Review: ‘All Quiet on the Western Front’ (2022), starring Felix Kammerer, Albrecht Schuch, Aaron Hilmer, Moritz Klaus, Edin Hasanovic, Daniel Brühl and Devid Striesow

March 12, 2023

by Carla Hay

Felix Kammermer in “All Quiet on the Western Front” (Photo by Reiner Bajo/Netflix)

“All Quiet on the Western Front” (2022)

Directed by Edward Berger

German and French with subtitles

Culture Representation: Taking place in Germany and France, from 1917 to 1918, the World War I dramatic film “All Quiet on the Western Front” (based on the novel of the same name) features an all-white cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A teenager loses his innocence after he becomes a soldier in the German Army during World War I, while a ruthless general and a liberal politician have different ideas about how Germany should handle the war. 

Culture Audience: “All Quiet on the Western Front” will appeal primarily to people who are fans of realistic war movies and Erich Maria Remarque’s 1929 novel of the same name.

Daniel Brühl (pictured at far right) in “All Quiet on the Western Front” (Photo by Reiner Bajo/Netflix)

Told from a German perspective, this version of “All Quiet on the Western Front” is the most brutal and harrowing in showing the horrors of World War I. The movie has well-crafted technical assets, but the personalities of the characters are underdeveloped. The main protagonist is a teenage German soldier. The actor portraying this character has less than 15 minutes of dialogue in this 147-minute movie.

Directed by Edward Berger, the 2022 version of “All Quiet on the Western Front” is based on Erich Maria Remarque’s 1929 novel of the same name. Berger co-wrote the adapted screenplay with Lesley Paterson and Ian Stokell. It’s the third movie version of the novel, following the 1930 version (directed by Lewis Milestone) and the 1979 TV-movie version (directed by by Delbert Mann).

The first two movie adaptations of “All Quiet on the Western Front” were American-made and starred American actors portraying Europeans. The 2022 version of “All Quiet on the Western Front” (which was filmed in the Czech Republic) is a German production and has German actors in the majority of the starring roles. The movie had its world premiere at the 2022 Toronto International Film Festival.

In the 2022 version “All Quiet at the Western Front” (which takes place in Germany and France from 1917 to 1918), viewers see the transformation of teenage German soldier Paul Bäumer (played by Felix Kammerer) from being a naïve recruit who’s eager to participate in the war to an emotionally devastated war veteran who has been worn down by all the death and destruction around him. Meanwhile, the movie shows how two very different government officials have contrasting views on Germany’s actions during this war. One is a liberal politician who wants to negotiate to end the war, while the other is a ruthless general who wants Germany to win the war at any cost.

“All Quiet on the Western Front” begins in early 1917, by showing a young German soldier named Heinrich Gerber (played by Jakob Schmidt) fighting on a battlefield. The movie does a freeze-frame, right when he’s about to attack a French soldier. What happened?

Viewers then see that Heinrich has died, because his body is dumped in a truck that is transporting the corpses of other German military men. The movie then shows that Henrich’s former military uniform has been sent for repairs to a factory in Germany. His name tag is still on the uniform.

In the spring of 1917, quiet and amiable 17-year-old Paul is joyously celebrating his graduation from an all-boys high school at a ceremony attended by by fellow classmates. The school’s headmaster gives the graduates a patriotic pep talk about Germany’s involvement in World War I. Whether or not Paul was thinking about joining the German Army before this pep talk, Paul enlists in the army soon after his graduation.

When he gets his military uniform, Paul notices right away that it has the name tag Heinrich Gerber. He tells the person who gave the uniform to Paul that there must be a mistake, because he was given someone else’s uniform. The uniform is taken away, and Paul is given another uniform. Paul is given an explanation that the uniform that Paul was given by mistake was probably discarded by the previous owner because the uniform was too small.

Of course, viewers (but not Paul) know that the Henrich is dead. And the fact that the German Army is recycling a dead man’s uniform is a symbol of how impersonal and “assembly line” a war can be, in terms of how thousands or millions of soldiers on the front line are treated. Paul is about to find out the hard way that he’s just another number in this vicious war. The movie also shows this “assembly line” symbolism when Paul is assigned the task of collecting military identification tags from dead bodies on battlefields.

Paul and his troop are eventually sent to France, which is occupied by Germany at this time. The expected horrific battle scenes ensue, with graphic depictions of killings and other deaths during combat. But amid the madness and mayhem, Paul bonds with some of his fellow soldiers. The movie’s brightest and most endearing moments come from scenes showing these friendships.

One of Paul’s army buddies is Albert Kropp (played by Aaron Hilmer), who is about the same age as Paul and who becomes Paul’s best friend in this war. Albert, who sees himself as somewhat of a charming ladies’ man, often talks about how he can’t wait for the war to end so he can go back to being around women. As a new recruit, Albert is terrified and very nervous, compared to Paul, who starts off being very enthusiastic and confident about serving his country in this war. But that confidence is then destroyed by several traumatic experiences.

Four other men from Paul’s troop become part of a tight-knit circle of close acquaintances, including Paul. Stanislaus “Kat” Katczinsky (played by Albrecht Schuch), who is in his 30s, likes to portray himself as a cocky “alpha male” type. However, there’s a very poignant scene where Kat (who cannot read) asks Paul to read a letter from Kat’s wife. The letter reveals that Kat’s somewhat arrogant demeanor actually masks a lot of personal pain.

Two of Paul’s classmates from high school are also part of the troop: Franz Müller (played by Moritz Klaus) and Ludwig Behm (played by Adrian Grünewald). Ludwig doesn’t hesitate to show how afraid he is about being in combat. While hiding out with other troop members in a bunker, Ludwig cries out for his mother. He gets some insults from a few of the soldiers, who think Ludwig is being wimpy, but Paul can understand this fear because he feels it too.

Tjaden Stackfleet (played by Edin Hasanovic), who is in his late 20s or early 30s, is a military police officer who dreams of being promoted to the position of corporal. Kat scoffs at Tjaden by saying, “You’ll never be a corporal.” Tjaden (who is deeply insecure) takes this comment as a personal insult but attempts to brush it off, so as not to let it show how much this comment hurt his feelings.

Through it all, Paul tries to hold on to his humanity when the harsh realities of war fighting force Paul and other people in combat to do some very inhumane things. Just like almost every movie that has a lot of war combat scenes, the soldiers face moral dilemmas and have to make split-second decisions that could mean life or death. And for all-male troops, there are machismo issues about who can look the toughest and the bravest.

“All Quiet on the Western Front” is not subtle at all in contrasting the filthy and dangerous living conditions of the soldiers on the front lines of combat and comparing all of it to the pampered and safe living conditions of the leaders who cause these wars. The movie cuts back and forth betwen these contrasts in several scenes. It’s a way to put an emphasis on who really benefits financially from war, which can be a profitable business for some people.

Libeal politician Matthias Erzberger (played by Daniel Brühl) wants to end the war by having Germany peacefully negotiate with France. He meets with France’s Marshal Ferdinand Foch (played by Thibault de Montalembert), who offers a deal that is non-negotiable, with Germany given a deadline of 72 hours to respond to the deal. Erzberger is put in a tough situation: He doesn’t want to give in to these demands too easily, because he knows he might be branded as a traitor to Germany. France’s Generalmajor Maxime Weygand (played by Gabriel Dufay) also plays a role in these tense German-French war discussions.

Being open to negotiating a truce is in direct contrast to what’s desired by General Friedrich (played by Devid Striesow), who is usually shown dining in mansions that are far removed from the war. General Friedrich wants to use the war for his own personal gain, so that he can achieve military glory and all the financial rewards and fame that come with it. Needless to say, General Friedrich is fanatical about Germany winning the war, no matter what the human cost of Germans who die.

“All Quiet on the Western Front” has top-notch production design, cinematography, original score music and sound editing/sound mixing. Where the movie isn’t as stellar is in some of the film editing (which makes the story look a little choppy and abrupt in some scene transitions) and in the screenplay, which has dialogue that tends to be over-simplistic. The screenplay makes many of the movie’s principal characters a little too vague or stereotypical.

Most of the perspective of “All Quiet on the Western Front” comes from Paul, but viewers don’t really get to know a lot of basic things about him during this lengthy film. For example, the movie never shows or tells who Paul’s family is, or what Paul wants to do with his life after the war. And because he doesn’t talk much in this movie, the Paul character could have easily been no more complex than a character in a video game.

However, thanks to the admirable talent of Kammerer in the role of Paul, this character becomes more than just a generic soldier. Kammerer (who has a background in theater/stage acting) makes his feature-film debut in “All Quiet on the Western Front.” He is very effective at showing Paul’s feelings through his eyes, facial expressions and body language.

Paul is the heart and soul of the movie, but it’s a heart and soul that the filmmakers have shrouded in a certain amount of mystery. Even with some things about Paul remaining enigmatic, there’s no mystery over how emotionally shattered Paul becomes during the course of this story. By the end of “All Quiet on the Western Front,” viewers will be emotionally affected too, no matter what people think about war.

Netflix released “All Quiet on the Western Front” in select U.S. cinemas on October 7, 2022. The movie premiered on Netflix on October 28, 2022.

Review: ‘Bunker’ (2023), starring Eddie Ramos, Luke Baines, Julian Feder, Patrick Moltane, Michael Mihm and Quinn Moran

March 6, 2023

by Carla Hay

Luke Baines and Eddie Ramos in “Bunker” (Photo by Nancy J. Parisi/Blue Fox Entertainment)

“Bunker” (2023)

Directed by Adrian Langley

Culture Representation: Taking place in an unnamed city in Germany during World War I, the horror film “Bunker” features a nearly all-white cast of characters (with one Latino) representing the working-class and middle-class.

Culture Clash: A group of American and British military men find themselves trapped in a bunker with a mysterious German soldier, and it isn’t long before they find out that something evil is lurking in the bunker. 

Culture Audience: “Bunker” will appeal primarily to people who are interested in watching horror movies that take place during a war, no matter how poorly made and dull the movies are.

Patrick Moltane in “Bunker” (Photo by Nancy J. Parisi/Blue Fox Entertainment)

An evil creature isn’t the only thing that’s hiding in the World War I horror movie “Bunker,” because a good story and credible acting are nowhere to be found in this dreadfully dull misfire. The last 15 minutes of the movie are especially awful. The vast majority of “Bunker” is an unimaginative and repetitive depiction of World War I soldiers trapped in a bunker and being in various states of denial that something evil is lurking in the deep recesses of the bunker. At various times, some of the trapped military men start vomiting up a milky white substance, which is supposed to be scary, but it just looks like they have dairy indigestion.

Directed by Adrian Langley and written by Michael Huntsman, “Bunker” is a movie based on a half-baked idea that obviously got made into a movie because the filmmakers had nepotism connections. Michael Huntsman’s father, James Huntsman, who is one of the movie’s producers, owns Blue Fox Entertainment, the distributor of “Bunker.” It’s not that original to do a horror movie about people being trapped somewhere with something evil, but some not-very-original horror movies that have this concept end up being noteworthy because the story is genuinely scary and well-crafted. Unfortunately, “Bunker” has none of the qualities that could have made it an entertaining thriller.

“Bunker” (which takes place an unnamed city in Germany during World War I) is filled with a lot of cringeworthy dialogue and even worse acting. (“Bunker” was actually filmed in Buffalo, New York.) It’s a story so poorly conceived, limited in scope, and shallow, it’s barely enough to make a short film. Instead, viewers will have to sit through 108 minutes of watching military men trapped in a bunker and doing the stupidest things possible in their attempts to escape.

The military men, who are British and American, are trapped in this bunker after going on a mission to No Man’s Land to attack Germans. There’s no explanation for why this military unit is a mixture of British and Americans. The unit’s leader is Lieutenant Turner (played by Patrick Moltane), a pompous Brit who acts like a know-it-all when he’s actually the one who shows the least common sense. Moltane’s acting, which is very hammy yet stiff, is easily the worst in this movie that’s a cesspool of mediocre-to-terrible performances.

The men under Turner’s command are Private Segura (played by Eddie Ramos), a courageous medic from the U.S. 90th Infantry Division the U.S. Army; Private Baker (played by Julian Feder), a terrified American teenager, who has recently joined the military; Private Gray (played by Michael Mihm), a racist British bully; Private Lewis (played by Quinn Moran), a very religious Brit; and Lance Corporal Walker (played by Adriano Gatto), a paranoid American.

Before getting trapped in the bunker, Segura and Baker had a harrowing experience above ground, when Baker was attacked by a German soldier (played by Samuel Huntsman), who appeared to be dead on a battlefield. Segura came to the aid of a wounded Baker, who stabbed the attacker to death in self-defense. It’s the first time that Baker has killed someone, and he is haunted by the experience.

However, the movie deals with this trauma in glib and superficial soundbites. Later, when Baker confides in Segura about how much this killing is disturbing Baker, this is Segura’s response: “Compassion is lost in conflict. It’s you or them.” Baker then says of war combat, “I just shouldn’t be so thoughtless.” It’s an example of the movie’s atrocious dialogue.

The men find the bunker, but get trapped inside when bombing above ground causes an avalanche of rocks to block the bunker entrance. There’s a radio inside the bunker, but Turner gets angry when Segura uses the radio try to call for help. Turner shouts at Segura: “You’re not here to think! You’re here to follow my orders!”

Turner says that calling for help is “sacrificing our defenses,” because it could alert the enemy. Instead, Turner’s plan to escape is for the men to randomly dig an underground tunnel, even though they have no idea where the digging will lead. The digging is also counterproductive, because they need to go above ground, not further underground.

Meanwhile, the men find out that there’s someone else who’s already in the bunker: a barely conscious German soldier named Kurt (played by Luke Baines), whose hands have been nailed to a cross. The men remove Kurt from this crucifix and try to get him to talk. Segura gives Kurt medical aid. At first, Kurt stays mute and pretends that he doesn’t know English. Eventually, Kurt stops this charade and begins communicating in English, mostly with Segura.

The movie has a foreshadowing of the mayhem to come before the men go on their unlucky trek to No Man’s Land. Gray tries to scare Baker by ominously saying that there’s a legend that the ghouls of No Man’s Land will kill people: “They’re not afraid to fill the trenches, looking to fill their bellies with the tastiest meat.” And in case it isn’t made clear that Gray is a racist, he calls Segura a “greaser” and treats Segura with disdain.

The visual effects in “Bunker” are straight out of the Corny Horror Movies Handbook: As soon as the men get trapped in the bunker, a mysterious cloud of smoke suddenly appears and seems to be moving in their direction. A milky white substance keeps getting vomited up by some of the men. One of the men vomits up this milky white substance that’s mixed with something resembling a deformed squid, but dimwit leader Turner keeps denying that something is seriously wrong.

Meanwhile, the men soon run low on food and water. The only rations found in the bunker are grossly spoiled and inedible. In this dire situation, Turner (like a fool) orders the men to keep digging, when the men should be using their energy for a better escape plan. Kurt is usually shown smirking and giving creepy stares, which make it obvious that Kurt knows more than he’s telling.

Segura secretly continues to use the radio to call for help, and he makes contact with a British military officer. But viewers who are good at voice recognition can easily tell who’s behind the voice that’s communicating with Segura, who apparently is too dimwitted to notice. Therefore, when something is revealed about the radio, it should come as no surprise. And during this crisis, Segura makes time to write in his journal, which is supposed to add gravitas to the last shot in the movie.

“Bunker” is a slog of tired horror clichés of shallow characters trapped somewhere, with predictable conflicts and deaths. The movie has a melodramatic musical score that’s supposed to evoke movie thrillers of the World War I era, but this music just sounds bombastic and overly contrived. Segura is obviously supposed to be the most heroic person in the group (and Ramos is adequate in his efforts to make this character believable), but there’s no character development or real insight into anyone in “Bunker.”

The film editing of “Bunker” is often sloppy, while the movie’s cinematography has very inconsistent lighting that blinks at certain moments, in the movie’s lukewarm attempt to create a foreboding atmosphere. The movie’s cinematography often makes the bunker look more like a kiddie haunted house instead of a genuinely terrifying place. “Bunker” makes no effort to craft a cohesive story or interesting personalities for these characters. As for the evil lurking in the bunker, don’t expect an explanation for it either—just like there’s no good explanation for why this movie exists, except as an example of how nepotism in the movie industry can sometimes result in bad movies getting made.

Blue Fox Entertainment released “Bunker” in select U.S. cinemas on February 24, 2023.

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