Review: ‘Keeper’ (2025), starring Tatiana Maslany and Rossif Sutherland

November 14, 2025

by Carla Hay

Tatiana Maslany and Rossif Sutherland in “Keeper” (Photo by Asterios Moutsokapas/Neon)

“Keeper” (2025)

Directed by Osgood Perkins

Culture Representation: Taking place in 2023, in an unnamed part of Canada, the horror film “Keeper” features a predominantly white cast of characters (with one Asian person and one Latina) representing the working-class and middle-class.

Culture Clash: A medical doctor and a painter artist, who have been dating each other for one year, take a getaway trip to the doctor’s family cabin in a remote wooded area, where the woman in the relationship has terrifying experiences. 

Culture Audience: “Keeper” will appeal primarily to people who are fans of the movie’s headliners, filmmaker Osgood Perkins, and people who don’t mind watching vague horror movies that rush through a muddled plot reveal.

A scene from “Keeper” (Photo by Asterios Moutsokapas/Neon)

“Keeper” is a series of creepy and grotesque images in search of a coherent plot. Most of this mopey “cabin in the woods” horror flick is a boring waiting game for the biggest scares to happen. Although some of the visual imagery is unique, it’s not enough to make “Keeper” a genuinely interesting film because the story ideas are too underdeveloped.

Directed by Osgood Perkins and written by Nick Lepard, “Keeper” had the potential to be a terrifying mystery with fascinating characters. Instead, the characters are merely vague sketches of personalities with drab dialogue. And although horror movies often rely on having characters who make stupid decisions, the protagonist shows an astounding lack of common sense that’s all in service of the movie’s flimsy reason from why the protagonist is “stuck” in the woods.

“Keeper” is yet another horror movie about deadly things happening to people who are in an isolated wooded area. “Keeper” takes place in an unnamed part of Canada. The movie was actually filmed in Vancouver.

“Keeper” begins by showing a montage of four women in different time periods. Louise (played by Claire Friesen) is in 1788. Julia (played by Erin Boyes) is in 1956. Francis (played by Gina Vultaggio) is in 1978. Leslie (played by Christin Park) is in 1983. It’s the first indication that the horror in the story has been happening for centuries.

Each woman is seen with various expressions on their faces in these scenarios: (1) looking at a love interest for the first time: (2) being in a romantic relationship with this love interest; and (3) feeling disillusioned and disgusted by this love interest. No words are spoken in these montage scenes, and the person they are looking at is not seen on camera.

“Keeper” than fast-forwards to November 2023. Medical doctor Malcolm Westbridge (played by Rossif Sutherland) is taking his painter artist girlfriend Liz (played by Tatiana Maslany) to a remote wooded area where his family has owned a cabin and guest house for years. Liz is a city dweller who’s uncomfortable with being in rural environments. However, she has accompanied Malcolm on this trip because she wants to please him.

This will be the first time that Liz is going to this family property. It’s mentioned early on in the movie that Malcolm and Liz have been dating each other for a year. It’s actually the month of their one-year anniversary. Later, in a conversation between Malcolm and Liz, it’s revealed that the couple met when Malcolm bought one of Liz’s paintings.

Before going to the cabin, Liz is seen talking on the phone with her best friend Maggie (played by Tess Degenstein), who expresses surprise that “subway rat” Liz would want to be in this remote area for any length of time. Liz considers herself open-minded enough to try new things. She also thinks this could be a romantic getaway trip.

Malcolm and Liz are affectionate with each other, but there’s some underlying tension between them. One of the first things that they see when they arrive in the cabin is a cake box on the front porch. Malcolm explains that the cake was left as a gift by the property’s female caretaker, who likes to give this cake as a “tradition.”

The first third of “Keeper” consists of monotonous conversations between Malcolm and Liz, who feels increasingly uncomfortable because she’s been having strange visions and dreams. An eerie scene in the movie shows Liz taking a warm bath and something unseen draws a heart on the steam-misted window behind her. There are also indications that a strange creature with very long arms is lurking in the woods can can sneak into the house.

Malcolm and Liz get an unexpected visit from Malcolm’s younger cousin Darren (played by Birkett Turton), a sleazy and sexist jerk who stays in the guest house when he comes to visit. Malcolm was not expecting Darren to be there, but since it’s family-owned property, Darren feels entitled to show up whenever he feels like it. Malcolm and Darren give the impression that they don’t like each other very much.

Darren is accompanied by an Eastern European model named Minka (played by Eden Weiss), who doesn’t speak much English and is only there to be Darren’s most recent trophy girlfriend. Darren is sure to announce to everyone that Minka is a party girl who likes molly (slang for Ecstasy), and he’s the one in control of the relationship because he pays for everything that she enjoys with him. Minka seems to be aware and consenting of this transactional relationship.

The chocolate cake that was in the cake box is on the kitchen counter. One of the few things that Minka says in English is when she nods toward the cake and tells Liz that the cake “tastes like shit.” It’s at this point that you know Liz is going to eat that cake.

And sure enough, after Darren and Minka have left, Malcolm persuades a reluctant Liz to eat a piece of the cake. Liz doesn’t want to eat the cake at first because she tells Malcolm that she doesn’t like chocolate. However, he convinces her to eat some cake by manipulating her into thinking that if she does it, it will prove that she’s loyal to him. As soon as Liz eats the cake, you know things are going to get worse for her.

A day or two later, Malcolm says he has to temporarily leave the cabin because of a work-related emergency. He tells Liz that an elderly patient named Mrs. Portnoy is coming out of a medically induced coma, and he needs to be there when Mrs. Portnoy regains consciousness. Malcolm leaves in the car that he and Liz took to get to the cabin, so Liz is now stuck with no transportation. You can easily predict that when Liz is alone in the house, there will be more jump scares and unexplained sightings.

One of the things that will alienate viewers from Liz is that when she has conversations, she has a smug and sarcastic attitude where she seems to think she’s the smartest person in the room. However, Liz isn’t as intelligent as she thinks she is because when things get to be too uncomfortable and frightening for Liz at the cabin, she only calls Maggie to give her a ride out of this place, as if Maggie is the only person who could possibly give her a ride. Hasn’t Liz heard of car services? Apparently, the filmmakers of “Keeper” expect viewers to forget car services exist.

“Keeper” then lumbers along until the last third of the movie, which is a parade of memorable but ultimately shallow imagery of certain beings that look like they would fit right in at an amusement park’s haunted house attraction. And just like a haunted house attraction, the jump scares in “Keeper” are fleeting. The movie’s visually striking cinematography (by Jeremy Cox) and effectively spooky music score (by Edo Van Breemen) are two of the few assets for “Keeper.”

The performances in the movie are serviceable, with Maslany as the only cast member who’s required to show a myriad of emotions. Maslany is certainly skilled at being a “scream queen,” but her Liz character just isn’t very believable with all of Liz’s lapses in logic. And it’s too easy to figure out very early in the story who the chief villain is.

In a story already filled with plot holes, the ending of “Keeper” seems cobbled together, like a screenplay that wasn’t completely finished before a deadline. “Keeper” also missed huge opportunities to tell more about Louise, Julia, Francis and Leslie. The movie couldn’t even make the protagonist a well-rounded character. And that’s why it’s not surprising that everyone else in “Keeper” is also just an empty vessel in a very flawed horror movie that has more style than substance.

Neon released “Keeper” in U.S. cinemas on November 14, 2025. The movie will be released on digital and VOD on December 9, 2025.

Review: ‘The Monkey’ (2025), starring Theo James, Tatiana Maslany, Elijah Wood, Christian Convery, Colin O’Brien, Rohan Campbell and Sarah Levy

February 17, 2025

by Carla Hay

A scene from “The Monkey” (Photo courtesy of Neon)

“The Monkey” (2025)

Directed by Osgood Perkins

Culture Representation: Taking place in Vancouver, the horror comedy film “The Monkey” (based on the short story of the same name) features a predominantly white cast of characters (with a few Asians) representing the working-class, middle-class and wealthy.

Culture Clash: Identical twin brothers are haunted by a mysterious toy monkey that used to be owned by their father and causes gruesome deaths to the people who become targets of the monkey’s curse.

Culture Audience: “The Monkey” will appeal mainly to people who are fans of the movie’s headliners and filmmaker Osgood Perkins, but some viewers might find the movie’s dark comedy off-putting and awkward.

Theo James in “The Monkey” (Photo courtesy of Neon)

“The Monkey” blends dark comedy with gory deaths in this horror film about a homicidal toy monkey. The movie (whose first half is better than the second half) isn’t that scary and is more about seeing the bizarre ways that people die. “The Monkey” is far from being a masterpiece, but it’s a good-enough option for people who like horror movies about deadly toys.

Written and directed by Osgood Perkins, “The Monkey” is based on Stephen King’s 1980 short story of the same name. Not much was done to expand on the short story, which is why the screenplay often seems thin and repetitive. After writing and directing the grim horror movies “Gretel & Hansel” (released in 2020) and “Longlegs” (released in 2024), Perkins makes his first horror comedy with “The Monkey.”

The results are mixed. The big showdown scene at the end of “The Monkey” drags out for too long and nearly ruins the film, because by this point in the movie, it’s obvious who will live and who will die. However, up until that point, “The Monkey” is a spectacle of creatively staged kill scenes that are meant to be absurdist.

“The Monkey” (which was filmed on location in Vancouver) begins sometime in the early 1990s, by showing an airline pilot captain named Petey Shelborn (played by Adam Scott) frantically bursting into a pawn shop and carrying a creepy-looking toy monkey that is seated with a drum. The monkey has a wind-up screw that makes the monkey play the drums when the screw is wound up. Petey, who has blood on his pilot uniform, doesn’t care about selling this item. He just wants to get rid of it.

Petey tells the unnamed pawn shop owner (played by Shafin Karim): “I need you to take this thing off my hands and make it someone else’s problem … It’s not a toy. Don’t ever call it that … You do not ever want the drumstick come down. Because if it does, we are all fucked to hell.”

The pawn shop owner takes the monkey with curiosity. And the most predictable thing happens next: The monkey still has some of its playing power left over from when the last time it was wound up. The monkey starts playing the drums.

A rat in the shop suddenly chews on a rope, and the broken rope causes the pawn shop owner to be harpooned by a spear that was in the shop. It’s an elaborate booby-trap-styled kill. Petey then uses a flamethrower to try to burn the monkey.

The movie then abruptly cuts to 1999. What happened to Petey? It’s never revealed exactly, but his wife Lois (played by Tatiana Maslany) hasn’t had contact with Petey for years. Lois has bitterly assumed that Petey has abandoned her and their identical twin sons Hal (played by Christian Convery) and Bill (also played by Convery), who are about 13 or 14 years old in 1999.

Why has Lois assumed that Petey is a deadbeat absentee dad? Because of his pilot job, Petey traveled a lot and was an unfaithful husband, according to Lois. She has assumed that Petey ran off with a mistress and started a new life somewhere else. That’s what she has been telling Hal and Bill, who have mixed feelings of resentment toward Petey but also wishing that Petey was still in their lives.

Bill was born first and is a dominant bully to sensitive and introverted Hal. An adult Hal is the narrator of the film. Most of the movie’s scenes that take place in 1999 are about Bill being cruel to Hal. But one day, Hal decides he’s going to get revenge on Bill. And he knows just how to do it.

Before Petey disappeared, he would come home from his airline travels and bring gifts for his Lois and the twins. One day, Hal and Bill are rummaging through things in their home when they discover a wind-up toy monkey that can play a drum. It’s the same monkey that Petey tried to get rid of at the pawn shop. The monkey is mute.

It isn’t long before the twins find out that if the monkey plays the drum, someone nearby will soon die a very violent death. However, as repeated in the movie, the monkey “doesn’t take requests” on who will be the next to die. Therefore, anyone who tries to use the monkey to kill someone might accidentally have someone else killed who isn’t the intended target.

That’s the main reason why watching “The Monkey” is an unpredictable ride. However, movie falls short when it comes to developing characters that viewers will actually care about besides Hal. The deaths in the movie are so freakish, “The Monkey” tends to over-rely on these deaths in substitute for an suspenseful story.

Hal and Bill have a babysitter named Annie Wilkes (played by Danica Dreyer), who takes the twins to a Benihana-type of Japanese restaurant while Lois is on a blind date. (Fans of King’s books will notice that Annie Wilkes is the same name for the villain in King’s 1987 novel “Misery,” which was later made in to an Oscar-winning 1990 movie of the same name.) The monkey is left in the car and starts playing the drums. It’s the first time that the twins see the evil power of the monkey.

Without giving away too much information, at one point in the movie, Hal and Bill have to spend time living with Lois’ brother Chip (played by Perkins) and Chip’s wife Ida (played by Sarah Levy), who don’t want really want to spend time taking care of children. Chip also tells the twins that he and Ida are swingers. You can easily predict that something bad will happen to Chip and/or Ida.

When Bill and Hall find out that they’re in possession of an evil monkey toy, they decide to do something about it. These actions will follow them into their adulthood, which is shown in the second half of the movie. This second half of “The Monkey” is a bit of a tonal mess but has fairly good performances, despite the movie going overboard with nonsensical kills.

The adult years for Bill and Hal take place in 2024. Hal (played by Theo James) is now a single father who works at as a low-paid sales clerk at a general store. Hal is an emotionally aloof loner who has a distant, almost non-existent relationship with his teenage son Petey (played by Colin O’Brien) not because of a custody arrangement but because Hal deliberately does not want to get too emotionally close to Petey. Hal, who sees his son Petey only once a year, still has a lot of unprocessed trauma from his past regarding the toy monkey and Hal’s own absentee father.

Hal’s son Petey (who is about 13 or 14 years old) was born from a fling that Hal had with Petey’s mother (played by Laura Mennell), who doesn’t have a name in the movie. Petey’s mother is married to a pompous self-help guru/author named Ted (played by Eljah Wood), who is a religious expert on fatherhood. Ted has written books titled “Jesus Dad” and “Fatherhood VII.” Hal starts to regret being mostly unavailable to Petey when Hal finds out during his annual visit with Petey that Ted is going to adopt Petey.

Hal and Bill (also played by James) are estranged and have not seen and spoken to each other in years. But in a movie like “The Monkey,” you know that there will be a reason for Hal and Bill to see each other again. Meanwhile, Hal decides to take Petey to an amusement place called Horror Heaven during a father/son excursion that will take place just a few days before Ted officially adopts Petey.

The “daddy issues” are all over this movie because there’s a flimsy subplot about an unnamed cop (played by Paul Puzzella) and his hooligan son Ricky (played by Rohan Campbell), who has been hired to find the menacing monkey. Why can’t this monkey be destroyed? There’s a rushed and not-very-believable explanation for that in the movie.

“The Monkey” walks a fine line between being wickedly laughable and being downright silly. The origins of the monkey are never explained, which is a huge letdown in the movie’s flawed screenplay. The cast members are serviceable in their roles, but the movie starts to lose its edge once the monkey is in the hands of adults, not children. The filmmakers of “The Monkey” obviously want this film to be the start of a series or franchise, but any other stories based on this one should have more reasons to care about the main characters.

Neon will release “The Monkey” in U.S. cinemas on February 21, 2025. A sneak preview of the movie was shown in U.S. cinemas on February 12, 2025.

2018 Tony Awards: first group of presenters announced

May 30, 2018

Tony Awards logo

The following is a press release from the Tony Awards:

Some of the biggest stars from stage and screen will appear at the 72nd  Annual Tony Awards, which will be hosted by Sara Bareilles and Josh Groban will be broadcasted live from Radio City Music Hall in New York City on CBS on Sunday, June 10, 8:00 – 11:00 p.m. (ET/PT time delay). The Tony Awards are presented by The Broadway League and the American Theatre Wing.

Broadway’s biggest night will feature appearances by Uzo Aduba, Matt Bomer, Claire Danes, Armie Hammer, Tatiana Maslany, Leslie Odom, Jr., Jim Parsons, Zachary Quinto and Andrew Rannells.

The American Theatre Wing’s 72nd Annual Tony Awards, hosted by Sara Bareilles and Josh Groban, will air live from Radio City Music Hall on the CBS Television Network on Sunday, June 10, 2018 (8:00-11:00 PM, ET/delayed PT). The Tony Awards, which honors theatre professionals for distinguished achievement on Broadway, has been broadcast on CBS since 1978. The Tony Awards are presented by The Broadway League and the American Theatre Wing.

For more information on the Tony Awards, visit TonyAwards.com and Facebook.com/TheTonyAwards and follow @TheTonyAwards on Instagram and Twitter.

About the Tony Awards

The American Theatre Wing’s Tony Awards are presented by The Broadway League and the American Theatre Wing. At The Broadway League, Thomas Schumacher is Chairman and Charlotte St. Martin is President. At the American Theatre Wing, David Henry Hwang is Chair and Heather A. Hitchens is President & CEO. Ricky Kirshner and Glenn Weiss of White Cherry Entertainment are the Executive Producers of the 2018 Tony Awards. Mr. Weiss will also serve as Director of the 2018 Tony Awards.

Sponsors for the 2018 Tony Awards include: IBM – develops, designs, and hosts the official Tony Awards digital experience anchored by TonyAwards.com; Carnegie Mellon University – the first-ever, exclusive higher education partner; Grant Thornton LLP – official accounting services partner; City National – official bank of the Tony Awards and presenting sponsor of the Creative Arts Awards; Nordstrom – official sponsor of the Red Carpet; Sofitel New York – the official hotel of the Tony Awards; Rainbow Room – official partner of the Tony Nominee Luncheon; United Airlines – the official airline of the Tony Awards for the last 18 years, Entertainment Benefits Group – exclusive VIP package sponsor of the Tony Awards and People/Entertainment Weekly – official magazine partners of the Tony Awards.

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