Rajkummar Rao and Triptii Dimri in “Vicky Vidya Ka Woh Wala Video” (Photo courtesy of AA Films)
“Vicky Vidya Ka Woh Wala Video”
Directed by Raaj Shaandilyaa
Hindi with subtitles
Culture Representation: Taking place in India, in 1997, the comedy film “Vicky Vidya Ka Woh Wala Video” features a predominantly Indian cast of characters (with one white person) representing the working-class, middle-class and wealthy.
Culture Clash: Two newlywed spouses make a sex video on their honeymoon and frantically look for it after the video goes missing.
Culture Audience: “Vicky Vidya Ka Woh Wala Video” will appeal mainly to people who are fans of the movie’s headliners and don’t mind watching long and silly romantic comedies.
Vijay Raaz in “Vicky Vidya Ka Woh Wala Video” (Photo courtesy of AA Films)
“Vicky Vidya Ka Woh Wala Video” drags on entirely too long (146 minutes) for a movie that could’ve been half of its run time. This lightweight film about a newlywed couple losing a sex video they made together has capable acting but a terrible screenplay.
Directed by Raaj Shaandilyaa, “Vicky Vidya Ka Woh Wala Video” was co-written by Shaandilyaa, Yusuf Ali Khan, Ishrat Khan and Rajan Agarwal. The movie’s title means “The Video of Vicky and Vidya” in Hindi. The movie’s concept is so simple and the story is so repetitive, the long run time of the movie is like watching a vehicle circling around and really not going anywhere.
“Vicky Vidya Ka Woh Wala Video” (which takes place in 1997 in India) begins by showing a mehendi artist named Vicky (played by Rajkummar Rao) working at the wedding of a doctor named Vidya (played by Triptii Dimri), who was his childhood sweetheart. This chance encounter re-ignites a spark between them. Vidya (who doesn’t want to marry her intended groom in an arranged marriage) convinces her family that she should marry Vicky instead.
Vicky (who is a “regular guy”) and Vidya (who is somewhat high-maintenance) get married and travel to their honeymoon in Goa. One night, they make a sex video that’s recorded on a CD-ROM. (Remember, this story takes place in 1997.) The CD then goes missing. Panic predictably ensues.
A police officer named Laadle (played by Vijay Raaz) is called to investigate. Laadle is a buffoon who has a crush on Vicky’s commitment-phobic sister Chanda (played by Mallika Sherawat) and pursues her like a lovesick suitor. Coincidentally, Vidya’s family also has a maid named Chanda (played by Archana Patel), so the movie has some not-very-funny moments about identity mixups because these two women have the same first name.
Most of the movie is built around mindless and time-wasting hijinks, with a lot of people running around and shouting. Some of the movie’s annoying characters include a burglar named Badshah (played by Mast Ali); a healing guru named Bulbul Didi (played by Ashwini Kalsekar); and Bulbul’s bumbling henchmen Sunil (played by Mubeen Saudagar) and Shetty (played by Jaswant Singh Rathore). The movie does little to show much of the personalities for the newlywed couple’s relatives, such as Vicky’s unnamed grandfather (played by Tiku Talsania), Vicky’s younger brother Gopal (played by Akshobhya Gauniyal), Vidya’s unnamed mother (played by Archana Puran Singh) and Vidya’s unnamed father (played by Rakesh Bedi).
The only real plot development is when Vicky gets wrongfully arrested for attempted murder. There’s also a clumsily handed subplot about blackmail. And then there are the time-filler musical scenes that aren’t very memorable. After all the buildup about what happened to the CD, the cliffhanger ending (which obviously hints at a sequel) is the movie’s biggest letdown.
AA Films released “Vicky Vidya Ka Woh Wala Video” in U.S. cinemas and in India on October 11, 2024.
Culture Representation: Taking place in India and partially in Japan and in Germany, from 1952 to 2017, the dramatic film “Chandu Champion” features a predominantly Indian cast of characters (with some white people) representing the working-class, middle-class and wealthy.
Culture Clash: Indian Army soldier Murlikant Petkar’s dream of becoming an Olympic gold medalist boxer is shattered when he is severely wounded in the Indo-Pakistani War, and he re-invents himself as a swimmer who trains for the Paralympics.
Culture Audience: “Chandu Champion” will appeal primarily to people who are fans of the movie’s headliners and are interested in watching an inspiring biopic about an underrated athlete.
Kartik Aaryan in “Chandu Champion” (Photo courtesy of Pen Marudhar Entertainment)
“Chandu Champion” has a familiar formula of sports underdog movies, but in this case, the formula works marvelously. It’s a well-acted and artfully filmed biopic about Paralympic champion Murlikant Petkar. Even if you didn’t know this true story before watching the movie, it’s easy to predict how the movie is going to end. That predictability doesn’t take away from emotion-stirring thrills and heartbreaks that viewers will experience in this cinematic journey.
Directed by Kabir Khan, “Chandu Champion” was co-written by Khan, Sumit Arora and Sudipto Sarkar. The movie takes place from 1952 to 2017, mostly in India and partially in Germany. Because the movie trailers for “Chandu Champion” reveal almost the entire story arc that’s presented in the film, it leaves very little room for surprises. However, this 142-minute film doesn’t feel overly long or overstuffed with filler because the movie’s writing, directing and acting are very good at maintaining interest and keeping viewers emotionally invested.
“Chandu Champion” begins in 2017, when Murlikant “Murli” Petkar (played by Kartik Aaryan), who is 72 or 73, walks into a police station and announces that he wants to file a complaint against the president of India for not getting the Arjuna Award, which is India’s second-highest prize for sports achievements. (For the purposes of this review, the real Murlikant “Murli” Petkar will be referred to as Petkar, while the Murlikant “Murli” Petkar character in “Chandu Champion” will be referred to as Murli.) Murli then proceeds to tell the gathered police officers his life story, which are presented as flashbacks in the movie.
In 1952, when Murli was 7 or 8 years old (played by Ayan Khan Sroha), he was smaller than most boys his age. He grew up in the village of Peth Islampur in Maharashtra, India. As a boy, Murli was a big fan of wrestling. And he would tell almost everyone that he was going to become a Olympic gold medalist wrestler. Murli’s father (played by Nitin Bhajan) thinks it’s a foolish dream, while Murli’s mother (played by Hemangi Kavi) is supportive of Murli.
Unfortunately, other boys in the village began to mercilessly taunt and bully Murli for expressing his wrestling goals. One bully in particular named Dagdu Patil (played by Haraq Bhartiya) singles out Murli for physical fights. Undeterred, Murli seeks out a villager named Ganpat Bhau (played by Ganesh Yadav), who is known to train wrestling champions. Murli asks Ganpat to train him as a wrestler. Because of Murli’s young age and small size, Ganpat laughs at Murli’s request.
The movie than flashes forward to a young adult Murli (played by Aaryan), who is now tall and has a lean but muscular build. Murli is now a talented wrestler, but Dagdu Patil (played by Amit Kumar) is still Murli’s enemy. When Murli wins a public but informal wrestling match against Dagdu, several of Dagdu’s supporters get very angry and turn into a violent mob chasing Murli. (The very fake-looking wig that Aaryan wears in these scenes is a distraction, but it doesn’t ruin these scenes.)
A frightened Murli manages to escape by hopping on a slow-moving train. It’s on this train that he meets mild-mannered Karnail Singh (played by Bhuvan Arora), who is a recruit in the Indian Army. Murli tells Karnail about his dream to become an Olympc gold medalist in wrestling. Karnail suggests that Murlikant join the Indian Army so that Murli can get trained as a boxer.
And that’s exactly what happens. Murli’s boxing coach in the Army is Tiger Ali (played by Vijay Raaz), who becomes Murli’s most important mentor. Karnail becomes Murli’s best friend. Murli becomes a boxer who wins many fights. He and Karnail are selected to take part in the international Military Games in Tokyo. It’s at a Miltary Games reception where Murli meets a editor/journalist (played by Sonali Kulkarni), who takes an interest him on a professional level. She will play a pivotal role later in the story.
Murli’s life takes an unexpected turn in 1965, when he is shot with nine bullets while in combat during the Indo-Pakistani War. He ends up with paraplegia and is told by medical professionals that it would be too dangerous to remove one of the bullets lodged in his back because it would leave Murli with an even more serious paralysis. Murli then decides to re-invent himself as a swimmer who trains for the 1972 Paralympics in Germany, with Tiger as his coach. None of this is spoiler information because it’s all in the trailer for “Chandu Champion.”
During his long and painful recovery in a hospice, Murli battles depression not just because of his medical issues but also because his family denied his request to move back home with them. His family members think that Murli is better off at the hospice, where he can get the medical care that he needs. Murli befriends a cheerful hospice orderly named Topaz (played by Rajpal Yadav), who is able to lift Murli’s spirits most of the time.
“Chandu Champion” is probably the most physically demanding role of Aaryan’s career. He more than rises to the challenge, because the grueling transformations that Murli goes through look very authentic. Aaryan has been mostly known for starring in lightweight comedies, but he capably shows his acting versatility in “Chandu Champion,” which depicts Murli’s obstacles and triumphs in a very compelling manner.
On a technical level, “Chandu Champion” has excellent cinematography by Sudeep Chatterjee. One of the best scenes in the film is toward the end when Murli sees flashes of his life during a very important swimming competition. It’s a combination of the immersive cinematography, film editing and visual effects that make this scene so memorable.
The movie also has a rousing musical score by Julius Packiam. Thankfully, “Chandu Champion” avoids having a sound mix that that makes the score music too loud, which is one of the most irritating aspects of numerous movies with action scenes. The song-and-dance musical interludes in “Chandu Champion” seem out of place but luckily do not take up a lot of screen time.
“Chandu Champion” is a worthy tribute to a sports hero who might not be on a superstar level but deserves to have more people know about his story. Beyond what Petkar achieved in real life as an athlete is what he represents as a human being, in terms of bravery and perseverance. It’s an inspirational story that people can take to heart, no matter who they are.
Pen Marudhar Entertainment released “Chandu Champion” in select U.S. cinemas and in India on June 14, 2024.
Culture Representation: Taking place in India and other parts of the world, from 1990 to 2017, the dramatic film “Shabaash Mithu” features a predominantly Indian cast of characters (with a few white people) representing the working-class, middle-class and wealthy, in this biopic of cricket star Mithali Raj.
Culture Clash: Mithali Raj faces sexism and other obstacles in her quest to become a professional cricket player.
Culture Audience: “Shabaash Mithu” will appeal primarily to people who are fans of Mithali Raj and movie star Taapsee Pannu, but even those fans might be disappointed at the heavy-handed way that this true story is told.
Taapsee Pannu (standing in center) in “Shabaash Mithu” (Photo courtesy of Viacom18 Studios)
It’s rare to have theatrically released biopics about Indian women who are sports pioneers, so it’s a shame that “Shabaash Mithu” terribly bungles the true story of cricket star Mithali Raj. The film is bloated and sappy, with bad acting and sloppy editing. And, at an overly long 156 minutes, “Shabaash Mithu” will test the patience of anyone expecting to see an inspirational story told in an engaging way.
Directed by Srijit Mukherji and written by Priya Aven, “Shabaash Mithu” takes place from 1990 to 2017. The movie drags on for so long, viewers will feel like they’ve aged along with the characters in the movie. One of the biggest flaws in “Shabaash Mithu” is that it takes too long in showing Raj’s childhood and repeating how she was underestimated as a cricket player (even by her family), simply because she was a girl. (“Shabaash Mithu” translates to “well done, sweet” in Gujarati.)
“Shabaash Mithu” opens in 1990, with a confusing creative choice by not showing Mithali but showing the girl who would become her best friend: Noorie (played by Kasturi Jagnam), who’s 8 years old in 1990, and who is the same age as Mithali. The movie’s opening scene is of Noorie playing soccer with some neighborhood boys. Her mother then lectures Noorie to look and act more like a girl.
Viewers then see that Noorie has a best friend named Mithali Raj (played by Inayat Verma), nicknamed Mithu. Mithali’s brother Mithun Raj (played by Nishant Pradhan), who’s about 11 or 12 years old, plays cricket. And it isn’t long before Noorie and Mithali want to play cricket with the boys. The girls are predictably taunted and shunned by the boys for wanting to be part of these cricket games.
Noorie is very outspoken, sassy, and can give as much trouble as she gets. When one of the boys is rude to her, she calls him “fatso,” and then she gets into a brawl with him and some of the other boys. Mithali is more hesitant and reserved, but she also feels like she has just as much of a right as the boys have a right to learn how to play cricket. Mithali keeps her cricket playing a secret from her family, because she knows they think playing cricket should only be for boys and men.
Mithali and her brother live with their mother Leela Raj (played by Devadarshini), father Dorai Raj (played Sameer Dharmadhikari), and paternal grandmother. These family members think that Mithun is the going to be the one in the family who could become a sports star. They’re in for a shock when they’re visited by a cricket coach named Sampath (played by Vijay Raaz), who says that he’s been watching Mithali play cricket, and he’s interested in having Mithali (not Mithun) train at the Reyes Cricket Academy for children.
Older brother Mithun is jealous and a little embarrassed that he wasn’t chosen for this well-known academy. Mithali’s parents and grandmother are skeptical that Mithali has what it takes to be a cricket star. After quite a bit of pleading, Coach Sampath convinces the family members to let Mithali join the Reyes Cricket Academy, where Noorie has also been accepted as a student. At Noorie’s suggestion, Mithali eventually cuts off her long braids so that her hair won’t get in the way of her cricket playing.
This part of Mithali’s childhood should have been covered in 10 minutes or less in the movie, but it drags out with scenes that take up about 30 minutes of the film. The movie then fast-forwards to 1997, where Mithali (played by Taapsee Pannu) and Noorie (played by Anushree Kushwaha) are 15 years old and still being coached by Sampath at the Reyes Cricket Academy. Both girls plan to eventually become professional cricket players.
Noorie and Mithali are still the best of friends, but their friendship is changed forever when 15-year-old Noorie announces that she’s getting married because Noorie’s father has arranged for her to get married. Therefore, Noorie has to quit the academy and quit cricket completely. Mithali is devastated and feels abandoned by Noorie, who was the person who got Mithali interested in cricket in the first place.
Mithali then gets selected for a national cricket camp for the women’s national cricket team of India. And once again, her brother Mithun is jealous. At the Women’s Cricket Board, Mithali is immediately hazed and bullied by the other team members because she’s a shy newcomer. In one such incident, Mithali becomes a target for bullying just because she asked for pain medication for menstrual cramps.
Mithali often gets dejected and sometimes feels like giving up, but Sampath advises her not to quit and to use her emotional pain as her strength in cricket games. He also tells her that many of the other women on the team come from backgrounds of hardship and that they use these feelings of anger and bitterness in their energy for the games against the opponents. Viewers won’t learn much about cricket playing skills, unless you think it’s fascinating when Sampath utters this trite advice to Mitahli in a “mind over matter” pep talk: “The most important position in batting is in your head.”
People who know about the real Mithali’s life story might already know that Sampath won’t always be there for Mithali as her mentor. When Mitahli founds out that Sampath will no longer be in her life, the expected melodrama ensues. Mithali is able to eventually win over her teammates when she’s suddenly named team captain in a very phony-looking scene.
One of the biggest problems with “Shabaash Mithu” is how it keeps repeating scenarios, long after the point was made the first time this scenario was shown. In addition to the long stretches of the movie showing Mithali getting bullied by her teammates (before she gets their respect), “Shabaash Mithu” overloads on repetition in showing how the men’s national cricket team of India has more fame and fortune than the women’s national cricket team of India. It doesn’t help that the women’s team is on a losing streak until Mitahli becomes the team captain.
“Shabaash Mithu” has too many similar scenes of the women’s team being ignored and disrespected at airports and other public places, while members of the men team (who just happen to be nearby) are cheered and celebrated. Mithali and her team are so disrespected, Indian cricket officals decide that the women’s team will have to wear discarded uniforms that were formerly worn by the men’s team, with the men’s last names still on the back of the shirts. It’s at this point in the movie that you know the women’s team will collectively rip off those shirts in a show of defiance and female pride.
There’s a lot of heavy-handed footage of Mithali being a women’s rights crusader and doing things like marching into offices and demanding to be respected by an all-male team of decision makers. All of these scenes are so hokey, but the awful dialogue and hammy acting just make it all worse. And so much of the movie just drags on and on and on, because the editing is so horrible. “Shabaash Mithu” is a pile-on of corny clichés with no self-awareness of how dreadful everything is and how disrespectful it is to the real Mithali Raj, who surely was not this vapidly dull in real life.
And where does this leave all the cricket playing? In “Shabaash Mithu,” the games are choppily edited to the point where it’s obvious that the actors don’t have real cricket skills. It isn’t until the last third of the film, which shows the 2017 Women’s World Cup finals, where the energy picks up to where it should have been all along in showing these cricket matches. But by then, it’s too little, too late. A lot of people who have the endurance to watch this long-winded mess until the very end will have emotionally checked out by then.
Viacom18 Studios released “Shabaash Mithu” in select U.S. cinemas and in India on July 15, 2022.
Culture Representation: Taking place in India, the comedy/drama film “Janhit Mein Jaari” features an all-Indian cast of characters representing the working-class and middle-class.
Culture Clash: A young woman gets criticism from her family and other people in society when she begins working as a salesperson for a condom company, and she then becomes an activist in reproductive rights.
Culture Audience: “Janhit Mein Jaari” will appeal primarily to people who are interested in female empowerment stories, but this movie mishandles the subject matter with a lot of hokey melodrama and silly comedy.
Nushrratt Bharuccha and Anud Singh Dhaka (pictured in front) in “Janit Mein Jaari” (Photo courtesy of Zee Studios)
Although well-intentioned in its message of female empowerment in reproductive rights, the comedy/drama “Janhit Mein Jaari” gets bogged down in too many vapid gimmicks that cheapen the message. The movie also gets too repetitive in showing scene after scene of people (usually men) reacting with horror, disgust or ridicule at the idea of a woman being a salesperson for a condom company. That’s the unexpected occupation of the movie’s female protagonist, who is also under pressure from her family to get pregnant after she gets married.
Directed by Jai Basantu Singh, “Janhit Mein Jaari” (which means “issued in public interest” in Hindi) takes place in an unnamed city in India. Singh co-wrote the movie’s screenplay with Raaj Shaandilyaa and associate writers Yusuf ali Khan and Utsav Sarkar. It should be noted that none of these screenwriters is a woman, which might explain why so much of this movie looks very phony in how it deals with women’s issues.
Right from the beginning, the movie’s protagonist—Manokamna “Manu” Tripathi (played by Nushrratt Bharuccha)—does something regarding maternity that is very over-the-top and fake. Manu, who appears to be about six or seven months pregnant, gets on a crowded bus and expects people to give up a seat for her because she’s pregnant. When an inquisitive woman on the bus asks Manu what she plans to name her son (the woman automatically assumes that the baby is a boy), Manu replies that the baby’s name will be “Shut up.”
The stranger on the bus, who is oblivious to Manu’s insult, then cheerfully tells Manu to give her regards to Manu’s husband. It’s the movie’s obvious way of showing that Manu is living in a very patriarchal community. Manu is visibly annoyed at how this stranger is already judging her a certain way (and even assuming that the Manu is pregnant with a boy), just because Manu appears to be a pregnant woman.
It turns out that Manu really isn’t pregnant and she’s not married. She was wearing a pillow to appear to be pregnant, just so she could get people to give her a seat on the bus. Who goes out of their way for that type of petty deception? Is that something people are supposed to admire in a woman? Apparently, the filmmakers think it’s “cute” for a woman to act this way, or else they wouldn’t have put it in the movie as a joke that they want viewers to think is “cute.”
Manu, who is in her mid-to-late 20s, still lives with her parents, who are pressuring her to get married. She tells them that she doesn’t want to get married until she’s independent and has her own career. Manu is well-educated (she has a master of arts degree), but the type of job she wants would require her to have a master of business administration (MBA) degree.
Manu’s parents introduce her to a potential suitor named Nilesh, also known as Nilu. However, Manu is not interested in him. She wants a love marriage, not an arranged marriage. Manu is also anxious to move out of the family home, which is fairly crowded. The Tripathi’s modest household consists of her parents, Manu, Manu’s two teenage sisters and Manu’s teenage brother.
Manu is desperate to find a job so that she can earn enough money to live independently. And she takes the first job that offers her a salary that’s acceptable to her: 40,000 rupees a month, which is about $506 a month in early 2020s U.S. dollars. She will be working as a salesperson for Little Umbrella Company.
Even though Manu is educated, she doesn’t show much common sense. During the job interview, Manu never asks what she will be selling and doesn’t do any research on the company before the interview. The supervisor (played by Brijendra Kala) who interviews Manu asks her if she’s sure she wants to work there. Manu insists that she’s interested in the job, so she’s hired on the spot.
It isn’t until Manu shows up for her first day on the job that she finds out that Little Umbrella Company makes condoms. And she’s the company’s only female employee. Her boss tells her that the company has been losing money. “We need a girl like you to fill the void,” he says.
At first, Manu is furious at the boss for not telling her that Little Umbrella Company is in the business of selling condoms. It makes her look ridiculous and unreasonable to blame the boss, when it was really her responsibility to find out details of the company before agreeing to the interview. Because Manu is desperate for money, she reluctantly agrees to stay on the job and try to make the most out of it.
Expect to see many scenarios in “Janhit Mein Jaari” where Manu gets shamed and ridiculed for being a woman selling condoms. She’s so embarrassed by her job that at first she keeps it a secret from her family and will only say that she found a job working for an umbrella company. She also doesn’t tell potential suitors what her real job is. As already shown in the movie’s trailers, the people in Manu’s life eventually find out the truth.
“Janhit Mein Jaari” has several overly contrived scenes of Manu’s failed attempts at selling condoms. One of the first things she does is visit male-owned small businesses and tries to sell condoms directly to the owners. The business owners usually react with disgust or amusement that a woman is talking to them about condoms, so they generally reject her sales pitch. Manu also attempts to get grocery stores to stock the condoms. She essentially gets laughed out of these stores.
Manu also tries selling condoms directly to individual men on the street. It leads to a scene where she approaches a man, who looks old enough to be a grandfather or great-grandfather, and gets him to buy a half a box of condoms. It’s a joke that doesn’t land as well as intended. Apparently, the filmmakers think that it’s automatically supposed to be hilarious to think that men over the age of 70 have sex.
Manu also has a disastrous sales experience when she tries to sell condoms at a wrestling match. This supposedly “smart” woman goes about this sales attempt in the dumbest possible way. She interrupts the match and spontaneously takes a microphone to make her sales pitch to the audience, while the angry crowd boos at her for disrupting the wrestling match.
Manu is told to leave. She’s shocked at this hostile reaction to her sales pitch. Anyone with common sense wouldn’t be shocked. It’s why “Janhit Mein Jaari” often and insultingly makes Manu look like a ditsy woman, even though she’s supposed to an intelligent and empowered woman.
“Janhit Mein Jaari” also piles on clichés seen all too often in movies were a bachelorette is under pressure to get married. One of those clichés is a love triangle. Manu has a co-worker named Dev (played by Paritosh Tripathi), who works in the manufacturing department of Little Umbrella Company. Dev soon makes it known to Manu that he has a crush on her and wants to date her.
However, Manu meets a stage actor named Ranjan Prajapati (played by Anud Singh Dhaka), who begins pursuing Manu. Ranjan and Manu have instant chemistry together, and they begin dating. There’s a not-very-funny-scene where an envious Dev is with a friend named Makdoom (played by Shaan Yadav), as they both spy on Manu and Ranjan when Manu and Ranjan are on a romantic date.
During this date, Manu asks Ranjan if he would like to get a hotel room for them to continue their date. However, Ranjan declines the offer because he says he doesn’t want their relationship to be about casual sex. Manu then tells Ranjan that her suggestion to get a hotel room for a sexual tryst was just a test of his character. She informs Ranjan that he passed the test because he said exactly what she wanted to hear.
Manu and Ranjan continue to have their courtship, they fall in love, and then they get married about halfway through the movie. (This isn’t spoiler information because it’s in the movie’s first trailer.) Ranjan knows that Manu works for a condom company, but he agrees to her request that they keep it a secret from their traditional families. Manu thinks that their families just wouldn’t understand her job.
But, of course, people in both families eventually find out, and they have the expected reactions. Manu is pressured to quit her job, especially by the person who disapproves of her job the most: Ranjan’s domineering and sexist father Keval Prajapati (played by Vijay Raaz), who isn’t happy that Ranjan has a love marriage, not an arranged marriage. Keval also doesn’t like the fact that Manu is two years older than Ranjan.
Manu quits her job at Little Umbrella Company and begins selling plastic containers to women, similar to what a Tupperware salesperson would do. She doesn’t like this job as much as she liked selling condoms. After hearing about a neighborhood teenage girl who died of a botched illegal abortion, Manu has an “a-ha” moment.
And just like that, Manu decides that Little Umbrella Company should be marketing the condoms to women, who are more likely than men to be responsible for deciding what birth control will be used. Manu’s idea is a hit. Sales increase significantly for Little Umbrella Company.
This sales success then morphs into Manu becoming a reproductive rights activist preaching that more condom usage can prevent unwanted pregnancies that often lead to botched abortions. It isn’t long before Manu is making pro-condom speeches to crowds of women and being interviewed on TV as a reproductive rights activist advocating for contraception by choice. All of these plot developments are revealed in the movie’s trailers.
While Manu gives lectures about how to prevent pregnancy with condoms, she and Ranjan are getting pressure from their relatives to start having children. Meanwhile, Ranjan and Manu begin having marital problems. The movie also throws in a subplot about the sex life of Ranjan’s sister Babli (played by Sukriti Gupta), Babli’s boyfriend Hennant (played by Ishtiyak Khan), and how Manu’s crusading for condom usage affects this couple.
It all leads to a very messy and sloppily written series of events in the last third of the movie. The slapstick scenes in the movie are very corny, such as a scene where a blind man opens a wrapped condom and thinks it’s a wrapper of antacid, so the condom is dropped in a glass of water. Someone else has to rush to grab the glass before the blind man drinks it. Yes, it’s that type of movie. The last 15 minutes of “Hanhit Mein Jaari” are nothing but heavy-handed manipulation involving a health scare.
None of the acting in “Janhit Mein Jaari” is particularly good. But the worst aspect of the movie is how it bungles the comedy with bad jokes. The movie over-relies on comedy that wants people to laugh at anything showing a woman talking about, buying or holding condoms. “Janhit Mein Jaari” constantly uses goofy cartoon sound effects that are supposed to elicit laughs but are actually very distracting.
“Janhit Mein Jaari” makes a mockery of the serious subject of family planning by contriving unfunny scenarios revolving around pregnancy fears. The movie irresponsibly doesn’t really mention that condoms are also used to prevent sexually transmitted diseases. And the movie makes it sound like condoms are the best birth control method. Even the most basic levels of sex education are supposed to teach that condoms can be faulty if they break or are not worn correctly.
Even though the “Janhit Mein Jaari” filmmakers probably thought that they were making a movie about an open-minded and progressive female protagonist, a lot of “Janhit Mein Jaari” actually has a very outdated and backwards mindset toward women. Putting aside all the ways that the movie makes Manu look less-than-smart when she starts her condom sales job, “Janhit Mein Jaari” also makes it look like the women in this developed and modern area of India are incapable of considering condoms as birth control until Manu comes along to teach them. “Janhit Mein Jaari” becomes a soap opera in all the wrong places, and the movie just isn’t very funny in the scenes where it’s supposed to be amusing.
Zee Studios released “Janhit Mein Jaari” in select U.S. cinemas and in India on June 10, 2022.
