Wayne Knight Archives – CULTURE MIX

Review: ‘GOAT’ (2026), starring the voices of Caleb McLaughlin, Gabrielle Union, Aaron Pierre, Nicola Coughlan, David Harbour, Nick Kroll, Jenifer Lewis, Patton Oswalt and Stephen Curry

February 9, 2026

by Carla Hay

Will Harris (voiced by Caleb McLaughlin) and Jett Fillmore (voiced by Gabrielle Union) in “GOAT” (Image courtesy of Sony Pictures Animation)

“GOAT”(2026)

Directed by Tyree Dillihay and co-directed by Adam Rosette

Culture Representation: Taking place primarily in the fictional U.S. city of Vineland, the animated film “GOAT” features a cast of characters who are talking animals who live in a world where basketball is called roarball, played by the best animal athletes in the world.

Culture Clash: A young adult goat fulfills his dream of playing on the same professional roarball league team with his longtime roarball idol, but he experiences interpersonal problems on the team, including his idol being rude and standoffish to him.

Culture Audience: “GOAT” will appeal primarily to people who fans of the movie’s headliners and animated films about sports and teamwork.

Modo (voiced by Nick Kroll), Lenny Williamson (voiced by Stephen Curry), Will Harris (voiced by Caleb McLaughlin) Olivia Burke (voiced by Nicola Coughlan), Jett Fillmore (voiced by Gabrielle Union) and Archie Everhardt (voiced by David Harbour) in “GOAT” (Image courtesy of Sony Pictures Animation)

In the wide variety of animated films about talking animals, “GOAT” is memorable but not outstanding. This story (about a young goat who’s an aspiring basketball star) can get a little overstuffed with subplots, but the movie’s best moments are enjoyable. Don’t expect any major surprises in the story. What the movie lacks in plot originality, it makes up for with breezy and often-amusing charm.

Directed by Tyree Dillihay and co-directed by Adam Rosette, “GOAT” takes place in the fictional U.S. city of Vineland. In the world created for the movie, basketball is called roarball. The movie begins by showing a child goat named Will Harris (voiced by Luke Cimity) going to an arena roarball game with his mother Louise Harris (voiced by Jennifer Hudson) to see their favorite team: the Vineland Thorns. The star player of the Thorns is a panther named Jett Filmore (voiced by Gabrielle Union), who is a legend in Vineland.

Before they go into the arena, Louise and Will take a selfie photo together. And then, she surprises Will with a gift: tickets for the two of them to see an upcoming Thorns game that is even more anticipated than this one. Will is ecstatic.

Jett is also the biggest idol for Will, who dreams of playing in the ROAR professional league, which has mixed-gender teams, including the Thorns. An even bigger dream for Will is to be on the Thorns team with Jett. It’s a dream that many others think is far-fetched because Will is small for his age. He gets teased and bullied on the roarball court when he plays against larger opponents.

The movie then fast-forwards to 10 years later. Louise is now deceased. (She died of an unnamed terminal illness.) Will now works as a delivery employee for Whisker’s Diner, where his mother Louise used to be a waitress. If Will were human in this main part of the story, he would be in his late teens, probably 18 or 19.

Will’s job at the diner doesn’t pay enough for him to pay his rent. He rents a room in a house owned by a gerbil named Frank (voiced by Wayne Knight), who has been patient with Will when Will gets behind on his rent payments. Frank lives in the house with his wife and a very large number (about 50) of their children.

Will is long overdue on the rent when Frank informs Will that Will has until the next day to pay what he owes, or else Frank is going to evict Will. Frank has just learned that his wife is pregnant again, and Frank needs the money to support his growing family. Frank also tells Will that he already has another tenant who would be ready to move in the rental space if Will gets evicted.

“GOAT” then goes off on a roundabout tangent by showing Will selling some rare Jett Fillmore athletic shoes for the rent money. But then, he loses the rent money when he makes a bet that he can defeat a bullying stallion named Mane Attraction (voiced by Aaron Pierre) in a one-on-one roarball game. Mane just happens to be the ROAR League’s three-time and reigning MVP championship player for the Lava Coast Magma team. It’s a foolish bet for inexperienced Will, who loses in a crushing defeat.

Will get evicted and moves in with his two best friends: tech whiz aardwolf Hannah (voiced by Sherry Cola) and a wisecracking slob capybara named Daryl (voiced by Eduardo Franco), who are also big fans of the Thorns. The movie spends at least 15 minutes during the beginning of the movie with a subplot about Will’s money problems. And then, at least one of these problems (where to live after he gets evicted) instantly gets solved.

Meanwhile, Jett is having some problems of her own. The Thorns have been on a losing streak recently. Her critics and some members of the media have been blaming Jett for letting down the team. And even some Thorns fans have been turning on Jett. She’s also getting pressure to retire from those who have started saying that she’s too old to play roarball.

Will still believes in Jett and considers himself to be her No. 1 fan. However, it’s shown early on in the movie that the confident and friendly image that Jett has in public is really a lie. In real life and behind the scenes, she’s an insecure egomaniac who can be rude and selfish. She also doesn’t respect her teammates. Jett complains to the owner of the Thorns: “How do you expect me to win on a team of head cases and has-beens?”

Florence Marjorie Henderson, nicknamed Flo (voiced by Jenifer Lewis), is the greedy, vain and high-maintenance owner of the Thorns. However, Flo (who is a warthog) is also astute in business and marketing. She thinks that if the Thorns are on a losing streak, the Thorns might as well make money by selling out their games. And a major attraction (in other words, a gimmick) would be needed for those sell-out games to happen.

And what a coincidence: A video has gone viral of Will getting defeated by Mane. Will becomes somewhat of an underdog hero. And so, Flo gets the idea to recruit Will to be a player for the Thorns. Predictably, this decision enrages Jett, who is determined to get Will removed from the team. Will is disappointed when he meets Jett and finds out that she wants nothing to do with him and she openly disrespects him.

The other starting players of the Thorns are a giraffe/aspiring rapper named Lenny Williamson (voiced by Stephen “Steph” Curry, a real-life basketball superstar, who is one of the producers of “GOAT”); Olivia Burke (voiced by Nicola Coughlan), a neurotic ostrich addicted to using her phone and social media; Modo Olachenko (voiced by Nick Kroll), an eccentric Komodo dragon from Russia; and Archie Everhardt (voiced by David Harbour), a rhino who’s a defensive specialist and frequently accompanied by his two energetic young daughters Adi and Ari (voiced by Van Van), who love to play pranks on Archie.

The Thorns’ amiable coach is a baboon named Dennis Cooper (voiced by Patton Oswalt) who is better at figuring out strategies for the team’s playbook than solving the interpersonal conflicts on the team. Of course, you can expect that there’s going to be a major showdown between The Thorns and Magma, where Mane and Will will face off once again. But before all that happens, the movie goes off on different tangents about Will having to win over his indifferent team members (or in Jett’s case, an openly hostile team member) while also proving himself as a worthy roarball player.

“GOAT” tries to juggle different antagonist storylines in one movie. At various times, Jett is a villain, Flo is a villain, and Mane is a villain. Mane is quite a character (he’s very conceited about his mane of hair, and he releases a hip-hop diss track about Will called “Goat Tears”), but with all these “villain” storylines going on, it’s gets a bit crowded. And really, it’s almost too much for this Will character, who spends more time on these personal conflicts than on the roarball court.

Charismatic voice performances and the movie’s vibrant visual style save “GOAT” from being completely mediocre. McLaughlin, Pierre, Kroll, Union and Lewis are among the voice actors who strand out the most in bringing unique flairs to their characters’ personalities. The characters of Hannah and Daryl are perfectly adequate, but they don’t add much to the story arc and are—for all intents and purposes—Will’s cheerleaders in life. Stephen Curry’s wife Ayesha Curry has a small role as Whisker’s Diner manager Carol (voiced by Ayesha Curry), a goat who is supportive of Will and his roarball dreams.

Of course, “GOAT” has a double meaning: It can mean the type of animal that Will is, or it could be an acronym for “the greatest of all time.” “GOAT” won’t be considered the greatest animated basketball movie of all time. In terms of the quality of the story and the visuals, it’s somewhere way above the “Space Jam” movies and a few notches below the 2022 anime film “The First Slam Dunk.” It will take a little while for “GOAT” viewers who don’t like or are uninterested in basketball to warm up to the basketball lingo and basketball culture in the movie. However, “GOAT” is ultimately a satisfactory option for anyone seeking a good animated movie about overcoming obstacles and learning the value of teamwork.

Columbia Pictures will release “GOAT” in U.S. cinemas on February 13, 2026.

Review: ‘Five Nights at Freddy’s 2,’ starring Josh Hutcherson, Piper Rubio, Elizabeth Lail, Freddy Carter, Theodus Crane, Wayne Knight, Mckenna Grace and Skeet Ulrich

December 4, 2025

by Carla Hay

“Five Nights at Freddy’s 2”

Directed by Emma Tammi

Culture Representation: Taking place in 2002 (with a brief flashback to 1982), in the fictional an unnamed city in Minnesota, the horror film “Five Nights at Freddy’s 2” (a sequel to 2023’s “Five Nights at Freddy’s” and based on the “Five Nights at Freddy’s” video game franchise) features a predominantly white cast of characters (with a few African Americans, Asians and Latin people) representing the working-class and middle-class.

Culture Clash: A man and his 11-year-old sister are pulled back into the horror antics of killer animatronic robots from a defunct family entertainment restaurant called Freddy Fazbear’s Pizza.

Culture Audience: “Five Nights at Freddy’s 2” will appeal primarily to people who are fans of the “Five Nights at Freddy’s” franchise, the movie’s headliners, and poorly made, repetitive horror movies that have no surprises.

David Andrew Calvillo, Mckenna Grace and Teo Briones in “Five Nights at Freddy’s 2” (Photo by Ryan Green/Universal Pictures)

The lackluster and sloppily made horror flick “Five Nights at Freddy’s 2” only manages to confirm two truths in movies: (1) Most sequels are inferior to the original. (2) Most video game adaptations are terrible. “Five Nights at Freddy’s 2” is just a boring and more incoherent rehash of 2023’s “Five Nights at Freddy’s,” which was one of the worst horror movies released by a major studio that year.

“Five Nights at Freddy’s” was directed by Emma Tammi and written by Tami, Scott Cawthon (who created the “Five Nights at Freddy’s” video game series) and Seth Cuddeback. For “Five Nights at Freddy’s 2,” Tammi returns as director, but the screenplay was only written by Cawthon. This is clearly not a case where the creator of a video game can blame other screenwriters for making awful movie versions of the video game.

Is it necessary to see or know what happened in the first “Five Nights at Freddy’s” movie before seeing “Five Nights at Freddy’s 2”? Yes. “Five Nights at Freddy’s 2” has several references to spoiler information that was in the first “Five Nights at Freddy’s” movie. The plot of “Five Nights at Freddy’s 2” is already messy. Anyone who doesn’t know what happened in the first “Five Nights at Freddy’s” movie will be even more confused when watching “Five Nights at Freddy 2.”

“Five Nights at Freddy’s 2” (which takes place in an unnamed city in Minnesota) begins by showing a killing that took place in 1982, at a family entertainment restaurant called Freddy Fazbear’s Pizza, which is part of a chain of Freddy Fazbear’s Pizza entertainment restaurants that are similar to the real-life Chuck E. Cheese restaurant chain. (“Five Nights at Freddy’s 2” was actually filmed in Louisiana.) Freddy Fazbear’s Pizza has human-sized animatronic figures of animals, including the company mascot: a bear named Freddy Fazbear.

A girl named Charlotte (played by Audrey Lynn Marie), who’s about 11 or 12 years old, is sitting cross-legged near a trap door in the middle of a stage. Charlotte’s best friend Vanessa (played by Miriam Spumpkin) tries to coax Charlotte away from the trap door and invites Charlotte to sit with Vanessa and her friends. Vanessa tells Charlotte that Charlotte shouldn’t think that Charlotte’s deceased mother is “down there,” as in underneath the trap door. Charlotte seems sad and oblivious to what Vanessa is saying.

Charlotte continues to sit by herself when she sees a boy, who’s about 7 or 8 years old (played Logan Horwitz), being lured outside by someone dressed as a yellow rabbit. Charlotte frantically tells several adults what she just witnessed, but they are dismissive of her. Charlotte decides to take matters into her own hands and try to find the boy herself. She sees the yellow rabbit figure in the restaurant’s kitchen, with his back turned while he is using the sink. The boy is unconscious on the floor.

As Charlotte is carrying the boy out of the kitchen, the Freddy figure sees her, chases after her, and then stabs her. Charlotte staggers wounded onto the stage while the rescued boy runs back to his mother. Charlotte falls into the trap door and is next seen when a human-sized marionette figure (whose face somewhat resembles Billy the Puppet from the “Saw” movies) emerges from the trap door and is carrying Charlotte’s dead body. All the people in the room just stare in silence. It looks as phony and unconvincing as it sounds. The Marionette monster becomes one of the serial killers in “Five Nights at Freddy’s 2.”

“Five Nights at Freddy’s 2” then fast-forwards 20 years later, to 2002. Vanessa has grown up to be a local police officer named Vanessa Shelly (played by Elizabeth Lail), who has recovered from the injuries that she received in the first “Five Nights at Freddy’s” movie, which took place in the year 2000. As already revealed in the first “Five Nights at Freddy’s” movie, Vanessa is the daughter of William Afton (played by Matthew Lillard), a serial killer of children in the 1980s. William would lure his victims from Freddy Fazbear’s Pizza while he was dressed as a character named Yellow Rabbit. (It’s the same murderer who killed Charlotte.) William appears in a few hallucinations and in a brief dream sequence in “Five Nights at Freddy’s 2.”

In the first “Five Nights at Freddy’s” movie, the souls of William’s victims haunted the killer animatronic toys at Freddy Fazbear’s Pizza, which shut down back in the early 1980s, when kids started disappearing from there. A financially struggling young man named Mike Schmidt (played by Josh Hutcherson) took a job as a security guard at the shuttered and abandoned Freddy Fazbear’s Pizza. Mike’s parents are deceased, so he is the guardian of his younger sister Abby Schmidt (played by Piper Rubio), who was 9 years old in the first “Five Nights at Freddy’s” movie. Mike and Abby discovered the secrets of the animatronic toys that came to life.

Abby grew emotionally attached to the animatronic toys that included Freddy (voiced by Kellen Goff), who makes his return in “Five Nights at Freddy’s 2.” “Five Nights at Freddy’s 2″ has also has these animatronic toys that go on a murderous rampage with Freddy and The Marionette: yellow chicken Chica (voiced by Megan Fox); red pirate fox Foxy (also voiced by Goff); and blue rabbit Bonnie (voiced by Matthew Patrick). In Five Nights at Freddy’s 2,” Abby (who is now 11 years old) misses interacting with her animatronic “friends,” so she secretly attempts to revive them.

And what a coincidence: Abby (who is a student at East Lake Middle School) is learning robotics in her science class, which has a mean-spirited teacher named Mr. Berg (played by Wayne Knight), whose fate in the movie can easily be predicted. A lot of kids in the community want to go to a Fazfest event that is a morbid tribute to the animatronic toys from Freddy Fazbear’s Pizza. Mr. Berg has strictly forbidden his students from going to Fazfest, which is taking place at the same time as the East Lake Middle School science fair that Mr. Berg is requiring the students to attend. For the past three years, Mr. Berg has been the teacher of the class that wins the science fair’s competition, and he wants to win again this year.

Meanwhile, three teenagers who have a TV show called “Spectral Scoopers” (for paranormal investigations) have gone to the original Freddy Fazbear’s Pizza location (which is still run-down and abandoned) to film what they find there. The three teenagers are Lisa (played by Mckenna Grace), Rob (played by David Andrew Calvillo) and Alex (played by Teo Briones), who seem to be the only people working on this low-budget show, which is mostly likely on a public-access channel. Alex is the camera operator and Lisa and Rob are the hosts. The three teens (who are mostly generic characters) are taken to this location by a creepy guy named Michael (played by Freddy Carter), who is obviously up to no good. Michael has a secret that is eventually revealed toward the end of the movie.

“Five Nights at Freddy’s 2” has a flimsy story with many plot holes, basically showing that the murderous animatronic toys are looking for new souls to inhabit them. Therefore, the movie is just a bunch of chase scenes with some people getting killed or having their souls stolen by the serial killer toys. The movie’s visual effects aren’t very impressive. And the scares are very limp, cliché and uninteresting.

Supporting characters in “Five Nights at Freddy’s 2” include Mike’s loyal friend Jeremiah (played by Theodus Crane) and engineer Henry Emily (played by Skeet Ulrich), whose daughter Charlotte was shown murdered in the beginning of the movie. All of the movie’s cast members give mediocre performances, with Rubio making the most effort to have a relatable character. “Five Nights at Freddy’s 2” (which has a mid-credits scene that hints at an inevitable sequel) is the epitome of a lazy “cash grab” movie whose only creative accomplishment is making “Five Nights at Freddy” one of the most boring and most idiotic horror movie franchises of all time.

Universal Pictures will release “Five Nights at Freddy’s 2” in U.S. cinemas on December 5, 2025.

Review: ‘Darby and the Dead,’ starring Riele Downs and Auli’i Cravalho

January 2, 2023

by Carla Hay

“Darby and the Dead”

Directed by Silas Howard

Culture Representation: Taking place in an unnamed U.S. city, the fantasy comedy film “Darby and the Dead” features a racially diverse cast of characters (African American, white, Asian and Latino) representing the working-class and middle-class.

Culture Clash: After a popular but snobby girl in high school dies in a freak accident, she returns as a ghost to haunt her psychic former best friend to throw a tribute party for her, and the former friend goes from being a social outcast to being the most popular student in the school.

Culture Audience: “Darby and the Dead” will appeal primarily to people who don’t mind watching teen comedies that are “dumbed down” for audiences, and lazily mix together plots that were in superior movies.

Riele Downs, Asher Angel and Auli’i Cravalho in “Darby and the Dead” (Photo by Marcos Cruz/20th Century Studios/Hulu)

The cringeworthy comedy “Darby and the Dead” is as fresh and funny as a rotting corpse. This dreadful dud relentlessly insults its characters and viewers, as it clumsily rips off ideas from better movies. It’s easy to see why 20th Century Studios dumped “Darby and the Dead” on a streaming service instead of releasing the movie in theaters: “Darby and the Dead” is the type of awful movie that viewers would want refunds for if they had the misfortune of buying movie tickets for it.

Directed by Silas Howard, “Darby and the Dead” (written by Becca Greene and Wenonah Wilms) was originally titled “Darby Harper Wants You to Know.” It’s about a psychic teenage girl who can see dead people and is then haunted by a former best friend while they argue about issues having to do with cliques and popularity at their high school. You don’t have to be a psychic to know that this subject matter has been so overdone with predictable endings in comedy films about teenagers, any movie with the same concept has do something special to stand out from the forgettable mediocrity of most of these formulaic teen films.

Unfortunately, everything about “Darby and the Dead” looks like it was made by out-of-touch adults who took the cheesiest aspects of teen comedies from the 1980s and 1990s and just shoveled it into “Darby and the Dead” while making a few technological updates for the early 2020s. “Darby and the Dead” has the benefit of some talented cast members, but they don’t have believable chemistry as friends or enemies in the movie. In “Darby and the Dead,” they look exactly like what they are: cast members in their 20s pretending to be teens in high school and trying too hard to be comical while saying their very unfunny lines of dialogue.

The title character of “Darby and the Dead” is Darby Harper (played Riele Downs), a sarcastic loner, who’s about 16 or 17 years old. Darby is also a psychic who lives with her widowed father Ben (played by Derek Luke) in an unnamed U.S. city. (“Darby and the Dead” was actually filmed in South Africa.) Darby’s constant voiceover narration gets annoying after a while, because what she thinks are witty observations are actually just dull rants from a teenager who doesn’t want to admit that she’s bitter about her life.

When she was 7 years old, Darby (played by Milan Maphike) witnessed her mother (played by Kim Syster) drown while they were both swimming in an ocean. The movie also shows a brief flashback of Darby (played by Emily Maphike), when Darby was about 13 or 14 years old. “I was never the same,” Darby explains about how the death of her mother changed Darby. “I see dead people everywhere. The dead needed my help.” Darby says she turned her back on the living world and started what she calls her “side hustle: counseling dead people.”

She calls herself a “spiritual messenger, of sorts” and the ghosts who still haunt Earth have “unfinished business.” Darby further explains what happened to the ghosts who received her help: “Spirits were able to cross over, which is pretty beautiful. Word spread in the purgatory circuit, and my after-school job took off. There’s no pay, but if dead people’s gratitude had value, I’d be [Amazon’s billionaire founder] Jeff Bezos.”

Now that it’s been established that Darby has such a huge ego, she thinks she’s the Jeff Bezos of the ghost world, Darby becomes quite insufferable for much of the movie, as she shows a mixture of self-pity and arrogance about being a pariah at her high school. On the one hand, Darby likes to brag about how she thinks she’s too smart and too special to mingle with the common people who go to her high school. On the other hand, it’s obvious that she desperately craves their approval.

One of the reasons why she’s treated like an outsider is that anti-social Darby talks out loud to the ghosts that no one else can see. Therefore, people wonder if Darby has some type of mental illness. When it comes to being shunned by her peers, Darby also puts a lot of blame on her former best friend Capri Donohue (played by Auli’i Cravalho), who is a classmate of Darby’s at Frederick Douglass High School. Darby says in a voicever that Capri is the “head phony” at the school, which Darby calls “a torturous realm, where I am forced to spend my days.”

Capri is currently the queen bee of the most popular clique in school. Capri’s three subservient sidekicks are Bree (played by Genneya Walton), Taylor (played by Kylie Liya Page) and Piper (played by Nicole Maines), whose personalities are indistinguishable from each other. Because Darby has a reputation for being weird, Capri ended their friendship. Capri and her “mean girls” clique also ridicule and insult Darby any chance that they can get.

Adding to the animosity between the two ex-pals is (teen comedy cliché alert) they both want to date the same guy. His name is James Harris (played by Asher Angel, in a generic teen boyfriend role), whom Darby describes as a “band geek” she’s had a crush on since sixth grade. However, when James went on “The Voice” TV talent show as a contestant and had his 15 minutes of fame, Capri suddenly took an interest in him, turned on the charm, and now Capri and James are dating each other. James has fallen hard for Capri, but Capri is not nearly as smitten. Capri is interested in James as long as she thinks that dating him will boost her popularity.

Meanwhile (teen comedy cliché alert), a new transfer student named Alex (played by Chosen Jacobs) arrives at the school. Principal Morgan (played by Anthony Oseyemi) tells Darby, of all people, to be Alex’s study buddy in school. It’s quite the unrealistic, meddling reach for a school principal to order a student to be a study buddy for another student who just transferred to the school. Alex is friendly, a little nerdy, and he likes a lot of the same entertainment and literature that Darby likes. And you know what that means.

Maybe the “Darby and the Dead” filmmakers didn’t want to use the tired teen-comedy stereotype of making two potential love interests get assigned by a teacher to be study partners, usually in a biology class. However, by having the school principal force this partnership, it just looks even phonier. At any rate, as soon as Alex meets Darby, and she is rude and standoffish to him, you know exactly what’s going to happen between these two characters later in the movie.

While Darby has voiceover rants about how Capri and her friends are horrendous snobs, Darby doesn’t see the irony that she is almost equally unpleasant and snooty to Alex when she rebuffs his attempts to become her friend. “I’m a lone wolf,” Darby curtly tells Alex. The off-putting tone of “Darby and the Dead” is that viewers are supposed to automatically love Darby’s rudeness because she’s the “underdog” of the story. However, Darby is such a terribly written character (she says multiple times she doesn’t like being around people who are still alive), there’s no good reason to root for her for most of the story.

As part of Darby’s “spiritual guidance” counseling sessions, “Darby and the Dead” has some awkward filler of Darby hanging out with two old men (who are both dead) that is embarrassing to everyone in these movie scenes. A better movie would have had more variety in the types of ghosts that Darby helps, but that would involve creative imagination, which “Darby and the Dead” sorely lacks. It actually comes across as a little creepy that these dead old men have gravitated to this underage teen.

Gary (played by Tony Danza) is a dead janitor who used to work at the high school, but he hasn’t passed on to the other side. He’s waiting for his widow to die and join him, so they can cross over to the other side of the spirit world together. There’s a stupid scene of Darby talking to Gary on the school bleachers, and he gives Darby some cash to pass on to his widow. This scene is as bad as it sounds.

Even worse: Gary introduces Darby to his dead friend Mel (played by Wayne Knight), who died of a heart attack but has not crossed over the other side yet. Mel’s wife died 17 years earlier. Mel is concerned that when he dies, his wife will see him in the body that Mel has now: older and with a lot more weight gain, compared to 17 years ago. Darby assures Mel that when he passes on to the next realm to reunite with his dead wife, Mel will be his “optimal self” (whatever that means). So now, viewers know that not only does Darby think she’s the Jeff Bezos of the ghost world, she also thinks she’s a makeover guru for the ghost world.

Capri’s death doesn’t happen until almost halfway through the movie, which takes entirely too long to get to this plot development, considering “Darby and the Dead” is marketed as a movie that’s mostly about what happens after Capri dies. Capri’s death is another badly written, phony-looking scene: In a school locker room, Capri is holding a plugged-in, hairstyling iron after stealing Darby’s clothes in a bullying incident. Capri accidentally falls down in a shallow body of water while holding the iron, she gets electrocuted, and dies.

You already know what’s going to happen next: Capri won’t cross over into the other realm, Darby can see Capri’s ghost, and the two teens spend a lot of time bickering and getting on each other’s nerves. Capri’s “unfinished business” is that she died before she could have her Sweet 17 birthday party extravaganza. Capri makes a deal with Darby: Capri will leave Darby alone if Darby turns the birthday party into a special tribute for Capri, and Capri will teach Darby how to become the most popular girl in school.

What about Capri’s boyfriend James? “Darby and the Dead” has more terribly staged scenarios over this love triangle. And let’s not forget Alex, who is waiting around and hoping that Darby will wake up and see that Alex is a much better match for her. There are absolutely no surprises in “Darby and the Dead,” which isn’t necessarily a bad thing, but the movie makes it all so boring and witless.

Downs isn’t horrible in the role of Darby. She’s just been saddled with a horrible script, and she’s just not able to make grumpy Darby all that endearing for most of the movie. There’s only so much whining and pouting that viewers can take from Darby, a teenager who’s actually fairly privileged and is, by her own admission, anti-social by choice.

Cravalho, who’s best known as a singer, might excel in musical roles, such as her voice-starring title role in Disney’s 2016 animated film “Moana.” However, live-action comedy doesn’t appear to be a strong suit for Cravalho, who is too hammy in “Darby and the Dead,” and she needs to work on her comedic timing. Not only is Capri dead for most of the movie, but Capri also has a dead personality. Cravalho tries too hard to be campy in this role, and her performance just doesn’t work well for how this mean-spirited and soulless character is written.

The rest of the cast members are serviceable and don’t do anything special. “Darby and the Dead” fails to impress as a movie that can portray teenagers in ways other than the usual, narrow movie stereotypes. To rephrase the title of a Nirvana song, the teen spirit in “Darby of the Dead” smells like bad filmmaking.

Hulu premiered “Darby and the Dead” on December 2, 2022.

Review: ‘The Very Excellent Mr. Dundee,’ starring Paul Hogan

March 6, 2021

by Carla Hay

“The Very Excellent Mr. Dundee”

Directed by Dean Murphy

Culture Representation: Taking place in Los Angeles, Melbourne and London, the comedic film “The Very Excellent Mr. Dundee” features a predominantly white cast (with a few African Americans and Latinos) portraying people who are connected in some way to Australian actor Paul Hogan, who’s best known for his “Crocodile Dundee” movies.

Culture Clash: The movie is supposed to be a tongue-in-cheek satire of all the things that go wrong when Hogan tries to make a comeback.

Culture Audience: “The Very Excellent Mr. Dundee” will appeal primarily to people who are fans of Hogan, but everything about this movie is a colossal mistake.

Paul Hogan and John Cleese in “The Very Excellent Mr. Dundee” (Photo courtesy of Lionsgate)

“The Very Excellent Mr. Dundee” is a very meta and misguided sequel in the “Crocodile Dundee” comedy franchise, made famous by star Paul Hogan, beginning with the 1986 blockbuster “Crocodile Dundee,” the first movie in the series. That movie was followed by 1988’s “Crocodile Dundee II” and 2001’s “Crocodile Dundee in Los Angeles,” with each sequel worse than its predecessor. Unfortunately, the “Crocodile Dundee” movie series is like a good meal that went rotten years ago, then retrieved from the trash, and then served up to people who never asked for this stinking mess in the first place.

In the other “Crocodile Dundee” movies, Hogan played the title character as a crocodile hunter from Outback Australia who finds himself out of his comfort zone in urban environments. In “The Very Excellent Mr. Dundee” (directed by Dean Murphy, who co-wrote the movie’s embarrassing screenplay with Robert Mond), Hogan ditches the Crocodile Dundee persona and portrays himself as a has-been actor who hasn’t been able to surpass his “Crocodile Dundee” success with anything else, and he’s persuaded to make a comeback.

You just know it’s going to be a dumb movie when Hogan’s Paul character is supposed to be getting knighted by the Queen of England. That’s something that would not happen to Hogan in real life. But it’s used as a silly plot device in the “race against time” aspect that comes toward the end of the film, which takes place mostly in Los Angeles, but also partially in Melbourne and in London.

It’s repeated throughout “The Very Excellent Mr. Dundee” that the first “Crocodile Dundee” movie was the highest-grossing independent film at that time. It’s mentioned so many times that it’s irritating, as if the filmmakers want to desperately remind viewers why Hogan was a big movie star back in the 1980s. In the movie though, Paul has a not-very-convincing “aw, shucks” humble attitude about his fame. His character claims that he’s been trying to retire for the past 20 years. Not really, because the real Paul Hogan did this very corny mess of a film as a possible comeback vehicle.

In “The Very Excellent Mr. Dundee,” Paul is a bachelor who lives in Los Angeles with his Golden Retriever dog Paddy as his only companion. The movie didn’t get too meta, because there’s no mention of the real-life Hogan’s messy divorces, including one from his former “Crocodile Dundee” co-star Linda Kozlowski. In “The Very Excellent Mr. Dundee,” Paul’s manager/agent is Angie Douglas (played by Rachael Carpani), whose late father used to be Paul’s manager and was the founder of the Douglas Management Team.

Angie is very excited to tell Paul that in six weeks, he will be knighted by the Queen of England. In the lead-up to this big event. Angie thinks it would be a good idea for Paul to get as much publicity and job opportunities as possible. This comeback attempt results in Paul making a series of disastrous public appearances that are supposed to be funny for this movie but the comedy is just dull and poorly executed.

Paul has a son his early 20s called Chase (played by Jacob Elordi), whose vaguely written and brief role in the movie just seems to be about displaying his toned physique, since Chase is shown leading a workout class in Paul’s backyard. Paul and Chase do not have a convincing father/son bond in the film, even though they’re supposed to have a good relationship with each other. Therefore, it seems that Elordi was just put in the film so the movie could attract viewers who know him for “The Kissing Booth” movies.

Paul also has a 9-year-old granddaughter named Lucy (played by Charlotte Stent), who lives in Australia. (Lucy’s parents are not seen, heard or mentioned in the film.) In one scene in the movie, Paul does a video chat with Lucy, who is rehearsing for her school play. Lucy and Paul adore each other, but she’s a little sad that he won’t be able to see her in her play because it’s on the same day of his knighthood ceremony in London.

Several real-life celebrities portray themselves in this movie. Some have supporting roles, while others have quick cameos. Olivia Newton-John has a supporting role as a friend of Paul’s. She invites Paul and Angie to a “Grease” charity event that she’s hosting with John Travolta. The real Travolta was smart enough to stay away from this movie, so don’t expect any surprise cameos from him. A fictional nun named Sister Mary Murphy (played by Dorothy Adams) runs the charity that’s supposed to benefit from the “Grease” event.

John Cleese does a parody of himself, as a washed-up comedian who’s become a rideshare driver to pay his bills. Guess who ends up being Paul’s driver in this movie? Cleese’s immense talent is squandered in this very tacky role that makes him look like a fool. Chevy Chase portrays himself in scenes where he meets up with Paul in restaurants, offers advice, and gets more praise and attention than Paul does. All of these scenes are uninteresting and often awkward.

“The Very Excellent Mr. Dundee” pokes fun at Hogan’s “has-been status” in a scene where he’s visiting a movie studio lot while a group of tourists are nearby on a guided tour. The tour guide points out Hogan to the tourists, but they don’t care. This happens a few more times in other places, but this stale and unimaginative joke wasn’t even that funny the first time it was in the movie.

Another running gag in the movie that falls flat is that a group of fast-talking producers keep approaching Paul in various places to persuade him to do another “Crocodile Dundee” movie. One of these producers suggests that Will Smith could play Paul’s son in this proposed movie. Paul says no for a reason that’s obvious, but no one but Paul says it out loud in these meetings: Will Smith is black. When Paul says it, the producers act horrified and tell Paul that he comes across as racist.

Paul being misunderstood as “racist” is used in another badly written scene, where John drives Paul to the “Grease” charity event, but John accidentally drops Paul off at the fictional Black Talent Awards, which is supposed to be like the BET Awards. In a live TV interview on the red carpet, Paul says to the reporter: “I’m here to help the little people. I’m here to help those less fortunate than I am.”

Naturally, Paul’s condescending remarks come across as racist. And since he said these comments live on TV, he gets immediate backlash on social media and on the red carpet. Before things get more hostile for Paul at this award show, John sheepishly goes up to Paul and tells him that the “Grease” charity event is actually at another building nearby. The movie makes Paul look so clueless that he didn’t notice all the Black Talent Awards logos when he arrived on the red carpet.

More mishaps occur that make Paul look like he’s rude to unsuspecting people, but they’re really just “accidents.” There’s an incident where he’s accused of being cruel to tourist children. And then at the “Grease” charity event, Paul ends up on stage, and there’s a disruption involving a flying object that hits Sister Mary, and he gets blamed for it. All of these gags are so dumb, contrived and the epitome of horrendous slapstick.

“The Very Excellent Mr. Dundee” also introduces a very annoying and unnecessary character named Luke Clutterbuck (played by Nate Torrence), a self-described “mama’s boy” who’s originally from Indiana. Luke was a wedding photographer in Indiana, until he decided to move to Los Angeles to become part of the paparazzi. Paul first meets Luke when Luke falls out of a tree in Paul’s backyard, in Luke’s desperate attempt to get paparazzi photos. Luke gets more and more insufferable as the story goes on.

Wayne Knight portrays a version of himself, as a theater actor who asks Paul for a temporary place to stay because Wayne’s wife Carol (played by Julia Morris) has kicked Wayne out of their house. Wayne is rehearsing for an upcoming musical, so there are some excruciating scenes of Paul being interrupted or frustrated by Wayne loudly singing or doing other musical-related things in the house at inconvenient moments. It’s the type of comedy that most sitcoms would reject.

Australian actors Luke Hemsworth, Costas Mandylor and Luke Bracey all have cameos as themselves doing red-carpet interviews. Australian comedian Jim Jefferies also portrays himself in a quick appearance. They either praise or give mild insults about Paul. Nothing is funny in these bits.

And it should come as no surprise that bachelor Paul gets a potential love interest. Olivia sets him up on a blind date with someone she knows named Ella (played by Kerry Armstrong). Paul quips, “I haven’t been on a date since a man walked on the moon.” That’s news to Hogan’s real-life ex-wives.

“The Very Excellent Mr. Dundee” is so badly made that it seems like many of the celebrities in the movie might have committed to it without seeing the script first and/or did the movie as a big favor to Hogan. No one should tell Hogan when he should retire. But “The Very Excellent Mr. Dundee” is such an atrocious dud, it’s all the proof anyone needs that the “Crocodile Dundee” movie series needs to be retired once and for all.

Lionsgate released “The Very Excellent Mr. Dundee” in select U.S. cinemas and on digital and VOD on December 11, 2020. The movie was released on Blu-ray and DVD on February 12, 2021.