Review: ‘Abigail’ (2024), starring Melissa Barrera, Dan Stevens, Kathryn Newton, Will Catlett, Kevin Durand, Angus Cloud, Alisha Weir and Giancarlo Esposito

April 18, 2024

by Carla Hay

Alisha Weir and Kathryn Newton in “Abigail” (Photo by Bernard Walsh/Universal Pictures)

“Abigail” (2024)

Directed by Matt Bettinelli-Olpin and Tyler Gillett

Culture Representation: Taking place in an unnamed U.S. state, the horror film “Abigail” (a reboot of the 1936 film “Dracula’s Daughter”) features a predominantly white cast of characters (with a few African Americans and one Latina) representing the working-class, middle-class and wealthy.

Culture Clash: Six kidnappers take a 13-year-old rich girl for ransom, only to find out that she is a vampire, and they are trapped in the mansion where they are holding her captive. 

Culture Audience: “Abigail” will appeal primarily to people who are fans of the movie’s headliners and gory horror movies that skillfully blend scares with comedy.

Angus Cloud, Kathryn Newton, Alisha Weir (back to camera), Kevin Durand, Dan Stevens (background), Melissa Barrera and Will Catlett in “Abigail” (Photo by Bernard Walsh/Universal Pictures)

The vampire kidnapping flick “Abigail” is a wickedly funny horror romp that is best enjoyed by people who have a high tolerance for bloody gore on screen. The movie builds suspense on which alliances will survive and which will fall apart. It’s a movie that doesn’t take itself too seriously, but there are some poignant moments that bring a certain level of gravitas to a movie that delivers laughs along with the scares.

Written and directed by Matt Bettinelli-Olpin and Tyler Gillett, “Abigail” is a reboot of sorts of the 1936 horror movie “Dracula’s Daughter.” Bettinelli-Olpin and Gillett (who are members of the filmmaking collective nicknamed Radio Silence) continue their pattern of making horror films that are filled with sarcastic jokes and have some characters who aren’t what they initially appear to be. Bettinelli-Olpin’s and Gillett’s previous films include 2022’s “Scream” and 2023’s “Scream VI.”

In “Abigail,” the title character is a girl who appears to be 12 years old, but she’s really a vampire who is hundreds of years old. This isn’t spoiler information because Abigail being a vampire was already revealed in the movie’s trailers. Abigail (played by Alisha Weir) is a master manipulator who puts her wits and superhuman powers to use when she is kidnapped by a motley crew of criminals who demand a ransom of $50 million.

In the beginning of “Abigail,” she is shown dancing on stage in a ballerina costume to “Swan Lake” in an empty auditorium. (“Abilgail” takes place in an unnamed U.S. state but was actually filmed in Ireland.) After this rehearsal is over, Abigail goes into a chauffeur-driven car. Unbeknownst to the driver, the car has a tracking device placed on it by six criminals, who have been lying in wait to kidnap Abigail in a van that is labeled as a Flush Force plumbing company van.

The abductors follow the car to Abigail’s mansion, where she is home alone. Abigail is quickly abducted: She’s drugged using a hypodermic needle, blindfolded, and put in a body bag. The kidnappers make their getaway within a minute after some people arrive at the home and see that there’s been a break-in and Abigail is missing. The kidnappers then drive to another mansion in a remote area, where they meet with their no-nonsense supervisor named Lambert (played by Giancarlo Esposito), who praises them for completing their mission. Lambert then says he’s leaving them to look after Abigail until they get the ransom money.

Conversations in the movie reveal that Lambert assembled this kidnapping crew and deliberately selected people who are strangers to each other. They are under strict orders to not tell each other their real names or any personal information about themselves. Lambert assigns aliases to all of the kidnappers and takes their cell phones before he leaves. The kidnappers are also under orders to wear masks at all times when they are around Abigail, who is not always blindfolded. Lambert tells the kidnappers that they are better off not knowing who Abigail’s family is.

The six kidnappers who are in the mansion with Abigail are:

  • Frank (played by Dan Stevens), a bossy and arrogant know-it-all, who appoints himself the leader of the six kidnappers who are left behind in the mansion.
  • Joey (played by Melissa Barrera), a street-smart go-getter, who has been tasked with being the one to interact with Abigail in the room where Abigail is handcuffed. It’s later revealed that Joey has a young son, which is why she was assigned caregiver duties for Abigail. (Joey having a son is information that is also in the movie’s trailers.)
  • Rickles (played by Will Catlett), an expert sniper who has a mutual attraction to Joey.
  • Sammy (played by Kathryn Newton), a skilled computer hacker who looks like a party girl but who can strongly defend herself when necessary.
  • Dean (played by Angus Cloud), a stoner who tries and fails to get Sammy to be romantically interested in him.
  • Peter (played by Kevin Durand), a dimwitted muscle man who has the most physical strength in the group.

Joey is very good at reading people and quickly tells the other members of the group that she has figured out certain things about them, which they do not deny. Joey deduces that Frank used to be a police detective. Rickles was in the U.S. military, most likely the U.S. Marines. Sammy is a spoiled rich kid who commits crimes for the thrills.

Dean is a “sociopath,” according to Joey. Peter used to be bullied as a kid and built his muscular physique as a way to intimidate people and to defend himself from being physically bullied. As for Joey, Frank quickly figures out that she is a needle-using drug addict who appears to be in recovery.

The six kidnappers have been promised $7 million each as their cut of the ransom. They assume that Lambert will get the remaining $8 million, since he’s the supervisor who brought them together and told them what to do. Despite being told that they aren’t supposed to know who Abigail’s family is, the kidnappers get curious.

The only thing that Lambert has told the kidnappers about Abgail’s family is that Abigail has a very wealthy father who is expected to pay the ransom. There is no mention of Abigail’s mother. Eventually, the kidnappers find out that Abigail’s father is Kristof Lazar (played by Matthew Goode, in a very small role), who has a certain sinister reputation that is detailed in the movie.

A series of events reveal Abigail to be a vampire, and the kidnappers are locked and trapped inside the mansion. That’s when the movie kicks into high-gear horror, as it turns into an all-out war between Abigail and the kidnappers. However, this war is not as simple as it seems, because Joey made a promise to never hurt Abigail before Joey knew that Abigail was a vampire. Will Joey keep this promise? Who will die and who will survive?

As the wily vampire Abigail, Weir gives a very talented performance as a child who shows vulnerability and viciousness. There’s more than a ring of truth when Abigail confides in Joey that Abigail feels lonely and neglected because her father thought he wanted a child but has apparently changed his mind. This backstory for Abigail makes her a little more complex than the typical horror movie villain.

Even though egotistical Frank would like to think he’s the leader of this doomed group, Joey is really the one who comes up with the best ideas. Barrera (who previously worked with Bettinelli-Olpin and Gillett in “Scream” and “Scream VI”) does a capably effective performance as Joey, who has plenty of secrets. It’s eventually revealed that these kidnappers have more in common that just abducting Abigail.

All of the other cast members play their roles well with the right touches of comedy. (The movie’s closing credits have a tribute to Cloud, who died of a drug overdose in 2023. He was 25.) Cloud’s befuddled Dean character is intentionally the movie’s biggest comic relief.

There are a few twists and turns in the movie’s plot. Just when it looks like “Abigail” is going to end, something happens that continues the story. Some viewers might not like how the movie prolongs the story with this twist, while others will enjoy this unexpected turn of events. A horror movie about a killer kid could have turned out wrong in so many ways, but “Abigail” is like a bloodier, longer and more gruesome version of an entertaining horror ride at an amusement park.

Universal Pictures will release “Abigail” in U.S. cinemas on April 19, 2024.

Review: ‘The Devil You Know’ (2022), starring Omar Epps, Michael Ealy, Glynn Turman, Vanessa Bell Calloway, Will Catlett, Theo Rossi and Erica Tazel

March 30, 2022

by Carla Hay

Omar Epps and Michael Ealy in “The Devil You Know” (Photo courtesy of Lionsgate)

“The Devil You Know” (2022)

Directed by Charles Murray

Culture Representation: Taking place in Los Angeles, the dramatic film “The Devil You Know” features a cast of predominantly African American characters (with some white people) representing the working-class and middle-class.

Culture Clash: A recovering alcoholic, who’s trying to get his life back on track, struggles with finding out that his younger brother was involved in a home invasion that resulted in the murders of two people. 

Culture Audience: “The Devil You Know” will appeal primarily to people interested in stories about African American families, but this dull misfire is not a well-made film, and it perpetuates many negative stereotypes of African American men.

Will Catlett and Omar Epps in “The Devil You Know” (Photo courtesy of Lionsgate)

Relentlessly dull and with a lot of cringeworthy acting, “The Devil You Know” tries to be a gritty drama, but the movie does nothing innovative or special. It also repeats negative, racist stereotypes that African American men are most likely to become criminals—even the ones who come from “good families.” It’s unfortunate that some filmmakers think they need to have a criminal angle in stories about African American families in order to sell a movie. There are plenty of African American people who come from families who don’t have criminal records. But you don’t see many movies made about these law-abiding African American families, because those stories don’t pander to racist people’s ideas that African American families are usually about crime, poverty or drugs.

Written and directed by Charles Murray, “The Devil You Know” has a lot of other problems besides wallowing in pathetic, negative stereotypes. It’s a crime drama that’s supposed to be suspenseful, but there is no suspense to be had when the movie reveals fairly on who the obvious villain is. A lot of time is wasted with monotonous scenes and conversations that drag everything out until the movie’s predictable ending. Most of the actors seem bored in their roles and give performances where they just recite their lines, with no noticeable emotional connection to their characters.

“The Devil You Know,” which takes place in Los Angeles, centers on a tight-knit African American family whose last name is Cowans. The family is headed by patriarch Lloyd Cowans (played by Glynn Turman) and his wife Della Cowans (played by Vanessa Bell Calloway), who have a healthy and loving relationship with each other. Lloyd and Della have four sons, whose ages range from their 50s to 30s. Lloyd and Della’s marriage is one of the few positive relationships shown in the movie, but that relationship is overshadowed by the criminal acts that cause trauma in the family.

Eldest sons Anthony Cowans (played by Curtiss Cook) and Marcus Cowans (played by Omar Epps) are in completely opposite points in their lives. Anthony, who is the most level-headed and stable of the four brothers, is steadily employed and happily married. Marcus, who is a bachelor, is a recovering alcoholic who’s trying to get his life back on track after spending time in rehab and in prison for an unnamed crime or crimes. Marcus has recently gotten a job as a city bus driver, thanks to Lloyd’s connections.

Youngest sons Drew Cowans (played by Will Catlett) and Terry Cowans (played by Vaughn W. Hebron) are also almost polar opposites too. Drew is a hothead who has been hiding the fact that he’s been unemployed for the past six months. Terry, the youngest son, is mild-mannered and easygoing. The movie skimps on the details about what anyone in this family, except for Marcus, does for a living.

“The Devil You Know” opens with three masked men invading the home of 58-year-old Nicholas Gervich (played by Jeph Loeb), his 52-year-old wife Wendy Gervich and their 17-year-old son Kyle Gervich (played by Conor Sherry), during an armed robbery that takes place at night. The horrific violence that happens in that household is not shown in the movie. However, the crime scene is shown in the aftermath, when police detective Joe McDonald (played by Michael Ealy) shows up with his team to investigate the murders and other crimes that took place in the Gervich home. Nicholas and Wendy have been shot dead. Kyle was brutally assaulted, but he survived. A number of items, including some cash, have been stolen from the Gervich home.

Because the trailer and synopsis for “The Devil You Know” already reveal that Drew was involved in this home invasion, it should come as no surprise who the home invaders are. Drew hangs out with two shady thugs named Al Edwards (played by Theo Rossi) and Stacy Griffin (played by B.J. Britt), who don’t do much in this movie but show up and try to look menacing. Al has a constant smirky grin and takes the lead when making threats, while Stacy is more likely to be a follower instead of a leader.

For someone who’s in charge of the investigation, Detective McDonald isn’t in the movie as much as viewers might think he should be. Ealy’s total screen time in “The Devil You Know” is about 15 minutes. And he’s doing the kind of performance where he might as well wear a T-shirt that says: “I’m just here for the paycheck.” Ealy and Epps both have the title of executive producer of “The Devil You Know,” but that doesn’t mean their acting in the movie is exemplary.

“The Devil You Know” has a not-very-interesting subplot of Marcus dating a hospital nurse named Eva Dylan (played by Erica Tazel), who met Marcus at a Cowans family dinner. It was a matchmaking set-up from Marcus’ sister-in-law Tisha Cowans (played by Keisha Epps), who is Anthony’s wife. Unfortunately, Omar Epps and Tazel (who acts in a stiff and robotic manner) have no believable chemistry together as romantic couple Marcus and Eva, who fall in love with each other. It probably would’ve been a better casting choice to have Keisha Epps, who is Omar Epps’ real-life wife, as Marcus’ love interest in the movie.

Viewers of this movie are stuck having to sit through bland scenes where Marcus and Eva have a very tedious romance with snoozeworthy conversations. Even though Eva tries to play hard-to-get when she first meets Marcus, she’s the one who makes the first move, by asking Marcus out on a dinner date. Over dinner at a restaurant, Eva says that she hasn’t dated anyone in two years, while Marcus says that he’s a “born-again virgin.” While they’re trading “celibates are us” stories, their waitress asks Marcus and Eva if they are celebrating something, because the waitress says that Marcus and Eva look like they’re in happy and in love. No, they look like two actors who aren’t doing a very good job of acting like they have romantic chemistry together.

The movie then fast-forwards three months later. Marcus and Eva are now dating, and they have settled comfortably in their relationship. Marcus takes the big step of giving Eva her own set of keys to his home. Eva tells Marcus, “If I take this, you ain’t getting rid of me.” Marcus replies, “That is the point.” Get used to a lot of simplistic and uninspired dialogue in “The Devil You Know,” because this movie is full of it.

It isn’t until about halfway through the movie that Marcus finds out about Drew’s involvement in the home invasion. While watching a TV news report about the home invasion, Marcus sees assault survivor Kyle being interviewed, and it’s mentioned that a distinctive baseball card collection was stolen from the Gervich family during this robbery. It’s the same baseball card collection that has recently come into Drew’s possession.

When Marcus confronts Drew about it, Drew says he got the card collection from Stacy, who told Drew that Stacy got the card collection from a “crackhead.” Knowing this is stolen property, Marcus calls in an anonymous tip to tell the police that Stacy and Al were probably the robbers/murderers in the deadly home invasion. But if Marcus’ plan was for Stacy and Al to get in trouble, the plan somewhat backfires, because Stacy and Al blame Drew for the robbery, assault and murders.

Drew is arrested and questioned by police, but he vehemently denies to Detective McDonald and the other cops that he had anything to do with the home invasion. Drew is let out on bail. Privately, Drew admits to Marcus that he was the getaway driver, but Drew insists that he had nothing to do with the murders, because Drew says that he was waiting in the car when the assault and murders happened. Considering that three men were seen entering the house, it’s already easy to figure out if Drew is telling the truth or not. And even without that big clue, the title of this movie says it all.

None of this is spoiler information, when so much of the plot is already revealed in the movie’s trailer. The only real mystery in the story is if Marcus and the rest of the family will continue to believe Drew, and if Drew will be punished for his part in the home invasion. “The Devil You Know” is so poorly written, the family is never seen discussing getting an attorney for Drew. Instead, there are several boring scenes that are the equivalent of handwringing, where family members wonder who among them snitched to the police.

There’s not much to the story about the Cowans family to give any background on them and what their family dynamics are. The movie just shows a series of scenes of family get-togethers that have an increasing number of arguments, as tensions begin to rise over Drew’s legal problems. Meanwhile, Al and Stacy are lurking around to make the expected threats to Drew, which can only lead to the inevitable result where not everyone in this trio of robbers will make it out alive by the end of the movie.

For a movie about a family drama to work well, there has to be more than just scenes of conversations strung together. The cast members have to look like they embody these characters in an authentic and believable way. And there has to be more to the story than just the tired, over-used stereotypes of an African American family dealing with someone in the family being accused of a serious crime.

“The Devil You Know” doesn’t care about showing who Marcus is beyond what the movie wants to define him as: someone who’s been involved in addiction and crime and trying to turn his life around for the better, but he gets pulled back into criminal entanglements because of his loser brother. Too many movies and TV shows have gone down that stereotypical route in ways that lack creativity. “The Devil You Know” is just another one of those forgettable movies.

In addition, the drab direction of “The Devil You Know” moves at such a sluggish pace, viewers will have a hard time keeping interest in a story where the characters are underdeveloped, there’s no real excitement or suspense, and the dialogue is bottom-of-the-barrel basic. If people want to see this movie for a lot of action scenes, such as shootouts or car chases, “The Devil You Know” comes up short in that area too. There’s some extreme melodrama thrown into the film in the last 15 minutes, but it’s not enough to save a movie that doesn’t deliver a story and characters that viewers can connect with in a meaningful way.

Lionsgate will release “The Devil You Know” in U.S. cinemas on April 1, 2022.

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