Thomas Kretschmann Archives

Review: ‘American Star,’ starring Ian McShane, Nora Arnezeder, Adam Nagaitis, Oscar Coleman, Sabela Arán, Thomas Kretschmann and Fanny Ardant

February 27, 2024

by Carla Hay

Ian McShane and Adam Nagaitis in “American Star” (Photo by José David Montero/IFC Films)

Directed by Gonzalo López-Gallego

Some language in Spanish and French with subtitles

Culture Representation: Taking place on the island of Fuerteventura, which is part of Spain’s Canary Islands, the dramatic film “American Star” features a white and Latin cast of characters (with one black/biracial person) representing the working-class, middle-class and wealthy.

Culture Clash: A jaded assassin gets emotionally attached to a young woman he is supposed to kill, and she sees him as a somewhat of a father figure/substitute for her deceased biological father.

Culture Audience: “American Star” will appeal primarily to people who are interested in watching movies about assassins that are more about psychological repercussions than about high-octane violence.

Nora Arnezeder in “American Star” (Photo by José David Montero/IFC Films)

“American Star” is a deliberately paced, artful-looking story of an assassin who is emotionally torn over killing or saving a young woman who is his target. People expecting a fast-moving action film will be disappointed. This drama is a character study.

That’s not to say that there is no violence in “American Star.” The violent scenes in the movie are bloody and brutal. However, the violence is not the focus of “American Star,” which is more about what happens when an assassin gets emotionally attached to someone he is supposed to kill.

Directed by Gonzalo López-Gallego and written by Nacho Faerna, “American Star” doesn’t have the usual stereotype of the assassin falling in love with his target. The woman he is supposed to kill sees him as a father figure instead of a potential lover. This type of affection catches him off guard while he is under pressure to complete the “assignment” of murdering her.

The British assassin who is the central character in “American Star” is named Wilson (played by Ian McShane), a world-weary killer who is contemplating retirement. Wilson has traveled by plane to the island of Fuerteventura, which is part of Spain’s Canary Islands. (The movie was filmed on location in Fuerteventura.) Although it’s a beautiful location, and Wilson is staying at an upscale hotel, the weather in Feurteventura during this time of year is often cold and windy.

Someone else is in Fuerteventura to keep an eye on Wilson: his nephew Ryan (played by Adam Nagaitis), who is also an assassin. Ryan and Wilson also have the same boss. Ryan has been sent to be Wilson’s “backup” in case anything goes wrong or if Wilson can’t complete this hit job. Wilson has resentment that Ryan is there because, as Wilson tells Ryan: “I work alone.”

Wilson and Ryan (who is the son of Wilson’s sister) have a relationship that can best be described as “prickly,” for reasons that are somewhat vague and go back for many years. Ryan, who is dishonest and creepy, enjoys being an assassin and thinks Wilson is going “soft” in this assassin work. For reasons that are unexplained, Ryan has been lying to his mother by saying that Ryan is still living in Paris. This is the type of lie that is upsetting to Wilson, whose sister (Ryan’s mother) has no idea that Ryan and Wilson are hired hit men.

Besides being assassins who are family members, another thing that Wilson and Ryan have in common is that they both used to be soldiers in the British military. Ryan makes a comment to Wilson that being an assassin and being a soldier are similar, because they are both jobs where they get paid to kill people. Ryan thinks it’s better to be an assassin for these reasons: “Private work, less risks. We still carry guns and take orders.” Wilson insists that being an assassin and being a soldier are not the same thing.

Wilson has also been given the assignment to kill two people who live in a sleek luxury home in Fuerteventura: a wealthy man named Thomas (played by Thomas Kretschmann) and his significant other named Linda (played by Sabela Arán). But there’s someone else who’s on Wilson’s hit list: a cantina bartender named Gloria (played by Nora Arnezeder), who is originally from France. Gloria has been living in Feurteventura for the past six years. The reason why she’s been targeted for murder is revealed in the movie.

Wilson introduces himself to Gloria at her job by pretending to be a tourist who works in “personal security.” He asks for Gloria’s help in looking for a famous shipwreck in the ocean called the American Star, which is in a remote part of the island. Gloria offers to take Wilson to the American Star. And that’s the start of them getting to know each other better.

The American Star is a giant and very rusty ship that is still upright in the ocean and is partially hidden by cliffs. It’s quite a sight to behold. When Gloria takes Wilson to see the American Star, she explains the history behind how the ship ended up there.

The ship got wrecked in the early 1900s. There was talk of turning it into a prison, but those plans were canceled. In 1939, a tugboat was taking the American Star to Greece to turn the ship into a floating hotel, but the tugboat’s towline snapped, and the ship got permanently stuck in the ocean. In 1939, then-U.S. first lady Eleanor Roosevelt had even christened the American Star, but the next day, Adolf Hitler’s Nazi Germany invaded Poland. The ship has stayed in this part of the Atlantic Ocean ever since.

Viewers who look beyond the surface of what this movie is about can see that the American Star is a symbol for how Wilson feels about himself at this point in his life: an old relic who feels “stuck” in his existence. This is one of the reasons why the movie shows that Wilson becomes fascinated with the American Star. This lone ship in the ocean is a reflection of how lonely Wilson is. He doesn’t reveal much about his personal life to Gloria except to say that he’s not married, he lives alone, and he has no children.

Gloria tells Wilson that he reminds her of her deceased father. It’s hinted that Gloria’s father had a dangerous lifestyle of criminal activities, and he died because of it. Gloria eventually introduces Wilson to her mother Anne (played by Fanny Ardant), a real-estate agent who has been living in Feurteventura for the past 15 years. “American Star” shows that although Wilson doesn’t like to talk much, he gets into engaging conversations with Gloria, who is very talkative and curious, because he genuinely likes her. The feeling is mutual.

The movie has a somewhat unnecessary tangent showing Wilson having occasional friendly talks with a boy of about 8 or 9 years old named Max (played by Oscar Coleman), who is staying with his frequently quarreling and neglectful parents at a hotel room on the same floor as Wilson’s hotel room. Max is often left to do things on his own, which is how he gets acquainted with Wilson, who treats Max like a playful grandson. There seems to no real purpose for these scenes except to show that Wilson isn’t as cold-hearted and cruel as a lot of people might think he is.

McShane’s understated but effective performance in “American Star” is one of the main reasons to watch the movie, since almost everything that Wilson says or does has consequences in this story. Arnezeder is quite good in the role of Gloria, but Arnezeder has played ths type of “female character who exists to make the central male character feel good about himself” in other movies. “American Star” doesn’t sugarcoat or glorify what an assassin does in the act of killing, but it does give an up-close and interesting look at what happens when a meticulous assassin who likes to plan ahead ends up experiencing something that is unplanned—compassion and friendship for someone he’s been hired to murder.

IFC Films released “American Star” in select U.S. cinemas, on digital and VOD on January 26, 2024.

https://www.ifcfilms.com/films/american-star

Review: ‘Gran Turismo’ (2023), starring David Harbour, Orlando Bloom and Archie Madekwe

August 2, 2023

by Carla Hay

Archie Madekwe in “Gran Turismo (Photo by Gordon Timpen/Columbia Pictures)

“Gran Turismo” (2023)

Directed by Neill Blomkamp

Culture Representation: Taking place in Europe and in Asia, the action film “Gran Turismo” (based on a true story) features a racially diverse cast of characters representing the middle-class, working-class and wealthy.

Culture Clash: British video gamer Jann Mardenborough, an expert in playing the racing car video game “Gran Turismo,” is recruited to become a professional race car driver, but he faces naysayers, critics and his own self-doubt.

Culture Audience: “Gran Turismo” will appeal primarily to people who are fans of the “Gran Turismo” video games, the movie’s headliners, and stories about sports underdogs.

David Harbour in “Gran Turismo (Photo by Gordon Timpen/Columbia Pictures)

Based on true events, “Gran Turismo” offers crowd-pleasing action and capably acted drama in this story about a video gamer recruited to become a professional race car diver. This well-paced movie is a little hokey but not entirely predictable. If “Gran Turismo” hadn’t been based on many things that happened in real life, a lot of it would be hard to be believe.

Directed by Neill Blomkamp and written by Jason Hall and Zach Baylin, “Gran Turismo” (which takes place in Europe and in Asia) is named after Sony’s popular “Gran Turismo” video game series, where players can simulate being race car drivers. (Sony is also the parent company of Columbia Pictures, the distributor of the “Gran Turismo” movie.) The movie’s chief protagonist is a Brit named Jann Mardenborough (played by Archie Madekwe), a character based on the real Jann Mardenborough. Jann is a “Gran Turismo” gaming expert in Wales. He has his life changed forever when he is recruited to become a professional race car driver.

The movie shows that Jann’s introduction to being a professional race car driver had many setbacks, challenges, naysayers and supporters. The two men who make the biggest difference in Jann’s racing career are optimistic motorsport executive Danny Moore (played by Orlando Bloom) and jaded racing trainer/engineer Jack Salter (played by David Harbour), who is a former race car driver. These two mentors also get a lot of backlash for working with Jann and other video gamers who are recruited to try out for professional racing. Jack is a fictional character created for this movie, but Danny is based on real-life GT Academy founder Darren Cox.

In the beginning of the movie, Jann (who is in his early 20s) is a university dropout who has taken a job as a construction worker at the same place where his stern father Steve Mardenborough (played by Djimon Hounsou) works. Jann and Steve often have to work side by side on construction projects. Steve knows that Jann has wanted to become a race car driver since Jann was a child. However, Steve is doubtful that this dream could ever come true for Jann.

Meanwhile, Jann’s mother Lesley Mardenborough (played Geri Halliwell Horner—yes, she’s Ginger Spice of Spice Girls fame) is entirely supportive of whatever Jann wants to do with his life. Jann lives with his parents and Jann’s younger brother Coby Mardenborough (played by Daniel Puig), who is in his late teens. Steve tells Jann that Jann has to decide to go back to school or continue working with him in construction. “There’s no future in racing,” Steve firmly tells Jann.

Near the beginning of the movie, Danny is shown in Tokyo at Nissan headquarters. He is pitching a skeptical Nissan board member (played by Sadao Ueda) on the idea that the best “Gran Turismo” video game players in the world can also be the best race car drivers in the world. Danny’s idea is to have Nissan sponsor the winner of a worldwide contest where the “best of the best” Gran Turismo players in the world will train at GT (Gran Turismo) Academy. Of these trainees, only one will be chosen to go on the professional racing circuit and will be sponsored by Nissan.

Danny also goes to London, where he meets with Jack, a mechanic who works on the professional racing circuit. Danny tells Jack that he wants to hire Jack to be the chief trainer and chief engineer at GT Academy. Why? Because Jack has the skills, and he used to be a promising young professional racer about 20 to 25 years ago, until he quit after a fateful race at Le Mans.

Jack later reveals the details to Jann about what happened at that race. The story is exactly what you think it might be. When Danny initially approaches Jack about the GT Academy job offer, Jack thinks GT Academy is a terrible idea and immediately rejects the offer.

Back in Wales, Jann hears about this GT Academy contest from his best friend Persol (played by Nikhil Parmar), who encourages Jann to enter the contest. Meanwhile, Jann has a flirtatious crush on a local student named Audrey (played by Maeve Courtier-Lilley), but he’s too shy to ask her out on a date. Jann and his father continue to argue about what Jann wants to do with his life.

One night, after Jann, a friend named Percy (played Lloyd Meredith) and Coby have been out drinking alcohol at a nightclub, they are about to head home in a car that Jann is driving. Jann isn’t drunk, but he’s consumed enough alcohol to be over the legal limit. He could be arrested for driving under the influence. Jann is supposed to enter the GT Academy contest in just under 12 hours.

Jann, Percy and Coby are in a very good mood, until they see that police officers have put a checkpoint in their way and are stopping all drivers to check for anything suspicious. Jann, Percy and Coby get nervous, because they know that whichever cop stops them can probably smell the alcohol on Jann’s breath. It’s a one-lane checkpoint, and there’s a car behind them, so they can’t reverse and leave.

At first, Jann decides to play it cool and thinks he can get past the checkpoint without any problems. But as their car gets closer to a police officer who is stopping and questioning the drivers, Jann impulsively cuts in front of the other drivers and speeds away. The police give chase in their cars. Part of this scene is in one of the “Gran Turismo” trailers showing that Jann gets away with this driving stunt. It’s also shown in the “Gran Turismo” trailers that Jann gets into GT Academy. Jann’s father Steve obviously disapproves.

Jack ends up taking the job to be GT Academy’s chief trainer/chief engineer, after an incident where he was insulted by one of the young hotshot racers whom Jack had to work with as a mechanic. The guy who insulted Jack is Nicolas “Nic” Capa (played by Josha Stradowski), who is a sports movie cliché of being a “too cocky for his own good” main rival to the story’s underdog protagonist. Nic called Jack a “flamed-out has-been,” so Jack quit his mechanic job on the spot and then took Danny’s job offer to be the chief trainer/chief engineer for the GT Academy rookies.

Jack isn’t exactly the type of leader to give uplifting pep talks. The first time he meets Jann and the other GT Academy trainees in a group meeting (with Danny also in attendance), Jack tells all of the trainees that they will fail. In addition to Jann, the other GT Academy trainees are Matty Davis (played by Darren Barnet) from the United States; Avi Bhatt (played by Harki Bhambra) from Great Britain; Leah Vega (played by Emelia Hartford) from the United States; Chloe McCormick (played by Lindsay Pattison) from Great Britain; Henry Evas (played by Mariano González) from Spain; Klaus Hoffman (played by Maximilian Mundt) from Germany; Sang Heon Lee (played by Joo-Hwan Lee) from South Korea; and Marcel Durand (played by Théo Christine) from France.

From the beginning, Matty stands out as the most confident and skilled trainee. In practice races, he usually wins against the other trainees. And therefore, Matty is considered the frontrunner to be the GT Academy trainee who will be chosen to go on the professional racing circuit. Matty also excels in GT Academy’s media training classes, where he shows a knack for being charming in media interviews.

By contrast, Jann is insecure about his abilities and starts off being one of the average trainees in the group. In media training, Jann is awkward and timid in mock interviews. However, Jann is a very hard and determined worker, and he begins to improve until Jann and Matty are nearly equal in racing skills. It’s a somewhat friendly, somewhat tense rivalry.

Even with Jann’s progress on the racetrack, Danny privately tells Jack that Matty is Danny’s top choice to win the contest, because Danny thinks that Matty is more skilled at public relations. As far as Danny is concerned, Matty is the “perfect package” to represent GT Academy. Jack sees a lot of himself in Jann, because Jack also used to be an underdog who was insecure about his abilities.

Of course, you all know where this is going, because it’s already been revealed in the “Gran Turismo” trailers. Even if you already know the outcome, “Gran Turismo” does a very good job of creating suspenseful racing scenes, due in large part to talented cinematography from Jacques Jouffret. In the race that will determine who will be chosen to represent GT Academy on the professional racing circuit, Jann and Matty are the frontrunners and finish the race within a fraction of a second of each other. It’s up to Jack to decide who’s the winner.

Jann is far from being a star when he starts out on the professional racing circuit. He comes in last or close to last in several of his races, which take place in various countries, such as Austria, Germany, Turkey, Spain and United Arab Emirates. And he gets a lot of criticism from people who think racers should get to the professional level through the traditional way. Jack’s nemesis Nic is one of these haters. Nic’s father Patrice Capa (played by Thomas Kretschmann) owns the team where Nic is a star racer.

Even though Jack started off as very cynical about GT Academy, Jack is won over by Jann and some of the other trainees. In the face of all the backlash about video-gamers-turned-racers, Jack becomes Jann’s biggest supporter and champion. If the thrilling racing scenes are the heart of “Gran Turismo,” then the mentor/protégé relationship between Jack and Jann is the soul of the movie. As already shown in the movie’s trailers, Jann and Audrey begin a romance, but that that relationship isn’t nearly as interesting as the Jann/Jack relationship, where Jack almost becomes like a surrogate father to Jann.

“Gran Turismo” has a running joke about Jann having a ritual of listening to Kenny G’s “Songbird” and Enya’s “Orinoco Flow” to get him relaxed and ready for races. (An epilogue in the movie says that in real life, Jann Mardenborough actually does have this music ritual of listening to Kenny G and Enya.) Jann gets some teasing and curiosity about it from his colleagues, but he’s easygoing and shrugs it off.

“Gran Turismo” isn’t all fun and games. The movie gets into some heavy emotional territory when Jann experiences a life-altering race that causes a lot of trauma. One of the best parts of “Gran Turismo” is how people deal with the aftermath of what happens in this race. Madekwe and Harbour have standout scenes during this part of the movie. If anyone thinks that “Gran Turismo” is like the most recent mindless schlockfest movies in the “Fast and the Furious” franchise, then think again.

That doesn’t mean that “Gran Turismo” doesn’t have its share of mawkish moments. There are several scenes with slow-motion and freeze-frame shots that are a bit corny. Likewise, viewers might have mixed reactions to how director Blomkamp makes the racing scenes look like the “Gran Turismo” video games, with achievement levels shown in big letters on the screen. But when you’re making a movie for the same company that owns the “Gran Turismo” games, it seems like almost a requirement to make the movie look like the video games.

Fortunately, the “Gran Turismo” screenplay and the performances from the principal cast members don’t make it a soulless corporate movie, even though there’s plenty of product placement. No one involved in the racing circuit is presented as a nearly perfect hero in “Gran Turismo.” And even the “villains” have a realistic point of view, because they think racing is a sport that should be for people who trained in the traditional ways.

It’s not said out loud, but observant viewers of “Gran Turismo” can see that this type of gatekeeping has elitist overtones, because car racing has traditionally been a sport for people who can afford to train for it. By allowing video gamers to enter the sport, it makes it a more even playing field for people from more diverse economic backgrounds to participate. And that type of diversity is perceived as a threat to many people who have been accustomed to having only certain types of people involved in this sport.

Jann’s father Steve isn’t depicted as a terrible parent who degrades Jann. He’s a concerned parent who doesn’t want to see Jann get hurt physically or emotionally in Jann’s attempts to become a professional racer. Hounsou and Halliwell Horner don’t have a lot of screen time in the movie, but they give effective performances. They have a few tearjerking scenes in the movie.

Bloom gives a serviceable performance as Danny, whose character could have used more development. At times, Danny fades into the background of the movie, as the Jann/Jack relationship becomes the central storyline. The “Gran Turismo” movie could have been more realistic in showing Danny’s wheeling and dealing behind the scenes—it’s over-simplified, by having Danny being able to convince people to do what he wants after just one or two meetings.

“Gran Turismo” is by no means a masterpiece. It won’t be widely considered as one of the best car racing movies of the decade. But in terms of entertaining viewers with adrenaline-packed racing scenes and by having some meaningful humanity in the story, “Gran Turismo” delivers, and it’s a movie that can be enjoyed by people who know nothing about the “Gran Turismo” video games.

Columbia Pictures will release “Gran Turismo” in U.S. cinemas on August 25, 2023. A sneak preview of the movie was shown in select U.S. cinemas on August 2, 2023. Several other sneak previews pf “Gran Turismo” will take place in U.S. cinemas before the movie’s official U.S. release date.

Review: ‘Indiana Jones and the Dial of Destiny,’ starring Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, Karen Allen, Toby Jones, Boyd Holbrook, Ethann Isidore and Mads Mikkelsen

June 29, 2023

by Carla Hay

“Indiana Jones and the Dial of Destiny”

Directed by James Mangold

Some language in German and Greek with subtitles

Culture Representation: Taking place in 1969 (with some flashbacks to the 1940s), in various parts of universe, the action film “Indiana Jones and the Dial of Destiny” features a predominantly white cast of characters (with some people of African, Middle Eastern and Latino heritage) representing the working-class, middle-class and wealthy.

Culture Clash: American hero Indiana Jones fights Nazis, as he tries to regain possession of a powerful time-travel artifact called the Archimedes Dial that has been stolen by his British con-artist goddaughter.

Culture Audience: Besides appealing to the obvious target audience of “Indiana Jones” franchise fans and Harrison Ford fans, “Indiana Jones and the Dial of Destiny” will appeal primarily to people who don’t mind watching formulaic action movies that lack original ideas.

Mads Mikkelsen in “Indiana Jones and the Dial of Destiny” (Photo courtesy of Lucasfilm

“Indiana Jones and the Dial of Destiny” should be renamed “Indiana Jones and the Long-Winded Cash Grab.” It’s an overstuffed pile-on of formulaic action, insipid dialogue and ripoff ideas. It’s an utter failure of originality. And with a total running time of 154 minutes, only the most die-hard Indiana Jones fans will feel like this repetitive film is worth the very long ride that over-relies on Indiana Jones nostalgia instead of doing something truly bold and creative with this franchise.

Directed by James Mangold, “Indiana Jones and the Dial of Destiny” is the fifth movie in the “Indiana Jones” series, which began with 1981’s “Raiders of the Lost Ark”—still the best movie in the franchise—which was about an American hero battling against treasure-stealing Nazis. “Indiana Jones and the Dial of Destiny” is the first “Indiana Jones” movie that isn’t directed by Steven Spielberg. The screenplay for “Indiana Jones and the Dial of Destiny” was co-written by Mangold, Jez Butterworth, John-Henry Butterworth and David Koepp. The movie had its world premiere at the 2023 Cannes Film Festival.

“Indiana Jones and the Dial of Destiny” begins somewhere in Nazi-occupied Europe during World War II, with a very misguided action sequence that lasts for about 15 to 20 minutes. The sequence shows a middle-aged Indiana “Indy” Jones (played by Harrison Ford, with de-aging computer imagery in these scenes) fighting off Nazis with his longtime British friend Basil Shaw (played by Toby Jones, also de-aged in this sequence), who is an archaeologist and an Oxford University professor. In this sequence, Indiana does things such as fight Nazis on the roof of a moving train. Basil has been captured by the Nazis. But of course, Indiana is able to rescue Basil.

Indiana and Basil want to get a hold of the Archimedes Dial, an artifact that is believed to have the ability to open time portals. The Nazi contingent is led by Colonel Weber (played by Thomas Kretschmann), who is in charge of stealing valuable art and artifacts from Nazi-occupied countries and sending these treasures to Germany. One of the star subordinates of Colonel Weber is Dr. Jürgen Voller (played by Mads Mikkelsen, also de-aged in the 1940s scenes), who comes across Indiana Jones in the battle over the Archimedes Dial.

While still on top of the moving train, Indiana finds himself at the mercy of Jürgen, who has a gun and demands that Indiana Jones hand over the Archimedes Dial. Indiana abides by this request, and Jürgen escapes by sliding down a nearby pole. The conclusion of this fight immediately looks phony, because if this fight had happened in real life, a ruthless Nazi such as Jürgen would have immediately killed Indiana and Basil after getting the dial. But there would be no “Indiana Jones” sequels if that happened, so expect Indiana Jones to escape death again and again in unrealistic action scenes.

Another glaring reason why this sequence is very misguided is that it will make viewers wonder, “How long is this movie going to show a younger (fake-looking) Indiana Jones instead of the senior citizen that Ford is in real life?” It’s an example of how “Indiana Jones and the Dial of Destiny” relies too heavily on nostalgia. This high-energy action sequence will only just remind people of how the earlier “Indiana Jones” movies from the 20th century are better than the “Indiana Jones” movies released in the 21st century.

After this overly long trip down memory lane of how Indiana Jones used to look, “Indiana Jones and the Dial of Destiny” fast-forwards to the year 1969, when Indiana Jones is a cranky, bitter old man. He’s an archaelogy professor at Hunter College in New York City. He’s on the verge of retiring after teaching at Hunter College for the past 10 years. And he lives alone, because he’s separated from his wife Marion (played by Karen Allen), who met him in the story depicted in “Raiders of the Lost Ark.” “Indiana Jones and the Dial of Destiny” explains later why Indiana and Marion have separated. (Hint: She left him.)

Someone who shows up unexpectedly in one of Indiana’s class sessions is Helena Shaw (played by Phoebe Waller-Bridge), who is Basil’s daughter. Helena is also Indiana’s goddaughter. She’s looking for the Archimedes Dial, which is believed to have been lost over the French Alps. As shown in the opening sequence, Jürgen thought he had the Archimedes Dial, but somehow Indiana fooled him by giving him only half of the dial. Indiana really kept the other half of the dial. Basil (who is deceased in 1969) lost the other half, so now Helena wants to find both halves.

The rest of “Indiana Jones and the Dial of Destiny” is about this quest, which includes a lot of bickering and backstabbing from the very annoying Helena, who is a con artist. Of course, we all know how this is going to go in the end, since Helena has the story arc of “Can this con artist be trusted? Can this con artist be redeemed?” Another question that comes to mind when watching Helena is: “Can this con artist get any more irritating?”

And once again, the Nazis (this time, neo-Nazis) are on the hunt for the Archimedes Dial too. Jürgen has another identity hiding his Nazi past. He’s now a physicist named Dr. Lehrer Schmidt, who works in the United States’ outer-space program. Jürgen/Lerer has a generic right-hand man named Klaber (played by Boyd Holbrook), who zips around cities on motorbikes as if he thinks he’s a Nazi version of James Dean. Jürgen/Lerer also has a henchman named Hauke (played by Olivier Richters), who also does a lot of the dirty work.

Along the way, Indiana Jones encounters a CIA operative named Agent Mason (played by Shaunette Renée Wilson), who is undercover as a Black Power militant. It’s just a sorry excuse for the movie to have Agent Mason say the word “cracker” as a racist term used to describe a white person. It takes entirely too long for Agent Mason to figure out that Klaber is a Nazi who is working undercover as U.S. law enforcement. This isn’t spoiler information, since the trailer for “Indiana Jones and the Dial of Destiny” clearly shows that Klaber is one of the villains.

A former excavator named Sallah (played by John Rhys-Davies), an old friend from Indiana Jones’ past, used to live in Cairo but is now a taxi driver in New York City. (And you know what that means when the movie has inevitable chase/action scenes in New York City.) Sallah shows up in the movie to check off more nostalgia boxes for “Indiana Jones and the Dial of Destiny.” Antonio Banderas has a cameo as Renaldo, a sailor/fisherman who gives advice to Indiana on how to find an expert diver in Greece. It’s a role that really just celebrity stunt casting.

“Indiana Jones and the Dial of Destiny” recycles the formula of giving Indiana Jones an adolescent male sidekick, who is a smart alecky motormouth. Qe Huy Quan had that role in 1984’s “Indiana Jones and the Temple of Doom,” the second movie in the series. Shia LaBeouf had that role in 2008’s “Indiana Jones and the Kingdom of the Crystal Skull,” the fourth movie in the series. And in “Indiana Jones and the Dial of Destiny,” Ethann Isidore has that role, as Teddy, a bratty teenager who doesn’t trust Indiana at first because he’s a friend of Helena’s. No one seems to question how creepy it is for Helena to be hanging out with a kid this young when he’s not related to her.

The acting performances in the movie are nothing special. Everyone seems to be playing their roles as if they’re video game characters. Expect to see the usual “race against time” action sequences, people yelling at each other, and narrow escapes from death that don’t look realistic at all. One of the more ridiculous action sequences is Indiana riding a horse in a New York City subway station as if he’s in the Kentucky Derby.

Sure, “Indiana Jones and the Dial of Destiny” is supposed to be an escapism adventure movie. And sure, people can enjoy seeing Ford returning to a character who is way past his prime. And sure, the globetrotting scenes are eye-catching. (The movie was filmed in Morocco, Sicily and the United Kingdom.) But “Indiana Jones and the Dial of Destiny” is an example of how computer technology cannot replace a good story. Compare “Raiders of the Lost Ark” to “Indiana Jones and the Dial of Destiny” to understand why “better filmmaking technology” doesn’t always equal “better filmmaking.”

Walt Disney Pictures will release “Indiana Jones and the Dial of Destiny” in U.S. cinemas on June 30, 2023.

Review: ‘Last Sentinel,’ starring Kate Bosworth, Lucien Laviscount, Thomas Kretschmann and Martin McCann

April 8, 2023

by Carla Hay

“Last Sentinel”

Directed by Tanel Toom

Culture Representation: Taking place in an apocalyptic future on a ship in an unnamed ocean, the sci-fi drama film “Last Sentinel” features a nearly all-white cast of characters (with one black/biracial person) representing the working-class and middle-class.

Culture Clash: After an environmental crisis has devastated Earth, four military personnel are stranded at an outpost in the ocean and have conflicts over if or when to leave the outpost.

Culture Audience: “Last Sentinel” will appeal primarily to people who don’t mind watching dull and illogical apocalyptic movies.

Martin McCann and Lucien Laviscount in “Last Sentinel” (Photo courtesy of Vertical)

“Last Sentinel” is a dreary slog of a movie about four quarreling military people stranded on an outpost in the ocean. This lackluster drama has a thin plot that gets dragged out and tangled up in a lot of nonsense. The majority of the film is tedious repetition of these four people arguing about if or when they should leave the outpost. Viewers will learn very little about these characters and their lives by the end of the movie.

Directed by Tanel Toom and written by Malachi Smyth, “Last Sentinel” is a movie that looks like it would have been better off as a short film. It’s obvious that the filmmakers ran of out ideas of how to make “Last Sentinel” suspenseful, and they just reverted back to having more scenes of the characters arguing. It’s lazy filmmaking, because that screen time could have been used to give viewers more information about the backstories of each of these characters, in order to explain the characters’ motivations and to get viewers to care about these characters.

An on-screen written introduction to “Last Sentinel” explains that the movie takes place in an unidentified future when climate change has devastated Earth and left most of the planet flooded. Most of the human population is now dead. “Survival is a constant fight for land and resources,” the statement reads. A military outpost, consisting of a lookout tower and a mid-sized cargo ship, is stationed in an unnamed ocean. The four people at this outpost signed up to be there for two years.

The two-year period is now over, and they are expecting to go home. (The movie never mentions where “home” is for any of these characters.) These military people have been patiently waiting for other military personnel to arrive who will replace them at this outpost. This expected “relief crew” is now three months overdue.

These are the four sentinels at this outpost:

Cassidy (played by Kate Bosworth), a corporal who is American, is the one who is most likely to use the communication equipment on the ship.
Sullivan, nicknamed Sully (played by Lucien Laviscount), is an American, and he does a lot of the fishing and exploring for this team. Cassidy helps with gathering food too.
Richard Baines, nicknamed Baines (played by Martin McCann), is Scottish and the ship’s chief engineer.
Henrichs (played by Thomas Kretschmann), a sergeant with a German accent, is the leader of the team.

Sullivan and Baines are the most anxious of the four to leave the outpost and go home. Henrichs is a stern taskmaster who remains adamant that they can’t leave the outpost until the relief crew shows up to replace them. Cassidy vacillates back and forth about staying at the outpost or leaving. Sullivan and Cassidy are semi-secret lovers, but Sullivan seems to have more romantic feelings for Cassidy than she does for him. Baines is a hothead/loose cannon with a shady past, but he’s not the only one with secrets.

The communications equipment on the ship is faulty, since no one is answering the messages that they send out. The team gets messages that the relief crew already arrived, but there is no sign of this crew. (“Last Sentinel” is not a horror movie with a supernatural element.) Meanwhile, viewers have to sit through idiotic lines of dialogue, such as Cassidy saying: “The only way to un-fuck the world is to wipe out humans.”

The acting in “Last Sentinel” isn’t anything special, although Laviscount (who is British in real life) and McCann (who is from Northern Ireland) do pretty good jobs of having language accents that are different from their real ethnicities. “Last Sentinel” truly wastes a lot of time with meaningless scenes that do little to further the story. By the time a “reveal” happens near the end of the film, it just raises more questions that “Last Sentinel” never bothers to answer.

During this entire long-winded movie that last nearly two hours, it’s never explained what these four people were supposed to be doing for two years on this outpost in the middle of the ocean. In the beginning of the movie, it’s mentioned that these four sentinels are nearly out of food, and their recent fishing attempts have come up empty. The possibility of starving to death is unrealistically never mentioned again, as these four dimwits waste time arguing and pointing guns at each other. There doesn’t seem to be any good reason for this terribly boring and ridiculous movie to exist, unless someone with insomnia wants to use it as an effective way to fall asleep.

Vertical released “Last Sentinel” in select U.S. cinemas on March 24, 2023.

Review: ‘Infinity Pool’ (2023), starring Alexander Skarsgård, Mia Goth and Cleopatra Coleman

January 27, 2023

by Carla Hay

Alexander Skarsgård and Mia Goth in “Infinity Pool” (Photo courtesy of Neon and Topic Studios)

“Infinity Pool” (2023)

Directed by Brandon Cronenberg

Culture Representation: Taking place in an unnamed European country, the horror film “Infinity Pool” features a predominantly white cast of characters (with a few black people) representing the working-class, middle-class and wealthy.

Culture Clash: While on vacation at a luxury resort, a frustrated author is arrested for being the driver in a hit-and-run accident, and he is offered the high-priced option to avoid execution by having a body double created to be executed instead.

Culture Audience: “Infinity Pool” will appeal primarily to people who are have a tolerance for watching grotesque body horror and dark observations about abuse of privilege and power in human cruelty.

Mia Goth and Alexander Skarsgård in “Infinity Pool” (Photo courtesy of Neon and Topic Studios)

With disturbing visual images and loathsome characters, “Infinity Pool” will disgust and divide some viewers. This horror movie’s performances deliver the intended discomfort in the often-satirical social commentary about how people can become sadists. It’s a story that is definitely not for sensitive viewers, because “Infinity Pool” gets very bloody, dark, and weird. “Infinity Pool” had its world premiere at the 2023 Sundance Film Festival.

Written and directed by Brandon Cronenberg, “Infinity Pool” begins in what appears to be an idyllic location: a luxury resort in an unnamed European country. (“Infinity Pool” was actually filmed in Šibenik, Croatia, and in Budapest, Hungary.) The resort is near a beach and has all the comforts that people can expect from this elite getaway location. Two of the people on this resort will find their dream vacation turn into a nightmare.

James Foster (played by Alexander Skarsgård) is an American author with writer’s block. He’s on this vacation to get inspiration for his second novel. His first novel, “The Variable Chic,” was published six years ago and was a modest seller. James is starting to feel like he’s a fraud for not being able to start his second book.

James is on this vacation with his cynical and snobby British wife Em Foster (played by Cleopatra Coleman), who seems to be alternately irritated by or bored with James. It’s mentioned later in the movie that James and Em have been together for 10 years. At one point in the movie, Em says that she married James because she has “daddy issues” with her father, who did not approve of this marriage.

Em says she despises her father Alvin, a wealthy book publisher who warned her not to marry a financially poor writer. “So I married the first broke writer who spilled coffee on me,” Em says about James. However, Em now openly resents that James is living off her wealth without making any money of his own. She comments sarcastically, “I’m in danger of becoming a charitable organization at this point.”

Em makes these comments to another vacationing couple that James and Em have met at the same resort. Gabi Bauer (played by Mia Goth) and Alban Bauer (played by Jalil Lespert) are seemingly cheerful spouses who are outgoing and fun-loving. Gabi and Alban both live in Los Angeles. Gabi is an actress who’s originally from London, while Alban is originally from Switzerland, and he previously lived in Paris.

Gabi invites Em and James to have dinner with Gabi and Alban. Em is somewhat wary of Gabi being so enthusiastically quick to befriend them. Gabi is more than friendly to James, because when they’re alone together in a private area on the beach, she sexually pleasures him with her hands, without saying a word.

Soon after the two couples meet each other, they’re going on double dates in the evening—first at a restaurant, and later at a nightclub. One night after partying together at a nightclub, Alban is too drunk to drive the rental car that the four of them took to the nightclub, so James offers to drive instead. Everyone is in good spirits on this drive back to the resort.

But on this deserted road, James accidentally hits a man, who appears suddenly in front of the car. The man is killed instantly. James, who is understandably very distraught, wants to get help and let the authorities know that it was an accident. However, Gabi insists that they leave the body on the road and not tell anyone else. She warns James that he does not want to end up in jail in this country. James reluctantly goes along with the plan.

However, James does get caught. He knows it when police officers show up at the door of his resort suite, and they take James and Em into custody. The spouses are separated at the police station and interrogated in different rooms. The lead investigator Detective Thresh (played by Thomas Kretschmann) tells James that Em confessed everything. And the punishment for this crime is execution.

Detective Thresh also says that the dead man is a local farmer named Myro Myron, who comes from a family with a religion that states his death can be avenged by his eldest son. In other words, the son will be the one who gets to kill James. However, Detective Thresh says there’s one way for James to get out of this execution: For a hefty price (which is never detailed in the movie), the authorities in this country can create a body double of James. This body double will be executed instead, but James is required to watch this execution.

The trailer for “Infinity Pool” already reveals that James takes the option of the body double to be executed. However, this decision takes him down a very twisted path of blood lust and violence that is easy to predict but no less horrifying to watch. Each time a body double is executed, the body double is cremated, and the body double’s original person is given the ashes in an urn.

As already revealed in the trailer, Gabi becomes an instigator and manipulator for much of the chaos that happens to James and Em. Gabi and Alban soon introduce James and Em to two other couples at the resort who are part of their hedonistic social circle: Charles (played by Jeffrey Rickets) and Jennifer (played by Amanda Brugel) and Dr. Bob Modan (played by John Ralston) and Bex (played by Caroline Boulton), who all blur the lines between pleasure and pain, and they don’t seem to have any boundaries for either.

“Infinity Pool” goes exactly where you think it’s going to go, with psychedelic drug-fueled sex orgies and gruesomely violent scenes. The violence escalates as a way of showing how James’ moral compass is tested and how he is psychologically affected by the increasingly unhinged actions of the group. Where is Em during all of this madness? The movie shows what happens to her, but it might not be what some people might assume in a horror movie.

Does James try to escape? Of course he does. It’s enough to say that Goth (who gave stellar performances in the 2022 horror films “X” and its prequel “Pearl”) steals the show again with another maniacal and murderous character. Gabi isn’t as interesting as Goth’s characters in “X” or “Pearl” (and 2023’s “MaXXXine,” which is a sequel to “X”), but she’s the type of character in a horror movie that viewers know that what she will say or do next is going to make someone else’s life hell.

“Infinity Pool” is a grotesque display of the cruelty that rich people can inflict on others, just because they can afford to do it and can afford to get away with it. The movie has some twists that aren’t too surprising, but they still provide some shock value to viewers who won’t see these twists coming. “Infinity Pool” is a bacchanalia of horror that isn’t subtle in delivering its message about the abuse of power and privilege, but it certainly makes an unforgettable impression for people who can tolerate this type of unnerving movie.

Neon and Topic Studios released “Infinity Pool” in U.S. cinemas on January 27, 2023.

Review: ‘The Windermere Children,’ starring Thomas Kretschmann, Romola Garai, Tim McInnerny, Iain Glen, Tomasz Studzinski and Kacper Swietek

April 6, 2020

by Carla Hay

“The Windermere Children”

Directed by Michael Samuels

Culture Representation: Taking place in 1945, shortly near the end of World War II, the drama “The Windermere Children” is based on a true story of how a group of Jewish orphans who survived the Holocaust are brought to a group home in England to start new lives.

Culture Clash: The orphans experience difficult recoveries from their trauma, as well as anti-Semitism from some of the local residents.

Culture Audience: “The Windermere Children” will appeal mostly to people who are interested in stories about orphans or Holocaust survivors.

Thomas Kretschmann (standing) in “The Windermere Children” (Photo courtesy of PBS)

Most stories about Holocaust survivors tend to be about what their lives are like years after World War II ended. But the dramatic film “The Windermere Children” (which is inspired by true events) tells the story of what happened in August 1945, shortly near the official end of World War II, when a group of about 300 Jewish orphans were brought from continental Europe (many were from Poland) to an estate in England as refugees. Because almost all of the children did not have relatives to claim them, the orphans had to start new lives in England.

Almost all of the children survived concentration camps and are going through severe trauma. They arrive by bus to Calgarth Estate, which is located by Lake Windermere. The estate has been turned into a group home for the children, whose transition and rehabilitation will be aided by a group of counselors and volunteers. Leading this group is German psychologist Oscar Friedmann (played by Thomas Kretschmann), whose specialty is child psychology.

Other people who are part of the team are athletic coach Jock Lawrence (played by Ian Glen); art therapist Marie Paneth (Romola Garai); philanthropist Leonard Montefiore (Tim McInnerny); and married couple Georg Lauer (played by Philipp Christopher) and Edith Lauer (Anna Schumacher). Friedmann used to run an institution for troubled boys in Germany, but nothing quite prepares him for what he will experience with these orphans.

“The Windemere Children” (Michael Samuels and written by Simon Block) shows the somewhat chaotic and anxiety-filled arrival of the children by bus (one boy vomits on Mr. Montefiore as soon as he’s greeted by Montefiore), but then the teenagers who will be the main orphan characters in the story start to come into focus. (The ones who get the most screen time and backstories are the boys.)

Arek Hershlikovicz (played by Tomasz Studzinski) is a lanky, pimple-faced rebel. He shows an early romantic interest in Sala (played by Anna Maciejewska), who becomes his girlfriend. Icek “Ike” Alterman (played by Kuba Sprenger) is a bit of a charming flirt, and he finds out soon upon arriving that he’s attracted to an English girl. Schmuel “Sam” Laskier (played by Marek Wrobelewski) is a sorrowful loner. Ben Helfgott (played by Pascal Fischer) is a superb athlete, who quickly becomes a favorite of Coach Lawrence.

Chaim Olmer (played by Kacper Swietek) had assumed the identity of a boy named Ephraim Minsburg in order to survive, and the alias has stuck, but Chaim now wants to be known by his real name so that his sister can find him. Salek Falinower (played by Jakub Jankiewicz) is another loner, and he’s more likely than Sam to separate himself from the rest of the group. (He has to be gently coaxed by Friedmann to get out of the bus.) Salek is convinced that he will be reunited with his missing brother Chiel someday, even though everyone keeps telling him that there’s almost no chance that Chiel has survived.

Because most of the children have been through the trauma of concentration camps, their healing and rehabilitation are emotionally tough on them. The younger children who lived out on the streets are inseparable. During a walk in the woods, they are terrified by the presence of a small dog being walked by a local woman. The children run off and hide and have to be searched for by a counselor.

Another scene in the movie shows how something as simple as putting bread on the tables in the dining hall can spark a feeding frenzy, as the children grab the bread and run to their rooms to either eat the bread quickly or hide it from others. Eventually, the children learn that food at the orphanage is plentiful and they don’t have to act like paranoid scavengers and hoarders in order to get a meal.

Medical exams are also filled with anxiety and sometimes bad news. Many of the children are malnourished and recovering from physical abuse, such as beatings, whippings and burns. It’s not uncommon for them to have missing or decaying teeth. And the children also have to be de-loused. The clothes they arrived in are also burned, which is symbolic of them leaving their previous lives behind.

It’s while the children are being de-loused outdoors that they have an unpleasant encounter with some of the local residents. A group of boys who are in the same age group watch from afar and try to taunt them. Arek sees that the local boys’ reactions are out of fear and ignorance, so he approaches them, covered in de-lousing powder and extends his hand as if to give a handshake. One of the taunting boys tentatively takes Arek’s hand, but instead of shaking the hand, Arek pulls the terrified boy into the de-lousing shed. The other local boys run off and leave their bicycles behind, which some of the orphans gleefully steal.

Stealing becomes a habit for some of the orphans, and they are lectured not to do it by their elders at the orphanage. Meanwhile, the orphans are taught English and are encouraged by Ms. Paneth to paint their inner thoughts, without instruction rules or judgment on technique. It’s welcome therapy for many of the children, but one disturbing portrait by a child brings the art teacher to tears. And, as the movie shows, the children have constant nightmares and can be heard screaming and sobbing throughout the night.

During a trip to a local ice-cream parlor, the kids experience more anti-Semitism when the same group of boys who previously tried to taunt them show up at near the shop and give a Nazi salute, Friedmann than shames the boys by telling them that these children’s families were slaughtered. The boys sheepishly walk away, but the Jewish orphans see that anti-Semitism is everywhere, even in a country that fought against the Nazis in World War II.

Meanwhile, Coach Lawrence, a Scotsman who oversees the boys’ soccer playing, tries to toughen them up by telling them that people in the “real world” won’t care about them being Jewish refugees and they can’t use it as an excuse to get special treatment. Privately, Lawrence tells Friedmann that it might be time to start placing the kids into foster homes, in order to improve the strained relations between the locals and the refugees. Some of the locals are very open about their resentment that the estate land and taxpayer money are helping fund the refugees at the group home.

The most devastating part of the movie is when the Red Cross arrives to bring news about the orphans’ families. Most of the children had been holding out glimmers of hope that someone in their family would still be alive. But the news is as bad as expected. Arek is so emotionally wounded to find out that his entire family has been murdered the he verbally lashes out at Donna, and it puts an enormous strain on their relationship. There is a bright spot toward the end of the movie, which won’t be revealed in this review, but it’s enough to say that this happy moment is a testament to the power of hope.

The epilogue of the film takes a similar approach to what “Schindler’s List” did at the end: It shows some of the real-life survivors returning to the place depicted in the movie, along with flashbacks to the actors who portrayed them in the movie. The real-life Windermere children who give comments at the end of the film are Arek Hersh (who changed his last name from Hershlikovicz), Chaim “Harry” Olmer, Ben Helfgott and Schmuel “Sam” Laskier and Icek “Ike” Alterman.

“The Windermere Children” is an emotionally powerful film (although by no means as harrowing and masterfully made as “Schindler’s List”) that tells an important part of the Holocaust refugee story. The film’s cast members give solid performances, but the movie is heavily slanted toward the male perspective of these children’s experiences, while the female perspective isn’t given as much importance. There’s a one-hour documentary called “The Windermere Children: In Their Own Words,” which is worth watching for a more balanced gender representation and for more testimonials from the survivors. The documentary is a great complement to this dramatic film’s version of their story.

PBS had the U.S. TV premiere of “The Windermere Children” on April 5, 2020. BBC Two had movie’s U.K. TV premiere on January 27, 2020.