Review: ‘Armageddon Time,’ starring Anne Hathaway, Jeremy Strong, Banks Repeta, Jaylin Webb and Anthony Hopkins

October 30, 2022

by Carla Hay

Banks Repeta and Anthony Hopkins in “Armageddon Time” (Photo courtesy of Anne Joyce/Focus Features)

“Armageddon Time”

Directed by James Gray

Culture Representation: Taking place in 1980 in New York City, the dramatic film “Armageddon Time” (inspired by director James Gray’s own childhood) features a predominantly white cast of characters (with a few African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: An 11-year-old, middle-class Jewish boy, who befriends a working-class African American boy from school, learns some of life’s harsh lessons about bigotry and privilege. 

Culture Audience: “Armageddon Time” will appeal primarily to people interested in retro movies that explore the loss of innocence in childhood.

Jaylin Webb and Banks Repeta in “Armageddon Time” (Photo courtesy of Focus Features)

The talented cast’s performances elevate “Armageddon Time,” a drama that apparently wants to condemn racism, antisemitism and social class snobbery. Ultimately, the movie doesn’t have anything new to say about people who enable these types of bigotry. The cast members’ acting should maintain most viewers’ interest, but parts of “Armageddon Time” (written and directed by James Gray) might annoy or bore viewers who feel like they’ve seen this type of “loss of childhood innocence experienced by a future movie director” many times already.

That’s because there have been several movie directors who’ve done movies based on their real childhoods, with the childhood versions of themselves as the protagonists of the movies. In these semi-autobiographical or autobiographical films, these directors depict their childhood selves as inquisitive, imaginative and often misunderstood by many people around them. The child has at least one parent who usually doesn’t encourage the child’s artistic inclinations, because the parent thinks it’s not a good career choice to be any type of artist.

All of these clichés are in “Armageddon Time,” Gray’s dramatic retelling of what his life was like for a pivotal two-month period when he was 11 years old. “Armageddon Time”—which takes place from September to November 1980, mostly in New York City’s Queens borough—can be considered semi-autobiographical, because the characters in the movie are based on real people without using the real people’s names, except for members of Donald Trump’s family. At a certain point in the movie, viewers can easily predict where this movie is going and what it’s attempting to say.

However, because the cast members deliver good performances and have believable chemistry with each other, “Armageddon Time” has moments that can be entertaining and compelling. “Armageddon Time” had its world premiere at the 2022 Cannes Film Festival in France. The movie then made the rounds at several other film festivals in 2022, including the Telluride Film Festival in Colorado, the Zurich Film Festival in Switzerland, and the New York Film Festival in New York City.

The story is told from the perspective of 11-year-old Paul Graff (played by Banks Repeta, also known as Michael Banks Repeta), who has talent for drawing illustrations of people. Paul has a mischievous side where he makes caricatures or illustration parodies of people he knows. He’s also a science-fiction enthusiast who has created an original superhero character named Captain United.

In the beginning of the movie, it’s September 8, 1980—Paul’s first day of school as a sixth grader at P.S. 173, a public school in Queens. One of the first things that happens in a classroom led by a cranky teacher named Mr. Turkeltaub (played by Andrew Polk) is that Mr. Turkeltaub has found a drawing that depicts him as a turkey. An infuriated Mr. Turkeltaub demands to know who made the drawing, and Paul eventually confesses that he did it.

Just a few minutes later, a classmate named Johnny Davis (played by Jaylin Webb) tells a harmless joke as a reply to the teacher’s question. Johnny’s flippant response gets Mr. Turkeltaub even angrier. He hisses at Johnny as he points to Johnny’s head, “You’ve got nothing up here.” Johnny snaps back, “Look who taught me.”

Paul and Johnny both get mild punishments for their disobedience, as Mr. Turkeltaub orders them to clean the chalkboard in the classroom. Johnny and Paul become very fast friends from this shared bonding experience. Their friendship is defined by a lot of the rebellious things that they do together.

Johnny and Paul also share a passion for outer space. Johnny dreams of becoming an astronaut for NASA, while Paul wants to illustrate comic books about space travel. Although both boys talk about a lot of things with each other immediately, they’re not as up front about each other’s home lives when they first meet.

Paul’s family is middle-class, but he lies to Johnny by saying that his family is rich. Johnny, who doesn’t like to talk about his parents, comes from a low-income household and lives with his grandmother (played by Marjorie Johnson, in a quick cameo), whom Johnny describes as “forgetful.” (It’s implied that she has dementia.) Eventually, Johnny opens up to Paul about what’s really going on with him at home, but Paul keeps up the lie about his parents being rich for as long as Paul can keep telling this lie.

Paul’s tight-knit family at home consists of his energetic mother Esther Graff (played by Anne Hathaway), who is the president of P.S. 173’s Parent Teacher Association; his stern father Irving Graff (played by Jeremy Strong), who is an engineer; and Paul’s smug older brother Ted Graff (played by Ryan Sell), who is about 15 years old and almost the opposite of Paul. Ted is a popular, outgoing student at his private school, and he gets good grades. Paul is introverted, somewhat of a loner, and an average student, even though he has the intelligence to get better grades in school. Paul is much closer to his mother than he is to his father, who has a bad temper and tells Paul that being an artist is not a wise occupation.

Frequent visitors to the Graff home for family dinners are Paul’s grandparents, aunts and uncles. Esther’s father Aaron Rabinowitz (played by Anthony Hopkins), who is from the United Kingdom, is Paul’s favorite of these relatives. Grandfather Aaron is kind and patient with Paul, who feels like Aaron is the only family member who truly accepts Paul for who Paul is. Aaron is also the only one in this family who teaches Paul the realities of antisemitism and racism and how not to be a bigot.

Many of the Graff/Rabinowitz family members, including Aaron, are originally from Europe and survivors of the Holocaust. Aaron’s mother was a Ukrainian refugee who eventually settled in England. Aaron and his wife Mickey Rabinowitz (played by Tovah Feldshuh) are both retired schoolteachers. Other relatives who are in the story are Paul’s aunt Ruth (played by Marcia Haufrecht) and uncle Louis (played by Teddy Coluca), who are both very opinionated.

Family conversations around the dining room table reveal that although members of this family have experienced prejudice for being Jewish, many of the adult family members are racists who don’t like black people. Some of the family members are more blatant about this racism than others. Aaron is the only adult in the family who doesn’t come across as some kind of bigot or difficult person. He’s not saintly, but the movie depicts Aaron as the only adult who comes closest to having a lot of wisdom and a strong moral character.

Meanwhile, at school, Johnny and Paul get into some more mischief. In Mr. Turkeltaub’s class, Johnny tends to get punishment that’s worse than what Paul gets. Johnny is a year older than his classmates because he’s had to repeat sixth grade. Johnny usually get blamed first by Mr. Turkeltaub if there’s any student trouble in the classroom.

It doesn’t help that Johnny sometimes curses at the teacher in response to being singled out as a troublemaker, whereas Paul tends not to go that far with his disrespect for authority. However, Mr. Turkeltaub seems to deliberately pick on Johnny to get him angry. There are racial undertones to the way that Mr. Turkeltaub treats Johnny, who is one of the few African American students in the class.

Through a series of events and circumstances that won’t be revealed in this review, Paul transfers to the same private school where Ted is a student: Kew-Forest School, located in the affluent neighborhood of Forest Hills, Queens. Paul is very unhappy about this transfer because he will no longer get to see Johnny at school. Paul also experiences culture shock, because most of the students come from upper-middle-class and wealthy families.

Members of the real-life Trump family are major financial donors to Kew-Forest School and sometimes stop by the school to make speaking appearances to the assembled students. “Armageddon Time” shows Fred Trump (Donald Trump’s father, played by John Diehl) and Maryanne Trump (Donald Trump’s older sister, played by Jessica Chastain) in cameos, as they give condescending lectures disguised as pep talks at Kew-Forest School. Maryanne Trump, who inherited her fortune from her father, even has the gall to say in her lecture that she worked hard for the wealth that she has.

Because “Armageddon Time” writer/director Gray didn’t change the names of Fred Trump and Maryanne Trump in the movie, the only conclusion that viewers can come to is that Gray wanted to show some kind of disdain for the Trumps in the movie, by depicting them as out-of-touch rich people whom he did not like or trust, even as a child. The only other semi-political statements made in “Armageddon Time” are scenes where the 1980 U.S. presidential election is in the news and discussed in the Graff family home. Irving and Ethel Graff are Democrats who want incumbent Democrat president Jimmy Carter, not Ronald Reagan (a Republican), to win the election.

Because “Armageddon Time” takes place during the height of the nuclear arms race between the United States and Russia (then known as the Soviet Union), the movie makes some references to the fear that many people had that a nuclear war could be imminent and would cause an apocalypse. In the production notes for “Armageddon Time,” Gray says that the movie’s title was named after the reggae song “Armagidion Time,” which had a cover version released by The Clash in 1979. (The Clash’s remake of this song is in the “Armageddon Time” movie.) Gray further explains in the production notes that the movie is about Paul’s personal Armageddon.

It’s during Paul’s experiences as a new student at Kew-Forest School that he begins to understand how race, religion and social class are used as reasons for bigots to inflict damaging prejudice on others. When Johnny shows up near the Kew-Forest School playground to talk to Paul, it’s the first time that Paul is fully aware that many of his peers at Kew-Forest school look down on someone like Johnny, just because Johnny is a working-class African American. One of the Kew-Forest students uses the “n” word to describe Johnny, and Paul is shocked.

Paul’s mother Esther also disapproves of Johnny, mainly because she blames Johnny for being a “bad influence” on Paul. There are some racial undertones to Esther’s dislike of Johnny, mainly because Esther wants to deny that Paul is a willing and active participant in whatever rebellious and rude antics that he and Johnny decide to do. Paul, who has an angelic face, is not as “innocent” as Esther thinks he is.

Repeta skillfully plays the role of Paul, a boy who starts to see life in ways that Paul did not expect. His performance is an admirable anchor for the movie, which at times is hindered by writer/director Gray’s self-indulgent nostalgia. And although Hathaway and Strong give solid performances as Esther and Irving, Paul’s emotional connections to his parents at this particular time in Paul’s life are secondary to the emotional connections that Paul has with his grandfather Aaron and with his new friend Johnny. Hopkins and Webb deliver fine performances as Aaron and Johnny, but much about how these two characters are written (the wise grandfather and the rebellious kid) are reminiscent of characters seen in many other movies.

One of the problematic elements of “Armageddon Time” is that Johnny is often treated as a “black token” in the movie. He has all the negative stereotypes of what many racists think black boys are: troublemakers who can’t be as accomplished or as intelligent as their white peers. It would have been better if the movie had at least a few other African American people in prominent speaking roles for some variety (after all, this movie takes place in racially diverse New York City), instead of putting almost all of the African American representation in the movie on a troubled adolescent boy.

There’s a point in the movie where Johnny runs away from home, because he suspects that child protective services will put him in foster care, and he asks Paul for help in having a place to stay. Paul’s reaction is realistic, but it seems like Gray wants to gloss over how Paul contributes to a lot of Johnny’s pain. “Armageddon Time” is less concerned about the root causes of Johnny’s problems and more concerned about making Aaron the noble sage who preaches to Paul about the evils of racism. However, the movie doesn’t actually show Aaron helping anyone from an oppressed racial group, or even caring about having anyone in his social circle who isn’t white.

“Armageddon Time” is a lot like watching people say repeatedly, “Isn’t bigotry terrible?” But then, those same people don’t really do anything to actively stop the bigotry that they complain about. The Graff household also has some domestic abuse that seems to be put in the movie for some shock value, and then the matter is dropped completely. The ending of “Armageddon Time” could have been a lot better, but the movie has enough good acting and memorable characters to make up for some scenes that wander and don’t serve a very meaningful purpose in the movie.

Focus Features released “Armageddon Time” in select U.S. cinemas on October 28, 2022, with an expansion to more U.S. cinemas on November 4, 2022.

Review: ‘Love Type D,’ starring Maeve Dermody and Oliver Farnworth

July 19, 2021

by Carla Hay

Oliver Farnworth and Maeve Dermody in “Love Type D” (Photo courtesy of Vertical Entertainment)

“Love Type D”

Directed by Sasha Collington

Culture Representation: Taking place in London, the romantic comedy “Love Type D” features a predominantly white cast (with a few black people and people of Indian heritage) representing the middle-class.

Culture Clash: A woman in her 20s gets dumped by her boyfriend, finds out that it’s in her DNA to get dumped, and she tries to reverse this DNA gene by getting all of her ex-boyfriends to fall for her again, so that she can dump them. 

Culture Audience: “Love Type D” will appeal primarily to people who are interested in watching silly and convoluted romantic comedies.

Maeve Dermody, Rory Stroud and Samuel Jones in “Love Type D” (Photo courtesy of Vertical Entertainment)

Someone should’ve told the filmmakers of “Love Type D” that it’s neither funny nor cute to do a romantic comedy about a woman who spends most of the movie stalking an ex-boyfriend who dumped her. It’s pathetic. Why is she stalking him? Because she wants to make him fall back in love with her, just so she can break up with him.

Why does she want to do go to all this trouble? Because she wants to reverse a DNA gene that makes her pre-disposed to get rejected in life. Does this make any sense or sound like it’s any fun to watch? No. It’s meant to be a high absurdist concept for the movie, but it’s filmed in a very lowbrow and clumsy way.

“Love Type D” is the feature-film debut of writer/director Sasha Collington. Everything about this movie screams “first-time director.” Although viewers can certainly appreciate the efforts of the movie’s cast members to be as charming as possible, the actors are stuck in an appalling mess of a movie where the concept is flimsy, the “desperate bachelorette” trope is outdated, and the comedic timing is awkward.

If you want to waste your time watching this treacly drivel, here’s a summary of what to expect: Frankie (played by Maeve Dermody) works at a very boring office job at an instruction manual company in London. Her birth year is 1993, which means that she’s in her late 20s when this story takes place. Remember that she’s in this age bracket when Frankie acts like a petulant, delusional and immature teenager for most of the movie.

In the beginning of the story, Frankie thinks that her life is going very well. She’s madly in love (the operative word here is “madly”) with her good-looking boyfriend Thomas (played by Oliver Farnworth), who’s about the same age as Frankie, maybe a few years older, and definitely more emotionally mature than Frankie. Thomas’ occupation isn’t stated in the movie.

In the movie’s opening scene, Frankie says in a voiceover, and it’s shown in a flashback, that she met Thomas a year ago on the Piccadilly subway line while she was getting dumped by someone else. Thomas was kind and sympathetic when he witnessed this breakup. Thomas and Frankie started talking to each other, one thing led to another, and they’ve been dating each other ever since. As far as Frankie is concerned, Thomas is “the one.”

While Frankie is reminiscing about her “meet cute” moment with Thomas and how “sweet” he is, she’s waiting for him at a restaurant for what she’s sure will be a romantic lunch date with Thomas. Instead, a bespectacled 11-year-old boy in a school uniform approaches Frankie because he has a message from Thomas to deliver to her. The boy introduces himself as Thomas’ brother Wilbur (played by Rory Stroud), and the message from Thomas is that Thomas is breaking up with Frankie, effective immediately.

Frankie is in shock and can’t believe that Thomas didn’t have the courtesy to break up with her himself in person. She’s in such denial that she tries to find Thomas to see if this breakup is some kind of joke. When she goes to Thomas’ apartment and places where he’s known to hang out, she can’t find him. More likely, he’s doing a very good job of hiding from her.

On the same day she got dumped, Frankie randomly sees Wilbur buying a bouquet of flowers on the street and chases after him like a crazy person. She essentially grabs this innocent boy and demands Wilbur to tell her where Thomas is. Wilbur says that he doesn’t know. In the ruckus, Wilbur has dropped a small greeting card (presumably to go with the flower bouquet) that has a message in Thomas’ handwriting. Frankie immediately picks up the card and reads it.

The greeting card is addressed to someone named Cecilia, and the message says that Thomas can’t wait to see Cecilia that night at a nightclub called Opal 8. Frankie forces Wilbur to tell her who Cecilia is, and Wilbur says that Cecilia is Thomas’ new girlfriend, whom Thomas met four days ago. (That was fast.) Cecilia (played by Alexandra Evans) is also an astronaut, just to make it clear to viewers that Cecilia is much smarter and more accomplished than Frankie will ever be. Guess who’s going to Opal 8 to spy on Thomas?

At the nightclub, Frankie sees Thomas and Cecilia together and acting like a very amorous couple. Frankie confronts Thomas and asks why he dumped her and berates him for sending Wilbur to do Thomas’ dirty work. Thomas’ response is to give her the old “it’s not you, it’s me” breakup excuse. He also tells Frankie that it was nice knowing her, but that she needs to stop stalking him. It soon becomes very obvious why he no longer wants anything to do with her: Frankie is scary-level obsessive.

Frankie spends most of the movie pining over Thomas and stalking him over the phone, on social media and in person. Thomas gets increasingly irritated with her intrusiveness. Thomas eventually gets a restraining order against Frankie, but it doesn’t stop her. There’s no one in Frankie’s life to tell her, “Yes, Frankie, you really have been dumped in an embarrassing way. Scrape together whatever dignity you have left and leave him alone.”

So why does she want him back after being treated so disrespectfully by Thomas, and he’s moved on to someone new? It’s one of the fundamental failures of this movie. A romantic comedy is supposed to have a protagonist whom audiences should be rooting for, not a protagonist who is such an insufferable obsessive that most viewers can’t relate to this person.

The fateful day when Wilbur told Frankie the news that Thomas was breaking up with her, Wilbur commented to Frankie that there are two kinds of people in this world: dumpers and dumpees. Considering that all of Frankie’s ex-boyfriends broke up with her, she knows she’s in the “dumpee” category. The next day at her job, while she’s wallowing in self-pity, Frankie takes an informal survey of her office co-workers to find out which ones are “dumpers” and “dumpees.”

She gets reactions that range from “dumpers” bragging that they’ve never been dumped to “dumpees” who are embarrassed or confused over why she’s asking them such personal information. Eventually, she identifies five other unlucky-in-love co-workers who are “dumpees”: Andy (played by Philip Duguid-McQuillan), Debra (played by Elin Phillips), Deepak (played by Asif Khan), Jenny (played by Ruth Bratt) and Kevin (played by Emeka Sesay).

None of these co-workers is in the movie long enough for viewers to get a sense of who they really are. Debra seems to be Frankie’s closest thing to having a friend at work. Debra takes a liking to the newly hired office intern John (played by William Joseph Firth), and they hook up with each other. But since Debra is a “dumpee,” things will not end well for her. Frankie is sympathetic to Debra because Frankie has plenty of experience being dumped.

Not long after Thomas broke up with her, Frankie has another encounter with Wilbur, who is with a classmate named Barnaby (played by Samuel Jones), another school-uniform-wearing boy who is essentially Wilbur’s sidekick for the rest of the movie. This time, Frankie sees Wilbur and Barnaby at a convenience store. Wilbur tells her about a company called Epigenica that is conducting a scientific study to prove that people have a DNA gene that determines if they will be a “dumper” or “dumpee.”

Frankie doesn’t believe it at first, until Barnaby shows her the study results in a Scientist Today magazine that he happens to have with him. By reading the article, Frankie finds out that the Epigenica scientist in charge of the study is named Dr. Elsa Blomgren (played by Tovah Feldshuh), who has developed a test (which looks lot like a home pregnancy test) where people find out if they are a “dumper” or “dumpee.” People who test positive for the Type D gene are “dumpees.”

And you know that that means: Frankie wants to take that test to find out for sure if she’s got the Type D gene. More time is wasted in the movie as Frankie schemes for a way to get the test, which is not available for sale to the public yet. She finds out that people who attend a seminar retreat led by Dr. Blomgren can get tested for the Type D gene. But Frankie doesn’t get far with this plan, because her credit card is declined when she’s at the retreat, so she’s asked to leave.

Frankie’s next scheme is to pretend to be a Scientist Today journalist doing an article on Dr. Blomgren’s study. She calls up Dr. Blomgren’s office and asks for a free sample of the test. Eventually, Frankie gets enough free samples so that her other “dumpee” co-workers can take the test too. Not surprisingly, they all test positive for the Type D gene.

Frankie feels relieved that being a “dumpee” is genetic. In other words, she uses it as an excuse to not take responsibility for anything she might have done to get dumped. But now, she wants a way to “reverse” this gene. Wilbur has a theory that the gene is triggered by the first romance someone has. If someone’s first romance ended with that person being dumped, then that person will be a “dumpee” for life.

And so, Frankie decides she’s going to go further down this rabbit hole of ridiculousness by thinking that the Type D gene can be reversed if she follows this plan: Find all of her ex-boyfriends, starting with her first ex-boyfriend, get them to fall in love with her, and then dump them, so she can become a “dumper.” Mind you, it’s only supposed to work if she does this in the chronological order of each ex-boyfriend that she had.

Meanwhile, because this movie thinks this crazy plan isn’t enough to tangle up the plot, Frankie has encouraged all of her “dumpee” co-workers to do the same things for their exes, so that they too can get their Type D genes reversed. And there’s some nonsense about luring all of these exes into one big room on the same night to get it all over with in one fell swoop.

How do they lure all these people into the same room on the same night? By giving them a fake notice that they’ve won sweepstakes prize money. Not surprisingly, Thomas is the most difficult of Frankie’s ex-boyfriends to lure into her trap. And so, more time-wasting shenanigans occur.

Frankie shames Wilbur for agreeing to be Thomas’ messenger for the breakup, thereby making Wilbur feel so guilty, that he’s pressured into helping Frankie with her schemes. How much of a loser do you have to be to force an 11-year-old child to help fix your love life? The movie has gone so far off the deep end at this point, that it’s sunk into an unending abyss of berserk stupidity, which is about the same way that anyone can describe Frankie’s mind.

There are plenty of cringeworthy moments in the movie, including Frankie’s attempts to make Thomas jealous. Wilbur sets her up on a blind date with a nerdy scientist bachelor named Roland (played Dan Starkey), but Frankie is irritated because Roland is not the hunk that she thought he would be. Considering that Frankie is the worst type of desperate bachelorette, and she’s gotten dumped by every boyfriend she’s ever had, she’s got some nerve being so picky. And because every bad romantic comedy seems to have a karaoke scene, “Love Type D” has that cliché too. The karaoke scene is abysmal.

As terrible as “Love Type D” is, it’s not a complete train wreck. The character of Wilbur is adorable and quite patient to put up with a disaster like Frankie. Some of Frankie’s “dumpee” co-workers seem like nice, decent people. And there are moments when Farnworth can bring much empathy to his Thomas character, even though Thomas is supposed to be the “villain” of the story.

The problem is that a detestable character like Frankie is front and center for almost the entire movie, which has a sitcom-ish musical score that is almost as irritating as this clueless main character. Dermody’s acting doesn’t help, because she plays the Frankie role like a 16-year-old, not as a grown woman. There’s an attempt to have a “female empowerment” message at the end of the film. But it’s a very phony message, considering that viewers have already seen Frankie’s true nature. No amount of reverse-DNA experiments can reverse her annoying personality.

Vertical Entertainment released “Love Type D” on digital and VOD on July 9, 2021.

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