The following is a press release from We Are One: A Global Film Festival:
Tribeca Enterprises and YouTube jointly announcedtoday We Are One: A Global Film Festival, an unprecedented 10-day digital film festival exclusively on YouTube, bringing together an international community of storytellers to present festival programming for free to audiences around the world. Set to begin on May 29, 2020, on YouTube.com/WeAreOne, the festival will feature programming curated by the Annecy International Animation Film Festival, Berlin International Film Festival, BFI London Film Festival, Cannes Film Festival, Guadalajara International Film Festival, International Film Festival & Awards Macao (IFFAM), Jerusalem Film Festival, Mumbai Film Festival (MAMI), Karlovy Vary International Film Festival, Locarno Film Festival, Marrakech International Film Festival, New York Film Festival, San Sebastian International Film Festival, Sarajevo Film Festival, Sundance Film Festival, Sydney Film Festival, Tokyo International Film Festival, Toronto International Film Festival, Tribeca Film Festival, Venice Film Festival, and moKarlovy Vary International Film Festival, Locarno Film Festival, Marrakech International Film Festival, New York Film Festival, San Sebastian International Film Festival, Sarajevo Film Festival, Sundance Film Festival, Sydney Film Festival, Tokyo International Film Festival, Toronto International Film Festival, Tribeca Film Festival, Venice Film Festival and more, immersing audiences in stories from around the world and providing a voice for filmmakers on a global stage.
Core to the DNA of film festivals is the belief that artists and creators have the power to bring people together and create meaningful connections during a time when the world needs it most. ThroughWe Are One: A Global Film Festival, audiences will not only get a peek into different cultures through a new lens, they’ll be able to support local communities by directly donating to organizations helping the relief efforts for those affected by COVID-19. The festival will benefit the World Health Organization (WHO), as well as local relief partners in each region.
“We often talk about film’s uniquely powerful role in inspiring and uniting people across borders and differences to help heal the world. All of the world needs healing right now,” said Tribeca Enterprises and Tribeca Film Festival Co-Founder and CEO Jane Rosenthal. “We Are One: A Global Film Festival unites curators, artists and storytellers to entertain and provide relief to audiences worldwide. In working with our extraordinary festival partners and YouTube we hope that everyone gets a taste of what makes each festival so unique and appreciates the art and power of film.”
“One of the most unique and inspiring aspects of the world staying home is our ability to come together and experience an event as one, and We Are One: A Global Film Festival is just that,” said Robert Kyncl, Chief Business Officer, YouTube. “Along with Tribeca Enterprises and our incredible partners, we are bringing fans the opportunity to experience the curated programming each of these festivals provides as part of our ten-day long event. It’s an event that’s never been done before and we’re proud to be the home for this fantastic content that is free to fans around the world.”
“We are proud to join with our partner festivals to spotlight truly extraordinary films and talent, allowing audiences to experience both the nuances of storytelling from around the world and the artistic personalities of each festival,” said Pierre Lescure, President of the Cannes Film Festival, and Thierry Frémaux, Cannes Film Festival General Delegate.
We Are One: A Global Film Festival will run from May 29 – June 7, 2020, on YouTube.com/WeAreOne. Programming will be available for free, and will include films, shorts, documentaries, music, comedy, and conversations. A full schedule will be available closer to the festival start date.
About Tribeca Enterprises
Tribeca Enterprises is a multi-platform storytelling company, established in 2003 by Robert De Niro and Jane Rosenthal. Tribeca provides artists with unique platforms to expand the audience for their work and broadens consumer access to experience storytelling, independent film, and media. The company operates a network of entertainment businesses including the Tribeca Film Festival; the Tribeca TV Festival; and its branded entertainment production arm, Tribeca Studios.
About YouTube
Launched in May 2005, YouTube allows billions of people to discover, watch, and share originally-created videos. YouTube provides a forum for people to connect, inform, and inspire others across the globe and acts as a distribution platform for original content creators and advertisers large and small. YouTube is a Google company.
“Joker,” director Todd Phillips’ origin story about the DC Comics villain, was awarded the Golden Lion (the top prize) at the 2019 Venice International Film Festival in Venice, Italy. “Joker” stars Joaquin Phoenix in the title role. Warner Bros. Pictures will release “Joker” on October 4, 2019. Movie critics have mostly praised “Joker,” which is a dark and violent film that is a departure for Phillips, who was previously known for directing comedies like “The Hangover” movies and “Old School.” The 76th annual Venice International Film Festival took place from August 28 to September 7, 2019.
The Grand Jury Prize (second place) went to “An Officer and a Spy,” directed by Roman Polanski. The Venice Film Festival got considerable criticism for selecting Polanski’s film to be a part of the festival. Polanski has been a fugitive of the law since 1978, when he fled to France after being convicted of raping an underage girl in the Los Angeles area.
Other winners at the 2019 Venice International Film Festival included Luca Marinelli, “Martin Eden” for Best Actor; Ariane Ascaride of “Gloria Mundi” for Best Actress; and “About Endlessness” helmer Roy Andersson for Best Director.
Here is the complete list of winners for the 2019 Venice International Film Festival:
IN COMPETITION
Golden Lion: “Joker,” directed by Todd Phillips
Grand Jury Prize: “An Officer and a Spy,” directed by Roman Polanski
Silver Lion for Best Director: Roy Andersson, “About Endlessness”
Volpi Cup for Best Actress: Ariane Ascaride, “Gloria Mundi”
Volpi Cup for Best Actor: Luca Marinelli, “Martin Eden”
Best Screenplay: “No. 7 Cherry Lane,” written by Yonfan
Special Jury Prize: “The Mafia Is No Longer What It Used to Be,” directed by Franco Maresco
Marcello Mastroianni Award for Young Performer:
HORIZONS (ORIZZONTI)
Best Film: “Atlantis,” directed by Valentyn Vasyanovych
Best Director: Théo Court, “White on White”
Special Jury Prize: “Verdict,” directed by Raymund Ribas Gutierrez
Best Actress: Marta Nieto, “Madre”
Best Actor: Sami Bouajila, “A Son”
Best Screenplay: “Back Home,” directed by Jessica Palud, Philippe Lioret and Diastème
Best Short Film: “Darling,” directed by Saim Sadiq
LION OF THE FUTURE
Luigi De Laurentiis Award for Best Debut Film: “You Will Die at Twenty,” directed by Amjad Abu Alala
VENICE CLASSICS
Best Documentary on Cinema: “Babenco – Alguém Tem Que Ouvir O Coração E Dizer: Parou,” directed by Bárbara Paz
Best Restored Film: “Ecstasy,” directed by Gustav Machatý
VIRTUAL REALITY COMPETITION
Best Virtual Reality: “The Key,” directed by Céline Tricart
Best Virtual Reality Experience: “A Linha,” directed by Ricardo Laganaro
Best Virtual Reality Story: “Daughters of Chibok,” directed by Joel Kachi Benson
Brad Pitt in “Ad Astra” (Photo by Francois Duhamel)
The 76th annual Venice International Film Festival—which takes place August 28 to September 7, 2019 in Venice, Italy—has announced its lineup. The high-profile U.S. releases competing for the festival’s biggest prize (The Golden Lion) are the outer-space drama “Ad Astra,” starring Brad Pitt; the supervillain drama “Joker,” starring Joaquin Phoenix; the romantic drama “Marriage Story,” starring Scarlett Johansson and Adam Driver; and the political drama “The Laundromat,” starring Meryl Streep and Gary Oldman.
In 2018, the Venice International Film Festival signed the 5050×2020 pledge to have 50 percent of the festival’s films directed by females, by the year 2020. But the male-dominated lineup of directors for the 2019 edition of the festival shows that it has a long way to go in fulfilling that promise. Only 14 of the 64 feature-length films (or 22 percent) announced in the list below have female directors.
Even more disturbing, considering the #MeToo and Time’s Up movements, is that the Venice International Film Festival has selected director Roman Polanski’s movie “An Officer and a Spy” as one of the films competing for the festival’s grand prize. In 1977, Polanski was convicted of statutory rape of a 13-year-old girl in the Los Angeles area. He fled the United States in January 1978, to avoid his prison sentence. He has been a fugitive of the law ever since, and he is currently living in France. In 2018, the Academy of Motion Picture Arts and Sciences expelled Polanski. (He won an Oscar for Best Director, for the 2002 film “The Pianist.” ) Convicted rapist Bill Cosby and Harvey Weinstein, who is facing criminal prosecution and numerous lawsuits for sex crimes, have also been expelled from the Academy. Polanski’s “An Officer and a Spy” stars Oscar winner Jean Dujardin (“The Artist”) as a French army office investigating the Dreyfus Affair, an anti-Semitism case in France.
The Venice International Film Festival is one of the most important festivals in the world, and it serves as a launching pad for likely Oscar contenders. In 2018, movies that had their world premieres at the festival that went on to Oscar glory included “Roma,” “The Favourite,” “A Star is Born” and “First Man.”
Some of the high-profile movies that will premiere out of competition in the 2019 edition of the festival include the music documentary “Roger Waters: Us + Them,” director Alex Gibney’s political documentary “Citizen K” and Waiting for the Barbarians,” starring Johnny Depp and Robert Pattinson. Mexican actor Gael García Bernal has two movies at the festival: “Wasp Network” (co-starring Penélope Cruz) and “Ema” (co-starring Mariana Di Girolamo).
The festival’s opening-night film is “The Truth,” starring Catherine Deneuve, Juliette Binoche and Ethan Hawke. It’s the first film from award-winning director Hirokazu Kore-eda (“Shoplifters”) to be made outside of his native Japan and with non-Japanese stars. The festival’s closing-night film is “The Burnt Orange Heresy,” an art-heist thriller starring Claes Bang, Elizabeth Debicki, Mick Jagger and Donald Sutherland.
Here is the lineup for the 2019 Venice International Film Festival:
IN COMPETITION
“A Herdade,” Tiago Guedes (Portugal, France)
“Ad Astra,” James Gray (U.S.)
“About Endlessness,” Roy Andersson (Sweden)
“An Officer and a Spy,” Roman Polanski (France)
“Babyteeth,” Shannon Murphy (Australia)
“Ema,” Pablo Larrain (Chile)
“Guest of Honor,” Atom Egoyan (Canada)
“Gloria Mundi,” Robert Guediguian (France)
“Joker,” Todd Philips (U.S.)
“La Mafia non è più quella di Una Volta,” Franco Maresco
“The Laundromat,” Steven Soderbergh (U.S.)
“Marriage Story,” Noah Baumbach (U.S.)
“Martin Eden,” Pietro Marcello (Italy, France, Germany)
“The Mayor of Rione Sanità,” Mario Martone (Italy, France)
“No. 7 Cherry Lane,” Yonfan (China)
“The Painted Bird,” Vaclav Marhoul (Czech Republic)
“The Perfect Candidate,” Haifaa Al-Mansour (Saudi Arabia, Germany)
“Saturday Fiction,” Lou Ye (China)
“The Truth,” Kore-eda Hirokazu (France, Japan) – *Opening Film*
“Waiting for the Barbarians,” Ciro Guerra (Italy)
“Wasp Network,” Olivier Assayas (France, Belgium)
OUT OF COMPETITION – Fiction
“Adults in the Room,” Costa-Gavras (France, Greece)
“The Burnt Orange Heresy,” Giuseppe Capotondi (U.K., Italy) – *Closing Film*
“The King,” David Michod (U.K., Hungary)
“Mosul,” Matthew Michael Carnahan (U.S.)
“Seberg,” Benedict Andrews (U.S.)
“Tutto il mio folle amore,” Gabriele Salvatores (Italy)
“Vivere,” Francesca Archibugi (Italy)
OUT OF COMPETITION – Non-Fiction
“45 Seconds of Laughter,” Tim Robbins (U.S.)
“Citizen K,” Alex Gibney (U.K., U.S.)
“Citizen Rosi,” Didi Gnocchi, Carolina Rosi (Italy)
“Collective,” Alexander Nanau (Romania, Luxembourg)
“I Diari di Angela – Noi Due Cineasti” Yervant Gianikian, Angela Ricci Lucchi (Italy)
“Il pianeta in mare,” Daniele Segre (Italy)
“The Kingmaker,” Lauren Greenfield (U.S.)
“Roger Waters: Us + Them,” Roger Waters (U.K.)
“State Funeral,” Sergei Loznitsa (The Netherlands, Lithuania)
“Woman,” Yann Arthus-Bertrand, Anastasia Mikova (France)
OUT OF COMPETITION – Special Screenings
“Electric Swan,” Konstantina Kotzamani (France, Greece, Argentina)
“Eyes Wide Shut,” Stanley Kubrick (U.S., U.K.)
“Irreversible – Inversion Integrale,” Gaspar Noe (France)
“Never Just a Dream: Stanley Kubrick And Eyes Wide Shut,” Matt Wells (U.K.)
“The New Pope” (Episodes 2 and 7) Paolo Sorrentino (Italy, U.S.)
“No One Left Behind,” Guillermo Arriaga (Mexico)
“ZeroZeroZero,” (Episodes 1 and 2) Stefano Sollima (Italy, France)
HORIZONS
“Atlantis,” Valentyn Vasyanovych (Ukraine)
“Bik Eneich – Un Fils,” Mehdi M. Barsaoui (Tunisia, France, Lebanon, Qatar)
“Blanco en Blanco,” Theo Court (Spain, Chile, France, Germany)
“Balloon,” Pema Tseden (China)
“The Criminal Man,” Dmitry Mamuliya (Georgia, Russia)
“Giants Being Lonely,” Grear Patterson (U.S.)
“Hava, Maryam, Ayesha,” Sahara Karimi (Afghanistan)
“Just 6.5,” Saeed Roustayi (Iran)
“Madre,” Rodrigo Sorogoyen (Spain, France)
“Mes Jours de Gloire,” Antoine De Bary (France)
“Moffie,” Oliver Hermanus (South Africa)
“Nevia,” Nunzia De Stefano (Italy)
“Pelican Blood,” Katrin Gebbe (Germany, Bulgaria)
“Revenir,” Jessica Palud (France)
“Rialto,” Peter Mackie Burns (Ireland)
“Shadow of Water,” Sasidharan Sanal Kumar (India)
“Sole,” Carlo Sironi (Italy)
“Verdict,” Raymund Ribas Gutierrez (Philippines)
“Zumiriki,” Oskar Alegria (Spain)
When it comes to awards, it’s nice to be nominated, but it’s even better to win. The year 2018 was one of the strongest in this decade for movies that have been well-received by critics and/or ticket-buying audiences. Movies from major studios that were blockbusters at the box office have become more critically acclaimed than they have been in recent years, and that means more of these types of blockbuster movies could be competing against smaller, critically acclaimed independent films for Academy Awards. Here’s a tally of the feature films released in U.S. theaters in 2018 that have gotten the most awards so far. This list, which is in alphabetical order, will be updated as more award winners are announced.
Updated: March 30, 2019
“22 July”
National Board of Review Awards
NBR Freedom of Expression Award
“American Animals”
British Independent Film Awards
Best Debut Screenwriter (Bart Layton)
Best Editing (Nick Fenton, Julian Hart, Chris Gill)
“Annihilation”
Chicago Film Critics Association Awards
Best Use of Visual Effects
GALECA Dorian Awards
Visually Striking Film of the Year
Online Film Critics Society Awards
Top 10 Film of 2018
Best Visual Effects
Phoenix Film Critics Circle Awards
Best Science Fiction Film
Utah Film Critics Association
Best Original Score (Geoff Barrow and Ben Salisbury)
“At Eternity’s Gate”
Satellite Awards
Best Actor in a Motion Picture, Drama (Willem Dafoe)
Venice International Film Festival
Best Actor (Willem Dafoe)
“Avengers: Infinity War”
Austin Film Critics Association Awards
Best Motion Capture/Special Effects Performance (Josh Brolin)
E! People’s Choice Awards
Movie of 2018
Action Movie of 2018
Female Movie Star of 2018 (Scarlett Johansson)
Hamilton Behind the Camera Awards
Visual Effects Supervisor (Dan DeLeeuw)
Hollywood Film Awards
Hollywood Visual Effects Award (Dan DeLeeuw, Kelly Port, Russel Earl and Dan Sudick)
Indiana Film Journalists Association Awards
Best Vocal/Motion Capture Performance (Josh Brolin)
Los Angeles Online Film Critics Society Awards
Best Visual Effects
Best Visual Effects or Animated Performance (Josh Brolin and Digital Domain)
Nevada Film Critics Society Awards
Best Visual Effects
St. Louis Film Critics Association Awards
Best Visual Effects
Teen Choice Awards
Choice Action Movie
Choice Action Movie Actor (Robert Downey Jr.)
Choice Action Movie Actress (Scarlett Johansson)
Visual Effects Society Awards
Outstanding Visual Effects in a Photoreal Feature
Outstanding Animated Character in a Photoreal Feature (Thanos)
Outstanding Effects Simulations in a Photoreal Feature (Titan)
Outstanding Compositing in a Photoreal Feature
Washington D.C. Area Film Critics Association Awards
Best Motion Capture Performance (Josh Brolin)
“The Ballad of Buster Scruggs”
Indiana Film Journalists Association Awards
Best Ensemble Acting
Oklahoma Film Critics Circle Awards
Top 10 Film of 2018
Venice International Film Festival
Best Screenplay (Joel and Ethan Coen)
“Beautiful Boy”
Hollywood Film Awards
Hollywood Supporting Actor Award (Timothée Chalamet)
Hollywood Breakthrough Director (Felix Van Groeningen)
Palm Springs International Film Festival
Spotlight Award, Actor (Timothée Chalamet)
“Believer”
GLAAD Media Awards
Outstanding Documentary
Hollywood Film Awards
Hollywood Documentary Award
“Ben Is Back”
Los Angeles Online Film Critics Society Awards
Best Performance by an Actor 23 and Under (Lucas Hedges) – tie with Alex Wolff of “Hereditary”
“BlacKkKlansman”
AARP’s Movies for Grownups Awards
Best Director (Spike Lee)
Academy Awards
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
African American Film Critics Association
Best Actor (John David Washington)
Best Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
American Film Institute (AFI) Awards
AFI Top 10 Movie of the Year
Atlanta Film Critics Association Awards
Top 10 Film of 2018
BAFTA Awards
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
Cannes International Film Festival
Grand Prix Award
Capri, Hollywood – The International Film Festival
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
Casting Society of America Awards
Best Studio or Independent Drama: Kim Taylor-Coleman
Columbus Film Critics Association Awards
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
Georgia Film Critics Association Awards
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
Hamilton Behind the Camera Awards
Best Editor (Barry Alexander Brown)
Hollywood Film Awards
Hollywood Breakthrough Actor (John David Washington)
Kansas City Film Critics Circle Awards
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
Las Vegas Film Critics Society Awards
Top 10 Film of 2018
Los Angeles Online Film Critics Society Awards
Best Male Director (Spike Lee)
Nevada Film Critics Society Awards
Best Director (Spike Lee)
Oklahoma Film Critics Circle Awards
Top 10 Film of 2018
Best Adapted Screenplay
Online Film Critics Society Awards
Top 10 Film of 2018
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
Palm Springs International Film Festival
Career Achievement Award (Spike Lee)
San Francisco Film Critics Circle Awards
Best Director (Spike Lee)
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
Best Original Score (Terence Blanchard)
Satellite Awards
Best Independent Motion Picture
Southeastern Film Critics Association Awards
Top 10 Film of 2018
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee)
St. Louis Film Critics Association Awards
Best Director (Spike Lee)
Best Adapted Screenplay (Charlie Wachtel, David Rabinowitz, Kevin Wilmmott and Spike Lee)
Best Original Score (Terence Blanchard)
“Black Panther”
Academy Awards
Best Costume Design (Ruth Carter)
Best Production Design (Hannah Beachler)
Best Original Score (LudwigGöransson)
African American Film Critics Association
Best Film
Best Director (Ryan Coogler)
Best Song (“All the Stars”)
Alliance of Women Film Journalists EDA Awards
Best Ensemble Cast
Outstanding Achievement by a Woman in the Film Industry (cinematographer Rachel Morrison)
Art Directors Guild Awards
Best Production Design for a Fantasy Film (Hannah Beachler)
American Film Institute (AFI) Awards
AFI Movie of the Year
Atlanta Film Critics Association Awards
Top 10 Film of 2018
BAFTA Awards
Best Special Visual Effects
BET Awards
Best Movie
Black Film Critics Circle Awards
Best Picture
Best Director (Ryan Coogler)
Best Ensemble
Black Reel Awards
Outstanding Picture
Outstanding Director (Ryan Coogler)
Outstanding Actor (Chadwick Boseman)
Outstanding Supporting Actor (Michael B. Jordan)
Outstanding Ensemble
Outstanding Original Song (“All the Stars”)
Outstanding Breakthrough Actor, Male (Winston Duke)
“Roma,” director Alfonso Cuarón’s deeply personal drama inspired by his childhood in Mexico, was awarded the Golden Lion (the top prize) at the 2018 Venice International Film Festival in Venice, Italy. The 75th annual Venice International Film Festival took place from August 29 to September 8, 2018. “Roma” is the first Netflix film to win a top prize at a major film festival. The movie’s release date is to be announced. “Roma” is Cuarón’s first film since his 2013 outer-space drama “Gravity,” which went on to win seven Oscars, including Best Director for Cuarón. “Gravity” also premiered at the Venice International Film Festival in 2013, but the movie was screened out of competition.
Other winners at the 2018 Venice International Film Festival included Willem Dafoe (who plays Vincent Van Gogh) in “At Eternity’s Gate” for Best Actor; Olivia Colman (who plays Queen Anne in “The Favourite”) for Best Actress; and “The Sisters Brothers” helmer Jacques Audiard for Best Director.
Here is the complete list of winners for the 2018 Venice International Film Festival:
IN COMPETITION
Golden Lion: “Roma,” directed by Alfonso Cuarón
Silver Lion for Best Director: Jacques Audiard, “The Sisters Brothers”
Volpi Cup for Best Actress: Olivia Colman, “The Favourite”
Volpi Cup for Best Actor: Willem Dafoe, “At Eternity’s Gate”
Best Screenplay: Joel and Ethan Coen, “The Ballad of Buster Scruggs”
Special Jury Prize: “The Nightingale” Jennifer Kent
Marcello Mastroianni Award for Young Performer: Baykali Ganambarr “The Nightingale”
HORIZONS (ORIZZONTI)
Best Film: “Manta Ray,” Phuttiphong Aroonpheng
Best Director: Emir Baigazin, “The River”
Special Jury Prize: “The Announcement,” Mahmut Fazil Coskun
Best Actress: Natalya Kudryashova “The Man Who Surprised Everyone”
Best Actor: Kais Nashif “Tel Aviv on Fire”
Best Screenplay: “Jinpa,” Pema Tseden
Best Short Film: “Kado,” Aditya Ahmad
LION OF THE FUTURE
Luigi De Laurentiis Award for Best Debut Film: “The Day I Lost My Shadow,” Soudade Kaadan, Syria
VENICE CLASSICS
Best Documentary on Cinema: “The Great Buster: A Celebration,” Peter Bogdanovich
Best Restored Film: “The Night of the Shooting Stars,” Paolo and Vittorio Taviani
VIRTUAL REALITY COMPETITION
Best Virtual Reality: “Spheres,” Eliza McNitt
Best Virtual Reality Experience: “Buddy VR,” Chuck Chae
Best Virtual Reality Story: “Isle of the Dead,” Benjamin Nuel
The Biennale di Venezia announced today the complete lineup of films that will be at the 75th Venice International Film Festival, which will take place August 29 to September 8, 2018 in Venice, Italy.
IN COMPETITION
“First Man,” Damien Chazelle (U.S.)
“The Mountain,” Rick Alverson (U.S.)
“Doubles Vies,” Olivier Assayas (France)
“The Sisters Brothers,” Jacques Audiard (France, Belgium, Romania, Spain)
“The Ballad of Buster Scruggs,” Ethan and Joel Coen (U.S.)
“Vox Lux,” Brady Corbet (U.S.)
“Roma,” Alfonso Cuaron (Mexico)
“22 July,” Paul Greengrass (Norway, Iceland)
“Suspiria,” Luca Guadagnino (Italy)
“Work Ohne Autor,” Florian Henkel Von Donnersmark (Germany)
“The Nightingale,” Jennifer Kent (Australia)
“The Favourite,” Yorgos Lanthimos (U.S.)
“Peterloo,” Mike Leigh (U.K., U.S.)
“Capri-Revolution,” Mario Martone (Italy, France)
“What You Gonna Do When The World’s On Fire?”, Roberto Minervini (Italy, U.S., France)
“Sunset,” Laszlo Nemes (Hungary, France)
“Freres Ennemis,” David Oelhoffen (France, Belgium)
“Neustro Tiempo,” Carlos Reygadas (Mexico, France, Germany, Denmark, Sweeden)
“At Eternity’s Gate,” Julian Schnabel (U.S., France)
“Acusada,” Gonzalo Tobal (Argentina, Mexico)
“Killing,” Shinya Tsukamoto (Japan)
OUT OF COMPETITION
SPECIAL EVENT
“The Other Side of the Wind,” Orson Welles (U.S.)
“They’ll Love Me When I’m Dead,” Morgan Neville (U.S.)
SPECIAL SCREENINGS
“My Brilliant Friend,” Saverio Costanzo (Italy, Belgium)
“Il Diario Di Angela – Noi Due Cineasti,” Yervant Gianikian (Italy)
FICTION
“Una Storia Senza Nome,” Roberto Andò (Italy)
“Les Estivants,” Valeria Bruni Tedeschi (France, Italy)
“A Star Is Born,” Bradley Cooper (U.S.)
“Mi Obra Maestra,” Gaston Duprat (Argentina, Spain)
“A Tramway in Jerusalem,” Amos Gitai (Israel, France)
“Un Peuple et Son Roi,” Pierre Schoeller (France, Belgium)
“La Quietud,” Pablo Trapero (Argentina)
“Dragged Across Concrete,” S. Craig Zahler (U.S.)
“Shadow,” Zhang Yimou (China)
NON-FICTION
“A Letter to a Friend In Gaza,” Amos Gitai (Israel)
“Aquarela,” Victor Kossakovsky (U.K., Germany)
“El Pepe, Una Vida Suprema,” Emir Kusturica (Argentina, Uruguay, Serbia)
“Process,” Sergei Loznitsa (The Netherlands)
“Carmine Street Guitars,” Ron Mann (Canada)
“Isis, Tomorrow. The Lost Souls Of Mosul,” Francesca Mannocchi, Alessio Romenzi (Italy, Germany)
“American Dharma,” Errol Morris (U.S., U.K.)
“Introduzione All’Oscuro,” Gaston Solnicki (Argentina, Austria)
“1938 Diversi,” Giorgio Treves (Italy)
“Your Face,” Tsai Ming-Liang (Chinese Taipei)
“Monrovia, Indiana,” Frederick Wiseman (U.S.)
HORIZONS
“Sulla Mia Pelle,” Alessio Cremonini (Italy)
“Manta Ray,” Phuttiphong Aroonpheng (Thailand, France, China)
“Soni,” Ivan Ayr (India)
“The River,” Emir Baigazin (Kazakistan, Poland, Norway)
“La Noche de 12 Anos,” Alvaro Brechner (Spain, Argentina, France)
“Deslembro,” Flavia Castro (Brasil, France, Qatar)
“The Announcement,” Mahmut Fazil Coskun (Turkey, Bulgaria)
“Un Giorno All’Improvviso,” Ciro D’Emilio (Italy)
“Charlie Says,” Mary Harron (U.S.)
“Amanda,” Mikhael Hers (France)
“The Day I Lost My Shadow,” Soudade Kaadan (Syria, Lebanon, France, Qatar)
“L’Enkas,” Sarah Marx (France)
“The Man Who Surprised Everyone,” Evgeniy Tsiganov, Natalya Kudryashowa (Russia, Estonia, France)
“Through The Holes,” Garin Nugroho (Indonesia, Australia)
“As I Lay Dying,” Mostafa Sayyari (Iran)
“La Profezia Dell’armadillo,” Emanuele Scaringi (Italy)
“Stripped,” Yaron Shani (Israel, Germany)
“Jinpa,” Pema Tseden (China)
“Tel Aviv on Fire,” Same Zoabi (Luxembourg, France, Israel, Belgium)
The following is a press release from the Venice International Film Festival:
British actress Vanessa Redgrave has been awarded the Golden Lion for Lifetime Achievement at the 75th Venice International Film Festival (29 August – 8 September, 2018).
The decision was made by the Board of Directors of the Biennale di Venezia chaired by Paolo Baratta, upon recommendation of the Director of the Venice Film Festival, Alberto Barbera. This is the second Golden Lion for Lifetime Achievement of the 75th Venice Film Festival. As already announced, the Golden Lion to a director has been awarded to David Cronenberg. Each year La Biennale assigns two Golden Lions for Lifetime Achievement at the Venice Film Festival: the first is awarded to a director, the second to an actor or actress.
VANESSA REDGRAVE
Vanessa Redgrave declared: “I am astonished and especially delighted to hear that I will be awarded by the Venice Film Festival for a life’s work in film. Last summer I was filming in Venice in The Aspern Papers. Many many years ago I filmed La vacanza in the marshes of the Veneto. My character spoke every word in the Venetian dialect. I bet I am the only non-Italian actress to act an entire role in Venetian dialect! Thank you a million dear Festival!”.
THE MOTIVATION
Alberto Barbera declared: “Unanimously considered one of today’s best actresses, Redgrave’s sensitive, infinitely faceted performances ideally render complex and often controversial characters. Gifted with a natural elegance, innate seductive power, and extraordinary talent, she can nonchalantly pass from European art house cinema to lavish Hollywood productions, from the stage to TV sets, each time offering top-quality results. In the sixty years of her professional activity, her performances have displayed authoritativeness and total control over the roles she plays, a boundless and highly sophisticated generosity, and a healthy dose of the courage and fighting spirit which are a hallmark of her compassionate, artistic nature”.
BIOGRAPHICAL NOTE
Born into a thespian family, nominated six times for an Oscar (she won in 1977 for her performance in Julia), and the winner of a Volpi Cup in Venice in 1994 for Little Odessa, for 60 years, Vanessa Redgrave has been one of the best-loved and most-sought-after actresses of international art house cinema. A stage actress as well, she has won a Tony Award and an Olivier Award for best actress.
Among her most recent works, in 2018 she performed in The Aspern Papers by Julian Landais, with Jonathan Rhys Meyers and Joely Richardson; Mrs Lowry & Son by Adrian Noble, with Timothy Spall; and Georgetown by Christoph Waltz, with Annette Bening. In 2017, she directed and starred in Sea Sorrow with Ralph Fiennes and Emma Thompson (produced by Carlo Nero) and she performed at the Young Vic Theatre in The Inheritance by Matthew Lopez, produced by Sonia Friedman and directed by Stephen Daldry.
Redgrave was born in London in 1937 and studied acting at London’s Central School of Music and Dance. Her family has a long and glorious tradition in film and on the stage. Her paternal grandfather, Roy Redgrave, was one of Australia’s most famous silent movie actors. Her father, Michael, and her mother, Rachel Kempson, were members of the Old Vic Theater. Her father, in particular, was also a well-known movie actor. Right from an early age, Vanessa was a successful stage actress and she debuted on the silver screen alongside her father in 1958 in the comedy Behind the Mask. She then dedicated herself to theatre and became a member of the Stratford-upon-Avon Theater Company. This is where she met director Tony Richardson, who, in the early 1960s, became her husband and directed her in Shakespeare plays. In 1966, Redgrave returned to the silver screen in Morgan: A Suitable Case for Treatment, by Karel Reisz, which won her the award for best actress at Cannes and her first Oscar nomination. Always in 1966, she performed in Blow-up by Michelangelo Antonioni. The topic of incommunicability, one of the Italian director’s favorites, found a perfect interpreter in that young, enigmatic woman who can express herself almost without speaking. One year later, Joshua Logan brought her to the United States to shoot Camelot, after which Vanessa returned to Europe for two more films directed by Richardson, The Sailor from Gibraltar, and in 1968, The Charge of the Light Brigade. That same year, she portrayed the non-conformist ballerina Isadora Duncan in Isadora (1968) by Karel Reisz (her second Oscar nomination). In 1971, she played the unlucky queen in Mary, Queen of Scots (1971, her third nomination for an Oscar), a nun in The Devils by Ken Russel, and a girl confined in a madhouse in Vacation by Tinto Brass, which stars Franco Nero and was presented at the Venice Film Festival. Vanessa Redgrave won an Oscar for her performance as the brave and headstrong Julia (1977), by Fred Zinnemann. In 1984, James Ivory directed her in The Bostonians (another Oscar nomination) and in 1985 she played the lonely teacher in Wetherby (1985) by David Hare. She received her sixth Oscar nomination for her portrayal of sensitive Ruth Wilcox in Howard’s End(1992), once again by James Ivory. In 1994, she received the Volpi Cup in Venice for Little Odessa by James Gray. She played the bitter protagonist in MrsDalloway (1997) by Marleen Gorris and in 2007 she starred in Atonement by Joe Wright, the opening film at the Venice Film Festival that year.
The following is a press release from the Venice International Film Festival:
The Biennale di Venezia announced today that A Star is Born, the much-anticipated directorial debut of four-time Oscar® nominee Bradley Cooper (American Sniper, American Hustle, Silver Linings Playbook) and feature film debut of award-winning actor and Oscar®-nominated musical artist Lady Gaga (Best Song, “Til It Happens to You,” The Hunting Ground), will have its out-of-competition world premiere at the 75th Venice International Film Festival.
A STAR IS BORN
The premiere screening of A Star is Born, which was also co-written and produced by Cooper, will be held on Friday, August 31st in the Sala Grande at the Palazzo del Cinema on the Venice Lido. The 75th Venice International Film Festival will take place at the Lido from August 29 to September 8, 2018; it is directed by Alberto Barbera and organized by la Biennale di Venezia, chaired by Paolo Baratta. A Star is Born comes to cinemas this October from Warner Bros. Pictures, in Association with Live Nation Productions and Metro Goldwyn Mayer Pictures.
In this new take on the powerful love story, Cooper plays seasoned musician Jackson Maine, who discovers—and falls in love with—struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer until Jack coaxes her into the spotlight. But even as Ally’s career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
A Star is Born features original songs performed live on-camera by Cooper and Gaga, who wrote a number of tracks together and in collaboration with such musical artists as Lukas Nelson, Jason Isbell and Mark Ronson. The film’s ensemble cast also includes Andrew Dice Clay, with Dave Chappelle and Sam Elliott.
A Star is Born is produced by Bill Gerber, Jon Peters, Bradley Cooper, Todd Phillips and Lynette Howell Taylor. Ravi Mehta, Basil Iwanyk, Niija Kuykendall, Sue Kroll, Michael Rapino and Heather Parry serve as executive producers. The screenplay is by Eric Roth and Bradley Cooper & Will Fetters. Collaborating with Cooper behind the scenes are Oscar-nominated director of photography Matthew Libatique (Black Swan), production designer Karen Murphy (It Comes at Night), three-time Oscar-nominated editor Jay Cassidy (American Hustle, Silver Linings Playbook, Into the Wild), and costume designer Erin Benach (Drive). The film’s music supervisors are Julia Michels (Pitch Perfect) and Julianne Jordan (Edge of Tomorrow).
Warner Bros. Pictures Presents, in Association with Live Nation Productions, in Association with Metro Goldwyn Mayer Pictures, A Jon Peters/Bill Gerber/Joint Effort Production, A Star is Born. Slated for release beginning October 5, 2018, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
Universal Pictures’ First Man, directed by Damien Chazelle (La La Land, Whiplash) and starring Ryan Gosling,Jason Clarke and Claire Foy, has been announced as the opening film, in Competition, of the 75th Venice International Film Festival (August 29 – September 8, 2018), directed by Alberto Barbera and organized by the Biennale di Venezia, chaired by Paolo Baratta. The announcement of the world premiere of the film comes on the eve of 49th anniversary of the Apollo 11 landing on the moon.
Barbera declared: “It is a true privilege to present the world premiere of Damien Chazelle’s new, highly-awaited film. It is a very personal, original and compelling piece of work, wonderfully unexpected within the context of present day epic films, and a confirmation of the great talent of one of the most important contemporary directors of American cinema. Our gratitude goes to Universal Pictures for premiering First Manat the 75th Venice Film Festival.”
Chazelle declared: “I am humbled by Venice’s invitation and am thrilled to return. It feels especially poignant to share this news so close to the moon landing’s anniversary. I eagerly look forward to bringing the film to the festival.”
First Man will be shown in its world premiere screening on Wednesday August 29, in the Sala Grande at the Palazzo del Cinema on the Lido di Venezia.
On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history.
Written by Academy Award® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle. Steven Spielberg, Isaac Klausner, Adam Merims and Singer executive produce. DreamWorks Pictures co-finances the film.
