Review: ‘Left for Dead’ (2025), starring Valencia Harris, Derrick Butler, Peter Newsham, Mitch Credle, Chanel Dickerson, Ashley Jordan and Gamini Butler

February 16, 2025

by Carla Hay

Pam Butler (pictured at left) and Unique Harris (pictured at right) in “Left for Dead” (Photo courtesy of Tubi)

“Left for Dead” (2025)

Directed by Sia Savvy (also known as Sia Stewart)

Culture Representation: The documentary film “Left for Dead” features a predominantly African American group of people (with some white people) talking about the cases of two Washington, D.C. women: 47-year-old Pam Butler (who disappeared in 2009) and 24-year-old Unique Harris (who disappeared in 2010).

Culture Clash: Family members and other people looking for these missing women say that they experienced racial bias from law enforcement and the media that did not place enough priority on the cases because the missing women were black.

Culture Audience: “Left for Dead” will appeal primarily to people who are interested in true crime documentaries about that examine investigations into missing person cases about black females.

Derrick Butler (pictured at left) and Valencia Harris (pictured at right) in “Left for Dead” (Photo courtesy of Tubi)

“Left for Dead” is an inspiring and fascinating documentary about families seeking truth and justice for loved ones who go missing. It also puts an important spotlight on the racial biases in investigations that often give lower priority to black women. While other similar documentaries cover numerous missing persons cases, “Left for Dead” keeps things fairly intimate by focusing on two missing persons cases of two women who lived in Washington, D.C. at the time they disappeared.

Directed by Sia Savvy (also known as Sia Stewart), “Left for Dead” tells each case story in chronological order, but alternates back and forth between each story. In other words, this isn’t a documentary that tells all of one case in the first half, and all of the other case in the second half. Each case has similarities and differences. There are some re-enactments and archival footage, but most of the footage consists of interviews conducted for this documentary.

“Left for Dead” begins with this caption that doesn’t list the source for its statistics: “Across the U.S., more than 100,000 black women and girls go missing each year, with more being reported every day. Black women are 7% of the U.S. population are nearly 40% of missing women.” The caption than goes on to say that black women’s missing persons cases remain unsolved four times longer (on average) than white women’s missing persons cases.

Whether or not those statistics are entirely accurate in any given year, the National Information Crime Center has the latest statistics that are not far off from the statistics that are cited in this documentary. There have have also been numerous studies at institutions, such as Northwestern Law School and The Journal of Criminology, Criminal Justice, Law & Society, proving that white females (especially young white females) are the people who disproportionately get the most media coverage in the U.S. if they go missing, compared to people from other demographics who go missing.

In “Left for Dead,” these are the missing-person cases that are examined are for two women who disappeared from their homes in Washington, D.C.:

Pam Butler was a 43-year-old bachelorette who worked for the Environmental Protection Agency. On February 14, 2009, she and her 43-year-old boyfriend Jose Rodriguez Cruz were supposed to meet up with Pam’s 77-year-old mother Thelma Butler to spend this Valentine’s Day with her. Pam never showed up and was immediately reported missing when family members, such as her younger brother Derrick Butler, went to her house and saw part of it was in disarray, which was out of character for neat and organized Pam. Cruz said he hadn’t seen Pam since February 13, 2009. Surveillance footage later showed that Cruz went in and out of the house (with her set of keys) carried out numerous bags several times during a period of time that Pam went missing.

Unique Harris was a single mother of two sons when she went missing on October 10, 2010. The night before, she and her two sons had invited over the two daughters of Unique’s cousin Tiffanee Smith for a evening of watching movies. (Smith is one of the people interviewed in the documentary.) When the children woke up the next morning, Unique was gone and didn’t leave any messages or any indication of where she was. Two persons of interest were quickly ruled out as suspects: the father of Unique’s children and her current boyfriend, because each man had an alibi proving that they nowhere near Washington, D.C., in the period of time that Unique disappeared.

Although many people helped in the search of these two missing women, two particular family members are credited with pushing the hardest and being the most diligent in the investigations. Derrick Butler, just two years younger than Pam, describes how he was relentless in getting the Metropolitan Police Department and the media to pay attention to the case. Unique’s mother Valencia Harris is shown to be Unique’s biggest advocate in the same matters. Derrick and Valencia both say that that they believe law enforcement and the media were slow or reluctant to investigate the case properly because of Pam and Unique being black.

Other people interviewed in the documentary include Pam Butler’s sister-in-law Gamini Butler; Unique’s cousin Pamela Harris Alexander; Unique’s sister Ashley Jordan; Unique’s godmother Melissa Mathis; Unique’s cousin Elaine Harris; Mitch Credle, a retired homicide detective from the Metropolitan Police Department; Peter Newsham, chief of police for Prince William County Police Department in Virginia; Chanel Dickerson, retired assistant chief of police of the Metropolitan Police Department; Diane Groomes, retired assistant chief of police of the Metropolitan Police Department; and Neal Augenstine, a radio reporter for WTOP-FM.

The non-profit group Black and Missing Foundation is mentioned several times in the documentary as a valuable resource for people with black loved ones who are missing in the United States. However, this documentary shows that loved ones of missing black people often have to take matters into their own hands by investigating and doing community outreach on their own when they are ignored or stalled by law enforcement and the media, which are almost always controlled or led by white people.

Several family members who are interviewed in the documentary put an emphasis on the fact that, contrary to negative stereotypes, Pam and Unique were not involved in drugs or crime. They also did not have a history of mental illness or going places without telling anyone. Pam and Unique are both described by people who knew them best as responsible, kind and loving.

Pam and Derrick had ambitions to be real-estate moguls and had been involved in buying and selling properties. At one point, Derrick became a suspect because he was the sole beneficiary in Pam’s will, while she was the sole beneficiary in his will. He explained the business reason for that arrangement. Derrick also had an alibi, so he was dropped from the list of possible suspects.

As for Unique, she had plans to go to school to become a massage therapist. Her mother Valencia, who has the most passionate personality in the documentary, describes Unique as an ideal daughter who had an angelic personality. Unique’s only real problem at the time she disappeared was that she was in a custody battle with the father of her two sons. As previously mentioned, this man (who is not named in the documentary) had an alibi and was not a suspect in her disappearance.

The case of Unique Harris was a much more difficult case to solve because there were no obvious suspects. However, one of her sons provided a valuable clue that led to a big break in the case. This clue was overlooked by local law enforcement, but Harris family members took this clue seriously and investigated further on their own.

Valencia Harris gives a lot of credit to Metropolitan Police Department homicide detective Mike Fullton (who is not interviewed in the documentary) for his help in solving her daughter Unique’s case. This review won’t reveal any spoiler information if people want to see this documentary and find out the outcomes of these two cases. It’s enough to say that Pam Butler’s loved ones didn’t get justice in the court system until 2020, which was 11 years after she disappeared. The loved ones of Unique Harris had their case resolved in court in 2023, which was 13 to years after each disappearance.

“Left for Dead” is competently made with just a few areas that look unprofessional, such as a noticeable grammatical error in one of the captions. The documentary has good editing overall, because when the documentary jumps back and forth between each case, it doesn’t become confusing. The filmmakers also wisely didn’t overstuff the documentary with too many talking heads.

The people interviewed in the documentary have compelling comments, with none of the interviews looking staged or exploitative. One of the most memorable parts of the documentary—besides showing the outcomes of these cases—is a scene showing a heart-to-heart conversation between Derrick and Valencia as they talk about their experiences. “Left for Dead” shows in many unflinching ways not only the heartbreak of these families but also the strength and resilience it takes to never give up in finding out what happened to their missing loved ones and seeking justice.

Tubi premiered “Left for Dead” on February 5, 2025.

Review: ‘Paradise’ (2024), starring Patricia Allison, Tate Donovan, Bashir Salahuddin, Adam Lustick, Arjun Gupta, Myles Evans, CJ Hoff and Tia Carrere

March 21, 2024

by Carla Hay

Patricia Allison in “Paradise” (Photo courtesy of Tubi)

“Paradise” (2024)

Directed by Max Isaacson

Culture Representation: Taking place in the fictional city of Paradise, Hawaii, the action film “Paradise” features a racially diverse cast of characters (white, African American and Asian) representing the working-class, middle-class and wealthy.

Culture Clash: A rebellious misfit goes on a killing spree against the people whom she blames for the murder of her police sheriff father. 

Culture Audience: “Paradise” will appeal primarily to people who are fans of the movie’s headliners and action movies that don’t do anything innovative or exciting.

Tate Donovan and CJ Hoff in “Paradise” (Photo courtesy of Tubi)

“Paradise” is trying to be a “Kill Bill” type of action movie, with a female protagonist out for deadly revenge, but the screenplay is so messy and moronic, it just ends up being another forgettable, substandard flick with bloody violence. Patricia Allison has charisma in the starring role, but “Paradise” is a failure of imagination and just drowns in stupid dialogue and a cesspool of clichés.

Directed by Max Isaacson and written by Tony Borden, “Paradise” is their feature-film debut. The movie (which takes place and was filmed in Hawaii) has some eye-catching and somewhat stylish-looking cinematography. However, the movie’s story is so amatuerish, you have to wonder why the fairly well-known actors in the cast agreed to do this movie. Maybe the appeal of filming in Hawaii was too tempting to pass up.

“Paradise” is named for the fictional city in Hawaii where the story takes place. (“Paradise” was actually filmed in Hilo, Hawaii, which is about 13 miles northwest of Hawaiian Paradise Park.) The movie’s central character is Ella Patchet (played by Allison), who is supposed to be about 18 or 19 years old. Ella has a reputation for being a rebellious misfit.

Ella works in a gun shop and is the type of person who gets thrown out of places for getting into physical fights. That’s what happens in the movie’s opening scene that shows Ella racing off on her bicycle after getting into an altercation at a seedy-looking place. The altercation is not shown on camera, but there will be plenty of other scenes in the movie that show how Ella fights.

Why does Ella has a very angry streak to her personality? It has a lot to do with the fact that her mother and brother were shot to death by unnamed drug dealers, who were not brought to justice. To make matters worse, Ella’s father Dan Patchett (played by Bashir Salahuddin) is the sheriff of Paradise, so Ella puts a lot of blame on him for not being able to catch the killers. The movie never explains if Ella was always this violent and angry, or if the bitterness of her family members’ murders caused her to be this violent and angry.

Ella has a sidekick friend named Townes (played by Myles Evans), who apparently has nothing better to do in his life than hang out with Ella and participate in whatever troublemaking she gets involved with or instigates. Ella and Townes both dislike Giles Whitney (played by CJ Hoff), the spoiled and obnoxious teenage son of Paradise’s smarmy mayor Calvin Whitney (played by Tate Donovan), who is the type of phony-acting politician who pretends to be an upstanding citizen in public but is obviously unethical behind the scenes.

Mayor Whitney, who is the wealthy owner of the Whitney Water and Power company, is in the midst of negotiating a lucrative deal to bring a solar farm to Paradise. It doesn’t take a genius to figure out who will personally profit the most from this deal. Much of “Paradise” tries to come across as being a mystery thriller, but everything about this poorly conceived movie treats viewers like idiots. “Paradise” has so many glaringly obvious clues, there is no real mystery to solve.

At a party with other young people, Giles taunts Ella over her father not being able to solve the murders of Ella’s brother and Ella’s mother. Ella’s response is to shoot a gun at Giles. Luckily for Giles, the bullets miss Giles, and there are no injuries to anyone else. Later, Ella goes over to the mayor’s house and demands that more should be done to investigate the murders of her brother and mother. Calvin promises Ella that he will get justice for her murdered family members.

An early scene in the movie shows Calvin visiting the local police station to meet with Dan. Calvin shows Dan a newspaper article reporting that a crime boss named Lee Paige (played by Tia Carrere) and her group of thugs have returned to the area. Calvin asks Dan, “Did you really think that they wouldn’t come back?” Dan replies, “After 10 years? Yeah.”

One of Dan’s subordinates is a police officer named Troy Hobbes (played by Arjun Gupta), who is very eager to please the mayor. “Paradise” makes it too easy to see early on in the movie where loyalties might lie and who is most likely be corrupt. The mayor also has a henchmen/fixer named Sam Mayo (played by Adam Lustick), who is a typically generic lackey enforcer.

It should come as no surprise that Ella doesn’t want to wait for the mayor to get justice. The stakes get even higher for her when her father Dan ends up being murdered. The rest of “Paradise” then just becomes one shooting spree/murder scene after another, often clumsily staged. The people responsible for the murder of Dan are exactly who you think they are. The people who die in the movie are exactly those you expect to die.

The dialogue is bad enough in “Paradise,” but a lot of the acting isn’t much better. Gupta is very over-the-top (and not in a good way) in many of his scenes, while Donovan gives a very lackluster “I’m just here for the salary” type of performance. Carrere (who really has a cameo role, not a starring role) acts like she’s in a campy comedy, not a gritty action flick. Allison as the Ella Patchet character could have been iconic with a clever screenplay and skillful direction. As it stands, “Paradise” can only describe some of the Hawaiian locations in the movie, not the soulless junk that is the actual movie.

Tubi premiered “Paradise” on March 21, 2024.

Copyright 2017-2025 Culture Mix
CULTURE MIX