Review: ‘Kung Fu Panda 4,’ starring the voices of Jack Black, Awkwafina, Bryan Cranston, James Hong, Ian McShane, Ke Huy Quan, Dustin Hoffman and Viola Davis

March 7, 2024

by Carla Hay

Po (voiced by Jack Black) and Zhen (voiced by Awkwafina) in “Kung Fu Panda 4” (Image courtesy of DreamWorks Animation)

“Kung Fu Panda 4”

Directed by Mike Mitchell; co-directed by Stephanie Ma Stine

Culture Representation: Taking place in a mythical version of China, the animated film “Kung Fu Panda 4” features a cast of characters portraying various talking animals.

Culture Clash: Grandmaster Warrior/kung fu fighter Po (a panda) and a rebellious fox named Zhen go on a quest to defeat an evil, shape-shifting villain named The Chameleon. 

Culture Audience: “Kung Fu Panda 4” will appeal primarily to people who are fans of the “Kung Fu Panda” franchise, the movie’s headliners, and predictable but entertaining animation films that blend comedy and adventure.

The Chameleon (voiced by Viola Davis), center, in “Kung Fu Panda 4” (Image courtesy of DreamWorks Animation)

“Kung Fu Panda 4” sticks to a certain formula that’s made entertaining, thanks to a talented voice cast, light comedy and dazzling visuals. The absence of the Furious Five in this story will disappoint some viewers, but the adventure doesn’t get boring. “Kung Fu Panda 4” is the type of sequel that exists to set up a continuation of this franchise with perspectives that were different from previous “Kung Fu Panda” movies.

Directed by Mike Mitchell and co-directed by Stephanie Ma Stine, “Kung Fu Panda 4” is part of the franchise series that began with 2008’s “Kung Fu Panda” and continued with 2011’s “Kung Fu Panda 2” and 2016’s “Kung Fu Panda 3.” In the first three “Kung Fu Panda” movies, the title character Po (voiced by Jack Black) had adventures with a group of kung fu masters called the Furious Five: Tigress (voiced by Angela Jolie), Monkey (voiced by Jackie Chan), Viper (voiced by Lucy Liu), Crane (voiced by David Cross) and Mantis (voiced by Seth Rogen). Po evolves from being an awkward panda to being a full-fledged kung fu warrior, under the guidance of an elderly mentor named Shifu (voiced by Dustin Hoffman), who also trained the Furious Five.

It’s mentioned at the beginning of “Kung Fu Panda 4” (which takes place ina fantasy version of China, just like the previous “Kung Fu Panda” movies) that the Furious Five are off doing separate heroic deeds. (In other words, the “Kung Fu Panda 4” filmmakers couldn’t or didn’t want to pay the money it would take to bring the original Furious Five voice actors back as principal characters for this sequel.) Po is now a famous Dragon Warrior who loves to fight and almost always wins his battles against criminals where he lives in the Valley of Peace.

And that’s why Po is surprised when Shifu tells Po that Po is being “promoted” to become the Spiritual Leader of the Valley of Peace, as a replacement for the retiring Master Oogway, an elderly Galápagos tortoise. Po doesn’t think of himself as having enough knowledge about spirtuality to be qualified for this position. He only wants to do what he knows he’s good at doing: “Kicking butt and taking names,” Po says. Shifu gives reluctant Po the task of choosing Po’s successor as the next Dragon Warrior, but Po doesn’t think he’s qualified to do that task either.

Because he is the reigning Dragon Warrior, Po has been given possession of a magical staff that can open different realms. The staff only works if it is in the possession of someone who has been given the staff, not someone who steals or buys the staff. It should come as no surprise that this staff becomes the sought-after object in this story of good versus evil.

Po soon meets a female Corsac fox named Zhen (voiced by Awkwafina), a wily and sarcastic thief from Juniper City, a place that is bustling with high energy but also danger. It’s the type of place where innocent-looking kids can turn into mean little terrors within a split second. Zhen soon gets caught during a robbery and is tossed in jail.

Zhen tells Po that there’s an evil shapeshifting sorceress named The Chameleon (voiced by Viola Davis), who has super-strength powers and an army of Komodo dragons. The Chameleon who wants the staff, in order to have world domination. The Chameleon is already wreaking havoc by having several crime lords under her control in the surrounding areas. She forces these nefarious bosses to give her at least half of their bounty. The crime lords hang out at a place called the Den of Thieves, where they are led by Han (voiced by Ke Huy Quan), a pangolin who can change himself into a ball the size of a boulder.

Po naturally wants to stop The Chameleon. Zhen tells Po that she knows how to find The Chameleon. Po makes a deal with Zhen: He will get Zhen out of jail and get her jail sentence reduced if she can bring him to the place where The Chameleon is. Po figures that if he will soon have to gve up the title of Dragon Warrior, he wants to go out in a blaze of glory. The majority of “Kung Fu Panda 4” is about Zhen and Po’s quest to find The Chameleon and encountering several obstacles and challenges along the way.

It’s a secretive trip that Po doesn’t disclose to his family. Po’s adoptive father Mr. Ping (voiced by James Hong) and Po’s biological father Li (voiced by Bryan Cranston)—whose rivalry was resolved after they met in “Kung Fu Panda 3″—join forces in “Kung Fu Panda 4” to find Po when he goes missing. Mr. Ping is a nervous goose, while Li has a lot of masculine bravado, so these two opposite personalities (who occasionally argue) are fodder of a lot the comedic rapport between these two fathers.

During the time and Zhen and Po spend time together and get to know each other better, they find out that they both spent most of their childhoods as orphans. Zhen says she was taken in and raised by someone who taught street smarts to Zhen. It’s at this point in the story where it might be very easy for some viewers to figure out what’s going to happen.

“Kung Fu Panda 4” voice cast members Black and Awkwafina have done several animated films where they are larger-than-life, comedic characters. It’s a skill set that not all performers have, but Black and Awkwafina excel at it, even if some viewers might think Awkwafina’s voice is irritating. As for the Chameleon character, Davis gives a very divalicious performance as a villain who is both glamorous and menacing.

“Kung Fu Panda 4” also marks the return of snow leopard Tai Lung (voiced by Ian McShane), who was the chief villain in the first “Kung Fu Panda” movie. Other supporting characters in “Kung Fu Panda 4” are Captain Fish (voiced by Ronny Chieng), a green arowana living in a pelican’s mouth; Granny Boar (voiced by Lori Tan Chinn), who uses her tusks and weapons; and PandaPig (voiced by MrBeast), a pig with certain panda characteristics, who is at the Dragon Warrior Tournament. One of the best-looking fight sequences in “Kung Fu Panda 4” involves Po and some of the other characters in shadows.

Sometimes, when there’s a long gap between movies in a franchise, the movie that closes that gap can be a very stale cash grab that seems outdated. However, the throughline between “Kung Fu Panda 3” and “Kung Fu Panda 4” manages to keep the story and characters fresh enough to deliver a crowd-pleasing film. “Kung Fu Panda” is not going to win any major awards, but it fulfills its purpose to be pleasant diversion that people of many generations can enjoy.

Universal Pictures will release “Kung Fu Panda 4” in U.S. cinemas on Mach 8, 2024.

Mattel adds dolls for Viola Davis, Helen Mirren, Kylie Minogue, Shania Twain and more to Barbie Role Models collection for 65th anniversary of Barbie

March 6, 2024

The following is a press release from Mattel:

Mattel’s Barbie Role Model dolls of 2024 (Photo courtesy of Mattel)

Mattel, Inc. (NASDAQ: MAT) announced its kickoff to celebrate the 65th anniversary of Barbie and over six decades of breaking down boundaries and inspiring girls through storytelling, encouraging them to be confident, daring, brave and legendary. 

Since the brand’s inception, Barbie has helped girls explore their limitless potential through different roles and narratives – from encouraging self-expression through dress-up to playing out any of her 250+ careers. With Barbie by their sides, countless children have been able to imagine their own stories through play that help shape their real-life futures. As Barbie celebrates her 65th anniversary on March 9, the brand is sharing countless stories of empowerment and bringing her legendary legacy to life through the eyes and words of fans everywhere, starting with some of the most renowned storytellers out there.

“Barbie’s story has never been just about her. It’s about the countless young kids she’s inspired and the millions of stories she helped them imagine along the way,” said Krista Berger, Senior Vice President of Barbie and Global Head of Dolls. “For the past 65 years, Barbie has used her global platform to empower girls to dream big, explore their limitless potential, and direct their own narrative to shape their future. As we celebrate this milestone anniversary, we recognize over six decades of stories Barbie has helped write and the doll that continues to give everyone the opportunity to dream – and dream big.”

The Barbie brand is kicking off 65th-anniversary celebrations this March by:

  • HONORING GLOBAL STORYTELLERS USING THEIR PLATFORM FOR GOOD with one-of-a-kind role model dolls made in their likeness in celebration of International Women’s Day. Barbie will recognize women worldwide who embody the brand’s mission to inspire stories to shape the future. The global lineup includes:
  • Viola Davis (united States): Critically Revered Artist, Activist, Producer, Philanthropist, and Best-Selling Author – Viola Davis is an Oscar, Emmy, Tony, and Grammy winning actor. Her production company, JuVee Productions, focuses on giving a voice to the voiceless through impactful narratives defined by inclusion. Davis has partnered with multiple programs to eradicate childhood hunger in the United States.
  • Shania Twain (Canada): Global Superstar, Celebrated Songwriter, and Style Icon – As one of music and fashion’s most renowned trailblazers breaking down barriers for women in country music, Shania Twain is the top-selling female country pop artist of all time.
  • Dame Helen Mirren (United Kingdom): Acclaimed Actress and Advocate for Women’s Stories – Helen Mirren is one of the world’s best known and most respected actresses, along with being an advocate for embracing and celebrating self-expression, aging and fashion.
  • Kylie Minogue (Australia): Artist – As a superstar artist, Kylie Minogue’s glittering career has kept her firmly rooted in the present whilst defining and celebrating much of our collective past.
  • Maira Gomez (Brazil): Content Creator – Hailing from the indigenous community of the Tatuyo ethnic group in Amazonas, Maira Gomez aims to present the culture and traditions of her people to her nearly 7 million followers on social media.
  • Lila Avilés (Mexico): Director, Producer, and Screenwriter – Lila Avilés is an award-winning film producer, having won more than thirty international festivals and whose movies have a strong reception from international critics.
  • Nicole Fujita (Japan): Model – Nicole Fujita is a model and TV personality whose apparel brand will be opening its first retail store in March.
  • Enissa Amani (Germany): Comedian – Enissa Amani is a stand-up comedian and political activist using her voice to create and produce viral shows addressing racism issues in Germany.
  • Barbie is dedicated to showcasing more impactful stories and storytellers who can help inspire fans of all ages to craft their own narrative and unlock their limitless potential
  • EXPANDING OUR COMMITMENT TO RESHAPE HOW SOCIETY SUPPORTS GIRLS’ EMPOWERMENT by entering our third year of partnership with Inspiring Girls International in continued support of the Barbie Dream Gap Project. This includes:
    • Curating and delivering a year-long program focused on empowerment and growth for girls aged 12-14 across seven countries worldwide through transformational and engaging workshops. The custom program will help encourage girls to explore diverse career interests, develop leadership skills, and gain confidence. Furthermore, ongoing support and guidance from real-life mentors, including successful women leaders and Barbie role models, will underscore the message that “You Can be Anything”.
    • Helping to close the Dream Gap through over $2 million in donations, since inception in 2019, to like-minded non-profit organizations with the vehicles in place to reach girls, highlighting 250+ careers, and empowering 25 million kids and counting, all with the shared goal to create more opportunities for growth for girls on a global scale.
  • INTRODUCING AN ANNIVERSARY COLLECTION of products revisiting some of the most popular career dolls from Barbie’s impressive resume and introducing new celebratory and Fashionista dolls inspired by classic Barbie looks throughout her history.  The 65th anniversary collection includes:
    • The Barbie Career 65th Anniversary doll collection highlights three of the most popular careers held by Barbie since the doll’s creation including Farm Vet, Pop Star, and Astronaut.
    • A new signature, collectible offering inspired by the original 1959 Barbie doll, dressed in a classic couture gown featuring white and black stripes, celebrating the iconic black and white striped bathing suit.
    • 2024 Fashionistas dolls paying homage to Barbie fashion through the years by re-imagining iconic looks in modern day outfits. The new dolls are inspired by 65 years of style including the 1959 First Barbie, 1977 Superstar Barbie, 1985 Peaches ‘n’ Cream, and many more dolls.
    • Barbie Cuutopia Plush figures inspired by iconic Barbie looks. Fans can dive into the glamour with embroidery, textured details and voluminous hair that celebrates Barbie doll’s signature looks with trendy kawaii style.
    • UNO Canvas™ Barbie highlighting Barbie as a fashion icon, offering a premium collectible UNO deck designed with dolls and artwork.
    • Hot Wheels® Barbie 65th Anniversary Corvette C8.R made and styled in the Hot Wheels Premium tradition for ultimate collectability.
  • UNVEILING BARBIE-THEMED COLLABORATIONS with more than 40 brand partners across fashion, food, location-based entertainment, and publishing for fans to join in the Barbie celebration. Collaborations include:
    • 1-800-Flowers.com, 24 ORE Cultura, A Leading Role, Aldo, Alex and Ani, CHI, Cheryl’s Cookies, Da Bomb, DefineMe Creative Studio Cre, Dragon Glassware, Franco Mfg., Funko, Hallmark Cards, Inc., Homesick, Impala Skate, Impressions Vanity, Innovative Designs, Keds, Lionel Trains, Loungefly, Love Your Melon, MakeUp Eraser, Monogram International, Nettie, PersonalizationMall.com, Posh Peanut, Quarto, Random House, Roots, SmartSweets, Sprinkles, Ukonic, and Unique Vintage.
    • Barbie: The World Tour, a new illustrated book available March 19th, created by Barbie the Movie star/producer Margot Robbie and her stylist Andrew Mukamal with photography by Craig McDean and creative direction by Fabien Baron, in partnership with Rizzoli to capture the glamour and high style of the most popular doll in the world.
    • Barbie by Assouline, a luxury, 340-page coffee table book fabricated in silk Barbiecore pink, which explores the brand’s evolution, decade by decade, with fascinating facts, insights and never-before-seen imagery that opened the imagination for what a doll – and a woman – could be.
    • Stacy’s Pita Chips limited-edition specialty bags featuring a signature Barbie-pink metallic exterior, accompanied by a doll-size bag of chips. In celebration of female founders and International Women’s Day, Stacy’s Pita Chips will also support the Barbie Dream Gap Project with a $100,000 donation to Step Up to provide mentorship and programs for girls to define their ideal destination and get there – wherever that destination may be.
    • Experiences near you including Barbie: A Cultural Icon (US), Barbie Dream Lounge(MX), Barbie: The Exhibition (UK), Malibu Barbie Café (US), World of Barbie (US), and Barbie Bahamas Beach Vacation at Atlantis.
  • CELEBRATING AT RETAIL across the globe with in-store and online activation, including:
  • An Amazon Barbie 65th Brand Shop featuring Barbie-themed products including toys and apparel.
  • Target, featuring an exclusive “Write Your Legacy” Barbie-themed apparel and accessories capsule collection for girls 5 to 10, along with an assortment of Barbie-themed products across the store including featured items in toddler girls and juniors apparel. Find the collection of Barbie 65th Dolls in-store and on Target.com including an exclusive Barbie 65th Sapphire Doll.
  • Walmart, featuring exclusive product at Walmart.com in March, followed by  Barbie displays at Walmart locations across the country in May under the theme “65 Years of Inspiration, Dreams Made Here.” The collection will include new products across toy, apparel, accessories, sporting goods, and food and beverage. 

Barbie’s 65th anniversary year follows a milestone moment in the brand’s history with the 2023 release of the Barbie movie, created in partnership with Warner Bros. Pictures. Since its theatrical debut last July, the critically acclaimed, award-winning Barbie movie has shattered multiple box office records by becoming the highest-grossing film of 2023, the highest-grossing film ever for Warner Bros. Pictures, and the highest-grossing film by a female director, Greta Gerwig.

Following Barbie’s birthday on March 9th, the brand will continue to celebrate throughout the year, including addition partnerships across next 65 days, and further activities through the Fall. 

About Mattel
Mattel is a leading global toy company and owner of one of the strongest portfolios of children’s and family entertainment franchises in the world. We create innovative products and experiences that inspire, entertain, and develop children through play. We engage consumers through our portfolio of iconic brands, including Barbie®, Hot Wheels®, Fisher-Price®, American Girl®, Thomas & Friends™, UNO®, Masters of the Universe®, Monster High® and MEGA®, as well as other popular intellectual properties that we own or license in partnership with global entertainment companies. Our offerings include film and television content, gaming and digital experiences, music, and live events. We operate in 35 locations and our products are available in more than 150 countries in collaboration with the world’s leading retail and ecommerce companies. Since its founding in 1945, Mattel is proud to be a trusted partner in empowering children to explore the wonder of childhood and reach their full potential. Visit us online at mattel.com.

Review: ‘The Hunger Games: The Ballad of Songbirds & Snakes,’ starring Tom Blyth, Rachel Zegler, Hunter Schafer, Jason Schwartzman, Josh Andrés Rivera and Viola Davis

November 16, 2023

by Carla Hay

Rachel Zegler and Tom Blyth in “The Hunger Games: The Ballad of Songbirds & Snakes” (Photo by Murray Close/Lionsgate)

“The Hunger Games: The Ballad of Songbirds & Snakes”

Directed by Francis Lawrence

Culture Representation: Taking place in fictional country of Panem, the fantasy/action film “The Hunger Games: The Ballad of Songbirds & Snakes” (based on the 2020 novel of the same name) features a predominantly white cast of characters (with some African Americans, Latin people and Asian) representing the working-class, middle-class and wealthy.

Culture Clash: Future villain Coriolanus Snow is tasked with making singer Lucy Gray Baird fail in the brutal life-or-death Hunger Game battle, but he and Lucy Gray unexpectedly fall in love with each other.

Culture Audience: Besides appealing to the obvious target audience of fans of “The Hunger Games” franchise, “The Hunger Games: The Ballad of Songbirds & Snakes” will appeal primarily to viewers of fantasy action films that have battles over power, love, and moral ethics.

Tom Blyth and Viola Davis in “The Hunger Games: The Ballad of Songbirds & Snakes” (Photo by Murray Close/Lionsgate)

“The Hunger Games: The Ballad of Songbirds & Snakes” is not the type of movie that’s best appreciated by those who have prior knowledge of “The Hunger Games” fantasy books and/or movies. It’s not terrible or great, but this “Hunger Games” prequel has enough thrilling action sequences and interpersonal drama to satisfy most “Hunger Games” fans. Viewers who are unfamiliar with the franchise might be confused or feel disconnected from the story. “The Hunger Games” movies are based on Suzanne Collins’ novels of the same names. These books are geared to a young adult audience.

Directed by Francis Lawrence, “The Hunger Games: The Ballad of Songbirds & Snakes” is an origin story for chief “Hunger Games” villain Coriolanus Snow (played by Tom Blyth), the movie’s protagonist. Michael Lesslie and Michael Arndt faithfully adapted the movie’s screenplay from Collins’ 2020 novel “The Hunger Games: The Ballad of Songbirds & Snakes.” It’s an epic book of more than 500 pages, so making it into a movie was certainly a challenge. It’s why “The Hunger Games: The Ballad of Songbirds & Snakes” movie clocks in at 157 minutes.

Lawrence also directed the the second, third and fourth film in “The Hunger Games” movie series: 2013’s “The Hunger Games: Catching Fire,” 2014’s “The Hunger Games: Mockingjay – Part 1” and 2015’s “The Hunger Games: Mockingjay – Part 2.” Gary Ross directed 2012’s “The Hunger Games,” the first movie in the series. Donald Sutherland portrayed Coriolanus in those movies.

With a lengthy running time for “The Hunger Games: The Ballad of Songbirds & Snakes,” there are some parts that somewhat dull, but most of the film is engaging enough to maintain viewer interest. In the fictional country of Panem, the Hunger Games is a fairly new barbaric game, where two young people (who are called “tributes”) from each of Panem’s 13 districts have a life-or-death fight until the only person left alive is declared the winner. Spectators from all across Panem witness this brutality, which has large, enthusiastic audiences who enjoy the carnage.

In the beginning of “The Hunger Games: The Ballad of Songbirds & Snakes,” Coriolanus is about 8 years old (played by Dexter Sol Ansell), and his cousin Tigris (played by Rosa Gotzler) is approximately the same age. They are raised more like brother and sister than like cousins. The Snow family is a prominent and wealthy, but their fortunes change when they get the tragic news that Coriolanus’ single father General Crassus Snow was killed in combat during a civil war. Now orphaned, Coriolanus is raised by his beloved grandmother Grandma’am (played by Fionnula Flanagan), who is kindhearted and compassionate.

The movie then fast-forwards about 10 years later. Tigris (played by Hunter Schafer) and Grandma’am say goodbye to when 18-year-old Coriolanus, since he is moving out of the family home to go to a live-in academy. The academy is led by a dean maned Casca Highbottom (played by Peter Dinklage), who is addicted to morphling (a morphine-like drug) that he likes to drink in a small vial. At this point, Coriolanus is no longer wealthy, and he is trying to restore his family’s prestige. Casca does not like the Snow family, for reasons that are explained in the movie.

Coriolanus has been tasked with being the mentor for Lucy Gray Baird (played by Rachel Zegler), who is a tribute from Panem’s 12th district. Dr. Volumnia Gaul (played by Viola Davis) is the callous and authoritarian Head Gamemaker of the Hunger Games. Lucky Flickerman (played by Jason Schwartzman) is the first master of ceremonies for the Hunger Games. Sejanus Plinth (played by Josh Andrés Rivera) becomes Coriolanus’ best friend at the academy.

Lucy Gray is a talented singer (she performs songs, often on acoustic guitar, that are best described as country-tinged pop), so expect to see parts of the movie look almost like a music video with these performance scenes. The songs are generically bland, but Zegler performs these tunes with gusto. It’s not a secret (since it’s revealed in the movie’s trailers) that Lucy and Coriolanus fall in love with each other.

Snakes (including Lucy’s fondness for small snakes) are recurring parts of the story. And the songbird mentioned the most is the mockingjay. There’s also a quick reference to what inspired the first name of Katniss Everdeen, the protagonist of the first four “Hunger Games” movies. (Jennifer Lawrence, who played Katniss, is not in this movie prequel.)

“The Hunger Games: The Ballad of Songbirds & Snakes” (which was filmed in Poland) has impressive production design in the world of Panem is presented. The acting performances are very good, with Davis playing her villain role to the hilt. Blyth also capably handles his role as the complex Coriolanus, who has a believable personality metamorphosis with this performance.

The chemistry between Blyth and Zegler never feels completely convincing, but considering that Coriolanus eventually becomes corrupt, and Lucy Gray is a good person, these characters were a mismatched couple from the start. action scenes and struggles over loyalty and betrayals are the fuel that keep “The Hunger Games: The Ballad of Songbirds & Snakes” going when other parts of the movie get dragged down in some monotony.

Lionsgate will release “The Hunger Games: The Ballad of Songbirds & Snakes” in U.S cinemas on November 17, 2023.

Review: ‘Air’ (2023), starring Matt Damon, Ben Affleck, Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker and Viola Davis

March 28, 2023

by Carla Hay

Matthew Maher, Matt Damon and Jason Bateman in “Air” (Photo by Ana Carballosa/Amazon Content Services)

“Air” (2023)

Directed by Ben Affleck

Culture Representation: Taking place in 1984, primarily in Oregon and in North Carolina, the dramatic film “Air” features a predominantly white group of people (with some African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: Against the odds, Nike executives convince a young Michael Jordan to sign with Nike, which makes a historic deal to create the Air Jordan shoe brand entirely around him. 

Culture Audience: Besides appealing to the target audience of fans of Michael Jordan, Air Jordan shoes and the movie’s headliners, “Air” will appeal primarily to people who are interested in watching movies about landmark business deals, from the perspectives of the business executives.

Matt Damon and Viola Davis in “Air” (Photo by Ana Carballosa/Amazon Content Services)

“Air” is designed to be an awards-bait movie with mass appeal, but it has a very selective agenda in which characters get the most importance in the story. This dramatic origin story of the Air Jordan business hits many familiar beats of sports underdog movies. The acting and writing are engaging, but Michael Jordan is a sidelined character. His mother is at least given credit for being a smart dealmaker. “Air” had its world premiere at the 2023 SXSW Film and TV Festival.

Directed by Ben Affleck and written by Alex Convery, “Air” takes place in 1984, in the months leading up to the September 1984 launch of Nike’s very first Air Jordan shoes, also known as Air Jordan 1. According to several reports, Nike (which is headquartered in Beaverton, Oregon) had $5 billion in sales from Jordan Brand (Nike’s division Air Jordans shoes) in 2022. In “Air,” the underdogs and main heroes of this sports story are not athletes but the Nike executives who played crucial roles in conceiving and launching this industry-changing athletic shoe brand. It’s a very feel-good, slanted view of a fascinating story, but “Air” is a scripted drama, not a documentary.

The main protagonist of “Air” is Sonny Vaccaro (played by Matt Damon), a Nike basketball recruiter who’s been mainly working with the National Collegiate Athletic Association (NCAA) in selling Nike basketball shoes. Vaccaro is often credited with being the person who came up with the idea to have Nike pay NCAA colleges to have their basketball teams wear Nike shoes as product endorsements meant to influence people to buy the shoes. This type of product endorsement is now commonplace in the NCAA.

Sonny is passionate about basketball. And because he is deeply entrenched in NCAA basketball, he has a knack for being able to predict which NCAA players will be the top recruits by the National Basketball Association (NBA). But getting the top recruits for Nike endorsement deals requires a lot of money that Nike doesn’t have. The problem is that in 1984, Nike is financially struggling from decreased sales and massive money losses.

In terms of basketball shoe sales, Converse was the market leader at the time, with 54% of the market share, according to a statistic mentioned in “Air.” Converse had endorsement deals with NBA stars such as Magic Johnson and Larry Bird. Adidas, which was Converse’s closest competition in 1984, was popular with hip-hop stars, such as Run-DMC. Adidas was also Jordan’s first choice on where he wanted to sign an endorsement deal as a 21-year-old rookie for the Chicago Bulls.

Meanwhile, in 1984, Nike had only 17% of the market share for basketball shoe sales before the historic deal with Jordan. Nike also had an image and reputation of being an outdated company whose specialty was shoes for joggers. Basketball fans come in all different races, but NBA basketball is mostly played by African Americans. As Nike vice president of athlete relations Howard White (played by Chris Tucker), who is African American, half-jokingly comments in the movie: “Black people don’t jog.”

Nike vice president of marketing Rob Strasser (played by Jason Bateman) isn’t as passionate about basketball as Sonny is, but he is passionate about making profits from his marketing ideas. Rob is cynical about Nike’s office politics, and he has a world-weary attitude about him. He gives the impression that he is very annoyed with being part of a losing company, but he doesn’t want to quit Nike because he’s convinced that he can be part of the team that turn things around for Nike. Privately, Rob is afraid that no other company would hire him if he wanted to leave Nike.

“Air” makes a point of showing that middle-aged Sonny (a bachelor with no children) is at a crossroads in his life and at Nike. Sonny’s life revolves around Nike, which is in a slump. And he’s got a lot to prove, because Sonny’s self-esteem is very wrapped up in his job. Observant viewers will also see that Sonny likes to gamble a lot in his free time, which is a possible addiction that the movie never really explores. The parallels are obvious: Sonny is about to make the biggest gamble in his career with the Jordan deal.

Someone else who’s also got a lot to prove is Nike founder/CEO Phil Knight (played by Affleck), who is exactly the type of upper-class jogger that Nike has been courting for years. But there’s no denying that basketball shoes will be a driving force of sales for athletic footwear. Nike has been slow to adapt. Sonny says to Phil: “Basketball is the future.” Phil is skeptical: “Basketball is dead.”

In a Nike executive meeting that includes Sonny, Rob and a few other employees, Rob asks everyone in the room who their top choices are for NBA recruits who should be pursued by Nike. Sonny wants Jordan. Sonny also gets frustrated because everyone else names safe choices of basketball players who probably won’t achieve greatness. Sonny berates the employees by saying: “I have no tolerance for people who have no insight.”

In the men’s restroom, Rob tells Sonny that Sonny should be more diplomatic in these meetings. Sonny brushes off this advice. He is determined to sign Jordan and will do whatever it takes. Sonny thinks Nike should be spending even more money on the Jordan deal, while Phil wants to spend less.

Part of Sonny’s goal includes persuading Phil to spend Nike’s entire $500,000 recruiting budget on Jordan, before Jordan even starts playing for the Bulls. It’s unprecedented. And at the time, its seems like more than a big risk. It seems like financial suicide for Nike.

Sonny reminds Phil that Phil took a big risk by founding Nike. And he needs Phil to take a big risk on Sonny’s gut instinct that Jordan is the one and only NBA player that Nike should sign for this basketball season. Sonny tells Phil that if Sonny is wrong about Jordan, then Sonny will probably resign from Nike.

Sonny’s enthusiasm (or obsession) to sign Jordan means that Sonny inevitably offends people with his aggressive tactics. One of those people is Jordan’s agent David Falk (played by Chris Messina), a fast-talking, foul-mouthed New Yorker, who has some of the funniest scenes in the movie when he has raging meltdowns every time Sonny bypasses David to try to close the deal. David makes threats to Sonny that’s just a lot of empty, blustering talk. David is also one of the naysayers who thinks that Nike won’t be able to afford Jordan. In real life, Falk is credited with coming up with the name Air Jordan, but “Air” pokes a little fun at this claim to fame.

As part of his preparation for the deal, Sonny watches footage of Jordan’s college games and figures out the inner workings of Nike’s competition. He also gets some important advice from Jordan family associate George Raveling (played by Marlon Wayans), who was an assistant coach of the U.S. Olympics basketball team at the time. It’s a short but well-acted scene in the movie, where George tells Sonny a memorable story about being in the crowd during Martin Luther King Jr.’s famous 1963 “I Have a Dream” speech during the March on Washington.

“Air” depicts Sonny as being inspired to create an entire Nike shoe line around Jordan after Sonny sees an old TV ad with tennis star Arthur Ashe talking about his custom-made tennis shoes that have been replicated for people to buy. Ever the wheeler dealer, Sonny makes a bold move to pitch the idea directly to Jordan’s parents Deloris Jordan (played by Viola Davis) and James Jordan (played by Julius Tennon), by driving to the Jordan parents’ home in Wilmington, North Carolina, and showing up unannounced. (Davis and Tennon are married in real life.) Deloris is the outspoken and savvy business person of the couple, and she makes the best power play in the entire story.

And where is Michael Jordan during all of these schemes and deals that wouldn’t exist without him? “Air” depicts Michael Jordan (played by Damian Young) as an occasional bystander who says very little in this story, and he is mostly filmed with his back to the camera. There’s some archival footage of the real Michael Jordan, but the screen time in “Air” for these clips is also very brief.

In the production notes for “Air,” director Affleck explains this choice: “Michael Jordan is so famous that I truly felt if we ever saw an actor playing [him], it would be hard to get the audience to suspend their disbelief, because, in my opinion, there’s no convincing anybody that someone who isn’t Michael Jordan is Michael Jordan. We felt a more interesting way to tell the story would be for him to exist in the ether of the movie. To be talked about by everyone but not seen is somewhat analogous to the experience of celebrities and sports stars in modern life, because most people go their whole lives without ever meeting or seeing their favorite sports star or celebrity in person. So we only see Michael in clips and flashes. We don’t ever fully see him in person because to see him in person would be to put his feet on the ground in a way that the movie doesn’t want to do.”

In other words, Affleck didn’t want any character to overshadow the Sonny character, played by Affleck’s longtime friend Damon. (Affleck and Damon are two of the producers of “Air.”) The fact of the matter is that this movie could have shown a little bit more respect for Michael Jordan’s role in this monumental deal. The “Air” movie depicts Michael Jordan as mostly caring about getting a new red Mercedes 380SL as part of the deal, while his parents (especially his mother) did almost all of the talking for him. It’s hard to believe that Michael Jordan didn’t speak more in these business meetings.

Another thing that looks very fabricated for the movie is how the first Air Jordan design came about, because it’s depicted as a “race against time” over a weekend to get a prototype ready in time for a Monday meeting with Michael Jordan and his parents. It’s the prototype for the shoe that would become Air Jordan 1. Peter Moore (played by Michael Maher) is portrayed as the artistic visionary who came up with the design for the shoe all by himself. The movie mentions a team of designers who worked with Peter to bring his vision to life, but these team members are nowhere to be seen in “Air.”

It’s another misstep that doesn’t properly acknowledge the contributions of an untold number of real-life people who were essential members of the team. “Air “didn’t have to single out all of these people in the movie, but they could have at least been characters seen in the movie as background extras. It’s odd that with so much of Nike’s Air Jordan deal riding on the actual product (the shoes), so little thought in the movie is given to the shoemakers who helped make the first Air Jordans a reality. Instead, “Air” makes it look like it was only Peter Moore in a Nike shoe design room who created the first Air Jordan.

What “Air” does get right is having an infectious energy in the behind-the-scenes drama that went into making this deal happen. The dialogue is snappy and intelligent but accessible. And the performances, especially from Damon and Davis, are above-average for movies of this type of subject matter. “Air” also has excellent soundtrack choices, with well-placed pop songs from the 1980s, such as Bruce Springsteen’s “Born in the USA,” Night Ranger’s “Sister Christian,” Chaka Khan and Rufus’s “Ain’t Nobody” and Squeeze’s “Tempted.” The movie also has Dire Straits’ “Money for Nothing,” which actually wasn’t released until 1985, but that’s a minor dateline error in an otherwise commendable soundtrack.

A movie like “Air” obviously wants to be more important than just a story about how Nike made a comeback by signing a young Michael Jordan in what would turn out to be the most lucrative celebrity endorsement deal in athletic shoe history. (For a deep dive into the cultural impact of Air Jordans, the 2020 documentary “One Man and His Shoes” is worth seeing.) The story depicted in “Air” serves as an example of how some of the best risks are taken by people who’ve got a lot to lose but take the risks anyway. It’s too bad that Michael Jordan’s perspective of this inspirational story is completely erased from the movie.

Amazon Studios will release “Air” in U.S. cinemas on April 5, 2023. Prime Video will premiere the movie on May 12, 2023.

Review: ‘Black Adam,’ starring Dwayne Johnson, Pierce Brosnan, Aldis Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari, Quintessa Swindell, Mohammed Amer and Bodhi Sabongui

October 19, 2022

by Carla Hay

Dwayne Johnson in “Black Adam” (Photo courtesy of Warner Bros. Pictures)

“Black Adam”

Directed by Jaume Collet-Serra

Culture Representation: Taking place in the fictional nation of Kahndaq and briefly in Louisiana, the superhero action film “Black Adam” features a racially diverse cast of characters (white, Asian and African American) portraying superheroes and regular human beings.

Culture Clash: Reluctant superhero Teth Adam, later known as Black Adam, finds it difficult to change his vengeful and troublemaking ways, and he does battle against the Justice Society and a group of land pillagers called Intergang. 

Culture Audience: “Black Adam” will appeal primarily to people who are fans of star Dwayne Johnson and movies based on DC Comics, but the movie is a disappointing and unimaginative cinematic origin story for Black Adam.

Sarah Shahi and Pierce Brosnan in “Black Adam” (Photo courtesy of Warner Bros. Pictures)

“Black Adam” is nothing more than a mishmash of big-budget superhero clichés with empty dialogue, atrocious editing, a forgettable villain and a lackluster story. You know it’s bad when the mid-credits scene is what people will talk about the most. “Black Adam” (which is based on DC Comics characters and stories) is the type of misguided mess that tries to do too much and ends up not making much of impact at all. It’s one of the weakest movies in the DC Extended Universe.

Directed by Jaume Collet-Serra, “Black Adam” could have been a thoroughly entertaining, epic superhero movie, based on the fact that charismatic Dwayne Johnson has the title role, and the movie has several talented cast members. (Johnson is also one of the movie’s producers.) But the “Black Adam” screenplay (written by Adam Sztykiel, Rory Haines and Sohrab Noshirvani) is a complete dud, with mindless conversations and stale jokes that look too forced.

It’s fair to say that people don’t watch superhero movies for super-intelligent dialogue, but even the action sequences in “Black Adam” are substandard. The visual effects are hit-and-miss and aren’t particularly impressive. And the choppy editing looks like something you might see in a beginner, low-budget film, not a movie that with experienced filmmakers and a bloated nine-figure production budget.

“Black Adam” begins in the year 2600 B.C. in the fictional kingdom of Kahndaq, which is supposed to be somewhere in the Middle East. The most valuable resource in Kahndaq is Eternium, which gives special magical powers to anyone in possession of Eternium. Needless to say, wars and crimes have been committed in the competition to get Eternium.

A mystical warrior named Teth Adam (played by Johnson), who has superpowers in strength and speed, is someone who experienced a tragedy as a result of this greed for Eternium. As a result, he went on vengeful crime sprees but was eventually imprisoned in the Rock of Eternity (which is a resource hub for magic), where he was entombed for 5,000 years. The legend of Teth Adam was passed on for generations.

In the present day, Kahndaq is now an economically struggling country that has been invaded by white Europeans looking to mine the land for Eternium. A villainous group called Intergang wreaks the most havoc in this quest for Eternium. Meanwhile, a group of rebel freedom fighters aiming to defeat Intergang will be hunted by members of Intergang.

What does this have to do with Black Adam? One of the leaders of the freedom fighters is named Adrianna Tomaz (played by Sarah Shahi), who ends up being captured with her brother Karim (played by Mo Amer), who is also a freedom fighter, while they are trying to get a magical crown. Their friend and colleague Ishmael (played by Marwan Kenzari) is also involved in tryng to get this crown.

While being held captive in a cave that ends up being where the Rock of Eternity is, Adrianna yells, “Shazam!” It’s the magical word that awakens Teth Adam, who breaks out of captivity from the tomb. Adrianna and Karim escape, but for a good deal of the movie, they are being chased by Intergang thugs. Will formerly imprisoned Adam help them?

Adrianna is a widowed mother of an adolsecent son named Amon Tomaz (played by Bodhi Sabongui), who’s about 13 or 14 years old. Without going into too many details, it’s enough to say that Teth Adam eventually meets Amon, Adrianna and Karim. Amon immediately is in awe of Adam, but Adam is less impressed with this family and doesn’t really want to get involved with the family’s Intergang problems, until certain circumstances lead Adam to be on the family’s side.

That entire storyline would be enough for one movie, but “Black Adam” crams in another storyline where Adam is at odds with a group of superheroes called Justice Society, which has reunited when it becomes known that Teth Adam is on the loose and causing damage again. Viola Davis has a cameo near the beginning of “Black Adam” to reprise her “Suicide Squad” character Amanda Waller, who makes a command that sets the Justice Society back in motion. There’s nothing special about any of the cast members’ acting, a lot of which looks “phoned in,” with no uniquely memorable flair.

The members of the Justice Society in the “Black Adam” movie are:

  • Carter Hall/Hawkman (played by by Aldis Hodge), a loyal and earnest warrior who has lived for thousands of years and has the flying skills of a hawk.
  • Kent Nelson/Doctor Fate (played by Pierce Brosnan), a kind-hearted and grandfatherly archeologist who has the powers of a sorcerer.
  • Al Rothstein/Atom Smasher (played by Noah Centineo), a clumsy and goofy 20-year-old who can grow to the size of a skyscraper.
  • Maxine Hunkel/Cyclone (played by Quintessa Swindell), a playful and courageous 19-year-old who has the power to use her mind to create cyclone-like gusts of wind.

Unfortunately, all of these Justice Society characters are written to have very generic personalities and extremely bland chemistry with each other. Maxine Hunkel/Cyclone in particular is very under-used and is more like a placeholder than an impactful, developed character. And some of the lines of dialogue they have to say are downright cringeworthy. More than once, Hawkman says to Doctor Fate: “A bad plan is better than no plan at all.” That sounds like the same attitude that the “Black Adam” filmmakers had in making this shoddy superhero movie.

Expect to see a lot of formulaic chase scenes, shootouts, explosions and all the usual stereotypes of superhero action flicks. “Black Adam” has some half-hearted preachiness about white colonialism in countries where most of the residents aren’t white, but this attempt to bring a “social consciousness” to “Black Adam” looks as phony as some of the movie’s often-unconvincing visual effects. Everything in the story is jumbled up and scatterbrained, as if the filmmakers couldn’t decide how to juggle the storylines of Adam being at odds with the Justice Society and Intergang. (The 2021 action flick “Jungle Cruise,” also directed by Collet-Serra and starring Johnson, had the same overstuffed story problem.)

Meanwhile, Teth Adam/Black Adam scowls and smashes his way throughout the movie like a bulldozer on autopilot. The teenage character of Amon is hyper and talkative to the point of annoyance. Amon’s uncle Karim is supposed to be the comic relief of the movie, but just ends up looking mostly like a buffoon. Adrianna is the voice of reason for the group of freedom fighters, but nothing stands out about this character’s personality. And when one of the movie’s heroes has an underage child, you know what that means when the villains want revenge.

And about those villains. One of the biggest failings of “Black Adam” is that none of these villains is particularly memorable. The “chief villain” battle at the end looks more like a video game than a cinematic experience. The best superhero movies have villains who make the type of scene-stealing impact that audiences talk about for years. “Black Adam” comes up very short on every level when it comes to unforgettable villainous characters.

What happens in the mid-credits scene of “Black Adam” has already been widely reported, but it won’t be detailed in this review. It’s enough to say that it involves another DC Comics superhero and how that superhero might interact with Black Adam. It’s never a good sign when a movie’s main character and story are so underwhelming, it’s upstaged by the sudden appearance of another character in a mid-credits scene that foreshadows the anticipated plot of an obvious sequel.

Warner Bros. Pictures will release “Black Adam” in U.S. cinemas on October 21, 2022.

Review: ‘The Woman King,’ starring Viola Davis

September 10, 2022

by Carla Hay

Cast members of “The Woman King.” Pictured in front row, from left to right: Lashana Lynch, Viola Davis and Sheila Atim. Pictured in second row, from left to right: Sisipho Mbopa, Lone Motsomi and Chioma Umeala (Photo by Ilze Kitshoff/TriStar Pictures)

“The Woman King” (2022)

Directed by Gina Prince-Bythewood

Culture Representation: Taking place in the mid-1800s in West Africa, the action film “The Woman King” features a predominantly black cast of characters (with some white people) representing the working-class, middle-class, wealthy and royalty.

Culture Clash: General Nanisca leads an all-female group of warriors in the African kingdom of Dahomey, as they battle against the slave trade and the rival Oyo Empire. 

Culture Audience: “The Woman King” will appeal primarily to people who are fans of star Viola Davis and military action movies that are told from a female perspective.

Viola Davis and Thuso Mbedu in “The Woman King” (Photo courtesy of TriStar Pictures)

“The Woman King” is sometimes cluttered and uneven, but the movie’s compelling performances, gripping action and inspiring personal stories can keep most viewers interested. Viola Davis is the movie’s title character and should have been in more scenes. Instead, at least half of the movie is about a rookie military recruit, who starts out as an underestimated newcomer and overcomes challenges, on and off the battlefield. “The Woman King” had its world premiere at the 2022 Toronto International Film Festival.

Directed by Gina Prince-Bythewood and written by Dana Stevens, “The Woman King” is inspired by true events that happened in West Africa in the mid-1800s. Davis (who is one of the producers of “The Woman King”) portrays General Nanisca, the leader of the Agojie, an all-female group of warriors protecting the African kingdom of Dahomey.

These women have a fearsome and bold reputation that is so widespread, when they arrive as visitors in a village, people are afraid look at them. Some of these warrior women’s exploits are exaggerated in stories told among villagers, while other exploits are not exaggerated, including the warriors’ participation in vicious killings. For example, the movie shows how the women specifically train themselves on how to murder people by chopping off their heads.

King Ghezo (played by John Boyega), the reigning leader of Dahomey, is part of the kingdom’s dwindling male population. Dahomey has been in a longtime feud with the Oyo Empire, which is also in West Africa. The on-again-/off-again warfare between Dahomey and Oyo has resulted in Dahomey being forced to give up male residents to Oyo, which has been selling these men in the growing slave trade.

Needless to say, the slave traders (the African traitors and the white male buyers) are the story’s biggest villains. Leading the group of white slave traders is Santo Ferreira (played by Hero Fiennes Tiffin), a Brazilian aristocrat who tries to convince King Ghezo to start profiting from the slave trade by selling slaves directly to Santo and his colleagues. King Ghezo needs the money, and the movie ultimately shows whether or not he makes the decision to sell out his own people. Someone who does sell his own people with no hesitation is Oba Ade (played by Jimmy Odukoya) from the Oya Empire.

Meanwhile, in Dahomey, a 19-year-old woman named Nawi (played by Thuso Mbedu) defiantly refuses to marry an older, wealthy man whom her father has chosen for her. This would-be husband immediately shows that he’s abusive when he punches Nawi for not being submissive to him. Nawi defends herself by pushing this abuser down to the ground. He’s shocked that she won’t let him get away with abusing her.

Nawi tells her father that she doesn’t want to have a husband and that she wants to be a soldier. And so, Nawi’s father decides he’s going “punish” her by making her enlist in the toughest military unit around: the Agojie army. Nawi arrives as very physically unprepared and insecure new recruit. She tries to hide her insecurity by acting like she knows more than she really does.

Nanisca gives the responsibility of training Nawi to Nanisca’s right-hand woman Izogie (played by Lashana Lynch), who is as fearless as Nanisca and very loyal to her. Another member of this military unit is Amenza (played by Sheila Atim), who has known Nanisca the longest and is Nanisca’s closest confidante. Amenza is compassionate as well as tough. Lynch and Atim are entirely believable in these supporting roles.

Nawi doesn’t make a good impression on the Agojie leaders because she often acts like an entitled brat. In one of the first conversations that Nawi and Nanisca have with each other, Nanisca comments that Nawi looks a lot younger than 19. Nawi says to Nanisca, “You look like an old woman to me.”

The movie has the expected scenes of inexperienced recruit Nawi making mistakes and failing in some physical challenges during the training process. She’s laughed at and taunted by some of the other trainees, but she doesn’t experience any extreme military hazing. It should come as no surprise that Nawi eventually improves (in her attitude and physical skills) and then excels. Mbedu is quite good in depicting Nawi’s metamorphosis.

Izogie ends up relating to Nawi because they both came from dysfunctional families. Izogie, who knows about Nawi’s abusive father, confides in Nawi one day by saying that Izogie experienced the pain of having an abusive mother. Izogie comments to Nawi about the Agojie warriors: “You have a new family now.”

Meanwhile, Brazilian slave trader Santo has a servant named Malik (played by Jordan Bulger), whose biracial identity often tests his loyalty. (Malik’s mother was an enslaved black woman, and his father was white.) Malik often has to choose between his white employer and the black people with whom Malik identifies with more. Malik and Santo are about the same age, and they grew up together, with Malik always having the role of Santo’s servant.

Malik and Nawi become attracted to each other, but their possible romance is hindered by Nawi’s doubts about how involved Malik is in the slave trade. Malik repeatedly tells Nawi that he’s not a slave trader, but she questions his honesty, considering that he works for a slave trader. To bring some playfull sexiness into the movie, there’s a scene where Nawi takes away Malik’s clothes as a prank when he’s skinny dipping by himself near a waterfall.

Wait a minute. Isn’t this movie called “The Woman King,” not “The Woman Rookie”? One of the frustrating aspects of “The Woman King” is that the Nanisca isn’t in the movie as much as she should be. Nanisca is not exactly sidelined, because Davis is such a powerhouse performer, she makes the most of her screen time, even with her facial expressions. However, a huge part of the story is about Nawi’s personal dramas.

The movie becomes a little bit of a soap opera when something from Nanisca’s past comes back to haunt her. It’s a secret that Nawi finds out about in a way that shakes Nawi to her inner core. Very few people know about this secret. And, at first, Nawi doesn’t quite believe this secret until she sees proof.

“The Woman King” can be commended for showing some of the realistic ups and downs that military groups have with each other and with the governments that they serve. Nanisca has some tension with King Ghezo’s opinionated wife (played by Jayme Lawson), who thinks that Nanisca is too radical. It irritates King Ghezo’s wife when he takes Nanisca’s advice.

The power struggle between Nanisca and King Ghezo’s wife doesn’t become a major showdown though, because the king always treats his spouse as more or less a trophy wife. It’s very obvious from the beginning of the movie that King Ghezo has more respect for Nanisca than his wife, when it comes to leadership skills and camaraderie. Doesn’t the title of this movie say it all?

“The Woman King” has some intense battle scenes and depictions of enslavement that might be too hard to watch for very sensitive viewers. The battle scenes show how even though many of these women might be physically smaller than their male opponents, the female warriors have trained to outwit their opponents with strategic fight moves. The movie also makes a point of how the women pay respect to their fallen comrades using their African religious traditions.

Although “The Woman King” has a well-developed story arc for Nawi, the development of the Nanisca character sometimes fall short of what many viewers might expect. Nanisca gives a little bit of background information about herself, including her secret that affects Nawi. Even with this big secret revealed, Nanisca still remains stoic and somewhat mysterious by the end of the movie.

Viewers never really find out what Nanisca’s interests are outside of this army of female warriors and the army’s duties to protect Dahomey, but that could be the point: Nanisca’s life revolves around this group. It’s testament to Davis’ immense talent that she conveys enough of a personality with Nanisca to show that this extraordinary warrior is not a hollow character but has lived a life of pain and hard-fought survival that she doesn’t easily reveal to others.

TriStar Pictures will release “The Woman King” in U.S. cinemas on September 16, 2022.

Review: ‘The Suicide Squad,’ starring Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, David Dastmalchian, Viola Davis and Daniela Melchior

July 30, 2021

by Carla Hay

Pictured in front row, from left to right: Joel Kinnaman, Alice Braga, Daniela Melchior, King Shark, Idris Elba and John Cena in “The Suicide Squad” (Photo courtesy of Warner Bros. Pictures)

“The Suicide Squad”

Directed by James Gunn

Culture Representation: Taking place in Louisiana and a fictional South American country called Corto Maltese, the superhero action flick “The Suicide Squad” features a racially diverse cast of characters (white, black, Latino and Asian) representing government officials, superheroes, villains, fantasy creatures and everything in between.

Culture Clash: The Suicide Squad—a ragtag group of prisoners and outlaws with special abilities—is ordered by the U.S. government to go on a secret mission to destroy a nefarious scientific operation that is intended to control the world.

Culture Audience: “The Suicide Squad” will appeal primarily to people who are interested in violent, zany and foul-mouthed superhero movies that skillfully blur the lines between heroes and villains.

Joel Kinnaman, John Cena, Margot Robbie, Peter Capaldi and Idris Elba in “The Suicide Squad” (Photo courtesy of Warner Bros. Pictures)

“The Suicide Squad” is the bonkers and bloody action spectacle that fans of iconoclastic superhero movies deserve. It’s a worthy and memorable alternative of writer/director David Ayer’s 2016’s much-maligned “Suicide Squad,” which was a confused and muddled film that ultimately played it too safe for these roguish and rude DC Comics characters. “The Suicide Squad” (written and directed by James Gunn) gives a much-needed adult-oriented resuscitation—not just to the original “Suicide Squad” movie but also to the superhero genre in general, which has a tendency to be formulaic and predictable.

“The Suicide Squad” is the superhero movie equivalent of someone who will kiss you and kick you at the same time. Within the first 15 minutes of the movie, there are surprises that most superhero movies would never dare to have. Several characters initially look like they’re going to be prominently featured in the story, but they actually get killed off early in the film. And there are more unexpected deaths that defy the usual expectations of who lives and who dies in a typical superhero film.

Because of all these unexpected deaths in “The Suicide Squad,” the only way to describe the movie without giving away spoiler information is to say that the Suicide Squad’s mission in this movie is to go to the fictional South American island nation of Corto Maltese and destroy a top-secret scientific operation called Project Starfish. Just like in 2016’s “Suicide Squad” movie and in the DC Comics series that inspired this movie franchise, the Suicide Squad (whose official name is Task Force X) consists of dangerous inmates who are held at a federal prison called Belle Reve in Louisiana. The members of the team have special skills or powers that make the Suicide Squad an above-average combat group.

Belle Reve is a recruiting center for a no-nonsense, tough-talking U.S. government official named Amanda Waller (played by Viola Davis, reprising her role from 2016’s “Suicide Squad”), who is in charge of monitoring the Suicide Squad members when they go on their black operations (in other words, government-classified missions), under orders from the U.S. government. If the Suicide Squad members complete the mission, then they can get a pre-determined number of years shaved off of their prison sentences. In case any of these Suicide Squad members try to escape or defy orders, an explosive device is implanted in each of their heads, and Amanda has the power to detonate this explosive device.

While Amanda keeps tabs on the Suicide Squad in a control room with elaborate high-tech surveillance, her subordinate Colonel Rick Flag (played by Joel Kinnaman, also from 2016’s “Suicide Squad” movie) is the military commander who accompanies the Suicide Squad on their missions. In other words, he does a lot of dirty work that Amanda doesn’t have to do, and his life is more at risk than hers. Colonel Flag is a loyal government employee. He’s gritty but not as cold-blooded and ruthless as Amanda. And in “The Suicide Squad” movie, viewers will see how he handles an important ethical dilemma.

Who are the members of the Suicide Squad in this movie? They are, in alphabetical order:

  • Blackguard (played by Pete Davidson), whose real name is Richard Hertz, an American guy in his 20s who’s an immature and nervous jokester.
  • Bloodsport (played by Idris Elba), whose real name is Robert Dubois, a cynical, grouchy, middle-aged Brit who’s an expert marksman and who is in prison for shooting Superman with a Kryptonite bullet, which landed Superman in a hospital’s intensive care unit.
  • Captain Boomerang (played by Jai Courtney), whose real name is George “Digger” Harkness, a hot-tempered Australian in his 30s who uses a deadly boomerang as his main weapon.
  • Javelin (played by Flula Borg), whose real name is Gunter Braun, a cocky German in his 30s who has a javelin as his main weapon.
  • King Shark (voiced by Sylvester Stallone), a talking mutant shark that has the intelligence of a 3-year-old human child and an appetite for eating humans.
  • Mongal (played by Mayling Ng), an orange alien with superhero strength and agility.
  • Peacemaker (played by John Cena), whose real name is Christopher Smith, an extremely patriotic middle-aged American who is an expert marksman and immediately has a rivalry with Bloodsport.
  • Polka-Dot Man (played by David Dastmalchian), whose real name is Abner Krill, an insecure American guy in his 40s who has “mother issues” and the ability to eject deadly flying polka dots from his body as weapons.
  • Harley Quinn (played by Margot Robbie), a ditsy American maniac whose past heartbreaks (including her former romance with iconic villain The Joker) and personal grudges affect many of her decisions.
  • Ratcatcher 2 (played by Daniela Melchior), whose real name is Cleo Cazo, a compassionate Portuguese orphan in her 20s who has the ability to command rats to do her bidding.
  • Savant (played by Michael Rooker), whose real name is Brian Durlin, a jaded, 61-year-old American who is an expert in weapons and hand-to-hand combat.
  • T.D.K. (played by Nathan Fillion), a stoic American man in his 40s, whose real name is Cory Pitzner and whose T.D.K. nickname initials stand for The Detachable Kid, because he has the power to detach his limbs and use them as weapons.
  • Weasel (played by Sean Gunn), an easygoing, giant weasel that cannot talk.

Harley and Boomerang were in 2016’s “Suicide Squad” movie. The other characters are new to the DC Extended Universe (DCEU) live-action movies. Of these new characters in “The Suicide Squad,” Bloodsport, Polka-Dot Man and Ratcatcher 2 are the ones with the significant backstories that are described in the movie. Amanda tells a reluctant and anti-social Bloodsport that he will be the leader of this revamped Suicide Squad.

Corto Maltese is a country in a lot of political turmoil. For years, the country was ruled by royals called the Herrera Family, but the entire family was murdered by a public hanging during a miltary coup of the government. The leader of this coup is General Silvio Luna (played by Juan Diego Botto), whose right-hand man is Mayor General Mateo Suarez (played by Joaquín Cosio), who’s old enough to be General Luna’s father. General Luna has appointed himself as the military dictator president of Corto Maltese.

Meanwhile, General Luna and his inner circle know all about Project Starfish. The secrets of Project Starfish will give Corto Maltese the ability to become a world superpower. The geneticist in charge of Project Starfish is a Brit named Gaius Grieves (played by Peter Capaldi), who has the nickname the Thinker. He’s the key to getting access to Jotunheim, the name of the scientific research facility that houses Project Starfish in the Corto Maltese city of Valle del Mar. The Thinker is also easy to spot, because he has electrode-like amps, spark plugs and valves portruding from his head, in order to enhance his intelligence.

The only information that the Suicide Squad has about the Thinker is what he looks like and that he often likes to go to a “gentleman’s club” after work. It’s at this point in the movie that you know that the Suicide Squad will be going to a strip club, and there’s going to be a big fight scene there. The way the scene is filmed is not cliché as it sounds. And it has moments of comedy, such as when the Suicide Squad members get drunk and some of them awkwardly start dancing.

In addition to many surprise twists, what makes “The Suicide Squad” different from most other superhero movies is how it manages to be a nihilistic, graphically violent movie with heart and genuine sentiment. It’s a tricky balance that most movies with these intentions would not be able to achieve. The Suicide Squad members might have reputations for being amoral, but the movie shows (in ways that 2016’s “Suicide Squad did not) a certain depth to their emotional damage.

Bloodsport has a rocky relationship with his 16-year-old daughter Tyla (played by Storm Reid), a rebel who has recently gotten into trouble for stealing a StyleWatch, which is described as a device that’s a lot like an Apple Watch. (Tyla’s mother is dead, by the way.) When Tyla comes to visit Bloodsport in prison, she tells him about how she’s gotten in trouble for this theft. Instead of giving the usual parental lecture, Bloodsport chastises Tyla by saying that she should’ve had a thief partner so she wouldn’t get caught.

They yell “fuck you” to each other, because Tyla has a lot of resentment over having an absentee father who has not been there to give her the guidance that she obviously wants. She shouts at Bloodsport that she’s ashamed that he’s her father. And the hurt expression on Bloodsport’s face shows that he’s not so tough after all, at least when it comes to his daughter. Later, after Bloodsport meets Ratcatcher 2, he shows his vulnerable side again when he tells Ratcatcher 2 that she reminds him of his daughter.

Other characters reveal how their family-related traumas have affected them. Polka-Dot Man had a mother (played by Lynne Ashe), who worked at Scientific and Technological Advanced Research Laboratories, also known as S.T.A.R. Labs. According to what Polka-Dot Man tells the other Suicide Squad members, his mother was obsessed with making her children superheroes, so she conducted illegal scientific experiments on them.

Polka-Dot Man’s polka dots on his skin are an interdimensional virus that he got from these experiments. His face can balloon into a bloated disfigurement with polka dots unless he expels them. (This transformation is shown in the movie.) Polka-Dot Man says at one point, “I don’t like to kill people, but if I pretend they’re my mom, it’s easy.” And yes, there are some scenes were the Polka-Dot Man hallucinates seeing his mother.

Ratcatcher 2 is the daughter of Ratcatcher (played by Taika Waititi, in a flashback cameo), who taught her how to summon and control rats. The rats kept them company when she and her father lived on the streets of Portugal. During a bus ride with other Suicide Squad members, Ratcatcher 2 talks about how she moved to the U.S. from Portugal, and she’s an orphan because her father died from his “burdens.” (Ratcatcher 2 never talks about what happened to her mother.)

The flashback shows that Ratcatcher’s main burden was a needle-using drug addiction, and he died of a drug overdose. Ratcatcher 2 also says after she moved to the U.S., she was arrested for armed bank robbery, and she can’t believe that her rats were considered a weapon. Ratcatcher 2’s closest companion is a very intelligent rat named Sebastian, which Colonel Flag jokingly calls Ratatouille.

Meanwhile, there’s a running gag in the movie that macho Bloodsport is very afraid of rats. On that bus ride, he reveals why: His mercenary father, who gave him weapons training, would punish Bloodsport as a child for not doing something correctly. One of those punishments was to lock Bloodsport in a crate for 24 hours with hungry rats. Bloodsport’s rat phobia is used for comic relief as well as a very touching moment in the movie.

Harley does not have her signature baseball bat in this movie, but she has a rocket launcher and a javelin that she puts to good use. How she got this javelin is revealed in the movie. In 2016’s “Suicide Squad,” Harley was depicted as a scantily clad sexpot who was lovesick over the Joker. In “The Suicide Squad,” she’s more of an independent badass, just as she was in the 2020 movie “Birds of Prey,” but not like the two-dimensional caricature that she was in “Birds of Prey.”

In one part of the movie, Corto Maltese president Luna summons Harley to his palace for an elaborate lunch date, in order to seduce her and convince her to become his wife. Luna is very anti-American but he’s attracted to Harley because her hellraising antics seem to be anti-American, and he thinks she’s very sexy. Harley is dressed for the occasion in a frilly red gown that she wears for the rest of the movie and during her biggest action scenes. Wearing the red gown while in combat is a symbolic contrast of how Harley sees herself as both girly and gonzo when it comes to fighting.

“The Suicide Squad” has fun with Harley’s image as the Suicide Squad member who’s most likely to make a fashion statement. Early on the movie, Harley wears a red and black leather suit with a jacket emblazoned with the words “Live Fast, Die Clown” on the back. And later in the movie, when she’s wearing the red gown, it’s shown that she has a back tattoo that reads, “Property of No One” next to a jester head that’s mean to signify the Joker. She also has a chest tattoo that reads “Daddy’s Lil Monster,” in a nod to the T-shirt that she famously wore in 2016’s “Suicide Squad.”

Harley might come across a flaky and erratic in some ways, but “The Suicide Squad” presents her with a fascinating and complex mindset. She has a monologue in the movie that’s very revealing in how she still has some inner conflict over how much she’s willing to let her head, not her heart, rule over any decisions that she makes. This movie is Robbie’s most compelling portrayal of Harley Quinn, because she’s finally given the dialogue that this character should have.

Visually, “The Suicide Squad” is the best so far of any live-action movie featuring Harley Quinn. There are some whimsical qualities, such as plot developments spelled out in giant words that are part of the scenery. (“The Suicide Squad” was filmed in Atlanta, Panama, Puerto Rico and Portugal.)The most gruesome and bloodiest scenes have an almost cartoonish quality, so that things don’t appear to be completely depressing and grim. And some of the action scenes have a poetic beauty to them, particularly one sequence involving Harley Quinn and a cascade of flowers in bloom, which are very metaphorical to the blossoming of her character.

What will affect viewers the most is not the violence but who dies in the movie. These deaths are examples of why people in this ragtag Suicide Squad are reluctant or afraid to get emotionally attached to others. (However, in the end-credits scene, it’s revealed that the one of the “dead” characters actually survived.) Although the violence in “The Suicide Squad” is brutal, it’s not without consequences. Too often, superhero movies make most of the villains die and all of the heroes live. “The Suicide Squad” is a big middle finger to that idea.

The rivalry between Bloodsport and Peacemaker provides a lot of comedy, as well as tension-filled moments. As an example of the insult jokes between these two alpha males, Bloodsport derides Peacemaker for his shiny chrome helmet, which Bloodsport says looks like a toilet seat on Peacemaker’s head. Later in the movie, Peacemaker snaps back, “It’s not a toilet seat! It’s a beacon of freedom!”

The acting in “The Suicide Squad” is not going to be nominated for any prestigious awards, but all of the cast members get the job done well for their characters. Robbie and Elba stand out for bringing some nuance as emotionally wounded troublemakers Harley Quinn and Bloodsport. Melchior and Dastmalchian also have some standout moments as Ratcatcher 2 and the Polka-Dot Man, who are the kindler, gentler members of the Suicide Squad. King Shark is written as very simple-minded, so there’s not much going on with this character except fighting, eating humans, and a standout scene where King Shark is fascinated by the contents of a giant aquarium.

The Suicide Squad members have two outside allies from Corto Maltese in their mission: Sol Soria (played by Alice Braga) is the leader of a resistance movement against the military coup. She has a very negative first impression of the Suicide Squad because of a colossal mistake that directly affects Sol. Milton (played by Julio Cesar Ruiz) is a hired driver who becomes the butt of a joke about how people don’t pay attention to service employees in movies like this or in real life.

It’s an example of some of the offbeat sensibilities that Gunn (who’s also known for directing “The Guardians of the Galaxy” movies) brings to “The Suicide Squad.” Another example is how Louis Prima’s “Just a Gigolo” song is used in one of Harley Quinn’s big action scenes. And in Amanda’s surveillance control room, her subordinates take bets on which Suicide Squad members will live or die during a mission.

One of the ways that “The Suicide Squad” doesn’t play it safe is by having some political themes about American patriotism and how Americans are often perceived by people in other countries. These themes in the movie might get divisive reactions from audience members. But considering that so many superhero movies deliberately avoid politics, “The Suicide Squad” should be commended for going outside the norm and taking some bold risks, even if they might alienate some viewers.

In others words, “The Suicide Squad” is not for the type of superhero movie fan who only wants pleasant, lightweight, family-friendly entertainment. The movie shows the good, bad and ugly sides of humanity in a way that will elicit a wide range of emotions in viewers. But one way that “The Suicide Squad” won’t make most viewers feel is bored.

Warner Bros. Pictures will release “The Suicide Squad” in U.S. cinemas and on HBO Max on August 5, 2021, moved up from the original release date of August 6, 2021. The movie was released in cinemas in select countries, including the United Kingdom, on July 30, 2021.

2021 Academy Awards: presenters and performers announced

April 23, 2021

The following is a combination of press releases from ABC:

Oscar® nominee Steven Yeun will join the ensemble cast slated to present at the 93rd Oscars®, show producers Jesse Collins, Stacey Sher and Steven Soderbergh announced today. “The Oscars” will air live on Sunday, April 25, 2021, on ABC.

“Surprise! We’re so excited to welcome Steven to the crew, and he completes our Oscars cast. No, really, this is it,” said Collins, Sher and Soderbergh.

The previously announced lineup includes Riz Ahmed, Angela Bassett, Halle Berry, Don Cheadle, Bryan Cranston, Viola Davis, Laura Dern, Harrison Ford, Bong Joon Ho, Regina King, Marlee Matlin, Rita Moreno, Joaquin Phoenix, Brad Pitt, Reese Witherspoon, Renée Zellweger and Zendaya.

Celeste, H.E.R., Leslie Odom Jr., Laura Pausini, Daniel Pemberton, Molly Sandén and Diane Warren will perform the five nominated original songs in their entirety for “Oscars: Into the Spotlight,” the lead-in to the 93rd Oscars. One performance will be recorded in Húsavík, Iceland, and four at the Dolby Family Terrace of the Academy Museum of Motion Pictures in Los Angeles. Hosted by actors Ariana DeBose (“Hamilton”) and Lil Rel Howery (“Bad Trip”), the 90-minute “Oscars: Into the Spotlight” will highlight the nominees’ journey to Hollywood’s biggest night, give fans around the world the ultimate insiders’ sneak peek to the party and, for the first time, bring Oscar music to the festivities. The show will feature a special appearance by DJ Tara. “Oscars: Into the Spotlight” will air Oscar Sunday, April 25, at 6:30 p.m. EDT/3:30 p.m. PDT.  

The 93rd Oscars will be held on Sunday, April 25, 2021, at Union Station Los Angeles and the Dolby® Theatre at Hollywood & Highland Center® in Hollywood, and international locations via satellite.  “Oscars: Into the Spotlight” will air live on ABC at 6:30 p.m. EDT/3:30 p.m. PDT. “The Oscars” will be televised live on ABC at 8 p.m. EDT/5 p.m. PDT and in more than 200 territories worldwide.  “Oscars: After Dark” will immediately follow the Oscars show.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures.

2020 IFP Gotham Awards: ‘Nomadland’ is the top winner

January 11, 2021

by Carla Hay

With two prizes, including Best Feature, “Nomadland” was the top winner at 2020 IFP Gotham Awards. The winners were announced in New York City on January 11, 2021. “Nomadland,” a drama directed by Chloé Zhao and starring Frances McDormand as a widow who lives out of her van, also received the Gotham Audience Award, which is voted on by IFP members. On January 6, 2021, it was announced that Independent Filmmaker Project (IFP) is renaming itself the Gotham Film & Media Institute, also known as The Gotham.

Best Actress went to Nicole Beharie of “Miss Juneteenth,” while Best Actor went to Riz Ahmed of “Sound of Metal.” Breakthrough Actor (a category for people of any gender) was awarded to  “One Night in Miami…” actor Kingsley Ben-Adir, who portrays Malcolm X in the movie.

There were two categories that resulted in ties in winners: Best Documentary was awarded to director Ramona S. Diaz’s “A Thousand Cuts” (about Filipina journalist Maria Ressa’s battles with government backlash in the Philippines) and director Garrett Bradley’s “Time,” a movie spanning decades about Louisiana woman Fox Rich’s quest to get her husband released from prison. The Best Screenplay award also resulted in two winners: Radha Blank’s “The Forty-Year-Old Version” (a comedy about a female playwright who decides to become a rapper at 40 years old) and Dan Sallitt’s “Fourteen,” a comedy about a mentally ill woman.

This was the first Gotham Awards show to have TV categories. The winners were both from HBO: the superhero drama “Watchmen” for Breakthrough Series – Long Format and the #MeToo drama “I May Destroy You” for Breakthrough Series – Short Format.

In non-competitive categories, the Film Tribute Award went to actress Viola Davis, actor Chadwick Boseman, filmmaker Steve McQueen and the Netflix drama “The Trial of the Chicago 7.” “Westworld” actor Jeffrey Wright received the Made in New York award, which is given to entertainers who were raised in New York City or have strong ties to New York.

The Western drama “First Cow” went into the ceremony with the most nominations (four), but ended up not winning any IFP Gotham Awards.

Here is the complete list of nominees and winners of the 2020 IFP Gotham Awards:

*=winner

Best Feature

The Assistant

Kitty Green, director; Kitty Green, Scott Macaulay, James Schamus, P. Jennifer Dana, Ross Jacobson, producers (Bleecker Street)

First Cow

Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (A24)

Never Rarely Sometimes Always

Eliza Hittman, director; Adele Romanski, Sara Murphy, producers (Focus Features)

Nomadland*

Chloé Zhao, director; Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, Chloé Zhao, producers (Searchlight Pictures)

Relic

Natalie Erika James, director; Anna Mcleish, Sarah Shaw, Jake Gyllenhaal, Riva Marker, producers (IFC Midnight)

Best Documentary

76 Days

Hao Wu, Weixi Chen, Anonymous, directors; Hao Wu, Jean Tsien, producers (MTV Documentary Films)

City Hall

Frederick Wiseman, director; Frederick Wiseman, Karen Konicek, producers (Zipporah Films)

Our Time Machine

Yang Sun, S. Leo Chiang directors; S. Leo Chiang, Yang Sun, producers (Passion River Films)

A Thousand Cuts* (tie)

Ramona S. Diaz, director; Ramona S. Diaz, Leah Marino, Julie Goldman, Christopher Clements, Carolyn Hepburn, producers (PBS Distribution | FRONTLINE )

Time* (tie)

Garrett Bradley, director; Lauren Domino, Kellen Quinn, Garrett Bradley, producers (Amazon Studios)

Best International Feature

Bacurau

Kleber Mendonça Filho, Juliano Dornelles, directors; Emilie Lesclaux, Saïd Ben Saïd, Michel Merkt, producers (Kino Lorber)

Beanpole

Kantemir Balagov, director; Alexander Rodnyansky, Sergey Melkumov, producers (Kino Lorber)

Cuties (Mignonnes)

Maïmouna Doucouré, director; Zangro, producer (Netflix)

Identifying Features*

Fernanda Valadez, director; Astrid Rondero, producer (Kino Lorber)

Martin Eden

Pietro Marcello, director; Pietro Marcello, Beppe Caschetto, Thomas Ordonneau, Michael Weber, Viola Fügen, producers (Kino Lorber)

Wolfwalkers

Tomm Moore, Ross Stewart, directors; Paul Young, Nora Twomey, Tomm Moore, Stéphan Roelants, producers (Apple)

Bingham Ray Breakthrough Director Award

Radha Blank for The Forty-Year-Old Version (Netflix)

Channing Godfrey Peoples for Miss Juneteenth (Vertical Entertainment)

Alex Thompson for Saint Frances (Oscilloscope Laboratories)

Carlo Mirabella-Davis for Swallow (IFC Films)

Andrew Patterson for The Vast of Night (Amazon Studios)*

Best Screenplay

Bad Education, Mike Makowsky (HBO)

First Cow, Jon Raymond, Kelly Reichardt (A24)

The Forty-Year-Old Version, Radha Blank (Netflix)*

Fourteen, Dan Sallitt (Grasshopper Film)*

The Vast of Night, James Montague, Craig Sanger (Amazon Studios)

Best Actor

Riz Ahmed in Sound of Metal (Amazon Studios)*

Chadwick Boseman in Ma Rainey’s Black Bottom (Netflix)

Jude Law in The Nest (IFC Films)

John Magaro in First Cow (A24)

Jesse Plemons in I’m Thinking of Ending Things (Netflix)

Best Actress

Nicole Beharie in Miss Juneteenth (Vertical Entertainment)*

Jessie Buckley in I’m Thinking of Ending Things (Netflix)

Yuh-Jung Youn in Minari (A24)

Carrie Coon in The Nest (IFC Films)

Frances McDormand in Nomadland (Searchlight Pictures)

Breakthrough Actor

Jasmine Batchelor in The Surrogate (Monument Releasing)

Kingsley Ben-Adir in One Night in Miami… (Amazon Studios)*

Sidney Flanigan in Never Rarely Sometimes Always (Focus Features)

Orion Lee in First Cow (A24)

Kelly O’Sullivan in Saint Frances (Oscilloscope Laboratories)

Breakthrough Series – Long Format (over 40 minutes)

The Great, Tony McNamara, creator; Tony McNamara, Marian Macgowan, Mark Winemaker, Elle Fanning, Brittany Kahan Ward, Doug Mankoff, Andrew Spaulding, Josh Kesselman, Ron West, Matt Shakman, executive producers (Hulu)

Immigration Nation, Christina Clusiau, Shaul Schwarz, Dan Cogan, Jenny Raskin, Brandon Hill, Christian Thompson, executive producers (Netflix)

P-Valley, Katori Hall, creator; Katori Hall, Dante Di Loreto, Peter Chernin, Jenno Topping, Liz W. Garcia, executive producers (STARZ)

Unorthodox, Anna Winger, Alexa Karolinski , creators; Anna Winger, Henning Kamm, executive producers (Netflix)

Watchmen, Damon Lindelof, Creator for Television;  Tom Spezialy , Nicole Kassell , Stephen Williams, Joseph E. Iberti, executive producers (HBO)*

Breakthrough Series – Short Format (under 40 minutes)

Betty, Crystal Moselle, Lesley Arfin, Igor Srubshchik, Jason Weinberg, executive producers (HBO)

Dave, Dave Burd, Jeff Schaffer, creators; Dave Burd, Jeff Schaffer, Saladin K. Patterson, Greg Mottola, Kevin Hart, Marty Bowen, Scooter Braun, Mike Hertz, Scott Manson, James Shin,  executive producers (FX Networks)

I May Destroy You, Michaela Coel, creator; Michaela Coel, Phil Clarke, Roberto Troni, executive producers (HBO)*

Taste the Nation, Padma Lakshmi, David Shadrack Smith, Sarina Roma, executive producers (Hulu)

Work in Progress, Abby McEnany, Tim Mason, creators, Abby McEnany, Tim Mason, Lilly Wachowski, Lawrence Mattis, Josh Adler, Ashley Berns, Julia Sweeney, Tony Hernandez, executive producers (SHOWTIME)

Review: ‘Ma Rainey’s Black Bottom,’ starring Viola Davis and Chadwick Boseman

January 1, 2021

by Carla Hay

Chadwick Boseman, Dusan Brown, Colman Domingo, Michael Potts, Viola Davis  and Glynn Turman in “Ma Rainey’s Black Bottom (Photo by David Lee/Netflix)

“Ma Rainey’s Black Bottom”

Directed by George C. Wolfe

Culture Representation: Taking place in 1927, in Chicago and briefly in Barnesville, Georgia, the dramatic film “Ma Rainey’s Black Bottom” features a predominantly African American cast of characters (with some white people) representing the middle-class and working-class.

Culture Clash: A tough-talking blues diva and her rebellious cornet player have conflicts and power struggles with each other, while they both have constant battles with white racism and the emotional scars that this bigotry has left on them.

Culture Audience: “Ma Rainey’s Black Bottom” will appeal primarily to August Wilson fans and people interested in well-acted movies about African American experiences.

Glynn Turman, Chadwick Boseman, Michael Potts, and Colman Domingo as Cutler in “May Rainey’s Black Bottom” (Photo by David Lee/Netflix)

“Ma Rainey’s Black Bottom” triumphs as one of the rare movies adapted from a celebrated play that can actually claim to be better than the play, thanks to powerhouse performances by Viola Davis and Chadwick Boseman. The movie version of “Ma Rainey’s Black Bottom,” which is based on August Wilson’s play that debuted on Broadway in 1984, takes place mostly in a small recording studio, but the deep emotional impact and the breadth of social issues experienced and conveyed by the characters go beyond the confines of that studio. The story is set in 1927, but the story’s themes are universal and timeless.

Directed by George C. Wolfe with a screenplay written by Ruben Santiago-Hudson, “Ma Rainey’s Black Bottom” begins in Barnesville, Georgia, where blues singer Ma Rainey (played by Davis) is giving a foot-stomping, rousing performance to an enthralled audience in a tent. She’s sweating profusely, as she does in every scene in the movie, and caught up in the rapture of giving a raw and passionate performance for the adoring crowd.

When she’s off stage, Ma isn’t the fun-loving, “good time gal” that she might appear to be when she’s on stage. Ma is a middle-aged diva who’s feeling the pressure of being considered a “has-been” as her former protégée Bessie Smith is almost certain to surpass Ma in popularity. It’s an ageism problem faced by many entertainers, especially women, who are at the mercy of fickle audiences and industry people who might end up moving on to someone who’s considered younger, more contemporary and more attractive.

Ma has earned the nickname the Mother of the Blues, and she’s not about to give up her reign at the top that easily. She uses her clout and her unique talent as reasons to do and say what she wants, including showing up late, berating her employees, and making people kowtow to her sometimes-unreasonable demands. It’s clear that Ma’s way of asserting her power is to counterbalance the humiliation and pain of racism that she experiences as a black woman in America, where white supremacy was legal in the form of racial segregation and other Jim Crow laws.

“Ma Rainey’s Black Bottom” references the Great Migration, a period of time (1916 to 1970) in U.S. history where millions of black people relocated from the states in the South to states in other parts of America. These areas outside of the South were often viewed as presenting better opportunities for people of color, but these areas certainly were not immune to racism. When Ma travels to Chicago for the one-day recording session that’s the majority of this story, it represents her own personal parallel to the Great Migration.

Where Ma goes, drama usually isn’t far behind. Upon arriving in Chicago during a sweltering summer, she gets into a dispute on the street when she’s accused of pushing down a white man. A cop (played by Joshua Harto) who’s called to the scene is inclined to arrest her, but Ma uses her clout, loud voice and her “take no crap” attitude to get the cop to back off.

Ma, who lives openly as a lesbian (as did the real-life Ma Rainey), is traveling by car to the recording studio. Accompanying her are her much-younger lover Dussie Mae (played by Taylour Paige) and Ma’s teenage nephew Sylvester (played by Dussan Brown). As gruff as Ma is to most people in her life, she shows tremendous loyalty to the few people who are closest to her, especially Sylvester.

Dussie Mae is an attractive young woman whose relationship with Ma is fairly new and is more like a “trophy girlfriend” than a soul mate to Ma. Throughout the movie, it’s implied that Dussie Mae is somewhat of a gold digger. Dussie Mae goes through life using her looks and sex appeal to get people to financially support her—not because she’s mean-spirited but because she’s too unsophisticated to doing anything else with her life.

Ma, as usual, is running late on her way to the studio, where she is scheduled to record the song “Ma Rainey’s Black Bottom.” When Ma and her two-person entourage (Dussie Mae and Sylvester) finally get there, Ma takes charge and sometimes gets into subtle and not-so-subtle power struggles with the men who’ve been waiting for her at the studio. These power struggles have many different layers that exemplify issues of gender roles and racial discrimination.

The six men in the recording studio who experience Ma’s mercurial range of emotions during this challenging day are:

  • Levee (played by Boseman), the charismatic, foul-mouthed cornet player who’s the newest and most arrogant member of Ma’s band.
  • Cutler (played by Colman Domingo), the band’s trombone player who is very loyal to Ma and considers himself to be the most experienced and skilled in dealing with her mood swings.
  • Toledo (played by Glynn Turman), the band’s pianist who is the most likely to be the jokester in the group.
  • Slow Drag (played by Michael Potts), the band’s bass player who is the quietest and most laid-back member of the group.
  • Irvin (played by Jeremy Shamos), Ma’s longtime manager who often has to be a peacemaker when she decides on a whim to throw situations into chaos.
  • Sturdyvant (played by Jonny Coyne), the manager of the recording studio who grows increasingly impatient with Ma’s diva antics.

In the scenes in the recording studio, Irvin and Sturdyvant (who are white) are often together in a booth that overlooks the recording room where they can watch through a glass window what’s happening down below with the Ma and the rest of her African American colleagues. Irvin and Sturdyvant usually leave the booth to go into the recording studio when there’s a problem that affects their time and money invested in this recording session. And there are several interruptions to the recording session for this reason.

The higher location of the booth and its separation from the main recording studio room are obvious metaphors of the spoken and unspoken racial barriers that exist between the people in this recording session, where racism is a festering wound that has impacted the characters on a personal and societal level. Ma and her colleagues are all too aware that even though Ma is the star in this room, she still has a subservient role to the white men who control the music industry. It’s a role that she expresses with a lot of emotional pain, bitterness and defiance throughout the story.

At one point in the story Ma says with heavy resentment: “They don’t care nothin’ about me. All they care about is my voice.” She adds, “If you colored and you can make them some money, then you all right with them. Otherwise, you just a dog in the alley.” And later in the story, Ma reveals that even though Irvin has been her manager for the past six years, the only time he invited her to his home was so she could perform for his “white friends.”

There are also issues over gender roles that permeate the story. When Ma arrives at the recording studio, she finds out that all the men who’ve been waiting for her have already decided that she will record a new, more upbeat version of “Ma Rainey’s Black Bottom,” with the arrangement written by Levee. Ma refuses and declares that she is going to record the original version of the song. She also insists that her nephew Sylvester is going to do a short spoken intro to the song, even though he’s a stutterer.

Ma literally and figurately throws her weight around as she has diva tantrum after diva tantrum. At one point, she shouts: “I make more money for this outfit than anyone put together!” And when she finds out that the Coca-Cola that she requested in advance isn’t in the studio, she refuses to start recording until she gets her Coca-Cola.

All of the members of her band are very compliant except for Levee, who constantly challenges Ma’s decisions and tries to assert himself as a visionary musician whom Ma needs if she wants to get more respect for her music. Early on in the story, Levee tells Cutler: “I ain’t like you, Cutler. I’ve got talent. I know how to play real music, not none of this jug band shit.”

Levee shows flashes of vanity (he brags about his shiny yellow shoes and is aware of how good-looking he is) and hubris (he thinks all of his ideas should be immediately accepted), but underneath that cockiness is someone who’s got deep-seated emotional pain and trauma. During the long stretches of time that the musicians in the band are waiting for Ma, Levee slowly opens up about his past and reveals secrets that explain why he acts the way that he does.

At one point, Levee is teased by the other members of the band when they see Levee acting in a very deferential way to Irvin and Sturdyvant. The band mates try to make Levee feel like he’s an “Uncle Tom,” which triggers Levee into losing his temper and then revealing a defining incident from his past that permanently changed his outlook on life. He tells this story in a harrowing monologue that’s one of the best scenes in the film.

Ma and Levee’s clashes with each other aren’t just about music. An observant Ma notices that Levee has been looking at Dussie Mae in a way that makes it obvious that he’s attracted to her. Dussie Mae flirts back when Ma isn’t around. And it doesn’t take long for Levee to ramp up his sexual advances toward Dussie Mae, even though the other band members warn Levee that Dussie Mae is “Ma’s girl.”

Levee’s disagreements with Ma over her musical direction, as well as Levee not even trying to hide that he’s interested in making moves on Ma’s lover, put him in a precarious situation where he might or might not be fired from the band. As time goes on during the day, and Ma goes back and forth about whether or not she’ll complete the recording, Levee is going through his own insecurities and turmoil. At times, he also clashes with Cutler, especially when it’s revealed how Levee feels about God and religious beliefs.

Under the assured direction of Wolfe, “Ma Rainey’s Black Bottom” not only has a top-notch cast but the movie also excels in costume design, production design and music. The stage/play version of the story takes place in the winter, but the filmmakers made the astute decision to change the season to summer during an oppressive heat wave. It gives the movie more of a “pressure cooker” look and tone that are accurate reflections of the simmering tensions that permeate throughout the entire story.

Davis and Boseman give award-worthy performances in this movie that goes beyond personality conflicts and ego posturing. “Ma Rainey’s Black Bottom” (which was Boseman’s last movie; he died of colon cancer in August 2020) is also a story of the shared trauma of racism and how even the strongest of souls are tested by this insidious societal cancer. Viewers who are sensitive about hearing racially derogatory names should be warned that the “n” word is said many times in this movie, usually when uttered by Levee.

Even though the movie is called “Ma Rainey’s Black Bottom,” the character of Ma has a lot less screen time than Levee does. If Ma is the heart of “Ma Rainey’s Black Bottom,” then Levee is the soul. Levee and Boseman’s heartbreaking performance represent anyone who has survived trauma inflicted by other people but struggles with the damage that can be inflicted by self-destruction.

Netflix released “Ma Rainey’s Black Bottom” in select U.S. cinemas on November 25, 2020. The movie premiered on Netflix on December 18, 2020.

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