato: Dancing With the Devil” includes a photo identified as Lovato on crack for the first time and a photo of her while she was smoking heroin.

Lovato says she quickly became addicted to crack and heroin, but she was able to hide these addictions from most of the people who were close to her. Her immediate family members are interviewed in the documentary: mother Dianna De La Garza; stepfather Eddie De La Garza; older sister Dallas Lovato; and younger half-sister Madison De LaGarza. All of them say some variation of how Lovato is very good at keeping secrets and pretending that everything is just fine. “There’s a lot that the public don’t know,” says her stepfather Eddie, who is interviewed while sitting on a couch with his wife Dianna.

Demi’s parents got divorced when she was 2 years old. For years, she has been open about how her biological father Patrick Lovato struggled with mental illness (bipolar disorder, schizophrenia) and drug addiction, and their relationship was fractured for a very long time. Patrick died of cancer in 2013.

In “Demi Lovato: Dancing With the Devil,” she talks about how she still feels trauma over her troubled relationship with her father, whom she says abused her mother Dianna. Demi also says that she feels terrible about how her father died alone. His body, which wasn’t discovered for several days, was so decomposed that there couldn’t be an open casket at his funeral. Demi says that her biggest fear was that he would die alone, and she says she’s still haunted by guilt over it.

As for what led to her relapse and overdose in 2018, Demi comments: “Anytime you suppress a part of yourself, it’s going to overflow. Ultimately, that’s what happened to me in a lot of areas of my life. And it led to my overdose, for sure.” She adds later in the documentary: “I was miserable. I snapped.”

In addition to the issues of abandonment that she had with her father, Demi says she believes that the beauty pageants she entered as a child also had a negative effect on her: “My self-esteem was completely damaged by those beauty pageants.” Demi says that her eating disorders began as a direct result of the pressure she felt to be thin and pretty for the pageants.

Her mother Dianna says in the documentary about Demi’s childhood traumas: “I didn’t know that she needed to work with a professional to work through some of that.” In a separate interview, Demi says, “I crossed the line in the world of addiction. It’s interesting that it took a quarantine to work on this trauma stuff I’ve never really taken the time to dig deep and do the work on.”

To her credit, Demi doesn’t sugarcoat the very real and permanent health damage that her overdose caused: “I had three strokes. I had a heart attack. I suffered brain damage from the strokes. I can’t drive anymore. I have blind spots in my vision. When I pour a glass of water, I’ll totally miss the cup because I can’t see it anymore. I’ve also had pneumonia, because I asphyxiated, and multiple organ failure.”

What happened the night of the overdose has been reported in many media outlets, but the story in this documentary is told by Demi and some other people who were with her in the 24-hour period before and after her overdose. On the evening of July 23, 2018, Demi had been celebrating the birthday of Dani Vitale, who was Demi’s choreographer/creative director at the time.

Demi, Vitale and some other friends went out to nightclubs before heading back to Demi’s house. (The documentary includes phone footage of Vitale and Demi doing a choreographed dance routine on the rooftop.) Vitale, who is interviewed in the documentary, says that she didn’t know that Demi had been using drugs at that time.

That night, Demi begged Vitale to stay overnight at the house, but Vitale declined because she had to go home and feed her dogs and had to get up early the next morning. However, Vitale says as she was driving away from the house with a friend, she told the friend that she had a strange feeling that something wasn’t right. Ultimately, Vitale says that she didn’t stay because of her other obligations and she didn’t want to treat Demi like a child who needed a babysitter.

Demi says that when she was alone in the house, she called her drug dealer and spent the rest of the night doing drugs with him. The documentary includes blurry video surveillance footage of him leaving her house that morning, a few hours before Demi was found unconscious and the ambulance was called. Police later decided not to arrest him for his involvement in this overdose.

Jordan Jackson, a woman who was Demi’s assistant at the time, was the one who found Demi naked, unconscious and surrounded by vomit in Demi’s bed the next morning on July 24, 2018. “There was one point where she turned blue. Her whole body turned blue. I was like, ‘She’s dead for sure,'” Jackson says in the documentary. “It was the craziest thing I had ever seen.”

When Demi woke up at Cedars-Sinai Hospital in Los Angeles, she was legally blind for a short period of time. She didn’t even recognize her younger sister Madison, who chokes up with emotion in the documentary when she remembers that moment: “She looked me dead in the eye and said, ‘Who is that?’ That’s something you never want to hear your sister say.”

Cedars-Sinai neurologist Dr. Shouri Lahiri, who sits next to Demi while he’s interviewed in the documentary, remembers that her oxygen levels were “dangerously low and trending down.” Demi also was put on dialysis to clean her blood, and the tubing had to be stuck through her neck. “It was like a horror movie,” as Dianna De La Garza describes it.

Demi is seated next to Dr. Lahiri when he talks about her hospital treatment. He says he didn’t know why she was famous until about a week after he became her doctor, when he looked her up on the Internet. In the documentary, Dr. Lahiri mentions that he avoided looking up the information earlier because he didn’t want Demi’s celebrity status to affect his medical decisions about her. It’s kind of hard to believe that while she was in the hospital, he didn’t know for the first several days why she was famous, considering all the media coverage about her overdose.

Demi’s stepfather Eddie De La Garza gives a lot of praise to the hospital doctors who helped Demi with her recovery. But no one (not even Demi) is seen or heard in the documentary explicitly thanking Jackson, the person who found Demi and made the crucially important decision to call 911. Jackson admits in her documentary interview that she was afraid that calling 911 would bring a lot of negative publicity for Demi, but Jackson did the right thing and called anyway. Part of the 911 call is played in the documentary, and Jackson is heard asking the 911 operator if the ambulance could not turn on any sirens when it arrived at the house. However, the operator said that there would be ambulance sirens, and 911 operators have no control over that.

Demi says in the documentary, “I’m really lucky to be alive. My doctors said that I had five to 10 minutes [to live before I was found]. Had my assistant not come in, I wouldn’t be here today.” It would’ve been nice for Demi to directly and publicly thank Jackson in the documentary. If Demi did thank her while filming this documentary, it didn’t make it into the movie. And based on the “bare it all” tone of this film, a moment like that wouldn’t be edited out of the film if this thank you really happened while filming.

The documentary also shows that Vitale’s career and reputation were damaged by this overdose, because she was wrongfully blamed for it and wrongfully identified as being a drug buddy of Demi’s. Vitale says she doesn’t do drugs, but she was bullied and harassed by many of Demi’s fans who believed that Vitale was the one who supplied the drugs that Demi took that night. Vitale lost clients because of the overdose scandal. Demi says that her fans who harassed Vitale went too far.

In the documentary, while Vitale is getting her hair and makeup done for the interview, Demi is shown going into the room, hugging Vitale, and telling her that she’s sorry that she didn’t come forward sooner to clear Vitale’s name, but she was still in recovery at the time. Demi also says that she hopes that the documentary will help Vitale set the record straight that Vitale had nothing to do with Demi’s overdose. They seem to be friendly with each other, but it’s clear that Vitale doesn’t want to risk going through this experience with Demi again.

During her interview, Vitale tears up with emotion when she talks about the fallout from Demi’s overdose: “It was the hardest thing I ever had to deal with in my life. I just wanted [Demi] to live … I lost all my teaching jobs. No one wanted to bring their kid to an apparent heroin dealer teacher. I lost all the artists I was working with. No one wanted to deal with the drama … I had to rethink my whole future, all because of someone else’s decision.”

After recovering from her overdose, Demi says she decided she no longer wanted to have a team of people controlling what she ate, or people checking up on her as if she would relapse at any moment. As an example, she says that for her birthdays, her previous management team would only allow her to have watermelon cake. After she fired that management team, Demi says one of the ways she celebrated her freedom from other people telling her what to eat was by having three cakes on her birthday.

After getting rid of her previous management, Demi asked Scooter Braun (who’s most famous for being Justin Bieber’s manager) to become her personal manager. Braun, who is an executive producer of “Demi Lovato: Dancing With the Devil,” is interviewed in the documentary and says that he was skeptical about representing Demi until he met her in person and she won him over. During contract negotiations, Demi says she relapsed and was truthful about it to Braun. Demi says she was sure that after this confession, Braun wouldn’t want to represent her.

But the opposite happened. Braun says that rather than distancing himself from Demi because of the relapse, he wanted to help her. He says his reaction was, “As long as you tell me the truth, we’ll work through it.” Braun also says, “She didn’t need a manager. She needed a friend.”

Demi didn’t get rid of everyone on her business team after the overdose. She gives a lot of credit to her longtime business manager Glenn Nordlinger and head of security/chief of staff Max Lea for helping her through tough times. Nordlinger and Lea are both interviewed in the documentary. Nordlinger says it was his idea to get Demi checked into the Cirque Lodge addiction treatment center in Orem, Utah, for her post-overdose rehab. Demi is seated next to Lea and Nordlinger during some of her interviews, and she often keeps her head lowered, as if she’s still ashamed of what they know about her.

Two other people who’ve remained in Demi’s inner circle and are interviewed in the documentary are Sirah Mitchell (a hip-hop artist) and Matthew Scott Montgomery (an actor), who are each described in the documentary as Demi’s “best friend.” Mitchell is also described as Demi’s “former sober coach.” Mitchell and Montgomery, who were not with Demi on the night that she overdosed, profess unwavering loyalty to Demi. They both say that they knew that Demi was doing heroin and other drugs in the weeks leading up to the overdose, but they say that Demi ignored their concerns and there was nothing they could do about it.

Mitchell and Montgomery seem to be among Demi’s biggest cheerleaders, but they also come across as enablers who will say what she wants to hear so she won’t cut them out of her life. For example, Mitchell and Montgomery make vague excuses for why they’re going along with Demi’s plan to drink alcohol and smoke marijuana as part of her “recovery” from alcoholism and drug addiction. By now, these friends should know that when drug addicts/alcoholics think they can handle drugs and alcohol, that’s still being in the sickness of denial.

As for Demi’s family members, they all say that based on their experiences with Demi, they know that an addict can only truly recover when the addict is willing to stop what’s causing their addiction of their own free will, not because other people are pressuring them to do it. Demi says that the first time she went to rehab, she was forced to go because she was told that she wouldn’t be able to see her sister Madison again if Demi didn’t get rehab treatment. In the documentary, Demi notes the “full circle” irony that after she woke up from her overdose, she literally couldn’t see Madison because of Demi’s temporary blindness.

Demi’s case manager Charles Cook is the one of the few people interviewed in the movie to warn viewers that Demi’s way of handling her addiction is not going to work for everyone. He chooses his words carefully, so as not to offend her, but it’s pretty obvious that he’s conflicted in endorsing Demi’s decision to continue to drink alcohol and use marijuana. Cook and Demi both say that addiction recovery doesn’t have a “one size fits all” solution, and Demi is trying to figure out what works best for her.

The documentary includes interviews with some celebrities who know Demi and have worked with her, including recovering addict/alcoholic Elton John. He is blunt when he comments on addicts/alcoholics who think they can still use their addiction substances as part of their recovery: “Moderation doesn’t work.” However, he praises Demi by saying: “She’s human and she’s adorable and she’s brave.”

Christina Aguilera and Will Ferrell also say good things about Demi. Aguilera says, “She’s just no bullshit when it comes to her spirit and her energy and her laughter.” Lovato and Aguilera teamed up for the duet “Fall in Line,” which was on Aguilera’s 2018 album “Liberation.” The song was also released as a single.

Ferrell says he was inspired to put Demi in his 2020 Netflix comedy movie “Eurovision Song Contest: The Story of Fire Saga” after seeing her emotionally perform “Anyone” at the 2020 Grammy Awards. The Grammy show was her first high-profile performance after her overdose, and she followed it up with another critically acclaimed performance at Super Bowl LIV, where she sang a powerful rendition of “The Star-Spangled Banner.”

Clips of both performances are in the movie, as well as snippets of her performing on tour in 2018 and in the recording studio. Demi says that she wrote and recorded “Sober” while she was in the throes of addiction to crack and heroin. And she mentions that her song “Dancing With the Devil” is one of the rawest, soul-baring songs she’s ever written about her addiction. Braun says, “In the studio, Demi is in her happy place.”

Demi describes her brief engagement to Ehrich in 2020 as part of their whirlwind and unconventional romance. Most of their courtship happened when they moved in with her mother and stepfather to quarantine with them during the coronavirus pandemic. Demi and Ehrich dated for just six months before calling it quits. After the breakup, he went on social media and gave interviews saying that he was blindsided and treated unfairly by Demi.

In the documentary, Demi says that she and Ehrich probably wouldn’t have gotten engaged so quickly if they hadn’t quarantined together. And although she doesn’t divulge the full details of their breakup, Demi reiterates what she’s already said publicly: She says she found out that Ehrich didn’t have the right intentions in their relationship. The documentary has selfie video footage of a forlorn-looking Demi after the breakup, fretting to the camera that she won’t find anyone to love her.

Demi has this to say about her love life at the time she filmed this documentary: “I feel like I’m too queer in my life to marry a man right now.” She describes her outlook: “Life is fluid, and I’m fluid, and that’s all I know.”

In addition to dealing with her physical health problems as a result of the overdose, Demi says she has the psychological trauma of being sexually assaulted. She has this to say about the sexual violation from her drug dealer: “When they found me, I was naked, blue. I was literally left for dead after he took advantage of me. I was literally discarded and abandoned.”

“When I woke up in the hospital, they asked if I had consensual sex,” Demi says in one of her documentary interviews. “There was one flash that I had of him on top of me. I saw the flash, and I said, ‘Yes’ [in answer to the question if the sex was consensual]. It wasn’t until a month after my overdose that I realized, ‘Hey, you weren’t in any state of mind to make a consensual decision.’ That kind of trauma doesn’t go away overnight, and it doesn’t go away in the first few months of rehab either.”

Demi reveals that instead of staying away from the drug dealer whom she says raped her, she actually contacted him again when she relapsed after her overdose. And she says that when they had sex again, she wanted to be the one in control. Instead, Demi says this “revenge sex” made her feel worse.

And she also says it was history repeating itself because something similar happened with the person she says raped her when she was 15: “When I was a teenager, I was in a very similar situation. I lost my virginity in rape. I called that person back a month later and tried to make it right by being in control. All it did was make me feel worse.”

In the documentary, Demi doesn’t name her alleged rapists, but the drug dealer who admitted he was the one who supplied the drugs on the night of the overdose already gave tabloid interviews after he found out that he wouldn’t be arrested for supplying her the drugs. His name is already out there in the public. And in at least one of his interviews, he claimed that Demi was his sex partner in a “friends with benefits” situation.

As for the guy whom Demi says raped her when she was 15, she drops some big hints about who he is. “I was part of that Disney crowd that publicly said they were waiting until marriage.” She says in the documentary that this virginity image was a lie for her and her alleged rapist, which obviously implies that he was part of that “Disney crowd” too.

Commenting on how she lost her virginity, Demi says: “I didn’t have the romantic first time. That was not it for me. That sucked. Then I had to see this person all the time so I stopped eating and coped in other ways.”

Then she takes a breath and says, “Fuck it. I’m gonna say it.” She says that her #MeToo moment came when she reported the rape to adults (whom she does not name in the documentary), but her alleged rapist “never got in trouble for it. They never got taken out of the movie they were in. I always kept it quiet because I’ve always had something to say. I don’t know, I’m tired of opening my mouth. Here’s the tea.”

Just like many people with #MeToo stories, Demi says she’s going public with her truth to help give other people the courage to do the same. “I’m coming forward with what happened to me because everyone it happens to should absolutely speak their voice.” She also says, “At the end of the day, I’m responsible for my life choices and only hold myself accountable. And the last two years have been about me doing the work to identify and confront those traumas, so I can be my best self and truly be happy.”

The problem with these types of “confessions of a famous addict” is that they usually have the celebrity confessing that they previously put on a fake front of being happy and/or sober in public, but they were really miserable and/or relapsing in private. Then they usually end the documentary by saying they’re doing much better now. But it can be hard for people to believe that, when the celebrity has already admitted that they’re skilled at pretending that their life is better than it really is.

Demi says in the “Dancing With the Devil” documentary that when she made the “Simply Complicated” documentary, she was really miserable and pretended at the time that she happy. Is there eventually going to be another “confession” from Demi where she will say that she was lying in this “Dancing With the Devil” documentary too? It’s a vicious cycle where people aren’t going to know what to believe.

Another problem that people tend to have with these celebrity “tell-alls” is they usually come out at around the same time that the celebrity has a new project to promote. And it makes people wonder how much of this pain is being used to market something that the celebrity wants to sell. Sure enough, the documentary includes studio footage and video clips to promote Demi’s seventh studio album “Dancing with the Devil … The Art of Starting Over,” which is due out on April 2, 2021, the same week as when this docuseries’ last episode is released on YouTube.

Most addicts and alcoholics don’t get to profit from selling their stories. And there’s a lot of denial going on in the documentary when Demi, who spent years telling the world that she’s an alcoholic, now says she can handle drinking alcohol in moderation. Did she not learn anything in rehab?

Although there are website addresses and hotline phone numbers listed in the documentary as resources for people who want to get more information on how to get help for addiction or surviving sexual trauma, the mixed messages that Demi gives in her “Dancing With the Devil” documentary can actually confuse people. She does briefly acknowledge that she’s luckier than most addicts, because she can afford top-notch rehab treatment and a team of people who can get her whatever she asks for because she’s paying them to do it. But that acknowledgement rings hollow because she’s basically saying, “I know I can afford to go to the highest-priced rehab centers in the world, but I’m going to indulge in my addictive substances anyway, just because I feel like it.”

However, people who are not gullible fans can see the documentary for what it is: It shows the difficulty of overcoming addiction and how celebrities are surrounded by “yes” people who will say what the celebrity wants to hear so that they can stay in the celebrity’s inner circle. If there’s any meaningful takeaway from “Demi Lovato: Dancing With the Devil” it’s that if celebrities want to tell the world their truth, they should summon the courage to have people in their lives who will tell them the truth. And when it comes to addiction to alcohol and drugs, they can start with the basic fundamentals of rehab, which is that an alcoholic/drug addict isn’t doing enough real work to get clean and sober if that alcoholic/drug addict is still drinking and drugging.

*UPDATE: In May 2021, Demi Lovato came out as non-binary, with identity pronouns “they” and “them.”

YouTube Originals will premiere “Demi Lovato: Dancing With the Devil” on Demi Lovato’s YouTube channel on March 23, 2021.

2021 South by Southwest: What to expect at this year’s SXSW event

February 12, 2021

by Carla Hay

For the first time, South by Southwest (SXSW) Conference & Festivals will be held online for the 2021 edition of the event, which takes place March 16 to March 20, and has been dubbed SXSW Online. After being cancelled in 2020 because of the COVID-19 pandemic, SXSW is following safety protocols to offer a virtual experience for SXSW attendees in 2021. SXSW is arguably the best-known event in the U.S. that combines music, film, interactive and convergence programming.

Here are some of the anticipated highlights of the festival:

Keynote and Featured Speakers

Willie Nelson (Photo courtesy of ABC/Image Group LA)

The lineup of SXSW keynote speakers includes:

  • Grammy-winning artist Willie Nelson
  • Politician, activist and author Stacey Abrams in conversation with author N.K. Jemisin

Featured speakers include:

  • Author James Altucher
  • Favor president/CEO and H-E-B Chief digital officer Jag Bath in conversation with Inc editor-at-large Tom Foster
  • Talk show host/comedian Samantha Bee
  • Oregon congressman and Congressional Cannabis Caucus founder Earl Blumenauer with Politico federal cannabis policy reporter Natalie Fertig
  • Business mogul and Virgin Airlines founder Sir Richard Branson
  • Oscar-nominated film composer Nicholas Britell
  • Hip-hop artist Dave Burd (aka Lil Dicky)
  • Filmmaker Erin Lee Carr
  • Electronic dance music duo The Chainsmokers
  • Singer Chiquis
  • Entrepreneur Mark Cuban
  • Interdisciplinary artist Torkwase Dyson
  • Relativity Space co-founder/COTim Ellis
  • Dance choreographer Laurieann Gibson
  • Author/psychotherapist Lori Gottlieb
  • Schwab executive vice president and chief digital officer Neesha Hathi
  • Singer/songwriter Imogen Heap
  • Oscar-wining filmmaker Barry Jenkins
  • Affectiva co-founder/CEO Dr. Rana el Kaliouby
  • Oscar-nominated actress Taraji P. Henson in conversation with Self magazine editor-in-chief Carolyn Kylstra
  • Twilio co-founder/CEO Jeff Lawson
  • Computer scientist Kai-Fu Lee
  • Grammy-winning rapper and “NCIS: Los Angeles” actor LL Cool J
  • Oscar-winning actor Matthew McConaughey in conversation with Major League Soccer commissioner Don Garber
  • International yoga teacher, actress, writer and entrepreneur Adriene Mishler
  • Reddit co-founder Alexis Ohanian
  • Actor, filmmaker, author, and Olympic athlete Alexi Pappas
  • Sony Music Publishing chairman/CEO Jon Platt in conversation with Grammy Award-winning singer/songwriter Carole King
  • Emmy-winning producer, Grammy-winning artist and actress Queen Latifah
  • Amazon Studios chief Jennifer Salke
  • NFL football player Laurent Duvernay-Tardif
  • NFL football player Sebastian Tomich
  • NBA basketball star Chris Webber
  • Grammy-winning artist Wyclef Jean

Featured Sessions

Descriptions courtesy of SXSW:

  • Alexi Pappas & Bill Hader on Being a Bravey – A conversation with Olympian, actress, and author of the bestselling book Bravey, Alexi Pappas, in conversation with Emmy award-winning actor, filmmaker and creator/star of “Barry,” Bill Hader. Pappas and Hader will discuss their evolving relationship with mental health in their creative, professional, and personal lives, and on the lessons they’ve learned from mentors along the way.
  • Are We the Smartest Kids on the Block? – A conversation with Harvard University Professor of Science Avi Loeb, and New Scientist reporter Leah Crane about the search for extraterrestrial life, one of the most exciting frontiers in astronomy. With the recent discoveries on the cloud deck of Venus and studies of the weird interstellar object `Oumuamua’, find out how the search for unusual electromagnetic flashes, industrial pollution of planetary atmospheres, artificial light or heat, artificial space debris or something completely unexpected holds the promise of advancing and maturing both science and society.
  • Beyond the Gender Binary – With increasing recognition of the fluidity of gender, the time has come for a 21st century approach to gender justice. Dividing billions of people into one of two categories “man or woman” is not natural, it is political. Gender diversity is an integral part of our existence. It always has been, and it always will be. The gender binary – the idea that there are only two separate and opposite genders – was built to create conflict and division, not foster creativity and humanity. In this conversation ALOK and Demi Lovato will speak about the status of trans rights in the United States and the power of creative self-expression in the face of gender norms.
  • Bruce Mau: Designing for the Cluster – Bruce Mau applies his MC24 design principles and his new life-centered approach to confronting the simultaneous cluster cascade of crisis that he calls “The Cluster: Pandemics – Racial and Social Justice – Climate – Food Insecurity – Governance.” In this conversation with philosopher and writer Sanford Kwinter, Mau will demonstrate that all of these global challenges are interrelated and that they have their origin in a fundamental crisis of empathy.
  • Building Equity In Startup Communities – A discussion about scaling equity throughout the technology, startup, and venture ecosystem to ensure a path to shared prosperity for Black, Latinx, and Indigenous People of Color in the fourth industrial revolution and beyond. Foundry Group and Techstars co-founder Brad Feld, and 100 Black Angels & Allies Fund and Opportunity Hub co-founder Rodney Sampson will discuss their strategies for operationalizing diversity, equity and inclusion in the startup ecosystem, moderated by Business Insider reporter Dominic-Madori Davis.
  • Can 5G Transform the Live Music Experience? – In the last year we have felt the absence of live music. Artists have stepped up and gotten creative to reach fans virtually with some amazing results – but it can’t replace the impact of live performances. As we look forward to the return of live music, artists have a new platform to help deliver innovative experiences – 5G. The next generation of cellular delivers capabilities that can take the live experience to new levels of immersion and unlock new opportunities for artist creativity. Join Cristiano Amon, President and CEO-elect of wireless leader Qualcomm, and Grammy-nominated DJ Steve Aoki and hear from two visionaries about the future of the live experience in a 5G world.
  • The Chainsmokers on launching MANTIS VC – Grammy Award-winning and Billboard Chart topping artist/producer duo, The Chainsmokers, are a dominating musical force with a diverse repertoire of songs that have led them to become one of world’s biggest recording artists. Alex Pall and Drew Taggart have expanded The Chainsmokers’ empire into film and television, tequila, philanthropy, and most recently their venture capital firm Mantis. Hear their story on how the duo have evolved their music career into so much more with Andreessen Horowitz Managing Partner Chris Lyons.
  • A Conversation with Desus Nice and The Kid Mero – A conversation with multi-talented comedians, authors of the New York Times bestseller “God-Level Knowledge Darts: Life Lessons from the Bronx,” co-hosts of Showtime’s first late-night talk show “Desus & Mero” and the long-running Bodega Boys podcast, Desus Nice and The Kid Mero.
  • A Conversation with Noah Hawley and Andrew Bird – Set in Kansas City 1950, Fargo’s fourth installment follows two crime syndicates jockeying to control an alternate economy of exploitation and graft while fighting for a piece of the American dream. Join Noah Hawley (creator / executive producer / director / writer) and Grammy Award-nominated musician Andrew Bird for a not-to-be-missed conversation about how a concert in Austin lead to Bird’s acting debut in “Fargo.” Moderated by Whitney Friedlander. All four installments of the critically acclaimed limited series are currently available to stream on FX on Hulu.
  • A Conversation with the Russo Brothers and Elizabeth Banks – A fireside chat between visionary directors/producers Anthony and Joe Russo (“Welcome to Collinwood,” “Arrested Development,” “Avengers: Endgame,” “Relic,” “Mosul” and “Cherry”) and acclaimed actress, director, writer, and producer Elizabeth Banks (“Charlie’s Angels,” “The Hunger Games” and “Shrill”). Banks will talk to the Russo Brothers about their new film “Cherry,” as well as the work they are doing with their company, AGBO. “Cherry” stars Tom Holland and is based on the critically acclaimed debut novel by Nico Walker. It will be released in theaters in February and on Apple TV+ in March.
  • COVID-19: The New Reality – Dr. Michael Osterholm, joined by health economist Jane Sarasohn-Kahn, will speak to the SXSW community about what is next in the fight against COVID-19. From the immediate concerns around new variants to the “collateral damage” we face from this pandemic, Dr. Osterholm and Ms. Sarasohn-Kahn will share insights to help navigate public health in 2021 and beyond.
  • Evolving the Gaming Industry with CouRage & Loaded – Gaming is taking off and bringing new opportunities for creators, brands and entertainment companies. Loaded, the leading management company for some of the world’s biggest professional gamers will host a special Q&A with leading content creator CouRage to examine the state of the today’s gaming industry and how the creator community has evolved the business for the better. The talk with Loaded VP of Talent Bridget Davidson will highlight key learning from CouRage’s successful career, as well as spotlight how brands and other non-endemic companies can work with creators to capture both eyeballs and engagement.
  • Forging a New Social Contract for Big Tech – Beyond privacy, revised liability laws can hold companies accountable for what they disseminate online. Antitrust actions could check the flow of wealth to the small number of companies that control platforms, aggregators, and algorithms. A lightweight horizontal regulation could add a safety layer to the high-risk applications of artificial intelligence. This discussion features U.S. Senator Amy Klobuchar; Denmark tech ambassador Anne Marie Engtoft Larsen; Executive Vice-President of the European Commission and Commissioner for Competition Margrethe Vestager; and President & Co-founder Center for Humane Technology Tristan Harris. The session will focus on the role for technology companies in the 21st Century and what a new “social contract” could look like for Big Tech – in both Europe and the United States.
  • Gene Editing: The Biotech Revolution of our Times – Bestselling author Walter Isaacson has established himself as the biographer of creativity, innovation, and genius. He wrote about Einstein, a genius of the revolution in physics, and Steve Jobs, a genius of the revolution in digital technology. Though the past half-century has been a digital age, based on the microchip, computer, and internet, Isaacson argues we are now on the cusp of a third revolution in science—a revolution in biochemistry that is capable of curing diseases, fending off viruses, and improving the human species. With the invention of CRISPR, we can edit our DNA. CRISPR has been used in China to create “designer babies” that are immune from the AIDS virus and in the U.S. to cure patients of sickle cell anemia. With the life-science revolution, children who study digital coding will be joined by those who study the code of life — and all the moral dilemmas this brings. Isaacson will be joined in conversation with award-winning journalist, New York Times bestselling author, and a co-founder of Stand Up to Cancer Katie Couric.
  • Indigenous Peoples Hold the Key to Saving Earth – For centuries, Indigenous communities have served as guardians of the environment, protecting nature, respecting flora and fauna, and using traditional knowledge and wisdom passed down over generations. They safeguard 80% of biodiversity left in the world, which is key to turning around the climate crisis, as biodiverse areas are major carbon sinks. In this panel, Nemonte Nenquimo, a leader from the Waorani community in Ecuador and founding member of Indigenous-led nonprofit organization Ceibo Alliance and Amazon Frontlines speaks with Julia Jackson, Founder of Grounded.org, to discuss why climate philanthropy must be reimagined to protect the future of our planet, by directing resources to indigenous communities who are at the frontlines of our climate emergency.
  • Immersive Retail: Connected Shopping in a New Era – A conversation about the acceleration in changes to the retail environment and what major initiatives the retail industry is pursuing to enable the widespread proliferation of AR/VR and 3D content for e-commerce and retail with TechTalk/Studio president and co-founder Kevin O’Malley, IBM Global Business Strategy Partner Silke Meixner, and Unity Head of Industry Verticals, Operate Solutions, Tony Parisi.
  • Late Night Girls Club: Samantha Bee & Amber Ruffin – Samantha Bee (host and executive producer of the WGA nominated, Emmy Award-winning show Full Frontal with Samantha Bee) in conversation with Amber Ruffin (writer, executive producer and host of WGA Award-nominated series The Amber Ruffin Show). The two will discuss the trials and tribulations of covering politics in today’s unpredictable climate from a unique, comedic point of view. As the longest running correspondent on The Daily Show with Jon Stewart, Bee eventually went out on her own in 2016 with Full Frontal with Samantha Bee. The show continues to use political satire to entertain, educate, and empower viewers while keeping the government in check. Ruffin is also an Emmy and WGA Award-nominated writer and performer for Late Night with Seth Meyers, and was the first African American female to write for a late-night network talk show in the U.S.
  • Live Music in Venues: What’s Next? – 2020 was a year of catastrophic impact for the live music industry as the pandemic brought the industry to a screeching halt. A year later, this session brings together independent venue perspectives from across the US., including Troubadour talent booker Amy Madrigali, Iridium director of artist relations & programming Grace Blake, First Avenue Productions president and CEO Dayna Frank and moderated by Pollstar, VenuesNow executive editor Andy Gensler. How have they been able to support developing talent? What’s ahead for their establishment and how they can get back to supporting a full schedule of acts?
  • Melinda Gates + Kelly Corrigan Talk Big Change – For more than two decades, Melinda Gates has been on a mission. Her goal, as co-chair of the Bill & Melinda Gates Foundation, has been to find solutions for people with the most urgent needs, wherever they live. Throughout this journey, she has come to a critical conclusion: when we lift up women, we lift up humanity. In conversation with podcaster, PBS host, and bestselling author Kelly Corrigan, Gates will discuss her bestselling book, “The Moment of Lift: How Empowering Women Changes the World,” and its stories of the empowered women Gates has met over the years. Gates will talk about the Bill & Melinda Gates Foundation’s work around family planning, education, and gender equality, and she will call us to action—urging us to drive progress in our homes, workplaces, and communities.
  • Music’s Limitless Variations – Hear from Lenzo Yoon, the Global CEO of BTS’ label Big Hit Entertainment (hereafter referred to as Big Hit), as he explains how Big Hit was able to see what comes next, as well as prepare for the future at every critical juncture, and share Big Hit’s past, present and tomorrow. Yoon presents prospects and insights on the future of the K-pop industry and, furthermore, on the future of the global entertainment industry.
  • Ocean Storytelling with James Cameron & Brian Skerry – Join world-renowned filmmaker and National Geographic Explorer at Large James Cameron and National Geographic Explorer and Photographer Brian Skerry on a guided adventure into the deep blue to discuss the upcoming Disney+ original documentary series Secrets of the Whales. Filmed over three years in 24 locations, avid underwater conservationists Cameron and Skerry join forces to deliver an epic, awe-inspiring look at the incredible life and culture of whales and how the world’s largest mammals are facing the challenge of an ever-changing ocean. Moderated by OceanXplorers executive producer Orla Doherty.
  • The Quest Effect: Inside VR’s Next Chapter – Anyone who has entered virtual reality knows what a transformative experience donning a headset can be. Until recently, that experience was enjoyed mainly by hard-core VR enthusiasts. This year, all-in-one VR has become better, more powerful, and more affordable, expanding and changing the makeup of who spends time in VR. Now, that new group is discovering how great VR can be — not only for games, but also for fitness, media, hangouts with friends, and even real work. Join Mark Rabkin, Vice President of Oculus at Facebook, for a discussion about the future of VR, its changing ecosystem, and what its recent success means for the development of the next computing platform.
  • STARZ’S “Power” Universe Collides – Join STARZ’S Power Universe co-creator, Curtis “50 Cent” JacksonPower Book II: Ghost cast: Michael Rainey Jr.Mary J. Blige, and Cliff “Method Man” SmithPower Book III: Raising Kanan cast: Mekai Curtis and Patina Miller; and Power Book IV: Force lead: Joseph Sikora, for the first time ever as the Power Universe collides. Moderated by media personality and bestselling author Angie MartinezPower stars will discuss: the legacy of the Power Universe, the latest on upcoming seasons, the future and fate of new and iconic characters.
  • Ted Lasso: Emotion in the Edit – Join producers and members of the Ted Lasso editorial team in a panel discussion on the magic of Bill Lawrence shows (ScrubsCougar TownSpin City) and how editorial is the true partner in landing the jokes, drawing out emotion, and making it feel like you’re spending 30 minutes with your long time pack of friends. American Cinema Editors (ACE) CinemaEditor Magazine writer Nancy Jundi will moderate the panel with representatives from the Ted Lasso creative and editorial team (Bill LawrenceKip KroegerMelissa McCoy, and A.J. Catoline) to elaborate on the many considerations that go into building and honoring a character across episodes, seasons and a series.
  • Who Controls the Past: The Tulsa Race Massacre – How is it possible that the 1921 massacre of as many as thousands of Black people in Tulsa, Oklahoma, was almost erased from US history? And why is it finally penetrating the national consciousness? Featured in HBO’s The Watchmen and Lovecraft Country, this history survived because of the dedicated efforts of Black Tulsans, including the descendants of survivors, who have made it their life’s work to uncover what really happened and make sure we never forget. This session, moderated by Jeffery Robinson from Who We Are: A Chronicle of Racism in America, examines the work of activists Dr. Tiffany CrutcherChief Egunwale F. Amusan, and Kristi Orisabiyi Williams to take control of the historical narrative, and in so doing, to force a reckoning on racial justice in this country and a long overdue conversation on reparations for Black Americans.
  • Why Do We Fear Innovation? – A conversation featuring actress, author, and neuroscientist Mayim Bialik and historian, philosopher, and bestselling author Yuval Noah Harari, moderated by Tech Open Air founder Niko Woischnik. From the printing press to vaccines to artificial intelligence, the introduction of almost any transformative technology has been met with wonder as well as fear and rejection. Many of history’s greatest inventors were considered heretics – the archetype of the mad scientist exists for a reason. Why does the new still scare us? What does it take to build acceptance for transformative ideas? How does the unprecedented scientific progress to deliver COVID vaccines influence this? What role does disinformation play in shaping our fears? How can we ensure innovators consider ethical issues, so outcomes can lead to the betterment of people and the planet? What can innovators learn from artists and creators of fiction? Presented by Leaps by Bayer and Tech Open Air Berlin.
  • Why The Music Biz is Buzzing About the Metaverse – In the midst of the 2020 global pandemic, one of the biggest concerts ever took place in the virtual worlds of Roblox. Two-time Grammy Award winner Lil Nas X gave a performance debut of his new single ‘Holiday’ and other top hits, dancing and socializing with fans, and attracting over 30 million concert views in this revolutionary music experience. The concert’s unprecedented success was made possible by the Metaverse, a social and technological phenomenon driven by a new generation growing up online and global platforms paving a new way for people to be together, even when they can’t in person. Hear from Maverick Management music manager Zach Kardisch, futurist and CEO of Futures Intelligence Group Cathy Hackl, Roblox Global Head of Music Jon Vlassopulos, and Columbia Records SVP, Experiential Marketing and business development Ryan Ruden about how the Metaverse is shaping the future of music business, today.
  • Breaking the Sonic Color Line: A discussion about authenticity of voice in media, defeating racial stereotypes in voice acting, the impact of race in audio ads and how the industry can come together and make real change featuring DJ, actress and entrepreneur MC Lyte; Pandora Group Creative Director Roger Sho Gehrmann; and voice-over and television actress Joan Baker.
  • The Chainsmokers on launching MANTIS VC: Grammy Award-winning and Billboard Chart topping artist/producer duo, The Chainsmokers, are a dominating musical force with a diverse repertoire of songs that have led them to become one of world’s biggest recording artists. Alex Pall and Drew Taggart have expanded The Chainsmokers’ empire into film and television, tequila, philanthropy, and most recently their venture capital firm Mantis. Hear their story on how the duo have evolved their music career into so much more.
  • A Conversation with Icons Queen Latifah and LL COOL J: From the mic to the big screen, award-winning rappers, actors and producers Queen Latifah and LL Cool J have been major forces in the entertainment industry for over three decades. Queen Latifah executive produces and stars as the first female Equalizer, Robyn McCall, in the reimagining of the series Equalizer, and LL Cool J stars as Special Agent Sam Hanna on “NCIS: Los Angeles.” Join them for a lively, in-depth conversation about their illustrious careers in music, television and movies (in front and behind the cameras), the cultural resonance and timeliness of their series, and much more.
  • From Moonlight to The Underground Railroad: Barry Jenkins & Composer Nicholas Britell: A conversation with Academy Award-winning filmmaker Barry Jenkins and with Academy Award-nominated and Emmy Award-winning composer Nicholas Britell (Succession), where they will discuss the joy, delicate nuances, challenges and unexpected discoveries from their work together. The pair will talk about their unique creative process in building a singular audiovisual identity with a specific focus on their upcoming Amazon Original limited series, The Underground Railroad, based on Colson Whitehead’s Pulitzer Prize winning novel of the same name. Jenkins and Britell first collaborated on Moonlight, which won the Academy Award for Best Picture. During the making of Moonlight, the duo formed an inimitable rapport that brought them back together again for If Beale Street Could TalkThe Underground Railroad will stream in more than 240 countries and territories worldwide on Amazon Prime Video in 2021.
  • Hi, I’m Dave: Hailed by Rolling Stone as one of the best TV shows of 2020, FXX’s DAVE is based on the life of Dave Burd (aka Lil Dicky), and centered on a neurotic man who’s convinced himself that he’s destined to be one of the best rappers of all time. The critically-acclaimed first season explored ambition, mental illness and masculinity in the world of hip-hop. Join co-creator/executive producer/writer/star Dave Burd (aka Lil Dicky), co-creator/executive producer Jeff Schaffer, executive producer Saladin Patterson and series star GaTa for DAVE’s first panel at SXSW. Season 1 is available on FX on Hulu; season two will premiere on FXX in 2021.
  • How GenZ Duets the News on TikTok: Hear about tactics publishers are using to build relationships with young audiences on TikTok, and the content that moves audiences to action with The Washington Post video producer Dave JorgensonNowThis politics producer Ian McKenna; and content creator Jackie James.
  • Leading Safely + Motivating Empathetically: Learn how the hospitality industry have changed their tactics to adapt to the ever-changing health and wellness regulations and lead, motivate and engage their employees, colleagues and communities; eaturing Blackberry Farm Vice President of Food & Beverage Andy ChabotFood & Wine editor-in-chief Hunter Lewis; executive chef and Cúrate Bar de Tapas and La Bodega by Cúrate co-owner Katie Button; and award-winning chef and activist Marcus Samuelsson
  • .Making Emotional Connections With Volumetric Video: Hear from three seasoned creatives on the most effective way to make emotional connections through volumetric video with writer, director, and new media artist Illya Szilak; Microsoft’s Mixed Reality Capture Studios creative director Jason Waskey, and producer and Atlas V co-founder Antoine Cayrol.
  • RIP Live Shows? Concerts in the Time of COVID: A conversation about the ways the live/touring industry are trying to stay afloat, what’s working, what isn’t, and what still needs to be done to save the music we love, featuring Driift general manager Adam Shore; Panache Booking and Panache Management founder Michelle Cable; and Paradigm Talent Agency Executive, Wilder Records founder and Home School co-founder Tom Windish.

Music Performances

There are normally about 2,000 artists who perform at SXSW every year. However, due to nightclub closures, the performance lineup has been reduced for 2021. Some of the announced artists who will be performing virtually include Indigo Sparke, Place to Bury StrangersFrancisca Valenzuela, SquidGrrrl GangDarkooSamantha Sanchez, Holy Fuck, Astrid Sonne, NAYANA IZ, and Jealous.

Showcases and presenters include AfroFuture Sounds (British Underground & DAJU Presents), Hotel Vegas & Hotel Free TV, Damnably, EQ Austin, Jazz re:freshed Outernational, FOCUS Wales, Roskilde Festival, Taiwan Beats, Close Encounter Club, Sounds from Spain, M for Montreal, Flipped Coin KOREA, Carefree Black Girl, New Zealand Music, KUTX The Breaks, Dedstrange, Fierce Panda x End of the Trail, Brazil Inspires the Future, and ÅÄÖ…Sounds Swedish.

Movie and TV Premieres

Demi Lovato in “Demi Lovato: Dancing With the Devil” (Photo courtesy of OBB Media)

SXSW has a wide variety of feature-length and short films. In 2021, the SXSW Film Festival has music documentaries as its opening, centerpiece and closing films. “Demi Lovato: Dancing With the Devil” is the opening film, the Charli XCX quarantine chronicle “Alone Together” is the centerpiece, and “Tom Petty, Somewhere You Feel Free” is the closing film.

Here are some of the more high-profile feature films that will have their world premieres at the festival: The psychological thriller “Here Before,” starring Andrea Riseborough as a woman questioning reality. The drama “Language Lessons,” starring Natalie Morales and Mark Duplass as a Spanish teacher and her student who become friends. And the fantasy action flick “The Spine of Night,” starring Richard E. Grant, Lucy Lawless, Patton Oswalt, Betty Gabriel and Joe Manganiello.  Documentary world premieres include “United States vs. Reality Winner”; “Introducing, Selma Blair”; “WeWork: or the Making and Breaking of a $47 Billion Unicorn”; “Hysterical,” about female stand-up comedians.

TV shows that will have episodes premiering at SXSW 2021 including Starz’s “Confronting a Serial Killer,” showrunner Po Kutchins’ and director Joe Berliner’s chronicle of the relationship between serial killer Sam Little and author Jillian Lauren; HBO Max’s “Made for Love,” starring Cristin Milioti as a divorcée who’s out for revenge; and the third season of Starz’s “The Girlfriend Experience” and Amazon Prime Video’s thriller series “Them.”

2020 SXSW Film Festival migrates to Amazon Prime Video for limited time

April 21, 2020

The following is a press release from South by Southwest Conference and Festivals:

Amazon Prime Video and SXSW are joining forces to launch “Prime Video presents the SXSW 2020 Film Festival Collection,” following the unprecedented cancellation of the SXSW Conference and Festivals by the City of Austin due to concerns surrounding the coronavirus.

“Prime Video presents the SXSW 2020 Film Festival Collection” offers filmmakers in the 2020 SXSW Film Festival lineup an invitation to opt in to take part in this online film festival, which will play exclusively on Prime Video in the U.S. for 10-days. The one-time event will be available in front of the Prime Video paywall and free to all audiences around the country, with or without an Amazon Prime membership, all that is needed is a free Amazon account.

Filmmakers who choose to participate will receive a screening fee for streaming their film over the 10-day period. The launch date is yet to be announced, but SXSW and Prime Video are targeting a late April date. SXSW has shared details on the opportunity with 2020 filmmakers, who can opt in starting today.

Jennifer Salke, Head of Amazon Studios, said, “We’re honored to be able to provide a space for the SXSW filmmakers to share their hard work and passion with audiences for the first time. It’s been a privilege collaborating with Janet Pierson and the SXSW team to bring these diverse and inspiring films to viewers around the country. We are supporters of SXSW and other independent film festivals, and hope this online film festival can help give back some of that experience, and showcase artists and films that audiences might otherwise not have had the chance to see.”

“Ever since SXSW was canceled by the City of Austin, we’ve been focused on how we could help the incredible films and filmmakers in the SXSW 2020 Film Festival lineup,” said Janet Pierson, Director of Film at SXSW. “We were delighted when Amazon Prime Video offered to host an online film festival, and jumped at the opportunity to connect their audiences to our filmmakers. We’re inspired by the adaptability and resilience of the film community as it searches for creative solutions in this unprecedented crisis.”

“I’m thrilled that these two great champions of indie film (SXSW and Amazon Prime Video) are teaming up to resurrect this year’s canceled film festival,” said Jay Duplass, independent filmmaker and SXSW alum. “These are unprecedented times, and it’s going to take unprecedented solutions to carry on and celebrate these great films and the people who worked so hard to make them.”

Stay tuned to SXSW for more information coming soon. Follow us on TwitterInstagramLinkedIn, and Facebook for the latest SX news.

April 27, 2020 UPDATE:

Announcing the April 27 launch of the Prime Video presents the SXSW 2020 Film Festival Collection from Amazon Prime Video and SXSW with 39 films, composed of narrative and documentary features, short films, and episodic titles.

Filmmakers in the official 2020 SXSW Film Festival lineup were invited to opt in to take part in this online film festival, which will play exclusively on Prime Video in the U.S. from April 27 to May 6. The one-time event will be available in front of the Prime Video paywall, free to all U.S. audiences with or without an Amazon Prime membership — all that is needed is a free Amazon account.

“SXSW has always championed creators forging their own paths to success, often with just the right mix of passion, vision, and radical experimentation to make their dreams happen,” said Janet Pierson, Director of Film at SXSW. “There is no one-size-fits-all, especially in these uncertain times, and we knew this opportunity would be of interest to those filmmakers who wanted to be in front of a large audience now. We believe people will be captivated by this selection of intriguing work that would have been shown at our 2020 event.”

“We understand every film has its own strategy and we know this opportunity may not make sense for every filmmaker. However, for those who want to share their stories right now and with as many people as possible, we’re excited to provide them this platform,” said Jennifer Salke, Head of Amazon Studios. “Until we are able to be together in person again, we hope this program allows these wonderful stories to virtually reach film lovers everywhere in the country.”

In addition to online panels and Q&As produced by SXSW, FREE THE WORK is collaborating with Prime Video to promote and raise awareness for this program, organizing hosted panels featuring films and filmmakers from the lineup. Founded by filmmaker Alma Har’el, FREE THE WORK is a nonprofit initiative dedicated to identifying systemic inequalities in film, television, advertising, and media, and finding actionable solutions to expand access for underrepresented creators.

Explore the list below of 2020 SXSW Film Festival titles streaming on Prime Video from April 27 to May 6 at amazon.com/sxsw.

Narrative Features

Cat in the Wall (Bulgaria, United Kingdom, France)
Directors/Screenwriters/Producers: Mina Mileva, Vesela Kazakova
This terrific comedy-drama is set on a southeast London council estate, which is riven by social and economic divisions and threatened by the all-consuming force of gentrification. Irina, a Bulgarian woman lives there with her small son and her brother. The lift serves as a toilet, the multi-cultural residents exchange shouts rather than pleasantries, and an expensive refurbishment is undesired but must be paid for. And in the midst of this: an apparently ownerless cat which has had enough of the heated atmosphere barricades itself ‘in the wall’, requiring the residents to collaborate. Cat in the Wall is an arresting critique of society, a whirlpool of emotions from despair to joie de vivre conveyed by strongly delineated characters. This heart-warming tale, shot in a documentary style, is this year’s equivalent of director Ken Loach’s I, Daniel Blake. Cast: Irina Atanosova, Angel Genov, Gilda Waugh

Gunpowder Heart (Guatemala, Spain)
Director/Screenwriter: Camila Urrutia; Producer: Inés Nofuentes
Claudia and Maria have fallen in love. They live in the city of Guatemala, a city full of stories related to abuse, unforgiving police officers, and charming secret corners. Everything changes one night when they are attacked by three men. They manage to escape but they now have to choose if they want revenge. Cast: Andrea Henry, Vanessa Hernández

Le Choc du Futur (France)
Director/Screenwriter: Marc Collin; Co-Writer: Elina Gakou-Gomba; Producers: Marc Collin, Nicolas Jourdier, Gaelle Ruffier
In the Paris of 1978, old formulas do not charm listeners anymore and new music must arise. In a male-dominated industry, Ana uses her electronic gadgets to make herself heard, creating a new sound that will mark the decades to come: the music of the future. Cast: Alma Jodorowsky, Philippe Rebbot, Clara Luciani

Selfie (France)
Directors: Tristan Aurouet, Thomas Bidegain, Marc Fitoussi, Cyril Gelblat, Vianney Lebasque; Screenwriters: Giulio Callegari, Noé Debré, Hélène Lombard, Julien Sibony, Bertrand Soulier; Producers: Mandoline Films, Chez Georges Productions
Algorithms, Technophobics, Dating App addicts, Vloggers, cloud security breach… each one of us can relate to the wired madness happening on screen. In five subversive and hilarious Black Mirror-like tales, Selfie takes on our digital shortcomings and shows how the new 2.0 era is driving all of us nuts! Cast: Blanche Gardin, Manu Payet, Elsa Zylberstein

Documentary Features

I’m Gonna Make You Love Me (United States)
Director/Producer: Karen Bernstein; Co-Producer: Nevie Owens
Fellini meets Motown in I’m Gonna Make You Love Me, the tragi-comedic tale of one man’s search for self-acceptance, a journey that included tabloid celebrity, Tupperware parties, and two coming-outs — first as a straight woman, then as the gay man he was born to be. Cast: Brian Belovitch aka “Tish,” Gloria Walker, Michael Musto

My Darling Vivian (United States)
Director: Matt Riddlehoover; Producers: Dustin Tittle, Matt Riddlehoover
The story of Vivian Liberto, Johnny Cash’s first wife and the mother of his four daughters. Includes never-before-seen footage and photographs of Johnny Cash and Rosanne Cash, as well as footage featuring Reese Witherspoon, Joaquin Phoenix, Tim Robbins, Whoopi Goldberg, John C. Reilly, and many more.

TFW NO GF (United States)
Director/Screenwriter: Alex Lee Moyer; Producers: Adam Bhala Lough, Cody Wilson, Ariel Pink, Alex Lee Moyer, Michael Reich, John Eisenman, Matt Ornstein, Claire Bargout, Deagan White, Barrett Avner
A generation of disaffected young men searches for meaning in the dark corners of the internet. TFW NO GF examines the subculture through the metaphor of an iconic meme.

Narrative Shorts

A Period Piece (France, United States)
Director/Screenwriter: Shuchi Talati; Producer: Esra Saydam; Co-Producer: Claire Chassagne
Geetha, a control and order loving Indian-American woman, finally has sex with Vehd one afternoon but things quickly turn messy, causing a fight to erupt mid-coitus. Cast: Sonal Aggarwal, Nardeep Khurmi

Basic (United States)
Director/Screenwriter/Producer: Chelsea Devantez; Co-Producer: Kevin Walsh
Basic is a very, very, very short film about a dumb lil’ ho doing lil’ ho things. Starring Nelson Franklin (Veep, Abby’s, Blackish), Georgia Mischak (Arrested Development, Love), and Chelsea Devantez (Bless This Mess, Abby’s), who also wrote and directed. It’s a darkish comedy exploring the insecure lil’ ho in all of us.

Blocks (United States)
Director/Screenwriter: Bridget Moloney; Producers: Kate Chamuris, Kristin Slaysman, Valerie Steinberg
An existential comedy about the mother of two young children who begins to spontaneously vomit toy blocks. Cast: Claire Coffee, Mark Webber, Ruha Taslimi

Broken Bird (United States)
Director/Screenwriter/Producer: Rachel Harrison Gordon
Birdie, a biracial girl raised by her Jewish mom in a New Jersey suburb, spends a rare day with her father while preparing for her Bat Mitzvah. She overcomes her doubts, and decides to risk inviting him back into her life. Birdie confronts what independence means as she steps into adulthood on her own terms. Cast: Indigo Hubbard-Salk, Chad L. Coleman

Daddio (United States)
Director/Screenwriter/Producer: Casey Wilson; Co-Writer: Laura Kindred; Co-Producers: Ursula Camack, Laura Kindred, Adam Silver
Daddio is a comedy about death. A year after the sudden passing of their beloved wife and mother, a dad and daughter grapple with life after loss. Grief looks very different on both of them. Paul, played by Michael McKean (Better Call Saul, Spinal Tap), is manic. He gets a perm and begs neighbors to hot tub with him. Abby, played by Casey Wilson (SNL, Happy Endings, Black Monday) is depressed. She sleeps in her closet and uses a shopping cart for a laundry basket. At its heart, Daddio is a love story between a father and daughter after the unimaginable has happened. Based on real death events. Cast: Michael McKean, Casey Wilson, June Diane Raphael, Adam Pally

Dirty (United States)
Director/Screenwriter: Matthew Puccini; Producers: Cecilia Delgado, Jeremy Truong, Matthew Puccini
Marco cuts class to spend the afternoon with his boyfriend. Things do not go as planned. Cast: Morgan Sullivan, Manny Dunn

Face to Face Time (United States)
Director/Screenwriter/Producer: Izzy Shill
Claire takes the bold step of initiating a FaceTime call, only to discover Danny’s flaccid enthusiasm for her. Cast: Izzy Shill, Sean Patrick McGowan

Father of the Bride (United Kingdom)
Director/Screenwriter: Rhys Marc Jones; Producer: Alex Polunin
The best man attempts to keep face and deliver his speech at his brother’s wedding, following an advance in the hotel bathroom by the father of the bride. Cast: Jay Lycurgo, Dominic Mafham, Marcus Rutherford, Isabelle Connolly

Figurant (France, Czech Republic)
Director/Screenwriter: Jan Vejnar; Producers: Origine Films / Silk Films
A man follows a group of workers coming for daywork in an industrial area. Soon, he’s stripped from his clothes and identity, dressed in a military uniform and armed. His determination not to fall behind the others is then tested by a series of unsettling events. Cast: Denis Lavant

Reminiscences of the Green Revolution (Philippines, United States)
Director/Screenwriter: Dean Colin Marcial; Producer: Armi Rae Cacanindin
A ghost story about love and eco-terrorism in the Philippines. Cast: Annicka Dolonius, Sid Lucero, Abner Delina Jr.

Runon (United States)
Director/Screenwriter: Daniel Newell Kaufman; Producer: Lizzie Shaprio
All Luke and his mom have are two garbage bags full of clothes, and two tickets out of town on the midnight Greyhound. Like he’s assembling a puzzle, Luke has to figure out the why of it — all before the person they’re running from puts together the pieces. Cast: Erin Markey, Luke Visiage, Mike Alonzo

Single (United States)
Director/Screenwriter: Ashley Eakin; Producer: Connie Jo Sechrist
A girl born with one arm goes on a blind date with a guy who has one hand…and she is pissed! Cast: Delaney Feener, Jordan Wiseley

Soft (United States)
Director/Screenwriter: Daniel Antebi; Producers: Casey Bader, Reid Hannaford, Nicole Quintero Ochoa
Sam — 16, queer, and falling in love — struggles to untangle himself from his abusive martial arts coach. Cast: Josh Lerner, Benicio Franqui, Alex Kramer

Still Wylde (Canada, United States)
Director/Screenwriter: Ingrid Haas; Producers: Devin Lawrence, Katie White
Gertie and her sometimes boyfriend, Sam, are faced with a major life decision only to realize that even when they know what they want, life has other plans. Cast: Ingrid Haas, Barry Rothbart, Sabrina Jalees

Summer Hit (Germany)
Director/Screenwriter: Berthold Wahjudi; Producers: Melissa Byrne, Philipp Link
Laia from Spain and Emil from Iceland are Erasmus students in Munich. After having sex for a couple of times, Emil professes his love to Laia — but she panics and runs away. Now the two have to figure out whether they are more than just a summer fling. Cast: Martina Roura, Atli Benedikt, Katrin Filzen

The Voice in Your Head (United States)
Director/Screenwriter: Graham Parkes; Producer: Brendan Garrett
A surreal comedy about an office worker who has resigned himself to spending every waking hour tortured by the negative voice in head, until a concerned co-worker decides to take action. Cast: Lewis Pullman, Mat Wright, Trian Longsmith

Vert (United Kingdom)
Director/Screenwriter: Kate Cox; Producers: Nick Rowell, Sophie Reynolds, Gabriele Lo Giudice
Emelia (BAFTA Nominee Nikki Amuka-Bird) and Jeff (Nick Frost) are an open-minded couple celebrating their 20th wedding anniversary by venturing into the Virtual world of “Vert” together. Vert presents them with a character that is their ‘ideal self’ and what is supposed to be re-awakening for them as a couple becomes the unearthing of Jeff’s secret. Cast: Nikki Amuka-Bird, Nick Frost, Olivia Vinall

Waffle (United States)
Director: Carlyn Hudson; Screenwriters/Producers: Katie Marovitch, Kerry Barker; Co-Producers: Pamela Robison, Bridgett Greenberg
Kerry is at a sleepover with the socially awkward, mysteriously orphaned heiress Katie. Friendship — in a society that grows ever isolating — is explored as Kerry learns the hard way that Katie always gets what she wants. Cast: Katie Marovitch, Kerry Barker, Raphael Chestang

Documentary Shorts

Affurmative Action (United States)
Director/Screenwriter: Travis Wood
An exploration of workplace diversity through “meet the team” pages.

Betye Saar: Taking Care of Business (United States)
Director/Screenwriter: Christine Turner; Producer: Erin Wright
At 93, there’s no stopping when it comes to the legendary artist Betye Saar.

Broken Orchestra (United States, Canada)
Director: Charlie Tyrell; Screenwriter: Josef Beeby; Producer: Julie Baldassi
A documentary short about the Symphony for a Broken Orchestra, which collected hundreds of broken instruments from the Philadelphia public school system, fixed them and then returned them into the hands of students.

Call Center Blues (United States)
Director: Geeta Gandbhir; Producer: Jessica Devaney
Call Center Blues is a lyrical portrait of an unlikely community of US deportees and their loved ones struggling to rebuild their lives in Tijuana, Mexico.

Dieorama (United States)
Director: Kevin Staake; Producer: Ryen Bartlett
Abigail Goldman spends her work days as an investigator for a public defender’s office in Washington state, helping people who are seriously in trouble—which can mean hours of staring at grisly pictures of crime scenes, visiting morgues, even observing autopsies. By night, she dreams up gruesome events, which she then turns into tiny, precise dioramas. Rife with scenes of imminent death and brutal dismemberment, the fruits of Goldman’s painstaking labor would be adorable … if they weren’t so disturbing. In this new documentary short, we follow along as Goldman brings her miniature worlds of murder and mayhem to life with tweezers, paint, and resin, and meet the people who just can’t get enough of her twisted visions—where the final touch is always, in the artist’s words, “two or three brushstrokes of red paint.”

Hiplet: Because We Can (United States)
Director/Producer: Addison Wright
Created with the intention to inspire young Black women, this film brings the Hiplet™ [hip-lay] ballerinas to center stage. With elements of a Short Film, Music Video, and Documentary, this artistic work showcases not only the talent of the Hiplet ballerinas, it also gives them a platform to discuss the challenges they have faced with giving traditional ballet a hip new twist. Cast: Homer Hans Bryant, Jayda Perry, Nia Parker

Lions in the Corner (United States)
Director: Paul Hairston; Producer: Jake Ewald
In Virginia, Scarface started Streetbeefs in his backyard to combat gun and knife violence in the area. Soon it turned into something much more for the men involved. Cast: Chris Wilmore

Mizuko (Water Child) (United States)
Directors: Katelyn Rebelo, Kira Dane; Screenwriter: Kira Dane; Producer: Amy Hobby for Tribeca Film Institute
In Japan, there is a special way to grieve after having an abortion. This Buddhist ritual, called the water children memorial, allows people to metaphorically return their lost children to the sea. Told through the Japanese American filmmaker’s personal story of abortion in the US, Mizuko (Water Child) is a partially animated, intimate reckoning with the impact of this cultural context.

Modern Whore (Canada)
Director/Screenwriter: Nicole Bazuin; Producer: Lisa Baylin
Former escort Andrea Werhun shares the ins and outs of escort review board culture, exposing the complexities of sexual power and social stigma in a post-#MeToo world. Cast: Andrea Werhun, Chester Brown, Michael Cuddy

No Crying at the Dinner Table (Canada)
Director: Carol Nguyen; Producers: Carol Nguyen, Aziz Zoromba
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

Quilt Fever (United States)
Director/Screenwriter: Olivia Loomis Merrion
Every year, thousands of quilters descend upon Paducah, Kentucky for its annual quilt competition, doubling the town’s population. “The Academy Awards of quilting” is a weeklong spectacle in which quilters from all over the world vie for the coveted Best of Show award. Beyond the competition, the film weaves through stories of individual quilters to reveal deeper motivations behind the art.

Episodic

Cursed Films (Canada)
Director/Screenwriter: Jay Cheel; Producers: Andrew Nicholas McCann Smith, Laura Perlmutter, Brian Robertson, Jay Cheel
Cursed Films is a five-part documentary series from Shudder exploring the myths and legends behind some of Hollywood’s notoriously “cursed” horror film productions. From plane accidents and bombings during the making of The Omen, to the rumored use of human skeletons on the set of Poltergeist, these stories are legendary amongst film fans and filmmakers alike. But where does the truth lie?

Motherland: Fort Salem (United States)
Showrunner/Screenwriter: Eliot Laurence
Set in an alternate America where witches ended their persecution by cutting a deal with the government to fight for the country, Motherland: Fort Salem follows three young women from training to deployment, as they fight terrorist threats with supernatural tactics.

Tales from the Loop (United States, Canada)
Director: Mark Romanek
Creator/Writer: Nathaniel Halpern; Director: Mark Romanek; Executive Producers: Nathaniel Halpern, Matt Reeves, Mark Romanek, Adam Kassan, Rafi Crohn, Mattias Montero, Samanthan Taylor Pickett, Adam Berg and Simon Stålenhag
Based on the acclaimed art of Swedish artist Simon Stålenhag, Tales from the Loop explores the town and people who live above “The Loop,” a machine built to unlock and explore the mysteries of the universe. In this fantastical, mysterious town poignant human tales are told that bare universal emotional experiences while drawing on the intrigue of genre storytelling. Cast: Rebecca Hall, Paul Schneider, Daniel Zolghadri, Duncan Joiner, Jonathan Pryce

Tune into Amazon Prime Video starting April 27 and enjoy some SXSW 2020 films from your couch! Follow us on TwitterInstagramLinkedIn, and Facebook for the latest SX news.

2020 SXSW Conference and Festivals cancelled because of coronavirus concerns

March 6, 2020

by Carla Hay

Roger Waters

The 34th annual South by Southwest (SXSW) Conference and Festivals has been cancelled. The event was scheduled to take place from March 13 to 22, 2020, in Austin, Texas. A public health state of emergency has also been declared in the city of Austin. SXSW includes festivals for music, film and live comedy, as well as a conferences for technology, education and gaming.

Days before the cancellation, several companies pulled of out participating in the event this year, including Amazon, Apple, Facebook, Google, Intel, Lionsgate, Starz, TikTok, Twitter, Vevo and WarnerMedia.

Keynote speakers who were announced for SXSW 2020 included Pink Floyd co-founder Roger Waters, Bumble founder/CEO Whitney Wolfe Herd, The Blackstone Group’s Jon Korngold, “CBS This Morning” co-host Gayle King, DJ/producer Diplo, Emerson Collective founder Laurene Powell Jobs​ and LightShed founder/creative director Gabo Arora.

Featured speakers were to include T Bone Burnett, Troy Carter, Anil Dash, Vince Gilligan, Peter Gould, Steven Levy, Bob Odenkirk, Maria A. Ressa, Susan Rogers, Angela Roseboro, Jerry Saltz, Rhea Seehorn, M. Night Shyamalan, Nicole Wong, Stephen Colbert, Jack Dorsey, Samantha Bee, Bob Chapek, Jonathan Van Ness, Tarana Burke, Dr. Brené Brown, Dr. Werner Vogels, Lynn Shelton and Jen Wong.

Movies that were supposed to have their world premieres at the 2020 SXSW Film Festival included Paramount Pictures’ “The Lovebirds” (starring Issa Rae and Kumail Nanjiani), A24’s “The Green Knight” (starring Dev Patel) and Universal Pictures’ “The King of Staten Island,” starring Pete Davidson. The SXSW Film Festival announced that it will still give awards this year in the jury-voted categories. The films in competition are being made available online to jurors. Winners will be announced online and not at an awards ceremony.

Participants in the SXSW Comedy Festival were to include Judd Apatow, Davidson, Samantha Bee, Hannibal Buress, Joel Kim Booster, Thomas Middleditch and Horatio Sanz. And the cancellation of the SXSW Music Festival means that hundreds of upcoming artists will no longer be performing at the event this year.

The cancellation of SXSW is the largest entertainment event so far to be shut down due to coronavirus concerns. SXSW is one of Austin’s biggest sources of revenue, bringing in an estimated $355.9 million in 2019. Approximately 417,400 people attended SXSW in 2019. Over the past 10 years, the festival’s attendance and revenue had continued to grow. However, the costs of a coronavirus outbreak would be much more devastating to people’s health and well-being. Austin is not taking that risk.

Here is SXSW’s full statement about the cancellation:

“The City of Austin has cancelled the March dates for SXSW and SXSW EDU. SXSW will faithfully follow the City’s directions.

“We are devastated to share this news with you. “The show must go on” is in our DNA, and this is the first time in 34 years that the March event will not take place. We are now working through the ramifications of this unprecedented situation.

“As recently as Wednesday [March 4, 2020], Austin Public Health stated that ‘there’s no evidence that closing SXSW or any other gatherings will make the community safer.’ However, this situation evolved rapidly, and we honor and respect the City of Austin’s decision. We are committed to do our part to help protect our staff, attendees, and fellow Austinites.

“We are exploring options to reschedule the event and are working to provide a virtual SXSW online experience as soon as possible for 2020 participants, starting with SXSW EDU. For our registrants, clients, and participants we will be in touch as soon as possible and will publish an FAQ.

“We understand the gravity of the situation for all the creatives who utilize SXSW to accelerate their careers; for the global businesses; and for Austin and the hundreds of small businesses – venues, theatres, vendors, production companies, service industry staff, and other partners that rely so heavily on the increased business that SXSW attracts.

“We will continue to work hard to bring you the unique events you love. Though it’s true that our March 2020 event will no longer take place in the way that we intended, we continue to strive toward our purpose – helping creative people achieve their goals.”

Click here for an updated list of other corona virus-related cancellations and postponements in the entertainment industry.

2019 SXSW Film Festival: winners announced

March 18, 2019

The South by Southwest (SXSW) Conference & Festivals (held every year in Austin, Texas) is arguably the best-known event in the U.S. that combines music, film, interactive and convergence programming. The 33rd annual SXSW event took place from March 8 to March 17, 2019.

The 2019 SXSW Film Festival screened 133 features, consisting of 102 World Premieres, 9 North American Premieres, and 3 US Premieres, with 62 first-time filmmakers. There were 101 shorts and music videos that screened as part of 12 curated shorts programs, plus two episodic pilot programs. The 256 films were selected from 8,496 overall submissions, including approximately 2,361 features and 4,734 shorts.

Here are the winners of the 2019 SXSW Film Festival:

FEATURE FILM GRAND JURY AWARDS

NARRATIVE FEATURE COMPETITION

Emilie Piponnier in “Alice” (Photo by Loll Willems)

Winner:​ ​”Alice”

Director: Josephine Mackerras

Natalia Dyer in “Yes, God, Yes”

Special Jury Recognition for Best Ensemble: ​”Yes, God, Yes”

Director: Karen Maine

“Saint Frances”

Special Jury Recognition for Breakthrough Voice: ​”Saint Frances”

Director: Alex Thompson

DOCUMENTARY FEATURE COMPETITION

Waad al-Kateab in “For Sama” (Photo by Waad al-Kateab)

Winner:​ “For Sama”

Directors: ​Waad al-Kateab, Edward Watts

Joe Smarro and Ernie Stevens in “Ernie & Joe” (Photo by Matthew Busch)

Special Jury Recognition for Empathy in Craft : “​Ernie & Joe”

Director: ​Jenifer McShane

Diana Kennedy in “Nothing Fancy: Diana Kennedy” (Photo by Elizabeth Carroll)

Special Jury Recognition for Excellence in Storytelling: “​Nothing Fancy: Diana Kennedy”

Director: ​Elizabeth Carroll

SHORT FILM GRAND JURY AWARDS

Presented by Vimeo, an all-in-one video platform that provides creative professionals and businesses with tools technology they need to succeed with video– from hosting, to collaborating, to distributing and monetizing.

NARRATIVE SHORTS

Milagros Gilbert and Alexandra Jackson in “Liberty” (Photo by Alex Harris)

Winner: ​”Liberty”

Director: ​Faren Humes

Kauan Alvarenga in “The Orphan” (Photo by Pepe Mendes)

Special Jury Recognition: ​”The Orphan”

Director: Carolina Markowicz

DOCUMENTARY SHORTS

“Exit 12”

Winner:​ “Exit 12”

Director: Mohammad Gorjestani

“All Inclusive” (Photo by Nikola Ilić)

Special Jury Recognition: ​”All Inclusive”

Director: Corina Schwingruber Ilić

MIDNIGHT SHORTS

Winner: ​”Other Side of the Box”

Director: Caleb J. Phillips

ANIMATED SHORTS

“Guaxuma” (Photo by Les Valseurs)

Winner: ​”Guaxuma”

Director: Nara Normande

“Slug Life” (Image by Sophie Koko Gate)

Special Jury Recognition: ​”Slug Life”

Director: ​Sophie Koko Gate

MUSIC VIDEOS

Winner: ​”Pa’Lante” – Hurray for the Riff Raff

Director: Kristian Mercado

Special Jury Recognition: ​”Quarrel” – Moses Sumney

Directors: Allie Avital, Moses Sumney

TEXAS SHORTS

“I Am Mackenzie” (Photo by Sarah Hennigan)

Winner: ​”I Am Mackenzie”

Director: Artemis Anastasiadou

“A Line Birds Cannot See” (Image by Steve West)

Special Jury Recognition: ​”A Line Birds Cannot See”

Director: Amy Bench

TEXAS HIGH SCHOOL SHORTS

“Fifteen”

Winner:​ “Fifteen”

Director: Louisa Baldwin

“Double Cross” (Image by Amiri Scrutchin)

Special Jury Recognition:​ “Double Cross”

Director: Amiri Scrutchin

EPISODIC PILOT COMPETITION

“Maggie”

Winner: ​”Maggie”

Director: Sasha Gordon

Omar Maskati in “Revenge Tour.” (Photo by Patrick Ouziel)

Special Jury ​Recognition:​ ​”Revenge Tour”

Directors: Andrew Carter, Kahlil Maskati

SXSW FILM DESIGN AWARDS 

EXCELLENCE IN POSTER DESIGN

“Daniel Isn’t Real”

Winner: ​”Daniel Isn’t Real”

Designer: Jock

Design Company: 4twenty limited

EXCELLENCE IN TITLE DESIGN

“Spider-Man: Into the Spider-Verse” (Image courtesy of Sony Pictures)

“Winner: ​Spider Man: Into the Spider-Verse”

Directors: Brian Mah, James Ramirez 

“The Darkest Minds” (Image courtesy of 20th Century Fox)

Special Jury Recognition:​ ​”The Darkest Minds”

Director: Michelle Dougherty

SXSW SPECIAL AWARDS

SXSW Karen Schmeer Film Editing Fellowship

The Karen Schmeer Film Editing Fellowship is a year-long experience that encourages and champions the talent of an emerging documentary editor. Awarded annually, the fellowship was created to honor the memory of gifted editor Karen Schmeer.

Winner:​ “Victoria Chalk”

Vimeo Staff Picks Award

“Milton”

Winner:​ “Milton”

Director: Tim Wilkime

ZEISS Cinematography Award

MG Calibre in “Amazonia Groove” (Photo by Jacques Cheuiche)

Winner: ​”Amazonia Groove”

Director: Bruno Murtinho

SXSW Louis Black “Lone Star” Award

To honor SXSW co-founder/director Louis Black, a jury prize was created in 2011 called the Louis Black “Lone Star” Award, presented to a ​feature film world premiering at SXSW that was shot primarily in Texas or directed by a current resident of Texas​. (Opt-in Award)

“The River and the Wall'” (Photo by The River and the Wall)

Winner: ​”The River and the Wall”

Director: Ben Masters

SXSW Adam Yauch Hörnblowér Award

In honor of a filmmaker whose work strives to be wholly its own, without regard for norms or desire to conform. The Adam Yauch Hörnblowér Award is presented to a filmmaker from our Visions screening category.

Grace Glowicki in “Tito” (Photo by Christopher Lew)

Winner:​ ​”Tito”

Director: Grace Glowicki

CherryPicks Female First Feature Award

“CherryPicks created the first feature by a female team award to support its mission to shine a spotlight on female voices. We hope to encourage women and audiences alike to create and support the stories women tell.”

Emilie Piponnier in “Alice” (Photo by Loll Willems)

Winner: ​”Alice”

Director: Josephine Mackerras

“Days of the Whale” (Photo by David Correa Franco)

CherryPicks Special Recognition: “Days of the Whale”

Director: Catalina Arroyave Restrepo

AUDIENCE AWARD WINNERS

NARRATIVE FEATURE COMPETITION

“Saint Frances”

Audience Award Winner: ​”Saint Frances”

Director:​ ​Alex Thompson

DOCUMENTARY FEATURE COMPETITION

Waad al-Kateab in “For Sama” (Photo by Waad al-Kateab)

Audience Award Winner: ​”For Sama”

Directors: Waad al-Kateab, Edward Watts

NARRATIVE SPOTLIGHT

Shia LaBeouf, Dakota Johnson, and Zack Gottsagen in “The Peanut Butter Falcon” (Photo by Nigel Bluck)

Audience Award Winner: ​”The Peanut Butter Falcon”

Directors: Tyler Nilson, Michael Schwartz

DOCUMENTARY SPOTLIGHT

Beto O’Rourke in “Running With Beto” (Photo by Charlie Gross)

Audience Award Winner: ​”Running With Beto”

Director: David Modigliani

VISIONS

Carlie Guevara in “The Garden Left Behind” (Photo by Koshi Kiyokawa)

Audience Award Winner: ​”The Garden Left Behind”

Director: Flavio Alves

MIDNIGHTERS

“Boyz in the Wood” (Photo by Patrick Meller)

Audience Award Winner: “​Boyz in the Wood”

Direct​or: Ninian Doff

EPISODIC PREMIERES

Ramy Youssef in “Ramy” (Photo courtesy of Hulu)

Audience Award Winner​: ​”Ramy”

Showrunner: Bridget Bedard

GLOBAL

“Cachada: The Opportunity”

Audience Award Winner: ​”Cachada: The Opportunity”

Director: Marlén Viñayo

FESTIVAL FAVORITES

“Raise Hell: The Life & Times of Molly Ivins” (Photo by Robert Beddell)

Audience Award Winner:​ “Raise Hell: The Life & Times of Molly Ivins”

Director: Janice Engel

HEADLINERS

Charlize Theron and Seth Rogen in “Long Shot” (Photo by Hector Alvarez)

Audience Award Winner:​ “Long Shot”

Director: Jonathan Levine

24 BEATS PER SECOND

Patrice Pike in “Nothing Stays the Same: The Story of the Saxon Pub”( Photo courtesy of Nothing Stays the Same: The Story of the Saxon Pub)

Audience Award Winner:​ “Nothing Stays the Same: The Story of the Saxon Pub”

Director: Jeff Sandmann

EXCELLENCE IN TITLE DESIGN

“Spider-Man: Into the Spider-Verse” (Image courtesy of Sony Pictures)

Audience Award Winner:​ “Spider-Man: Into the Spider-Verse”

Directors: Brian Mah, James Ramirez

Copyright 2017-2024 Culture Mix
CULTURE MIX