2021 Grammy Awards: Taylor Swift, Billie Eilish, Beyoncé among the top winners

March 14, 2021

by Carla Hay

Taylor Swift, Billie Eilish and Beyoncé were among the top winners at the 63rd Annual Grammy Awards, which were presented in Los Angeles on March 14, 2021. The show was originally scheduled to take place at the Staples Center, but due to coronavirus pandemic restrictions, performances were held inside an unnamed alternate building, while the awards were given at an outside location directly across from the Staples Center. Trevor Noah hosted the show, which was televised in the U.S. on CBS and Paramount+.

Swift won Album of the Year for “Folklore,” and she became the first artist in Grammy history to win three Grammys for Album of the Year. It was the only award that she won at the 2021 Grammy ceremony. Swift previously won Grammys for Album of the Year for 2008’s “Fearless” and 2014’s “1989.”

Eilish received two prizes at the 2021 Grammy Awards: Record of the Year (for “Everything I Wanted”) and Best Song Written for Visual Media (for “No Time to Die”). These wins came a year after Eilish swept all four of the General Field categories (Album of the Year, Record of the Year, Song of the Year and Best New Artist) at the 2020 Grammy Awards.

Beyoncé had the most nominations (nine) at the 2021 Grammy Awards. She ended up winning four: “Black Parade” won for Best R&B Performance; “Brown Skin Girl” won for Best Music Video/Film (an award she shares with her daughter Blue Ivy and rapper WizKid); and as a featured artist and co-writer on Megan Thee Stallion’s “Savage,” Beyoncé won for Best Rap Performance and Best Rap Song. Beyoncé’s Grammy haul brought her total to 28 Grammys in her career so far. Beyoncé now holds the record as the female artist with the most Grammys, breaking the previous record held by Alison Krauss, who has 27 Grammys.

Other winners in major categories included H.E.R.’s “I Can’t Breathe” (Song of the Year); Megan Thee Stallion (Best New Artist); Dua Lipa’s “Future Nostalgia” (Best Pop Vocal Album); Harry Styles’ “Watermelon Sugar” (Best Pop Vocal Performance); and Lady Gaga With Ariana Grande’s “Rain on Me” (Best Pop/Duo Vocal Performance).

The performers at the 2021 Grammy Awards included Bad Bunny, Black Pumas, Cardi B, BTS, Brandi Carlile, DaBaby, Doja Cat, Eilish, Mickey Guyton, Haim, Brittany Howard, Miranda Lambert, Lil Baby, Lipa, Chris Martin, John Mayer, Megan Thee Stallion, Maren Morris, Post Malone, Bruno Mars, Roddy Ricch, Styles and Swift.

The Grammy nominations and awards are voted for by the Recording Academy. The 2021 Grammy Awards ceremony was produced by Fulwell 73 Productions for the Recording Academy. Ben Winston was executive producer, Jesse Collins and Raj Kapoor were co-executive producers; and Fatima Robinson, Josie Cliff and David Wild were producers, Patrick Menton was talent producer, and Hamish Hamilton was director.

Here is the complete list of winners and nominations for the 2021 Grammy Awards:

*=winner

General Field

Record of the Year

“Black Parade” — Beyoncé — Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer

“Colors” — Black Pumas — Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer

“Rockstar” —DaBaby Featuring Roddy Ricch — SethinTheKitchen, producer; Derek “MixedByAli” Ali, Chris Dennis & Liz Robson, engineers/mixers; Susan Tabor, mastering engineer

“Say So” — Doja Cat — Tyson Trax, producer; Clint Gibbs, engineer/mixer; Mike Bozzi, mastering engineer

“Everything I Wanted” — Billie Eilish — Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer*

“Don’t Start Now” — Dua Lipa — Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer

“Circles” — Post Malone — Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer

“Savage” — Megan Thee Stallion Featuring Beyoncé — Beyoncé & J. White Did It, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer

Album of the Year

“Chilombo” — Jhené Aiko — Fisticuffs & Julian-Quán Việt Lê, producers; Fisticuffs, Julian-Quán Việt Lê, Zeke Mishanec, Christian Plata & Gregg Rominiecki, engineers/mixers; Jhené Aiko Efuru Chilombo, Julian-Quán Việt Lê, Maclean Robinson & Brian Keith Warfield, songwriters; Dave Kutch, mastering engineer

“Black Pumas (Deluxe Edition)” — Black Pumas — Jon Kaplan & Adrian Quesada, producers; Adrian Quesada, Jacob Sciba, Stuart Sikes & Erik Wofford, engineers/mixers; Eric Burton & Adrian Quesada, songwriters; JJ Golden, mastering engineer

“Everyday Life” — Coldplay — Daniel Green, Bill Rahko & Rik Simpson, producers; Mark “Spike” Stent, engineer/mixer; Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters; Emily Lazar, mastering engineer

“Djesse Vol.3” — Jacob Collier — Jacob Collier, producer; Ben Bloomberg & Jacob Collier, engineers/mixers; Jacob Collier, songwriter; Chris Allgood & Emily Lazar, mastering engineers

“Women in Music Pt. III” — HAIM — Rostam Batmanglij, Danielle Haim & Ariel Rechtshaid, producers; Rostam Batmanglij, Jasmine Chen, John DeBold, Matt DiMona, Tom Elmhirst, Joey Messina-Doerning & Ariel Rechtshaid, engineers/mixers; Rostam Batmanglij, Alana Haim, Danielle Haim, Este Haim & Ariel Rechtshaid, songwriters; Emily Lazar, mastering engineer

“Future Nostalgia” — Dua Lipa — Koz, producer; Josh Gudwin & Cameron Gower Poole, engineers/mixers; Clarence Coffee Jr. & Dua Lipa, songwriters; Chris Gehringer, mastering engineer

“Hollywood’s Bleeding” — Post Malone — Louis Bell & Frank Dukes, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell, Adam Feeney, Austin Post & Billy Walsh, songwriters; Mike Bozzi, mastering engineer

“Folklore” — Taylor Swift — Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer*

Song of the Year

“Black Parade” — Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)

“The Box” — Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch)

“Cardigan” — Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)

Circles Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)

“Don’t Start Now” — Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)

“Everything I Wanted” — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)

“I Can’t Breathe” — Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)*

“If the World Was Ending” — Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)

Best New Artist

Ingrid Andress

Phoebe Bridgers

Chika

Noah Cyrus

D Smoke

Doja Cat

Kaytranada

Megan Thee Stallion*

Field 1 – Pop

Best Pop Solo Performance

“Yummy” — Justin Bieber

“Say So” — Doja Cat

“Everything I Wanted” — Billie Eilish

“Don’t Start Now” — Dua Lipa

“Watermelon Sugar” — Harry Styles*

“Cardigan” — Taylor Swift

Best Pop Duo/Group Performance

“Un Dia (One Day)” J Balvin, Dua Lipa, Bad Bunny & Tainy

“Intentions” — Justin Bieber Featuring Quavo

“Dynamite” — BTS

“Rain on Me” — Lady Gaga With Ariana Grande*

“Exile” — Taylor Swift Featuring Bon Iver

Best Traditional Pop Vocal Album

“Blue Umbrella” — Burt Bacharach & Daniel Tashian

“True Love: A Celebration of Cole Porter” — Harry Connick, Jr.

“American Standard” — James Taylor*

“Unfollow the Rules” — Rufus Wainwright

“Judy” — Renée Zellweger

Best Pop Vocal Album

“Changes” — Justin Bieber

“Chromatica” — Lady Gaga

“Future Nostalgia” — Dua Lipa*

“Fine Line” — Harry Styles

“Folklore” — Taylor Swift

Field 2 – Dance/Electronic Music

Best Dance Recording

“On My Mind” — Diplo & Sidepiece

“My High” — Disclosure Featuring Aminé & Slowthai

“The Difference” — Flume Featuring Toro Y Moi

“Both of Us” — Jayda G

“10%” — Kaytranada Featuring Kali Uchis*

Best Dance/Electronic Album

“Kick” — I Arca

“Planet’s Mad” — Baauer

“Energy” — Disclosure

“Bubba” — Kaytranada*

“Good Faith” — Madeon

Field 3 – Contemporary Instrumental Music

Best Contemporary Instrumental Album

“Axiom” — Christian Scott Atunde Adjuah

“Chronology of a Dream: Live At The Village Vanguard” — Jon Batiste

“Take the Stairs” — Black Violin

“Americana Grégoire” — Maret, Romain Collin & Bill Frisell

“Live at the Royal Albert Hall” — Snarky Puppy*

Field 4 – Rock

Best Rock Performance

“Shameika” — Fiona Apple*

“Not” — Big Thief

“Kyoto” — Phoebe Bridgers

“The Steps” — HAIM

“Stay High” — Brittany Howard

“Daylight” — Grace Potter

Best Metal Performance

“Bum-Rush” — Body Count*

“Underneath” — Code Orange

“The In-Between” — In This Moment

“Bloodmoney” — Poppy

“Executioner’s Tax (Swing Of The Axe) – Live” — Power Trip

Best Rock Album

“A Hero’s Death” — Fontaines D.C.

“Kiwanuka” — Michael Kiwanuka

“Daylight” — Grace Potter

“Sound & Fury” — Sturgill Simpson

“The New Abnormal” — The Strokes*

Best Rock Song

“Kyoto” — Phoebe Bridgers, Morgan Nagler & Marshall Vore, Songwriters (Phoebe Bridgers)

“Lost in Yesterday” — Kevin Parker, Songwriter (Tame Impala)

“Not” — Adrianne Lenker, Songwriter (Big Thief)

“Shameika” — Fiona Apple, Songwriter (Fiona Apple)

“Stay High” — Brittany Howard, songwriter (Brittany Howard)*

Field 5 – Alternative

Best Alternative Music Album

“Fetch the Bolt Cutters” — Fiona Apple*

“Hyperspace” — Beck

“Punisher” — Phoebe Bridgers

“Jaime” — Brittany Howard

“The Slow Rush” — Tame Impala

Field 6 – R&B

Best R&B Performance

“Lightning & Thunder” — Jhené Aiko Featuring John Legend

“Black Parade” — Beyoncé*

“All I Need” — Jacob Collier Featuring Mahalia & Ty Dolla $Ign

“Goat Head” — Brittany Howard

“See Me” — Emily King

Best Traditional R&B Performance

“Sit On Down” — The Baylor Project Featuring Jean Baylor & Marcus Baylor

“Wonder What She Thinks of Me” — Chloe X Halle

“Let Me Go” — Mykal Kilgore

“Anything For You” — Ledisi*

“Distance” — Yebba

Best Progressive R&B Album

“Chilombo” — Jhené Aiko

“Ungodly Hour” — Chloe X Halle

“Free Nationals” — Free Nationals

“F*** Yo Feelings” — Robert Glasper

“It Is What It Is” — Thundercat*

Best R&B Song

“Better Than I Imagine” — Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)*

“Black Parade” — Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)

“Collide” — Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar & Benedetto Rotondi, songwriters (Tiana Major9 & Earthgang)

“Do It” — Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monét, Scott Storch & Vincent Van Den Ende, songwriters (Chloe X Halle)

“Slow Down” — Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)

Best R&B Album

“Happy 2 Be Here” — Ant Clemons

“Take Time” — Giveon

“Bigger Love” — John Legend*

“To Feel Love/D” — Luke James

“All Rise” — Gregory Porter

Field 7 – Rap

Best Rap Performance

“Deep Reverence” — Big Sean Featuring Nipsey Hussle

“Bop” — Dababy

“What’s Poppin” — Jack Harlow

“The Bigger Picture” — Lil Baby

“Savage” — Megan Thee Stallion Featuring Beyoncé*

“Dior” — Pop Smoke

Best Melodic Rap Performance

“Rockstar” — Dababy Featuring Roddy Ricch

“Laugh Now, Cry Later” — Drake Featuring Lil Durk

“Lockdown” — Anderson .Paak*

“The Box” — Roddy Ricch

“Highest in the Room” — Travis Scott

Best Rap Album

“Black Habits” — D Smoke

“Alfredo” — Freddie Gibbs & The Alchemist

“A Written Testimony” — Jay Electronica

“King’s Disease” — Nas*

“The Allegory Royce” — Da 5’9″

Best Rap Song

“The Bigger Picture” — Dominique Jones, Noah Pettigrew & Rai’shaun Williams, Songwriters (Lil Baby)

“The Box” — Samuel Gloade & Rodrick Moore, Songwriters (Roddy Ricch)

“Laugh Now, Cry Later” — Durk Banks, Rogét Chahayed, Aubrey Graham, Daveon Jackson, Ron Latour & Ryan Martinez, Songwriters (Drake Featuring Lil Durk)

“Rockstar” — Jonathan Lyndale Kirk, Ross Joseph Portaro Iv & Rodrick Moore, Songwriters (Dababy Featuring Roddy Ricch)

“Savage” — Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)*

Field 8 – Country

Best Country Solo Performance

“Stick That In Your Country Song” — Eric Church

“Who You Thought I Was” — Brandy Clark

“When My Amy Prays” — Vince Gill*

“Black Like Me” — Mickey Guyton

“Bluebird” — Miranda Lambert

Best Country Duo/Group Performance

“All Night” — Brothers Osborne

“10,000 Hours” — Dan + Shay & Justin Bieber*

“Ocean” — Lady A

“Sugar Coat” — Little Big Town

“Some People Do” — Old Dominion

Best Country Album

“Lady Like” — Ingrid Andress

“Your Life Is a Record” — Brandy Clark

“Wildcard” — Miranda Lambert*

“Nightfall” — Little Big Town

“Never Will” — Ashley McBryde

Best Country Song

“Bluebird” — Luke Dick, Natalie Hemby & Miranda Lambert, Songwriters (Miranda Lambert)

“The Bones” — Maren Morris, Jimmy Robbins & Laura Veltz, Songwriters (Maren Morris)

“Crowded Table” — Brandi Carlile, Natalie Hemby & Lori McKenna, Songwriters (The Highwomen)*

“More Hearts Than Mine” — Ingrid Andress, Sam Ellis & Derrick Southerland, Songwriters (Ingrid Andress)

“Some People Do” — Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)

Field 9 – New Age

Best New Age Album

“Songs From the Bardo” — Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith

“Periphery” — Priya Darshini

“Form//Less” — Superposition

“More Guitar Stories” — Jim “Kimo” West*

“Meditations” — Cory Wong & Jon Batiste

Field 10 – Jazz

Best Jazz Vocal Album

“Ona” — Thana Alexa

“Secrets Are the Best Stories” — Kurt Elling Featuring Danilo Pérez*

“Modern Ancestors” — Carmen Lundy

“Holy Room: Live at Alte Oper” — Somi With Frankfurt Radio Big Band

“What’s the Hurry” — Kenny Washington

Best Improvised Jazz Solo

“Guinevere” — Christian Scott Atunde Adjuah, Soloist Track From: Axiom

“Pachamama” — Regina Carter, Soloist Track From: Ona (Thana Alexa)

Celia Gerald Clayton, Soloist

“All Blues” — Chick Corea, Soloist Track From: Trilogy 2 (Chick Corea, Christian Mcbride & Brian Blade)*

“Moe Honk” — Joshua Redman, soloist Track from: RoundAgain (Redman Mehldau McBride Blade)

Best Jazz Instrumental Album

“On The Tender Spot Of Every Calloused Moment” — Ambrose Akinmusire

“Waiting Game” — Terri Lyne Carrington and Social Science

“Happening: Live at the Village Vanguard” — Gerald Clayton

“Trilogy 2” — Chick Corea, Christian Mcbride & Brian Blade*

“Roundagain” — Redman Mehldau McBride Blade

Best Large Jazz Ensemble Album

“Dialogues on Race” — Gregg August

“Monk’estra Plays John Beasley” — John Beasley

“The Intangible Between” — Orrin Evans and the Captain Black Big Band

“Songs You Like a Lot” — John Hollenbeck with Theo Bleckmann, Kate Mcgarry, Gary Versace and the Frankfurt Radio Big Band

“Data Lords” — Maria Schneider Orchestra*

Best Latin Jazz Album

“Tradiciones” — Afro-Peruvian Jazz Orchestra*

“Four Questions” — Arturo O’farrill & The Afro Latin Jazz Orchestra

“City of Dreams” — Chico Pinheiro

“Viento y Tiempo – Live at Blue Note Tokyo” — Gonzalo Rubalcaba & Aymée Nuviola

“Trane’s Delight” — Poncho Sanchez

Field 11 – Gospel/Contemporary Christian Music

Best Gospel Performance/Song

“Wonderful Is Your Name” — Melvin Crispell III

“Release (Live)” — Ricky Dillard Featuring Tiff Joy; David Frazier, songwriter “Come Together” — Rodney “Darkchild” Jerkins Presents: The Good News; Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters

“Won’t Let Go” — Travis Greene; Travis Greene, songwriter

“Movin’ On” — Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters*

Best Contemporary Christian Music Performance/Song

“The Blessing (Live)” — Kari Jobe, Cody Carnes & Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters

“Sunday Morning” — Lecrae Featuring Kirk Franklin; Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters “Holy Water” — We The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters

“Famous For (I Believe)” — Tauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters

“There Was Jesus” — Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters*

Best Gospel Album

“2econd Wind: Ready” — Anthony Brown & Group Therapy

“My Tribute” — Myron Butler

“Choirmaster” — Ricky Dillard

“Gospel According to PJ” — PJ Morton*

“Kierra” — Kierra Sheard

Best Contemporary Christian Music Album

“Run to the Father” — Cody Carnes

All of My Best Friends” — Hillsong Young & Free

“Holy Water” — We the Kingdom

“Citizen of Heaven” — Tauren Wells

“Jesus Is King” — Kanye West*

Best Roots Gospel Album

“Beautiful Day” — Mark Bishop

“20/20” — The Crabb Family

“What Christmas Really Means” — The Erwins

“Celebrating Fisk! (The 150th Anniversary Album)” — Fisk Jubilee Singers*

“Something Beautiful” — Ernie Haase & Signature Sound

Field 12 – Latin

Best Latin Pop or Urban Album

“YHLQMDLG” — Bad Bunny*

“Por Primera Vez” — Camilo

“Mesa Para Dos” — Kany García

“Pausa” — Ricky Martin

“3:33” — Debi Nova

Best Latin Rock or Alternative Album

“Aura” — Bajofondo

“Monstruo” — Cami

“Sobrevolando” — Cultura Profética

“La Conquista Del Espacio” — Fito Paez*

“Miss Colombia” — Lido Pimienta

Best Regional Mexican Music Album (Including Tejano)

“Hecho En México” — Alejandro Fernández

“La Serenata” — Lupita Infante

“Un Canto Por México, Vol. 1” — Natalia Lafourcade*

“Bailando Sones Y Huapangos Con Mariachi Sol De Mexico De Jose Hernandez” — Mariachi Sol De Mexico De Jose Hernandez

“Ayayay!” — Christian Nodal

Best Tropical Latin Album

“Mi Tumbao” — José Alberto “El Ruiseñor”

“Infinito” — Edwin Bonilla

“Sigo Cantando Al Amor (Deluxe)” — Jorge Celedon & Sergio Luis

“40” — Grupo Niche*

“Memorias De Navidad” — Víctor Manuelle

Field 13 – American Roots Music

Best American Roots Performance

“Colors” — Black Pumas

“Deep in Love” — Bonny Light Horseman

“Short and Sweet” — Brittany Howard

“I’ll Be Gone” — Norah Jones & Mavis Staples

“I Remember Everything” — John Prine*

Best American Roots Song

“Cabin” — Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)

“Ceiling to the Floor” — Sierra Hull & Kai Welch, songwriters (Sierra Hull)

“Hometown” — Sarah Jarosz, songwriter (Sarah Jarosz)

“I Remember Everything” — Pat McLaughlin & John Prine, songwriters (John Prine)*

“Man Without a Soul” — Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

Best Americana Album

“Old Flowers” — Courtney Marie Andrews

“Terms of Surrender” — Hiss Golden Messenger

“World on the Ground” — Sarah Jarosz*

“El Dorado” — Marcus King

“Good Souls Better Angels” — Lucinda Williams

Best Bluegrass Album

“Man on Fire” — Danny Barnes

“To Live in Two Worlds, Vol. 1” — Thomm Jutz

“North Carolina Songbook” — Steep Canyon Rangers

“Home” — Billy Strings*

“The John Hartford Fiddle Tune Project, Vol. 1” (Various Artists)

Best Traditional Blues Album

“All My Dues Are Paid” — Frank Bey

“You Make Me Feel” — Don Bryant

“That’s What I Heard” — Robert Cray Band

“Cypress Grove” — Jimmy “Duck” Holmes

“Rawer Than Raw” — Bobby Rush*

Best Contemporary Blues Album 

“Have You Lost Your Mind Yet?” — Fantastic Negrito*

“Live at the Paramount” — Ruthie Foster Big Band

“The Juice” — G. Love

“Blackbirds” — Bettye Lavette

“Up and Rolling” — North Mississippi Allstars

Best Folk Album

“Bonny Light Horseman” — Bonny Light Horseman

“Thanks for the Dance” — Leonard Cohen

“Song for Our Daughter” — Laura Marling

“Saturn Return” — The Secret Sisters

“All the Good Times” — Gillian Welch & David Rawlings*

Best Regional Roots Music Album

“My Relatives” — “Nikso Kowaiks” Black Lodge Singers

“Cameron Dupuy and the Cajun Troubadours” — Cameron Dupuy And The Cajun Troubadours

“Lovely Sunrise” — Nā Wai ʽehā

“Atmosphere” — New Orleans Nightcrawlers*

“A Tribute to Al Berard” — Sweet Cecilia

Field 14 – Reggae

Best Reggae Album

“Upside Down 2020” — Buju Banton

“Higher Place” — Skip Marley

“It All Comes Back to Love” — Maxi Priest

“Got to Be Tough” — Toots & the Maytals*

“One World” — The Wailers

Field 15 – Global Music

Best Global Music Album

“Fu Chronicles” — Antibalas

“Twice As Tall” — Burna Boy*

“Agora” — Bebel Gilberto

“Love Letters” — Anoushka Shankar

“Amadjar” — Tinariwen

Field 16 – Children’s

Best Children’s Music Album

“All the Ladies” — Joanie Leeds*

“Be a Pain: An Album for Young (and Old) Leaders” — Alastair Moock And Friends

“I’m an Optimist” — Dog On Fleas

“Songs for Singin’” — The Okee Dokee Brothers

“Wild Life” — Justin Roberts

Field 17 – Spoken Word

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

“Acid for the Children: A Memoir” — Flea

“Alex Trebek – The Answer Is…” — Ken Jennings

“Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth” — Rachel Maddow*

“Catch and Kill” — Ronan Farrow

“Charlotte’s Web (E.B. White)” — Meryl Streep (& Full cast)

Field 18 – Comedy

Best Comedy Album

“Black Mitzvah” — Tiffany Haddish*

“I Love Everything” — Patton Oswalt

“The Pale Tourist” — Jim Gaffigan

“Paper Tiger” — Bill Burr

“23 Hours to Kill” — Jerry Seinfeld

Field 19 – Musical Theater

Best Musical Theater Album

“Amélie” — Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)

“American Utopia on Broadway” — David Byrne, principal soloist; David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)

“Jagged Little Pill” — Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard & Alanis Morissette, lyricists) (Original Broadway Cast)*

“Little Shop of Horrors” — Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)

“The Prince of Egypt” — Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast)

“Soft Power” — Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)

Field 20 – Music for Visual Media

Best Compilation Soundtrack For Visual Media

“A Beautiful Day in the Neighborhood” (Various Artists)

“Bill & Ted Face the Music” (Various Artists)

“Eurovision Song Contest: The Story Of Fire Saga” (Various Artists)

“Frozen 2” (Various Artists)

“Jojo Rabbit” (Various Artists)*

Best Score Soundtrack For Visual Media

“Ad Astra” — Max Richter, composer

“Becoming” — Kamasi Washington, composer

“Joker” — Hildur Guðnadóttir, composer*

“1917” — Thomas Newman, composer

“Star Wars: The Rise of Skywalker” — John Williams, composer

Best Song Written For Visual Media Category

“Beautiful Ghosts” (from “Cats”) — Andrew Lloyd Webber & Taylor Swift, songwriters (Taylor Swift)

“Carried Me With You” (from “Onward”) — Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)

“Into the Unknown” (from “Frozen 2”) — Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel & Aurora)

“No Time to Die” (from “No Time to Die”) — Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)*

“Stand Up” (from “Harriet”) — Joshuah Brian Campbell & Cynthia Erivo, songwriters (Cynthia Erivo)

Field 21 – Composing/Arranging

Best Instrumental Composition

“Baby Jack” — Arturo O’Farrill, composer (Arturo O’Farrill & the Afro Latin Jazz Orchestra)

“Be Water II” — Christian Sands, composer (Christian Sands)

“Plumfield” — Alexandre Desplat, composer (Alexandre Desplat)

“Sputnik” — Maria Schneider, composer (Maria Schneider)*

“Strata” — Remy Le Boeuf, composer (Remy Le Boeuf’s Assembly Of Shadows Featuring Anna Webber & Eric Miller)

Best Arrangement, Instrumental or A Cappella

“Bathroom Dance” — Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)

“Donna Lee” — John Beasley, arranger (John Beasley)*

“Honeymooners” — Remy Le Boeuf, arranger (Remy Le Boeuf’s Assembly of Shadows)

“Lift Every Voice and Sing” — Alvin Chea & Jarrett Johnson, Arrangers (Jarrett Johnson Featuring Alvin Chea)

“Uranus: The Magician” — Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)

Best Arrangement, Instruments and Vocals

“Asas Fechadas” — John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)

“Desert Song” — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)

“From This Place” — Alan Broadbent & Pat Metheny, arrangers (Pat Metheny Featuring Meshell Ndegeocello)

“He Won’t Hold You” — Jacob Collier, arranger (Jacob Collier Featuring Rapsody)*

“Slow Burn” — Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens Featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)

Field 22 – Package

Best Recording Package

“Everyday Life” — Pilar Zeta, art director (Coldplay)

“Funeral” — Kyle Goen, art director (Lil Wayne)

“Healer” — Julian Gross & Hannah Hooper, art directors (Grouplove)

“On Circles” — Jordan Butcher, art director (Caspian)

“Vols. 11 & 12” — Doug Cunningham & Jason Noto, art directors (Desert Sessions)*

Best Boxed Or Special Limited Edition Package

“Flaming Pie (Collector’s Edition)” — Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)

“Giants Stadium 1987, 1989, 1991” — Lisa Glines & Doran Tyson, art directors (Grateful Dead)

“Mode” — Jeff Schulz, art director (Depeche Mode)

“Ode to Joy” — Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)*

“The Story of Ghostly International” — Michael Cina & Molly Smith, art directors (Various Artists)

Field 23 – Notes

Best Album Notes

“At the Minstrel Show: Minstrel Routines From the Studio, 1894-1926” — Tim Brooks, album notes writer (Various Artists)

“The Bakersfield Sound: Country Music Capital of the West, 1940-1974” — Scott B. Bomar, album notes writer (Various Artists)

“Dead Man’s Pop” — Bob Mehr, album notes writer (The Replacements)*

“The Missing Link: How Gus Haenschen Got Us From Joplin to Jazz and Shaped the Music Business” — Colin Hancock, album notes writer (Various Artists)

“Out of a Clear Blue Sky” — David Sager, album notes writer (Nat Brusiloff)

Field 24 – Historical

Best Historical Album

“Celebrated, 1895-1896” — Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)

“Hittin’ the Ramp: The Early Years (1936 – 1943)” — Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)

“It’s Such a Good Feeling: The Best of Mister Rogers” — Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)*

“1999 Super Deluxe Edition” — Michael Howe, compilation producer; Bernie Grundman, mastering engineer (Prince)

“Souvenir” — Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres in the Dark)

“Throw Down Your Heart: The Complete Africa Sessions” — Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)

Field 25 – Production, Non-Classical

Best Engineered Album, Non-Classical

“Black Hole Rainbow” — Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)

“Expectations” — Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)

“Hyperspace” — Drew Brown, Andrew Coleman, Shawn Everett, Serban Ghenea, David Greenbaum, Jaycen Joshua & Mike Larson, engineers; Randy Merrill, mastering engineer (Beck)*

“Jaime” — Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)

“25 Trips” — Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)

Producer of the Year, Non-Classical

Jack Antonoff — “August” (Taylor Swift), “Gaslighter” (The Chicks), “Holy Terrain” (FKA Twigs Featuring Future), “Mirrorball” (Taylor Swift), “This Is Me Trying” (Taylor Swift), “Together” (Sia)

Dan Auerbach — “Cypress Grove” (Jimmy “Duck” Holmes), “El Dorado” (Marcus King), “Is Thomas Callaway” (CeeLo Green), “Singing For My Supper” (Early James), “Solid Gold Sounds” (Kendell Marvel), “Years” (John Anderson)

Dave Cobb — “Backbone” (Kaleo), “The Balladeer” (Lori McKenna), “Boneshaker” (Airbourne), “Down Home Christmas” (Oak Ridge Boys), “The Highwomen” (The Highwomen), “I Remember Everything” (John Prine), “Reunions” (Jason Isbell and the 400 Unit), “The Spark” (William Prince), “You’re Still The One” (Teddy Swims)

Flying Lotus — “It Is What It Is” (Thundercat)

Andrew Watt — “Break My Heart” (Dua Lipa), “Me And My Guitar” (A Boogie Wit Da Hoodie), “Midnight Sky” (Miley Cyrus), “Old Me” (5 Seconds Of Summer), “Ordinary Man” (Ozzy Osbourne Featuring Elton John), “Take What You Want” (Post Malone Featuring Ozzy Osbourne & Travis Scott), “Under The Graveyard” (Ozzy Osbourne)*

Best Remixed Recording

“Do You Ever (Rac Mix)” — Rac, Remixer (Phil Good)

“Imaginary Friends (Morgan Page Remix)” — Morgan Page, Remixer (Deadmau5)

“Praying for You (Louie Vega Main Remix)” — Louie Vega, Remixer (Jasper Street Co.)

“Roses (Imanbek Remix)” — Imanbek Zeikenov, Remixer (Saint Jhn)*

“Young & Alive (Bazzi Vs. Haywyre Remix)” — Haywyre, remixer (Bazzi)

Field 26 – Production, Immersive Audio

Best Immersive Audio Album

N/A: Due the COVID-19 pandemic, the Best Immersive Audio Album Craft “Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members.”

Field 27 – Production, Classical

Best Engineered Album, Classical

“Danielpour: The Passion Of Yeshua” — Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

“Gershwin: Porgy And Bess” — David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)

“Hynes: Fields” — Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)

“Ives: Complete Symphonies” — Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)

“Shostakovich: Symphony No. 13, ‘Babi Yar’” — David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)*

Producer of the Year, Classical

Blanton Alspaugh

David Frost*

Jesse Lewis

Dmitriy Lipay

Elaine Martone

Field 28 – Classical

Best Orchestral Performance

“Aspects of America – Pulitzer Edition” Carlos Kalmar, conductor (Oregon Symphony)

“Concurrence” — Daníel Bjarnason, conductor (Iceland Symphony Orchestra)

“Copland: Symphony No. 3” — Michael Tilson Thomas, conductor (San Francisco Symphony)

“Ives: Complete Symphonies” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)*

“Lutosławski: Symphonies Nos. 2 & 3” — Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

Best Opera Recording

“Dello Joio: The Trial at Rouen” — Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)

“Floyd, C.: Prince of Players” — William Boggs, conductor; Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)

“Gershwin: Porgy and Bess” — David Robertson, conductor; Angel Blue & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)*

“Handel: Agrippina” — Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D’Oro)

“Zemlinsky: Der Zwerg” — Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)

Best Choral Performance

“Carthage” — Donald Nally, conductor (The Crossing)

“Danielpour: The Passion of Yeshua” — JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

“Kastalsky: Requiem” — Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)

“Moravec: Sanctuary Road” — Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)

“Once Upon a Time” — Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

Best Chamber Music/Small Ensemble Performance

“Contemporary Voices” — Pacifica Quartet*

“Healing Modes” — Brooklyn Rider

“Hearne, T.: Place” — Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra

“Hynes: Fields” — Devonté Hynes & Third Coast Percussion

“The Schumann Quartets” — Dover Quartet

Best Classical Instrumental Solo

“Adès: Concerto for Piano and Orchestra” — Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)

“Beethoven: Complete Piano Sonatas” — Igor Levit

“Bohemian Tales” — Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)

“Destination Rachmaninov – Arrival” Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

“Theofanidis: Concerto for Viola and Chamber Orchestra” — Richard O’Neill; David Alan Miller, conductor (Albany Symphony)*

Best Classical Solo Vocal Album

“American Composers at Play” — William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)

“Clairières – Songs by Lili & Nadia Boulanger” — Nicholas Phan; Myra Huang, accompanist

“Farinelli” — Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)  “A Lad’s Love” — Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)

“Smyth: The Prison” — Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)*

Best Classical Compendium

“Adès Conducts Adès” — Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer

“Saariaho: Graal Théâtre; Circle Map; Neiges; Vers Toi Qui Es Si Loin” — Clément Mao-Takacs, conductor; Hans Kipfer, producer

“Serebrier: Symphonic Bach Variations; Laments And Hallelujahs; Flute Concerto” — José Serebrier, conductor; Jens Braun, producer

“Thomas, M.T.: From The Diary of Anne Frank & Meditations on Rilke” — Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer*

“Woolf, L.P.: Fire And Flood” — Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

Best Contemporary Classical Composition

“Adès: Concerto for Piano and Orchestra” — Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)

“Danielpour: The Passion of Yeshua” — Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

“Floyd, C.: Prince of Players” — Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)

“Hearne, T.: Place” — Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)

“Rouse: Symphony No. 5” — Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)*

Field 29 – Music Video/Film

Best Music Video

“Brown Skin Girl” — Beyoncé, Blue Ivy & WizKid — Beyoncé Knowles-Carter & Jenn Nkiru, Video Directors; Lauren Baker, Astrid Edwards, Nathan Scherrer & Erinn Williams, Video Producers*

“Life Is Good” — Future Featuring Drake — Julien Christian Lutz, Video Director; Harv Glazer, Video Producer

“Lockdown” — Anderson .Paak — Dave Meyers, Video Director; Nathan Scherrer, Video Producer

“Adore You” — Harry Styles — Dave Meyers, Video Director; Nathan Scherrer, Video Producer

“Goliath” — Woodkid — Yoann Lemoine, video director

Best Music Film

“Beastie Boys Story” — Beastie Boys — Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers

“Black Is King” — Beyoncé

“We Are Freestyle Love Supreme” — Freestyle Love Supreme — Andrew Fried, Video Director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers

“Linda Ronstadt: The Sound of My Voice” — Linda Ronstadt — Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers*

“That Little Ol’ Band From Texas” — ZZ Top — Sam Dunn, video director; Scot McFadyen, video producer

2021 Grammy Awards: performers announced

March 7, 2021

The following is a press release from CBS and the Recording Academy:

CBS and the Recording Academy(R) announced the full lineup of performers for the 63rd Annual Grammy Awards. Hosted by Trevor Noah, CBS presents the 63rd Annual Grammy Awards live, Sunday, March 14, (8:00-11:00 PM, live ET/5:00-8:00 PM, live PT) on the CBS Television Network and available to stream live and on demand on Paramount+.

The performers include Bad Bunny, Black Pumas, Cardi B, BTS, Brandi Carlile, DaBaby, Doja Cat, Billie Eilish, Mickey Guyton, Haim, Brittany Howard, Miranda Lambert, Lil Baby, Dua Lipa, Chris Martin, John Mayer, Megan Thee Stallion, Maren Morris, Post Malone, Roddy Ricch, Harry Styles and Taylor Swift. Artists will come together, while still safely apart, to play music for each other as a community and celebrate the music that unites us.

Additionally, Music’s Biggest Night will pay tribute to independent venues, that have been greatly impacted by the pandemic. From bartenders to box office managers, the people who work day-to-day at the Troubadour (Los Angeles), Hotel Café (Los Angeles), the Apollo Theater (New York City) and The Station Inn (Nashville) will present awards for various categories throughout the night.

The 63rd Annual Grammy Awards are produced by Fulwell 73 Productions for the Recording Academy. Ben Winston is executive producer, Jesse Collins and Raj Kapoor are co-executive producers, Fatima Robinson, Josie Cliff and David Wild are producers, Patrick Menton is talent producer, and Hamish Hamilton is director.

About the Recording Academy

The Recording Academy(R) represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the Grammy Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the Grammy Awards — music’s only peer-recognized accolade and highest achievement. As the world’s leading society of music professionals, we work year-round to foster a more inspiring world for creators.

2021 Grammy Awards: Beyoncé is the top nominee

November 24, 2020

by Carla Hay

Beyoncé in “Black Is King” (Photo courtesy of Disney+/Parkwood Entertainment)

With nine nominations, Beyoncé is the top nominee for the 63rd annual Grammy Awards, which will be presented in Los Angeles on January 31, 2021.* CBS will have the U.S. telecast of the ceremony, which will be hosted by Trevor Noah. The nominations were announced on November 24, 2020. Due to the COVID-19 pandemic, the 2021 Grammy ceremony is expected to be a combination of pre-recorded content and live appearances. The Grammy Awards are voted for by members of the Record Academy, which presents the annual ceremony.

Following Beyoncé in the highest number of nominations, with six nods each, are Taylor Swift, Dua Lipa and Roddy Ricch. Beyoncé, Swift, Lipa and Ricch are among the contenders for Song of the Year, an award given to songwriters. In this category, Beyoncé is nominated for “Black Parade,” Swift is nominated for “Cardigan,” Lipa is nominated for “Don’t Start Now” and Ricch is nominated for “The Box.” Megan Thee Stallion, Billie Eilish and DaBaby received four nominations each.

A noticeable and controversial snub is The Weeknd, who was completely shut out of any nominations for the 2021 Grammys, despite getting critical acclaim and other major awards for his eligible album “After Hours” or any of the album’s eligible songs. The Weeknd, who has won three Grammys in the past, responded to the snub by tweeting: “The Grammys are corrupt. You owe me, my fans and the industry transparency …”

Before the snub, The Weeknd and his representatives had been in tense negotiations with Grammy officials for him to perform at the Grammys, but Grammy officials weren’t too keen on it because The Weeknd would be performing at the Super Bowl halftime show a week after the Grammy ceremony. In the end, The Weeknd’s Grammy nomination snub means that he won’t be performing at the 2021 Grammys after all.

First-time Grammy nominees include Harry Styles, BTS and Doja Cat. Performers and presenters at the 2021 Grammy awards are to be announced.

*January 4, 2021 UPDATE: Due to the increase of COVID-19 infections in Los Angeles County, the Recording Academy has announced that the 63rd Grammy Awards ceremony has been postponed to March 14, 2021. An official statement about the delay can be found here.

Here is the complete list of nominations for the 2021 Grammy Awards:

General Field

Record of the Year

“Black Parade” — Beyoncé — Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer

“Colors” — Black Pumas — Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer

“Rockstar” —DaBaby Featuring Roddy Ricch — SethinTheKitchen, producer; Derek “MixedByAli” Ali, Chris Dennis & Liz Robson, engineers/mixers; Susan Tabor, mastering engineer

“Say So” — Doja Cat — Tyson Trax, producer; Clint Gibbs, engineer/mixer; Mike Bozzi, mastering engineer

“Everything I Wanted” — Billie Eilish — Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer

“Don’t Start Now” — Dua Lipa — Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer

“Circles” — Post Malone — Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer

“Savage” — Megan Thee Stallion Featuring Beyoncé — Beyoncé & J. White Did It, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer

Album of the Year

“Chilombo” — Jhené Aiko — Fisticuffs & Julian-Quán Việt Lê, producers; Fisticuffs, Julian-Quán Việt Lê, Zeke Mishanec, Christian Plata & Gregg Rominiecki, engineers/mixers; Jhené Aiko Efuru Chilombo, Julian-Quán Việt Lê, Maclean Robinson & Brian Keith Warfield, songwriters; Dave Kutch, mastering engineer

“Black Pumas (Deluxe Edition)” — Black Pumas — Jon Kaplan & Adrian Quesada, producers; Adrian Quesada, Jacob Sciba, Stuart Sikes & Erik Wofford, engineers/mixers; Eric Burton & Adrian Quesada, songwriters; JJ Golden, mastering engineer

“Everyday Life” — Coldplay — Daniel Green, Bill Rahko & Rik Simpson, producers; Mark “Spike” Stent, engineer/mixer; Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters; Emily Lazar, mastering engineer

“Djesse Vol.3” — Jacob Collier — Jacob Collier, producer; Ben Bloomberg & Jacob Collier, engineers/mixers; Jacob Collier, songwriter; Chris Allgood & Emily Lazar, mastering engineers

“Women in Music Pt. III” — HAIM — Rostam Batmanglij, Danielle Haim & Ariel Rechtshaid, producers; Rostam Batmanglij, Jasmine Chen, John DeBold, Matt DiMona, Tom Elmhirst, Joey Messina-Doerning & Ariel Rechtshaid, engineers/mixers; Rostam Batmanglij, Alana Haim, Danielle Haim, Este Haim & Ariel Rechtshaid, songwriters; Emily Lazar, mastering engineer

“Future Nostalgia” — Dua Lipa — Koz, producer; Josh Gudwin & Cameron Gower Poole, engineers/mixers; Clarence Coffee Jr. & Dua Lipa, songwriters; Chris Gehringer, mastering engineer

“Hollywood’s Bleeding” — Post Malone — Louis Bell & Frank Dukes, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell, Adam Feeney, Austin Post & Billy Walsh, songwriters; Mike Bozzi, mastering engineer

“Folklore” — Taylor Swift — Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer

Song of the Year

“Black Parade” — Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)

“The Box” — Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch)

“Cardigan” — Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)

Circles Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)

“Don’t Start Now” — Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)

“Everything I Wanted” — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)

“I Can’t Breathe” — Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)

“If the World Was Ending” — Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)

Best New Artist

Ingrid Andress

Phoebe Bridgers

Chika

Noah Cyrus

D Smoke

Doja Cat

Kaytranada

Megan Thee Stallion

Field 1 – Pop

Best Pop Solo Performance

“Yummy” — Justin Bieber

“Say So” — Doja Cat

“Everything I Wanted” — Billie Eilish

“Don’t Start Now” — Dua Lipa

“Watermelon Sugar” — Harry Styles

“Cardigan” — Taylor Swift

Best Pop Duo/Group Performance

“Un Dia (One Day)” J Balvin, Dua Lipa, Bad Bunny & Tainy

“Intentions” — Justin Bieber Featuring Quavo

“Dynamite” — BTS

“Rain on Me” — Lady Gaga With Ariana Grande

“Exile” — Taylor Swift Featuring Bon Iver

Best Traditional Pop Vocal Album

“Blue Umbrella” — Burt Bacharach & Daniel Tashian

“True Love: A Celebration of Cole Porter” — Harry Connick, Jr.

“American Standard” — James Taylor

“Unfollow the Rules” — Rufus Wainwright

“Judy” — Renée Zellweger

Best Pop Vocal Album

“Changes” — Justin Bieber

“Chromatica” — Lady Gaga

“Future Nostalgia” — Dua Lipa

“Fine Line” — Harry Styles

“Folklore” — Taylor Swift

Field 2 – Dance/Electronic Music

Best Dance Recording

“On My Mind” — Diplo & Sidepiece

“My High” — Disclosure Featuring Aminé & Slowthai

“The Difference” — Flume Featuring Toro Y Moi

“Both of Us” — Jayda G

“10%” — Kaytranada Featuring Kali Uchis

Best Dance/Electronic Album

“Kick” — I Arca

“Planet’s Mad” — Baauer

“Energy” — Disclosure

“Bubba” — Kaytranada

“Good Faith” — Madeon

Field 3 – Contemporary Instrumental Music

Best Contemporary Instrumental Album

“Axiom” — Christian Scott Atunde Adjuah

“Chronology of a Dream: Live At The Village Vanguard” — Jon Batiste

“Take the Stairs” — Black Violin

“Americana Grégoire” — Maret, Romain Collin & Bill Frisell

“Live at the Royal Albert Hall” — Snarky Puppy

Field 4 – Rock

Best Rock Performance

“Shameika” — Fiona Apple

“Not” — Big Thief

“Kyoto” — Phoebe Bridgers

“The Steps” — HAIM

“Stay High” — Brittany Howard

“Daylight” — Grace Potter

Best Metal Performance

“Bum-Rush” — Body Count

“Underneath” — Code Orange

“The In-Between” — In This Moment

“Bloodmoney” — Poppy

“Executioner’s Tax (Swing Of The Axe) – Live” — Power Trip

Best Rock Album

“A Hero’s Death” — Fontaines D.C.

“Kiwanuka” — Michael Kiwanuka

“Daylight” — Grace Potter

“Sound & Fury” — Sturgill Simpson

“The New Abnormal” — The Strokes

Best Rock Song

“Kyoto” — Phoebe Bridgers, Morgan Nagler & Marshall Vore, Songwriters (Phoebe Bridgers)

“Lost in Yesterday” — Kevin Parker, Songwriter (Tame Impala)

“Not” — Adrianne Lenker, Songwriter (Big Thief)

“Shameika” — Fiona Apple, Songwriter (Fiona Apple)

“Stay High” — Brittany Howard, songwriter (Brittany Howard)

Field 5 – Alternative

Best Alternative Music Album

“Fetch the Bolt Cutters” — Fiona Apple

“Hyperspace” — Beck

“Punisher” — Phoebe Bridgers

“Jaime” — Brittany Howard

“The Slow Rush” — Tame Impala

Field 6 – R&B

Best R&B Performance

“Lightning & Thunder” — Jhené Aiko Featuring John Legend

“Black Parade” — Beyoncé

“All I Need” — Jacob Collier Featuring Mahalia & Ty Dolla $Ign

“Goat Head” — Brittany Howard

“See Me” — Emily King

Best Traditional R&B Performance

“Sit On Down” — The Baylor Project Featuring Jean Baylor & Marcus Baylor

“Wonder What She Thinks of Me” — Chloe X Halle

“Let Me Go” — Mykal Kilgore

“Anything For You” — Ledisi

“Distance” — Yebba

Best Progressive R&B Album

“Chilombo” — Jhené Aiko

“Ungodly Hour” — Chloe X Halle

“Free Nationals” — Free Nationals

“F*** Yo Feelings” — Robert Glasper

“It Is What It Is” — Thundercat

Best R&B Song

“Better Than I Imagine” — Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)

“Black Parade” — Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)

“Collide” — Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar & Benedetto Rotondi, songwriters (Tiana Major9 & Earthgang)

“Do It” — Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monét, Scott Storch & Vincent Van Den Ende, songwriters (Chloe X Halle)

“Slow Down” — Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)

Best R&B Album

“Happy 2 Be Here” — Ant Clemons

“Take Time” — Giveon

“To Feel Love/D” — Luke James

“Bigger Love” — John Legend

“All Rise” — Gregory Porter

Field 7 – Rap

Best Rap Performance

“Deep Reverence” — Big Sean Featuring Nipsey Hussle

“Bop” — Dababy

“What’s Poppin” — Jack Harlow

“The Bigger Picture” — Lil Baby

“Savage” — Megan Thee Stallion Featuring Beyoncé

“Dior” — Pop Smoke

Best Melodic Rap Performance

“Rockstar” — Dababy Featuring Roddy Ricch

“Laugh Now, Cry Later” — Drake Featuring Lil Durk

“Lockdown” — Anderson .Paak

“The Box” — Roddy Ricch

“Highest in the Room” — Travis Scott

Best Rap Album

“Black Habits” — D Smoke

“Alfredo” — Freddie Gibbs & The Alchemist

“A Written Testimony” — Jay Electronica

“King’s Disease” — Nas

“The Allegory Royce” — Da 5’9″

Best Rap Song

“The Bigger Picture” — Dominique Jones, Noah Pettigrew & Rai’shaun Williams, Songwriters (Lil Baby)

“The Box” — Samuel Gloade & Rodrick Moore, Songwriters (Roddy Ricch)

“Laugh Now, Cry Later” — Durk Banks, Rogét Chahayed, Aubrey Graham, Daveon Jackson, Ron Latour & Ryan Martinez, Songwriters (Drake Featuring Lil Durk)

“Rockstar” — Jonathan Lyndale Kirk, Ross Joseph Portaro Iv & Rodrick Moore, Songwriters (Dababy Featuring Roddy Ricch)

“Savage” — Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)

Field 8 – Country

Best Country Solo Performance

“Stick That In Your Country Song” — Eric Church

“Who You Thought I Was” — Brandy Clark

“When My Amy Prays” — Vince Gill

“Black Like Me” — Mickey Guyton

“Bluebird” — Miranda Lambert

Best Country Duo/Group Performance

“All Night” — Brothers Osborne

“10,000 Hours” — Dan + Shay & Justin Bieber

“Ocean” — Lady A

“Sugar Coat” — Little Big Town

“Some People Do” — Old Dominion

Best Country Album

“Lady Like” — Ingrid Andress

“Your Life Is a Record” — Brandy Clark

“Wildcard” — Miranda Lambert

“Nightfall” — Little Big Town

“Never Will” — Ashley McBryde

Best Country Song

“Bluebird” — Luke Dick, Natalie Hemby & Miranda Lambert, Songwriters (Miranda Lambert)

“The Bones” — Maren Morris, Jimmy Robbins & Laura Veltz, Songwriters (Maren Morris)

“Crowded Table” — Brandi Carlile, Natalie Hemby & Lori McKenna, Songwriters (The Highwomen)

“More Hearts Than Mine” — Ingrid Andress, Sam Ellis & Derrick Southerland, Songwriters (Ingrid Andress)

“Some People Do” — Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)

Field 9 – New Age

Best New Age Album

“Songs From the Bardo” — Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith

“Periphery” — Priya Darshini

“Form//Less” — Superposition

“More Guitar Stories” — Jim “Kimo” West

“Meditations” — Cory Wong & Jon Batiste

Field 10 – Jazz

Best Jazz Vocal Album

“Ona” — Thana Alexa

“Secrets Are the Best Stories” — Kurt Elling Featuring Danilo Pérez

“Modern Ancestors” — Carmen Lundy

“Holy Room: Live at Alte Oper” — Somi With Frankfurt Radio Big Band

“What’s the Hurry” — Kenny Washington

Best Improvised Jazz Solo

“Guinevere” — Christian Scott Atunde Adjuah, Soloist Track From: Axiom

“Pachamama” — Regina Carter, Soloist Track From: Ona (Thana Alexa)

Celia Gerald Clayton, Soloist

“All Blues” — Chick Corea, Soloist Track From: Trilogy 2 (Chick Corea, Christian Mcbride & Brian Blade)

“Moe Honk” — Joshua Redman, soloist Track from: RoundAgain (Redman Mehldau McBride Blade)

Best Jazz Instrumental Album

“On The Tender Spot Of Every Calloused Moment” — Ambrose Akinmusire

“Waiting Game” — Terri Lyne Carrington and Social Science

“Happening: Live at the Village Vanguard” — Gerald Clayton

“Trilogy 2” — Chick Corea, Christian Mcbride & Brian Blade

“Roundagain” — Redman Mehldau McBride Blade

Best Large Jazz Ensemble Album

“Dialogues on Race” — Gregg August

“Monk’estra Plays John Beasley” — John Beasley

“The Intangible Between” — Orrin Evans and the Captain Black Big Band

“Songs You Like a Lot” — John Hollenbeck with Theo Bleckmann, Kate Mcgarry, Gary Versace and the Frankfurt Radio Big Band

“Data Lords” Maria Schneider Orchestra

Best Latin Jazz Album

“Tradiciones” — Afro-Peruvian Jazz Orchestra

“Four Questions” — Arturo O’farrill & The Afro Latin Jazz Orchestra

“City of Dreams” — Chico Pinheiro

“Viento y Tiempo – Live at Blue Note Tokyo” — Gonzalo Rubalcaba & Aymée Nuviola

“Trane’s Delight” — Poncho Sanchez

Field 11 – Gospel/Contemporary Christian Music

Best Gospel Performance/Song

“Wonderful Is Your Name” — Melvin Crispell III

“Release (Live)” — Ricky Dillard Featuring Tiff Joy; David Frazier, songwriter “Come Together” — Rodney “Darkchild” Jerkins Presents: The Good News; Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters

“Won’t Let Go” — Travis Greene; Travis Greene, songwriter

“Movin’ On” — Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters

Best Contemporary Christian Music Performance/Song

“The Blessing (Live)” — Kari Jobe, Cody Carnes & Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters

“Sunday Morning” — Lecrae Featuring Kirk Franklin; Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters “Holy Water” — We The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters

“Famous For (I Believe)” — Tauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters

“There Was Jesus” — Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters

Best Gospel Album

“2econd Wind: Ready” — Anthony Brown & Group Therapy

“My Tribute” — Myron Butler

“Choirmaster” — Ricky Dillard

“Gospel According to PJ” — PJ Morton

“Kierra” — Kierra Sheard

Best Contemporary Christian Music Album

“Run to the Father” — Cody Carnes

All of My Best Friends” — Hillsong Young & Free

“Holy Water” — We the Kingdom

“Citizen of Heaven” — Tauren Wells

“Jesus Is King” — Kanye West

Best Roots Gospel Album

“Beautiful Day” — Mark Bishop

“20/20” — The Crabb Family

“What Christmas Really Means” — The Erwins

“Celebrating Fisk! (The 150th Anniversary Album)” — Fisk Jubilee Singers

“Something Beautiful” — Ernie Haase & Signature Sound

Field 12 – Latin

Best Latin Pop or Urban Album

“YHLQMDLG” — Bad Bunny

“Por Primera Vez” — Camilo

“Mesa Para Dos” — Kany García

“Pausa” — Ricky Martin

“3:33” — Debi Nova

Best Latin Rock or Alternative Album

“Aura” — Bajofondo

“Monstruo” — Cami

“Sobrevolando” — Cultura Profética

“La Conquista Del Espacio” — Fito Paez

“Miss Colombia” — Lido Pimienta

Best Regional Mexican Music Album (Including Tejano)

“Hecho En México” — Alejandro Fernández

“La Serenata” — Lupita Infante

“Un Canto Por México, Vol. 1” — Natalia Lafourcade

“Bailando Sones Y Huapangos Con Mariachi Sol De Mexico De Jose Hernandez” — Mariachi Sol De Mexico De Jose Hernandez

“Ayayay!” — Christian Nodal

Best Tropical Latin Album

“Mi Tumbao” — José Alberto “El Ruiseñor”

“Infinito” — Edwin Bonilla

“Sigo Cantando Al Amor (Deluxe)” — Jorge Celedon & Sergio Luis

“40” — Grupo Niche

“Memorias De Navidad” — Víctor Manuelle

Field 13 – American Roots Music

Best American Roots Performance

“Colors” — Black Pumas

“Deep in Love” — Bonny Light Horseman

“Short and Sweet” — Brittany Howard

“I’ll Be Gone” — Norah Jones & Mavis Staples

“I Remember Everything” — John Prine

Best American Roots Song

“Cabin” — Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)

“Ceiling to the Floor” — Sierra Hull & Kai Welch, songwriters (Sierra Hull)

“Hometown” — Sarah Jarosz, songwriter (Sarah Jarosz)

“I Remember Everything” — Pat McLaughlin & John Prine, songwriters (John Prine)

“Man Without a Soul” — Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

Best Americana Album

“Old Flowers” — Courtney Marie Andrews

“Terms of Surrender” — Hiss Golden Messenger

“World on the Ground” — Sarah Jarosz

“El Dorado” — Marcus King

“Good Souls Better Angels” — Lucinda Williams

Best Bluegrass Album

“Man on Fire” — Danny Barnes

“To Live in Two Worlds, Vol. 1” — Thomm Jutz

“North Carolina Songbook” — Steep Canyon Rangers

“Home” — Billy Strings

“The John Hartford Fiddle Tune Project, Vol. 1” (Various Artists)

Best Traditional Blues Album

“All My Dues Are Paid” — Frank Bey

“You Make Me Feel” — Don Bryant

“That’s What I Heard” — Robert Cray Band

“Cypress Grove” — Jimmy “Duck” Holmes

“Rawer Than Raw” — Bobby Rush

Best Contemporary Blues Album 

“Have You Lost Your Mind Yet?” — Fantastic Negrito

“Live at the Paramount” — Ruthie Foster Big Band

“The Juice” — G. Love

“Blackbirds” — Bettye Lavette

“Up and Rolling” — North Mississippi Allstars

Best Folk Album

“Bonny Light Horseman” — Bonny Light Horseman

“Thanks for the Dance” — Leonard Cohen

“Song for Our Daughter” — Laura Marling

“Saturn Return” — The Secret Sisters

“All the Good Times” — Gillian Welch & David Rawlings

Best Regional Roots Music Album

“My Relatives” — “Nikso Kowaiks” Black Lodge Singers

“Cameron Dupuy and the Cajun Troubadours” — Cameron Dupuy And The Cajun Troubadours

“Lovely Sunrise” — Nā Wai ʽehā

“Atmosphere” — New Orleans Nightcrawlers

“A Tribute to Al Berard” — Sweet Cecilia

Field 14 – Reggae

Best Reggae Album

“Upside Down 2020” — Buju Banton

“Higher Place” — Skip Marley

“It All Comes Back to Love” — Maxi Priest

“Got to Be Tough” — Toots & the Maytals

“One World” — The Wailers

Field 15 – Global Music

Best Global Music Album

“Fu Chronicles” — Antibalas

“Twice As Tall” — Burna Boy

“Agora” — Bebel Gilberto

“Love Letters” — Anoushka Shankar

“Amadjar” — Tinariwen

Field 16 – Children’s

Best Children’s Music Album

“All the Ladies” — Joanie Leeds

“Be a Pain: An Album for Young (and Old) Leaders” — Alastair Moock And Friends

“I’m an Optimist” — Dog On Fleas

“Songs for Singin’” — The Okee Dokee Brothers

“Wild Life” — Justin Roberts

Field 17 – Spoken Word

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

“Acid for the Children: A Memoir” — Flea

“Alex Trebek – The Answer Is…” — Ken Jennings

“Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth” — Rachel Maddow

“Catch and Kill” — Ronan Farrow

“Charlotte’s Web (E.B. White)” — Meryl Streep (& Full cast)

Field 18 – Comedy

Best Comedy Album

“Black Mitzvah” — Tiffany Haddish

“I Love Everything” — Patton Oswalt

“The Pale Tourist” — Jim Gaffigan

“Paper Tiger” — Bill Burr

“23 Hours to Kill” — Jerry Seinfeld

Field 19 – Musical Theater

Best Musical Theater Album

“Amélie” — Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)

“American Utopia on Broadway” — David Byrne, principal soloist; David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)

“Jagged Little Pill” — Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard & Alanis Morissette, lyricists) (Original Broadway Cast)

“Little Shop of Horrors” — Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)

“The Prince of Egypt” — Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast)

“Soft Power” — Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)

Field 20 – Music for Visual Media

Best Compilation Soundtrack For Visual Media

“A Beautiful Day in the Neighborhood” (Various Artists)

“Bill & Ted Face the Music” (Various Artists)

“Eurovision Song Contest: The Story Of Fire Saga” (Various Artists)

“Frozen 2” (Various Artists)

“Jojo Rabbit” (Various Artists)

Best Score Soundtrack For Visual Media

“Ad Astra” — Max Richter, composer

“Becoming” — Kamasi Washington, composer

“Joker” — Hildur Guðnadóttir, composer

“1917” — Thomas Newman, composer

“Star Wars: The Rise of Skywalker” — John Williams, composer

Best Song Written For Visual Media Category

“Beautiful Ghosts” (from “Cats”) — Andrew Lloyd Webber & Taylor Swift, songwriters (Taylor Swift)

“Carried Me With You” (from “Onward”) — Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)

“Into the Unknown” (from “Frozen 2”) — Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel & Aurora)

“No Time to Die” (from “No Time to Die”) — Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)

“Stand Up” (from “Harriet”) — Joshuah Brian Campbell & Cynthia Erivo, songwriters (Cynthia Erivo)

Field 21 – Composing/Arranging

Best Instrumental Composition

“Baby Jack” — Arturo O’Farrill, composer (Arturo O’Farrill & the Afro Latin Jazz Orchestra)

“Be Water II” — Christian Sands, composer (Christian Sands)

“Plumfield” — Alexandre Desplat, composer (Alexandre Desplat)

“Sputnik” — Maria Schneider, composer (Maria Schneider)

“Strata” — Remy Le Boeuf, composer (Remy Le Boeuf’s Assembly Of Shadows Featuring Anna Webber & Eric Miller)

Best Arrangement, Instrumental or A Cappella

“Bathroom Dance” — Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)

“Donna Lee” — John Beasley, arranger (John Beasley)

“Honeymooners” — Remy Le Boeuf, arranger (Remy Le Boeuf’s Assembly of Shadows)

“Lift Every Voice and Sing” — Alvin Chea & Jarrett Johnson, Arrangers (Jarrett Johnson Featuring Alvin Chea)

“Uranus: The Magician” — Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)

Best Arrangement, Instruments and Vocals

“Asas Fechadas” — John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)

“Desert Song” — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)

“From This Place” — Alan Broadbent & Pat Metheny, arrangers (Pat Metheny Featuring Meshell Ndegeocello)

“He Won’t Hold You” — Jacob Collier, arranger (Jacob Collier Featuring Rapsody)

“Slow Burn” — Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens Featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)

Field 22 – Package

Best Recording Package

“Everyday Life” — Pilar Zeta, art director (Coldplay)

“Funeral” — Kyle Goen, art director (Lil Wayne)

“Healer” — Julian Gross & Hannah Hooper, art directors (Grouplove)

“On Circles” — Jordan Butcher, art director (Caspian)

“Vols. 11 & 12” — Doug Cunningham & Jason Noto, art directors (Desert Sessions)

Best Boxed Or Special Limited Edition Package

“Flaming Pie (Collector’s Edition)” — Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)

“Giants Stadium 1987, 1989, 1991” — Lisa Glines & Doran Tyson, art directors (Grateful Dead)

“Mode” — Jeff Schulz, art director (Depeche Mode)

“Ode to Joy” — Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)

“The Story of Ghostly International” — Michael Cina & Molly Smith, art directors (Various Artists)

Field 23 – Notes

Best Album Notes

“At the Minstrel Show: Minstrel Routines From the Studio, 1894-1926” — Tim Brooks, album notes writer (Various Artists)

“The Bakersfield Sound: Country Music Capital of the West, 1940-1974” — Scott B. Bomar, album notes writer (Various Artists)

“Dead Man’s Pop” — Bob Mehr, album notes writer (The Replacements)

“The Missing Link: How Gus Haenschen Got Us From Joplin to Jazz and Shaped the Music Business” — Colin Hancock, album notes writer (Various Artists)

“Out of a Clear Blue Sky” — David Sager, album notes writer (Nat Brusiloff)

Field 24 – Historical

Best Historical Album

“Celebrated, 1895-1896” — Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)

“Hittin’ the Ramp: The Early Years (1936 – 1943)” — Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)

“It’s Such a Good Feeling: The Best of Mister Rogers” — Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)

“1999 Super Deluxe Edition” — Michael Howe, compilation producer; Bernie Grundman, mastering engineer (Prince)

“Souvenir” — Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres in the Dark)

“Throw Down Your Heart: The Complete Africa Sessions” — Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)

Field 25 – Production, Non-Classical

Best Engineered Album, Non-Classical

“Black Hole Rainbow” — Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)

“Expectations” — Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)

“Hyperspace” — Drew Brown, Andrew Coleman, Shawn Everett, Serban Ghenea, David Greenbaum, Jaycen Joshua & Mike Larson, engineers; Randy Merrill, mastering engineer (Beck)

“Jaime” — Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)

“25 Trips” — Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)

Producer of the Year, Non-Classical

Jack Antonoff — “August” (Taylor Swift), “Gaslighter” (The Chicks), “Holy Terrain” (FKA Twigs Featuring Future), “Mirrorball” (Taylor Swift), “This Is Me Trying” (Taylor Swift), “Together” (Sia)

Dan Auerbach — “Cypress Grove” (Jimmy “Duck” Holmes), “El Dorado” (Marcus King), “Is Thomas Callaway” (CeeLo Green), “Singing For My Supper” (Early James), “Solid Gold Sounds” (Kendell Marvel), “Years” (John Anderson)

Dave Cobb — “Backbone” (Kaleo), “The Balladeer” (Lori McKenna), “Boneshaker” (Airbourne), “Down Home Christmas” (Oak Ridge Boys), “The Highwomen” (The Highwomen), “I Remember Everything” (John Prine), “Reunions” (Jason Isbell and the 400 Unit), “The Spark” (William Prince), “You’re Still The One” (Teddy Swims)

Flying Lotus — “It Is What It Is” (Thundercat)

Andrew Watt — “Break My Heart” (Dua Lipa), “Me And My Guitar” (A Boogie Wit Da Hoodie), “Midnight Sky” (Miley Cyrus), “Old Me” (5 Seconds Of Summer), “Ordinary Man” (Ozzy Osbourne Featuring Elton John), “Take What You Want” (Post Malone Featuring Ozzy Osbourne & Travis Scott), “Under The Graveyard” (Ozzy Osbourne)

Best Remixed Recording

“Do You Ever (Rac Mix)” — Rac, Remixer (Phil Good)

“Imaginary Friends (Morgan Page Remix)” — Morgan Page, Remixer (Deadmau5)

“Praying for You (Louie Vega Main Remix)” — Louie Vega, Remixer (Jasper Street Co.)

“Roses (Imanbek Remix)” — Imanbek Zeikenov, Remixer (Saint Jhn)

“Young & Alive (Bazzi Vs. Haywyre Remix)” — Haywyre, remixer (Bazzi)

Field 26 – Production, Immersive Audio

Best Immersive Audio Album

N/A: Due the COVID-19 pandemic, the Best Immersive Audio Album Craft “Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members.”

Field 27 – Production, Classical

Best Engineered Album, Classical

“Danielpour: The Passion Of Yeshua” — Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

“Gershwin: Porgy And Bess” — David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)

“Hynes: Fields” — Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)

“Ives: Complete Symphonies” — Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)

“Shostakovich: Symphony No. 13, ‘Babi Yar’” — David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

Producer of the Year, Classical

Blanton Alspaugh

David Frost

Jesse Lewis

Dmitriy Lipay

Elaine Martone

Field 28 – Classical

Best Orchestral Performance

“Aspects of America – Pulitzer Edition” Carlos Kalmar, conductor (Oregon Symphony)

“Concurrence” — Daníel Bjarnason, conductor (Iceland Symphony Orchestra)

“Copland: Symphony No. 3” — Michael Tilson Thomas, conductor (San Francisco Symphony)

“Ives: Complete Symphonies” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)

“Lutosławski: Symphonies Nos. 2 & 3” — Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

Best Opera Recording

“Dello Joio: The Trial at Rouen” — Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)

“Floyd, C.: Prince of Players” — William Boggs, conductor; Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)

“Gershwin: Porgy and Bess” — David Robertson, conductor; Angel Blue & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

“Handel: Agrippina” — Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D’Oro)

“Zemlinsky: Der Zwerg” — Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)

Best Choral Performance

“Carthage” — Donald Nally, conductor (The Crossing)

“Danielpour: The Passion of Yeshua” — JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

“Kastalsky: Requiem” — Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)

“Moravec: Sanctuary Road” — Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)

“Once Upon a Time” — Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

Best Chamber Music/Small Ensemble Performance

“Contemporary Voices” — Pacifica Quartet

“Healing Modes” — Brooklyn Rider

“Hearne, T.: Place” — Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra

“Hynes: Fields” — Devonté Hynes & Third Coast Percussion

“The Schumann Quartets” — Dover Quartet

Best Classical Instrumental Solo

“Adès: Concerto for Piano and Orchestra” — Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)

“Beethoven: Complete Piano Sonatas” — Igor Levit

“Bohemian Tales” — Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)

“Destination Rachmaninov – Arrival” Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

“Theofanidis: Concerto for Viola and Chamber Orchestra” — Richard O’Neill; David Alan Miller, conductor (Albany Symphony)

Best Classical Solo Vocal Album

“American Composers at Play” — William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)

“Clairières – Songs by Lili & Nadia Boulanger” — Nicholas Phan; Myra Huang, accompanist

“Farinelli” — Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)  “A Lad’s Love” — Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)

“Smyth: The Prison” — Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

Best Classical Compendium

“Adès Conducts Adès” — Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer

“Saariaho: Graal Théâtre; Circle Map; Neiges; Vers Toi Qui Es Si Loin” — Clément Mao-Takacs, conductor; Hans Kipfer, producer

“Serebrier: Symphonic Bach Variations; Laments And Hallelujahs; Flute Concerto” — José Serebrier, conductor; Jens Braun, producer

“Thomas, M.T.: From The Diary of Anne Frank & Meditations on Rilke” — Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

“Woolf, L.P.: Fire And Flood” — Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

Best Contemporary Classical Composition

“Adès: Concerto for Piano and Orchestra” — Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)

“Danielpour: The Passion of Yeshua” — Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

“Floyd, C.: Prince of Players” — Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)

“Hearne, T.: Place” — Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)

“Rouse: Symphony No. 5” — Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

Field 29 – Music Video/Film

Best Music Video

“Brown Skin Girl” — Beyoncé, Blue Ivy & WizKid — Beyoncé Knowles-Carter & Jenn Nkiru, Video Directors; Lauren Baker, Astrid Edwards, Nathan Scherrer & Erinn Williams, Video Producers

“Life Is Good” — Future Featuring Drake — Julien Christian Lutz, Video Director; Harv Glazer, Video Producer

“Lockdown” — Anderson .Paak — Dave Meyers, Video Director; Nathan Scherrer, Video Producer

“Adore You” — Harry Styles — Dave Meyers, Video Director; Nathan Scherrer, Video Producer

“Goliath” — Woodkid — Yoann Lemoine, video director

Best Music Film

“Beastie Boys Story” — Beastie Boys — Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers

“Black Is King” — Beyoncé

“We Are Freestyle Love Supreme” — Freestyle Love Supreme — Andrew Fried, Video Director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers

“Linda Ronstadt: The Sound of My Voice” — Linda Ronstadt — Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers

“That Little Ol’ Band From Texas” — ZZ Top — Sam Dunn, video director; Scot McFadyen, video producer

2020 American Music Awards: Taylor Swift, Justin Bieber, The Weeknd and Dan + Shay are the top winners

November 22, 2020

Taylor Swift (Photo courtesy of ABC)

The following is a press release from Dick Clark Productions and ABC:

Dan+Shay, Justin Bieber, Taylor Swift and The Weeknd all topped the winners circle at the “2020 American Music Awards” (AMA) with three wins a piece, bringing Swift’s record for most career AMA wins to a whopping 32. The hottest night in music included thrilling exclusive world premiere performances as well as an energizing fun-filled opening number by AMA host Taraji P. Henson. The first-time AMA host dazzled fans with a beat-pumping dance routine, unexpected surprises, including a visit from America’s favorite TV music mogul Cookie Lyon (Henson’s character on “Empire”), and glamour and sophistication with nine wardrobe changes. 

Show performance highlights included:

  • One of the most memorable moments of the night was Justin Bieber’s powerful opening performance of his songs “Lonely,” with Benny Blanco on piano, and “Holy,” brought to fans by T-Mobile. 
  • Shawn Mendes and Bieber’s world premiere performance of their newly released single “Monster” set the stage for the collaborations to come throughout the night.
  • Katy Perry was joined by Darius Rucker for an intimate and heartfelt special collaboration of “Only Love.”
  • The Weeknd lit up Downtown Los Angeles with an electrifying performance of “In Your Eyes,” featuring saxophone legend Kenny G, and “Save Your Tears,” accompanied by a vibrant fireworks display.
  • Billie Ellish gave a spectacular world premiere performance of her new song, “Therefore I Am,” with an appearance from her brother and producer, Finneas, who accompanied her on the guitar. 
  • Rapper Nelly energized fans with a performance of his hits from his debut album, “Country Grammar,” celebrating 20 years since its release. Surprises included legendary comedian Cedric The Entertainer, with an intro parroting his skit on Nelly’s first album, and St. Lunatic City Spud, who joined Nelly for “Ride Wit Me.” 
  • Jennifer Lopez and Maluma, steamed up the stage with a sultry rendition of “Pa’ Ti” and “Lonely.” The duo rehearsed 50 hours in less than two weeks to deliver the jaw dropping, world premiere performance to the stage.
  • Megan Thee Stallion brought hot girl energy to the stage with the world premiere performance of her body confidence anthem “BODY.” Earlier in AMAs weekend, Megan The Stallion connected with a lucky group of her fans for a virtual hangout via Messenger Rooms.  
  • Hip-Hop/R&B legends, Bell Biv DeVoe did not disappoint with their high energy performance of their hits, “Do Me (Remix),” and “Poison,” ending their heart thumping dance induced performance with a sign of unity by raising their fists.
  • Lewis Capaldi gave a soulful, moving performance of his smash hit “Before You Go” that was satisfyingly haunting. 
  • Dua Lipa, remote from the Royal Albert Hall in London, delivered an elevated performance of “Levitating,” brought to viewers by Xfinity.
  • Machine Gun Kelly, with a special appearance by drummer Travis Barker, gave electrifying guitar-laden performances of his hits, “my ex’s best friend” and “Bloody Valentine.” 
  • Dan + Shay had everyone singing along at home with their fan-favorite, chart-topper “I Should Probably Go To Bed.” 
  • 24KGoldn + Iann Dior took to the stage for a spirited performance of their chart-topping hit “Mood,” against a lively backdrop of kaleidoscopic visuals. 
  • Shawn Mendes stunned fans with an evocative performance of “Wonder” delivered with soul-stirring power. 
  • Lil Baby commanded the stage with a striking performance of “Emotionally Scarred,” with a message expressing the importance of mental health.
  • Bebe Rexha and Doja Cat gave an upbeat performance of their catchy collaboration “Baby, I’m Jealous,” while donning outfits reminiscent of their music video.  
  • BTS closed out the night, remote from Seoul, South Korea, with a vibrant nearly six-minute performance of their newly released song ”Life Goes On” and fan favorite hit “Dynamite.” 

 Winner Highlights of the “2020 American Music Awards:”

  • Taylor Swift led the pack winning the most coveted honor of the night, Artist of the Year, as well as honors for Favorite Music Video for her pop hit “Cardigan” and Favorite Female Pop/Rock Artist. In her remote acceptance speech from the  studio, Swift revealed she is now re-recording her previous albums.
  • Justin Bieber earned three AMA wins for Favorite Male Pop/Rock Artist, Collaboration of the Year and Favorite Country Song, the latter two for his team up with Dan+Shay for their song “10,000 Hours.”
  • The Weeknd took home three honors for Favorite Male Soul/R&B Artist, Favorite Soul/R&B Album and Favorite Soul/R&B Song.
  • BTS won two trophies for Favorite Social Artist and Favorite Pop Group. 
  • Nicki Minaj won two AMAs for Favorite Female Rap Artist and Favorite Latin Song for her hit collaboration, “Tusa,” with Colombian reggaeton artist KAROL G.
  • Doja Cat walked away with two wins for Favorite New Artist and Favorite Female Soul/R&B Artist.
  • Winning in two of the four newly expanded Latin categories, reggaeton superstar Bad Bunny took AMAs for Favorite Male Latin Artist and Favorite Latin Album. 
  • Becky G. gave an inspiring acceptance speech for her Favorite Female Latin Artist win, honoring Latin artists and others who inspired her to follow her dreams. 

Presenters throughout the evening included: Anthony Anderson, Cara Delevingne, Christian Serratos, Ciara, David Dobrik, Derek Hough, G-Eazy, Kristen Cavallari, Laverne Cox, Megan Fox, Paris Hilton, and Tayshia Adams.

Here are the nominees and winners of the 2020 American Music Awards:

*=winner

ARTIST OF THE YEAR
Justin Bieber
Post Malone
Roddy Ricch
Taylor Swift*
The Weeknd

NEW ARTIST OF THE YEAR
Lewis Capaldi
Doja Cat*
DaBaby
Lil Baby
Roddy Ricch
Megan Thee Stallion

COLLABORATION OF THE YEAR
Cardi B featuring Megan Thee Stallion, “WAP”
DaBaby featuring Roddy Ricch, “Rockstar”
Dan + Shay with Justin Bieber, “10,000 Hours”*
Lady Gaga & Ariana Grande, “Rain on Me”
Megan Thee Stallion featuring Beyoncé, “Savage Remix”

FAVORITE SOCIAL ARTIST
BTS*
Billie Eilish
EXO
Ariana Grande
NCT 127

FAVORITE MUSIC VIDEO
Doja Cat “Say So”
Future featuring Drake “Life Is Good”
Lady Gaga & Ariana Grande “Rain On Me”
Taylor Swift “Cardigan”*
The Weeknd “Blinding Lights”

FAVORITE MALE ARTIST – POP/ROCK
Justin Bieber*
Post Malone
The Weeknd

FAVORITE FEMALE ARTIST – POP/ROCK
Dua Lipa
Lady Gaga
Taylor Swift*

FAVORITE DUO OR GROUP – POP/ROCK
BTS*
Jonas Brothers
Maroon 5

FAVORITE ALBUM – POP/ROCK
Harry Styles, “Fine Line”*
Taylor Swift, “Folklore”
The Weeknd, “After Hours”

FAVORITE SONG –  POP/ROCK
Lewis Capaldi, “Someone You Loved”
Dua Lipa, “Don’t Start Now”*
Post Malone, “Circles”
Roddy Ricch, “The Box”
The Weeknd, “Blinding Lights”

FAVORITE MALE ARTIST – COUNTRY
Kane Brown*
Luke Combs
Morgan Wallen

FAVORITE FEMALE ARTIST – COUNTRY
Gabby Barrett
Miranda Lambert
Maren Morris*

FAVORITE DUO OR GROUP – COUNTRY
Dan + Shay*
Florida Georgia Line
Old Dominion

FAVORITE ALBUM – COUNTRY
Luke Combs, “What You See Is What You Get”
Blake Shelton, “Fully Loaded: God’s Country”*
Morgan Wallen, “If I Know Me”

FAVORITE SONG – COUNTRY
Dan + Shay with Justin Bieber, “10,000 Hours”*
Maren Morris, “The Bones”
Blake Shelton (duet with Gwen Stefani), “Nobody But You”

FAVORITE MALE ARTIST – RAP/HIP-HOP
DaBaby
Juice WRLD*
Roddy Ricch

FAVORITE FEMALE ARTIST – RAP/HIP-HOP
Cardi B
Nicki Minaj*
Megan Thee Stallion

FAVORITE ALBUM – RAP/HIP-HOP
Lil Baby, “My Turn”
Lil Uzi Vert, “Eternal Atake”
Roddy Ricch, “Please Excuse Me For Being Antisocial”*

FAVORITE SONG – RAP/HIP-HOP
Cardi B featuring Megan Thee Stallion, “WAP”*
DaBaby featuring Roddy Ricch, “Rockstar”
Roddy Ricch, “The Box”

FAVORITE MALE ARTIST – SOUL/R&B
Chris Brown
John Legend
The Weeknd*

FAVORITE FEMALE ARTIST – SOUL/R&B
Jhene Aiko
Doja Cat*
Summer Walker

FAVORITE ALBUM – SOUL/R&B
Doja Cat, “Hot Pink”
Summer Walker, “Over It”
The Weeknd, “After Hours”*

FAVORITE SONG – SOUL/R&B
Chris Brown featuring Drake, “No Guidance”
Summer Walker, “Playing Games”
The Weeknd, “Heartless”*

FAVORITE MALE ARTIST – LATIN
Bad Bunny*
J Balvin
Ozuna

FAVORITE FEMALE ARTIST – LATIN
Becky G*
KAROL G
Rosalía

FAVORITE ALBUM – LATIN
Anuel AA,”Emmanuel”
Bad Bunny, “Las que no iban a salir”
Bad Bunny, “YHLQMDLG”*

FAVORITE SONG – LATIN
Bad Bunny, “Vete”
Black Eyed Peas X J Balvin, “RITMO (Bad Boys for Life)”
KAROL G & Nicki Minaj, “Tusa”*

FAVORITE ARTIST – ALTERNATIVE ROCK
Billie Eilish
Tame Impala
Twenty One Pilots*

FAVORITE ARTIST – ADULT CONTEMPORARY
Lewis Capaldi
Jonas Brothers*
Maroon 5

FAVORITE ARTIST – CONTEMPORARY INSPIRATIONAL
Lauren Daigle*
For King & Cuntry
Kanye West

FAVORITE ARTIST – ELECTRONIC DANCE MUSIC (EDM)
Kygo
Lady Gaga*
Marshmello

FAVORITE SOUNDTRACK
“Birds of Prey: The Album”*
“Frozen II”*
“Trolls: World Tour”

2020 AMERICAN MUSIC AWARD WINNERS BY ARTIST
Justin Bieber – 3
Taylor Swift – 3
The Weeknd – 3
Dan + Shay – 3
Bad Bunny – 2
BTS – 2
Doja Cat – 2
Nicki Minaj – 2
Blake Shelton – 1
Becky G – 1
Birds of Prey: The Album – 1 
Cardi B – 1
Dua Lipa – 1
Harry Styles – 1
Jonas Brothers – 1
Juice WRLD – 1
Kane Brown – 1
Karol G – 1
Lady Gaga – 1
Lauren Daigle – 1 
Maren Morris – 1
Megan Thee Stallion – 1
Roddy Ricch – 1
Twenty One Pilots – 1
 
Broadcast live from The Microsoft Theatre in Los Angeles, the “2020 American Music Awards” is seen in more than 200 countries and territories around the world. Nominees were based on key fan interactions – as reflected on the Billboard charts – including streaming, album and digital song sales, radio airplay, and social activity. These measurements are tracked by Billboard and its data partners MRC Data and Next Big Sound, and reflect the time period of Sept. 27, 2019, through Sept. 24, 2020. The AMA winners are voted entirely by fans.
 
The “2020 American Music Awards” is produced by Dick Clark Productions. Amy Thurlow, Barry Adelman, Mark Bracco, and Linda Gierahn are executive producers. Larry Klein is producer. For the latest AMA news, exclusive content and more, follow the AMAs on social (Facebook, Twitter, Instagram, Snapchat and YouTube), online at theamas.com and ABC.com, and join the conversation by using the official hashtag for the show, #AMAs. Fans can also join the conversation with #AMAsWithUs and check out exclusive content by following T-Mobile on Twitter, Instagram and Facebook.
 
The “2020 American Music Awards” is sponsored by Cheetos, T-Mobile and Xfinity. 
 
About ABC Entertainment
ABC Entertainment airs compelling programming across all day parts, including “Grey’s Anatomy,” the longest-running medical drama in prime-time television; riveting dramas “The Good Doctor,” “A Million Little Things” and “Station 19”; trailblazing comedy favorites “American Housewife,” “black-ish,” “The Conners,” “The Goldbergs” and “mixed-ish”; the popular “Summer Fun & Games” programming block, including “Celebrity Family Feud,” “Holey Moley,” “Match Game,” “Press Your Luck” and “To Tell the Truth”; star-making sensation “American Idol”; reality phenomenon “Shark Tank”; “The Bachelor” franchise; long-running hits “Dancing with the Stars” and “America’s Funniest Home Videos”; “General Hospital,” which has aired for more than 55 years on the network; and late-night talk show “Jimmy Kimmel Live!”; as well as two critically acclaimed, Emmy® Award-winning “Live in Front of a Studio Audience” specials. The network also boasts some of television’s most prestigious awards shows, including “The Oscars®,” “The CMA Awards” and the “American Music Awards.”
 
ABC programming can also be viewed on demand and on Hulu.
 
About Dick Clark Productions
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest,” and the “Streamy Awards.” DCP also owns one of the world’s most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic programs, specials, performances, and legendary programming. DCP is part of MRC Live & Alternative, a division of diversified global entertainment company MRC. For additional information, visit www.mrcentertainment.com.

Review: ‘Miss Americana,’ starring Taylor Swift

January 31, 2020

by Carla Hay

Taylor Swift in "Miss Americana"
Taylor Swift in “Miss Americana” (Photo courtesy of Netflix)

“Miss Americana”

Directed by Lana Wilson

Culture Representation: This very filtered documentary about singer Taylor Swift takes an inside look at her life as a multimillionaire celebrity whose inner circle and career team are almost exclusively white, with a few African Americans who have brief appearances as employees or video collaborators.

Culture Clash: The movie gives Swift’s perspective on conflicts she’s had with her critics over her image, her feud with Kanye West, her love life, her 2017 sexual assault trial and her outspoken liberal views on politics.

Culture Audience: “Miss Americana” will obviously appeal mostly to fans of Swift, but the movie should also interest people who like behind-the-scene stories of entertainment celebrity culture.

Taylor Swift in “Miss Americana” (Photo courtesy of Netflix)

“Miss Americana,” a completely sympathetic documentary about Grammy-winning superstar Taylor Swift, could have been subtitled “The Emancipation of Taylor Swift.” The main narrative of the film is that she’s all grown up now, and she’s no longer afraid to speak her mind and go public about her liberal political views. While she undoubtedly gets candid in the film about many issues she’s faced in her life, and it’s ultimately a feel-good portrayal of Swift, the documentary (directed by Lana Wilson) has a lot of glaring omissions. The biggest one is that it completely ignores the massive public feud that Swift has with music moguls Scott Borchetta and Scooter Braun—a feud in which she’s publicly accused them of using their “toxic male privilege” (Swift’s words) to try to take away power from her and other artists.

What viewers of “Miss Americana” will get are several visual montages (on stage and off stage) of Swift’s career over the years, starting when she was an unknown 12-year-old singer/songwriter from Pennsylvania trying to break into country music, to being a Nashville-based, polished 15-year-old aspiring country star, to becoming one of the best-selling female music artists of all time. There’s the expected footage of her on stage, backstage, on the sets of her music videos, and in the recording studio, including showing some of the songwriting process for her 2019 album “Lover,” with cameos from songwriter/producer Jack Antonoff and Panic! At the Disco’s Brendon Urie.

Swift has transitioned from being a country singer to a pop star. It’s a transformation that could have happened because her musical tastes have evolved, but she also admits in the documentary that any changes she makes to her image are mostly because female artists feel more pressure than male artists to constantly reinvent themselves to remain relevant.

The beginning of the film shows Swift (who’s famously a cat fanatic) playing the piano while one of her Scottish Fold cats walks all over the piano. Swift then shares some of her childhood diaries, and comments: “My moral code, then and now, is to be good. The main thing I tried to be is a good girl. I was so fulfilled by approval, that was it. I became the person everyone wanted me to be.”

It’s a story that people have heard many times from people who were child stars: They’ve been so programmed to get approval from the public that they can lose their true identities and self-esteem in the celebrity machine. There are too many tragic stories of former child stars who’ve been unable to cope with growing up and becoming less popular as they get older. It’s an underlying fear that Swift admits that she has, because she’s constantly seeking approval from fans and she feels pressure to maintain a certain level of popularity. She’s also well-aware that there’s an age double-standard for female entertainers, who are more likely than male entertainers to be cast aside by the industry once they’re over the age of 35.

The documentary clearly shows that Swift (who turned 30 in December 2019) is very good at marketing herself, and it’s a skill that she learned early in her career. There’s a clip of her on stage in 2003, shortly after her country breakthrough single “Tim McGraw” was released, where she mentions the local country radio station and charmingly asks the audience to contact the station to play the song. The movie also makes a point of showing how Swift avoided going public for years about her political views after she became old enough to vote. Her standard response back then was that she was just a singer and people wanted to hear her sing and not tell them how they should feel about politics.

Swift’s songs are very autobiographical; she’s famous for writing songs about her love affairs and breakups. And because she’s dated a lot of famous men (mostly musicians and actors), her love life has already been thoroughly dissected by fans and the media. The documentary includes a montage of media coverage about her love life and how people’s perceptions of her have been affected by the media coverage.

British actor Joe Alwyn, whom she’s been dating since 2016, is briefly shown in the documentary, as he hugs Swift backstage after one of her concerts. Alywn is not shown speaking on camera, but there are some clips of candid off-stage cell-phone footage of Swift where it’s obvious that Alwyn is the one filming it, such as a clip where Swift is singing and then mouths the words “I love you” to the person filming. All that Swift will say about her romance with Alwyn is that she’s in love, and they both decided that they wanted to keep their relationship private. She doesn’t even say his name in the documentary.

What she does reveal in the documentary that hasn’t been made public before is that she’s had an eating disorder for years and is in recovery, but it’s still a struggle for her. She first mentions her eating disorder in the film when she says she no longer looks at photos of herself every day because it can “trigger” the feelings of insecurity that she has about her body. She then goes on to describe that for years, she thought it was normal to starve herself and feel the physical effects of extreme hunger. She now says that she has healthy eating habits and is comfortable if she’s “a size 6 instead of size 00,” but she says the relentless public scrutiny about her physical appearance can still deeply affect her.

Over the years, Swift has openly talked about how the person she is closest to is her mother, Andrea Swift, who is shown several times in the documentary as a constant companion to her daughter. That strong family support is clearly one of the main reasons why Swift has not become a casualty of fame. Andrea Swift’s cancer diagnosis (which Swift has talked about in other interviews, as well as in this documentary) is something that Swift says has had a profound effect on everyone in the family, and it’s why Swift places family and friends as the highest priorities in her life.

Much has already been said and written about the feud between Swift and Kanye West. In the documentary, Swift says that the notorious incident that started it all did long-lasting damage to her self-esteem. That incident was when West got up on stage and interrupted Swift’s acceptance speech after she won the prize for Best Female Video at the 2009 MTV Video Music Awards, and he shouted that Beyoncé’s “Single Ladies” video (which was nominated in the same category) “was one of the best videos of all time.”

Although West was universally slammed for that stunt, and he later made several public apologies, Swift says that at the time she was on stage during the incident, she thought the audience booing was meant for her, not West. She says in the documentary that it was the first time she felt so much negativity from an audience while she was on stage, and it was a “formative experience” that took her down a “psychological path, not all of it beneficial.”

Swift is a celebrity who became famous right when social media became part of the culture, so she’s experienced the highs and lows of social media on a learning curve. On the one hand, Swift is one of the most popular celebrities on social media, with followers that total in the hundreds of millions. On the other hand, when she does something that’s considered controversial, that huge level of attention can turn quickly against her.

The documentary mentions the enormous backlash that she received when West’s wife Kim Kardashian released a secretly recorded video of Swift talking to West over the phone and giving West the go-ahead to mention her in his 2016 song “Famous,” which had not been released yet at the time the conversation happened. The song lyric that mentioned Swift turned out be very derogatory and called her a misogynistic name. After the song was released, Swift claimed that she didn’t know her name would be used in that way, while West and his camp said she did know in advance. That’s when Kardashian released the video.

The documentary makes a point of showing how Swift was virtually bullied by West’s fans, including viral footage of an audience at one of his concerts chanting a derogatory statement about Swift. But the documentary does not mention how some of Swift’s fans on the Internet can be just as vicious in showing hate for people who dare to criticize Swift. Several celebrities who have clashed with Swift have talked about how her most fanatical fans can be bullies. Her public feuds with other celebrities (such as Katy Perry, Demi Lovato, Nicki Minaj, Justin Bieber and ex-boyfriends Calvin Harris, John Mayer and Joe Jonas) are not mentioned in the documentary, probably because Swift is no longer feuding with them.

Whichever side you believe in the controversy over “Famous,” Swift reveals in the documentary that all the hate she received from “cancel culture” was the main reason why she took a year-long hiatus and came back to the spotlight with her 2017 album “Reputation.” There’s some footage of Swift writing songs that ended up on the album, as well as a scene that shows her disappointment when she gets a call from a handler informing her that the album didn’t get any Grammy nominations in the major categories. (Don’t feel too sorry for Swift. She’s already got several Grammys, including two Grammys for Album of the Year.)

The movie also covers the lawsuit that made Swift go public about being sexually groped by a radio DJ, who later sued her because he was fired over that incident. Swift countersued for $1, to prove that he did grope her without her consent, and she wasn’t going to let him get away with blaming her for the crime he committed. Her $1 counterclaim was her way of telling the world that this issue wasn’t about the money for her. Swift famously won the lawsuit and became an advocate of the #MeToo movement.

In the documentary, Swift makes it clear that her #MeToo experience was the biggest catalyst to her political awakening and her decision to no longer remain silent over the progressive political issues that she wants to publicly support. One of the best parts of the documentary is showing what happened behind the scenes when she made the major decision to give her first political endorsement.

Swift says she was constantly told for her entire career “not to be like the Dixie Chicks,” the female country trio that lost a lot of fans in the early 2000s, after the group spoke out against Republican politics and the war in Iraq. But Swift’s #MeToo experience and the subsequent lawsuits opened her eyes to social justice issues, and she decided for herself: “The next time there’s any opportunity to change anything, you’d better know what you stand for and what you want to say.”

Her decision to go public with her political views didn’t sit well with several members of her team, who told her that she would be making a big mistake. In the movie, the objectors are shown to be all middle-aged men (including her father), who tried to scare her by saying that they were concerned that she would get more death threats and would lose half of her audience if she came out as a political liberal. But Swift firmly did not back down, even though there was some expected fear of the unknown.

The movie shows her apprehension and excitement that she and publicist Tree Paine had together in the moments before she posted her endorsement of Phil Bredesen (a Democrat) over Marsha Blackburn (a Republican) in the 2018 race for Tennessee U.S. Senator. Not only did Swift endorse Bredesen, but she also publicly slammed Blackburn for voting against laws that support rights for the LGBTQ community and female victims of violence. Ultimately, Blackburn won the election, but Swift says she’s hopeful that in future elections, the younger generation will vote to sway politics in a more progressive and inclusive direction.

As Swift says in the movie: “I feel really good about not feeling muzzled anymore. And it was my own doing. I needed to learn a lot before I spoke to 200 million people. But I’ve educated myself now, and it’s time to take the masking tape off of my mouth forever.”

While Swift is obviously a positive inspiration in many ways, as this documentary makes very clear, there are still aspects of “Miss Americana” that aren’t entirely candid. One of the biggest criticisms of Swift is that she has a tendency to portray herself as a victim when things don’t go her way. No one is expecting her to be perfect, but there’s a limit to Swift being honest about her life for this documentary.

Although she admitted to having issues about eating and her body image, not once does she admit to doing anything mean-spirited or cutthroat in her life. There’s no mention of any friends or lovers she might have tossed aside, no remorse or regret about not treating a loved one better, no acknowledgement of less-than-wonderful things she’s done to rivals or former business associates. In reality, no one gets to her level of success by being nice to everyone. In the documentary, the only mistake she admits to making is not being politically outspoken in 2016 for the U.S. presidential election.

For a “behind the scenes” documentary about an artist who’s risen to the top of the music industry, it’s very unrealistic for Swift to not acknowledge any experiences that she might have had with illegal drugs, alcohol, diet pills, prescription medication or even nicotine. If you were to believe everything that’s presented this movie, those things just don’t exist in Swift’s world. The worst “vice” that Swift shows on camera is uttering a few curse words. The documentary might look “revealing” to many people who don’t know what really goes on behind the scenes in the entertainment industry, but for those who do know what really goes on, it’s very obvious that “Miss Americana” is very white-washed indeed.

The narrative here is that bad things keep happening to Swift (stalkers, intrusive paparazzi, tabloid media, haters on the Internet), and she always finds a way to triumph and overcome it all. That is, except for the battle that she lost against Borchetta and Braun, which is not mentioned at all in this documentary. It’s obvious that Swift and/or the documentary’s filmmakers didn’t want to put anything in the movie that would weaken Swift’s “female empowerment” image that she wants to have.

In July 2019, Swift went on the Internet to post a lengthy rant accusing Borchetta (the founder of Big Machine Records, her former record company) of unscrupulously taking her pre-2019 song catalogue and selling it to music manager Braun, whom Swift considers an enemy because Braun was West’s manager during the worst of Swift’s feud with West. Swift claims that she and her management/publishing team (which includes her father, Scott Swift) weren’t given a fair opportunity to buy these master recordings of her songs. Borchetta vehemently denies the accusation, and says that Swift had a chance to buy the songs but she didn’t agree to the deal that was presented. The “he said/she said” fight blew up to such an extent that many celebrities jumped into the fray by either taking Swift’s side or the Borchetta/Braun side.

For all of Swift’s preaching about female empowerment in this documentary, it’s odd that she and this movie’s director have cut out this chapter of her life that Swift has tried to present as part of her fight against male sexism. She used the feud as a platform to speak out about not only male sexism but also artists’ rights and what kinds of contracts artists sign that could have long-lasting effects on their careers.

Swift has presented herself as an outspoken advocate for artists’ rights before (her push to get Spotify to pay reasonable artist royalties is one example—something that’s also not mentioned in the movie), so it’s a major setback in her life and her career that one of her enemies now owns the vast majority of her songs. The fact that this life-changing experience wasn’t even acknowledged in the documentary indicates how much of a public-relations showcase “Miss Americana” is instead of a complete behind-the-scenes look at her life.

The documentary seems to want people to forget that Swift’s feud with Borchetta/Braun ever happened, even though she was the one who took the feud public in the first place and ended up getting a lot of backlash from people who think she misrepresented herself as a victim in this situation. Rather than being fully honest and sharing what she learned from this undoubtedly painful experience, Swift probably told the filmmakers directly or indirectly not to put it in the movie. Let’s be real: Even though she’s not listed as a producer of “Miss Americana,” she obviously had a lot of creative control over this documentary, based on what they chose to show and what they chose not to show.

Also absent from the documentary is any mention of Swift’s attempts to become a movie actress, which have resulted in her appearing in flops such as 2014’s “The Giver” and 2019’s “Cats.” Anything that makes Swift look like a failure or someone who made a really bad career decision is essentially shut out of the documentary. Instead, “Miss Americana” ends with Swift winning Video of the Year at the 2019 MTV Video Music Awards for “You Need to Calm Down,” her platform to show her as an ally to the LGBTQ community. The award show took place on August 26, 2019—several weeks after she started feuding with Borchetta and Braun, so there was plenty of time to include the feud in the movie.

Another thing the documentary makes clear is that even though Swift talks a lot about female empowerment, her team is led by men, while women are mostly relegated to traditionally female roles, such as publicist, backup dancer, makeup artist and hair stylist. There are several scenes in the movie where Swift is the only woman in the recording studio. Why not hire more female musicians, producers and engineers? Swift has the power to do that, so there’s really no excuse.

Beyoncé has an all-female touring band of musicians (and so did Prince), so there are artists who are actually doing something about breaking barriers for women in the music industry. It remains to be seen if Swift will take a lot of her talk about female empowerment in the music industry and actually be an agent for change. If she ever wins Album of the Year at the Grammys again, we’ll see if she’s surrounded by a diverse group of people on stage who would share the award with her, instead of the same men who constantly get preferential treatment in the music industry.

For now, “Miss Americana” shows that Swift wants to spread a progressive political agenda and she wants to be praised as a symbol for female empowerment. But if she really wants to empower more women in the industry, she can start with the people she hires to make music with her and who she puts in charge of her business interests, instead of blaming other people for being the problem.

Netflix premiered “Miss Americana” and released the movie in select U.S. cinemas on January 31, 2020.

2019 American Music Awards: Taylor Swift is the top winner

November 24, 2019

Taylor Swift at the 2019 American Music Awards (Photo courtesy of ABC/Image Group LA)

The following is a press release from Dick Clark Productions and ABC:

Tonight, the world’s biggest artists and pop culture icons came together to honor idols, newcomers and record-breakers at the “2019 American Music Awards.”  Multi-platinum selling artist Ciara hosted the show, and kicked the night off with a performance of her new single, “Melanin.”  The show aired live from the Microsoft Theater in Los Angeles at 8:00 p.m. EST on ABC.

*The full list of winners can be found below.

In one of the most talked about musical performances of the year, Artist of the Decade Award recipient, Taylor Swift, brought the house down with a medley of her biggest hits from the past ten years including “The Man,” “Love Story,” “I Knew You Were Trouble,” “Blank Space,” “Shake It Off,” where she was joined by Halsey and Camila Cabello, and “Lover.”  She accepted her award with an impassioned speech, telling her fans that all artists want to do is “create something that will last,” and thanking them for the “fun, incredible, exhilarating times” and countless memories they have shared together over the years. Having won six awards tonight, Swift also broke Michael Jackson’s long-standing record of most American Music Award wins of all time; she now tops the list with a total of 29.

Selena Gomez delivered an emotional opening to the show, taking the stage for the first time in two years for the world television premiere of her new songs, “Lose You To Love Me” and “Look At Her Now.”

There were performances for everyone, featuring newcomers and American Music Awards veterans alike.  Breakout artist Billie Eilish crushed her very first award show performance, with a fiery rendition of “all the good girls go to hell.”  Superstar Lizzo graced the AMA stage for the first time with a passionate performance of her single “Jerome.”  Three-time American Music Award winners, Green Day, celebrated the 25th anniversary of their legendary 1994 album, “Dookie,” with a performance of  “Basket Case,” as well as their latest hit, “Father of All…” Toni Braxton celebrated the 25th anniversary of her first AMAs performance, and had the audience singing along to her chart-topping hits “Breathe Again” and “Unbreak My Heart.”

The night was also filled with incredible collaborations including the world television premiere of Christina Aguilera and A Great Big World’s new single “Fall on Me,” plus an electrifying performance from Post Malone featuring Ozzy Osbourne, Travis Scott and WATT for the world television premiere of their new song “Take What You Want.”

The show included additional knockout performances from Camila Cabello with “Living Proof,” Shawn Mendes & Cabello with “Señorita,” Dua Lipa with “Don’t Start Now,” Halsey with “Graveyard,” Kesha featuring Big Freedia with “Raising Hell” and “TiK ToK” and Thomas Rhett with “Look What God Gave Her.”

The night ended on a high, with the entire audience on their feet for Shania Twain’s return to the American Music Awards stage for the first time in 16 years. The country icon performed a crowd-pleasing medley of her biggest hits: “You’re Still the One,” “Any Man of Mine,” “That Don’t Impress Me Much” and “Man! I Feel Like A Woman!”

A big winner with two new trophies tonight, presenter, Carrie Underwood, now holds the record for most wins in the Favorite Album – Country category, surpassing legend Kenny Rogers, with whom she was previously tied.

Talent in attendance tonight included host Ciara; Artist of the Decade award recipient and performer Taylor Swift, as well as performers Christina Aguilera and A Great Big World, Toni Braxton, Camila Cabello, Billie Eilish, Selena Gomez, Green Day, Halsey, Jonas Brothers, Kesha featuring Big Freedia, Dua Lipa, Lizzo, Post Malone featuring Ozzy Osbourne, Travis Scott and WATT, Shawn Mendes and Camila Cabello, Thomas Rhett, and Shania Twain; presenters Paula Abdul, Kelsea Ballerini, Tyra Banks, Chadwick Boseman, Kane Brown, Misty Copeland, Tyler the Creator, Rivers Cuomo, Jamie Lee Curtis, Dan + Shay, Jenna Dewan, David Dobrik, Michael Ealy, Maddie Hasson, Maya Hawke, Jameela Jamil, Jharrel Jerome, Taran Killam, Carole King, Regina King, Heidi Klum, Katherine Langford, Dan Levy, Megan Thee Stallion, Ben Platt, Billy Porter, Patrick Schwarzenegger, Cobie Smulders, Carrie Underwood, Pete Wentz, Constance Wu; “AMAs Red Carpet Live Presented by Security Benefit” hosts Sofia Carson, AJ Gibson, Jaymes Vaughan, Lauren Jauregui, Raja Kumari, and Nick Viall; and special guests X Ambassadors, Blanco Brown, Billy Ray Cyrus, Diplo, Meg Donnelly, Andy Grammar, Rich The Kid, Ella Mai, Meek Mill, Agnez Mo, Shiva Safai, Alyson Stoner, Lil Nas X and many more!

American Music Awards nominees are based on key fan interactions as reflected on Billboard.com, including streaming, album and digital song sales, radio airplay, social activity and touring. These measurements are tracked by Billboard and its data partners, including Nielsen Music and Next Big Sound, and reflect the time period of September 28, 2018 through September 26, 2019. The American Music Awards winners are voted entirely by fans.

The “2019 American Music Awards” is sponsored by Dolby, T-Mobile and Wells Fargo.

The “2019 American Music Awards” is produced by Dick Clark Productions. Barry Adelman and Mark Bracco are Executive Producers. Larry Klein is Producer.

For the latest American Music Awards news, exclusive content and more, be sure to follow the AMAs on social and join the conversation by using the official hashtag for the show, #AMAs.

Facebook: Facebook.com/AMAs
Twitter: @AMAs
Instagram: @AMAs
Snapchat: TheAMAs
YouTube: YouTube.com/TheAMAs

About the American Music Awards
The American Music Awards, the world’s largest fan-voted award show, features performances from today’s hottest artists and presents fan-voted awards in the music genres of Pop/Rock, Alternative Rock, Country, Rap/Hip-Hop, Soul/R&B, Adult Contemporary, Contemporary Inspirational, Latin, EDM and Soundtrack, and the categories of Artist of the Year, New Artist of the Year, Collaboration of the Year, Tour of The Year, Favorite Social Artist and Favorite Music Video. The American Music Awards pays tribute to today’s most influential and iconic artists.  The show is produced by dick clark productions and is seen in more than 200 countries and territories around the world. For more information, visit www.theamas.com, www.dickclark.com or abc.go.com/shows/american-music-awards.

About Dick Clark Productions
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and DCP. DCP also owns one of the world’s most unique and extensive entertainment archive libraries with over 60 years of award-winning shows, historic programs, specials, performances and legendary programming. dcp is a division of Valence Media, a diversified and integrated media company with divisions and strategic investments in television, film, live entertainment, digital media and publishing. For additional information, visit www.dickclark.com.

About ABC Entertainment
ABC Entertainment airs compelling programming across all day parts, including “Grey’s Anatomy,” the longest-running medical drama in prime-time television; riveting dramas “The Good Doctor,” “How to Get Away with Murder,” “A Million Little Things” and “Station 19”; the Emmy® Award-winning “Modern Family” and trailblazing comedy favorites “American Housewife,” “black-ish,” “Bless This Mess,” “The Conners,” “The Goldbergs,” and “Schooled”; the popular “Summer Fun & Games” programming block, including “Card Sharks,” “Celebrity Family Feud,” “Holey Moley” and “Press Your Luck”; star-making sensation “American Idol”; reality phenomenon “Shark Tank”; “The Bachelor” franchise; long-running hits “Dancing with the Stars” and “America’s Funniest Home Videos”; “General Hospital,” which has aired for more than 55 years on the network; and late-night talk show “Jimmy Kimmel Live!”; as well as the critically acclaimed hit special ”Live in Front of a Studio Audience: Norman Lear’s ‘All in the Family’ and ‘The Jeffersons.’” The network also boasts some of television’s most prestigious awards shows, including “The Oscars®,” “The CMA Awards” and the “American Music Awards.” ABC programming can also be viewed on ABC.com, the ABC app and Hulu.

Here is the complete list of nominees and winners for the 2019 American Music Awards:

*=winner

ARTIST OF THE YEAR
Drake
Ariana Grande
Halsey
Post Malone
Taylor Swift*

NEW ARTIST OF THE YEAR
Luke Combs
Billie Eilish*
Lil Nas X
Lizzo
Ella Mai

COLLABORATION OF THE YEAR
Lady Gaga & Bradley Cooper “Shallow”
Lil Nas X featuring Billy Ray Cyrus “Old Town Road”
Marshmello & Bastille “Happier”
Shawn Mendes & Camila Cabello “Señorita”*
Post Malone & Swae Lee “Sunflower (Spider-Man: Into the Spider-Verse)”

TOUR OF THE YEAR
BTS*
Ariana Grande
Elton John
P!nk
Ed Sheeran

FAVORITE MUSIC VIDEO
Billie Eilish “bad guy”
Ariana Grande “7 rings”
Halsey “Without Me”
Lil Nas X ft. Billy Ray Cyrus “Old Town Road”
Taylor Swift “You Need to Calm Down”*

FAVORITE SOCIAL ARTIST
BTS*
Billie Eilish
EXO
Ariana Grande
Shawn Mendes

FAVORITE MALE ARTIST – POP/ROCK
Drake
Khalid*
Post Malone

FAVORITE FEMALE ARTIST – POP/ROCK
Billie Eilish
Ariana Grande
Taylor Swift*

FAVORITE DUO OR GROUP – POP/ROCK
BTS*
Jonas Brothers
Panic! At The Disco

FAVORITE ALBUM – POP/ROCK
Billie Eilish “When We All Fall Asleep, Where Do We Go?”
Ariana Grande “thank u, next”
Taylor Swift “Lover”*

FAVORITE SONG – POP/ROCK
Halsey “Without Me”*
Jonas Brothers “Sucker”
Lil Nas X ft. Billy Ray Cyrus “Old Town Road”
Panic! At The Disco “High Hopes”
Post Malone & Swae Lee “Sunflower (Spider-Man: Into the Spider-Verse)”

FAVORITE MALE ARTIST – COUNTRY
Kane Brown*
Luke Combs
Thomas Rhett

FAVORITE FEMALE ARTIST – COUNTRY
Kelsea Ballerini
Maren Morris
Carrie Underwood*

FAVORITE DUO or GROUP – COUNTRY
Dan + Shay*
Florida Georgia Line
Old Dominion

FAVORITE ALBUM – COUNTRY
Kane Brown “Experiment”
Dan + Shay “Dan + Shay”
Carrie Underwood “Cry Pretty”*

FAVORITE SONG – COUNTRY
Luke Combs “Beautiful Crazy”
Dan + Shay “Speechless”*
Blake Shelton “God’s Country”

FAVORITE ARTIST – RAP/HIP-HOP
Cardi B*
Drake
Post Malone

FAVORITE ALBUM – RAP/HIP-HOP
Meek Mill “Championships”
Post Malone “Hollywood’s Bleeding”*
Travis Scott “Astroworld”

FAVORITE SONG – RAP/HIP-HOP
Lil Nas X featuring Billy Ray Cyrus “Old Town Road”*
Post Malone “Wow.”
Travis Scott “SICKO MODE”

FAVORITE MALE ARTIST – SOUL/R&B
Chris Brown
Khalid
Bruno Mars*

FAVORITE FEMALE ARTIST – SOUL/R&B
Beyoncé*
Lizzo
Ella Mai

FAVORITE ALBUM – SOUL/R&B
Chris Brown “Indigo”
Khalid “Free Spirit”*
Ella Mai “Ella Mai”

FAVORITE SONG – SOUL/R&B
Khalid “Talk”*
Lizzo “Juice”
Ella Mai “Trip”

FAVORITE ARTIST – ALTERNATIVE ROCK
Billie Eilish*
Imagine Dragons
Panic! At The Disco

FAVORITE ARTIST – ADULT CONTEMPORARY
Maroon 5
P!nk
Taylor Swift*

FAVORITE ARTIST – LATIN
Bad Bunny
J Balvin*
Ozuna

FAVORITE ARTIST – CONTEMPORARY INSPIRATIONAL
Lauren Daigle*
for KING & COUNTRY
MercyMe

FAVORITE ARTIST – ELECTRONIC DANCE MUSIC (EDM)
Avicii
Marshmello*
The Chainsmokers

FAVORITE SOUNDTRACK
“A Star is Born” by Lady Gaga & Bradley Cooper
“Bohemian Rhapsody” by Queen*
“Spider-Man: Into the Spider-Verse”

2019 American Music Awards: Number of Wins by Artist
Taylor Swift – 6 (including Artist of the Decade)
BTS – 3
Khalid – 3
Dan + Shay – 2
Billie Eilish – 2
Carrie Underwood – 2
J Balvin – 1
Beyoncé – 1
Kane Brown – 1
Camila Cabello – 1
Cardi B – 1
Billy Ray Cyrus – 1
Lauren Daigle – 1
Lil Nas X – 1
Post Malone – 1
Bruno Mars – 1
Marshmello – 1
Shawn Mendes – 1
Queen – 1

2019 American Music Awards: Taylor Swift will perform and receive Artist of the Decade Award; Selena Gomez added as performer

November 1, 2019

The following is a combination of press releases from Dick Clark Productions and ABC:

Dick Clark Productions and ABC  announced that global superstar Taylor Swift will be honored with the coveted Artist of the Decade award at the “2019 American Music Awards” and will deliver an unprecedented performance celebrating the biggest hits of her career. Swift, who has won more American Music Awards than any other artist this decade, is also a five-time nominee this year.  She also holds the record for most American Music Awards wins of any female artist ever, with 23.  The “2019 American Music Awards” will broadcast live from the Microsoft Theater in Los Angeles on Sunday, November 24, 2019 at 8:00 p.m. EST on ABC.

“Taylor’s impact on music this decade is undeniable and her performances on the American Music Awards have been truly spectacular,” said Mark Bracco, Executive Vice President, Programming & Development, dick clark productions.  “We’re thrilled to honor her as our Artist of the Decade and can’t wait for her to blow everyone away with an epic, career-spanning performance unlike any other!”

2019 AMERICAN MUSIC AWARDS ARTIST CHART FACTS:

  • Swift will take the stage on the heels of her record-breaking release of Lover, which debuted at No. 1 on the Billboard 200, marking her sixth No. 1 album on the chart. She is nominated for Artist of the Year; Favorite Music Video; Favorite Female Artist – Pop/Rock; Favorite Album – Pop/Rock; Favorite Artist – Adult Contemporary.
The American Music Awards is where the world’s biggest artists and pop culture icons come together to honor idols, newcomers and record-breakers in the contemporary music scene.  As the decade comes to a close, this year’s show celebrates the past ten years with some of the best moments in music and live performances from the biggest names in the industry. From Pop and Rock, to Country, Hip Hop and beyond, it only happens here.
Meanwhile, multi-platinum selling superstar Selena Gomez will take the stage for the world television premiere of her new music at the “2019 American Music Awards,” marking her first live TV performance in two years.  An American Music Award winner, Gomez previously graced the American Music Awards stage in 2014, 2015 and, in 2017 with a haunting performance of “Wolves.”

2019 AMERICAN MUSIC AWARDS ARTIST CHART FACTS:

  • As a solo artist, Gomez has accumulated over 20 billion streams.  Her new single “Lose You to Love Me” reached number No. 1 at Global Spotify and Apple Music.  Earlier this year, Gomez was featured on “I Can’t Get Enough” with Benny Blanco, J Balvin and Tainy. In 2018, she collaborated with DJ Snake, Ozuna and Cardi B on the global hit “Taki Taki,” which became one of the fastest videos to reach over 100 million views. Her previous five singles “It Ain’t Me” with Kygo, “Bad Liar,” “Fetish,” “Wolves” x Marshmello and “Back to You” all have been certified RIAA platinum or multi-platinum.

American Music Awards nominees are based on key fan interactions as reflected on Billboard.com, including streaming, album and digital song sales, radio airplay, social activity and touring. These measurements are tracked by Billboard and its data partners, including Nielsen Music and Next Big Sound, and reflect the time period of September 28, 2018 through September 26, 2019. The American Music Awards winners are voted entirely by fans.

Voting is now open for all American Music Awards categories. Fans can access the official voting ballot for the American Music Awards directly by visiting goo.gle/AMAsVote or by going to Google.com and using the search terms “AMAs Vote” or “[Nominee Name] AMAs Vote.” Fans can submit up to 30 votes per category per day per Google account while voting is open. Voting will close on Wednesday, November 20, 2019 at 11:59:59 p.m. PST.
The “2019 American Music Awards” is sponsored by T-Mobile.

The “2019 American Music Awards” is produced by Dick Clark Productions. Barry Adelman and Mark Bracco are Executive Producers. Larry Klein is Producer.

For the latest American Music Awards news, exclusive content and more, be sure to follow the AMAs on social and join the conversation by using the official hashtag for the show, #AMAs.

Facebook: Facebook.com/AMAs
Twitter: @AMAs
Instagram: @AMAs
Snapchat: TheAMAs
YouTube: YouTube.com/TheAMAs

Tickets are now on sale at www.axs.com.

About Taylor Swift
Taylor Swift’s seventh studio album Lover is not only the top-selling album of 2019; it is the highest selling album since reputation was released back in 2017 and broke the record for most simultaneous entries by a female artist in Billboard’s Hot 100 history with all 18 tracks from Lover charting! This is a testament not only to her devoted fans but also to her songwriting prowess. As USA Today said, “Critics are falling in love with Taylor Swift’s latest album Lover.” Rolling Stone hailed, “Lover is a career-topping masterpiece” and “the superstar’s writing is better than it’s ever been” while A.V. Club called Lover, “one of her strongest, most relatable albums to date” and Vulture said, “The old Taylor is back on Lover and the best she’s been in years.”

Swift recently released the title track, “Lover,” with critics raving, “Both aching and achingly pretty, “Lover” effectively transmits its romantic signals by putting the songwriting of Swift — a masterful writer who gets the solo credit here — front and center” (Billboard Magazine) while People Magazine said “Lover” “Might be her most romantic song yet.” Taylor’s socially conscious 2nd single, “You Need To Calm Down,” follows the debut single “ME!,” which broke multiple records to date. With 65.2 million views in 24 hours, Swift now holds YouTube’s most viewed video by any female and solo artist. “ME!” is also the fastest music video to reach 100M views on Vevo (in only 79 hours) and broke the record for the most views in a single day by any artist. In addition to “ME!” and “You Need To Calm Down,” Swift is a ten-time Grammy winner, a singer, songwriter, musician and producer. She is the youngest person in history to win the music industry’s highest honor, the Grammy Award for Album of the Year, and is the first female solo artist to win this prestigious award twice. Rolling Stone listed Swift as one of the 100 Greatest Songwriters of All Time. Time magazine featured her on their prestigious 2017 Person of the Year cover, has named her one of the 100 Most Influential People in the world and included her three times at TIME 100. A Brit and Emmy award winner, Swift is Billboard’s youngest-ever Woman of the Year and the only artist to have been awarded this honor twice. She is the only artist in history to have four consecutive albums sell over one million copies in their week of release (Speak Now, RED, 1989 and reputation) and the only female artist to have six albums each sell at least 500,000 copies in a single week (Fearless, Speak Now, RED, 1989, reputation and Lover). For more information on Taylor Swift and her new album Lover visit TaylorSwift.com.

About the American Music Awards
The American Music Awards, the world’s largest fan-voted award show, features performances from today’s hottest artists and presents fan-voted awards in the music genres of Pop/Rock, Alternative Rock, Country, Rap/Hip-Hop, Soul/R&B, Adult Contemporary, Contemporary Inspirational, Latin, EDM and Soundtrack, and the categories of Artist of the Year, New Artist of the Year, Collaboration of the Year, Tour of The Year, Favorite Social Artist and Favorite Music Video. The American Music Awards pays tribute to today’s most influential and iconic artists.  The show is produced by dick clark productions and is seen in more than 200 countries and territories around the world. For more information, visit www.theamas.com, www.dickclark.com or abc.go.com/shows/american-music-awards.

About Dick Clark Productions
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and DCP. DCP also owns one of the world’s most unique and extensive entertainment archive libraries with over 60 years of award-winning shows, historic programs, specials, performances and legendary programming. DCP is a division of Valence Media, a diversified and integrated media company with divisions and strategic investments in television, film, live entertainment, digital media and publishing. For additional information, visit www.dickclark.com.

About ABC Entertainment
ABC Entertainment airs compelling programming across all day parts, including “Grey’s Anatomy,” the longest-running medical drama in prime-time television; riveting dramas “The Good Doctor,” “How to Get Away with Murder,” “A Million Little Things” and “Station 19”; the Emmy® Award-winning “Modern Family” and trailblazing comedy favorites “American Housewife,” “black-ish,” “Bless This Mess,” “The Conners,” “The Goldbergs,” and “Schooled”; the popular “Summer Fun & Games” programming block, including “Card Sharks,” “Celebrity Family Feud,” “Holey Moley” and “Press Your Luck”; star-making sensation “American Idol”; reality phenomenon “Shark Tank”; “The Bachelor” franchise; long-running hits “Dancing with the Stars” and “America’s Funniest Home Videos”; “General Hospital,” which has aired for more than 55 years on the network; and late-night talk show “Jimmy Kimmel Live!”; as well as the critically acclaimed hit special ”Live in Front of a Studio Audience: Norman Lear’s ‘All in the Family’ and ‘The Jeffersons.’” The network also boasts some of television’s most prestigious awards shows, including “The Oscars®,” “The CMA Awards” and the “American Music Awards.” ABC programming can also be viewed on ABC.com, the ABC app and Hulu

2019 MTV Video Music Awards: Taylor Swift, Ariana Grande, Billie Eilish win big

August 26, 2019

by Carla Hay

Taylor Swift’s “You Need to Calm Down” took the prizes for Video of the Year and Best Video for Good at the 36th annual MTV Video Music Awards, which were held on August 26, 2019, at the Prudential Center in Newark, New Jersey.  The show was hosted by Sebastian Maniscalco.

Swift’s “Me!” video featuring Panic! At the Disco’s Brendon Urie took the prize for Best Visual Effects. Other multiple winners were Ariana Grande (four awards, including Artist of the Year); Billie Eilish (three awards); and the smash hit “Old Town Road” from Lil Nas X featuring Billy Ray Cyrus (three awards). Winning two prizes each were Rosalía and J Balvin featuring El Guincho’s “Con Altura”; Shawn Mendes and Camilla Cabello’s “Señorita”; and BTS, winner of Best Group and Best K-Pop. Grande, Eilish and BTS were all no-shows at the event, although Eilish did provide a video with a prerecorded acceptance speech.

It was the first time that the MTV VMA show was held in New Jersey. There were numerous references to New Jersey throughout the show, including the closing-night “supergroup” performance by several hip-hop artists with New Jersey roots: Queen Latifah, Naughty By Nature, Redman, Fetty Wap and Wyclef Jean.

Other performers included Swift; Jonas Brothers; Shawn Mendes, who later joined Camila Cabello for their duet “Senorita”; Lizzo; Big Sean featuring A$AP Ferg, H.E.R.; Lil Nas X; Normani and Ozuna; Rosalía and J Balvin; Bad Bunny and J Balvin; H.E.R.; and Miley Cyrus.

Ava Max, CNCO and Megan Thee Stallion performed at the 2019 MTV VMAs red carpet pre-show, hosted by Terrence J and Nessa with special correspondent Zara Larsson.

Missy Elliott received the Video Vanguard award, which is a non-competitive prize given to an artist whose music videos have been influential. She performed a medley before accepting the award.

Fashion designer Marc Jacobs received MTV’s first Fashion Trailblazer Award, another non-competitive prize.

Presenters included Queen Latifah, John Travolta, Lenny Kravitz, Gigi Hadid, Bella Hadid, Rick Ross, Pepa, Hailee Steinfeld, Bebe Rexha, Alison Brie, French Montana, Megan Thee Stallion, Billy Ray Cyrus, DJ Khaled, Jonathan Van Ness, Cardi B, Lindsey Vonn, P. K. Subban, Lizzo, Keke Palmer, Victor Cruz, Ice-T. Also taking the stage as presenters were U.S. Women’s Soccer Team stars Alex Morgan, Ali Krieger and Ashlyn Harris and former “Sopranos” stars Drea de Matteo, Jamie Lynn Sigler and Vincent Pastore.

Here is the complete list of winners and nominees for the 2019 MTV Video Music Awards that were announced when the ceremony ended:

*=winner

VIDEO OF THE YEAR
21 Savage ft. J. Cole – “a lot” – Slaughter Gang LLC/Epic Records
Billie Eilish – “bad guy” – Darkroom/Interscope Records
Ariana Grande – “thank u, next” – Republic Records
Jonas Brothers – “Sucker” – Republic Records
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
Taylor Swift – “You Need to Calm Down” – Republic Records*

ARTIST OF THE YEAR
Cardi B – Atlantic Records
Billie Eilish – Darkroom/Interscope Records
Ariana Grande – Republic Records*
Halsey – Capitol Records
Jonas Brothers – Republic Records
Shawn Mendes– Island Records

SONG OF THE YEAR
Drake – “In My Feelings” – Young Money/Cash Money/Republic Records
Ariana Grande – “thank u, next” – Republic Records
Jonas Brothers – “Sucker” – Republic Records
Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records*
Taylor Swift – “You Need to Calm Down” – Republic Records

BEST NEW ARTIST, presented by Taco Bell®
Ava Max – Atlantic Records
Billie Eilish – Darkroom/Interscope Records*
H.E.R. – MBK/RCA Records
Lil Nas X – Columbia Records
Lizzo – Atlantic Records
Rosalía – Columbia Records

BEST COLLABORATION
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
Shawn Mendes & Camila Cabello – “Señorita” – Island Records*
Taylor Swift featuring Brendon Urie of Panic! At The Disco – “ME!” – Republic Records
Ed Sheeran & Justin Bieber – “I Don’t Care” – Atlantic Records
BTS featuring Halsey – “Boy With Luv” – Columbia Records

PUSH ARTIST OF THE YEAR
Bazzi – Atlantic Records
CNCO – RCA Records
Billie Eilish – Darkroom/Interscope Records*
H.E.R. – MBK/RCA Records
Lauv – LAUV/AWAL
Lizzo – Atlantic Records

BEST POP
5 Seconds of Summer – “Easier” – Interscope Records
Cardi B & Bruno Mars – “Please Me” – Atlantic Records
Billie Eilish – “bad guy” – Darkroom/Interscope Records
Khalid – “Talk” – Right Hand Music Group/RCA Records
Ariana Grande – “thank u, next” – Republic Records
Jonas Brothers – “Sucker” – Republic Records*
Taylor Swift – “You Need to Calm Down” – Republic Records

BEST HIP HOP
2 Chainz featuring Ariana Grande – “Rule the World” – 2 Chainz Ps/Def Jam
21 Savage featuring J. Cole – “a lot” – Slaughter Gang LLC/Epic Records
Cardi B – “Money” – Atlantic Records*
DJ Khaled featuring Nipsey Hussle & John Legend – “Higher” – We The Best/Epic Records
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
Travis Scott featuring Drake – “SICKO MODE” – Epic Records/Grand Hustle/Cactus Jack

BEST R&B
Anderson .Paak featuring Smokey Robinson – “Make It Better” – Aftermath Ent/12 Tone Music
Childish Gambino – “Feels Like Summer” – RCA Records
H.E.R. featuring Bryson Tiller – “Could’ve Been” – MBK/RCA Records
Alicia Keys – “Raise A Man” – RCA Records
Ella Mai – “Trip” – 10 Summers/Interscope Records
Normani featuring 6lack – “Waves” – Keep Cool/RCA Records*

BEST K-POP
BTS featuring Halsey – “Boy With Luv” – Columbia Records*

BLACKPINK – “Kill This Love” – YG Entertainment/Interscope Records
Monsta X featuring French Montana – “Who Do You Love” – Epic Records
TOMORROW X TOGETHER – “Cat & Dog” – Republic Records
NCT 127 – “Regular” – SM Entertainment
EXO – “Tempo” – SM Entertainment

BEST LATIN
Anuel AA, Karol G – “Secreto” – Universal Music Latino
Bad Bunny featuring Drake – “MIA” – OVO Sound/Warner Bros. Records
Benny Blanco, Tainy, Selena Gomez, J Balvin – “I Can’t Get Enough” – NEON16/Friends Keep Secrets/Interscope Records
Daddy Yankee featuring Snow – “Con Calma” – Universal Music Latin Entertainment
Maluma – “Mala Mía” – Sony Music US Latin
Rosalía and J Balvin featuring El Guincho — “Con Altura” – Columbia Records*

BEST DANCE
The Chainsmokers featuring Bebe Rexha – “Call You Mine” – Disruptor/Columbia Records*

Clean Bandit featuring Demi Lovato – “Solo” – Big Beat/Atlantic Records
DJ Snake featuring Selena Gomez, Ozuna & Cardi B – “Taki Taki” – DJ Snake Music Productions Ltd/Geffen
David Guetta, Bebe Rexha & J Balvin – “Say My Name” – Big Beat/Atlantic Records
Marshmello & Bastille – “Happier” – Capitol Records
Silk City & Dua Lipa – “Electricity” – Columbia Records

BEST ROCK
The 1975 – “Love It If We Made It” – Dirty Hit/Interscope Records
Fall Out Boy – “Bishops Knife Trick” – Island Records
Imagine Dragons – “Natural” – KIDinaKORNER/Interscope Records
Lenny Kravitz – “Low” – BMG Rights Management (UK) Ltd.
Panic! At The Disco – “High Hopes” – Elektra Music Group*
twenty one pilots – “My Blood” – Elektra Music Group

VIDEO FOR GOOD
Halsey – “Nightmare” – Capitol Records
The Killers – “Land of the Free” – Island
Jamie N Commons, Skylar Grey ft. Gallant – “Runaway Train” – Interscope Records
John Legend – “Preach” – Columbia Records
Lil Dicky – “Earth” – Dirty Burd, Inc./Commission/BMG
Taylor Swift – “You Need to Calm Down” – Republic Records*

BEST DIRECTION
Billie Eilish – “bad guy” – Darkroom/Interscope Records – Directed by Dave Meyers
FKA twigs – “Cellophane” – Young Turks – Directed by Andrew Thomas Huang
Ariana Grande – “thank you, next” – Republic Records – Directed by Hannah Lux Davis
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Directed by Calmatic*
LSD featuring Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Directed by Dano Cerny
Taylor Swift – “You Need to Calm Down” – Republic Records – Directed by Drew Kirsch & Taylor Swift

BEST VISUAL EFFECTS
Billie Eilish – “when the party’s over” – Darkroom/Interscope Records – Visual Effects by Ryan Ross, Andres Jaramillo
FKA twigs – “Cellophane” – Young Turks – Visual Effects by Matt Chandler, Fabio Zaveti for Analog
Ariana Grande – “God is a Woman” – Republic Records – Visual Effects by Fabrice Lagayette, Kristina Prilukova & Rebecca Rice for Mathematic
DJ Khaled featuring SZA – “Just Us” – We The Best/Epic Records – Visual Effects by Sergii Mashevskyi
LSD featuring Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Visual Effects by Ethan Chancer
Taylor Swift featuring Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Visual Effects by Loris Paillier & Lucas Salton for BUF VFX*

BEST EDITING
Anderson .Paak featuring Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Editing by Elias Talbot
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Record – Editing by Calmatic
Billie Eilish – “bad guy” – Darkroom/Interscope Records – Editing by Billie Eilish*
Ariana Grande – “7 Rings” – Republic Records – Editing by Hannah Lux Davis & Taylor Walsh
Solange – “Almeda” – Columbia Records – Editing by Solange Knowles, Vinnie Hobbs, Jonathon Proctor
Taylor Swift – “You Need to Calm Down” – Republic Records – Editing by Jarrett Fijal

BEST ART DIRECTION
BTS featuring Halsey – “Boy With Luv” – Columbia Records – Art Direction by JinSil Park, BoNa Kim (MU:E)
Ariana Grande – “7 Rings” – Republic Records – Art Direction by John Richoux*
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Art Direction by Itaru Dela Vegas
Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Art Direction by Tatiana Van Sauter
Taylor Swift – “You Need to Calm Down” – Republic Records – Art Direction by Brittany Porter
Kanye West and Lil’ Pump featuring Adele Givens – “I Love It” – Warner Records & Def Jam Music Group – Art Direction by Tino Schaedler

BEST CHOREOGRAPHY
FKA twigs – “Cellophane” – Young Turks – Choreography by Kelly Yvonne
Rosalía and J Balvin featuring El Guincho – “Con Altura” – Columbia Records – Choreography by Charm La’Donna*
LSD featuring Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Choreography by Ryan Heffington
Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Choreography by Calvit Hodge, Sara Biv
Solange – “Almeda” – Columbia Records – Choreography by Maya Taylor, Solange Knowles
BTS featuring Halsey – “Boy With Luv” – Columbia Records – Choreography by Rie Hata

BEST CINEMATOGRAPHY
Anderson .Paak featuring Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Cinematography by Elias Talbot
Billie Eilish – “hostage” – Darkroom/Interscope Records – Cinematography by Pau Castejon
Ariana Grande – “thank you, next” – Republic Records – Cinematography by Christopher Probst
Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Cinematography by Scott Cunningham*
Solange – “Almeda” – Columbia Records – Cinematography by Chayse Irvin, Ryan Marie Helfant, Justin Hamilton
Taylor Swift featuring Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Cinematography by Starr Whitesides

BEST POWER ANTHEM
Miley Cyrus — “Mother’s Daughter”
DJ Khaled (featuring Cardi B and 21 Savage) — “Wish Wish”
Ariana Grande — “7 Rings”
Halsey — “Nightmare”
Lizzo (featuring Missy Elliott) — “Tempo”
Megan Thee Stallion (featuring Nicki Minaj and Ty Dolla Sign) — “Hot Girl Summer”*
Maren Morris — “GIRL”
Taylor Swift — “You Need to Calm Down”

SONG OF THE SUMMER
The Chainsmokers and Bebe Rexha — “Call You Mine”
Miley Cyrus — “Mother’s Daughter”
DaBaby — “Suge”
Billie Eilish — “Bad Guy”
Ariana Grande and Social House — “Boyfriend”*
Jonas Brothers — “Sucker”
Khalid — “Talk”
Lil Nas X (featuring Billy Ray Cyrus) — “Old Town Road (Remix)”
Lil Tecca — “Ransom”
Lizzo — “Truth Hurts”
Shawn Mendes and Camila Cabello – “Señorita”
Post Malone (featuring Young Thug) — “Goodbyes”
Rosalía and J Balvin (featuring El Guincho) — “Con altura”
Ed Sheeran and Justin Bieber – “I Don’t Care”
Taylor Swift — “You Need to Calm Down”
Young Thug (featuring J. Cole and Travis Scott) — “The London”

Official sponsors of the 2019 “MTV Video Music Awards” included EXTRA Refreshers, PEPSI, Taco Bell, and the 2020 Toyota Corolla.

Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic were Executive Producers for the 2019 “VMAs.” Barb Bialkowski is Co-Executive Producer. Jackie Barba, Joe Buoye and Alicia Portugal served as Executive in Charge of Production. Amani Duncan is Executive in Charge of Music. Wendy Plaut is Executive in Charge of Celebrity Talent.

About MTV:
MTV is the leading global youth media brand in 180 countries, reaching 450 million households in nearly 30 different languages across every platform. A unit of Viacom Inc. (NASDAQ: VIAB, VIA), MTV operations span cable and mobile networks, live events, theatrical films and MTV Studios.

About The Prudential Center:
Prudential Center is the world-class sports and entertainment venue located in downtown Newark, New Jersey. Opened in October 2007, the state-of-the-art arena is the home of the National Hockey League’s (NHL) three-time Stanley Cup Champion New Jersey Devils, Seton Hall University’s NCAA Division I Men’s Basketball program, and more than 175 concerts, family shows and special events each year. The arena is also home to the GRAMMY Museum Experience Prudential Center, which opened its doors to the public on October 2017. The 8,200-square-foot experience marks the first GRAMMY Museum outpost on the East Coast, and features a dynamic combination of educational programming and interactive permanent and traveling exhibits, including a spotlight on legendary GRAMMY winners from New Jersey. Ranked in the Top 8 nationally by Pollstar, Billboard and Venues Today, Prudential Center is recognized as one of the premier venues in the United States, and hosts over 2 million guests annually. For more information about Prudential Center, visit PruCenter.com and follow the arena on Facebook,Twitter and Instagram @PruCenter. Prudential Center is a Harris Blitzer Sports & Entertainment property.

https://www.youtube.com/watch?v=Uo0RK_olDb4

https://www.youtube.com/watch?v=i9I-ut1TXoA

2019 Teen Choice Awards: Lucy Hale, David Dobrik named as co-hosts; Taylor Swift, Jonas Brothers get special prizes

July 29, 2019

The following is a compilation of press releases from Fox:

Actress, producer, singer and seven-time Teen Choice winner Lucy Hale will host Teen Choice 2019, with digital star and TV personality David Dobrik serving as co-host. Celebrating today’s hottest stars in TV, music, film and social media, the star-studded two-hour LIVE event airs, for the first time in Teen Choice history, from Hermosa Beach, CA, on Sunday, August 11 (8:00-10:00 PM ET live/PT tape-delayed), on FOX.

Additionally, Grammy Award-nominated band OneRepublic will perform their single, “Rescue Me,” along with a medley of other hit songs. Multi-Platinum Pop/R&B sensation Bazzi will perform his summer anthem, “Paradise”; TrailerTrap artist Blanco Brown will perform his chart-topping song, “The Git Up”; pop singer Mabel will perform her hit single, “Don’t Call Me Up”; and Jordan McGraw, with special guest Sarah Hyland, will debut “Met at a Party.” Latin pop boy band CNCO and U.K. pop singer and Teen Choice nominee HRVY will perform, as well. Fans also should expect a special appearance by rapper Lil Nas X.

Ten-time Grammy Award-winning global superstar Taylor Swift will be honored at Teen Choice 2019 with the first-ever Icon Award. The star-studded two-hour LIVE event airs, for the first time in Teen Choice history, from Hermosa Beach, CA, on Sunday, Aug. 11 (8:00-10:00 PM ET live/PT tape-delayed), on FOX.

As one of the best-selling music artists of all time, with more than 50 million albums sold, Taylor Swift is a pop culture icon whose accolades and achievements go beyond topping music charts and selling out stadiums worldwide. Swift is also one of today’s biggest social influencers, using her voice and platform to inspire and create positive change.

Grammy Award-nominated multi-platinum powerhouse trio Jonas Brothers will be honored at Teen Choice 2019 with the highly coveted Decade Award, which celebrates the group’s evolution over the past 10 years.

With five studio albums and more than 17 million albums sold worldwide, the Jonas Brothers recently reunited to release their first album in ten years, “Happiness Begins,” cementing their global pop star status.

Also scheduled to appear at the all-star event: “L.A.’s Finest” star and Teen Choice nominee Gabrielle Union,  WWE Divas Champions The Bella Twins, “Avengers: Endgame” star and Teen Choice nominee Robert Downey Jr., Choice Action TV Actress nominee and “L.A.’s Finest” star Jessica Alba, “The Act” star Joey King, singer Madison Beer, “Good Trouble” star and Choice Drama TV Actress nominee Maia Mitchell, singer/songwriter Lauren Jauregui, “Marvel’s Runaways” actor Gregg Sulkin, Choice Action TV Actor nominee and “The Flash” star Grant Gustin, ten-year-old skateboarder Sky Brown, Teen Choice nominee and “To All the Boys I’ve Loved Before” star Noah Centineo and “Fuller House” actress Candace Cameron Bure, as well as “Fuller House” executive producer John Stamos.

Tickets for Teen Choice 2019 at Hermosa Beach are free and open to the general public, and can be found here. See site for additional terms and conditions. Space is limited.

About Lucy Hale

Lucy Hale has captured the attention of millions through her dynamic on-screen performances in some of the most buzzed-about projects in film and television. Hale will next star as the titular character in the highly anticipated series “Katy Keene.” The series, a “Riverdale” spinoff based on the “Archie” comics characters, is set to premiere midseason. Additional upcoming projects include the romantic comedy “The Hating Game,” Blumhouse Production’s “Fantasy Island,” “Big Gold Brick” and “Son Of The South.” Most recently, Hale starred in the drama series “Life Sentence.” Last spring, she starred in the thriller “Truth or Dare,” one of Blumhouse’s most profitable features to date. The smash-hit series “Pretty Little Liars” premiered in 2010, launching Hale into stardom and winning her a People’s Choice Award for Favorite Cable TV Actress, seven TEEN CHOICE Awards for Choice TV Actress/Star and the 2013 Gracie Award for Outstanding Performance by a Female Rising Star.

About David Dobrik

David Dobrik has mastered the concept of quick-cut, viral content with more than 5.2 billion views and more than 13 million subscribers on his YouTube channel. With his widely popular social media presence and podcast, VIEWS, Dobrik has elevated himself into international stardom. Dobrik will next star, alongside co-judges Ciara and Debbie Gibson, in Nickelodeon’s newest series, “America’s Most Musical Family,” premiering this fall. Dobrik has won Shorty Awards for Vlogger of the Year, Breakout Creator, YouTube Ensemble and Podcast. He’s a two-time Streamy Awards winner and, in 2019, he took home the Kids Choice Award for Social Star.

TEEN CHOICE 2019 is produced by Bob Bain Productions and FOX Alternative Entertainment. Bob Bain and Ashley Edens serve as executive producers. Like TEEN CHOICE 2019 on Facebook at facebook.com/TeenChoiceAwards. Follow the action on Twitter @TeenChoiceFox and join the discussion at #teenchoice. See photos and videos on Instagram by following @teenchoicefox. Fans also are encouraged to follow @TeenChoiceFox on Twitter for the latest TEEN CHOICE 2019 news, including voting and announcements of the host(s), performers, presenters and nominees.

2019 MTV Video Music Awards: Ariana Grande, Taylor Swift have the most nominations

July 23, 2019

The following is a press release from MTV:

MTV unveiled the nominations for the 2019 “VMAs,” which includes dozens of artists whose reach and influence have elevated the music industry and global cultural conversation. Ariana Grande and Taylor Swift lead the nominations with 10 nods each in categories including, “Video of the Year,” “Song of the Year” and “Best Pop.” Other top contenders include first-time VMA nominees Billie Eilish and Lil Nas X who both entered the category of “Best New Artist,” presented by Taco Bell®.  This year’s show will introduce two new categories, “Best K-Pop” and “Video for Good.”

In a first for a major awards show, MTV revealed nominations today via the “VMA chatbot,” giving fans a sneak peek at the nominees by sending a DM (direct message) to @VMAs on Facebook Messenger and Twitter.

“It’s been an incredible year in music and this group of nominees perfectly reflect the rich pop music landscape,” said Bruce Gillmer, Head of Music and Music Talent, Viacom and Co-Brand Head, MTV International. “We can’t wait to see the outcome, once the fans weigh in. It’s going to be an awesome, unforgettable evening!”

Beginning today, fans can vote for their favorites across 14 gender-neutral VMA categories, including “Video of the Year,” “Artist of the Year,” “Best Collaboration” and more by visiting vma.mtv.com until Thursday, August 15. Voting for the “Best New Artist” award, presented by Taco Bell®, will remain active until the VMA broadcast. Fans on Twitter and Facebook Messenger can also slide into VMAs’ DMs to cast an additional vote for “Video of the Year,” “Song of the Year,” and more. Also launching this week, fans will be able to ask Alexa to “vote for the VMAs” for “Artist of the Year” within the MTV skill on Alexa-enabled devices.

This year, for the first time ever, MTV is rewarding fans for voting through VMA Power Hour on vma.mtv.com, where their votes are doubled from 1-2pm ET daily. Superfans can come back each day within this voting window beginning tomorrow to show double the love for their favorite artists.

COMPLETE LIST OF NOMINEES

VIDEO OF THE YEAR
21 Savage featuring J. Cole –  “a lot” – Slaughter Gang LLC/Epic Records
Billie Eilish – “bad guy” – Darkroom/Interscope Records
Ariana Grande – “thank u, next” – Republic Records
Jonas Brothers – “Sucker” – Republic Records
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
Taylor Swift – “You Need to Calm Down” – Republic Records

ARTIST OF THE YEAR
Cardi B – Atlantic Records
Billie Eilish – Darkroom/Interscope Records
Ariana Grande – Republic Records
Halsey – Capitol Records
Jonas Brothers – Republic Records
Shawn Mendes– Island Records

SONG OF THE YEAR
Drake – “In My Feelings” – Young Money/Cash Money/Republic Records
Ariana Grande – “thank u, next” – Republic Records
Jonas Brothers – “Sucker” – Republic Records
Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
Taylor Swift – “You Need to Calm Down” – Republic Records

BEST NEW ARTIST, presented by Taco Bell®
Ava Max – Atlantic Records
Billie Eilish – Darkroom/Interscope Records
H.E.R. – MBK/RCA Records
Lil Nas X – Columbia Records
Lizzo – Atlantic Records
ROSALÍA – Columbia Records

BEST COLLABORATION
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
Shawn Mendes & Camila Cabello – “Señorita” – Island Records
Taylor Swift featuring Brendon Urie of Panic! At The Disco – “ME!” – Republic Records
Ed Sheeran & Justin Bieber – “I Don’t Care” – Atlantic Records
BTS featuring Halsey – “Boy With Luv” – Columbia Records

PUSH ARTIST OF THE YEAR
Bazzi – Atlantic Records
CNCO – RCA Records
Billie Eilish – Darkroom/Interscope Records
H.E.R. – MBK/RCA Records
Lauv – LAUV/AWAL
Lizzo – Atlantic Records

BEST POP
5 Seconds of Summer – “Easier” – Interscope Records
Cardi B & Bruno Mars – “Please Me” – Atlantic Records
Billie Eilish – “bad guy” – Darkroom/Interscope Records
Khalid – “Talk” – Right Hand Music Group/RCA Records
Ariana Grande – “thank u, next” – Republic Records
Jonas Brothers – “Sucker” – Republic Records
Taylor Swift – “You Need to Calm Down” – Republic Records

BEST HIP HOP
2 Chainz featuring Ariana Grande – “Rule the World” – 2 Chainz Ps/Def Jam
21 Savage featuring J. Cole –  “a lot” – Slaughter Gang LLC/Epic Records
Cardi B – “Money” – Atlantic Records
DJ Khaled featuring Nipsey Hussle & John Legend – “Higher” – We The Best/Epic Records
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
Travis Scott featuring Drake – “SICKO MODE” – Epic Records/Grand Hustle/Cactus Jack

BEST R&B
Anderson .Paak featuring Smokey Robinson – “Make It Better” – Aftermath Ent/12 Tone Music
Childish Gambino – “Feels Like Summer” – RCA Records
H.E.R. featuring Bryson Tiller – “Could’ve Been” – MBK/RCA Records
Alicia Keys – “Raise A Man” – RCA Records
Ella Mai – “Trip” – 10 Summers/Interscope Records
Normani ft. 6lack – “Waves” – Keep Cool/RCA Records

BEST K-POP
BTS featuring Halsey – “Boy With Luv” – Columbia Records
BLACKPINK – “Kill This Love” – YG Entertainment/Interscope Records
Monsta X featuring French Montana – “Who Do You Love” – Epic Records
TOMORROW X TOGETHER – “Cat & Dog” – Republic Records
NCT 127 – “Regular” – SM Entertainment
EXO – “Tempo” – SM Entertainment

BEST LATIN
Anuel AA, Karol G – “Secreto” – Universal Music Latino
Bad Bunny featuring Drake – “MIA” – OVO Sound/Warner Bros. Records
Benny Blanco, Tainy, Selena Gomez, J Balvin – “I Can’t Get Enough” – NEON16/Friends Keep Secrets/Interscope Records
Daddy Yankee featuring Snow – “Con Calma” – Universal Music Latin Entertainment
Maluma – “Mala Mía” – Sony Music US Latin
Rosalía & J Balvin featuring El Guincho – “Con Altura” – Columbia Records

BEST DANCE
The Chainsmokers featuring Bebe Rexha – “Call You Mine” – Disruptor/Columbia Records
Clean Bandit featuring Demi Lovato – “Solo” – Big Beat/Atlantic Records
DJ Snake featuring Selena Gomez, Ozuna & Cardi B – “Taki Taki” – DJ Snake Music Productions Ltd/Geffen
David Guetta, Bebe Rexha & J Balvin – “Say My Name” – Big Beat/Atlantic Records
Marshmello & Bastille – “Happier” – Capitol Records
Silk City & Dua Lipa – “Electricity” – Columbia Records

BEST ROCK
The 1975 – “Love It If We Made It” – Dirty Hit/Interscope Records
Fall Out Boy – “Bishops Knife Trick” – Island Records
Imagine Dragons – “Natural” – KIDinaKORNER/Interscope Records
Lenny Kravitz – “Low” – BMG Rights Management (UK) Ltd.
Panic! At The Disco – “High Hopes” – Elektra Music Group
twenty one pilots – “My Blood” – Elektra Music Group

VIDEO FOR GOOD
Halsey – “Nightmare” – Capitol Records
The Killers – “Land of the Free” – Island
Jamie N Commons, Skylar Grey ft. Gallant – “Runaway Train” – Interscope Records
John Legend – “Preach” – Columbia Records
Lil Dicky – “Earth” – Dirty Burd, Inc./Commission/BMG
Taylor Swift – “You Need to Calm Down” – Republic Records

BEST DIRECTION
Billie Eilish – “bad guy” – Darkroom/Interscope Records – Directed by Dave Meyers
FKA twigs – “Cellophane” – Young Turks – Directed by Andrew Thomas Huang
Ariana Grande – “thank you, next” – Republic Records – Directed by Hannah Lux Davis
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Directed by Calmatic
LSD featuring Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Directed by Dano Cerny
Taylor Swift – “You Need to Calm Down” – Republic Records – Directed by Drew Kirsch & Taylor Swift

BEST VISUAL EFFECTS
Billie Eilish – “when the party’s over” – Darkroom/Interscope Records – Visual Effects by Ryan Ross, Andres Jaramillo
FKA twigs – “Cellophane” – Young Turks – Visual Effects by Matt Chandler, Fabio Zaveti for Analog
Ariana Grande – “God Is a Woman” – Republic Records – Visual Effects by Fabrice Lagayette, Kristina Prilukova & Rebecca Rice for Mathematic
DJ Khaled featuring SZA – “Just Us” – We The Best/Epic Records – Visual Effects by Sergii Mashevskyi
LSD featuring Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Visual Effects by Ethan Chancer
Taylor Swift ft. Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Visual Effects by Loris Paillier & Lucas Salton for BUF VFX

BEST EDITING
Anderson .Paak featuring Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Editing by Elias Talbot
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Record – Editing by Calmatic
Billie Eilish – “bad guy” – Darkroom/Interscope Records – Editing by Billie Eilish
Ariana Grande – “7 Rings” – Republic Records – Editing by Hannah Lux Davis & Taylor Walsh
Solange – “Almeda” – Columbia Records – Editing by Solange Knowles, Vinnie Hobbs, Jonathon Proctor
Taylor Swift – “You Need to Calm Down” – Republic Records – Editing by Jarrett Fijal

BEST ART DIRECTION
BTS featuring Halsey – “Boy With Luv” – Columbia Records – Art Direction by JinSil Park, BoNa Kim (MU:E)
Ariana Grande – “7 Rings” – Republic Records – Art Direction by John Richoux
Lil Nas X featuring Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Art Direction by Itaru Dela Vegas
Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Art Direction by Tatiana Van Sauter
Taylor Swift – “You Need to Calm Down” – Republic Records – Art Direction by Brittany Porter
Kanye West and Lil’ Pump featuring Adele Givens – “I Love It” – Warner Records & Def Jam Music Group – Art Direction by Tino Schaedler

BEST CHOREOGRAPHY
FKA twigs – “Cellophane” – Young Turks – Choreography by Kelly Yvonne
Rosalía & J Balvin featuring El Guincho – “Con Altura” – Columbia Records – Choreography by Charm La’Donna
LSD featuring Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Choreography by Ryan Heffington
Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Choreography by Calvit Hodge, Sara Biv
Solange – “Almeda” – Columbia Records – Choreography by Maya Taylor, Solange Knowles
BTS featuring Halsey – “Boy With Luv” – Columbia Records – Choreography by Rie Hata

BEST CINEMATOGRAPHY
Anderson .Paak featuring Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Cinematography by Elias Talbot
Billie Eilish – “hostage” – Darkroom/Interscope Records – Cinematography by Pau Castejon
Ariana Grande – “thank you, next” – Republic Records – Cinematography by Christopher Probst
Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Cinematography by Scott Cunningham
Solange – “Almeda” – Columbia Records – Cinematography by Chayse Irvin, Ryan Marie Helfant, Justin Hamilton
Taylor Swift featuring Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Cinematography by Starr Whitesides

Ariana Grande – 10 Nominations
Video of the Year
Artist of the Year
Song of the Year
Best Pop
Best Hip-Hop
Best Direction
Best Visual Effects
Best Editing
Best Art Direction
Best Cinematography

Taylor Swift – 10 Nominations
Video of the Year
Song of the Year
Best Collaboration
Best Pop
Best Direction
Best Visual Effects
Best Editing
Best Art Direction
Best Cinematography
Video For Good

Billie Eilish – 9 Nominations
Video of the Year
Artist of the Year
Best New Artist, presented by Taco Bell®
Best Pop
Best Direction
Best Visual Effects
Push Artist of the Year
Best Editing
Best Cinematography

Lil Nas X – 8 Nominations
Video of the Year
Song of the Year
Best New Artist, presented by Taco Bell®
Best Collaboration
Best Hip-Hop
Best Direction
Best Editing
Best Art Direction

Halsey – 6 Nominations
Artist of the Year
Best Collaboration
Video For Good
Best Art Direction
Best Choreography
Best K-POP

Shawn Mendes – 5 Nominations
Artist of the Year
Best Collaboration
Best Art Direction
Best Choreography
Best Cinematography

Camila Cabello – 4 Nominations
Best Collaboration
Best Art Direction
Best Choreography
Best Cinematography

Cardi B – 4 Nominations
Artist of the Year
Best Pop
Best Hip-Hop
Best Dance

J Balvin – 4 Nominations
Best Latin
Best Latin
Best Dance
Best Choreography

Jonas Brothers – 4 Nominations
Video of the Year
Artist of the Year
Song of the Year
Best Pop

BTS – 4 Nominations
Best Collaboration
Best Art Direction
Best Choreography
Best K-POP

Anderson .Paak – 3 Nominations
Best R&B
Best Editing
Best Cinematography

Drake – 3 Nominations
Song of the Year
Best Hip-Hop
Best Latin

FKA twigs – 3 Nominations
Best Direction
Best Visual Effects
Best Choreography

H.E.R. – 3 Nominations
Best New Artist
Best R&B
Push Artist of the Year

LSD – 3 Nominations
Best Direction
Best Visual Effects
Best Choreography

ROSALÍA – 3 Nominations
Best New Artist, presented by Taco Bell®
Best Latin
Best Choreography

Solange – 3 Nominations
Best Editing
Best Choreography
Best Cinematography

The “VMAs,” which will be hosted by comedian, actor and best-selling author Sebastian Maniscalco, will air live from Prudential Center in Newark, N.J. on Monday, August 26 at 8:00 p.m. ET/PT, and across MTV’s global network of channels in more than 180 countries, reaching more than half a billion households around the world.

Official sponsors of the 2019 “MTV Video Music Awards” include EXTRA™ Refreshers, PEPSI®, Taco Bell®, and the 2020 Toyota Corolla.

Follow @MTV and @VMAs on social to keep up with all-things #VMAs.

Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are Executive Producers for the 2019 “VMAs.” Barb Bialkowski is Co-Executive Producer. Jackie Barba, Joe Buoye and Alicia Portugal serve as Executive in Charge of Production. Amani Duncan is Executive in Charge of Music.  Wendy Plaut is Executive in Charge of Celebrity Talent.

About MTV:
MTV is the leading global youth media brand in 180 countries, reaching 450 million households in nearly 30 different languages across every platform. A unit of Viacom Inc. (NASDAQ: VIAB, VIA), MTV operations span cable and mobile networks, live events, theatrical films and MTV Studios.

About The Prudential Center:
Prudential Center is the world-class sports and entertainment venue located in downtown Newark, New Jersey. Opened in October 2007, the state-of-the-art arena is the home of the National Hockey League’s (NHL) three-time Stanley Cup Champion New Jersey Devils, Seton Hall University’s NCAA Division I Men’s Basketball program, and more than 175 concerts, family shows and special events each year. The arena is also home to the GRAMMY Museum Experience Prudential Center, which opened its doors to the public on October 2017. The 8,200-square-foot experience marks the first GRAMMY Museum outpost on the East Coast, and features a dynamic combination of educational programming and interactive permanent and traveling exhibits, including a spotlight on legendary GRAMMY winners from New Jersey. Ranked in the Top 8 nationally by Pollstar, Billboard and Venues Today, Prudential Center is recognized as one of the premier venues in the United States, and hosts over 2 million guests annually. For more information about Prudential Center, visit PruCenter.com and follow the arena on Facebook,Twitter and Instagram @PruCenter. Prudential Center is a Harris Blitzer Sports & Entertainment property.