Review: ‘Imaginary’ (2024), starring DeWanda Wise, Tom Payne, Taegen Burns, Pyper Braun, Veronica Falcon and Betty Buckley

March 8, 2024

by Carla Hay

Pyper Braun in “Imaginary” (Photo by Parrish Lewis/Lionsgate)

“Imaginary” (2024)

Directed by Jeff Wadlow

Culture Representation: Taking place in New Orleans, the horror film “Imaginary” features a predominantly white cast of characters (with a few African Americans and Latin people) representing the working-class and middle-class.

Culture Clash: A children’s book author/illustrator with a traumatic past moves back into her childhood home, where one of her underage stepdaughters finds a mysterious teddy bear, makes it her imaginary friend, and unwittingly unleashes terror in the house. 

Culture Audience: “Imaginary” will appeal primarily to people who don’t mind watching silly horror movies.

Pyper Braun and DeWanda Wise in “Imaginary” (Photo by Parrish Lewis/Lionsgate)

“Imaginary” could’ve been a campy horror classic about a menacing toy that unleashes terror. But this idiotic junk goes downhill quickly and becomes a boring mess with tacky-looking monsters. For a movie that uses the characters’ imagination as a crucial part of its plot, “Imaginary” lacks imagination for that plot, which becomes worse as the movie stumbles along to its very weak ending.

Directed by Jeff Wadlow, “Imaginary” was co-written by Wadlow, Greg Erb and Jason Oremland. The movie takes place and was filmed in New Orleans, but everything is so generic-looking about the locations in the movie, it really could’ve been filmed in many other cities, and it wouldn’t have made a difference to the story. “Imaginary” starts off as a basic horror movie, but the plot and dialogue get increasingly stupid, to the point where viewers will either laugh or get angry (or do both) at all the ridiculousness.

“Imaginary” begins by showing children’s book author/illustrator Jessica (played by Wanda DeWise) bursting through a minature door in the wall of the house. She looks terrified and says, “I’m sorry we couldn’t finish our game.” She’s soon grabbed by a large, burly man who has blood on him and whose eyes are all white from damage or because he’s possessed. He mumbles something about being afraid that Jessica is never coming back. It’s later revealed that the man chasing Jessica is her father Ben Barnes (played by Samuel Salary), who is a widower.

But surprise! This scene is nothing but a nightmare experienced by Jessica, who has been having several nightmares lately about her past. Jessica is newly married to a British-born musician named Max (played by Tom Payne), who has full custody of his two daughters from his previous marriage: 15-year-old sulky Taylor (played by Taegen Burns) and playful Alice (played by Pyper Braun), who’s about 7 or 8 years old. Taylor doesn’t like Jessica very much, while Alice is much more accepting and friendlier to stepmother Jessica.

Jessica’s father Ben is currently at an assisted living community called Azalea Acres. Jessica’s childhood home is currently vacant. And so, Jessica and Taylor decide that they will get a fresh start by moving the family from their small apartment into this house. And you know what that means in a horror movie where someone in the house is having nightmares about her past.

It doesn’t take long for Alice to find a teddy bear in the basement. She names the bear Chauncey. This toy bear becomes Alice’s constant companion and her imaginary friend. Jessica and Max often hear Alice talking to Chauncey, with the bear talking back in a voice that sounds a lot like Alice’s voice. Jessica and Max think all of this is adorable.

The family has a nosy neighbor named Gloria (played by Betty Buckley), who likes to lurk outside to see what’s going on in the house. When Jessica introduces herself to Gloria, Jessca is surprised when Gloria says that she used to be Jessica’s babysitter when Jessica lived in the house as a child. Jessica doesn’t remember Gloria at all. Jessica also doesn’t remember that she had a teddy bear that looked exactly like Chauncey.

“Imaginary” has several flashbacks to Jessica’s childhood, with Rhythm Hurd in the role of Jessica as a 5-year-old girl. The story of Jessica’s past is eventually revealed in bits and pieces. There are clues, such as the illustrations she used to draw on the house wall as a child. The phrase “never ever” is also repeated in the movie because it has a certain meaning.

Jessica has had a turbulent relationship with her father, who had a mental breakdown shortly after Jessica’s mother died when Jessica was 5 years old. Jessica has a burn scar on her arm from an incident in her childhood where her father was accused of attacking her. Ben lost custody of Jessica, and she was raised by her grandmother.

Alice also has a burn scar on her arm. It was caused by her mother Samantha Dooley (played by Alix Angelis), who is currently in a lockdown facility for mental health and addiction issues. Samantha appears in the movie for some cheap jump scares. Although Max doesn’t really talk about what happened in the marriage, its implied that the problems with Samantha are what caused their divorce. Samantha and Max got divorced long before he and Jessica got involved with each other.

It should come as no surprise that there’s something very sinister about Chauncey, as people who are in the house eventually find out. One of them is a drug-using teenage neighbor named Liam (played by Matthew Sato), who has an immediate, mutual attraction to Taylor. Jessica has a rule that Taylor and Alice can’t let strangers into the house when Jessica and Max aren’t there, but Taylor breaks this rule to have Liam over for a visit when Max is away on tour and Jessica leaves the house for a few hours.

Chauncey is quite the demanding companion. Alice insists that when she is served meals, Chauncey should get a serving too, because Chauncey is always “hungry.” Alice says that Chauncey also gave her a list of things that Alice must find on a scavenger hunt. Alice carries the list with her, but she tells Jessica that what’s on the list is a secret.

Alice later tells Taylor: “Don’t tell Dad or Jess, but Chauncey will take me to a special place after I finish my list.” One of the things that Jessica knows is on the list is “something happy,” which Alice requests from Jessica, who gives her a small blue rubber ball that Jessica paints with a smiley face. Later, Jessica finds the list and sees other items that need to be found include something that burns, a bowl and a paintbrush.

Alice’s attachment to Chauncey becomes alarming enough for her to get a visit from a therapist named Dr. Soto (played by Veronica Falcón), who tells Jessica about a boy patient who had similar issues with a stuffed animal that was an imaginary friend. The boy ended up mutilating his thumb, and then he disappeared. Dr. Soto shows Jessica a video that she recorded of one of Dr. Soto’s sessions with the boy.

Jessica has a book series about an insect named Molly the Millipede, whose nemesis is Simon the Spider. There are several references to Jessica’s book series in “Imaginary,” but the movie does a very poor job of making effective horror out of it. “Imaginary” has a laughable part of the movie where Jessica tells Max that Alice’s weirdness with Chauncey has helped Jessica with her writer’s block.

“Imaginary” lead actress Wise puts in a committed performance as Jessica, while Braun brings a lot of enthusiasm to the role of Alice. Even with these admirable efforts, “Imaginary” still has mediocre-to-bad acting in too many parts of the film—especially near the end of the movie, which becomes an exposition dump where characters over-explain all the ludicrous things that are obvious. The movie becomes more convoluted when it doesn’t need to be.

Puppets were used for some of the monsters—including the monster version of Chauncey called Bear Beast—but they look like something you would see in an amateur haunted house. There are scarier-looking costumes at any given Comic-Con. “Imaginary” has a combination of computer-generated and practical visual effects. There are some creepy images in the movie, but nothing in “Imaginary” is truly terrifying.

There’s also a fake-out ending, which is slightly better than the atrociously limp real ending, which hints at the possibility of a sequel or spinoff. The teddy bear in “Imaginary,” which has a different name for every person who owns the bear, is nowhere close to being as iconic as the toy dolls Chucky and M3GAN, which are the center of their respectively successful horrors franchises. The stuffing that’s inside a real teddy bear has more substance than what disappointing dreck such as “Imaginary” has to offer.

Lionsgate released “Imaginary” in U.S. cinemas on March 8, 2024. The movie will be released on digital and VOD on March 26, 2024.

Review: ‘The Gateway’ (2021), starring Shea Whigham, Olivia Munn, Frank Grillo and Bruce Dern

December 28, 2021

by Carla Hay

Shea Whigham and Olivia Munn in “The Gateway” (Photo by Antony Platt/Lionsgate)

“The Gateway” (2021)

Directed by Michele Civetta

Culture Representation: Taking place in an unnamed U.S. city, the dramatic film “The Gateway” features a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the working-class, middle-class and criminal underground.

Culture Clash: A well-meaning bachelor, who works for a city’s social services department, finds himself caught up in criminal warfare when he tries to protect a mother and her young daughter after the child’s father gets out of prison.

Culture Audience: “The Gateway” will appeal primarily to people who are interested in forgettable and formulaic crime dramas.

Shannon Adawn and Frank Grillo in “The Gateway” (Photo by Antony Platt/Lionsgate)

“The Gateway” is such a generic and unimaginative rehash of many other crime dramas, it’s likely to be soon forgotten after people see it. It’s yet another story about a hero who has an “against all odds” struggle against gangster thugs. In “The Gateway,” the protagonist does battle against drug-dealing goons, in order to save (cliché alert) a damsel in distress and her child. It’s all very hackneyed and boring. There’s absolutely nothing creative about this movie, which lumbers along until its very predictable end.

“The Gateway” was directed by Michele Civetta, who co-wrote the drab screenplay with Alex Felix Bendaña and Andrew Levitas. The movie is Civetta’s second feature film as a director. His feature-film directorial debut was the unremarkable 2020 horror flick “Agony,” which describes what any viewer might have felt if they watched that painfully dull film. And although Civetta says in “The Gateway” production notes that “The Gateway” was inspired by crime thrillers such as John Huston’s “Fat City” (released in 1972) and John Cassavetes’ “The Killing of a Chinese Bookie” (released in 1976), “The Gateway” has none of the intrigue or style of those films.

The name of the U.S. city where “The Gateway” takes place is never shown or mentioned by the characters in the movie, which was actually filmed in Norfolk, Virginia. Wherever “The Gateway” is supposed to take place, it’s a city where gambling is legal, because the “damsel in distress” is a blackjack dealer in a casino. She’s not the movie’s protagonist though. The story’s main character is yet another stereotype of a “regular Joe” who suddenly has to battle gangsters as if he’s an experienced member of law enforcement. Yawn.

The protagonist of “The Gateway” is Parker (played by Shea Whigham), a lonely middle-aged bachelor whose life revolves around his job working as an investigator for the city’s social services department. In the movie’s opening scene, viewers see that Parker is compassionate when he responds to a complaint about child endangerment in a house that’s basically a drug den. Parker finds a boy at the house who’s about 7 years old, and he comforts the boy when it’s discovered that the boy’s mother has overdosed. Two men in the house are then arrested.

For an unspecified period of time, Parker has been looking out for another child named Ashley (played by Taegen Burns), who’s about 12 years old. His interest in Ashley extends beyond his social worker job. He has become somewhat of a father figure to Ashley, whose father has been in prison for an untold number of years. Ashley’s mother Dahlia (played by Olivia Munn) has been raising Ashley while Dahlia holds down a job as a blackjack dealer.

Viewers never see any flashbacks of how Parker became close to this family, so the relationship that he has with Dahlia and Ashley feels too rushed and contrived in this movie. As an example of how Parker goes beyond his social worker duties for Ashley, Parker volunteers to take Ashley to school when he’s needed. It’s hinted that maybe Parker is attracted to Dahlia, but he doesn’t cross the line into making any inappropriate and unprofessional moves on her.

Dahlia might have a substance abuse problem, because the reason why Parker takes Ashley to school in an early scene in the movie is because she seems to be drunk or high, and Parker doesn’t want Dahlia to drive under the influence. The dynamics between Parker, Dahlia and Ashley change when Ashley’s father Mike (played by Zach Avery) gets out of prison and makes it clear to Parker that Mike wants to be the only father figure in Ashley’s life.

Soon after Mike get out of prison, he goes right back into a criminal lifestyle. At a bar frequented by shady people, Mike meets up with a local drug kingpin named Duke (played by Frank Grillo, in yet another one of his “tough guy” roles) to set up a heroin deal. Mike tells Duke and Duke’s associate Louis (played by Alexander Wraith) that Mike knows about two bricks of heroin that were stolen from a Mexican drug cartel.

Mike offers to deliver this heroin to Duke. In exchange, Duke says that he will set Mike and Louis up with enough money for Mike and Louis to open their own bar. Duke also offers to lend out the services of his henchman Hector (played by Mounir Quazzani) to help Mike and Louis for protection in retrieving this heroin, which is hidden in a place that could be guarded.

“The Gateway,” which already has a very simple-minded plot that would barely be enough for a short film, stretches everything out to tedious levels with repetitious scenes of Mike and his cronies committing crimes; Mike and Dahlia having tensions in their already shaky relationship; and Mike threatening Parker to stay away from Ashley. Parker was assigned to check on the welfare of Ashley, so he tells Mike that it would be up to the city to decide when Parker will no longer have to check up on her.

This movie is so poorly written that it does little to show who Parker is as a person. The only thing about his personal life that’s shown is that he has a rocky relationship with his father Marcus (played by Bruce Dern), because (as shown in flashbacks) Marcus was a verbally abusive alcoholic to Parker when Parker was a child. In fact, all of the characters in the movie don’t have much depth or personality. They’re just hollow vessels to act out the movie’s unimpressive action scenes. Two police detectives named Detective Vaughn (played by Shannon Adawn) and Detective Bachman (played by Nick Daly) are essentially useless, since this movie is about making Parker the biggest hero.

Needless to say in a predictable movie like “The Gateway,” Parker, Dahlia and Ashley unwittingly get caught up in Mike’s big heroin deal when the heroin stash goes missing. Expect the usual chase scenes and shootouts that clog up substandard thrillers such as “The Gateway.” The cast members and the filmmakers don’t put much effort into bringing any creative spark to this tired story. With all the better-quality movies that have already been made about drug deals gone bad, viewers don’t have to waste their time on “The Gateway.”

Lionsgate released “The Gateway” in select U.S. cinemas and on digital and VOD on September 3, 2021. The movie was released on Blu-ray and DVD on September 7, 2021.

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