Culture Representation: Taking place in Sydney and briefly in Los Angeles, the action comedy film “The Fall Guy” (based loosely on the 1981 to 1986 TV series of the same name) features a predominantly white cast of characters (with a few African Americans and Asians) representing the working-class, middle-class and wealthy.
Culture Clash: A stunt double gets involved in a crime mystery while he tries to rekindle a romance that he had with the director of his current movie.
Culture Audience: “The Fall Guy” will appeal primarily to people who are fans of the movie’s headliners and over-the-top action comedies that are predictable but have entertaining performances.
Ryan Gosling and Emily Blunt are a great comedic duo and should have had more scenes together in “The Fall Guy.” Their collaborative scenes are the best parts of this uneven action comedy that is over-the-top but doesn’t take itself too seriously. The movie has a crime mystery that often gets overshadowed by the silly and bombastic stunt scenes in the film that don’t have much suspense. However, “The Fall Guy” doesn’t pretend to be anything but breezy entertainment with cartoonish violence and a little bit of an amusing romance.
Directed by David Leitch and written by Drew Pearce, “The Fall Guy” is based loosely on the 1981 to 1986 TV series of the same name. The TV series was an action drama, starring Lee Majors as the title character: a heroic stuntman. “The Fall Guy” movie released in 2024 is very much a tongue-in-cheek comedy that pokes fun at the movie industry and celebrity culture. “The Fall Guy” had its world premiere at the 2024 SXSW Film and TV Festival.
The movie’s title character is Colt Seavers (played by Gosling), an insecure and sensitive stuntman. For years, Colt has worked as a stunt double for an arrogant actor named Tom Ryder (played by Aaron Taylor-Johnson), who takes Colt for granted. Colt’s career and personal life become derailed after a stunt he was responsible for went very wrong on a movie starring Tom. An ashamed Colt then quit the movie business and then went to work as a parking valet at a restaurant in his hometown of Los Angeles.
Colt has another reason to be miserable: He is sad because of the end of an intense fling he had on the movie set with a sarcastically witty camera operator named Jody Moreno (played by Blunt), who seemed to have strong romantic feelings for him too. However, after Colt’s embarrassing stunt mishap that resulted in Colt quitting the movie business, he abruptly cut off contact with Jody. She interpreted it as Colt harshly dumping her.
One day, Colt gets an urgent call from fast-talking movie producer Gail Meyer (played by Hannah Waddingham), who insists that Colt go back to work as a stuntman for a sci-fi action movie called “Metalstorm,” starring Tom as a character named Space Cowboy. Tom’s real-life lover Iggy Starr (played by Teresa Palmer) has the role of Space Cowboy’s love interest in the movie. “Metalstorm” (which is being filmed in Sydney, Australia) also happens to be Jody’s feature-film directorial debut.
Gail says that Jody requested Colt for this job. But when Colt arrives on the “Metalstorm” movie set, he finds out that this request was a lie. Needless to say, Jody is very upset that Colt will be Tom’s stunt double for “Metalstorm.” Jody huffs to Gail about Colt: “I didn’t approve him!” Jody demands that they find someone else to replace Colt. Gail responds, “We literally have no one else.”
Also on the “Metalstorm” movie set is Dan Tucker (played by Winston Duke), who is Colt’s stunt coordinator and best friend. Dan becomes Colt’s sidekick in a lot of shenanigans that happen in the movie. When Tom goes missing, Colt is ordered by Gail to find Tom. Stephanie Hsu has a small and somewhat thankless role as Tom’s personal assistant Alma Milan. Colt also meets Tom’s drug dealer Doone (played by Matuse), who gives an unwitting Colt a drink spiked with a hallucinogenic drug. Colt hallucinates unicorns in a comedy gag that goes on for a bit too long.
During the search for Tom, Colt goes to Tom’s hotel room and finds a dead man in an ice-filled bathtub, The rest of “The Fall Guy” is a combination of a crime mystery and exaggerated action scenes, with plenty of explosions, car chases and violent fights. Colt and Jody have the expected love/hate banter, where they both don’t want to fully admit how much their breakup hurt them. Their relationship goes exactly where you expect it to go. (Watch the end credits for some “surprise” cameos.)
“The Fall Guy” can get a bit annoying at how it seems to be a little too enamored with its stunt scenes, at the expense of developing the more interesting relationship between Colt and Jody. Colt and Jody trade snappy quips, but the movie isn’t completely convincing when it comes to showing how this would-be couple’s feelings are supposed to evolve over time. The jokes in “The Fall Guy” are hit and miss and elevated by the headlining stars’ comedic talent. It’s the type of movie that could have been better but also could have been a whole lot worse.
Universal Pictures will release “The Fall Guy” in U.S. cinemas on May 3, 2024.
Some language in French and Yucatec with subtitles
Culture Representation: Taking place in various parts of Earth, the superhero action film “Black Panther: Wakanda Forever” features a racially diverse cast of characters (black, Latino and white) representing the working-class, middle-class and royalty.
Culture Clash: After the death of King T’Challa, the fictional African nation of Wakanda becomes under siege from various factions, including the secret underwater kingdom of Talokan, that want Wakanda’s help in obtaining the precious metal vibranium.
Culture Audience: “Black Panther: Wakanda Forever” will appeal primarily to people who are fans of the “Black Panther” franchise, the Marvel Cinematic Universe (MCU) and superhero movies that include multiculturalism issues.
In more ways than one, “Black Panther: Wakanda Forever” shows how healing from a tragedy can turn into a triumph. This top-notch sequel to 2018’s “Black Panther” is an epic story of grief, loyalty, greed and the resilience of the human spirit. “Black Panther: Wakanda Forever” should more than satisfy fans of the Marvel Cinematic Universe (MCU) and will inspire repeat viewings. Do people need to see “Black Panther” before seeing “Black Panther: Wakanda Forever”? No, but it certainly helps, especially in understanding the backgrounds of the characters who have the most poignant moments in this sequel.
Directed by Ryan Coogler (who co-wrote the “Black Panther: Wakanda Forever” screenplay with Joe Robert Cole), “Black Panther: Wakanda Forever” puts the women of the fictional African nation of Wakanda in the front and center of a story that also pays respectful tribute to Wakanda’s deceased King T’Challa, played by Chadwick Boseman in 2018’s “Black Panther.” Coogler directed and co-wrote (with Cole) the first “Black Panther” movie, which helps in keeping a consistent tone for “Black Panther: Wakanda Forever.”
The beginning of “Black Panther: Wakanda Forever” shows King T’Challa’s younger sister Princess Shuri (played by Letitia Wright) frantically trying to find a medical solution to save T’Challa, who is dying from an unnamed illness. (Boseman tragically died of colon cancer in 2020. He was 43.) All of Shuri’s efforts don’t work, and T’Challa passes away.
The people of Wakanda have an elaborate funeral for T’Challa that includes mourning his death and celebrating his life. Everyone is dressed in white for this event. At the end of the funeral, T’Challa’s casket floats up into the sky. As explained in the first “Black Panther” movie and in Marvel’s “Black Panther” comic books, Wakanda is a self-sufficient nation that is somewhat of a utopia and where supernatural things can occur. Wakanda is protected by an all-female army called the Dora Milaje.
One year after T’Challa’s death, Shuri and her mother Queen Ramonda (played by Angela Bassett) are grieving, but Shuri has had a more diffcult time trying to move on with her life. Shuri is a genius scientist who blames herself for not being able to find a medical cure that could have saved T’Challa. Much of Shuri’s storyline in “Black Panther: Wakanda Forever” has to do with Shuri’s grief and other traumatic things she experiences in the movie.
Meanwhile, Queen Ramonda has to contend with pressure from different entities that want Wakanda’s help in finding vibranium, a rare metal that has the power to harness kinetic energy. An early scene in the movie shows a regal and confident Ramonda at a United Nations meeting in Geneva, Switzerland, one year after T’Challa’s death. During this meeting with world leaders, Ramonda is told that the United States is disappointed that Wakanda has not shared resources in the quest to find vibranium.
However, Wakanda (a self-sufficient nation that is somewhat of a utopia) has a policy not to get involved in other nations’ politics, and Ramonda reiterates that fact. She also has members of Dora Milaje bring in some captives: several men who tried to invade one of Wakanda’s member facilities that handles vibranium. A flashback shows how members of the Dora Milaje captured these invaders. Ramonda’s sternly tells the assembled officials that she knows that a member state of the United Nations was probably behind this attack, and this capture serves as an “olive branch” warning for this attack not to happen on Wakanda again.
Meanwhile, a U.S. ship in the Atlantic Ocean has been looking for vibranium underwater. The ship then experiences something unexpected and bizarre. Crew members of the ship seem to go into a daze and start jumping off of the ship to their death. And then, a group of blue-skinned people rise out of the ocean and attack the ship. The attackers’ leader is dressed like a Mayan king and has wings on his feet that allow him to fly. Viewers later find out that his name is Namor (played Tenoch Huerta Mejía), and he’s the ruler of Talokan, a hidden nation under the sea.
One evening, back in Wakanda, Ramonda and Shuri have a heart-to-heart talk on a beach. Ramonda is concerned about Shuri’s emotional well-being because Shuri seems to be deeply depressed. Shuri tries to brush off her mother’s concerns. Ramonda says she has a secret about T’Challa that she wants to tell Shuri. But just as she’s about to tell Shuri, Namor appears out of the water.
Namor is not there to pay a friendly visit. He essentially tells Ramonda and Shuri that Talokan needs Wakanda’s help to defend themselves from extinction and to get vibranium. If Wakanda refuses to help, Talokan will declare war on the world, and Wakanda will be Talokan’s first target. A stunned Ramonda tells Namor that Wakanda does not get involved in other people’s wars and refuses to give in to his demand. Namor leaves and ominously says that he will return in one week.
Meanwhile, CIA operative Everett K. Ross (played by Martin Freeman) reprises his role from 2018’s “Black Panther.” Everett is an ally to Wakanda but he gets into conflicts about it with higher-ranking agent Valentina Allegra de Fontaine (played by Julia Louis-Dreyfus), who is pressuring Wakanda to cooperate with the U.S. government to find vibranium. Valentina (who communicates with a brittle, sarcastic tone) has another, more personal connection to Everett that is revealed in the movie.
Also reprising their roles from “Blank Panther” are Okoye (played by Danai Gurira), the courageous leader of the Dora Milaje; Ayo (played by Florence Kasumba), a powerful enforcer of the Dora Milaje; M’Baku (played by Winston Duke), the leader of Jabariland, Wakanda’s isolated region known for its snow and mountains; and Nakia (played by Lupita Nyong’o), who is the best spy in Wakanda’s history and T’Challa’s former love partner. New to the Dora Milaje team is Aneka (played by Michaela Coel), a high-ranking member.
During the course of the story, Shuri and Okoye travel to Haiti, where viewers find out that Nakia has been living for the past six years. In Haiti, Nakia has been working as a teacher of children in elementary school. Shuri and Okoye have to plead with Nakia to come back to Wakanda to help them, but Nakia is very reluctant to go back. Why did Nakia leave Wakanda? And why is Nakia reluctant to go back? Those questions are answered in the movie.
Wakanda also has another ally, who finds herself involved in this brewing war through no choice of her own. Her name is Riri Williams (played by Dominique Thorne), a brilliant 19-year-old MIT student and aspiring scientist. Riri and Shuri are thrown together in circumstances where they have to learn to work together. Riri is sometimes overwhelmed by the danger that comes her way, but she can be counted on to come up with helpful ideas. She has a sassy personality that is the comic relief in the movie.
Meanwhile, Namor has been assembling his own troops to prepare for war. His two main sidekicks are Talokan’s strongest warrior Attuma (played by Alex Livinalli) and Talokan’s most fearless warrior Namora (played by Mabel Cadena), who have unwavering loyalty to Talokan and their leader, Namor. At one point in the movie, viewers find out more about Talokan and Namor’s backstory to explain why he is on such a brutal revenge mission.
“Black Panther” won Academy Awards for its production design (led by Hannah Beachler) and its costume design (led by Ruth E. Carter), with Beachler and Carter both leading the same teams for “Black Panther: Wakanda Forever.” The production design for “Black Panther: Wakanda Forever” is even more elaborate and awe-inspiring, particularly in how Talokan was designed. (It looks like an underwater Mayan paradise inspired by Atlantis.) The costume design for “Black Panther: Wakanda Forever” is also Oscar-worthy, although many of the Dora Milaje costumes are understandably the same or similar to as they were in “Black Panther.”
“Black Panther: Wakanda Forever” has better visual effects than “Black Panther.” The cinematography is also an improvement over the first “Black Panther” movie, particularly when it comes to the scenes in Talokan and some of the camera angles during the fight scenes. Every action sequence looks believable, given the characters’ superpowers. But all of these dazzling components to the film would be wasted if the story wasn’t compelling and the acting performances weren’t up to par.
Shuri becomes the heart and soul of “Black Panther: Wakanda Forever,” as she comes to terms with T’Challa’s death; faces doubts and moral dilemmas about where he should put her loyalties; and sometimes clashes with her strong-willed mother Ramonda on decision to make about Wakanda’s future. Wright gives a standout performance in having to convey a wide myriad of emotions of someone who is the heir to the throne but has inner and exterior conflicts about her leadership, while living in the shadow of T’Challa and his legacy.
Bassett is also noteworthy in her performance as Romanda, who has to find a way to reconcile her pain with a possible new direction for Wakanda. Huerta Mejía a gives solid performance as the movie’s villain, who is alternately stoic and filled with rage. Namor isn’t the most fearsome villain of the MCU, but his backstory will make viewers see that underneath his anger is a lot of personal pain and pride for his people.
Because of the real-life death of Boseman, there are expected tearjerking moments when the movie shows flashbacks of T’Challa. There’s also the brief return of another major character from the first “Black Panther” movie, with the character appearing to Shuri in a vision. A mid-credits scene (there is no end-credits scene) in “Black Panther: Wakanda Forever” shines a bright light of hope for the future of Wakanda, but it’s with a bittersweet tone that T’Challa is immensely beloved and will always be missed.
Marvel Studios will release “Black Panther: Wakanda Forever” in U.S. cinemas on November 11, 2022.
Culture Representation: Taking place in an otherworldly dimension, the dramatic film “Nine Days” features a racially diverse cast of characters (white, black, Asian and Latino) representing souls who can observe humans on Earth.
Culture Clash: A “soul gatekeeper” must decide which one among five soul candidates will get to be reborn as a human on Earth.
Culture Audience: “Nine Days” will appeal primarily to people who are interested in watching thoughtful dramas about what spiritual life could look like before being born.
What if you were given the responsibility of deciding which souls could be born into humans? And what if you were one of those souls who had to be evaluated as “worthy enough” to be chosen? Those are the questions facing the main characters of writer/director Edson Oda’s feature-film directorial debut “Nine Days,” a somber-yet-hopeful meditative film about the existence of spirits in a dimension where they are chosen to either continue their lives in a human being or disappear entirely.
It’s a heavy burden for anyone to bear, so it’s no wonder that “soul gatekeeper” Will (played by Winston Duke) takes it so seriously, he almost never cracks a smile during the entire story. Will exists in an unnamed dimension that looks like an outpost house in a remote area, where he spends a lot of his time looking at several stacked-up TV monitors at once. (“Nine Days” was actually filmed in Utah.) Each TV monitor shows Will what’s going on at that moment in the lives of various people on Earth. The monitored people’s entire lives are recorded from birth to death on VHS tapes (yes, you read that right), so Will has a massive archive of people’s histories.
There’s one monitored person in particular who has a profound effect on Will. She is a 28-year-old successful violinist named Amanda Grazzini (played by Lisa Starrett), who was a child prodigy and is described as “emotionally strong.” That’s why it’s a shock to Will when Amanda commits suicide by driving her car into a wall. This tragic death happens early on in the movie and is the catalyst for what happens in the rest of the story, so it’s not really spoiler information.
Amanda’s suicide sends the usually unflappable Will into an emotional tailspin. With her soul having left Earth, Will now has to decide which soul will be born on Earth, to replace Amanda’s life that was taken away. Five soul candidates arrive at the house and are interviewed separately by Will.
Each candidate is evaluated for nine days. All of the candidates are told that after this nine-day evaluation process, anyone who isn’t chosen will then cease to exist. Each rejected candidate gets to decide on a personal ultimate fantasy that will get fulfilled as a sendoff.
The five candidates are:
Mike (played by David Rysdahl), a serious soul who is prone to worry a lot.
Maria (played by Arianna Ortiz), a shy soul who’s somewhat afraid of trying new things.
Kane (played by Bill Skarsgård), an arrogant soul who thinks he’s smarter than everyone else.
Alexander (played by Tony Hale), a wisecracking soul who can be neurotic and insecure.
Emma (played by Zazie Beetz), a “free spirit” soul who is naturally inquisitive.
Will has a friendly co-worker named Kyo (played by Benedict Wong), who is not as uptight as Will. Kyo’s job is to give his opinion to Will on whether or not Will has chosen well. Even though Will has a monumental task of deciding which souls will live and which will cease to exist, “Nine Days” makes it clear that Will is not God or some other supreme being. In fact, at one point in the story, Will describes himself as “a cog in the wheel.”
The candidates are told they must answer certain questions about what they would do when faced with certain ethical dilemmas. Will assures them that there are no right or wrong answers, but they must answer truthfully. All of the candidates except for Emma answer the questions.
Emma tells Will that she can’t answer the questions because she doesn’t know how what her answer would be in these ethical dilemmas. Emma also replies to Will’s questions with more questions. This back-and-forth conflict irritates Will, but it also intrigues him.
During this evaluation process, the candidates are encouraged to look at the TV screens to watch the lives of three people on Earth: Rick Virgil (played by Sterlin English), a 14-year-old who is being bullied; Luiza Coolin (played by Erika Vásquez), a newlywed; and Fernando Pereira (played by Álvaro Cortez), a police officer.
“Nine Days” is a richly layered film that might be too much to wade through for people who prefer more straightforward stories about life in other dimensions. The acting is solid all around, but the heart of the movie is in how Will and Emma get to know each other better. Will has a dark secret that is hinted at and eventually revealed. It explains a lot of his angst. If viewers are willing to tolerate the slow pacing of “Nine Days” and immerse themselves in this fascinating story, then they will be rewarded with seeing a movie that will inspire existential thoughts that go beyond the movie’s 124 minutes.
Sony Pictures Classics released “Nine Days” in New York City and Los Angeles on July 30, 2021. The movie’s theatrical release expanded to more U.S. cities on August 6, 2021.
The Marvel Studios film “Black Panther” is set to have the largest-ever opening weekend for a Marvel superhero movie so far, and probably the biggest opening weekend of all time for a February release . According to Fandango and several media outlets, “Black Panther” (which opens on February 16, 2018) is projected to have an opening weekend of at least $150 million at the U.S. box office alone.* (“Avengers: Infinity War,” which is scheduled for release on May 4, 2018, could break that record.)**
“Black Panther” is Marvel’s first superhero movie with a black character as the headliner. (Let’s not forget that 1997’s “Spawn” starring Michael Jai White and 1998’s “Blade” starring Wesley Snipes were groundbreaking when it comes to black superheroes headlining their own movies.)
In “Black Panther,” Chadwick Boseman stars as the title character, an African prince named T’Challa, who leads a technologically advanced nation named Wakanda. The cast also includes several highly respected black actors, including Angela Bassett, Michael B. Jordan, Danai Gurira, Daniel Kaluuya, Sterling K. Brown, Letitia Wright and Oscar winners Forest Whitaker and Lupita Nyong’o. White actors in the cast include Andy Serkis and Martin Freeman.
Here are five ways “Black Panther” is a game changer in the entertainment industry:
1. “Black Panther” proves that a movie with black people in the majority of the prominent roles can be a major blockbuster without being a comedy.
Before “Black Panther,” the conventional wisdom in Hollywood was that any movie with mostly blacks in starring roles had to be a comedy if it had a shot of making more than $100 million at the box office. (For example, 2017’s “Girls Trip.”) Although black or multiracial actors such as Kevin Hart, Dwayne Johnson and Zoe Saldana have made great strides in having starring roles in big hit movies, these movies usually have casts of multiple races in the most of the prominent roles. “Black Panther” shatters the stereotype that hit movies with mostly black stars have to be low-budget and/or a comedy.
2. “Black Panther” proves that a movie with a mostly black cast can get outstanding positive reviews—and it’s not a heavy drama about racism or the oppression of poor black people.
Let’s face it. A lot of movies with mostly black casts are saddled with the negative stereotype of having substandard filmmaking or appealing to a limited audience. It’s why movies that star Tyler Perry, Gabrielle Union, Sanaa Lathan or anyone from the Wayans family tend to get reviews that are mixed but usually negative. “Black Panther” has been getting rave reviews from those who have seen it before the movie’s theatrical release. The Internet has made it much easier for people to share information and commentary about movies, so the advance positive buzz has only helped drive ticket sales.
On the flip side, critically acclaimed dramas with mostly black actors tend to be statement-heavy period films about racial or social oppression, such as “Twelve Years a Slave,” “Selma,” “Fences” and “Hidden Figures.” “Black Panther” is an entertaining thrill ride, first and foremost, and is not meant to be a history lesson on the black experience. Far from being poor and/or oppressed (which is often the case with most black protagonists in black-centric movie dramas) , the black protagonists in “Black Panther” are respected leaders, innovators and royalty.
3. Black Panther” proves that blockbuster superhero movies can and should have talented people of color working behind the scenes in high-ranking positions.
“Black Panther” is directed by Ryan Coogler, the critically acclaimed African-American filmmaker who previously helmed the 2015 boxing movie “Creed” (a spinoff of the “Rocky movies”) and the 2013 indie drama “Fruitvale Station.” Coogler co-wrote the “Black Panther” screenplay with Joe Robert Cole, an African-American whose previous screen credits were the 2011 independent film “Amber Lake” and two episodes of the 2016 miniseries “The People v. O.J. Simpson: American Crime Story.”
Other African-Americans who have prominent behind-the-scenes roles on “Black Panther” include executive producer Nate Moore, production designer Hannah Beachler and costume designer Ruth E. Carter. In addition, several of the hair and makeup artists for “Black Panther” are African-American.
And just like “Wonder Woman” (directed by Patty Jenkins) proved in 2017, the biggest superhero movie of the year does not have to be directed by a white male. The type of inclusion shown for the “Black Panther” crew is a step in the right direction for blockbuster movies to have more diverse, qualified team members who work behind the camera. “Black Panther” is the type of movie that appeals to a diverse audience, and the people who make these kinds of movies should also be a reflection of that diversity.
4. “Black Panther” proves that a major blockbuster movie with a mostly black cast is not a “fluke” or a “fad.”
This is not a one-hit wonder. This not a passing trend. You don’t have to be a genius to know that “Black Panther” will spawn many sequels, prequels and/or spinoffs for years to come—not to mention all the money from merchandising, home video sales and other business revenue. “Black Panther” could also pave the way for more non-Caucasian superheroes to get their own headlining films.
5. “Black Panther” proves that a superhero movie with black actors in the most prominent roles can have massive international appeal.
Movies with a mostly black cast are often mischaracterized as appealing mainly to African-American audiences and hard to sell to countries outside of North America. The unquestionable global success of “Black Panther” blows away that stereotype. Movie audiences have spoken in their choices of what tickets to buy, and the message is loud and clear: They are hungry for more variety—and if it’s high-quality, that’s even better.
*February 20, 2018 UPDATE: According to Box Office Mojo, “Black Panther” had $202 million in ticket sales at the U.S. box office from February 16 to February 18, 2018, and $242 million at the U.S. box office from February 16 to 19, 2018 (counting the Presidents Day holiday). This breaks the opening-weekend box-office records for movies that opened in February; superhero movies headlined by a solo character; movies that opened on a holiday weekend; movies that opened on a four-day weekend; and non-sequel movies.
**March 1, 2018 UPDATE: Marvel has changed the release date for “Avengers: Infinity War” from May 4 to April 27, 2018.