Pictured clockwise, from left: Michelle Rodriguez, Sung Kang, Nathalie Emmanuel, Vin Diesel, Leo Abelo Perry, Rita Moreno, Jordana Brewster Chris “Ludacris” Bridges (back to camera) and Tyrese Gibson (back to camera) in “Fast X” (Photo by Peter Mountain/Universal Pictures)
Culture Representation: Taking place in the United States, Brazil, the United Kingdom, Italy, Portugal, and Antarctica, the action flick “Fast X” features a racially diverse cast of characters (black, white, Latino and Asian) representing the middle-class and wealthy in law enforcement and the criminal underground.
Culture Clash: A daredevil team tries to save the world from a group of criminals led by a sadistic killer who’s avenging the death of his father.
Culture Audience: Besides appealing to fans of the “Fast and the Furious” movie franchise, “Fast X” (the 10th movie in the series) will appeal primarily to people who want to a predictable action flick with high-budget stunts and low-quality screenwriting.
Jason Momoa in “Fast X” (Photo courtesy of Universal Pictures)
“Fast X” is the cinematic equivalent of a multi-car crash pileup. It’s a huge downgrade for the franchise, which is a bloated mishmash of Oscar-winning stars and less-talented cast members saying a lot of awful dialogue while dodging guns and explosions. It’s bad enough that this franchise expects people to believe that the “heroes” don’t get wounded or killed in the way they should in these far-fetched action scenes. Now, this franchise expects viewers to believe that some of these characters can come back from the dead.
Directed by Louis Leterrier, “Fast X” (the 10th film in the “Fast and the Furious” franchise) has given up on having coherent plots and interesting characters. Everyone is just a caricature at this point. Justin Lin (who was the original director of “Fast X” but he quit due to behind-the-scenes turmoil) and Dan Mazeau wrote the atrocious screenplay for “Fast X,” which ends with a scene that will either have viewers cheering or rolling their eyes at the ludicrous “resurrection” that viewers are expected to believe.
“Fast X” has a less complicated plot than 2021’s “F9: The Fast Saga” (the ninth movie in the “Fast” series), but that just means the plot’s inanity is even more obvious. In a nutshell: “Fast X” is about the daredevil “heroes” of the franchise being framed as terrorists by a wisecracking villain named Dante (played by Jason Momoa), who likes to spead out his arms a lot, as if he’s a criminal messiah. Dante is the son of Brazilian drug lord Hernan Reyes (played by Joaquim de Almeida), who was killed during his defeat by the “Fast” heroes in 2011’s “Fast Five.” Dante acts like an unhinged and untalented stand-up comedian when he commits his mayhem, such as when he threatens to blow up the Vatican in Rome, and he smirks that he’s “going to hell,” just for making this threat.
The “Fast” hero characters are:
Dominic “Dom” Toretto (played by Vin Diesel) is the leader of the daredevil crew that started out as outlaw drag racers and now have vague duties a security/spy team hired to help out government officials and elite business people who are targets of villains who want to take over the world. Vinnie Bennett portrays a young Dom in the movie’s several flashbacks to when Dom was in his late teens.
Letty Ortiz (played by Michelle Rodriguez) is Dom’s on-again, off-again girlfriend. In “F9,” Dom and Letty are happily living together with Dom’s son Brian (played by Leo Abelo Perry), who’s about 6 or 7 years old in this movie. Brian’s mother Elena Neves (played by Elsa Pataky) was a Diplomatic Security Service agent who died in 2017’s “The Fate of the Furious.”
Mia Toretto (played by Jordana Brewster) is Dom’s loyal younger sister who goes along with whatever Dom wants. Mia is the love partner of Dom’s best friend Brian O’Conner (played by Paul Walker), who is the father of their son Jack. Walker died in real life in 2013, but Brian is supposed to be happily retired.
Roman Pearce (played by Tyrese Gibson) is a nervous and talkative member of Dom’s team. The running joke with Roman is that he’s always anxious about getting into dangerous situations. Expect Roman to scream at least twice in every “Fast” movie.
Tej Parker (played by Chris “Ludacris” Bridges) is Roman’s level-headed best friend who has skills as a mechanic and a computer technician.
Ramsey (played by Nathalie Emmanuel) is a British computer hacker who has essentially taken over from Tej as being the “computer whiz” on Dom’s team.
Han Lue (played by Sung Kang) supposedly died in 2013’s “Fast & Furious 6,” but he came back from the dead in “F9: The Fast Saga” because he “faked” his own death.
Also in the movie are Deckard Shaw (played by Jason Statham), who is a longtime nemesis of Dom’s team. Jakob Toretto (played by John Cena), Dom’s formerly estranged younger brother who was introduced in “F9: The Fast Saga,” also shows up in a way that is entirely predictable and unimaginative. Government agent Little Nobody (played by Scott Eastwood) makes a return. A generic bureaucrat named Aimes (played by Alan Richtson), has replaced Mr. Nobody as the leader of the secret Agency that works with Dom and his team. And there’s also a Brazilian street racer named Isabela (played by Daniela Melchior), who makes a brief appearance in a drag race scene that objectifies women’s bodies.
The “Fast” franchise keeps adding Oscar winners to its cast, in what seems to be a desperate attempt to bring artistic credibility to this movie series. It’s just like having master chefs serve up low-quality junk food. The food is still junk, no matter who’s serving it. The Oscar winners who are new to “Fast X” are Rita Moreno, as Dom’s unnamed grandmother (she’s called “abuelita,” a Spanish-language term of endearment for “grandmother”), and Brie Larson as Tess, a “rogue representative” who’s also the daughter of Mr. Nobody. They join Oscar winners Helen Mirren as Queenie Shaw (the mother of Deckard Shaw) and Charlize Theron as frenemy Cipher, who both make return cameos in “Fast X.”
A mid-credits scene in “Fast X” shows the return of a major “Fast” franchise character, who wasn’t killed in the series. It’s yet another attempt for the “Fast” franchise to look more interesting by adding and bringing back stars to the “Fast” movie series. At this point in the “Fast” franchise, it doesn’t matter who lives or dies, because the creative innovation in this movie series is dead.
Universal Pictures will release “Fast X” in U.S. cinemas on May 19, 2023.
Chris Pratt, Dave Bautista, Rocket (voiced by Bradley Cooper), Zoë Saldaña, Groot (voiced by Vin Diesel), Karen Gillan and Pom Klementieff in “Guardians of the Galaxy Vol. 3.” (Photo courtesy of Marvel Studios)
Culture Representation: Taking place in various parts of the universe, the sci-fi/fantasy/action film “Guardians of the Galaxy Vol. 3” (based on Marvel Comics characters) features a cast of characters as humans and other creatures.
Culture Clash: Superhero crimefighters Guardians of the Galaxy fight to save a seriously wounder member, as they also battle against a villain who wants to create perfect beings in a perfect society.
Culture Audience: Besides appealing to the obvious target audience of Marvel movie fans, “Guardians of the Galaxy” will appeal primarily to people who are fans of the movie’s headliners and superhero movies that are the equivalent of having attention-deficit disorder.
Miriam Shor, Chukwudi Iwuji and Nico Santos in “Guardians of the Galaxy Vol. 3” (Photo by Jessica Miglio/Marvel Studios)
People who watch Marvel Studios’ “Guardians of the Galaxy Vol. 3” might need a neck brace from all the tonal whiplash and messy editing that viewers will get from this mixed bag of a superhero film. It clumsily tries to blend mean-spiritedness with sentimentality. The new characters in this saga are hollow and horribly written. Most of the returning hero characters are often smug and irritating, losing much of the charm that they had in the first two “Guardians of the Galaxy” movies: 2014’s “Guardians of the Galaxy” and 2017’s “Guardians of the Galaxy Vol. 2.” These two previous films are necessary to watch, in order to understand a lot of what’s going on in “Guardians of the Galaxy Vol. 3.”
No matter what anyone says, when the chief filmmaker is also working for the competition, that conflict of interest had to affect filmmaking choices that were made for “Guardians of the Galaxy Vol. 3.” It shows in how the movie has a “got to fulfill the contract obligations before I leave” tone to it. And that’s not just with the writing and directing. Some of the cast members look a little tired of playing these characters, because they don’t have as much spark or enthusiasm as they had in the previous “Guardians of the Galaxy” movies.
Pity anyone who hasn’t seen the first two “Guardians of the Galaxy” films, because “Guardians of the Galaxy Vol. 3” barely gives any crucial background information to viewers who don’t know what happened in those first two movies. But that’s not the main problem of “Guardians of the Galaxy Vol. 3.” With the exception of one standout fight scene (shown in slow-motion), the rest of the action scenes are scatter-brained and unimpressive. They’re staged with the idea that a lot of gun shooting and explosives are enough to make an action scene.
And speaking of scenes shown in slow-motion, how many times do we need to see the “heroes” walking together in slow-motion, as if they own the universe? Apparently, once is not enough in “Guardians of the Galaxy Vol. 3,” because this type of cliché is used at least four times in the movie. It’s also so tiresome and unimaginative.
“Guardians of the Galaxy Vol. 3” also requires that people know what happened in 2018’s “Avengers: Infinity War,” because Guardians of the Galaxy leader Peter Quill/Star-Lord (played by Chris Pratt), who is originally from Earth, uses it as a reason to get drunk, be obnoxious, and generally have an angry attitude problem. The fun-loving Peter from the first two “Guardians of the Galaxy” movie is mostly gone. He’s now a bitter whiner who’s often on a rampage. (Peter does some cursing and rage-filled violent acts that might surprise some viewers expecting this movie to be more “family-friendly.”)
Peter has changed for the worse because he’s grieving over the loss of his true love/soul mate Gamora (played by Zoë Saldaña), who (mild spoiler alert) died in “Avengers: Infinity War.” But because “Guardians of the Galaxy Vol. 3” is a Marvel movie, multiverses can have different versions of the same character. And so, for “Guardians of the Galaxy Vol. 3,” an alternate version of Gamora (also played by Saldaña) has been “found” by her adoptive sister Nebula (played by Karen Gillan), who has had a love/hate relationship with Gamora for years. In “Guardians of the Galaxy Vol. 3,” this “alternate” Gamora is a Ravager (a space pirate), but she helps the Guardians of the Galaxy when they go on a mission to stop an evil villain and to save the life of a fellow Guardian.
The other members of the Guardians of the Galaxy are hulking oaf Drax (played by Dave Bautista), whose brawn power far exceeds his brain power; raccoon mutant Rocket (voiced by Bradley Cooper), a sarcastic daredevil pilot, who can move like a human; compassionate empath Mantis (played by Pom Klementieff), who has the power to control minds; and shapeshifting tree creature Groot (voiced by Vin Diesel), who only says these three words when he talks: “I am Groot.” In the first two “Guardians of the Galaxy” movies, the chemistry between all of these characters was believable. In “Guardians of the Galaxy Vol. 3,” the chemistry between these characters is disjointed and undermined by awkward jokes.
The beginning of “Guardians of the Galaxy Vol. 3” shows Peter in a drunken stupor. He’s so drunk, he’s passed out, and Nebula has to carry him. Peter snaps out of his self-pitying alcohol abuse when something terrible happens: A golden-hued stranger from outer space named Adam Warlock (played by Will Poulter) has barreled into the Guardians’ territory by literally crashing through a window into Rocket. Adam, who has the power to quickly heal from any wounds, has come to attack. The rest of the Guardians rush to Rocket’s defense.
A big fight ensues that results in Adam retreating back to his world, but Rocket is critically injured from Adam’s stab to Rocket’s chest. During the frantic attempts to save Rocket’s life, the Guardians find out that Rocket has an internal kill switch that is set to take Rocket’s life in a little more than 40 hours. It’s surprising information to Rocket’s Guardians of the Galaxy friends, because Rocket has told them very little about his past.
The best part of “Guardians of the Galaxy Vol. 3” is the deep dive into Rocket’s past, shown as several flashbacks in the movie. He was captured as a baby and forced to live in a cage in a dark and dingy room at a scientific lab. Rocket’s name back then was Subject 89P13, often called P13 for short. As he grew up, he became friends with three other mutant creatures who were also imprisoned in this lab: Lylla (voiced by Linda Cardellini), an intelligent otter with mechanical arms; Teefs (voiced by Asim Chaudhry), a wheelchair-using walrus; and Floor (voiced by Mikaela Hoover), a mild-mannered and somewhat goofy rabbit who wears a metal muzzle.
The chief villain in the movie is the High Evolutionary (played by Chukwudi Iwuji), a stereotypical “mad scientist,” who wants power over how the universe works. In the movie, he says he has a “simple quest: create the perfect species and the perfect society.” Of course, this quest isn’t so “simple,” because the High Evolutionary has been sending his minions across the universe to find beings to capture and use for experiments. You don’t need to have highly evolved intelligence to figure out why Adam attacked Rocket.
The Guardians are now in a race against time to save Rocket’s life. They zip around on their new ship called the Bowie and get into various battles. The High Evolutionary does a lot of sneering and smirking, but he’s not in the upper echelon of Marvel’s most fearsome villains. The High Evolutionary has two main sniveling sidekicks: Recorder Vim (played by Miriam Shor) and Recorder Theel (played by Nico Santos), who follow the High Evolutionary’s orders out of fear, even though this villain isn’t all that scary. Recorder Vim is smart and outspoken, unlike Recorder Theel who doesn’t seem capable of processing an independent thought in his head.
Many of the fight scenes are nonsensical and look too fake. For example, there’s a scene where one of the Guardians sets off a huge bomb in a room with villains and other Guardians in the same room when the bomb goes off. It looks incredibly stupid to set off a bomb when you and your allies could be maimed or killed too. Bombers who know what they’re doing always make sure they’re far away from the bomb when it’s detonated, unless they’re suicide bombers. You don’t have to be a bomber to know that. It’s just common sense.
And there are too many fight scenes where the Guardians unrealistically don’t get the types of serious injuries that would happen if these fight scenes had more authenticity. Unlike other superhero groups, the Guardians of the Galaxy don’t have any phenomenal powers except above-average strength, Mantis’ mind-control abilities, and Groot’s ability to shapeshift. In the case of Peter, the only human in the Guardians of the Galaxy, all he has are his abilities to use weapons and any fight skills using his body.
The Guardians end up on an alternative version of Earth called Counter-Earth. It’s a missed opportunity to show a very fascinating world. Instead, Counter-Earth is just another place where the Guardians do some not-very-funny slapstick comedy, many of it involving children. The people of Counter-Earth have creature heads that look like less-gruesome versions of what writer/director Gunn used to work with during the years he was affiliated with the low-budget horror studio Troma.
Adam’s presence in the movie is erratic. He’s not seen for a long stretch of the movie, and then he comes back again toward the end for a big brawl. The movie can’t make up its mind if it wants Adam to be a muscle-bound menace or a sympathetic sap who’s the victim of the High Evolutionary. Adam’s mother Ayesha is portrayed by Elizabeth Debicki, a very talented actress whose role in this movie is shamefully shallow, thereby squandering her talent and the chance for Ayesha to be a fascinating character. Viewers will have a hard time remembering any lines of dialogue that Ayesha says in “Guardians of the Galaxy Vol. 3,” but she sure scowls a lot.
Other characters flit in and out of the movie, like insects that buzz around and have no real purpose. Maria Bakalova is the voice of a Russian astronaut dog character named Cosmo, which is a cute but not essential character. The running gag for Cosmo is she feels misunderstood and insecure because she keeps getting told she’s a “bad dog,” when she’s really a good dog.
Sylvester Stallone is in the film for a total about five minutes in two scenes in “Guardians of the Galaxy Vol. 3,” as Ravager captain Stakar Ogord. It’s another non-essential role that looks like a “contract obligation” cameo. The Stakar character was much more interesting in “Guardians of the Galaxy Vol. 2.” Sean Gunn (James Gunn’s younger brother) reprises his role as Kraglin, an ally of the Guardians. Kraglin has a big moment in the movie that looks like a decision made from pure nepotism, because any other director probably wouldn’t have given Kraglin this type of scene.
Rocket is the only Guardians of the Galaxy member who has character development in “Guardians of the Galaxy Vol. 3.” Everyone else just seems to be going through the motions. And don’t expect there to be any sizzling romance in this movie. A lovelorn Peter tells “alternate” Gamora that they used to be a hot couple in love, but she coldly cuts him off and says that the Gamora he was with was “an alternate, future version of me.”
“Guardians of the Galaxy Vol. 3” tries to cram in a lot of sentimentality and nostalgia in the last 15 minutes of the film. A few characters who died in previous Marvel films are briefly seen as visions or flashbacks. Toward the end of the film, Peter also does something that is blatantly intended to get viewers to cry.
It all seems very manipulative and forced though, considering some of the crude and unfunny things that this 150-minute movie wasted time shoving in viewers’ faces. And some of these scenes get monotonous, especially in the middle of the film. The mid-credits scene is unremarkable, while the end-credits scene assures viewers that a “legendary” character in the “Guardians of the Galaxy” series will continue in the Marvel Cinematic Universe in a major way.
One area where “Guardians of the Galaxy Vol. 3” does not disappoint is in the movie’s soundtrack song choices. Songs such as Rainbow’s “Since You Been Gone,” Radiohead’s “Creep,” Spacehog’s “In the Meantime,” Beastie Boys’ “No Sleep Till Brooklyn,” Faith No More’s “We Care a Lot” and Florence + the Machine’s “Dog Days Are Over” (which is in the movie’s biggest emotion-tugging scene) are all well-placed and used to maximum effect. However, some of the action scenes resemble music videos dropped into a movie. The visual effects in “Guardians of the Galaxy Vol. 3” are not going to win any major awards.
“Guardians of the Galaxy Vol. 3” seems to want to convince viewers that throwing in some bickering and wisecracking in between jumbled action sequences should automatically deserve praise, just because it’s a Marvel movie. All of this recycled flash might be enough for some viewers who just want a noisy and messy superhero movie. But for “Guardians of the Galaxy” fans who want a more thrilling and insightful journey with new and returning characters, “Guardians of the Galaxy Vol. 3” is like being presented with an attractive-looking cake, only to have that cake deliberately dumped on the floor.
Marvel Studios will release “Guardians of the Galaxy Vol. 3” in U.S. cinemas on May 5, 2023, with a sneak preview in select U.S. cinemas on April 28, 2023.
Culture Representation: Taking place on Earth and other parts of the universe (including the fictional location of New Asgard), the superhero action film “Thor: Love and Thunder” features a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the working-class, middle-class and wealthy.
Culture Clash: Nordic superhero Thor Odinson, also known as the God of Thunder, teams up with allies in a battle against the revengeful villain Gorr the God Butcher, while Thor’s ex-girlfriend Jane Porter has her own personal battle with Stage 4 cancer.
Culture Audience: Besides appealing to the obvious target audience of comic book movie fans, “Thor: Love and Thunder” will appeal primarily to people who are fans of the movie’s headliners and action movies that skillfully blend drama and comedy.
Christian Bale in “Thor: Love and Thunder” (Photo courtesy of Marvel Studios)
“Thor: Love and Thunder” could also be called “Thor: Grief and Comedy,” because how of this superhero movie sequel balances these two themes with some results that are better than others. The movie goes big on showing bittersweet romance and the power of true friendships. Some of the movie’s subplots clutter up the movie, and any sense of terrifying danger is constantly undercut by all the wisecracking, but “Thor: Love and Thunder” gleefully leans into the idea that a superhero leader can be a formidable warrior, as well as a big goofball and a sentimental romantic.
Directed by Taika Waititi, “Thor: Love and Thunder” is also a commercial showcase for Guns N’Roses music. It’s the first Marvel Studios movie to blatantly shill for a rock band to the point where not only are four of the band’s hits prominently used in major scenes in the movie, but there’s also a character in the movie who wants to change his first name to be the same as the first name of the band’s lead singer. The music is well-placed, in terms of conveying the intended emotions, but viewers’ reactions to this movie’s fan worship of Guns N’Roses will vary, depending on how people feel about the band and its music. The Guns N’Roses songs “Welcome the Jungle,” “Paradise City,” “Sweet Child O’ Mine” and “November Rain” are all in pivotal scenes in “Thor: Love and Thunder.”
“Thor: Love and Thunder” picks up where 2019’s blockbuster “Avengers: Endgame” concluded. What’s great about “Thor: Love and Thunder” (which Waititi co-wrote with Jennifer Kaytin Robinson) is that the filmmakers didn’t assume that everyone watching the movie is an aficionado of the Marvel Cinematic Universe (MCU), nor did they assume that everyone watching “Thor: Love and Thunder” will know a lot about the Nordic superhero Thor Odinson (played by Chris Hemsworth) before seeing the movie. Near the beginning of the movie, there’s a montage summary (narrated cheerfully by Waititi’s Korg character, a rock-like humanoid who is one of Thor’s loyal allies) that shows the entire MCU history of Thor up until what’s about to happen in “Thor: Love and Thunder.”
The movie’s opening scene isn’t quite so upbeat, because it gets right into showing that grief will be one of the film’s biggest themes. In a very barren desert, a man and his daughter (who’s about 8 or 9 years old, played by India Rose Hemsworth) are deyhdrated, starving, and close to dying. The girl doesn’t survive, and the man is shown grieving at the place where he has buried her. Viewers soon find out that this man is Gorr the God Butcher (played by Christian Bale), who is the story’s chief villain. But he didn’t start out as a villain.
After the death of his daughter, a ravenously hungry Gorr ends up a tropical-looking, plant-filled area, where he devours some fruit. Suddenly, a male god appears before Gorr, who is pious and grateful for being in this god’s presence. Gorr tells the god: “I am Gorr, the last of your disciples. We never lost our faith in you.”
The god scoffs at Gorr’s devotion and says, “There’s no eternal reward for you. There’ll be more followers to replace you.” Feeling betrayed, Gorr replies, “You are no god! I renounce you!” The god points to a slain warrior on the ground and tells Gorr that the warrior was killed for the Necrosword, a magical sword that can kill gods and celestials. The Necrosword levitates off of the ground and gravitates toward Gorr.
The god tells Gorr: “The sword chose you. You are now cursed.” Gorr replies, “It doesn’t feel like a curse. It feels like a promise. So this is my vow: All gods will die!” And you know what that means: Gorr kills the god in front of him, and Thor will be one of Gorr’s targets.
Meanwhile, Thor is seen coming to the rescue of the Guardians of the Galaxy, who need his help in battling some villains on a generic-looking planet in outer space. All of the Guardians are there (except for Gamora, who died at the end of “Avengers: Endgame”), and they see Thor as a powerful ally. However, the Guardians are worried that Thor has lost a lot of his emotional vitality. Thor (who hails from Asgar) is grieving over the loss his entire family to death and destruction.
Thor is also still heartbroken over the end of his romantic relationship with brilliant astrophysicist Jane Foster (played by Natalie Portman), who was in 2011’s “Thor” and 2013’s “Thor: The Dark World.” Viewers will find out in a “Thor: Love and Thunder” flashback montage what really happened that caused the end of this relationship. Jane and Thor are considered soul mates, but their devotion to their respective work resulted in Thor and Jane drifting apart.
Guardians of the Galaxy leader Peter Quill, also known as Star-Lord (played by Chris Pratt), tries to give Thor a pep talk, because Star-Lord can relate to losing the love of his life (Gamora, played by Zoe Saldana), but the main difference is that Thor has a chance to see Jane again because she’s still alive. As shown in the trailer for “Thor: Love and Thunder,” Jane will soon come back into Thor’s life in an unexpected way, when she gains possession of Thor’s magical hammer, Mjolnir, and she reinvents herself as the Mighty Thor. As an example of some of the movie’s offbeat comedy, Korg keeps getting Jane Foster’s name wrong, by sometimes calling her Jane Fonda or Jodie Foster.
The Guardians of the Galaxy section of “Thor: Love and Thunder” almost feels like a completely separate short film that was dropped into the movie. After an intriguing opening scene with Gorr, viewers are left wondering when Gorr is going to show up again. Instead, there’s a fairly long stretch of the movie with Thor and the Guardians of the Galaxy
After spending a lot of meditative time lounging around in a robe, Thor literally throws off the robe for the battle scene with Thor and the Guardians of the Galaxy, as the Guns N’Roses song “Welcome to the Jungle” blares on the soundtrack. After the battle is over (it’s easy to predict who the victors are), Thor’s confident ego seems to have come roaring back. He exclaims with a huge grin: “What a classic Thor adventure! Hurrah!”
As a gift for this victory, Thor gets two superpowered goats, which have the strength to pull space vessels and whose goat screaming becomes a running gag in the movie. The visual effects in “Thor: Love and Thunder” get the job done well enough for a superhero movie. But are these visual effects groundbreaking or outstanding? No.
The Guardians’ personalities are all the same: Star-Lord is still cocky on the outside but deeply insecure on the inside. Drax (played by Dave Bautista) is still simple-minded. Rocket (voice by Bradley Cooper) is still sarcastic. Mantis (played by Pom Klementieff) is still sweetly earnest. Groot (voiced by Vin Diesel) still only has three words in his vocabulary: “I am Groot.”
Nebula (voiced by Karen Gillan), who is Garmora’s hot-tempered adopted sister and a longtime Guardians frenemy, is now an ally of the Guardians. Guardians associate Kraglin Obfonteri (played by Sean Gunn) makes a brief appearance to announce that he’s gotten married to an Indigarrian woman named Glenda (played by Brenda Satchwell), who is one of his growing number of his wives. It’s mentioned in a joking manner that Kraglin has a tendency to marry someone at every planet he visits.
With his confidence renewed as the God of Thunder, Thor decides he’s ready to end his “retirement” and go back into being a superhero. He says goodbye to the Guardians, who fly off in their spaceship and wish him well. Little does Thor know what he’s going to see someone from his past (Jane), whom he hasn’t seen in a long time.
Sif (played by Jaimie Alexander), an Asgardian warrior who was in the first “Thor” movie and in “Thor: The Dark World,” re-appears in “Thor: Love and Thunder,” but she now has a missing left arm and has to learn to re-adjust her fighting skills. Sif’s presence in this movie isn’t entirely unexpected. It’s a welcome return, but some viewers might think that Sif doesn’t get enough screen time.
Meanwhile, as shown in “Avengers: Endgame,” Thor gave up his King of New Asgard title to his longtime associate Valkyrie (played by Tessa Thompson), who’s finding out that being the leader of New Asgard isn’t quite as enjoyable as she thought it would be. She’d rather do battle alongside her buddy Thor instead of having to do things like attend dull council meetings or cut ribbons at opening ceremonies. New Asgard is a fishing village that has become a tourist destination that plays up its connection to Thor and his history.
The stage play recreation of Thor’s story was used as a comedic gag in 2017’s “Thor: Ragnarok” (also directed and written by Waititi), and that gag is used again in “Thor: Love and Thunder,” as this play is staged in New Asgard, but with an update to include what happened in “Thor: Ragnarok.” Making uncredited cameos as these stage play actors in “Thor: Love and Thunder” are Matt Damon as stage play Loki (Thor’s mischievous adopted brother), Luke Hemsworth as stage play Thor, Melissa McCarthy as stage play Hela (Thor’s villainous older sister) and Sam Neill as stage play Odin (Thor’s father). This comedic bit about a “Thor” stage play isn’t as fresh as it was in “Thor: Ragnarok,” but it’s still amusing.
One of the New Asgard citizens is a lively child of about 13 or 14 years old. His name is Astrid, and he announces that he wants to change his first name to Axl, in tribute to Axl Rose, the lead singer of Guns N’Roses. Axl (played by Kieron L. Dyer) is the son of Heimdall (played by Idris Elba), the Asgardian gatekeeper who was killed by supervillain Thanos in 2018’s “Avengers: Infinity War.” As fans of superhero movies know, just because a character is killed on screen doesn’t mean that that character will never be seen again. And let’s just say that “Thor: Love and Thunder” makes it clear that people have not seen the last of Heimdall.
Jane has a poignant storyline because she has Stage 4 cancer, which is something that she’s in deep denial about since she wants to act as if she still has the same physical strength as she did before her cancer reached this stage. Jane’s concerned and loyal assistant Darcy Lewis (played by Kat Dennings) makes a brief appearance to essentially advise Jane to slow down Jane’s workload. Jane refuses to take this advice.
The way that Jane gets Thor’s hammer isn’t very innovative, but she finds out that the hammer gives her godlike strength and makes her look healthy. It’s no wonder she wants to explore life as the Mighty Thor. (Her transformation also includes going from being a brunette as Jane to being a blonde as the Mighty Thor.)
And where exactly is Gorr? He now looks like a powder-white Nosferatu-like villain, as he ends up wreaking havoc by going on a killing spree of the universe’s gods. And it’s only a matter of time before Gorr reaches New Asgard. With the help of shadow monsters, Gorr ends up kidnapping the children of New Asgard (including Axl) and imprisoning them in an underground area. Guess who’s teaming up to come to the rescue?
After the mass kidnapping happens, there’s a comedic segment where Thor ends up in the kingdom of Greek god Zeus (played by Russell Crowe), a toga-wearing hedonist who says things like, “Where are we going to have this year’s orgy?” Zeus is Thor’s idol, but Thor gets a rude awakening about Zeus. Thor experiences some humiliation that involves Thor getting completely naked in Zeus’ public court. Crowe’s questionable Greek accent (which often sounds more Italian than Greek) is part of his deliberately campy performance as Zeus.
“Thor: Love and Thunder” packs in a lot of issues and switches tones so many times, it might be a turnoff to some viewers who just want to see a straightforward, uncomplicated and conventional superhero story. However, people who saw and enjoyed “Thor: Ragnarok” will be better-prepared for his mashup of styles that Waititi continues in “Thor: Love and Thunder,” which has that same spirit. “Thor: Love and Thunder” tackles much heavier issues though, such as terminal illness and crushing heartbreak.
The movie’s cancer storyline with Jane could have been mishandled, but it’s written in a way that has an emotional authenticity among the fantastical superhero shenanigans. “Thor: Love and Thunder” also goes does fairly deep in exposing the toll that superhero duties can take on these superheroes’ love lives. Thor and Jane have to come to terms with certain decisions they made that affected their relationship.
The movie also provides a glimpse into the personal lives of supporting characters Korg and Valkyrie. In a memorable scene, Valkyrie and Korg are alone together in an area of Thor’s Viking ship, and they have a heart-to-heart talk about not finding their true loves yet. They are lovelorn cynics but still show some glimmers of optimism that maybe they will be lucky in love. It’s in this scene where Korg mentions that he was raised by two fathers, and Valkyrie briefly mentions having an ex-girlfriend. A scene later in the movie shows that Korg is open having a same-sex romance.
All of the cast members do well in their roles, but Hemsworth and Portman have the performances and storyline that people will be talking about the most for “Thor: Love and Thunder.” The ups and downs of Thor and Jane’s on-again/off-again romance are not only about what true love can mean in this relationship but also touch on issues of power, control, trust and gender dynamics. It’s a movie that acknowledges that two people might be right for each other, but the timing also has to be right for the relationship to thrive.
Bale does a very solid job as Gorr, but some viewers might be disappointed that Gorr isn’t in the movie as much as expected. That’s because the first third of “Thor: Love and Thunder” is taken up by a lot of Guardians of the Galaxy interactions with Thor. In other words, Gorr’s villain presence in “Thor: Love and Thunder” is not particularly encompassing, as Hela’s villain presence was in “Thor: Ragnarok.”
The movie’s final battle scene might also be somewhat divisive with viewers because one member of Thor’s team is not part of this battle, due to this character being injured in a previous fight and being stuck at a hospital. Fans of this character will no doubt feel a huge letdown that this character is sidelined in a crucial final battle. Leaving this character out of this battle is one of the flaws of “Thor: Love and Thunder.”
The mid-credits scene and end-credits scene in Thor: Love and Thunder” show characters who are supposed to be dead. The mid-credits scene also introduces the family member of one of the movie’s characters, while the end-credits scene teases the return of other characters who exist in another realm. Neither of these scenes is mind-blowing. However, they’re worth watching for MCU completists and anyone who likes watching all of a movie’s credits at the end.
What “Thor: Love and Thunder” gets right is that it shows more concern than many other MCU movies about how insecurities and isolation outside the glory of superhero battles can have a profound effect on these heroes. Saving the universe can come at a heavy emotional price, especially when loved ones die. Whether the love is for family members, romantic partners or friends, “Thor: Love and Thunder” acknowledges that love can result in grief that isn’t easy to overcome, but the healing process is helped with loyal support and some welcome laughter.
Disney’s Marvel Studios will release “Thor: Love and Thunder” in U.S. cinemas on July 8, 2022.
Culture Representation: Taking place in the United States, Spain, the United Kingdom, Japan, Germany, Azerbaijan and the nation of Georgia, the action flick “F9” features a racially diverse cast of characters (black, white, Latino and Asian) representing the middle-class and wealthy in law enforcement and the criminal underground.
Culture Clash: A daredevil team tries to save the world from a group of criminals that includes an assassin who is the estranged brother of the daredevil leader.
Culture Audience: Besides appealing to fans of the “Fast and the Furious” movie franchise, “F9” (the ninth movie in the series) will appeal primarily to people who want to a predictable action flick with high-budget stunts and low-quality screenwriting.
Pictured in front, from left to right: Vin Diesel, Thue Ersted Rasmussen and John Cena in “F9” (Photo courtesy of Unviersal Pictures)
At this point, movies in the “Fast” movie franchise (which began with 2001’s “The Fast and the Furious”) are no longer rooted in reality and have become over-the-top spectacles for people who want to shut their brains off for a couple of hours while they watch. And that’s okay, if there’s a coherent plot and the stunts are truly creative. But “F9” (the ninth film in the series) is an example of a sequel that’s too bloated, too self-satisfied and too lazy. This movie needed less stunt casting and more impressive stunts that don’t insult people’s intelligence.
Directed by Justin Lin (who co-wrote the abysmal “F9” screenplay with Daniel Casey), “F9” is best described as a live-action movie written and directed like a sloppy cartoon for people with no attention span and no expectations to see an intriguing thriller beyond predictable chase scenes, shootouts and explosions. It’s another “we have to save the world from a power-hungry villain” story, but there’s no real creativity or suspense in this overstuffed, 145-minute movie that tries to distract viewers from the weak plot by zipping around the world to different locations. Too bad with all that globetrotting in search of the villain, the “F9” team couldn’t find anything resembling a suspenseful story, because almost every twist and turn can be easily predicted.
The main characters in the “Fast” saga have become so egotistical and conceited that there are multiple times in the movie where they wonder out loud to each other if their death-defying luck might be because they aren’t mere mortals but might in fact have superpowers. “F9” is not a superhero movie, although it would be a better explanation for some of the ridiculous outcomes of battles where real human beings would die, but these “heroes” just get injuries that are never fatal and they recover in ways that are too quick to believe.
And this wouldn’t be a “Fast” movie without constant use of the word “family.” It can become a drinking game to take a drink every time the word “family” is said in a “Fast” movie. This time around, “F9” is especially enamored with adding more people to the “family,” with some unnecessary stunt casting that looks very out of place. If “F9” is the first movie that people see in the “Fast” series, they might be a little confused, because the movie assumes that viewers will already know a lot of the characters’ backstories. It’s best to watch 2017’s “The Fate of the Furious,” because most of the main characters in that movie are in “F9.”
Here’s a handy summary of who’s in the movie and how their screen time is used in “F9.”
The Heroes
Dominic “Dom” Toretto (played by Vin Diesel) is the leader of the daredevil crew that started out as outlaw drag racers and now have vague duties a security/spy team hired to help out government officials and elite business people who are targets of villains who want to take over the world. Vinnie Bennett portrays a young Dom in the movie’s several flashbacks to when Dom was in his late teens.
Letty Ortiz (played by Michelle Rodriguez) is Dom’s on-again, off-again girlfriend. In “F9,” Dom and Letty are happily living together with Dom’s son Brian, who’s about 4 or 5 years old in this movie. Brian’s mother Elena Neves (played by Elsa Pataky) was a Diplomatic Security Service agent who died in “The Fate of the Furious.”
Mia Toretto (played by Jordana Brewster) is Dom’s loyal younger sister who goes along with whatever Dom wants. Mia is the love partner of Dom’s best friend Brian O’Conner (played by Paul Walker), who is the father of their son Jack. Walker died in real life in 2013, but Brian is supposed to be happily retired.
Roman Pearce (played by Tyrese Gibson) is a nervous and talkative member of Dom’s team. The running joke with Roman is that he’s always anxious about getting into dangerous situations. Expect Roman to scream at least twice in every “Fast” movie.
Tej Parker (played by Chris “Ludacris” Bridges) is Roman’s level-headed best friend who has skills as a mechanic and a computer technician.
Ramsey (played by Nathalie Emmanuel) is a British computer hacker who has essentially taken over from Tej as being the “computer whiz” on Dom’s team.
Han Lue (played by Sung Kang) supposedly died in 2013’s “Fast & Furious 6,” but he makes a notable but brief return in “F9.” Han’s return is not spoiler information, since it’s part of this movie’s publicity, and his re-appearance has this explanation: He faked his own death.
The Villains
Otto (played by Thue Ersted Rasmussen), a wealthy German mogul with vast political connections who wants to take over the world.
Jakob Toretto (played by John Cena), Dom’s estranged younger brother, who works with Otto as Otto’s top assassin. Finn Cole portrays a young Jakob in his late teens in the movie’s flashback scenes.
Cypher (played by Charlize Theron), a cyberterrorist who was the chief villain in “The Fate of the Furious.” In “F9,” she spends most of her screen time literally locked up in a glass cage.
The Rest
Sean (played by Lucas Black), Twinkie (played by Shad Moss, also known as Bow Wow) and Santos (played by Don Omar) are three mechanics who are in the movie mostly for comic relief. They’re like the Three Stooges of the “Fast” movie franchise.
Mr. Nobody (played by Kurt Russell) is a powerful undercover operative who works with Dom’s team. A plane hijacking involving Mr. Nobody sets off the rescue mission in the movie.
Elle (played by Anna Sawai) is an associate of Han’s who plays a key role in this mission.
Stasiak (played by Shea Whigham) is an FBI agent who works with Mr. Nobody.
Buddy (played by Michael Rooker) is a mechanic who raised Jakob after Jakob’s father died.
Queenie Shaw (played by Helen Mirren) is the mother of Deckard Shaw (played by Jason Statham), a longtime nemesis of Dom’s team.
Through a distress video found in Mr. Nobody’s hijacked plane, Dom and his team find out that Jakob was one of the chief people behind the hijacking. Otto and Jakob are after a device called Aries, which has the ability to hack into defense and banking systems around the world. It’s the type of device that any self-respecting villain with world domination goals would want to have.
Aries has been split into two. Jakob and Otto have one half of Aries, and they’re in a race against time with Dom and his team to get the other half of Aries. Cypher is being held captive by Otto and Jakob, who try to get her advice on how to find Aries and thwart Dom and his team. The stakes are more personal for Dom and Jakob because of their family feud.
The origin of this brotherly vendetta is shown through flashbacks. It has to do with the death of Dom and Jakob’s father Jack Toretto (played by JD Pardo), who died during a car race witnessed by Dom and Jakob. Siena Agudong plays a young Mia in these flashbacks.
Various parts of Dom’s team travel to different parts of the world to find the missing half of Aries. Cardi B has a very quick cameo as Leysa, someone from Dom’s past. People might laugh when they see what type of role she has in this movie. (No, she isn’t a stripper.) Along the way, Roman and Tej go into space using a rocket car that was built by Sean, Twinkie and Santos. Now, try say all of that out loud with a straight face.
The Pontiac Fiero that goes into space (by having a cheap-looking rocket launcher attached) is the most ridiculous part of this movie’s dumb plot. But to the movie’s credit, “F9” even knows how stupid this space rocket car gimmick is, because Roman and Tej keep saying while they’re in outer space that they have no idea what they’re doing there. In real life, Roman and Tej would also be dead in space, based on the flimsy-looking spacesuits they wear in this movie. But when a movie is self-aware of how idiotic it is, it doesn’t make the idiocy any better.
There are many examples of how “F9” is wasteful, including how it squanders the great talent of Oscar-winning actresses Mirren and Theron. Mirren’s Queenie character (who is a jewel thief) literally does nothing in the movie but drive Dom somewhere after she’s committed a jewelry heist. The movie makes a point of showing how Queenie is wearing animal print boots underneath her elegant gown and high-priced jewelry. Mirren might as well have been wearing a T-shirt that says, “I’m Just Here for the Paycheck.”
Theron spends most of her “F9” screen time as a prisoner in a glass cage, which is the type of cage that people have for large animals. And speaking of sexist depictions of women, the movie has a mansion party scene where only modelesque, scantily clad women wearing white are gathered on the front lawn, as if they’re only there to be sex objects on display. “F9” villain Otto is the host of the party, so “F9” filmmakers can shift the blame to the evil character being responsible for objectifying women. But it just comes across as director Lin deciding to objectify women in this scene just because he could.
Of course, Letty, Mia and Ramsey all embody what it means to be good and strong women. But make no mistake: The men are in charge in these movies. No matter how much Letty, Mia and Ramsey are given to do, all three women are ultimately under Dom’s leadership. So much for female empowerment.
“F9” is one of the worst of the “Fast” franchise because even the chief villain Otto is forgettable and badly written. He comes across as a spoiled wimp, with the wardrobe of a dorky playboy, including wearing tacky leisure suits with loafers and no socks. There’s absolutely nothing scary about Otto. However, look for Statham’s Shaw character to make a mid-credits cameo in “F9.” Statham’s appearance is a reminder of how much better this movie series is when it has a truly menacing villain.
As for Jakob, he’s all brawn and very little brain, just like many characters Cena tends to play in action movies. The flashback scenes take up a lot of time and some could easily have been cut out of the film and still made their point. Diesel continues to display wooden acting. The rest of the cast members are serviceable in their roles. The movie’s flashbacks serve as the emotional core of the over-used theme in “Fast” movies: family.
And the return of Han doesn’t happen until the last third of the movie. The not-very-believable explanation for Han’s “return from the dead” is so cringeworthy, even actor Kang seems a little embarrassed to utter the lines. You’d have to believe that Han (who supposedly died in a car explosion) had a similar-looking replacement corpse nearby before the car exploded, and that he was not only able to jump out of the car in time but also put another corpse in the car instead. You’d also have to believe that a medical examiner wouldn’t be able to detect through DNA or dental records that Han’s body wasn’t the body that was found in the car.
With all that being said, die-hard fans won’t care how bad “F9” is because they just want to see fight scenes, car chases and explosions. And in that respect, “F9” does deliver, but not as well as previous “Fast” films that Lim directed. He also directed 2006’s “The Fast and the Furious: Tokyo Drift,” 2009’s “Fast & Furious,” 2011’s “Fast Five” and “Fast & Furious 6.” Those other four movies have something that “F9” severely lacks: a story with some genuine and unique surprises, not coasting entirely on past glories.
Universal Pictures released “F9” in U.S. cinemas on June 25, 2021. The movie was released in various other countries, beginning on June 19, 2021.
Culture Representation: Taking place in various cities around the world, the sci-fi/action flick “Bloodshot” has a racially diverse cast (white, black, Asian and Latino) and a story that revolves around a U.S. military soldier who’s brought back from the dead, as well as the current and former members of a secret high-tech organization that’s experimenting on him to make him into an easily manipulated killing machine.
Culture Clash: Certain characters in the story have ethical dilemmas about using technology to train assassins.
Culture Audience: “Bloodshot” will appeal primarily to fans of star Vin Diesel and the comic-book series on which the movie is based, but the movie’s formulaic tropes will have little interest to people who aren’t die-hard fans of action movies.
Guy Pearce and Vin Diesel in “Bloodshot” (Photo by Graham Bartholomew/Columbia Pictures)
Vin Diesel is best known for starring in the wildly successful car-racing “Fast and Furious” franchise since 2001, when the first “The Fast and the Furious” movie made him famous. Ever since then, he’s starred in multiple action movies that were clearly made with the hopes that they too would become blockbuster franchises with a series of several movies, but none outside of “The Fast and the Furious” and “XXX” (pronounced “triple X”) has panned out to be that way.
The sci-fi/action flick “Bloodshot” (based on the Valiant Comics series) is another attempt by Diesel (who’s one of the movie’s producers) to try and create a movie-franchise vehicle for himself, and this attempt will also fail. Although “Bloodshot” is a passably enjoyable film, the movie doesn’t have the charisma to make it the type of film where audiences will demand any sequels. This personality deficit in the movie has largely do with the fact that Diesel is a very robotic actor, which is no surprise to anyone who’s seen most of his films.
“Bloodshot” begins with a montage of Diesel’s Ray Garrison character on active duty as a U.S. Marines soldier. He saves a man from a hostage situation and ends up at Ariano Air Force Base in Italy, where he gets praise for his rescue mission. All of this globetrotting away from home has put a strain on his marriage to his British wife Gina (played by Talulah Riley), who’s an action-flick cliché of being the hero’s modelesque love interest who (of course) gets half-naked in the movie. Gina comments to Ray about his soldier duties, “At some point, your body can’t do this forever,” in what is supposed to pass as deep, meaningful insight in her dialogue.
Sure enough, Ray does get killed. But how he gets killed might or might not have happened in the way people might think it happened, since the movie plays tricks on characters’ minds about what’s real and what isn’t. What does happen on screen is that Ray is ambushed and kidnapped by two men in his bathroom. The next thing Ray knows, he’s tied to a chair in a slaughterhouse, where he undergoes a brutal interrogation about information that he swears that he doesn’t know.
Ray’s tormenter/interrogator in this kidnapping is Martin Axe (played by Toby Kebbell), who’s clearly unhinged because he starts dancing to the Talking Heads’ “Psycho Killer” before showing that Gina has been kidnapped and tied up too. And then Gina gets murdered in front of Ray.
As viewers soon see, the entire tragic scene was an elaborate virtual-reality manipulation that later will be used on Ray, who is dead in real life and being experimented on by a secret American high-tech organization called Rising Spirit Technologies (RST), led by the overly ambitious mad scientist Dr. Emil Harting (played by Guy Pearce). Dr. Harting wants to perfect a technology that can resurrect soldiers from the dead and train them to be assassins with superpowers. He plans to sell this technology to the highest bidder, and he expects to make billions. (This isn’t spoiler information, since this concept of reanimating Ray from the dead is in the movie’s trailer and it’s the origin story in the “Bloodshot” comics.)
Ray finds out that he’s been brought back from the dead when Dr. Harting shows Ray how Ray has undergone a blood transfusion that has replaced Ray’s blood with a plasma-like liquid filled with molecular creatures that can quickly rebuild his body in any way after getting injuries or wounds, thereby making Ray virtually indestructible. The visual effects for “Bloodshot” are actually quite good, but they won’t be winning any awards.
Ray is the first person that RST has been able to bring back to life, according to what Dr. Harting says. Dr. Harting also says that no family members claimed Ray after Ray’s death, so that’s why Ray’s body ended up at RST. Ray’s memory has been erased, so he has no way to know if Dr. Harting is telling him the truth, and he’s trapped in the facility anyway. In order to ease Ray’s fears, Dr. Harting puts a positive spin on the situation by telling Ray that Ray now has a second chance at life. What he doesn’t tell Ray is that Ray is being used by RST to see if Ray can be turned into an easily programmable killing machine.
At RST, Ray meets three people who are also part of RST’s experiments: Katie, nicknamed KT (played by Eiza González), is someone whose respiratory system has been restored into something high-tech that can be controlled by Dr. Harting. Jimmy Dalton (played by Sam Heughan) is Dr. Harting’s most loyal foot soldier (literally), since his legs have been replaced by super-speedy mechanical limbs. Jimmy has other high-tech abilities that are revealed later in the story. Tibbs (played by Alex Hernandez), the quietest of the three, has ocular prosthetics that give him a superhuman ability to see.
What viewers see but what Ray doesn’t is that RST can create virtual worlds in Ray’s mind and erase his memories to start over and implant other ideas in his mind whenever they want. And what Dr. Harting wants to do in this phase of the experiment is to see if he can get Ray to complete a series of assassinations around the world, by tricking Ray into thinking that each of the men he assassinates is the same man who murdered Gina in front of Ray.
In order to do that, RST has to erase Ray’s memories every time he completes an assassination and start over by replacing Gina’s murder re-enactment with a different image of each man as the murderer, who will then be the target of Ray’s revenge assassination. And who are these men that Ray is supposed to kill? And why does Dr. Harting want them killed? Those details are revealed in the movie.
Meanwhile, KT gets a little closer to Ray, and there are hints that she’s attracted to him and wants a better life than the one she’s trapped in at RST. There’s also a fast-talking coding whiz named Wilfred Wigans (played by Lamorne Morris), a Brit who’s the comic relief in the movie. Wigans has a self-deprecating sense of humor that shows he’s aware that he’s a nerd who gets disrespected, but he’s determined to have the last laugh. Wigans is the only character in the movie who seems to have a personality that goes beyond two dimensions.
Most people who want to see “Bloodshot” will be interested in the action sequences. And some of these scenes are thrilling, particularly the movie’s best action scene, which takes place on a skyscraper. But the assassination scenes are very formulaic, especially since there are video games that have upped the ante and people’s expectations for this type of action.
In this age of Marvel Studios’ domination of superhero flicks, movie audiences are now expecting a lot more from superhero movies than what “Bloodshot” delivers, because the movie version of “Bloodshot” is a story that’s on the same quality level as a video game. “Bloodshot” director David S. F. Wilson (who co-wrote the movie’s screenplay with Eric Heisserer) should have kept in mind while making this film that today’s movie audiences want genuine and relatable character development in superhero movies, not just impressive visual effects. Wilson, who makes his feature-film directorial debut with “Bloodshot,” has a visual-effects background in mostly video games, including several “Star Wars” video game titles.
As the ruthless and greedy Dr. Harting, Pearce does a reasonably good job with his character, but he’s already played a memorable mad scientist in a superhero movie before—Aldrich Killian in 2013’s “Iron Man 3.” Since “Iron Man 3” was a much better movie than “Bloodshot,” the latter movie seems like an inferior retread for Pearce, and the Harting character doesn’t have the wounded emotional depth that Killian had.
And in the role of KT, González does a serviceable performance that, quite frankly, could have been played by any number of actresses. Huegan’s soulless Jimmy Dalton character is strictly a one-dimensional role where he has single-minded loyalty to RST and some jealousy toward Ray, who’s being groomed as RST’s alpha male experiment. And as the quiet Tibbs, Hernandez doesn’t have much to do with this character, who’s basically there to just follow Jimmy’s lead.
In order for a superhero movie to go from a one-picture deal to a series franchise, audiences have to want to come back for more because of the personalities of the main characters. In that respect, “Bloodshot” falls woefully short, because as the center of the story and as the titular superhero, Diesel’s acting is almost as artificially lifeless as Ray Garrison/Bloodshot.
Columbia Pictures released “Bloodshot” in U.S. cinemas on March 13, 2020.
UPDATE: Because of the widespread coronavirus-related closures of movie theaters worldwide, Sony Pictures Home Entertainment has moved up the digital and VOD release of “Bloodshot” to March 24, 2020.
James Gunn, the writer and director of the first two of Marvel Studios’ “Guardians of the Galaxy” films, was abruptly fired by Marvel parent company Walt Disney Studios on July 20, 2018, after tweets that he made from 2008 to 2011 in which he made crude jokes about rape and pedophilia were brought to the public’s attention on social media. After he was fired, Gunn made a public apology, saying in part that “when I made these shocking jokes, I wasn’t living them out.” Reactions from Hollywood celebrities have been mostly sympathetic to Gunn. Actor/comedian Bobcat Goldthwait and actress Selma Blair have publicly defended Gunn and demanded that Disney hire him back. Meanwhile, several “Guardians of the Galaxy” stars have publicly stated directly or indirectly that they support Gunn, with Dave Bautista being the most vocal by expressing his outrage over Gunn’s firing.
Bautista tweeted: “I will have more to say but for right now all I will say is this. @James Gunn is one of the most loving, caring, good natured people I have ever met. He’s gentle and kind and cares deeply for people and animals. He’s made mistakes. We all have. Im NOT ok with what’s happening to him.”
He later added, in reference to Gunn’s tweets being exposed by politically conservative pundits: “What happened here is so much bigger then G3 @JamesGunn, myself, @Disney etc. This was a #cybernazi attack that succeeded. Unless we start to unite together against this crap, whether people are offended are not! …it’s going to get much worse. And it can happen to anyone.”
Blair has advocated for people to sign a Change.org petition for Gunn to be re-hired by Disney. By July 23, the petition had nearly 170,000 signatures.
Goldthwait went as far as asking Disney to remove his voice from an upcoming Disney attraction. Goldthwait posted on Instagram on July 23: “I love James Gunn. He’s a loyal friend, super talented, passionate and kind. I wanted to say something, here it is: Dear Disney, I would hate for you to come off as hypocritical, so I’m suggesting that you remove my voice from an attraction that’s coming to your park. It’s called WORLD OF COLOR – VILLAINOUS, and I reprise the tole of Pain, a role I played in Hercules.”
Dave Bautista, Michael Rooker, Pom Klementieff, James Gunn, Chris Pratt, Zoe Saldana, Elizabeth Debicki, Kurt Russell and Karen Gillan from “Guardians of the Galaxy Vol. 2” at Comic-Con International in San Diego on July 23, 2016. (Photo by Alberto E. Rodriguez/Getty Images for Disney)
“Guardians of the Galaxy” stars Chris Pratt, Zoe Saldana, Karen Gillan, Pom Klementieff and Michael Rooker made comments on Twitter that did not ask Gunn to be rehired, but seemed to imply sympathy for him.
Pratt tweeted: “‘Understand this, my dear brothers and sisters. Let every person be quick to listen, slow to speak, slow to anger.’ JAMES 1:19.”
Saldana tweeted: “It’s been a challenging weekend I’m not gonna lie. I’m pausing myself to take everything in before I speak out of [turn]. I just want everyone to know I love ALL members of my GOTG family. Always will.”
Gillan tweeted: “Love to every single member of my GOTG family.”
Klementieff, who joined the “Guardians of the Galaxy” cast for the second film in the series, tweeted: “We are Groot. We are a family. We stand together.”
Rooker tweeted: “This account will be inactive after today. We’re very tired & upset over the ongoing BULLS–T… neither I nor my rep will use Twitter again. Twitter sucks and I want nothing to do with it. Thank you to all who gave kind words & support. See you on Instagram.”
“Guardians of the Galaxy” co-stars Bradley Cooper and Vin Diesel (who voice animated characters in the films) have not yet commented on the controversy. Marvel Studios president Kevin Feige has also made no comment yet about Gunn’s dismissal.
Most of Gunn’s controversial tweets talked about pedophilia, rape and other sexual abuse of children. Disney’s firing of Gunn wasn’t the first time he got in trouble over remarks he made on Twitter. In 2012, he issued a public apology for homophobic and sexist tweets he made in 2011, when he speculated on what it would be like to have sex with fictional superheroes.
Walt Disney Studios chairman Alan Horn issued this statement on July 20, 2018: “The offensive attitudes and statements discovered on James’ Twitter feed are indefensible and inconsistent with our studio’s values, and we have severed our business relationship with him.”
Gunn then made this statement: “In the past, I have apologized for humor of mine that hurt people. I truly felt sorry and meant every word of my apologies. For the record, when I made these shocking jokes, I wasn’t living them out. I know this is a weird statement to make, and seems obvious, but, still, here I am, saying it.
“Regardless of how much time has passed, I understand and accept the business decisions taken today. Even these many years later, I take full responsibility for the way I conducted myself then. All I can do now, beyond offering my sincere and heartfelt regret, is to be the best human being I can be: accepting, understanding, committed to equality, and far more thoughtful about my public statements and my obligations to our public discourse. To everyone inside my industry and beyond, I again offer my deepest apologies. Love to all.”
Gunn was a relatively unknown director of independent films such as 2006’s “Slither” and 2010’s “Super” before he was hired to write and direct “Guardians of the Galaxy.” The first “Guardians of the Galaxy” film, released in in 2014, made $775 million at the box office worldwide, according to Marvel. “Guardians of the Galaxy Vol. 2,” released in 2017, made $860 million at the box office worldwide.
Before he was fired, Gunn had been set to write and direct “Guardians of the Galaxy Vol. 3,” which is expected to be released sometime in 2020. Gunn’s replacement for that film has not yet been announced.
On July 20, Gunn had been scheduled to be on a Comic-Con International panel in San Diego to promote a still-untitled horror film starring Elizabeth Banks that he is producing for Sony Pictures. His Comic-Con appearance was canceled, and Sony has not commented on the controversy or if Gunn is still involved in the movie or not. David Yarovesky will direct the movie, which will be written by Brian Gunn (James Gunn’s brother) and Mark Gunn (James Gunn’s cousin). The H Collective will fully finance the movie and produce it with James Gunn’s company Troll Court Entertainment. During the Comic-Con panel, James Gunn was not mentioned at all.
In a lengthy post on Twitter and Instagram, James Gunn’s younger brother Sean Gunn ( a “Gilmore Girls” actor who had small roles in the first two “Guardians of the Galaxy” movies) commented that being part of the Disney/Marvel world had changed James Gunn: “I saw that he was more open-hearted than the guy who needed to get a rise out of people by making nasty or offensive jokes … So I guess my hope is that fans continue to watch and appreciate the Guardians movies, not despite the fact that the filmmaker used to be kind of a jackass, but because of it. They are, after all, movies about discovering your best self. Working on those movies made my brother a better person, and they made me one too. I’m proud of that. Peace.”
July 30, 2018 UPDATE: As of this writing, nearly 350,000 people have signed the Change.org petition for Disney/Marvel to re-hire James Gunn. “Guardians of the Galaxy” stars Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Karen Gillan, Pom Klementieff, Michael Rooker and Sean Gunn have all signed a group statement that has been posted on social media accounts and various other Internet outlets. The statement has called for James Gunn to be re-instated as the writer/director of “Guardians of the Galaxy” movie franchise. Here is the complete statement:
“We fully support James Gunn. We were all shocked by his abrupt firing last week and have intentionally waited these ten days to respond in order to think, pray, listen, and discuss. In that time, we’ve been encouraged by the outpouring of support from fans and members of the media who wish to see James reinstated as director of Volume 3 as well as discouraged by those so easily duped into believing the many outlandish conspiracy theories surrounding him.
“Being in the “Guardians of the Galaxy” movies has been a great honor in each of our lives. We cannot let this moment pass without expressing our love, support, and gratitude for James. We are not here to defend his jokes of many years ago but rather to share our experience having spent many years together on set making Guardians of the Galaxy 1 and 2. The character he has shown in the wake of his firing is consistent with the man he was every day on set, and his apology, now and from years ago when first addressing these remarks, we believe is from the heart, a heart we all know, trust, and love. In casting each of us to help him tell the story of misfits who find redemption, he changed our lives forever. We believe the theme of redemption has never been more relevant than now.
“Each of us looks forward to working with our friend James again in the future. His story isn’t over — not by a long shot.
“There is little due process in the court of public opinion. James is likely not the last good person to be put on trial. Given the growing political divide in this country, it’s safe to say instances like this will continue, although we hope Americans from across the political spectrum can ease up on the character assassinations and stop weaponizing mob mentality.
“It is our hope that what has transpired can serve as an example for all of us to realize the enormous responsibility we have to ourselves and to each other regarding the use of our written words when we etch them in digital stone; that we as a society may learn from this experience and in the future will think twice before we decide what we want to express; and in so learning perhaps can harness this capability to help and heal instead of hurting each other. Thank you for taking the time to read our words.”
Chris “Ludacris” Bridges, Vin Diesel, Jordana Brewster and Tyrese Gibson at the grand opening of Fast & Furious Supercharged at Universal Orlando Resort in Orlando, Florida on May 2, 2018. (Photo courtesy of Universal Orlando Resort)
The following is a press release from Universal Orlando Resort:
Last night, superstars from the Fast & Furious franchise – star and producer Vin Diesel (Dom), and stars Chris “Ludacris” Bridges (Tej), Tyrese Gibson (Roman) and Jordana Brewster (Mia) – celebrated the opening of Universal Orlando Resort’s new attraction, Fast & Furious – Supercharged.
Diesel joined some of his Fast & Furious series co-stars for a celebratory moment reminiscent of the Fast & Furious films – featuring high-speed car action and an amazing stunt in front of the attraction. The moment culminated with a countdown led by the franchise’s superstars and an explosive pyrotechnics display.
With a worldwide box-office of more than $5 billion, theFast & Furious film franchise is one of the highest-grossing of all time and has become a global phenomenon that has captivated audiences from around the world with action-packed storylines, unique characters and high-speed cars. Now, in the immersive family attraction – Universal Orlando guests can step into the blockbuster franchise and straight into the heart of the Fast & Furious series right alongside some of their favorite members of the Fast & Furious crew – Dom, Letty, Hobbs, Tej, Roman and Mia – all played by the films’ stars.
During the experience, guests will:
join up with the Fast & Furious crew as they feel what it’s like to step into their favorite Fast & Furious film;
immerse themselves in an authentic re-creation of the Fast & Furiouscrew’s warehouse headquarters – filled with actual props, iconic scenes, authentic details and supercharged vehicles from the films;
ride with the family and crew as the film’s soundtracks pumps, vehicles flip, rockets fire – and the action builds; and –
check out more than a dozen of the supercharged cars from the films – including some driven by their favorite characters, like Dom’s classic muscle car, Roman’s super lux coupe and more.
Fast & Furious – Supercharged is now open at Universal Orlando. Guests can save up to $100 on a Universal Orlando Vacation Package and Florida Residents can take advantage of the limited-time Buy a Day, Get a 2nd Day Free offer to experience everything at Universal Orlando Resort, including Fast & Furious – Supercharged. To purchase these special ticket offers and for more information on Fast & Furious – Supercharged, visit www.UniversalOrlando.com/Fast.
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
Fast & Furious – Supercharged at Universal Orlando Resort in Orlando, Florida (Photo courtesy of Universal Orlando Resort)
