Review: ‘Tetris’ (2023), starring Taron Egerton

May 13, 2023

by Carla Hay

Taron Egerton, Sofia Lebedeva and Nikita Efremov in “Tetris” (Photo courtesy of Apple TV+)

“Tetris” (2023)

Directed by Jon S. Baird

Some language in Japanese and Russian with subtitles

Culture Representation: Taking place in 1988, in the United States, Russia, the United Kingdom and Japan, the dramatic film “Tetris” (inspired by a true story) features a predominantly white cast of characters (with some Asians and a few African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: Video game entrepreneur Henk Rogers gets caught up in a web of ruthless business deals and political intrigue in multiple countries, as he tries to obtain worldwide licensing rights to the game Tetris. 

Culture Audience: Besides appealing to the obvious traget audience of Tetris fans, “Tetris” will appeal primarily to people who are fans of star Taron Egerton, video games that were launched in the 1980s, and movies about real-life business underdogs.

Togo Igawa, Nino Furuhata and Taron Egerton in “Tetris” (Photo courtesy of Apple TV+)

Combining 1980s entertainment nostalgia and 1980s Cold War history lessons, the dramatic film “Tetris” also mixes facts with fiction. In this lively retelling of the Tetris game origin story, the “race against time” plot developments are obviously exaggerated for the movie. However, the double dealings and business backstabbings ring true, in addition to navigating cultural differences. “Tetris” had its world premiere at the 2023 SXSW Film and TV Festival.

Directed by Jon S. Baird and written by Noah Pink, “Tetris” can get a little too over-the-top in how it depicts the story of one man versus corporate giants and the Russian government in the fierce competition to get worldwide rights to the video game Tetris. However, the cast members’ performances elevate the movie, which has some comedic elements that easily could have looked out-of-place with the wrong cast members. “Tetris” has a winking tone to it let viewers know that the filmmakers didn’t intend to make this movie entirely factual or entirely serious.

“Tetris” (a globetrotting story that takes place in 1988) also has a visual motif used to great effect: Many of the scenes have flashes of the live-action visuals presented as if they were in the format of a Tetris game or a video game from the late 1980s. The beginning of the movie also identifies the main characters as “players,” a word that can take on multiple meanings in the context of the story. The word “player” is also more than ironic because much of what happens in all these frantic business deals for Tetris is anything but fun and games.

“Tetris” begins by showing Henk Rogers, co-founder of the small, independent company Bullet-Proof Software at the Consumer Electronics Show (CES) in Las Vegas. Henk is of Indonesian-Dutch heritage but he was raised primarily in the United States and lives in Japan during the period of time that this story takes place. His multicultural background comes in handy in some ways, but in other ways it becomes a hindrance when people question his cultural loyalties.

Henk is trying and failing to make his new video game a hit at CES, which is a crucial event for Bullet-Proof Software. Henk has already taken out a bank loan to launch this video game, which he now knows is going to be a flop. But as fate would have it, Henk tries a new video game at the convention: It’s called Tetris, invented by a Russian computer expert named Alexey Pajitnov (played by Nikita Yefremov), who has a humble and unassuming personality.

Alexey does not own the rights to the game. Why? Because in the Communist country that was then known as the U.S.S.R. or Soviet Union, Alexey works for the government entity ELORG, which has monopoly control of the importing and exporting of Russian-made computer products. Anyone who wants the worldwide licensing rights to sell Tetris has to go through the Soviet government first.

In the simplest of terms, Tetris is a game where players try to make buildings out of falling building blocks. Henk is immediately hooked on Tetris and thinks it could be a massive worldwide hit. And he’s willing to bet his life savings and his home on what he wants to do next: partner with a major video game company to get the worldwide licensing rights to Tetris.

An early scene in “Tetris” shows Henk trying to convince a skeptical bank manager named Eddie (played by Rick Yune) to give Henk another bank loan, this time for this Tetris endeavor. After explaining what Tetris is about, Henk tells Eddie why Henk thinks Tetris is so special: “It stays with you. It’s the perfect game.” Henk also mentions that Tetris has become an underground hit in the Soviet Union/Russia, where people have been sharing bootleg copies of Tetris on floppy disks. Eddie reluctantly agrees to the loan, on the conditions that the loan will have a high interest rate and that Henk has to put up his home as collateral.

Henk ends up sneaking into Nintendo headquarters in Japan and meeting with Nintendo CEO Hiroshi Yamauchi (played by Togo Igawa) and Hiroshi’s assistant (played by Nino Furuhata) to broker for Nintendo the worldwide licensing rights to make Tetris for Nintendo cartridges and arcade machines. Henk turns down Nintendo’s initial offer of $500,000. Henk wants $2 million for the cartridges deal and $1 million for the arcade deal.

While still negotiating with Nintendo, Henk goes to Nintendo of America headquarters in Seattle, where he meets Nintendo of America CEO Minoru Arakawa (played by Ken Yamamura) and Nintendo of America senior vice president/general counsel Howard Lincoln (played by Ben Miles). Minoru and Howard show Henk a sneak peek of a product that has not gone on the market yet: Nintendo’s hand-held Game Boy system. Nintendo is planning to install the game Super Mario Land on all Game Boys, but Henk convinces Minoru and Howard that Tetris has broader appeal and should be the game installed on all Game Boys.

Henk has to contend with three British video game moguls, who at various times are his allies and enemies: duplicitous Robert Stein (played by Toby Jones), the founder/CEO of Andromeda Software; corrupt Robert Maxwell (played by Roger Allam), chairman of Mirrorsoft, a video game publisher; and arrogant Kevin Maxwell (played by Anthony Boyle), who is Robert’s son and the CEO of Mirrorsoft. Henk has been told that Robert Stein has gotten worldwide licensing rights for Tetris and has already made a deal with Mirrorsoft. Henk’s plan, with backing from Nintendo, is to buy out the rights from these British businessmen.

The rest of the movie shows Henk wheeling and dealing, while often getting undercut and betrayed by some people he thought were trustworthy business colleagues. Video game companies Sega and Atari, which were Nintendo’s main rivals at the time, also get in the mix because they also want Tetris. Meanwhile, Henk has to spend a lot of time in Russia (where he eventually meets Alexey) and finds out the hard way that doing a capitalist business deal in a Communist country is a lot more dangerous than he ever thought it could be.

Henk’s family life also suffers because of his obsession to close this deal. His patient wife Akemi Rogers (played by Ayane Nagabuchi), who co-founded Bullet-Proof Software with Henk, handles the managerial administration of the company’s small staff of employees while Henk is in charge of all the sales and marketing. Henk and Akemi have three children: 10-year-old Maya Rogers (played by Kanon Narumi), 8-year-old Julie Rogers (played by Karin Nurumi), and 6-year-old Kevin Rogers. Maya has an important dance performance that she doesn’t want Henk to miss. You can easily predict what will happen.

Meanwhile, in Russia, Henk is assigned a translator named Sasha (played by Sofia Lebedeva), who also educates Henk on Russian and Communist cultures. Henk soon finds out that he is being spied on by the Soviet government. Two of the ELORG officials who have been monitoring Henk are Valentin Trifonov (played by Igor Grabuzov) and Nikolai Belikov (played by Oleg Shtefanko). One of these ELORG officials is much worse than the other.

Egerton portrays Henk as an optimistic charmer who thinks he can talk his way in and out of situations but finds out that he sometimes gets in way over his head. He adeptly handles movie’s drama and comedy. Lebedeva is another standout as translator Sasha, who develops a friendly rapport with Henk and possibly becomes romantically attracted to him. Allam and Boyle provide some sardonic comic relief in portraying the love/hate relationship between Robert Maxwell and Kevin Maxwell. A running joke in the movie is Robert Maxwell’s bragging about being a friend of Mikhail Gorbachev (played by Matthew Marsh), who was the Soviet Union’s president at the time.

Even though “Tetris” couldn’t possibly include portrayals of all the people involved in these complex deals, there are still many characters to keep track of in the story. Luckily, “Tetris” is written well enough to juggle all of these moving pieces in a briskly paced manner, much like how skilled Tetris players navigate the game. The movie’s adrenaline-pumping climax is pure fabrication, but it’s the most memorable aspect of this thriller. “Tetris” strikes the right balance of being escapism and a reality check for how landmark business deals often happen under circumstances that can be stranger than fiction.

Apple Studios released “Tetris” in select U.S. cinemas on March 24, 2023. Apple TV+ premiered the movie on March 31, 2023.

Review: ‘Sing 2,’ starring the voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Tori Kelly, Taron Egerton, Bono and Halsey

November 28, 2021

by Carla Hay

Pictured in front row, from left to right: Klaus Kickenlober (voiced by Adam Buxton), Johnny (voiced by Taron Egerton), Meena (voiced by Tori Kelly), Porsha Crystal (voiced by Halsey), Clay Calloway (voiced by Bono), Rosita (voiced by Reese Witherspoon), Darius (voiced by Eric André), Ash (voiced by Scarlett Johansson) and Gunter (voiced by Nick Kroll) in “Sing 2” (Image courtesy of Illumination Entertainment/Universal Pictures)

“Sing 2”

Directed by Garth Jennings

Culture Representation: Taking place in the fictional U.S. city of Redstone City and briefly in the fictional U.S. city of Calatonia, the animated film “Sing 2” features a predominantly white cast of actors (with a few black people) voicing the characters of talking animals that are connected in some ways to showbiz.

Culture Clash: The owner and star performers of Calatonia’s New Moon Theater take their act to Redstone City, the nation’s entertainment capital, in the hopes of becoming bigger stars, but the ruthless mogul who can give them their big break expects the group’s act to include a reclusive rock star who hasn’t performed live in 15 years. 

Culture Audience: Besides appealing to the obvious target audience of “Sing” fans and fans of the movie’s voice cast members, “Sing 2” will appeal primarily to people who don’t mind watching a “jukebox musical” with a poorly constructed, flimsy plot.

Pictured from left to right, beginning second from left: Jimmy Crystal (voiced by Bobby Cannavale), Johnny (voiced by Taron Egerton), Gunter (voiced by Nick Kroll), Buster Moon (voiced by Matthew McConaughey), Meena (voiced by Tori Kelly), Rosita (voiced by Reese Witherspoon) and Ash (voiced by Scarlett Johansson) in “Sing 2” (Image courtesy of Illumination Entertainment/Universal Pictures)

Plagued by “sequel-itis,” the animated musical “Sing 2” sacrifices character development for a plot that sloppily rushes storylines and then turns into a commercial for Bono and U2’s music at the very end. The movie loses much of the charm of 2016’s “Sing” by having the main characters go off on different tangents and by introducing several new characters that are presented in a very superficial way. The “Sing” movie series (which is about talking animals, many of which can sing) also loses a lot of comedic appeal with “Sing 2,” by introducing a murderous villain that drags down the story with soulless acts of evil.

This decline in quality can’t be blamed on a change in filmmaker leadership. “Sing” and “Sing 2” were both written and directed by Garth Jennings and have the same producers (Janet Healy and Christopher Meledandri), as well as the same chiefs of certain departments, such as film editing, visual effects and music. The voice actors of most of the lead characters in “Sing” reprised the same roles for “Sing 2.”

Considering all of the talented people involved, it’s a disappointment that so much of “Sing 2” seems like a lazily conceived cash grab that does nothing innovative. The entire movie lacks suspense (there are absolutely no surprises) and over-relies on stringing together what are essentially separate animated music videos and trying to make it look like it’s all part of a cohesive plot. The visuals of “Sing 2” are perfectly fine, but there should be more to a movie than it just looking good.

Sequels are supposed to tell you more about the main characters, but “Sing 2” fails in this regard because you won’t learn almost anything new about the main characters from watching this sequel. “Sing 2” continues to have an overload of pop hits (original recordings and cover versions), but it’s less effective in this sequel, compared to the first “Sing” movie. That’s because “Sing 2” is essentially a mediocre “jukebox musical,” where song placement is more important than having a well-written storyline and memorable dialogue. Most of the new characters in “Sing 2” have hollow and stereotypical personalities.

“Sing 2” also follows a predictable plot formula for the second movie in an animated series: The main characters travel out of their home environment and get involved in new adventures somewhere else. And there’s nothing inherently wrong with that formula if it’s done with an engaging story. (It’s a formula that Pixar Animation has mastered with many of its sequels.) Unfortunately, “Sing 2” does not have a story that’s very interesting.

“Sing 2” is also one of those sequels that doesn’t do a very good job of introducing the main characters to viewers who didn’t see the first “Sing” movie. “Sing 2” assumes that people seeing this sequel are already familiar with the main characters. But that’s an assumption that just makes the screenwriting look even lazier than it needed to be.

Some of the characters in the first “Sing” movie struggled with different personal issues. For example, one character has a criminal parent who discouraged him from being a singer, and that parent ended up being incarcerated for a robbery. Another character suffered from stage fright. If any those issues are mentioned in “Sing 2,” they’re vague references when they should be a little more detailed, to give the characters more depth. In addition, “Sing 2” doesn’t really mention that all of the main characters that are singers met each other through a talent contest that was the focus of the first “Sing” movie.

If you must waste your time on the inferior “Sing 2,” it’s best to see the first “Sing” movie so you can understand the backstories of the main characters and see their real personalities. In “Sing 2,” almost all of the main characters’ personalities are reduced to soundbite-like dialogue in between singing songs. The good news is that all of the cast members who sing do a very fine job with their performances.

In “Sing” (which takes place in the fictional U.S. city of Calatonia), an ambitious koala named Buster Moon (voiced by Matthew McConaughey) owns an inherited theater that’s in danger of shutting down due to his financal problems. In order to get publicity for the theater and increase attendance, Buster holds a talent contest that attracts several Calatonia residents, and some of these characters end up being the stars of the contest. In “Sing 2,” Buster wants to take his productions out of regional theater and into the big leagues of a Vegas-styled musical show.

These singing stars from the “Sing” talent contest make their return in the “Sing 2” movie:

  • Rosita (voiced by Reese Witherspoon), a pig who’s a harried housewife and a mother of 25 piglets.
  • Ash (voiced by Scarlett Johansson), a porcupine who’s a rock singer/guitarist and a feminist.
  • Johnny (voiced by Taron Egerton), a gorilla who can play sing and piano a lot like Elton John.
  • Meena (voiced by Tori Kelly), an elephant who’s shy and insecure except when she’s singing.
  • Gunter (voiced by Nick Kroll), a pig who’s flamboyant and an occasional duet partner with Rosita.

Also returning for “Sing 2” is Buster’s eccentric administrative assistant Miss Crawly (voiced by writer/director Jennings), an iguana with a glass eye that often falls out and causes mishaps. Making cameos in “Sing 2” are two other characters from the first “Sing” movie: Johnny’s gorilla gangster father Big Daddy (voiced by Peter Serafinowicz) and elderly sheep Nana Noodleman (voiced by Jennifer Saunders), who is a wealthy benefactor and former theater diva.

In the beginning of “Sing 2,” New Moon Theater (the venue owned by Buster) is presenting a musical production of “Alice in Wonderland,” with Meena in the starring role of Alice. The show is a local hit that plays to sold-out audiences. During a performance, Buster is excited to see that an important talent scout named Suki Lane (voiced by Chelsea Peretti) is in the audience and taking notes.

Suki (who is a brown dog that can walk upright and has human-like arms and legs ) works for the mega-company Crystal Entertainment in Redshore City, the entertainment capital of the nation. Redshore City is designed to look a lot like Las Vegas. Miss Crawly tells Buster that Suki has been paying attention to the show and seems to be entertained.

After the performance, Buster rushes after Suki to talk to her before she can leave. He asks her what she thought of the show. Suki haughtily replies, “It’s a cute little show, but it’s not what we’re looking for. You’re not good enough. You’ve got a nice little local theater here, and it’s great for what it is, but trust me: You’d never make it in the big leagues.”

Buster is stung by this criticism, but he’s not ready to give up so easily. Even if his productions are considered regional theater, he knows that these shows have value because they frequently sell out. Suki gets in a chauffeured car to leave. Buster chases after the moving car on his bike, and he holds on to the car door to continue to talk to Suki.

Suki thinks that Buster is crazy and tells the driver to speed up, in order to get rid of Buster. Buster is essentially run off of the road, and he lands in a nearby canal. This debacle is witnessed by several residents who are near the canal. It’s a humiliating moment for Buster, but it’s played for laughs in the movie.

A discouraged Buster tells Nana about Suki’s rejection. He moans, “I’m a failure!” Nana scolds Buster for letting this setback make him think that he should give up. She tells him that if he doesn’t believe in himself and what he has to offer, then no one else will. Buster takes this advice and decides to round up Meena, Rosita, Ash, Johnny, Gunter and Miss Crawly to go on a road trip with him to Redstone City. The goal is to convince Crystal Entertainment to let them do a musical at the much-larger and more famous Crystal Tower Theater.

Ash already has a paying gig at a local rock club in Calatonia, but she’s being underpaid. When Buster meets up with Ash to ask her to go on the trip, he sees her backstage after a performance, right before she’s supposed to do an encore. The club owner/manager hands Ash a paycheck, and she’s annoyed because the amount is far less than what other artists at the club are getting paid.

Ash says to the club owner/manager: “I have a rule about not letting guys like you tell me what I’m worth. Unless I get paid like everyone else, I’m outta here!” And with that, she walks out of the building with Buster, without doing the encore.

The owner of Crystal Entertainment is Jimmy Crystal (played by Bobby Cannavale), who is literally and figuratively a wolf. He’s a hard-nosed, ruthless business mogul who insists that people call him Mr. Crystal. He is first seen judging auditioners at Crystal Tower Theater and giving red-buzzer rejections to every act, no matter how talented the act is.

Meanwhile, Buster and his group have arrived at Crystal Entertainment headquarters, but they don’t make it past the reception area because they don’t have an appointment. However, they go in a side employee entrance, find some sanitation worker uniforms, and disguise themselves as sanitation workers, in order to sneak into the auditions.

After a quick change back into their regular clothes, this enterprising group sneaks onto the audition stage. Buster makes an earnest pitch to offer his theater group for a musical show at Crystal Tower Theater. Mr. Crystal rejects them, of course. Buster tries to get Mr. Crystal to change his mind, but Mr. Crystal doesn’t want to hear it and is infuriated that these rejected auditioners don’t want to leave the stage.

Just as Mr. Crystal is about to have them thrown out, he overhears Gunter say that Gunter is a fan of Clay Calloway, a rock superstar lion who has been in seclusion for the past 15 years. Mr. Crystal asks if they know Clay. Buster lies and says yes. Mr. Crystal then changes his mind and says that he’ll agree to let Buster’s group do a show at the Crystal Tower Theater, on one condition: Clay Calloway has to be part of the act too.

Buster continues to lie and says it won’t be a problem because he and Clay are friends. When Mr. Crystal asks what the name of the show is, Gunter comes up with a title on the spot: “Out of This World.” It’s described as an outer-space musical. Mr. Crystal doesn’t care about the details because he just wants Clay Calloway to perform at the Crystal Tower Theater.

Mr. Crystal gives Buster and his group just three weeks to produce the show. He puts them up in the Crystal Tower Hotel and pays for all of their expenses. Buster is elated and decides he’ll figure out a way to convince Clay Calloway to be a part of the show. Ash is a big fan of Clay’s and she wants to go with Buster for this persuasive visit. Ash explains that Clay has become a grieving recluse ever since the death of his wife Ruby, who was his muse.

In the meantime, Buster works with Gunter on the concept for the “Out of This World” musical. They come up with the idea to have Rosita star as an astronaut looking for an outer-space explorer, with Gunter as a robot sidekick/aide. During this mission, she will have to visit four planets that have four different themes: war, love, despair and joy. This idea is as poorly conceived as it sounds.

Meanwhile, there’s more to Mr. Crystal than meets the eye. When an uninteresting movie like this is filled with hackneyed stereotypes, here’s one more: Mr. Crystal is really a gangster. A Vegas-styled hotel/casino owner who’s involved with illegal activities? Where did the filmmakers get this idea?

“Sing 2” starts to go off the rails in how it presents the preparations for this horrendous “Out of This World” musical production, by having the stars of the show go off in different directions with silly subplots. Rosita decides to invite her husband Norman (voiced by Nick Offerman) and their 25 kids to Redstone City. (After all, Mr. Crystal is paying for everything.) And so, there’s a scene of the kids being brats as they invade a food buffet area in the hotel and cause all types of chaos.

Rosita is playing an astronaut who has to do some high-flying stunts on stage. And therefore, it’s not a good time for Rosita to find out that she’s afraid of heights. Around the same time, Mr. Crystal insists that his daughter Porsha Crystal (voiced by Halsey) will be the star of the show. Buster is put in the awkward position of telling Rosita that she’s being replaced in the starring role. Porsha is a spoiled airhead who sounds like she’s spent too much time watching “Jersey Shore.”

Johnny is supposed to play a dancing gladiator-type of warrior in “Out of This World,” but Johnny doesn’t know how to dance. And so, the show’s uptight and mean-spirited monkey choreographer Klaus Kickenklober (voiced by Adam Buxton) makes Johnny’s life a living hell. But what do you know: One day, Johnny sees a sassy lynx street dancer named Nooshy (voiced by Letitia Wright), who attracts an enthusiastic crowd. Johnny is impressed with Nooshy’s talent, so he hires her to give him private dance lessons.

Meena, who is very inexperienced when it comes to dating, is paired with a conceited yak actor named Darius (voiced by Eric André), so she’s dreading the love scenes that they have to do in the musical. “Sing 2” has such slipshod screenwriting, Meena’s and Darius’ character roles in “Out of This World” are never clearly defined, except to show that they’re supposed to play each other’s love interest in “Out of This World.” Darius could have been breakout “Sing 2” character as a hilarious buffoon, but he’s mainly brought out for some underwhelming scenes where the jokes fall flat.

Meanwhile, Meena catches the eye of a mild-mannered elephant named Alfonso (voiced by Pharrell), an ice cream truck vendor. It’s obvious that Alfonso wants to date Meena, but she’s bashful about how to handle it. Alfonso compliments Meena on her singing talent, but she’s afraid to have conversations with him. None of these new supporting characters in “Sing 2” has a backstory or fully developed personality.

Meanwhile, there’s a time-wasting scene where Miss Crawly drives to reclusive rock star Clay’s estate (while System of a Down’s “Chop Suey!” is playing), to find out if she can get access to him. Some more problems ensue involving her glass eye, because the filmmakers seem to want to make Miss Crawly’s glass eye the main gimmick for the slapstick comedy about her. Needless to say, Miss Crawly is unsuccessful in getting to Clay. Buster and Ash decide to give it a try.

The second trailer for “Sing 2” already revealed that Clay (voiced by Bono, lead singer of U2) does come out of seclusion to perform on stage. But even if this major plot development hadn’t already been disclosed, it would be very easy to predict. The movie blandly and vaguely handles how Clay is convinced to come out of seclusion.

“Sing 2” is Bono’s animated feature-film debut as an actor. Bono’s speaking voice in this role is lowered one or two octaves from his real speaking voice. It seems like he’s trying to sound like a husky-voiced American rock star (somewhat like a combination of Bruce Springsteen and Tom Waits), but Bono’s natural Irish accent can still occasionally be heard in the dialogue.

As for the music of “Sing 2,” just like the first “Sing” movie, a lot of it comes in snippets of one minute or less per song. Songs that drop in for a longer than a minute (but still quickly) include Prince’s “Let’s Go Crazy,” Elton John’s “Goodbye Yellow Brick Road,” Mercury Rev’s “Holes,” Billie Eilish’s “Bad Guy,” DNCE’s “Cake by the Ocean,” Shawn Mendes’ “There’s Nothing Holdin’ Me Back,” Eve’s “Who’s That Girl” and Camila Cabello and Mendes’ “Señorita.”

The longer musical numbers are serviceable, although there are a few standout moments. Halsey shines in her biggest number, when she sings a rousing rendition of the Struts’ “Could Have Been Me.” Halsey’s version of Alicia Keys’ “Girl on Fire” is also impressive. Johansson does nicely with her cover version of U2’s “I Still Haven’t Found What I’m Looking For.”

However, the Tori Kelly/Pharrell Williams duet of Dionne Warwick’s “I Say a Little Prayer” has no heat. It’s also a very tame song selection for the characters of Meena and Alfonso, who are supposed to be in the early stages of a romance. Their first duet should’ve been more of a passionate love song or a more emotion-filled song about longing for love.

It seems like the “Sing 2” filmmakers bent over backwards to make Bono and his Clay character overshadow the movie’s last 15 minutes to steal the show. In the first “Sing” movie, main characters Rosita, Meena, Ash and Johnny all had their big individual singing moments in the spotlight. In “Sing 2,” everyone seems to have to clear a path for Bono/Clay.

In “Sing 2,” the Johnny character is woefully under-used as a singer. The movie seems more concerned about showing him awkwardly learning dance moves. It’s a shame, really, because Egerton is such a talented singer. His rendition of Elton John’s “I’m Still Standing” in the first “Sing” movie was one of the catalysts to Egerton being cast in John’s 2019 musical biopic “Rocketman.”

“Sing 2” is essentially a vehicle to promote U2’s music in the latter half of the movie. There are four U2 songs in “Sing 2”: the aforementioned “I Still Haven’t Found What I’m Looking For,” “Where the Streets Have No Name,” “Stuck in a Moment You Can’t Get Out Of” and “Your Song Saved My Life,” which was written for the “Sing 2” soundtrack. Obviously, “Your Song Saved My Life” is supposed to be Clay’s big moment. “Your Song Saved My Life” isn’t bad, but it’s not outstanding, and it won’t be considered a U2 classic.

If you want to know another reason “Sing 2” is such a disappointing mess, the filmmakers made Bono—one of the most charismatic rock stars on the planet—a dull and dreary character in this movie. The Clay character could’ve been played by almost anyone, but it seems like in order to get U2’s music for this movie, the filmmakers had to cast Bono in this role. It’s too bad that Bono and the rest of the talented voice actors are stuck in this hack karaoke project that has a major studio budget.

Universal Pictures will release “Sing 2” in U.S. cinemas on December 22, 2021.

2019 Hollywood Film Awards: Shia LeBeouf, Taron Egerton, Cynthia Erivo, Olivia Wilde among honorees

October 8, 2019

The following is a press release from Dick Clark Productions:

The Hollywood Film Awards is proud to announce that multi-hyphenate, award-winning stars Shia LaBeouf, Taron Egerton, Cynthia Erivo and Olivia Wilde will be honored for their standout contributions to film this year at the 23rd Annual “Hollywood Film Awards.” LaBeouf (“Honey Boy”) will receive the “Hollywood Breakthrough Screenwriter Award,” for his revelatory telling of his own turbulent childhood. For his uncanny portrayal of the legendary Elton John, Egerton (“Rocketman”) will receive the “Hollywood Breakout Actor Award.” Erivo (“Harriet”), who stepped into the shoes of the heroic Harriet Tubman with unwavering strength and dedication, will receive the “Hollywood Breakout Actress Award.” And Wilde (“Booksmart”) will receive the “Hollywood Breakthrough Director Award” for her critically-acclaimed directorial debut of a film that is certain to become a classic for the ages.  Actor and comedian Rob Riggle will host the ceremony, which will take place on Sunday, November 3, 2019 at The Beverly Hilton in Beverly Hills, CA.

ABOUT THE HONOREES

Shia LaBeouf recently received rave reviews for his performance in “Honey Boy,” which premiered at this year’s Sundance Film Festival. The film also marks Shia’s first feature length film as a screenwriter and reunited him with director, Alma Har’el (the two previously collaborated on the documentary, “LoveTrue,” which she directed, and he produced).  The film received a Special Jury Award for Vision and Craft at the festival and is expected to release on November 8, 2019.

Shia can currently be seen in “The Peanut Butter Falcon” alongside Dakota Johnson, Bruce Dern and Zack Gottsagen, which premiered at this year’s SXSW Film Festival. LaBeouf recently wrapped production on the crime drama, “The Tax Collector,” which was written and directed by David Ayer.

In 2007, Shia was named the “Star of Tomorrow” by the ShoWest convention of the National Association of Theater Owners, and in February 2008 he was awarded the BAFTA Orange Rising Star Award, which was voted for by the British general public.  In addition, he was nominated for four Teen Choice Awards for “Transformers,” winning the Breakout Male Award, the Teen Choice Award for Movie Actor in a Horror/Thriller for his performance in “Disturbia;” as well as a Scream Award.

In addition to his work in front of the camera, Shia has also directed several projects including music videos for Kid Cudi and Marilyn Manson.

Taron Egerton, known for his breakout role in Matthew Vaughn’s “The Kingsman” film series, continues to capture audience members attention with his versatile & charismatic performances.  Egerton recently received rave reviews for his performance in Dexter Fletcher’s “Rocketman” starring as the iconic singer Sir Elton John for Paramount Pictures. The film opened at the 2019 Cannes Film Festival to a 4-minute standing ovation.

Egerton was last seen in Netflix’ TV Series, “The Dark Crystal: Age of Resistance” the prequel to Jim Henson’s 1982 film, “The Dark Crystal”. The 10-episode animated series also stars Helena Bonham-Carter, Mark Hamill and Nathalie Emmanuel.  He made his acting debut with a small role in two episodes of ITV’s “Inspector Lewis” before being cast in the TV mini-series “The Smoke”. Shortly after, he was cast in his breakout role as Eggsy in “The Kingsman: The Secret Service” & reprised his role in “Kingsman: The Golden Circle. Other credits include, “Robin Hood,” “Testament of Youth,” “Legend,” and “Eddie the Eagle,”. In 2016, he played the voice of Johnny in Garth Jennings’s animation comedy, “Sing” which became a box office sensation.

Cynthia Erivo is a Tony®, Emmy®, and Grammy® Award-winning actress who burst onto West End and Broadway stages in “The Color Purple” and has taken the big screen by storm. Erivo can next be seen starring in Kasi Lemmons’ “Harriet” where she will bring the legacy of Harriet Tubman to the big screen. Focus Features premiered the film at the Toronto International Film Festival, and will be followed by a November 1, 2019 theatrical release.  Upcoming, Erivo will star in Doug Liman’s sci-fi thriller, “Chaos Walking,” and John Ridley’s “Needle in a Timestack.” She is set to executive produce and star in Warner Brothers’ musical take on the American folk tale “Rip Van Winkle.”

On the television side, Erivo recently wrapped production on her first television project, HBO series “The Outsider,” based on the Stephen King novel of the same name. Erivo stars alongside Ben Mendelsohn in the series, which follows an unorthodox investigator and a seasoned cop investigating a gruesome murder of a local boy.

Continuing to push the boundaries of her versatile career, Erivo stars in John Cameron Mitchell’s music-driven podcast anthology, “Anthem: Homunculus.” She also leads the voice cast and co-produced the QCode scripted thriller podcast, “Carrier.”  In 2018, Erivo made her film debut in two major films from 20th Century Fox: Drew Goddard’s “Bad Times at the El Royale” and Steve McQueen’s “Widows.”

In addition to her illustrious stage career, Erivo is an accomplished performer with symphonies and music spaces including the Kennedy Center Honors, the 2017 Governor’s Ball (the official post- Oscars celebration) and the 2017 Grammy Awards. A UK native, Erivo graduated from the famed Royal Academy of Dramatic Art (RADA) in 2010.

Actress, director, and producer Olivia Wilde is a modern-day renaissance woman. Wilde made her feature directorial debut to rave reviews with coming-of-age comedy “Booksmart.” The movie has been called one of the best of the year thus far and recently garnered the most wins of any film for the Los Angeles Online Film Critics Society’s Annual Midseason Awards. Wilde also made Variety’s 10 Directors to Watch list and Adweek’s yearly Creative 100 list. Next up on the directing front, Olivia will helm an UNTITLED HOLIDAY COMEDY for Universal and will both direct and star in the timely thriller feature, “Don’t Worry, Darling” for New Line. Olivia will also star in Clint Eastwood’s film, “Richard Jewell.” Wilde produced and starred in this year’s drama feature, “A Vigilante,” and received critical acclaim for her powerful portrayal of the film’s difficult yet urgent subject matter. Previously, she also produced and starred in the drama “Meadowland,” garnering significant praise for her emotionally-charged performance. Additional past film credits include the Oscar-winning drama “Her,” the Golden Globe-nominated “Rush,” and the critically- acclaimed indie comedy “Drinking Buddies,” which she also executive produced.

LaBeouf, Egerton, Erivo and Wilde join previously announced honorees: “Toy Story 4” will receive the “Hollywood Animation Award,” Mihai Malaimare Jr. will receive the “Hollywood Cinematography Award” for “Jojo Rabbit,” Randy Newman will receive the “Hollywood Film Composer Award” for “Marriage Story,” Michael McCusker & Andrew Buckland will receive the “Hollywood Editor Award” for “Ford v Ferrari,” Pablo Helman will receive the “Hollywood Visual Effects Award” for “The Irishman,” Donald Sylvester, Paul Massey, David Giammarco, & Steven A. Morrow will receive the “Hollywood Sound Award” for “Ford v Ferrari,” Anna Mary Scott Robbins will receive the “Hollywood Costume Design Award” for “Downton Abbey,” Lizzie Yianni-Georgiou, Tapio Salmi, & Barrie Gower will receive the “Hollywood Make-Up & Hair Styling Award” for “Rocketman” and Ra Vincent will receive the “Hollywood Production Design Award” for “Jojo Rabbit.”

Additional honorees for this year’s event will be announced in the coming weeks.

For the latest news, follow the “Hollywood Film Awards” on social and join the conversation by using the official hashtag for the show, #HollywoodAwards.

Twitter: @HollywoodAwards
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Instagram: @hollywoodawards

About Dick Clark Productions
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and DCP. DCP also owns one of the world’s most unique and extensive entertainment archive libraries with over 60 years of award-winning shows, historic programs, specials, performances and legendary programming. DCP is a business unit of Valence Media, a diversified and integrated media company with business units and strategic investments in television, film, live entertainment, digital media and publishing. For additional information, visit www.dickclark.com.

About The Hollywood Film Awards
The Hollywood Film Awards, founded in 1997, were created to celebrate Hollywood and launch the awards season. The recipients of the awards are selected by an Advisory Team for their body of work and/or a film(s) that is to be released during the calendar year. For additional information, visit www.hollywoodawards.com.

2018 CinemaCon: What to expect at this year’s event

April 23, 2018

by Carla Hay

CinemaCon

CinemaCon, the annual convention for the National Association of Theatre Owners (NATO), will be held April 23 to April 26, 2018, at Caesars Palace in Las Vegas. About 5,000 people attend the event, which gives movie studios the chance to showcase what they expect to be their biggest hits of the year.

Movie studios scheduled to give their presentations at the event are Sony Pictures Entertainment on April 23; Walt Disney Studios, STX Films and Warner Bros. Pictures on April 24; Entertainment Studios, Universal Pictures, Focus Features and Paramount Pictures on April 25; and 20th Century Fox, Amazon Studios and Lionsgate on April 26.

One of the highlights of CinemaCon 2018 will be the 2018 Pioneer of the Year Award Dinner on April 25. The event will honor Tom Cruise, the first actor to ever receive the award. Tony-and-Grammy-Award-winning “Hamilton” star Leslie Odom Jr. will perform at the event, which will include a special presentation from Cruise’s “Jack Reacher” director Christopher McQuarrie, who also directed Cruise in 2015’s “Mission: Impossible – Rogue Nation” and 2018’s “Mission: Impossible – Fallout.”

CinemaCon culminates with the CinemaCon Big Screen Achievement Awards ceremony, which will take place April 26.

Here are the announced winners of the awards:

CinemaCon Lifetime Award
Jodie Foster

Jodie Foster (Photo by Paul Drinkwater/NBCUniversal via Getty Images)

Jodie Foster has been one of the most critically acclaimed actors in movies since made her big-screen debut in 1972’s “Napoleon and Samantha.” Her most famous movies include 1976’s “Taxi Driver,” 1997’s “Contact” and 2002’s “Panic Room.” She has two Oscars for Best Actress: for  1988’s “The Accused” and 1991’s “The Silence of the Lambs.” In 2018, her thriller film “Hotel Artemis” is set for release. Foster has also become a respected director and producer, having helmed several feature films, including 1991’s “Little Man Tate,” 1995’s “Home for the Holidays,” 2011’s “The Beaver” and 2016’s “Money Monster.”

CinemaCon Icon Award
Samuel L. Jackson

Samuel L. Jackson (Photo by Charley Gallay/Getty Images for Paramount Pictures)

In a career spanning more than 45 years, Oscar-nominated Samuel L. Jackson has appeared in more blockbusters than any other actor. His hit films include 1993’s “Jurassic Park,” 1994’s “Pulp Fiction,” “Star Wars” Episodes I II and III, 2004’s “The Incredibles,” 2012’s “Django Unchained” and several Marvel Studios films, such 2010’s “Iron Man 2,” 2011’s “Captain America; The First Avenger,”  2012’s “The Avengers,” 2014’s “Captain America: The Winter Soldier,” 2015’s “The Avengers: Age of Ultron.” The prolific Jackson has several movies scheduled for release. In 2018, his movies include “The Last Full Measure,” “Incredibles 2” and “Life Itself.” In 2019, he has three movies that are predicted to be big hits: “Glass” (the hybrid sequel to 2000’s “Unbreakable” and 2017’s “Split”), “Captain Marvel” and a remake of “Shaft.”

CinemaCon Visionary Award
Jack Black

CinemaCon Vanguard Award
Jonah Hil

Jack Black and Jonah Hill (Photo by Michael Kovac/Getty Images for Grey Goose Vodka)

Jack Black and Jonah Hill are co-stars in 2018’s “Don’t Worry, He Won’t Get Far on Foot.” Although they have appeared in dramas, they are mostly known for their comedic roles. Black’s biggest hits include 2017’s “Jumanji: Welcome to the Jungle,” the “Kung Fu Panda” movies, 2003’s “School of Rock” and 2005’s “King Kong.” His other 2018 movie is “The House With a Clock in Its Walls.”

Hill, who received Oscar nominations for supporting roles in 2011’s “Moneyball” and 2013’s “The Wolf of Wall Street,” has appeared in a number of hit movies, including 2007’s “Superbad,” 2012’s “21 Jump Street,” 2013’s “This Is the End,” 2014’s “22 Jump Street” and the “How to Train Your Dragon” movies. He’s also reunited with his “Superbad” co-star Emma Stone in the Netflix series “Maniac.”  In 2019, “How to Train Your Dragon: The Hidden World” is due out in cinemas.

CinemaCon Award of Excellence in Acting
Felicity Jones

Felicity Jones (Photo by Christopher Polk)

Felicity Jones had carved out a niche in independent films (usually dramas) before she was nominated for an Oscar for her supporting role in 2014’s “The Theory of Everything.” Since then, her career has grown by leaps in bounds, including starring roles in 2016’s biggest blockbuster, “Rogue One: A Star Wars Story,” and 2016’s “Inferno.” In 2017, she starred in the critically acclaimed “Breathe.” She plays U.S. Supreme Court Justice Ruth Bader Ginsburg in 2018’s “On the Basis of Sex.”

CinemaCon Male Star of the Year
Benicio Del Toro

Benicio Del Toro (Photo by Richard Foreman Jr.)

Benicio Del Toro won an Oscar for his supporting role in 2000’s “Traffic.” He has developed a reputation for playing brooding, often mysterious characters in critically acclaimed movies that range from ,ow-budget independent films to major blockbusters. Del Toro’s best-known movies include 1995’s “The Usual Suspects,” 2013’s “Guardians of the Galaxy” and 2015’s “Sicario” and 2016’s “Star Wars: The Last Jedi.”  His movies set for release in 2018 are “Sicario: Day of the Soldado” and “Avengers: Infinity War,” which is expected to the biggest box-office hit of the year.

CinemaCon Female Star of the Year
Dakota Johnson

Dakota Johnson (Photo courtesy of Universal Pictures)

Coming from from a family of famous actors (her parents are Don Johnson and Melanie Griffith; her maternal grandmother is Tippi Hedren; and her former stepfather is Antonio Banderas), Dakota Johnson has forged her most recognizable identity in movies as the star of the “Fifty Shades” trilogy. She has four very different movies in 2018: S&M-themed romantic drama “Fifty Shades Freed,” the horror movie “Suspiria” and the thriller “Bad Times at the El Royale.”

CinemaCon Director of the Year
Ryan Coogler

Ryan Coogler (Photo by Han Myung-Gu/Getty Images)

After directing just three feature films (2014’s “Fruitvale Station,” “2015’s “Creed” and 2018’s “Black Panther”), Ryan Coogler has become one of the hottest filmmakers in Hollywood, thanks to the blockbuster success of “Black Panther,” which broke the record for the highest-grossing film to open in February. The movie also earned rave reviews from critics, and “Black Panther” is set to be in the Top 5 of the highest-grossing movies of 2018.

CinemaCon Breakthrough Producer of the Year
Gabrielle Union

Gabrielle Union (Photo courtesy of BET)

Gabrielle Union is not new to making movies (she’s starred in 2000’s “Bring It On” and 2012’s “Think Like a Man, among other films), but she is relatively new to producing movies. Union was an executive producer of her 2016 comedy film “Almost Christmas,” and she’s a producer of her 2018 thriller “Breaking In.”

CinemaCon Action Star of the Year
Taron Egerton

Taron Egerton (Photo by Larry Horricks)

Taron Egerton is best known to movie audiences as the star of the “Kingsman” movies: 2014’s “Kingsman: The Secret Service” and 2017’s “Kingsman: The Golden Circle.” His 2018 movies are the big-screen version of the true-crime drama “The Billionaire Boys Club” and as the iconic title character in “Robin Hood.” Egerton is also set to star as Elton John in the biopic “Rocketman,” whose release date is to be announced.

Cinema Spotlight Award
Anna Kendrick

Anna Kendrick (Photo courtesy of Universal Pictures)

Anna Kendrick is best known for starring in the “Pitch Perfect” comedy/musical movies, but she is equally adept at doing dramas, such as her Oscar-nominated turn for her supporting role in 2009’s “Up in the Air.” Her 2018 movie is “A Simple Favor,” a mystery thriller

CinemaCon Female Star of Tomorrow Award
Tiffany Haddish

Tiffany Haddish (Photo by Michele K. Short)

Tiffany Haddish is a longtime stand-up comedian, but she had a major breakthrough in movies with her much-talked-about role in the 2017 comedy smash “Girls Trip.” Since then, her career has been on a hot streak, with starring role in TV and movies, including four films due out in 2018: “Uncle Drew,” “Night School,” “The Oath” and “Nobody’s Fool.”

CinemaCon Breakthrough Performer of the Year
LilRel Howery

LilRel Howery (Photo by Jason Lubin)

LilRel Howery made movie audiences stand up and take notice as the wise-cracking TSA worker in the 2017 horror blockbuster “Get Out.” It was a small but memorable role for the actor who was previously known on screen for starring as Bobby Carmichael in “The Carmichael Show.” Howery’s 2018 movies are the comedy “Uncle Drew” and the sci-fi thriller “Birdbox.”

CinemaCon Comedy Star of the Year
Kate McKinnon

Kate McKinnon (Photo by Adam Rose/ABC)

Kate McKinnon has already won multiple Emmys for her work on “Saturday Night Live,” but she has also made her mark on the big screen, with scene-stealing roles in 2016’s “Ghostbusters” remake, 2017’s “Rough Night” and 2017’s “Ferdinand.” In 2018, her comedy movies set for release are “Irreplaceable You” and “The Spy Who Dumped Me.”

Other awards that will be given at the ceremony:

  • CinemaCon International Filmmaker of the Year Award: J.A. Bayona, director of 2018’s “Jurassic World: Fallen Kingdom”
  • CinemaCon Passpartout Award: Kurt Rieder,  20th  Century Fox International executive VP for theatrical in the Asia Pacific region
  • NATO Marquee Award: Alejandro Ramírez Magaña, Cinépolis CEO/general director
  • Career Achievement in Exhibition Award: Robert Carrady, Caribbean Cinemas president
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