Vincent D'Onofrio Archives

Review: ‘Dumb Money’ (2023), starring Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley and Seth Rogen

September 9, 2023

by Carla Hay

Paul Dano in “Dumb Money” (Photo by Claire Folger/Columbia Pictures)

“Dumb Money” (2023)

Directed by Craig Gillespie

Culture Representation: Taking place in various parts of the United States, from 2020 to 2021, the comedy/drama film “Dumb Money” (based on true events) features a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the working-class and middle-class.

Culture Clash: Keith Gill, an insurance analyst and amateur stock-market adviser, becomes an Internet sensation with a cult-like following under his online alias Roaring Kitty, when he becomes a passionate advocate of buying stocks in the video game retail company GameStop, leading to a massive upheaval in the billionaire-owned hedge funds that want GameStop to fail.

Culture Audience: “Dumb Money” will appeal primarily to people who are fans of the movie’s headliners and stories about financial underdogs who take on corporate giants.

Nick Offerman and Seth Rogen in “Dumb Money” (Photo by Lacey Terrell/Columbia Pictures)

The slick comedy/drama “Dumb Money” takes a little too long to get to the best parts of this story of financial underdogs versus billionaire corporate bullies, but it’s still a mostly entertaining ride with a talented cast. Some of the characters are very underdeveloped, while other characters are unnecessary distractions. People who are interested in finance and computer technology will enjoy and understand “Dumb Money” the most. “Dumb Money” might get compared to 2015’s “The Big Short” and 2010’s “The Social Network,” but “Dumb Money” isn’t as outstanding as those two Oscar-winning films.

Directed by Craig Gillespie, “Dumb Money” had its world premiere at the 2023 Toronto International Film Festival. This “Dumb Money” feature film is not to be confused with filmmaker Ryan Garry’s 2021 short narrative film “Dumb Money,” which is based on the same subject matter of the GameStop stock phenomenon that disrupted Wall Street’s stock market. From 2021 to 2023, there have been at least seven documentaries about the same subject. The “Dumb Money” short film has an entirely different cast and crew from the “Dumb Money” feature film. Gillespie (the director of 2017’s “I, Tonya” and an executive producer/director of 2022’s “Pam & Tommy” miniseries) has a style that blends intense drama and satirical comedy, even when based on true stories.

The “Dumb Money” feature film’s screenplay—which was co-written by former Wall Street Journal reporters Lauren Schuker Blum and Rebecca Angelo—is based on Ben Mezrich’s 2021 non-fiction book “The Anti-Social Network: The GameStop Short Squeeze and the Ragtag Group of Amateur Traders That Brought Wall Street to Its Knees.” Mezrich also wrote the 2009 non-fiction book “The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius, and Betrayal,” which was adapted into Aaron Sorkin’s Oscar-winning screenplay for “The Social Network.” Identical twin brothers Cameron Winklevoss and Tyler Winklevoss, who famously sued Facebook to get more of Facebook’s profits (as depicted in director David Fincher’s “The Social Network”), are two of the executive producers of the “Dumb Money” feature film.

If “The Social Network” and filmmaker Adam McKay’s “The Big Short” are mentioned in comparison to “Dumb Money,” that’s because “Dumb Money” has many similarities in how it approaches a complex story of financial wheeling and dealing with many players on different levels. The overarching theme of all three of these movies is that greedy corporate types are villains who don’t hesitate to crush the hopes, dreams and finances of “underdogs” who dare to challenge them. The title of “Dumb Money” comes from the term that arrogant rich people in the financial sector use for non-wealthy people who invest in the stock market. A more polite term used for non-wealthy investors are “retail investors.”

The “Dumb Money” feature film is based on the true story of a phenomenon that happened from 2020 to 2021, when the video game retailer GameStop suddenly went from being on the verge of going out of business to became a red-hot stock investment, because of a surge of working-class and middle-class people who decided to invest in GameStop stock. This massive interest in GameStop stock was based largely on the advice of an Internet media personality using the alias Roaring Kitty. It also caused a panic among wealthy Wall Street investors who did not know how to handle this unexpected grassroots movement.

In real life, Roaring Kitty was a middle-class, self-described computer geek in his 30s named Paul Gill (played by Paul Dano), whose day job at the time was working as an analyst/financial educator for insurance corporation MassMutual. He did his stock-market videos and Internet chatting on his own time at his home. Because of the unexpected success of GameStop stock, many billionaire-owned hedge funds that were betting on GameStop stock to fail (a practice known as “shorting” or “short-selling” a stock) experienced financial meltdowns. “Dumb Money” is an occasionally convoluted play-by-play of what happened during this stock-market war that led to a U.S. Congressional hearing and federal investigations.

The movie’s principal characters have the same names as the real people, while some of the supporting characters are fabricated and are partially based on real people. (For the purposes of this review, the real people will be referred to by their last names, while the characters in the movie will be referred to by their first names.) Many of Gill’s real-life quirks are also portrayed in the movie. He liked to wear headbands (especially a red hedband) and T-shirts with kittens on the front of the shirts.

In the “Dumb Money” feature film, Keith is living in Brockton, Massachusetts, with his supportive wife Caroline Gill (played by Shailene Woodley) and their infant daughter (played by Leyla Eden and Mason Eden), who doesn’t have a name in the movie. (“Dumb Money” was actually filmed in New Jersey.) Keith has invested the couple’s entire life savings ($33,000) in GameStop. Most people who know about this investment think that Keith has made a reckless and foolish decision. Caroline is skeptical and nervous about the decision. But ultimately, she stands by Keith’s firm belief that GameStop investing could make them enough money, possibly millions of dollars, for them to retire early.

The movie shows that Keith’s online persona as Roaring Kitty (which he used on online platforms such as YouTube and on a Reddit subforum called WallStreetBets) didn’t start out being popular. In the beginning he had a very small audience, many of whom ridiculed him. However, his enthusiasm for GameStop was infectious. Over time, his following grew to thousands of enthusiastic fans who eagerly listened to Keith’s stock-market advice. In order to legally protect himself, Keith had disclaimers about how he was not a licensed stock broker, and his information about GameStop was for entertainment purposes only.

Keith’s other immediate family members, who all live nearby, are mother Elaine Gill (played by Kate Burton), a retired registered nurse; father Steve Gill (played by Clancy Brown), a retired truck driver; and Keith’s younger brother Kevin (played by Pete Davdison), a stoner who has trouble holding on to a steady job. In the movie, Kevin is working in a low-paying job as a food delivery person and is living with his parents. Kevin’s only purpose in the movie is to be comic relief, since he’s not involved in any of Keith’s stock-market shenanigans. Keith’s parents don’t find out about what Keith is doing in the stock market until he tells them some big news.

The Gill family is grieving over the death of Elaine’s and Steve’s other child: Sarah Elizabeth Gill, who died of COVID-19 in 2020, at the age of 43. Keith doesn’t like to talk about Sarah’s death, but there are a few scenes in the movie that show how her death has had a profound effect on him. It’s implied that Keith’s grief over his sister’s death is the fuel behind Keith’s willingness to risk his entire fortune and reputation on GameStop stock. Many people who experience the loss of a loved one often react with extreme “you only live once” decisions.

And because the movie’s story takes place during the height of the COVD-19 pandemic, there are several verbal and non-verbal references to the pandemic in “Dumb Money.” Observant viewers will notice that in the movie, the characters who tend to wear COVID-19 masks are either required to wear the masks as part of their jobs or are in precarious financial situations where they can’t afford to miss out on work if they get infected with COVID-19. There’s also an underlying implication that people being in COVID-19 quarantines or lockdowns resulted in more people spending time at home online, which might be one of the plausible reasons why the GameStop stock phenomenon happened so quickly.

“Dumb Money” opens with a scene taking place in 2020, showing one of the “villains” of the story panicking because he sees that GameStop stock is on the rise. Gabe Plotkin (played by Seth Rogen), the CEO of hedge fund Melvin Capital, is at his mansion in California, when he calls his fellow billionaire crony Ken Griffin (played by Nick Offerman), who’s relaxing at a Four Seasons Resort in Florida. During the conversation, Gabe tries not to show how frightened he is by this upward trend in GameStop stock, while he puts on a front in assuring Ken that Gabe has everything under control. Gabe wants to get Ken’s reaction to the rise in GameStop stock value. Ken doesn’t seem too worried at all. Viewers will later find out why.

The movie then does a flashback to three months earlier, when GameStop’s stock was valued at only $3.85 per share. Keith is shown doing his Roaring Kitty activities on the Internet, while other characters are introduced as eventual followers of Keith/Roaring Kitty. Every time a stock market player is shown on camera, the movie has a caption next to that person’s head that shows the person’s net worth at the time they are shown on screen. All of Keith’s followers who are depicted in “Dumb Money” are fictional versions of real people and are portrayed as having financial struggles before investing in GameStop.

In the city of Pittbsurgh, Jenny (played by America Ferrera) is a divorced mother of two sons, who look like they’re about 8 to 10 years old. It’s briefly mentioned in the movie that Jenny’s ex-husband abandoned the family. Jenny is financially broke (when she’s first seen in the movie, her net worth is a deficit of more than $5,000) and works as a nurse at Pittsburgh Presbyterian Hospital. She becomes obsessed with Roaring Kitty’s videos, and eventually invests in GameStop. Jenny gets repeated warnings and admonishments from her sassy, openly gay best friend/co-worker Chris (played by Larry Owens), who thinks she’s making a big mistake with this investment. Chris frequently advises Jenny to sell all of her GameStop stock.

In the city of Detroit, Marcos Garcia (played by Anthony Ramos) is a low-paid and under-appreciated cashier at a GameStop store. Marcos is also financially broke. His net worth is only $136 when he’s first seen in the story, and he’s denied a request to get an advance on his next paycheck. Marcos’ boss Brad (played by Dane DeHaan) treats Marcos in a condescending and dismissive manner, especially after he finds out that Marcos has invested in GameStop.

At the University of Texas in Austin, two students meet during a drinking game at a party and eventually become lovers. Their names are Harmony Williams (played by Talia Ryder) and Riri (played by Myha’la Herrold), whose sexual chemistry with each other can be seen as soon as Riri is told to put her hand down Harmony’s pants because of a dare during the drinking game. During this first conversation, Harmony tells Riri that she’s thinking about investing in GameStop stock because Harmony has become a fan of Roaring Kitty. Eventually, Harmony and Riri (who each has thousands of dollars in student-loan debt) invest their money in GameStop stock. Harmony has a scowling, unnamed roommate (played by Andrea Simons), whose annoyance with this romance is used as an occasional joke in the movie.

All of these financial underdogs express various levels of anger and motivation to fight back against what they believe to be a rigged stock market that was designed to make the rich get richer, and non-wealthy people to be at a disadvantage. After Harmony and Riri become intimate partners, Harmony tells Riri that her father used to be the general manager of a Costco-like retailer called Shopco, but he lost his job, his pension and much of his life savings. Harmony says it’s because he was a victim of a corporate raiding firm that bought Shopco to purposely bankrupt the company, in order to benefit the people who were short-selling Shopco stock.

Real-life billionaire investor Steve Cohen (played by Vincent D’Onofrio) is another player in the GameStop stock-market war depicted in “Dumb Money,” although this character is shown intermittently and doesn’t get nearly as much screen time as billionaires Gabe and Ken. Gabe is portayed as a tone-deaf partier who likes to spend lavishly and doesn’t really think about all the lives he’s ruining by short-selling stock. Ken is depicted as a cold manipulator who is very much aware of the lives he’s ruining, but he just doesn’t care.

And in this billionaire clique, it’s very much portrayed as a “boys’ club.” The only woman connected to this clique who has a significant speaking role (and it’s still a small role) is Gabe’s wife Yaara Plotkin (played by Olivia Thirlby), a “trophy wife” type. The only purpose she’s given in this movie is to worry about whether or not Gabe is making enough money so that she can maintain the lifestyle to which she has become accustomed. There are no female stockbrokers or female hedge fund leaders who are depicted as characters in this movie.

Two other characters who have pivotal roles in the GameStop stock-market war are the co-founders of the Robinhood app: Vlad Tenev (played by Sebastian Stan) and Baiju Bhatt (played by Rushi Kota), who marketed Robinhood as an app where ordinary people could buy and sell stocks for free. In the movie, Robinhood users include Jenny, Marcos, Harmony and Riri. Vlad and Baiji, who are both in their 30s, are “tech bro” stereotypes of being arrogant big talkers of start-up companies. Vlad is portrayed as the more corrupt person in this greedy and ambitious duo.

The first half of “Dumb Money” clips along at a fairly uneven pace where characters are quickly introduced, and then the movie slows down to show aspects of each character’s personal lives. “Dumb Money’ spends way too much time on Kevin, who didn’t need as much screen time as he gets, considering he had no part in the GameStop stock war. Keith was a star track runner in high school, so “Dumb Money” has multiple scenes of Keith jogging on a residential street or running on a local school’s track (sometimes with Kevin) as a way to relieve stress.

The second half of the movie is an improvement, as it gets into the conflicts created during the GameStop stock war. Still, there might be some “Dumb Money” viewers who will feel disconnected because of the movie’s first half, which can be perceived as a blur of people talking stock market jargon and Internet slang. If you’re the type of person who could care less about the intersections of technology and commerce, and if you will probably never read a Wall Street Journal article or Reddit forum in your life, then “Dumb Money” is not the movie for you.

Dano is an actor who can be counted on to deliver top-notch performances in his projects. He has made a career out of doing characters who are eccentric outsiders, so he’s not doing anything that’s very new or groundbreaking in “Dumb Money.” Still, Dano’s portrayal of Keith holds this movie together, when some scenes tend to be a little pointless (for example, there’s a scene where Jenny somewhat flirts with a guy she meets at a gas station) or completely unnecessary (any scene that shows what Kevin does when he’s not with Keith). The character of Caroline isn’t given much to do but be a stereotypical “worried wife” character.

For all of its flaws, “Dumb Money” still has enough that’s enjoyable to watch, regardless of how much viewers know about what happened in real life. A lot of the credit should go to the “Dumb Money” cast members, who admirably do as much as they can with the dialogue that they have, even if some of their characters are very underwritten. Toward the end of the movie, before the inevitable epilogue with updates of what happened in real life, there’s some archival footage of the real-life people who were involved in this stock-market war. Some of what they said was recreated in “Dumb Money,” which might be a based on a true story, but it’s not immersive enough to make you forget that you’re watching actors saying scripted lines on screen.

Columbia Pictures will release “Dumb Money” in select U.S. cinemas on September 15, 2023, with an expansion to more U.S. cinemas on September 22, 2023, and September 29, 2023.

Review: ‘The Eyes of Tammy Faye’ (2021), starring Jessica Chastain and Andrew Garfield

September 17, 2021

by Carla Hay

Andrew Garfield and Jessica Chastain in “The Eyes of Tammy Faye” (Photo courtesy of Searchlight Pictures)

“The Eyes of Tammy Faye” (2021)

Directed by Michael Showalter

Culture Representation: Taking place in various parts of the U.S., the biographical dramatic film “The Eyes of Tammy Faye” features a predominantly white cast of characters (with a few African Americans and Latinos) representing the working-class, middle-class and wealthy.

Culture Clash: Tammy Faye Baker and Jim Bakker rose to the top of the Christian televangelical business, only to have their empire come crashing down in the late 1980s, due to sex scandals and fraud charges.

Culture Audience: “The Eyes of Tammy Faye” will appeal primarily to viewers who are interested in exaggerated depictions of the rise and fall of rich and famous people.

Jessica Chastain and Andrew Garfield in “The Eyes of Tammy Faye” (Photo courtesy of Searchlight Pictures)

Just like the disgraced televangelists at the center of this story, “The Eyes of Tammy Faye” might have wanted to be taken very seriously, but people will either be repulsed or entertained by the campiness of it all. This biographical movie is best enjoyed if viewers know in advance that Tammy Faye Bakker is going to be presented as a misunderstood, makeup-caked, misled spouse who was both obedient and rebellious, when it came to conservative Christian beliefs. Jessica Chastain and Andrew Garfield give very committed performances as former televangelist power couple Tammy Faye Bakker and Jim Bakker. But when you portray people who became much-ridiculed public figures by their own doing, it’s nearly impossible to avoid becoming caricatures when acting out what it was like to be these human train wrecks.

Directed by Michael Showalter and written by Abe Sylvia, “The Eyes of Tammy Faye” offers a narrative that goes something like this: “Those scandals were all Jim Bakker’s fault. Let’s talk about how Tammy Faye Bakker just wanted to love everyone and be happy.” Tammy Faye (who died of cancer in 2007, at the age of 65) might have a lingering public image of a tear-soaked, sorrowful televangelist brought down by betrayals and scandals. However, the majority of “The Eyes of Tammy Faye” portrays her as relentlessly perky, to a fault. The Bakkers went from doing a low-budget traveling Christian puppet show to owning a lucrative empire that included the Praise the Lord (PTL) network and related businesses headquartered in Fort Mill, South Carolina.

The 1990 TV-movie “Fall From Grace,” starring Kevin Spacey as Jim Bakker and Bernadette Peters as Tammy Faye Bakker, covered similar territory but wasn’t as concerned with casting Jim or Tammy Faye in a redeeming light. One of the biggest criticisms that “The Eyes of Tammy Faye” might get is how it mostly frees her from blame for being a willing participant in the greed that led to her and Jim Bakker’s downfall. She’s portrayed as someone who was just along for the ride and was blissfully unaware of the depth of how much people were being cheated by the Bakkers. It’s a very hard-to-believe premise, but that’s why this movie is a scripted drama, not a documentary.

However, this dramatic version of “The Eyes of Tammy Faye” is based on the 2000 documentary of the same name. Fenton Bailey and Randy Barbato (co-founders of the production company World of Wonder) directed “The Eyes of Tammy Faye” documentary, which was narrated by RuPaul. In 2009, World of Wonder and RuPaul later launched “RuPaul’s Drag Race,” which went on to become an Emmy-winning hit. “The Eyes of Tammy Faye” drama movie goes out of its way to depict Tammy Faye as an underrated influencer of drag queens and other LGBTQ people—and not just because of how she did her hair and makeup.

There are multiple scenes in the movie where Tammy Faye speaks up for LGBTQ people, even though she would face criticism and shunning from many conservative Christians who disagreed with her. In a scene where Tammy Faye and Jim meet powerful preacher Jerry Falwell Sr. (played by Vincent D’Onofrio) for the first time in the early 1970s, Falwell insists that their brand of Christianity should be about helping Republican politicians get elected and should be against a “homosexual agenda.” Tammy disagrees because she thinks Christianity should be about “loving everybody.” She also wonders aloud why she and Jim can’t just stay out of politics, but those thoughts are shut down by Falwell.

In another scene that takes place in 1985, on the PTL network, Tammy Faye does a compassionate interview by live satellite TV with an openly gay minister named Steve Pieters (played by Randy Havens), who is HIV-positive. She starts off the interview with her usual perkiness, but eventually she’s moved to tears by his story, especially when he talks about how people are afraid to touch him or be near him. “I just want to put my arm around you,” she tells Pieters. “I want to put my arms around you too, Tammy Faye,” he replies in a virtual lovefest.

Meanwhile, Jim and Falwell are seen backstage watching the interview, and they’re shocked that Tammy Faye has gone rogue on them. Falwell is predictably outraged and disgusted. Jim acts embarrassed and says he had no idea that this live interview with a gay/HIV-positive minister was going to take place on the PTL network. This backstage brouhaha is the type of melodramatic scene that looks like it was fabricated just for the movie.

The movie chronicles Tammy Faye’s childhood in Minnesota, as one of eight children growing up in a strict Christian household ruled over by their domineering, no-nonsense mother Rachel Grover (played by Cherry Jones) and her “go along to get along” second husband Fred Grover (played by Fredric Lehne), who brought his own children into the marriage as a widower. Rachel and Tammy Faye often disagree because Rachel believes in living modestly, while Tammy Faye obviously does not. In their churchgoing community, Tammy Faye was made to feel “inferior” to her siblings because she was born from Rachel’s first marriage, which ended in divorce.

Rachel endured her own stigma in their conservative Christian community for being someone who had been a divorcée. An early scene in the movie shows that Tammy Faye was aware that people in their church community called Rachel a harlot behind her back. Rachel knows it too, because she says that the only reason why she was let back into the church was because she knows how to play the piano.

The movie depicts Tammy Faye as having a flair for dramatics and wanting attention at an early age. There’s a scene where, after taking her first communion, a 10-year-old Tammy Faye (played by Faye Chandler Head) begins speaking in tongues. Her mother is visibly shocked.

When Tammy Faye met Jim in 1960, they were both students at North Central Bible College in Minneapolis. Their first scene together shows Tammy listening to Jim preach in a chapel to a small group of students. She seems enraptured by his preaching style and is the only one in the group to nod her head and verbally affirm what he says.

And just to put an emphasis on the narrative that Tammy Faye was treated like an “outsider” almost all of her life, she gets called a “jezebel” by someone in the group who mutters this insult, all because Tammy Faye likes to wear makeup. Jim comes to her defense. An instant attraction is sparked.

During Jim and Tammy’s first date together, she tells him that she has no secrets because she’s never done anything scandalous. He confesses to her that he originally wanted to be a radio DJ. He’s secretly a fan of rock music, which is considered sinful in the Christian society where Jim and Tammy live and grew up.

Jim also tells Tammy why he decided to become a preacher. One day, when he was driving his father’s car, he was listening to rock music and having lustful thoughts, which caused him to be distracted from his driving. He ended up in a car accident that hit a boy named Jimmy Summerfield, who suffered serious injuries but survived. Jim made a promise to God that if Jimmy lived, then Jim would give his life over to religion instead of being a DJ.

Jim and Tammy Faye’s awkward first makeout session is filmed with a certain level of comedy, since these teenagers have been taught that sex outside of marriage is a sin. While they’re kissing and groping, they both say, “I can’t.” It’s one of the funnier scenes in the movie. And because Jim and Tammy Faye want to have sex, the next thing you know, Tammy Faye and Jim show up at her parents’ house in 1961, her mother opens the door, and Tammy introduces her husband Jim to her family for the first time.

There’s a fairly long stretch of the movie that’s about Tammy Faye and Jim’s Christian puppet show, which was the start of their career in religious showbiz. They took their puppet show on the road as a way to make money. Tammy Faye is particularly fixated on a female pig puppet with blonde pigtails named Susie Moppett, which later became a bestselling toy for the PTL network. Tammy Faye was also fascinated with Betty Boop, so expect to see several scenes of her talking in high-pitched, breathy voices.

Tammy Faye is depicted as the more creative partner in the marriage. She became famous for her singing. And she was the one who invented the couple’s puppet characters and wrote much of their dialogue. In the movie, Tammy Faye explains to her mother that the puppet show is a way to attract parents whom Jim and Tammy Faye wanted to become followers in a church owned by Jim and Tammy Faye.

Tammy Faye was also the one who supposedly came up with the idea to bring the Bakker ministry to television. When she and Jim see televangelist Pat Robertson (played by Gabriel Olds) preaching on TV, she strokes Jim’s ego by telling him that he’s much more charismatic than Robertson. The Bakkers’ plan is to eventually build a ministry that’s even bigger than Robertson’s.

While staying at a motel, Jim and Tammy Faye discover that their car is missing from the parking lot. Tammy Faye is shocked, while Jim is scatterbrained. At first, he thinks the car was stolen. But then he admits: Yes, maybe he stopped making the last several car payments, so the car was repossessed and towed away. It’s supposed to be an example of how financial matters were handled in their marriage. According to this movie, Jim was in charge of the finances, and he hid his money mishandling from Tammy.

With their car gone, Jim and Tammy Faye try to figure out how they’re going to get to their next destination. But what do you know, in an “only in a movie” moment, a man staying at the same motel just happens to walk right near Jim and Tammy Faye in the motel parking lot. He recognizes them and mentions that they should do their puppet act on Pat Robertson’s TV show. And gee, what a coincidence: This man happens to know Robertson and can make this TV appearance happen.

Jim and Tammy Faye do several appearances on Robertson’s show and develop their own fan base. When they visit Robertson’s lavish estate in Hot Springs, Virginia, for the first time in 1972, their avarice and egos start to go into overdrive when they see a lot of Robertson’s wealth on display. Jim tells Tammy Faye: “We paid for all of this, Tammy!,” as if Jim and Tammy Faye are the reasons why Robertson is so successful.

It’s at the Robertson estate where Jim and Tammy Faye are depicted as meeting Falwell for the first time during a luncheon with several guests. Tammy Faye is shown finagling her way into a men’s-only discussion at a table that includes Jim, Robertson and Falwell. She knows she’s not really welcome at the table, based on the men’s reactions. But with her toddler daughter Tammy Sue in tow, Tammy Faye uses her plucky charm to seat herself at the table and voice her opinions in their conversation.

In a hilarious moment, after the PTL network became successful long after the Bakkers ditched their traveling puppet show, Tammy Faye is seen on the PTL network promoting the use of a penis pump to help improve marital intimacy when a male partner is impotent. In the movie, Tammy is portrayed as being more comfortable than Jim when it came to publicly discussing sex and sexuality. The movie depicts Tammy Faye as a groundbreaking trailblazer in putting things on the PTL network that were traditionally considered taboo or too risqué for religious television.

The rest of the movie shows the rise and fall of Jim and Tammy Faye, as well as Tammy Faye’s failed attempts at a showbiz comeback. Over time, their marriage changed from Tammy Faye being the more confident and more assertive partner to Jim being the one who was mostly in control. The marriage was affected by infidelity, although Tammy Faye is portrayed as less caught up in cheating than Jim was.

Tammy Faye is shown having just one extramarital lover, when she had a brief fling with music producer Gary Paxton (played by Mark Wystrach) in 1975. They worked together on Tammy Faye’s songs. Their affair is depicted as something that Paxton instigated because he showered a lot of attention and praise on her, knowing that Tammy Faye was being neglected by Jim.

An example of the movie’s campy side is the smarmy stream of pickup lines that Paxton uses to try to seduce Tammy Faye. In the recording studio, he tells her after recording some of her vocals: “I haven’t been this excited about an artist since I produced ‘Monster Mash’! We could get a Grammy!”

And later, when Tammy is eight months pregnant with her son Jamie, Paxton comes right out asks her when was the last time she was touched the way she deserves to be touched. It leads to one of the campiest scenes in the movie. Let’s just say that the movie doesn’t leave it up to the imagination on how Tammy Faye went into labor when she gave birth to Jamie.

Jim’s extramarital flings—most notoriously with former church secretary Jessica Hahn—are mentioned in conversations or shown as news headlines but not depicted in any explicit scenes. In real life, Hahn claimed that Jim and his right-hand man Richard Fletcher (played by Louis Cancelmi) drugged her, raped her, and later paid her a six-figure sum from church funds to keep quiet about it. Jim and Fletcher both denied that the sexual encounter was rape, but they admitted that sex occurred and that there was payoff money using PTL church funds.

In real life, Fletcher testified under oath that he was Jim’s secret lover, but Jim denied it under oath. There’s a scene in the movie where Tammy Faye sees Jim and Fletcher play-wrestling with each other on the ground, and she looks at them as if she silently suspects that something sexual might be going on between the two men. And the movie mentions that several men came forward to accuse Jim of making sexual advances on them.

Of course, in a movie about a marriage that goes bad, there are argument scenes between the two spouses. In “The Eyes of Tammy Faye,” these over-the-top scenes are very reminiscent of soap operas that were popular in the 1980s, such as “Dynasty” and “Dallas.” Joan Collins and Larry Hagman would be very proud to see that in “The Eyes of Tammy Faye,” Chastain and Garfield have carried on their tradition of portraying wealthy people screaming hateful things to each other while surrounded by gaudy 1980s decor.

Some choice words include Tammy Faye wailing to Jim: “I’m so sick of my faith in you!” Jim yells back: “You’re a bottomless pit!” Jim shouts at Tammy Faye: “I built you an empire!” Tammy Faye shrieks, “You built you an empire!,” conveniently forgetting her spending sprees. Tammy Faye’s descent into pill-popping hell is duly chronicled, including her being high as a kite on live TV and, on a separate occasion, having a near-fatal overdose. “I’m not a drug addict,” she insists. “I’m only addicted to Diet Coke!”

Chastain, who does her own singing in “The Eyes of Tammy Faye,” certainly gives her utmost in her performance in this movie. She transforms into numerous incarnations of Tammy Faye, whose physical appearance went through drastic changes over the years. Garfield gives a more restrained performance that is most chilling when showing Jim’s cold cruelty, such as when Jim forces Tammy Faye to go on their TV show to confess her infidelity and beg for forgiveness. “The Eyes of Tammy Faye” (which had its world premiere at the 2021 Toronto International Film Festival) won’t get a lot of major awards for acting. However, the film’s makeup and hairstyling will surely get numerous award nominations.

Tammy Faye is mostly portrayed as pathetic, rather than tragic. After all, it’s hard to feel too much sympathy for Tammy Faye when she’s whining about being a persecuted underdog, while she and her fraudster husband are living lavish lifestyles paid for by money that was supposed to be for their church and charitable causes. When she and Jim went on all those over-the-top spending sprees to buy luxurious personal things for themselves, she would’ve known that how they were misusing the money was illegal. The Bakkers made elaborate plans to build a religious theme park called Heritage USA, but it was all going to be funded by a Ponzi scheme.

“The Eyes of Tammy Faye” screenplay is more interested in using broad strokes than in finessing details. Even though building contractor Roe Messner (played by Sam Jaeger) is in the movie as someone who helped the Bakkers with their construction plans, nowhere (not even in the epilogue) is it mentioned in “The Eyes of Tammy Faye” drama that Messner was Tammy Faye’s second husband. They were married from 1993 until her death in 2007. And no one in the movie portrays rape accuser Hahn, who is only referred to in the movie as a news headline or (as Jim describes her) as an extortionist.

If people are looking for entertainment with deliberately hammy acting in “The Eyes of Tammy Faye,” then the movie delivers this type of comedic-tinged drama for viewers. If people are looking for a serious biography with comprehensive and thorough facts, then look elsewhere. People might or might not feel more sympathy for Tammy Faye after seeing “The Eyes of Tammy Faye.” You’ll enjoy the movie more if you take it for what it is: a very Hollywood version of the truth.

Searchlight Pictures released “The Eyes of Tammy Faye” in select U.S. cinemas on September 17, 2021.