Review: ‘Lightyear,’ starring the voices of Chris Evans, Keke Palmer, Taika Waititi, Dale Soules, Peter Sohn, Uzo Aduba and James Brolin

June 13, 2022

by Carla Hay

Pictured clockwise, from bottom left: Sox (voiced by Peter Sohn), Izzy Hawthorne (voiced by Keke Palmer), Mo Morrison (voiced by Taika Waititi), Darby Steele (voiced by Dale Soules) and Buzz Lightyear (voiced of Chris Evans) in “Lightyear” (Image courtesy of Disney/Pixar)

“Lightyear”

Directed by Angus MacLane

Culture Representation: Taking place in various part of the universe, the animated film “Lightyear” features a predominantly white cast of characters (with a few African Americans, Asians and Latinos) representing people and robots connected in some way to travel in outer space.

Culture Clash: In this prequel to the “Toy Story” movies, heroic astronaut Buzz Lightyear tries to make things right when he causes an accident that strands several human beings on a foreign planet that is frequently under attack.

Culture Audience: Besides appealing to the obvious target audience of “Toy Story” movie fans, “Lightyear” will appeal primarily to people interested in animated films about time travel in outer space, but should be prepared for a plot that’s more convoluted than the average family-oriented animated film.

Buzz Lightyear (voiced of Chris Evans) and Alisha Hawthorne (voiced by Uzo Aduba) in “Lightyear” (Image courtesy of Disney/Pixar)

In the animated film “Lightyear,” the plot about time travel in outer space often gets messy, but the movie has good messages about teamwork and confronting the past without dwelling on the past. The movie’s title character is astronaut Buzz Lightyear, who became the basis of a talking toy character that is one of the main stars of the “Toy Story” series. “Lightyear” is the movie that shows his origin story and shows why the movie resulted in Buzz becoming a popular toy. It’s a “movie within a movie” premise that has some stumbling blocks, but it works out well enough to be entertaining overall for people who enjoy animated films that take place in outer space.

Directed by Angus MacLane (who co-wrote the “Lightyear” screenplay with Jason Headley), “Lightyear” could easily be a stand-alone movie that doesn’t require anyone to see any of the “Toy Story” films. That’s because, with the exception of Buzz and villain Emperor Zurg (who was first seen in “Toy Story 2”), all of the characters in “Lightyear” are being introduced to movie audiences for the first time. Tim Allen is the voice of Buzz in the “Toy Story” movies. Chris Evans is the voice of Buzz in “Lightyear,” which depicts a young-man version of Buzz in the beginning of movie. It’s a seamless transition, considering that the Buzz in “Lightyear” is not really the same Buzz who’s in the “Toy Story” movies.

The opening scene of “Lightyear” shows that Buzz is part of an exploratory mission in outer space where he and his fellow astronauts from Earth visit other planets in a spaceship nicknamed The Turnip, because Buzz thinks the ship looks like a “root vegetable.” The Turnip has an on-board computer called IVAN (voiced by Mary McDonald-Lewis), which has the type of artificial intelligence that can have conversations with people. Buzz is an astronaut called a Space Ranger, whose duties including peacekeeping and law enforcement in the universe.

Buzz and his commander Alisha Hawthorne (voiced by Uzo Aduba) are part of a crew of more than 1,000 scientists and technicians who are heading back to Earth for what they think has been a successful mission. They are about 4.2 million light years away from home when disaster strikes. Their space vessel picks up a signal that there’s a new planet called T’Kani Prime that hasn’t been explored yet for possible untapped resources. Buzz becomes curious about this unknown planet, so he makes the fateful decision to take a detour to visit T’Kani Prime.

The explorers find out too late that it’s an extremely hostile planet with dangerous vines and giant bugs that attack. While under attack, The Turnip sustains some damage, including damage to the hyper-speed crystal that allows the ship to travel to other dimensions. Buzz, Alisha and most of their crew survive, but they are now stranded in this strange and unwelcome world.

Up until this point, Buzz was an overconfident (and some might say arrogant) Space Ranger. However, he feels humility and tremendous guilt over his colossal error in judgment. He vows to make things right and to find a way to get everyone back home to Earth. But the hyper-speed crystal keeps malfunctioning and isn’t working at the speed it used to have. Buzz worries that this malfunction might leave everyone permanently stranded.

After every attempt to use the malfunctioning hyper-speed crystal with The Turnip in outer space, a dejected Buzz has to return back to T’Kani Prime. However, he finds out the first time this happens that four minutes of his time in outer space equal four years of time on T’Kani Prime. And so, every time Buzz comes back from a failed hyper-speed attempt, years have passed, while Buzz does not age at that same pace. Buzz also finds out that the faster he flies into outer space, the further into the future he travels.

After one of his early attempts to get back to hyper speed, Buzz returns to T’Kani Prime and is assigned a cat robot named Sox (voiced by Peter Sohn), who is described in the movie as an “emotional transition robot.” Sox is intuitive and acts as an all-around helper for physical tasks, getting encyclopedia information, and offering words of advice and comfort. During a few of the action scenes, Sox also has a recurring catch phrase/joke about buying time to stall any antagonists in the scene.

Buzz finds out after coming back from a failed hyper-speed trip that Alisha has fallen in love and gotten engaged to a female crew member named Kiko. He’s happy for the couple, but he also feels sad that the lives of other people are passing him by, and he still hasn’t found a way to get everyone back to Earth. Buzz’s frustration at not being able to achieve his goals as quickly as he thought he would is the movie’s obvious message about how life can have unexpected setbacks.

As shown in a montage sequence, Alisha and Kiko get married, and they have a son together. Their son gets married and has a daughter named Izzy (voiced by Keira Hairston), who from a young age, has been determined to follow in her beloved grandmother Alisha’s footsteps as a commander Space Ranger. As for what eventually happens to Alisha, that’s easy to predict, considering that T’Kani Prime is not a planet that can stop the aging process.

None of this is really spoiler information, because the majority of “Lightyear” is about what happens when Buzz ends up going on a mission with Izzy when she becomes a young woman (voiced by Keke Palmer) and other members of a motley crew of explorers. (This plot is in the “Lightyear” movie trailers.) What happened to cause this mission?

The stranded community’s gruff new commander Colonel Burnside (voiced by Isiah Whitlock Jr.) abruptly informs Buzz that Buzz’s most recent mission was his last one, because the program is being shut down. As part of the shutdown, Sox will be decommissioned and probably become part of a robot scrap heap. The stranded scientists have built a laser dome over their community for protection, because they’ve resigned themselves to thinking that they might never be able to leave T’Kani Prime—at least not in their lifetime.

Colonel Burnside orders that Sox get taken away from Buzz. However, Buzz can’t bear the thought of Sox “dying,” so he escapes with Sox in The Turnip. Through a series of circumstances, Buzz and Sox come back to T’Kani Prime, 22 years later. Izzy is now a young woman who’s part of a group of wannabe Space Rangers called the Junior Zap Patrol. And the planet has come under attack by giant robots, led by an entity named Emperor Zurg (voiced by James Brolin), who is somewhat of a generic villain.

Guess who’s going on a mission to save the planet and possibly the universe? Buzz and Sox join forces with Junior Zap Control members Izzy, goofy Mo Morrison (voiced by Taika Waititi) and sarcastic Darby Steel (voiced by Dale Soules) to often awkward results. That’s because the Junior Zap Control is untrained and often incompetent. And even though Izzy wants to be a Space Ranger, she’s terrified of being in outer space.

“Lightyear” has a few surprises, but the movie mostly sticks to a familiar formula in “heroes who save the world” sci-fi/fantasy stories. One of the movie’s greatest strengths is that it introduces characters with memorable personalities and quirks, with Sox being the one that viewers might be talking about the most. Some viewers might think Sox is adorable, while other viewers might think Sox is annoying. Either way, this character was clearly designed by the “Lightyear” filmmakers to sell Sox toys and other merchandise in the real world.

“Lightyear” falters in having a few characters that are somewhat useless or too predictable. Supporting characters such as Airman Díaz (voiced by Efren Ramirez) and Featheringhamstan (voiced by Bill Hader) seem very two-dimensional and underdeveloped. Some of the jokes are very simple-minded. And all of Buzz’s zipping back and forth between eras and dimensions doesn’t leave enough room for Buzz to slow down and develop relationships with other humans where he can connect with them without missing several years out of their lives.

The movie’s world building of T’Kani Prime is more focused on what the planet looks like, rather than the sociology of the planet. However, there’s one interesting dietary quirk that’s revealed about T’Kani Prime that different from how things are done on Earth: The descendants of the stranded community have developed a custom of preparing and eating sandwiches with bread on the inside instead of the outside.

“Lightyear” has the distinction of being the first Pixar Animation Studios movie made specifically for IMAX screens. The visuals are definitely up to Pixar standards, but the visual effects in “Lightyear” are not really game-changing or extraordinary. The voice actors bring a lot of spark to their roles, even if some of the movie’s dialogue is unremarkable and the plot gets a little muddled.

Some viewers will like the time traveling aspects of “Lightyear,” while others will not. And a big twist revealed in the last third of the movie could be divisive to audiences, depending on people’s expectations on how the movie’s characters should be. “Lightyear” spends so much effort trying to be way ahead of the audience, some viewers will feel annoyed by being expected to keep up with all the time jumping, while other viewers will be up for the challenge and enjoy the ride.

Disney/Pixar Animation Studios will release “Lightyear” in U.S. cinemas on June 17, 2022. Disney+ will premiere the movie on August 3, 2022.

Review: ‘National Champions,’ starring Stephan James, J.K. Simmons, Alexander Ludwig, Uzo Aduba, David Koechner, Jeffrey Donovan, Kristin Chenoweth and Timothy Olyphant

December 9, 2021

by Carla Hay

Stephan James, J.K. Simmons and David Koechner in “National Champions” (Photo by Scott Garfield/STX)

“National Champions”

Directed by Ric Roman Waugh

Culture Representation: Taking place during three days in New Orleans, the dramatic film “National Champions” features a cast of African American and white characters representing the working-class, middle-class and wealthy.

Culture Clash: Two football players for the fictional Missouri Wolves college team launch a boycott, right before a national championship game, in protest of the National Collegiate Athletic Association (NCAA) policy that NCAA student athletes are not entitled to salaries, disability pensions and health insurance for playing in NCAA games. 

Culture Audience: “National Champions” will appeal primarily to people who are interested in watching well-acted movies about civil rights in athletics and in the workforce.

Uzo Aduba and David Koechner in “National Champions” (Photo by Scott Garfield/STX)

“National Champions” is a memorable sports movie where all the action and battles take place outside of the game. This tension-filled drama about a college student-athlete boycott features standout performances and a diverse look at various sides of the debate. How you feel about this movie will probably come down to how you answer these questions: Should student athletes of the National Collegiate Athletic Association (NCAA) get salaries, disability pensions and health insurance? And should NCAA student athletes form their own union?

Those questions are at the heart of the issues that are contentiously argued about in “National Champions,” directed by Ric Roman Waugh and written by Adam Mervis. Although the story is fictional, it takes a realistic-looking “what if” approach in depicting what would happen if NCAA football players decided to boycott playing in games, in order to get the NCAA to change its longstanding policies over these issues. And what if that boycott was staged just three days before a national championship game?

Those are the high-pressure circumstances under which the movie opens. “National Champions” does not let audiences go from its tightly wound grip during this entire movie, which is a suspense-filled ride from beginning to end. Even though this is a fictional story where the outcome can easily be predicted, the movie’s intention is to draw attention to the issues that are intensely debated in the movie. People who are not aware of these issues before seeing “National Champions” probably won’t look at NCAA sports in the same way again after seeing this movie.

At the beginning of “National Champions,” which takes place entirely in New Orleans, NCAA football player LeMarcus James (played by Stephan James) is seen at 6:10 a.m. on the balcony of his hotel room, as he gears up for the biggest fight of his life. He’s about to hold a press conference announcing the boycott and the list of demands that he and his fellow boycotters want to be fulfilled by the NCAA, in order to end the boycott. The national championship game is being held in New Orleans, and LeMarcus is expected to be a star of the game.

LeMarcus, who is 21, is the current quarterback for the fictional Missouri Wolves. He recently won the Heisman Trophy. And he is widely predicted to be the first overall pick of the next National Football League (NFL) draft. LeMarcus is well-aware that by launching ths boycott, it will likely ruin his chances to play in the NFL, since he will be branded as a “troublemaker.” However, he is determined to fight for what he strongly believes in, no matter that the consequences.

LeMarcus knows he’s facing an uphill battle in this boycott. At this point in time, LeMarcus and his best friend Emmett Sunday (played by Alexander Ludwig), who is also a Missouri Wolves teammate, are the only two athletes who are solidly committed to this boycott. They both come from working-class backgrounds and have gotten full athletic scholarships to attend their university because of football.

While in New Orleans for the natonial championship game, LeMarcus and Emmett have planned to “go missing” from practice. They move around from hotel to hotel, so that they can’t easily be found. During the course of the movie, they only allow a select number of trusted people into their hotel room. LeMarcus is also battling a nasty cold, but it doesn’t deter his inner strength to fight for his cause. LeMarcus and Emmett are starting this boycott without any help from attorneys.

Emmett, who is the more laid-back of the two friends, doesn’t seem to like public speaking because he’s not seen in the movie making speeches or doing press conferences. Emmett is happy to let LeMarcus take the lead as the spokesperson for the boycott and as the one who articulates the demands that they want the NCAA to follow. Throughout the movie, Stephan James gives an effective performance that shows how LeMarcus has a powerful talent of persuasion and a steely determination to not give up in the face of several obstacles. LeMarcus’ stubbornness and refusal to compromise make him a formidable but very underdog opponent.

LeMarcus has his share of skeptics and naysayers. Before the press conference, a teammate named Orlando Bishop (played by Julian Horton) tries to discourage LeMarcus from going through with the boycott. Orlando tells LeMarcus that the NCAA system won’t change just because LeMarcus doesn’t play in the national championships. “Aint nobody marching in the streets for the number-one anchor. You’re going to embarrass yourself, bro,” Orlando comments. When the boycott is underway, someone else warns LeMarcus that LeMarcus is going to be blacklisted from professional football, just like former NFL star Colin Kaepernick, who is outspoken in his support of the Black Lives Matter movement.

During the brief televised press conference, LeMarcus gives the list of demands that the boycotters want from the NCAA:

  • (1) NCAA will create of a non-revokable trust fund for every Division 1 varsity athlete.
  • (2) NCAA will contribute to a disability penision for Division 1 athletes who are injured in college athletics
  • (3) NCAA will recognize and collectively bargain with the proposed NCAA players’ union, submitting to all federally mandated guidelines of a unionized workforce.

LeMarcus doesn’t sugarcoat what he thinks is going on with the NCAA having a policy forbidding NCAA athletes from being paid athletes: He calls it “slave labor,” where the athletes work for free and other people get rich off of them. “Slave labor” is a hot-button phrase, because it can’t be ignored that most of the NCAA football players are African American, while most of the NCAA officials who are millionaires because of their NCAA salaries are white.

The NCAA doesn’t pay NCAA athletes because of a policy that refuses to classify NCAA athletes as NCAA employees. The NCAA makes a bulk of its profits from licensing its games to television, as well as from collecting money from sponsors that pay the NCAA and individual teams for NCAA athletes to wear sponsor items or use sponsor equipment for free advertising. People who don’t want the NCAA to pay its athletes say it’s because NCAA athletes are college students, not working professionals, and if these athletes got paid, they’d be more likely to be corrupted and drop out of college to spend the money.

During the press conference, LeMarcus gives a damning example of the disparity between how the athletes are not compensated for their work and how the NCAA officials are being highly compensated. He mentions how the unpaid NCAA athletes have to pay for their own medical bills if they are injured during games, while high-ranking NCAA officials each get millions of dollars in salaries and employee perks, such as health insurance benefits, life insurance benefits and lucrative pensions. The billions of dollars that flow through the NCAA, after expenses are paid, end up mostly with an elite group at the top.

To make his point, LeMarcus names the multimillion-dollar annual salaries of some high-ranking NCAA officials, including the salary of Missouri Wolves head coach James Lazor, who is not happy about having his salary being revealed for the whole world to know. By contrast, many NCAA athletes spend so much required time on their sport (which is usually more than a regular 40-hour work week) in additon to their academic requirements, they don’t have time to get salaried jobs, and many of them are financially struggling. NCAA athletes are not allowed to accept high-priced gifts and donations. However, in July 2021 (after “National Champions” was filmed), the U.S. Supreme Court lifted a monetary limit that the NCAA wanted to keep on student-athletes getting education-related gifts and benefits.

The fact that many NCAA athletes get their college tuition and living expenses paid for through scholarships (which usually comes from the athlete student’s college/university, not the NCAA) is of little comfort if it comes at a price of being injured from NCAA games or NCAA training, and the NCAA won’t help with health insurance or medical bills for the injuries. And if athletes in the NCAA have career-ending injuries, or if the athletes don’t make it to the professional leagues, then they are often stuck with paying for medical bills for injuries that they got while playing for the NCAA.

By the time athletes make it into the NCAA, they’re already at least 18 years old, in most cases. And because almost all NCAA athletes are legal adults and working full-time hours for the NCAA, many people believe that NCAA should be compensated like full-time employees. However, too many people are invested in keeping the status quo because they don’t want to share the NCAA’s wealth with the athletes.

These are harsh realities that many people don’t want to think about when they root for their favorite American college teams and athletes. However, as depicted in “National Champions,” people who believe in a boycott of the NCAA until things change in favor of athletes’ civil rights think that the only ways that these changes happen are if the public puts pressure on the NCAA and if activists play hardball with the NCAA. LeMarcus knows that he will probably ruin his promising football career with this boycott, and changes might not come in his lifetime, but he wants to get the ball rolling.

At first glance, it might seem that the plan to launch this boycott is poorly conceived, since only LeMarcus and Emmett seem to the only athletes who are part of the boycott. But the plan, although very risky, is actually a bold strategic move. And that’s because LeMarcus and Emmett plan to use the media to get the word out quickly to a massive audience and gain as much public support as possible.

If LeMarcus and Emmett had secretly tried to recruit other athletes for weeks behind the scenes, the word would’ve gotten out to the people who would want to stop the boycott. By staging the boycott right before the national championship game (the most lucrative football game for the NCAA), it would catch the NCAA off guard and force them to make a decision, or else possibly have the game cancelled. And because of the media attention, the NCAA has to make its decision publicly. LeMarcus and Emmett are fully prepared not to play in the game, but what other NCAA football players will join them?

The media blitz part of the plan works, because the boycott becomes big news. And there are some star NFL athletes who voice their support of the boycott, including Russell Wilson and Malcolm Jenkins, who portray themselves in cameos in the movie. These celebrity endorsements convince some other NCAA national championship football players to join the boycott too. The movie has a scene where LeMarcus gives a passionate speech in a hotel room that further convinces some of his fellow NCAA football players to join the boycott.

It isn’t long before so many Wolves team members are boycotting the game, the team is in danger of having mostly inexperienced freshman left as available team members. An emergency meeting takes place with the key players who will put up the fight in trying to squash the boycott. The people in this meeting are:

  • Coach James Lazor (played by J.K. Simmons), the hard-driving leader of the Missouri Wolves, who sees his athletes as his surrogate sons.
  • Richard Everly (played by David Koechner), the arrogant, sexist and crude leader of the powerful Southeastern Conference (SEC).
  • Wes Martin (played by Tony Winters), a Big 12 Conference executive who has some sympathy for the boycotting athletes.
  • Kevin McDonald (played by David Maldonado), director of communications for College Football Playoff (CFP), who is loyal to his employer and has to run interference with the media.
  • Mike Titus (played by Jeffrey Donovan), senior vice-president of championships for Division 1 NCAA Football, who is calm and level-headed.
  • Katherine Poe (played by Uzo Aduba), who describes herself as “outside counsel,” and seems to have a specialty in crisis management.

In this initial meeting, the men do almost all of the talking, while Katherine mostly sits quietly and listens in the background. But as time goes on, Katherine proves to be a fierce competitor in this boycott war. And she’s willing to do what it takes to win, including digging up some of LeMarcus’ secrets that could hurt his credibility. Coach Lazor wants the boycott to end, but he’s reluctant to play dirty in ways that could ruin LeMarcus’ life and reputation.

In a cast of very talented actors, Aduba and Simmons give outstanding performances not only because their characters are so strong-willed and outspoken but also because Coach Lazor and Katherine have their own unique charisma and flaws. Aduba and Simmons give two of the best monologues in the movie. The screenwriting for “National Champions” is mostly solid, and these cast members definitely elevate the material.

Coach Lazor’s big moment comes when he assembles the remaining Wolves team members in a hotel conference room and gives a rousing and emotional speech about how money doesn’t make someone happy and that he’s not a coach for the NCAA because of the money. He shares a story about his personal background and how his dreams to become professional football player were dashed, but he found a way to channel his passion for football by coaching. Coach Lazor says that money shouldn’t be these athletes’ motivation, but glory should be the main motivation.

Katherine’s impactful monlogue comes in a scene when Emmett accuses her of being heartless. It’s in this scene where Katherine, who comes across as obsessed with her job and somewhat mysterious up until this point, unleashes a tirade to show her human vulnerabilities and emotional pain. She also reveals that she’s not siding with the NCAA because it’s her job, but also because she truly believes that the boycott will hurt NCAA funding for lower-profile sports that don’t get as much attention as football and men’s basketball.

Katherine is probably the most interesting and complex character in this movie. There are many sports movies that show clashes between athletes and authority figures. However, almost all of these movies are about ego conflicts between men. Katherine embodies every woman who’s in a male-dominated job who is constantly underestimated because of her gender. She also happens to be African American, which is adds another layer of discrimination that she no doubt has experienced for her entire life.

It’s this type of life experience that makes her more clear-eyed and prepared for the times when people’s worst natures come out, compared to people who are unprepared and gullible because they go through life never having to experience real discrimination or hatred. Katherine’s way of dealing with opposition can be too extreme, by a lot of standards. She wants to win at all costs, even if she gives up a lot of compassion or empathy that she might have.

“National Champions” is at its best when it focuses on the characters of LeMarcus, Coach Lazor and Katherine. The movie tends to falter when it goes off on other tangents. There’s a soap opera-like subplot about Coach Lazor’s philandering wife Bailey Lazor (played by Kristin Chenoweth) and her lover Elliott Schmidt (played by Timothy Olyphant), a college professor who decides that he’s going to take a job in Italy. The movie shows if Bailey decides to run off with Elliott or not, in the midst of this boycott crisis.

Meanwhile, some supporting characters are introduced in the movie, but their character development is non-existent. Lil Rel Howery portrays Ronnie Dunn, the Wolves’ defensive coordinator coach, who might have to step in for Coach Lazor during the championship game when Coach Lazor seems to be on the verge of having a personal meltdown. Tim Blake Nelson is Rodger Cummings, the head of the Missouri Wolves boosters club, who is not about to let all the booster donations that were poured into the team possibly go down the drain with a boycott that could cost the Wolves the championship game. Andrew Bachelor portrays Taylor Jackson, another wealthy booster of the Wolves.

All the other football players depicted in the movie aren’t given enough screen time for viewers to see if they have distinctive personalities. Cecil Burgess (played by Therry Edouard), who has the nickname the Haitian Hammer, is another star athlete for the Missouri Wolves. However, Cecil only has a few brief scenes, mainly to show that he’s staying loyal to the NCAA, and he thinks the boycott is a mistake. Emmett is portrayed as a nice guy, but his personality is fairly bland.

Despite some of the flaws in the “National Champions” screenplay, the movie is directed, filmed and edited in a way that makes this an engaging thriller for people who want to watch movies about the business side of sports. “National Champions” might disappoint people who think they’re going to see a lot of football playing in the movie. But for other people who appreciate what the film is actually about, they’ll understand that it’s about real-life stakes that are much higher than a championship game.

STX will release “National Champions” in U.S. cinemas on December 10, 2021. The movie is set for release on digital and VOD on December 28, 2021.

2018 Tony Awards: first group of presenters announced

May 30, 2018

Tony Awards logo

The following is a press release from the Tony Awards:

Some of the biggest stars from stage and screen will appear at the 72nd  Annual Tony Awards, which will be hosted by Sara Bareilles and Josh Groban will be broadcasted live from Radio City Music Hall in New York City on CBS on Sunday, June 10, 8:00 – 11:00 p.m. (ET/PT time delay). The Tony Awards are presented by The Broadway League and the American Theatre Wing.

Broadway’s biggest night will feature appearances by Uzo Aduba, Matt Bomer, Claire Danes, Armie Hammer, Tatiana Maslany, Leslie Odom, Jr., Jim Parsons, Zachary Quinto and Andrew Rannells.

The American Theatre Wing’s 72nd Annual Tony Awards, hosted by Sara Bareilles and Josh Groban, will air live from Radio City Music Hall on the CBS Television Network on Sunday, June 10, 2018 (8:00-11:00 PM, ET/delayed PT). The Tony Awards, which honors theatre professionals for distinguished achievement on Broadway, has been broadcast on CBS since 1978. The Tony Awards are presented by The Broadway League and the American Theatre Wing.

For more information on the Tony Awards, visit TonyAwards.com and Facebook.com/TheTonyAwards and follow @TheTonyAwards on Instagram and Twitter.

About the Tony Awards

The American Theatre Wing’s Tony Awards are presented by The Broadway League and the American Theatre Wing. At The Broadway League, Thomas Schumacher is Chairman and Charlotte St. Martin is President. At the American Theatre Wing, David Henry Hwang is Chair and Heather A. Hitchens is President & CEO. Ricky Kirshner and Glenn Weiss of White Cherry Entertainment are the Executive Producers of the 2018 Tony Awards. Mr. Weiss will also serve as Director of the 2018 Tony Awards.

Sponsors for the 2018 Tony Awards include: IBM – develops, designs, and hosts the official Tony Awards digital experience anchored by TonyAwards.com; Carnegie Mellon University – the first-ever, exclusive higher education partner; Grant Thornton LLP – official accounting services partner; City National – official bank of the Tony Awards and presenting sponsor of the Creative Arts Awards; Nordstrom – official sponsor of the Red Carpet; Sofitel New York – the official hotel of the Tony Awards; Rainbow Room – official partner of the Tony Nominee Luncheon; United Airlines – the official airline of the Tony Awards for the last 18 years, Entertainment Benefits Group – exclusive VIP package sponsor of the Tony Awards and People/Entertainment Weekly – official magazine partners of the Tony Awards.

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