2021 Academy Awards: ‘Nomadland’ is the top winner

April 25, 2021

by Carla Hay

“Nomadland” producers Peter Spears, Frances McDormand, Chloé Zhao, Mollye Asher and Dan Janvey at the 93rd annual Academy Awards in Los Angeles on Sunday, April 25, 2021. (Photo courtesy of ABC)

With three prizes, including Best Picture, “Nomadland” was the top winner for the 93rd Annual Academy Awards, which took place place at Union Station and at the Dolby Theatre in Los Angeles on April 25, 2021. There was no host for the ceremony, which was telecast in the U.S. on ABC. Searchlight Pictures’ “Nomadland” also won the awards for Best Director (for Chloé Zhao) and Best Actress (for Frances McDormand). In the movie, McDormand portrays a widow who lives out of her van and travels across different states in U.S. to find work.

With 10 nods, the Netflix drama “Mank” was the top nominee and ended up with two Academy Awards. Movies that won two Oscars each included:

  • “Judas and the Black Messiah” (Warner Bros. Pictures): Best Supporting Actor (for Daniel Kaluuya), Best Original Song (“Fight for You”)
  • “Mank” (Netflix): Best Production Design, Best Cinematography
  • “Ma Rainey’s Black Bottom” (Netflix): Best Makeup and Hairstyling, Best Costume Design
  • “Sound of Metal” (Amazon Studios): Best Film Editing, Best Sound
  • “Soul” (Pixar Studios): Best Animated Feature, Best Original Score

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2021 ceremony, eligible movies were those released in the U.S. in 2020 and (due to the coronavirus pandemic) the eligibility period was extended to movies released in January and February 2021. Because of the pandemic, movies that were planned for a theatrical release but were released directly to home video or on streaming services were also eligible. Beginning with the 2022 Academy Awards ceremony, there will be a required 10 movies nominated for Best Picture. From 2009 to 2021, the rule was that there could be five to 10 movies per year nominated for Best Picture.

Because of the COVID-19 pandemic, there were less people invited to the Oscar ceremony in 2021. The presenters included Riz Ahmed, Angela Bassett, Halle Berry, Don Cheadle, Bryan Cranston, Viola Davis, Laura Dern, Harrison Ford, Bong Joon Ho, Regina King, Marlee Matlin, Rita Moreno, Joaquin Phoenix, Brad Pitt, Reese Witherspoon, Steven Yeun, Renée Zellweger and Zendaya.

The 2021 Oscar ceremony also marked big changes to the show in other ways. Performances of the year’s Oscar-nominated songs usually take place during the ceremony. Instead, the performances of the five nominated songs were pre-recorded and televised during the 90-minute pre-show telecast “Oscars: Into the Spotlight,” which included live interviews from the Oscar red carpet. This pre-show telecast was hosted by actors Ariana DeBose and Lil Rel Howery.

Howery acted as an unofficial emcee during parts of the Oscar telecast, which included a segment where Howery played a trivia game where people in the audience had to guess if a song was an Oscar winner, an Oscar nominee or wasn’t nominated for an Oscar at all. The segment started out flat and awkward. Andra Day got her answer correct that Prince’s “Purple Rain” song wasn’t even nominated. (However, the “Purple Rain” soundtrack score did an Oscar.)Kaluuya incorrectly guessed that Donna Summer’s “Last Dance” didn’t win an Oscar. (It did.)

But the segment end up being saved by Glenn Close, who correctly guessed that E.U.’s “Da Butt” (from Spike Lee’s 1988 movie “School Daze”) wasn’t nominated for an Oscar, and she proceeded to show her knowledge of ’80s hip-hop by getting up and doing “Da Butt” dance. This moment got a lot of laughs and cheers and will be sure to be remembered as the most unexpected comedic moment at the 2021 Academy Awards. This moment with Close could have been pre-planned and rehearsed since she seemed a little too prepared with an answer, but it didn’t take away from it being one of the show’s highlights that didn’t involve an acceptance speech.

Steven Soderbergh, Stacey Sher and Jesse Collins were the producers of the Academy Awards show. They also made some changes to the show’s format. Instead of presenting the prizes for Best Picture last, the awards for Best Actor and Best Actress were presented last. The award for Best Picture was the third-to-last award presented. The prize for Best Director was handed out in the middle of the ceremony, instead of following the tradition of being the second-to-last award handed out during the ceremony.

Another big change was that winners were not limited to a 90-second acceptance speech. Some acceptance speeches lasted longer than three minutes. In addition, there was no live orchestra at the ceremony. Instead, musician Questlove was a DJ at the award show. Because of the COVID-19 pandemic, many of the nominees were shown via satellite in various parts of the world, such as London, Paris and Sydney.

The Oscar ceremony made history in some diversity issues, as Zhao (a Chinese-born filmmaker) became the first woman of color to win Best Director. She is also the second woman in Oscar history to win this Best Director prize. (Kathryn Bigelow, director of the 2009 war film “The Hurt Locker,” was the first woman to win the Best Director award in 2010.) Zhao’s victory had been widely predicted, since Zhao won all of the year’s major Best Director awards for “Nomadland” prior to winning the Oscar.

Mia Neal and Jamika Wilson of “Ma Rainey’s Black Bottom” made Oscar history by being the first black people to be nominated for and to win the prize for Best Makeup and Hairstyling. This breakthrough was acknowledged during their acceptance speech for the award, which they share with Sergio Lopez-Rivera. Neal said in her acceptance speech: “I want to say thank you to our ancestors who put the work in, who were denied, but never gave up. I also stand here—as Jamika and I break this glass ceiling—with so much excitement for the future.”

Meanwhile, South Korean actress Yuh-jung Youn of “Minari” became the first Asian-born woman to win in the Best Supporting Actress category. In 1958, Japanese American actress Miyoshi Umeki of the 1957 movie “Sayonara” became the first Asian woman overall to win in the Best Supporting Actress category.

Although the late Chadwick Boseman was widely predicted to win the Best Actor award for “Ma Rainey’s Black Bottom,” which was his last film role, the prize went to Anthony Hopkins for “The Father.” (Hopkins did not attend the Oscar ceremony and was not available by video.) At 83 years old, Hopkins became the oldest person to win an Oscar in an actor/actress category, surpassing the record set by “Beginners” co-star Christopher Plummer, who won the Best Supporting Actor award in 2012, at the age of 82.

Boseman won several Best Actor prizes (including a Golden Globe Award and a Screen Actors Guild Award) for “Ma Rainey’s Black Bottom” leading up to Oscar ceremony. However, there was a foreshadowing that Boseman might not win the Oscar when he was nominated for but didn’t win the prizes for Best Actor at the BAFTA Awards and Film Independent Spirit Awards, which were the two major award shows that took place closest to the Oscars. Boseman died of colon cancer in August 2020.

The Motion Picture & Television Fund (MPTF) received the Jean Hersholt Humanitarian Award, with MPTF officials Bob Beitcher, Norma Carranza and Jennifer Jorge acceping the prize on stage. Tyler Perry received the Jean Hersholt Humanitarian Award, a non-competitive prize. In his speech, he urged people to “stand up to hate” and to be more giving and compassionate with each other.

Here is the complete list of winners and nominations for the 2021 Academy Awards:

*=winner

Best Picture

“The Father” (Sony Pictures Classics) 

“Judas and the Black Messiah” (Warner Bros.) 

“Mank” (Netflix) 

“Minari” (A24) 

“Nomadland” (Searchlight Pictures)*

“Promising Young Woman” (Focus Features) 

“Sound of Metal” (Amazon Studios) 

“The Trial of the Chicago 7” (Netflix) 

Best Director

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”) 

Lee Isaac Chung (“Minari”) 

Chloé Zhao (“Nomadland”)*

Emerald Fennell (“Promising Young Woman”) 

Best Actor in a Leading Role

Riz Ahmed (“Sound of Metal”) 

Chadwick Boseman (“Ma Rainey’s Black Bottom”) 

Anthony Hopkins (“The Father”)*

Gary Oldman (“Mank”) 

Steven Yeun (“Minari”) 

Best Actress in a Leading Role

Viola Davis (“Ma Rainey’s Black Bottom”) 

Andra Day (“The United States v. Billie Holiday”) 

Vanessa Kirby (“Pieces of a Woman”) 

Frances McDormand (“Nomadland”)*

Carey Mulligan (“Promising Young Woman”) 

Best Actor in a Supporting Role

Sacha Baron Cohen (“The Trial of the Chicago 7”) 

Daniel Kaluuya (“Judas and the Black Messiah”)*

Leslie Odom Jr. (“One Night in Miami”) 

Paul Raci (“Sound of Metal”) 

LaKeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role

Maria Bakalova (“Borat Subsequent Moviefilm”) 

Glenn Close (“Hillbilly Elegy”) 

Olivia Colman (“The Father”) 

Amanda Seyfried (“Mank”) 

Yuh-jung Youn (“Minari”)*

Best Adapted Screenplay

“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman and Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer and Nina Pedrad

“The Father,” Christopher Hampton and Florian Zeller*

“Nomadland,” Chloé Zhao 

“One Night in Miami,” Kemp Powers 

“The White Tiger,” Ramin Bahrani 

Best Original Screenplay

“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas and Keith Lucas

“Minari,” Lee Isaac Chung 

“Promising Young Woman,” Emerald Fennell*

“Sound of Metal.” Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7,” Aaron Sorkin 

Best Cinematography

“Judas and the Black Messiah,” Sean Bobbitt 

“Mank,” Erik Messerschmidt*

“News of the World,” Dariusz Wolski 

“Nomadland,” Joshua James Richards 

“The Trial of the Chicago 7,” Phedon Papamichael 

Best Film Editing

“The Father,” Yorgos Lamprinos

“Nomadland,” Chloé Zhao 

“Promising Young Woman,” Frédéric Thoraval 

“Sound of Metal,” Mikkel E.G. Nielsen*

“The Trial of the Chicago 7,” Alan Baumgarten 

Best Sound

“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul,” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh*

Best Original Score

“Da 5 Bloods,” Terence Blanchard 

“Mank,” Trent Reznor, Atticus Ross 

“Minari,” Emile Mosseri 

“News of the World,” James Newton Howard 

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste*

Best Original Song

“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas*

“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Animated Feature Film

“Onward” (Pixar) 

“Over the Moon” (Netflix) 

“A Shaun the Sheep Movie: Farmageddon” (Netflix) 

“Soul” (Pixar)*

“Wolfwalkers” (Apple TV+/GKIDS) 

Best International Feature Film

“Another Round” (Denmark)*

“Better Days” (Hong Kong)

“Collective” (Romania) 

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina) 

Best Documentary Feature

“Collective” (Magnolia Pictures and Participant) 

“Crip Camp” (Netflix) 

“The Mole Agent” (Gravitas Ventures) 

“My Octopus Teacher” (Netflix)*

“Time” (Amazon Studios) 

Best Makeup and Hairstyling

“Emma,” Marese Langan, Laura Allen, Claudia Stolze

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle 

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson*

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Costume Design

“Emma,” Alexandra Byrne 

“Mank,” Trish Summerville 

“Ma Rainey’s Black Bottom,” Ann Roth*

“Mulan,” Bina Daigeler 

“Pinocchio,” Massimo Cantini Parrini

Best Production Design

“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale*

“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Visual Effects

“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox 

“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher*

Best Documentary Short Subject

“Colette” (Time Travel Unlimited)*

“A Concerto Is a Conversation” (Breakwater Studios) 

“Do Not Split” (Field of Vision) 

“Hunger Ward” (MTV Documentary Films)

“A Love Song for Latasha” (Netflix) 

Best Animated Short Film

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions) 

“If Anything Happens I Love You” (Netflix)*

“Opera” (Beasts and Natives Alike) 

“Yes-People” (CAOZ hf. Hólamói) 

Best Live-Action Short Film

“Feeling Through” 

“The Letter Room” 

“The Present” 

“Two Distant Strangers”*

“White Eye” 

2021 Academy Awards: ‘Mank’ is the top nominee

March 15, 2021

by Carla Hay

Amanda Seyfried and Gary Oldman in “Mank” (Photo courtesy of Netflix)

With 10 nods, the Netflix drama “Mank” is the top nominee for the 93rd Annual Academy Awards, which will take place at Union Station and at the Dolby Theatre in Los Angeles on April 25, 2021. There will be no host for the ceremony, which will be telecast in the U.S. on ABC. The nominations were announced on March 15, 2021, by spouses Nick Jonas and Priyanka Chopra Jonas.

The nominations for “Mank” include Best Picture, Best Actor (for Gary Oldman), Best Director (for David Fincher) and Best Supporting Actress (for Amanda Seyfried). The movie is about screenwriter Herman J. Mankiewicz, nicknamed Mank, and his experiences while writing the Oscar-winning screenplay to the 1941 film “Citizen Kane, including his clashes with “Citizen Kane” director/co-writer Orson Welles.

The other contenders for Best Picture are Sony Pictures Classics’ “The Father,” Warner Bros. Pictures’ “Judas and the Black Messiah,” A24’s “Minari,” Searchlight Pictures’ “Nomadland,” Focus Features’ “Promising Young Woman,” Amazon Studios’ “Sound of Metal” and Netflix’s “The Trial of the Chicago 7.” All of these movies except for “Promising Young Woman” have six Oscar nominations each, which is the second-highest number of nominations for the 2021 Academy Awards ceremony. (Click here to read Culture Mix’s reviews of all these movies that are nominated for Best Picture.)

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2021 ceremony, eligible movies were those released in the U.S. in 2020 and (due to the coronavirus pandemic) the eligibility period was extended to movies released in January and February 2021. Because of the pandemic, movies that were planned for a theatrical release but were released directly to home video or on streaming services were also eligible. Beginning with the 2022 Academy Awards ceremony, there will be a required 10 movies nominated for Best Picture. From 2009 to 2021, the rule was that there could be five to 10 movies per year nominated for Best Picture.

Snubs and Surprises

“Da 5 Bloods” director Spike Lee (pictured at far left) with cast members Isiah Whitlock Jr., Delroy Lindo, Jonathan Majors, Clarke Peters and Norm Lewis on the set of “Da 5 Bloods.” (Photo by David Lee/Netflix)

The Netflix drama “Da 5 Bloods,” which has been getting nominations at other major award shows, only managed to garner one Oscar nod: Best Original Score (for Terence Blanchard). Some pundits had predicted that “Da 5 Bloods” would get Oscar nominations for Best Picture, Best Director (for Spike Lee) and Best Actor (for Delroy Lindo). Other highly acclaimed movies that were shut out of the Best Picture race include the Amazon Studios drama “One Night in Miami…” and the Netflix drama “Ma Rainey’s Black Bottom,” although “One Night in Miami…” got three Oscar nods in other categories, while “Ma Rainey’s Black Bottom” received five Oscar nominations.

Meanwhile, movies that have been getting awards and nominations elsewhere were completely snubbed by the Academy Awards. They include the Focus Features drama “Never Rarely Sometimes Always,” the STX drama “The Mauritanian,” the Netflix comedy “The Forty-Year-Old Version” and the A24 drama “First Cow.” 

Although “Mank” leads with the most Oscar nominations this year, the movie failed to get a nod for Best Original Screenplay. (The movie was written by David Fincher’s late father Jack Fincher.) This lack of a screenplay Oscar nomination doesn’t bode well for “Mank’s” chances to win Best Picture. It’s very rare for a movie not to win Best Picture without getting a screenplay nomination.

And shut out of the race for Best Director is Aaron Sorkin of “The Trial of the Chicago 7,” even though he has been getting Best Director nominations at almost every major award show where he’s eligible for this movie. However, as the screenwriter for “The Trial of the Chicago 7,” Sorkin did score an Oscar nod for Best Original Screenplay. 

Some of the biggest surprise nominations came from international films. Thomas Vinterberg of the Samuel Goldwyn Films drama “Another Round” (a movie from Denmark) received a nomination for Best Director. Gravitas Ventures’ Chilean film “The Mole Agent” got a nomination for Best Documentary Feature, after being largely ignored for nominations at other movie award shows.

And “Judas and the Black Messiah” co-star LaKeith Stanfield got a surprise nod for Best Supporting Actor, a category that also includes “Judas and the Black Messiah” co-star Daniel Kaluuya. Stanfield was shut of of getting nominated for this movie at most other award shows, while Kaluuya has been winning Best Supporting Actor prizes for the movie, thereby making Kaluuya a frontrunner in the category this year.

Diversity and Inclusion

Steven Yeun, Alan S. Kim, Yuh-Jung Youn, Yeri Han and Noel Cho in “Minari” (Photo by Josh Ethan Johnson/A24) 

For the first time in Academy Awards history, two women have been nominated in the same year for Best Director: Chloé Zhao of “Nomadland” and Emerald Fennell of “Promising Young Woman.” Zhao (who is the first women of color to get an Oscar nod for Best Director) is a quadruple Oscar nominee this year for “Nomadland,” since she’s also nominated for Best Picture, Best Adapted Screenplay and Best Film Editing. Fennell is a triple nominee, since her other Oscar nominations this year are for Best Picture and for Best Original Screenplay.

Racial diversity is in every actor/actress category at 2021 Academy Awards, since there is at least one person of color nominated in each category. Black people are represented the most with “Judas and the Black Messiah,” which made Oscar history for being the first movie from an all-black team of producers (Shaka King, Charles D. King and Ryan Coogler) to be nominated for Best Picture. The movie also earned nominations for the aforementioned co-stars Kaluuya and Stanfield; songwriter H.E.R. and Tiara Thomas, whose song “Fight for You” is up for Best Original Song’; and “Judas and the Black Messiah” director Shaka King, who co-wrote the screenplay, is a double Oscar nominee this year, since he’s also up for Best Original Screenplay.

Leslie Odom Jr. is a double nominee for “One Night in Miami…,” since he received nods for Best Supporting Actor and for co-writing the song “Speak Now,” which is one of the contenders for Best Original Song. Kemp Powers received his first Oscar nomination (Best Adapted Screenplay), for “One Night in Miami…,” which is based on the play that he wrote of the same title. Powers is a co-director of the Oscar-nominated animated film “Soul,” but he was not nominated for this movie, since the nomination for Best Animated Feature goes to a film’s director(s) and producer(s). However, composer Jon Batiste of “Soul” is nominated for Best Original Score, along with lead composers Trent Reznor and Atticus Ross.

“Ma Rainey’s Black Bottom” got expected nominations for the late Chadwick Boseman (Best Actor) and Viola Davis (Best Actress). With this nomination, Davis is the black actress with the most Oscar nods. She has four so far, including one win for Best Supporting Actress for the 2016 drama “Fences.” Mia Neal and Jamika Wilson of “Ma Rainey’s Black Bottom” made Oscar history by being the first black people nominated for Best Makeup and Hairstyling. 

Also nominated for Best Actress at the 2021 Academy Awards is Andra Day of Hulu’s “The United States vs. Billie Holiday.” Ironically, the only other time that two black actresses were nominated in the same year for Best Actress was in 1973, when Diana Ross was nominated for her role as Billie Holiday in 1972’s “Lady Sings the Blues” and Cicely Tyson was nominated for 1972’s “Sounder.” As of this writing, Halle Berry is the only black person who has won an Oscar for Best Actress. She did so for 2001’s “Monster’s Ball.”

Real-life singers Ma Rainey and Billie Holiday also represent the only LGBTQ characters in the actor/actress categories. In real life, Rainey was a lesbian and Holiday was bisexual. Their sexualities are each portrayed in “Ma Rainey’s Black Bottom” and “The United States vs. Billie Holiday.”

Asians were represented in more Oscar categories than ever before, mostly because of “Minari,” a drama about a Korean American family that moves to rural Arkansas so that the family patriarch can become a farmer. “Minari” earned nods for producer Christina Oh (Best Picture); Lee Isaac Chung (Best Director and Best Original Screenplay); Steven Yeun (Best Actor); and Yuh-jung Youn (Best Supporting Actor). Yeun is the first Asian American to get an Oscar nomination for Best Actor.

As previously mentioned, Chinese filmmaker Zhao has four Oscar nominations for “Nomadland” this year. And the Hong Kong drama “Better Days” garnered a Best International Feature nomination for director Derek Tsang. And the Netflix drama “The White Tiger” earned a Best Adapted Screenplay nod for Indian filmmaker Ramin Bahrani.

Pakistani British actor Riz Ahmed of “Sound of Metal” received his first nomination for Best Actor. Ahmed plays a heavy-metal drummer who goes deaf in the film. Paul Raci, who is nominated for Best Supporting Actor for “Sound of Metal,” also portrays a deaf person in the film. The disability community is also represented in Anthony Hopkins’ role as a man with dementia in “The Father,” whose six nominations include Best Picture, Best Actor and Best Adapted Screenplay. Meanwhile, “Crip Camp” co-director Jim LeBrecht, who is paraplegic, is nominated for Best Documentary Feature for this Netflix movie, which is about the civil rights movement for the disability community.

The Hispanic/Latino people nominated for Oscars this year were all people who work in behind-the-camera roles. Sergio Lopez-Rivera is one of three people nominated for Best Makeup and Hairstyling for “Ma Rainey’s Black Bottom.” And as previously mentioned, the Chilean film “The Mole Agent” (directed by Maite Alberdi) is nominated for Best Documentary Feature.

Also in the Best International Feature category is director Kaouther Ben Hania, who is nominated for the Tunisian film “The Man Who Sold His Skin,” making it the first time that a movie from Tunisia has gotten an Oscar nomination in this category. 

Here is the complete list of nominations for the 2021 Academy Awards:

Best Picture

“The Father” (Sony Pictures Classics) 

“Judas and the Black Messiah” (Warner Bros.) 

“Mank” (Netflix) 

“Minari” (A24) 

“Nomadland” (Searchlight Pictures) 

“Promising Young Woman” (Focus Features) 

“Sound of Metal” (Amazon Studios) 

“The Trial of the Chicago 7” (Netflix) 

Best Director

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”) 

Lee Isaac Chung (“Minari”) 

Chloé Zhao (“Nomadland”) 

Emerald Fennell (“Promising Young Woman”) 

Best Actor in a Leading Role

Riz Ahmed (“Sound of Metal”) 

Chadwick Boseman (“Ma Rainey’s Black Bottom”) 

Anthony Hopkins (“The Father”) 

Gary Oldman (“Mank”) 

Steven Yeun (“Minari”) 

Best Actress in a Leading Role

Viola Davis (“Ma Rainey’s Black Bottom”) 

Andra Day (“The United States v. Billie Holiday”) 

Vanessa Kirby (“Pieces of a Woman”) 

Frances McDormand (“Nomadland”) 

Carey Mulligan (“Promising Young Woman”) 

Best Actor in a Supporting Role

Sacha Baron Cohen (“The Trial of the Chicago 7”) 

Daniel Kaluuya (“Judas and the Black Messiah”) 

Leslie Odom Jr. (“One Night in Miami”) 

Paul Raci (“Sound of Metal”) 

LaKeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role

Maria Bakalova (“Borat Subsequent Moviefilm”) 

Glenn Close (“Hillbilly Elegy”) 

Olivia Colman (“The Father”) 

Amanda Seyfried (“Mank”) 

Yuh-jung Youn (“Minari”) 

Best Adapted Screenplay

“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman and Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer and Nina Pedrad

“The Father,” Christopher Hampton and Florian Zeller

“Nomadland,” Chloé Zhao 

“One Night in Miami,” Kemp Powers 

“The White Tiger,” Ramin Bahrani 

Best Original Screenplay

“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas and Keith Lucas

“Minari,” Lee Isaac Chung 

“Promising Young Woman,” Emerald Fennell 

“Sound of Metal.” Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7,” Aaron Sorkin 

Best Cinematography

“Judas and the Black Messiah,” Sean Bobbitt 

“Mank,” Erik Messerschmidt 

“News of the World,” Dariusz Wolski 

“Nomadland,” Joshua James Richards 

“The Trial of the Chicago 7,” Phedon Papamichael 

Best Film Editing

“The Father,” Yorgos Lamprinos

“Nomadland,” Chloé Zhao 

“Promising Young Woman,” Frédéric Thoraval 

“Sound of Metal,” Mikkel E.G. Nielsen 

“The Trial of the Chicago 7,” Alan Baumgarten 

Best Sound

“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul,” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Best Original Score

“Da 5 Bloods,” Terence Blanchard 

“Mank,” Trent Reznor, Atticus Ross 

“Minari,” Emile Mosseri 

“News of the World,” James Newton Howard 

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste 

Best Original Song

“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Animated Feature Film

“Onward” (Pixar) 

“Over the Moon” (Netflix) 

“A Shaun the Sheep Movie: Farmageddon” (Netflix) 

“Soul” (Pixar) 

“Wolfwalkers” (Apple TV+/GKIDS) 

Best International Feature Film

“Another Round” (Denmark) 

“Better Days” (Hong Kong)

“Collective” (Romania) 

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina) 

Best Documentary Feature

“Collective” (Magnolia Pictures and Participant) 

“Crip Camp” (Netflix) 

“The Mole Agent” (Gravitas Ventures) 

“My Octopus Teacher” (Netflix) 

“Time” (Amazon Studios) 

Best Makeup and Hairstyling

“Emma,” Marese Langan, Laura Allen, Claudia Stolze

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle 

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Costume Design

“Emma,” Alexandra Byrne 

“Mank,” Trish Summerville 

“Ma Rainey’s Black Bottom,” Ann Roth 

“Mulan,” Bina Daigeler 

“Pinocchio,” Massimo Cantini Parrini

Best Production Design

“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Visual Effects

“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox 

“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Best Documentary Short Subject

“Colette” (Time Travel Unlimited) 

“A Concerto Is a Conversation” (Breakwater Studios) 

“Do Not Split” (Field of Vision) 

“Hunger Ward” (MTV Documentary Films)

“A Love Song for Latasha” (Netflix) 

Best Animated Short Film

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions) 

“If Anything Happens I Love You” (Netflix) 

“Opera” (Beasts and Natives Alike) 

“Yes-People” (CAOZ hf. Hólamói) 

Best Live-Action Short Film

“Feeling Through” 

“The Letter Room” 

“The Present” 

“Two Distant Strangers” 

“White Eye” 

Review: ‘The Father’ (2021), starring Anthony Hopkins and Olivia Colman

February 26, 2021

by Carla Hay

Olivia Colman and Anthony Hopkins in “The Father” (Photo by Sean Gleason/Sony Pictures Classics)

“The Father” (2021) 

Directed by Florian Zeller

Culture Representation: Taking place in London, the dramatic film “The Father” features an almost-all white cast of characters (with one person of Indian heritage) representing the middle-class.

Culture Clash: An elderly man with dementia has problems determining what’s real and what isn’t, as his middle-aged daughter contemplates putting him in a nursing home.

Culture Audience: “The Father” will appeal primarily to people interested in high-quality dramas with excellent acting and a unique take on the issues of aging and mental deterioration.

Anthony Hopkins and Olivia Colman in “The Father” (Photo by Sean Gleason/Sony Pictures Classics)

The well-acted dramatic film “The Father” is a different type of psychological horror story: The movie is told entirely from the perspective of an elderly man with dementia. Viewers are taken on a harrowing ride that feels like an endless loop of uncertainty and confusion, anchored by outstanding performances from Anthony Hopkins and Olivia Colman.

Directed by Florian Zeller (who co-wrote the screenplay with Christopher Hampton), “The Father” is adapted from Zeller’s West End play. “The Father” movie, which is Zeller’s feature-film directorial debut, is designed very much like a theatrical stage production. Almost everything in the story takes place inside a building, and the movie is very heavy with dialogue.

But it’s not the type of performance piece that can be done by just any actors. This movie greatly benefits from having two remarkable leading actors who are also Academy Award winners. Hopkins gives the type of performance that is quietly devastating. Colman convincingly expresses the heartbreak of who someone who feels helpless to stop a loved one’s inevitable decline.

Even if viewers don’t know before seeing “The Father” that the story is from the point of view of someone who has dementia, this perspective is made clear very early on in the movie, which takes place in London. Hopkins portrays a retiree widower named Anthony, while Colman portrays his daughter Anne. Or is she really his daughter? Sometimes he doesn’t know who she is, and sometimes she tells him different stories about who she is.

Watching “The Father” is very much like putting pieces of a puzzle together where some of the pieces are missing, while other pieces aren’t meant to be there at all. There are scenarios that are repeated, and sometimes the same characters are portrayed by different actors. The intention is to make viewers feel as disoriented as Anthony feels.

What is consistent is that there is turmoil and indecision in Anthony’s family over what to do with him. Anne has grown frustrated because she’s having a difficult time finding a caregiver who will tolerate Anthony’s mercurial ways. He can be charming but also insulting. He can insist on being strong enough to take care of himself, but he can also show vulnerability and beg Anne not to abandon him.

The most recent caregiver whom Anne has hired is a young woman named Angela (played by Imogen Poots), who has her patience tested in taking care of Anthony. Simple tasks such as giving Anthony’s prescribed medication to him become lessons in jumping over mental minefields through his convoluted and erratic conversations. One minute Anthony tells Angela that he used to be a professional tap dancer and wants to show her some dance steps. The next minute Anne corrects him and says that Anthony was never a dancer and that he’s actually a retired engineer.

Anthony keeps telling Angela that she reminds him of his other daughter Lucy, whom he describes as a painter artist who doesn’t visit him as much as he’d like her to visit, because she’s always traveling. In front of Anne, Anthony also tells Angela that Lucy is his favorite child, as Anne’s eyes well up with tears. (One thing that’s clear is that Anthony doesn’t have any other children besides Anne and Lucy.) The real story about Lucy is eventually revealed, and it’s not much of a surprise.

Meanwhile, Anne’s husband Paul (played by Rufus Sewell) has grown increasingly frustrated with Anne’s insistence on having a caregiver for Anthony. Paul thinks that Anthony needs to be in a nursing home or some other institution where he can get 24-hour care. This disagreement has caused tension in their marriage, and Anthony notices it.

At certain parts of the story, depending on what you believe to be real, it’s explained that Anthony lived in his own apartment with a live-in caregiver. But the caregiver who preceded Angela abruptly left, so Anne decided to let Anthony temporarily stay with her and Paul until they could find a new caregiver for Anthony. Anne and Paul work outside their home on weekdays, so Anne has arranged for Angela to work until 6 p.m., when Anne is able to come home.

But then, in another scenario, Anne is divorced, has fallen in love with a man named Paul (who is never seen in the movie), and Paul lives in Paris. Anne breaks the bad news to Anthony that she will be moving to Paris, but she plans to visit Anthony on weekends on a regular basis. Meanwhile, Olivia Williams and Mark Gatiss portray two people who might or might not be in Anthony’s family.

Anthony has a fixation on his wristwatch, and it’s symbolic of his desperation to hang on to something from his past that he thinks is reliable. There are moments when he becomes enraged when he thinks that someone has stolen his watch. He has hiding places for his valuables that Anne might or might not know about when he inevitably tells her that something valuable of his is missing.

The last 15 minutes of “The Father” deliver an emotional wallop that lays bare the torturous nightmare of having dementia. The movie’s directing and screenplay are impressive, but the movie’s stellar casting and performances make it a superb movie that will leave a lasting impact on viewers.

Sony Pictures Classics released “The Father” in select U.S. cinemas on February 26, 2021, with expansions scheduled for more U.S. cinemas on March 12, 2021. The movie’s VOD release date is March 26, 2021.

2021 Golden Globe Awards: ‘Mank’ is the top nominee

February 3, 2021

by Carla Hay

Amanda Seyfried and Gary Oldman in “Mank” (Photo courtesy of Netflix)

With six nominations, Netflix’s movie-industry drama “Mank” is the leading contender for the 78th Annual Golden Globe Awards, which will be presented on February 28, 2021. The Golden Globes ceremony has traditionally been held at the Beverly Hilton Hotel in Beverly Hills, California. However, due to the COVID-19 pandemic, there will be no large, in-person gathering at the ceremony. Instead, the Golden Globes ceremony will like do what other major live televised award shows have done when going virtual during the pandemic: There will most likely be video linkups of the nominees, so that when the winners are announced, the winners can react live with their acceptance speeches. Tina Fey and Amy Poehler will host the ceremony, with Fey at the Rainbow Room in New York City and Poehler at the Beverly Hilton.

NBC has the U.S. telecast of the show, which begins at 8 p.m. ET/5 p.m. PT. The Hollywood Foreign Press Association (HFPA) votes for the nominations and awards. The HFPA and Dick Clark Productions are producing the Golden Globe Awards telecast. Eligible movies for the show were those released in the U.S. in 2020 and in January and February 2021. The eligibility window, which usually ends at the end of a calendar year, was extended for movies because of the COVID-19 pandemic. Eligible TV programs were those that premiered on U.S. networks and U.S. streaming services in 2020.

“Mank” tells the story of movie screenwriter Herman J. Mankiewicz (nicknamed Mank) and his experiences while he co-wrote the 1941 classic “Citizen Kane,” including his clashes with “Citizen Kane” director Orson Welles. “Mank” picked up expected nominations in the Motion Picture – Drama categories: Best Picture and Best Actor (Gary Oldman). The other “Mank” nominations are for Best Director (David Fincher), Best Screenplay (the late Jack Fincher, David’s father), Best Supporting Actress (Amanda Seyfried) and Best Original Score (Trent Reznor and Atticus Ross). Another movie contender with multiple nominations is Netflix’s “The Trial of the Chicago 7,” with five nods. Focus Features’ “Promising Young Woman,” Sony Pictures Classics’ “The Father” and Searchlight Pictures’ “Nomadland” have four nominations each. “One Night in Miami…” and “Borat Subsequent Moviefilm” (both from Amazon Studios) earned three nods each.

For the television categories, the leading contender is Netflix’s “The Crown,” which received six nominations, including Best Television Series – Drama. Following closely behind is the Pop network’s comedy series “Schitt’s Creek,” which scored five nominations, including Best Television Series – Comedy. The Netflix drama series “Ozark,” the HBO limited series “The Undoing” and the Netflix limited series “Ratched” received four nominations each.

Snubs and Surprises

Filmmaker Spike Lee and actors Isiah Whitlock Jr., Delroy Lindo, Jonathan Majors, Clarke Peters and Norm Lewis on the set of “Da 5 Bloods” (Photo by David Lee/Netflix)

The most noticeable Golden Globes snub this year was Netflix’s award-winning, critically acclaimed drama movie “Da 5 Bloods” (directed and co-written by Spike Lee), which failed to get any Golden Globe nominations. “Da 5 Bloods” told a fictional story about four African American military veterans of the Vietnam War who go back to Vietnam to look for hidden treasure. Other movies that have been shut out of the Golden Globes race are the Focus Features drama “Never Rarely Sometimes Always,” the A24 drama “First Cow” and the Netflix comedy “The Forty-Year-Old Version,” which have all received several nominations and some wins at independent film awards. Golden Globe TV snubs this year included the Hulu limited drama series “Little Fires Everywhere” and the HBO comedy series “Insecure,” which each received several Emmy nods. Also shut out was the HBO limited drama series “I May Destroy You.”

In terms of surprises, some movies picked up their first major award nominations, despite being shut out of earlier award shows for which they were eligible. Vertical Entertainment’s “Music” is one such example, by receiving two Golden Globe nods in the Motion Picture – Musical or Comedy field: Best Picture and Best Actress (Kate Hudson). Netflix’s star-studded musical “The Prom,” which got mixed reviews from critics and audiences, also scored two nods in the Motion Picture – Musical or Comedy field: Best Picture and Best Actor (James Corden). After getting snubbed in major Emmy Awards categories in 2020, Hulu’s comedy series “The Great” did better than expected at the Golden Globes for the “The Great’s” first season: “The Great” scored three nominations in the Best Television Series – Musical or Comedy field: Best Television Series, Best Actress (Elle Fanning) and Best Actor (Nicholas Hoult).

Diversity and Inclusion

Daveed Diggs, Okieriete Onaodowan, Lin-Manuel Miranda, Leslie Odom Jr. and Anthony Ramos in “Hamilton” (Photo courtesy of Disney+)

In terms of diversity, the Golden Globes ended a long drought of not nominating any female directors. This year, women are three of the five Best Director nominees: Chloé Zhao for “Nomadland,” Regina King for “One Night in Miami …” and Emerald Fennell for “Promising Young Woman.” Zhao and Fennell are also nominees in another traditionally male-dominated Golden Globes category: Best Screenplay.

The major movie categories each had at least one person of color as a nominee, except for two categories: Best Actress in a Motion Picture – Musical or Comedy and Best Supporting Actress. Black people are the people of color with the highest representation this year.

In the movie categories, there are nominations for “One Night in Miami…” and Netflix’s “Ma Rainey’s Black Bottom,” which are both based on plays written by and about African Americans. “Ma Rainey’s Black Bottom” has two nominations in the Motion Picture – Drama field: Best Actress (for Viola Davis) and Best Actor (for the late Chadwick Boseman). Daniel Kaluuya’s portrayal of Black Panther activist Fred Hampton in Warner Bros. Pictures’ “Judas and the Black Messiah” garnered a nod for Best Actor in a Supporting Role in Any Motion Picture. “The United States vs. Billie Holiday,” earned two nominations for star Andra Day: Best Actress in a Motion Picture – Drama and Best Original Song. In the category of Best Original Song, three of the five nominated songs were written and performed by African Americans: Day’s “Tigress & Tweed”; Leslie Odom Jr.’s “Speak Now” (from “One Night in Miami…”); and H.E.R.’s “Fight for You” (from “Judas and the Black Messiah”).

STX’s “The Mauritanian,” which is about a suspected terrorist imprisoned in Cuba’s Guantanamo Bay, stars Algerian French actor Tahar Rahim, who is nominated for Best Actor in a Motion Picture – Drama.

Asian representation at the Golden Globes this year is mostly from “Nomadland” filmmaker Zhao, who is nominated as a director, producer and screenwriter for the film. Riz Ahmed, who is of Pakistani British heritage, is nominated for Best Actor in a Motion Picture – Drama, for his role in Amazon Studios’ “Sound of Metal,” where he portrays an American heavy metal drummer who goes deaf. Indian British actor Dev Patel of Searchlight Pictures’ “The Personal History of David Copperfield” got a nod for Best Actor in a Motion Picture – Musical or Comedy. A24’s “Minari,” about a Korean American family who moves to rural Arkansas, is nominated for Best Foreign Language Film.

Latinos, who were mostly shut out of the Golden Globes this year, are represented only by Shudder’s Guatemalan horror movie “La Llorona” (nominated for Best Foreign Language Film) and by “Hamilton” star/creator Lin-Manuel Miranda (who is Puerto Rican American descent), who got nominations for Best Actor in a Motion Picture – Musical or Comedy, while “Hamilton” (which has a multiracial cast) was nominated for Best Motion Picture – Musical or Comedy. “Hamilton,” which is a filmed 2016 performance of the Tony-winning musical, is available exclusively on the Disney+ streaming service and is not eligible for the Oscars because the movie was never released in theaters.

People of color are underrepresented in the TV categories. Almost all of the nominees are white in most of the TV categories this year. Black people got the most nominations in the the TV categories because of Amazon Prime Video’s limited series “Small Axe” (about Caribbean immigrant life in England), which picked up two nods: Best Television Limited Series or Motion Picture Made for Television, while “Small Axe” star John Boyega is nominated for Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television.

African American actor Don Cheadle of Showtime’s “Black Monday” is nominated for Best Performance by an Actor in a Television Series – Musical or Comedy. HBO’s “Lovecraft Country,” which has a predominantly African American cast, is up for Best Television Series – Drama, although that is the only Golden Globe nomination it received this year.

Egyptian American actor Ramy Youssef from Hulu’s “Ramy” is nominated for Best Actor in a Television Series – Musical or Comedy, an award he won in 2020. Native Americans, who are severely underrepresented in entertainment, received no nominations in any of the Golden Globe categories this year.

Portrayals of the disabled community are in nominated performances by Ahmed in “Sound of Metal” (about a musician who goes deaf) and Anthony Hopkins as a man with dementia in Sony Pictures Classics’ “The Father.” Vertical Entertainment’s “Music,” about a recovering addict (played by Kate Hudson) raising her autistic teenage half-sister named Music (played by Maddie Ziegler), has sparked criticism over how autism is portrayed by Ziegler, who is not autistic, and for a controversial scene in which the autistic person is physically restrained. In television, Emmy-winning “I Know This Must Be True” star Mark Ruffalo portrays identical twins, one of whom has schizophrenia. For his role in this HBO limited drama series, Ruffalo is nominated for Best Actor in a Limited Series or Motion Picture Made for Television.

The LGBTQ community is represented in the movie categories with the musical “The Prom,” which is about a lesbian teenager who wants go to her school prom with her girlfriend. “The Prom,” directed and produced by Ryan Murphy (who is openly gay), is nominated for Best Motion Picture – Musical or Comedy, while James Corden (who plays a gay character in the movie) is nominated for Best Actor in a Motion Picture – Musical or Comedy. The French drama “Two of Us,” about two elderly lesbians, is nominated for Best International Film. And, as previously mentioned, “Ma Rainey’s Black Bottom” star Davis (who portrays lesbian singer Ma Rainey) and “The United States vs. Billie Holiday” star Day (who depicts bisexual singer Billie Holiday) are each nominated for Best Actress in a Motion Picture – Drama.

In television, the Murphy-produced Netflix limited series “Ratched” earned nominations for lead actress Sarah Paulson and supporting actress Cynthia Nixon, who are both openly lesbian/queer. Murphy is also nominated as an executive producer for “Ratched,” which is a contender for Best Television Series – Drama. Meanwhile, openly gay actor/writer/producer Dan Levy earned two nominations for “Schitt’s Creek”: Best Television Series – Musical or Comedy and Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television. “Schitt’s Creek” (which has its series finale on the Pop Network in 2020) swept all the major categories for comedy TV series at the 2020 Emmy Awards, so it will be interesting to see how well “Schitt’s Creek” does at the Golden Globes.

Here is the complete list of nominations for the 2021 Golden Globe Awards:

MOVIES

Best Motion Picture – Drama
“The Father” (Sony Pictures Classics)
“Mank” (Netflix)
“Nomadland” (Searchlight Pictures)
“Promising Young Woman” (Focus Features)
“The Trial of the Chicago 7” (Netflix)

Best Motion Picture – Musical or Comedy
“Borat Subsequent Moviefilm” (Amazon Studios)
“Hamilton” (Disney+)
“Palm Springs” (Neon/Hulu)
“Music” (Vertical Entertainment)
“The Prom” (Netflix)

Best Director 
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank” (Netflix)
Regina King, “One Night in Miami” (Amazon Studios)
Aaron Sorkin, “The Trial of the Chicago 7” (Netflix)
Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Actor in a Motion Picture – Drama
Riz Ahmed (“Sound of Metal”)
Chadwick Boseman (“Ma Rainey’s Black Bottom”)
Anthony Hopkins (“The Father”)
Gary Oldman (“Mank”)
Tahar Rahim (“The Mauritanian”)

Best Actor in a Motion Picture – Musical or Comedy
Sacha Baron Cohen (“Borat Subsequent Moviefilm”)
James Corden (“The Prom”)
Lin-Manuel Miranda (“Hamilton”)
Dev Patel (“The Personal History of David Copperfield”)
Andy Samberg (“Palm Springs”)

Best Actress in a Motion Picture – Drama
Viola Davis (“Ma Rainey’s Black Bottom”)
Andra Day (“The United States vs. Billie Holiday”)
Vanessa Kirby (“Pieces of a Woman”)
Frances McDormand (“Nomadland”)
Carey Mulligan (“Promising Young Woman”)

Best Actress in a Motion Picture – Musical or Comedy
Maria Bakalova (“Borat Subsequent Moviefilm”)
Kate Hudson (“Music”)
Michelle Pfeiffer (“French Exit”)
Rosamund Pike (“I Care a Lot”)
Anya Taylor-Joy (“Emma”)

Best Supporting Actor in a Motion Picture
Sacha Baron Cohen (“The Trial of the Chicago 7”)
Daniel Kaluuya (“Judas and the Black Messiah”)
Jared Leto (“The Little Things”)
Bill Murray (“On the Rocks”)
Leslie Odom Jr. (“One Night in Miami”)

Best Supporting Actress in a Motion Picture 
Glenn Close (“Hillbilly Elegy”)
Olivia Colman (“The Father”)
Jodie Foster (“The Mauritanian”)
Amanda Seyfried (“Mank”)
Helena Zengel (“News of the World”)

Best Screenplay
“Promising Young Woman” (Focus Features) – Emerald Fennell
“Mank” (Netflix) – Jack Fincher
“The Trial of the Chicago 7” (Netflix) – Aaron Sorkin
“The Father” (Sony Pictures Classics) – Florian Zeller and Christopher Hampton
“Nomadland” (Searchlight Pictures) – Chloé Zhao

Best Original Score
“The Midnight Sky” – Alexandre Desplat
“Tenet” – Ludwig Göransson
“News of the World” – James Newton Howard
“Mank” – Trent Reznor and Atticus Ross
“Soul” – Trent Reznor, Atticus Ross, Jon Batiste

Best Original Song 
“Fight for You” from “Judas and the Black Messiah” – H.E.R., Dernst Emile II, Tiara Thomas
“Hear My Voice” from “The Trial of the Chicago 7” – Daniel Pemberton, Celeste
“Io Si (Seen)” from “The Life Ahead” – Diane Warren, Laura Pausini, Niccolò Agliardi
“Speak Now” from “One Night in Miami” (Amazon Studios) – Leslie Odom Jr, Sam Ashworth
“Tigress & Tweed” from “The United States vs. Billie Holliday” (Hulu) – Andra Day, Raphael Saadiq

Best Animated Film 
“The Croods: A New Age” (DreamWorks Animation/Universal Pictures)
“Onward” (Pixar Amination Studios/Disney)
“Over the Moon” (Netflix)
“Soul” (Pixar Animation Studios/Disney)
“Wolfwalkers” (Cartoon Saloon/Apple TV+)

Best Foreign Language Film
“Another Round” (Samuel Goldwyn Films)
“La Llorona” (Shudder)
“The Life Ahead” (Netflix)
“Minari” (A24)
“Two of Us” (Magnolia Pictures)

TELEVISION

Best Television Series – Drama
“The Crown” (Netflix)
“Lovecraft Country” (HBO)
“The Mandalorian” (Disney Plus)
“Ozark” (Netflix)
“Ratched” (Netflix)

Best Television Series – Musical or Comedy
“Emily in Paris” (Netflix)
“The Flight Attendant” (HBO Max)
“The Great” (Hulu)
“Schitt’s Creek” (Pop)
“Ted Lasso” (Apple TV+)

Best Actor in a Television Series – Drama
Jason Bateman (“Ozark”)
Josh O’Connor (“The Crown”)
Bob Odenkirk (“Better Call Saul”)
Al Pacino (“Hunters”)
Matthew Rhys (“Perry Mason”)

Best Actress in a Television Series – Drama
Olivia Colman (“The Crown”)
Jodie Comer (“Killing Eve”)
Emma Corrin (“The Crown”)
Laura Linney (“Ozark”)
Sarah Paulson (“Ratched”)

Best Actor in a Television Series – Musical or Comedy
Don Cheadle (“Black Monday”)
Nicholas Hoult (“The Great”)
Eugene Levy (“Schitt’s Creek”)
Jason Sudeikis (“Ted Lasso”)
Ramy Youssef (“Ramy”)

Best Actress in a Television Series – Musical or Comedy
Lily Collins (“Emily in Paris”)
Kaley Cuoco (“The Flight Attendant”)
Elle Fanning (“The Great”)
Jane Levy (“Zoey’s Extraordinary Playlist”)
Catherine O’Hara (“Schitt’s Creek”)

Best Television Limited Series or Motion Picture Made for Television
“Normal People” (Hulu/BBC)
“The Queen’s Gambit” (Netflix)
“Small Axe” (Amazon Prime Video/BBC)
“The Undoing” (HBO)
“Unorthodox” (Netflix)

Best Actor in a Limited Series or Motion Picture Made for Television
Bryan Cranston (“Your Honor”)
Jeff Daniels (“The Comey Rule”)
Hugh Grant (“The Undoing”)
Ethan Hawke (“The Good Lord Bird”)
Mark Ruffalo (“I Know This Much Is True”)

Best Actress in a Limited Series or Motion Picture Made for Television
Cate Blanchett (“Mrs. America”)
Daisy Edgar-Jones (“Normal People”)
Shira Haas (“Unorthodox”)
Nicole Kidman (“The Undoing”)
Anya Taylor-Joy (“The Queen’s Gambit”)

Best Supporting Actor in a Series, Limited Series or Motion Picture Made for Television
John Boyega (“Small Axe”)
Brendan Gleeson (“The Comey Rule”)
Dan Levy (“Schitt’s Creek”)
Jim Parsons (“Hollywood”)
Donald Sutherland (“The Undoing”)

Best Supporting Actress in a Series, Limited Series or Motion Picture Made for Television
Gillian Anderson (“The Crown”)
Helena Bonham Carter (“The Crown”)
Julia Garner (“Ozark”)
Annie Murphy (“Schitt’s Creek”)
Cynthia Nixon (“Ratched”)

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