Wagner Moura Archives – CULTURE MIX

Review: ‘Puss in Boots: The Last Wish,’ starring the voices of Antonio Banderas, Salma Hayek, Olivia Colman, Harvey Guillén, Samson Kayo, Wagner Moura, John Mulaney, Florence Pugh and Ray Winstone

November 27, 2022

by Carla Hay

Puss in Boots (voiced by Antonio Banderas) in “Puss in Boots: The Last Wish” (Image courtesy of DreamWorks Animation)

Directed by Joel Crawford; co-directed by Januel Mercado

Some language in Spanish with no subtitles

Culture Representation: Taking place in a fictional world populated by classic fairy-tale characters and original DreamWorks Animation characters, the animated film “Puss in Boots: The Last Wish” features a racially diverse voice cast (Latino, white and black) portraying humans and talking animals.

Culture Clash: Outlaw pirate cat Puss in Boots goes on a quest with friends and competes with enemies to find a magical Wishing Star that can grant one last wish to whomever gets to the star first.

Culture Audience: “Puss in Boots” will appeal primarily to people who are fans of the movie’s voice cast members; the “Puss in Boots” and “Shrek” franchises; and movies that are family-friendly, thrilling stories with a lot of heart.

Pictured clockwise, from far left: Baby Bear (voiced by Samson Kayo), Papa Bear (voiced by Ray Winstone), Mama Bear (voiced by Olivia Colman) and Goldilocks (voiced by Florence Pugh) in “Puss in Boots: The Last Wish” (Image courtesy of DreamWorks Animation)

“Puss in Boots: The Last Wish” is a fun-filled adventure packed with comedic moments, poignant life lessons and some wacky surprises. This sequel is an instant classic that charms with a talented voice cast, stunning visuals and a very entertaining story. “Puss in Boots: The Last Wish” is more than a worthy follow-up to 2011’s “Puss in Boots.” “Puss in Boots: The Last Wish” could easily be considered one of the best movies from DreamWorks Animation.

Directed by Joel Crawford and co-directed by Januel Mercado, “Puss in Boots: The Last Wish” is the type of sequel where it’s not necessary to see the original movie to understand the story. Most viewers will probably know already that the swashbuckling, outlaw pirate cat known as Puss in Boots (voiced by Antonio Banderas) first made an appearance in 2004’s “Shrek 2” and subsequently appeared in 2007’s “Shrek the Third” and 2010’s “Shrek Forever After.” The first “Puss in Boots” movie was his origin story. Also part of the “Puss in Boots” franchise are the 2012 short film “Puss in Boots: The Three Diablos,” the 2015-2018 Netflix series “The Adventures of Puss in Boots” and the 2017 Netflix interactive special “Puss in Book: Trapped in an Epic Tale.”

In “Puss in Boots: The Last Wish,” Puss goes on a quest to the Black Forest to find a magical Wishing Star that can grant one last wish to anyone who finds the star first. He’s got some help from friends and some competition from enemies. Before he gets to the Black Forest, the movie has a meaningful subplot about Puss facing his own mortality. This character development shows a vulnerable side to Puss, whose swaggering confidence and bravery are tested throughout the story.

In the beginning of “Puss in Boots: The Last Wish,” Puss is his usually lovably arrogant self, and he’s still a fugitive from the law who’s wanted for a bank robbery that he was tricked into committing. (The first “Puss in Boots” movie goes into more details about this robbery.) Puss barrels his way into a foreign land, where he ends up in a palace, and slides down the portrait painting of the ruling governor (voiced by Bernardo De Paula), who watches in horror as Puss’s claws drag through the painting and ruin it. Puss then fights and defeats a tree monster, but Puss is soon knocked unconscious by a giant bell that falls on him.

Puss wakes up in the office a man who describe himself as the local medical doctor (voiced by Anthony Mendez), who explains that he also works as a barber, a veterinarian and a witch doctor. The doctor tells Puss that Puss actually died but was able to be revived. The doctor knows that cats have nine lives, so he asks Puss how many lives Puss has used up already. Puss has never really thought about it before, but after some reflection, Puss realizes that he has used eight of his nine lives. After Puss dies in his ninth life, Puss will be dead forever.

The doctor gives Puss this advice that Puss doesn’t want to hear: “You need to retire.” The doctor recommends that Puss go to a home of an animal rescuer named Mama Luna (voiced by Da’Vine Joy Randolph), who operates a cat sanctuary out of her house called Mama Luna’s Cat Rescue. Puss refuses to take that advice and quickly leaves the office. The doctor says these parting words to Puss: “Death comes for us all.”

While Puss contemplates his next move, he says to himself while he looks in a mirror: “You’re too good-looking to retire.” Puss goes to a saloon to drink some of his sorrows away. And it’s there that he meets a bounty hunter called the Big Bad Wolf, also known as Wolf (voiced by Wagner Moura), who has been looking to capture Puss. And you know what happens next.

During their fight, Puss is armed with his trusty fencing sword, while Wolf has two scythes that he uses in each hand. Puss’ life flashes before his eyes during this battle. And for the first time in his life, Puss experiences true fear that makes him temporarily freeze. Puss runs into a room, where Wolf traps him by locking Puss inside the room. However, Puss finds a way to escape.

The panic attack that Puss experienced unnerves him so much, he decides to take the doctor’s advice. Puss doesn’t really want to retire, but he’s more afraid of dying in his next fight. Before Puss goes to Mama Luna’s Cat Rescue, he buries his pirate clothes in a shallow grave and gives a mournful retirement speech out loud that no one can hear except Puss.

Mama Luna’s Cat Rescue is crowded with dozens of cats that Mama Luna knows is a violation of health code laws. A running joke in Mama Luna’s dialogue is that she’s constantly paranoid about getting in trouble with animal care officials for all the cats that she keeps indoors. Mama Luna is a bachelorette with a big personality, and she seems to run the sanctuary all by herself. She loves her cats and takes good care of them, but she appears dangerously close to being a cat hoarder.

Puss, who is naturally a loner, is miserable at this cat sanctuary. He’s bored in his new home and dislikes the communal meals that he is forced to have with the other cats. During Puss’ forlorn “retirement,” the Doors song “This Is the End” (sung by Dan Navarro, a co-writer of the movie’s original songs) plays to comedic effect.

Puss soon meets an unlikely friend at this sanctuary: a small, talkative dog disguised as a cat. His name is Perro (voiced by Harvey Guillén), but Puss eventually gives him the nickname Perrito. (In Spanish, the word “perro” means “dog,” and the word “perrito” means “little dog.”) Perrito is humble, very optimistic, and eager to make friends. In other words, he’s almost the complete opposite of Puss.

There would be no “Puss in Boots: The Last Wish” if Puss stayed at the cat sanctuary for the rest of the movie. His time at Mama Luna’s Cat Rescue comes to an end with the arrival of four home invaders: Goldilocks (voiced by Florence Pugh) and the three Bears: Mama Bear (voiced by Olivia Colman), Papa Bear (voiced by Ray Winstone) and Baby Bear (voiced by Samson Kayo), who has some rivalry going on with Goldilocks, whose nickname is Goldi.

Just like in the fairy tale, Goldilocks is a human orphan who has been adopted into this bear family. But unlike the fairy tale, Goldi is now a tough young woman who is in the bounty-hunting business with her bear family. All four of them have tracked Puss to Mama Luna’s Cat Rescue with the intent to capture Puss.

During this attempted capture, Puss and Perrito also find out that Goldi and the Three Bears are also looking for the map to the Wishing Star. It’s how Puss and Perrito find out that this Wishing Star will grant one last wish to the first person who finds the star. It doesn’t take a genius to know that Puss now wants to find the Wishing Star too, because his wish is to live forever.

Puss and Perrito manage to escape outside from Goldi and the Three Bears. Puss decides he’s coming out of retirement to find the Wishing Star. He gathers his clothes, his sword, and brings Perrito (a willing sidekick) along for this new adventure. Perrito doesn’t have a wish. He’s just happy he’s found a new friend.

Along the way, Puss and Perrito find out that another outlaw is in search of the Wishing Star: Jack Horner (voiced by John Mulaney), a wealthy underworld boss who operates in the back of a bakery. Jack hasn’t lost his bratty ways since he was a child known as Little Jack Horner, who famously ruined a pie by sticking his thumb in it. Jack is now a ruthless villain who has several minions helping him find the map to the Wishing Star. Jack’s wish is to become the most powerful person in this fairtyale universe.

During the journey that Puss and Perrito take to the Black Forest to find the Wishing Star, Puss unexpectedly reunites with his on-again/off-again love Kitty Softpaws (voiced by Salma Hayek), who reveals that she was hiding in a trunk. Puss and Kitty haven’t seen each other in years. And let’s just say that they have “unfinished business.” Kitty, who is very cynical about many things, prides herself for being just as brave and stubborn as Puss, so naturally this on-again/off-again couple will clash.

“Puss in Boots: The Last Wish” doesn’t overstuff the movie with too many characters, thereby giving room for the movie to develop all the principal characters in ways that are better than the average animated adventure film. Puss is now prone to having a few panic attacks, which can throw him off his usually fearless game. Kitty struggles with learning to know the difference between being independent and being mistrustful. The relationship between Kitty and Puss goes through a realistic evolution during this adventure.

Perrito is a mixture of being innocent and wise about life, but not in a contrived and cloying way. He is by far the most adorable and sincere character in the movie, so expect kids (and quite a few adults) to want Perrito toys and other Perrito merchandise after seeing this movie. When Perrito tells his tragic backstory about his human family making numerous attempts to abandon him, Perrito chooses to remember it with so much optimism, he describes these abandonment attempts as the family playing pranks on him.

Goldi has her own family issues: Even though the bears raised her as one of their own, she still feels like a misfit because she’s a human in a family of bears. Jack is an unfortunate example of someone who was bullied as a child but then grew up to be a bully. As for Wolf, he might not be what he first appears to be, and his actions in the movie might not be as easy to predict as some people might think.

All of the cast members give very good performances, with Banderas, Hayek, Guillén and Pugh as the standouts. They all make their characters sound like they have fully formed personalities instead of being two-dimensional cartoon characters reciting lines. The movie’s snappy dialogue can be enjoyed by people of all ages (open-minded adults will appreciate the cheeky almost-cursing in the movie), while the plot has some predictability but also some innovation that’s unexpected.

“Puss in Boots” might disappoint some people expecting to hear more original songs in the movie. However, the centerpiece original song (“Fearless Hero”), which is heard at different times in the movie, is catchy and memorable. Navarro, Heitor Pereira and Paul Fisher co-wrote “Fearless Hero,” which at one point is performed by Banderas and Pereira in the movie. Navarro and Daniel Oviedo co-wrote “La Vida Es Una,” performed by Karol G during the movie’s end credits.

Everything in “Puss in Boots: The Last Wish: is well-paced, with the action scenes particularly fun to watch. When Puss in Boots first made an appearance in “Shrek 2,” he was a true scene-stealer. With “Puss in Boots: The Last Wish,” the Puss in Boots franchise is now stealing some of the thunder from the better-known “Shrek” movies. And the high quality and engaging story of “Puss in Boots: The Last Wish” make it the type of movie that can be considered a beloved treasure by fans of animated films.

Universal Pictures/DreamWorks Animation will release “Puss in Boots: The Last Wish” in U.S. cinemas on December 21, 2022. A sneak preview of the movie was shown in U.S. cinemas on November 26, 2022.

Review: ‘Sergio’ (2020), starring Wagner Moura and Ana de Armas

April 17, 2020

by Carla Hay

Senhorinha Gama Da Costa Lobo, Wagner Moura and Ana de Armas in “Sergio” (Photo courtesy of Netflix)

“Sergio” (2020)

Directed by Greg Barker

Culture Representation: Taking place in various parts of the world (Iraq, East Timor, Brazil, Cambodia, Indonesia and New York City), the dramatic film “Sergio” has a racially diverse cast (Latinos, white people and Asians) that tells the story of United Nations diplomat Sergio Vieira de Mello, a Brazilian who faced a life-or-death situation in 2003, when he was trapped in a bombed UN building in Baghdad.

Culture Clash: As a UN diplomat, de Mello dealt with many political and social conflicts, including the United States’ increasingly hostile relationship with Iraq after 9/11.

Culture Audience: “Sergio” will appeal mostly to people who like movies about international relations with a formulaic romantic storyline.

Ana de Armas and Wagner Moura in “Sergio” (Photo courtesy of Netflix)

In 2010, HBO premiered the documentary “Sergio,” which was about Sergio Vieira de Mello, a United Nations diplomat from Brazil who was the victim of a deadly 2003 bombing in Baghdad, Iraq. Greg Barker directed the “Sergio” documentary (which was nominated for an Emmy), as well as this Netflix dramatic version of de Mello’s life events that led up to the bombing.

Craig Borten wrote the “Sergio” screenplay, which is adapted from Samantha Power’s book “Chasing the Flame: Sergio Vieira de Mello and the Fight to Save the World.” Several real-life facts were changed for the purpose of making the film more dramatic, so if viewers want a more accurate telling of the story, then the documentary is the better choice. But if you want a fairly suspenseful drama with a romance at the center of the film, then this scripted “Sergio” film will be more to your liking, even if the movie isn’t likely to get any awards recognition.

The “Sergio” dramatic film begins with charismatic and intelligent Sergio (played by Wagner Moura) rehearsing a speech that he’s about to give as a welcome to new staffers at the UN headquarters in Baghdad, Iraq. He’s a UN high commissioner for human rights, and he’s in Iraq for a four-month mission as an independent mediator between the U.S. and Iraq.

According to the movie, it was a mission that Sergio didn’t have to take, but he couldn’t say no the people who asked him to go to Baghad, including his close colleague Kofi Annan, who was Secretary-General of the United Nations at the time. In his short time in Baghdad, Sergio has even accomplished the difficult task of meeting with shiite leader Grand Ayatollah Ali al-Sistani, who resisted having meetings with many other leaders.

As he tries to prevent U.S. -Iraqi relations from deteriorating, Sergio’s goal is to work with the U.S. while gaining the trust of Iraqis to give them back full control of their sovereignty. This isn’t the news that U.S. Presidential Envoy Paul Breme (played by Bradley Whitford) wants to hear. Paul tells Sergio in a dismissive tone, “We have our own plans.” And later, Paul tells Sergio what the U.S. position will be about the next Iraqi elections: “I’ve decided there won’t be any elections until we’re ready.”

Unbeknownst to Paul, Sergio has compiled a dossier that includes disturbing reports that the U.S. military has committed several human-right violations while in Iraq. Sergio is about to go public with this information, by holding a press conference on August 19, 2003, when tragedy strikes: A bomb goes off at UN headquarters (housed in the Canal Hotel) in Baghdad, and the explosion completely destroys the building. Sergio and his deputy administrator Gil Loescher (played by Brían F. O’Byrne) get trapped in the rubble, and are pinned from the hips down.

The rest of the movie consists of going back and forth between the frantic rescue efforts and Sergio’s memory flashbacks to various points in his life as a diplomat. There are so many flashbacks in the movie, people who prefer stories to be told in chronological order will probably dislike the very non-linear structure of the film. Many of the flashbacks aren’t identified by the year, but observant viewers can tell how far back the flashbacks are by looking at the color of Sergio’s hair—the less gray the hair, the further the flashback.

A major part of the these flashbacks is showing how Sergio met and fell in love with UN economist Carolina Larriera (played by Ana de Armas) three years before the tragic bombing. In real life, Carolina (who is of Argentinian-Italian heritage) was part of the UN team in Baghdad at the time, and she desperately searched for Sergio after the explosion. That search is depicted in the movie to maximum dramatic effect. There are multiple scenes of guards preventing Carolina from entering the danger zone, and she gets more and more hysterical.

The movie portrays Sergio and Carolina’s romance as if it’s, well, straight out of a movie. He first notices her when they’re both stationed in East Timor, and they happen to regularly jog on the same path. They have a “meet cute” moment when Sergio is out jogging, he outruns his bodyguard Gaby (played by Clemens Schick), and he happens to see Carolina again. She starts up a conversation with Sergio, and they flirt a little. Carolina tells Sergio that she knows who he is, but she refuses to tell him her name when he asks.

The next time Sergio sees Carolina, it’s at a UN meeting, and she tells him her name. He says he already knows about her because he “did his homework.” Later, Carolina tells Sergio that she did her “homework” on him too, and she knows he’s married. However, based on the sparks between them and the way they look at each other, it’s only a matter of time before they get together. Their first kiss is a very “movie moment,” since it’s outside in the rain, as they fall into each other’s arms and kiss passionately while getting soaked by the rain.

When Sergio and Carolina met and began their love affair, he was legally married but estranged from his wife, who raised their two sons (who are in their late teens/early 20s when this story takes place) in Geneva while he traveled around the world for his job. A flashback to when the kids were underage shows that Sergio was such a workaholic who didn’t spend much time raising his children, that he didn’t even know that his younger son is allergic to shrimp. It’s an embarrassing ignorance that upsets his shrimp-allergic son when Sergio and his sons have a rare dinner together at the home of Sergio’s mother.

Other flashbacks include Sergio’s diplomatic work in helping East Timor gain independence from Portugal. He and his UN colleagues were appointed by Portugal as interim government officials. Instead of imposing restrictions that would alienate the East Timor rebels, Sergio went out of his way to welcome the participation of the natives fighting for independence, including rebel leader Xanana Gusmão. As Sergio says in the movie, “We were sent here as overlords, but I really hope we can leave as respected colleagues.” It was a controversial decision that some of Sergio’s UN colleagues, including Gil, did not approve of at first.

While in East Timor (in a scene that looks very fabricated for the movie), Sergio and Carolina meet local women who work at a yarn mill. Carolina introduces Sergio to a woman who’s had the tragedy of her sons and husband being killed. When Sergio asks her what she wants that will make her happy, she gives a poetic answer about wanting to have the ability to fly and fall from the sky like rain and remain in the place where she belongs. It’s a line that Sergio repeats when he’s at the presidential palace in Indonesia and he’s asked a similar question.

Another flashback is of Sergio, Gil and a female colleague being taken at gunpoint to Khmer Rouge leader Ieng Sary in Cambodia during the Khmer Rouge’s reign in the 1970s. It turns out Sergio and Ieng know each other from their days at the Sorbonne, so they get along just fine, and danger for the UN trio is averted. When Sergio and Gil reminisce about that experience several years later, Gil jokes, “I have a title for your autobiography: ‘War Criminals: My Friends.'”

Although Sergio is a well-respected diplomat, his workaholic ways have taken a toll on his marriage. Carolina, a sassy Harvard graduate who doesn’t want to be a trophy wife, confronts Sergio about making a commitment to her when Sergio tells Carolina that he wants every UN assignment of his to have a clear and defined plan. “I don’t like indefinite assignments,” says Sergio.

Carolina, who doesn’t want to be kept hanging in their relationship, essentially tells Sergio that she doesn’t want to be in a relationship with him unless he can also look at the relationship with a clear and defined plan. It’s a turning point when they realize that they want to be fully committed to each other.

There’s a lot to like about “Sergio,” especially for people who might not be familiar with the real people who inspired the movie. However, some of the scenes seem just a little too corny and contrived, especially those involving the Sergio/Carolina romance. Sergio’s unresolved marital status no doubt caused a lot of messiness and turmoil in real life, which is very much glossed over or ignored in the film. (It’s not mentioned in the movie, but Carolina’s claim that she was Sergio’s common-law wife led to a very protracted legal battle.)

Despite a hokey tone to the romance, Mauro and de Armas have convincing chemistry together, and they do a good job with the dialogue that they were given. In the film, Carolina says she’s doesn’t want to be an “appendage” to a powerful man, but she’s written in the movie as exactly that. If Carolina is supposed to be a brilliant economist, it’s not shown in the film, which mostly has her following Sergio’s lead or going into full-anxiety mode when she’s trying to find him in the post-bombing rubble. It’s really the same type of “worried wife or girlfriend” role that’s a cliché in movies that are set in war zones.

The film also took liberties with some facts (as many “inspired by a true story” movies do), by having Gil in the East Timor scenes. In real life, Gil was never in East Timor, as noted in the film’s epilogue. The epilogue also mentions that the way Gil was written in the movie (he’s portrayed as a very sarcastic skeptic) was as a composite of the real person and several members of Sergio’s A-Team.

The film’s editing has some notable moments, such as when the blast impact of the bombing on Sergio is juxtaposed with the blast of beach waves enjoyed by Sergio in his beloved Arpoador, an idyllic region of Brazil. However, the jumbled timeline in “Sergio” makes the film a lot sloppier than it needed to be. “Sergio” ultimately leaves the impression that it’s a trite portrayal of a richly layered and complicated life that is presented much better in the “Sergio” documentary.

Netflix premiered “Sergio” on April 17, 2020.